#<- its helped me a lot tbh

[tacochippy]

I have a folder on google photos called "i deserve a life filled with love, joy, and donuts" and its full of a bunch of nice things poeple have said to me or about me. i read it soemtimes when i feel worthless. HIGHLY recommend

[cacaocheri]

we both deserve to be happy

in case anyone is wondering, it gets easier. it gets so so much easier and i hope you find the love you're looking for

[ink-the-artist]

I love your artwork so much! Your colors are so vibrant and none of the white speckles in the paper ever shows, its so impressive and I really dig it! I was wondering if you use any sort of blending medium? Like baby oil or anything? Either way, I really enjoy looking at your artwork and I'm always excited to see whatever you'll make next

I use a colorless blender (prismacolor, which is wax-based so baby oil probably wouldnt work) but my scanner is also rly bad about picking up white specks in a way photographing the art with my phone isnt, so I usually have to do some digital editing to get rid of them as well.

I do this by duplicating the layer, setting the one on top to "darken," and using the mixer brush to blend out the white spots + just use the eyedropper tool to select the color of that area (needs to be a slightly lighter shade of it) and color over the white spots with the brush tool

i edited a small bit of the original scan to show what i mean

original:

with the edited layer:

heres how it looks set to normal instead of darken, I used both the mixing brush and regular brush just to demo it

[catmask]

How do you feel about people taking inspiration from your art/making things with a similar vibe or elements of your work?

its complicated ig!

as a kid id copy a lot of artists id admire to learn how to draw since i didnt have any real 'traditional' art schooling, and i think thats sort of just the natural cycle of being an artist. its normal to follow in the footsteps of people you like/whos styles you admire.

i get sort of uncomfortable when people treat individual artist's styles like a sort of commodity that is solely owned/created by that person, or that can be taken/stolen from someone. in the end of the day if youre capable of drawing it with your own two hands, its still your art. no art exists in a vacuum, and we're all just building off the works we grew up looking up to.

at the same time, ive had people trace my work and not mention it was traced at all, ive had people pretty much piece for piece copy art ive done, worst over ive had people sell commissions that were traces of my artwork...... so, in truth i dont mind 'inspiration' or people taking ideas from things ive made, but everyone defines 'inspiration' so differently i always feel troubled answering this question.

i guess my answer is really, i cant stop you? and i want everyone to have fun drawing! i dont even think tracing is bad if its for practice, genuinely. if taking inspiration means you get broken out of a rut and can enjoy drawing again, then ill be happy to see it. it might feel a bit weird seeing a bunch of people around who draw exactly like me, but at the same time its not really hurting anyone either.

i guess itd just be like going to the grocery store in an outfit one week, and the next week everyones wearing the same outfit. i would not die but i would probably think 'oh! alright' and then go about my day

[sandinmybed]

can i be fr for a minute?? sending abuse to people online for holding different views than you is not activism and in fact actively hurts your cause. most people are not extreme in their viewpoints, you can give them a new perspective if you're willing to spend some time explaining shit. if someone is saying something you disagree with and you rush in there to condescend to them and call them disgusting and subhuman and dont even TRY to explain calmly why their views are harmful, they're going to shut you out instantly and double down on their views.

most people are simply genuinely ignorant to the issues they're talking about - they just pick their views up from the news and the world around them and express opinions because that's what every person does. if you run in there and tell them they're scum for it, what then? if someone does that to you, are you going to think "maybe i should do some research" or are you going to think "this person is an asshole, im blocking them." a lot of you think you're activists and then refuse to do any kind of actual WORK to support your cause.

[poorly-drawn-mdzs]

Hi!! I love this series so much, and as someone who hasn’t really drawn since they were a kid but wants to start as a hobby, do you have any advice for sort of learning to doodle on paper and get better at it? I want to start but I don’t really know how/where

The most important step in getting better at any skill is Persistence and Consistency. Practice and keep practicing! The best way to do that is to keep it fun! Picking a project helps generate ideas (e.g. drawing Pokémon, or characters from a series you like). There are also a ton of monthly prompt lists out there!

I also highly recommend scheduling in a 'drawing/practice' time in your day. For me, I started with 30-60 min before bed (bonus: its a good 'no screentime' activity), and the habit took root there.

There are a lot of 'technical' things to study but find the fun first. At a certain point you will discover you've hit a wall, and have a specific aspect/goal you want to target (colour theory, anatomy, lighting, comic layout). Then it's time to go looking for resources.

Once you have the habit and some goals, go collect some inspiration! Find people who inspire you and study their work!

Another little 'art skill builder' I recommend is the Shrimp Method! Only if you find technical challenges like this fun though (Example of one of my studies below)

[dailyriolu]

A silly guide on how I draw normal Riolu vs My sona

[dvasva]

Tbh? I think the radiant emperor duology deserves more critique than it gets in its tag, so after stewing it over for a couple weeks and also discussing it with my friend, I have decided to do it myself.

So. Spoilers for She Who Became the Sun and He Who Drowned The World ahead.

First off, so nobody accuses me of hating the series, I liked the series. I'd say I'd give the first book a 4.5/5, I thoroughly enjoyed it, and I like both books. I truthfully skipped the fisting scene, it triggered some dysphoria that I wasn't comfortable with personally but I don't have problem with it existing in the book, it's good where it is, no changes.

No, my critiques come mostly from the second book, hwdts. Which sucks because I absolutely loved Baoxiang in it, it's a well known fact that my ideal type is pretty, really mean, characters. ('What about Madam Zhang?!!!???!? Shes mean and pretty!!' I hear you ask. Give it a second cause i will get to my beloved madam zhang) So, my critiques are mostly organized as 'The first part I didn't like in Hwdtw that signals the thing that became my biggest issue, the bits in the middle that i did like along with the bits that I felt didn't really work well, and Act 3 which is where my issues really were exacerbated.'

By the end of book one, I had a general annoyance but acceptance that Ma Xiuying was a bit of a weak character, and not weak as in 'dang shes a woman and cant fight' or any other sexist way you may interpret that, but weak as in structurally, she didn't really have as much depth as other characters. I thought she didn't have as much time put into her character as others. And yeah you could have a million character analysis essays over Ma and her place in the story and etc, but for me, her setup for the next book as potentially having conflict with Zhu or her own morals was the most interesting part of Ma. In general I think a lot of people tend to overlook this flaw partly because Ma is a cis lesbian character and the main 'love interest' in a book that is usually marketed to people as sapphic, which yeah there is certainly a sapphic relationship in the book but I think saying it's a major part of the book is really giving the relationship a load bearing wall ot isn't strong enough to carry. The Radiant Emperor Duology is not a romance, first and foremost. To describe it as a wlw romance is gonna leave people who read ot specifically for that reason kinda dissappointed by the end of book 2.

My big critiques didn't start until book two, and a particular scene, though. Ma, at the start of book two, was generally filling the niche of 'nagging wife' to zhu, which yknow, is a fine place to start from. I was a little disappointed there was no further discussion of Ma's disapproval of the morality of Zhu's actions, and in fact the dead child was pretty much entirely forgotten by Ma in favor of being Zhu's wife. Which, yknow, sure.

The Scene I had issue with happened (Spoilers once again) after Zhu finally captures Ouyang and imprisons him at her base of operations. Ma, dressed in her empressly regalia enters his room with the intention of being the bigger person. She walks in, looks at the stripped down and humiliated general who killed her father and famously is also really a women hater, and tells him she forgives him for killing her father. And then she gets upset and cries when the prideful general who hates women gives her a dressing down and taunts her and is like 'I'm glad I killed your father'? She nearly cries because Ouyang was mean to her (notably only cause he was mean to her and didn't gracefully accept her forgiveness, not because he killed ehr father) and runs off to Zhu. And Zhu responds with 'Wow, he's just a weirdo, everyone likes you and everyone in existance immediately knows you're a good person and you change people.' Which, my friend suggested before she finished the book, was a case of Zhu placating Ma and dismissing her feelings which would be an interesting dynamic.

Really my hangups with this scene come from multiple parts.

1. Ma' few character traits including being observant and reading people really well (a thing she's praised for in book 1) and having good social intuition are completely thrown out by her thinking being alone with ouyang and forgiving him would be a good idea and then her being shocked and upset when he spat on her forgiveness. And

2. Zhu's response is never once treated by the text as her dismissing Ma and placating her, and Zhu's statement despite never being shown to be true before and that moment being the first time it's ever mentioned, ends up becoming Chekov's moral purity by the end of the book, where the plot hinges on Ma being able to magically heal a damaged character's mind enough for Zhu to win in the end. Which I will get back to. There's a lot of other stuff happening between here and the end.

So, before I get back to Ma and her role in the story, I'll address some other bits from after this scene. Both problems and things I enjoyed generally.

Madam Zhang and her parallels to Baoxiang and her being the absolute queen of dissociating really was interesting (before act 3). She was a very compelling character who I completely understood and felt positively about. She had a way more interesting relationship with gender imo than Ma did, especially in book 2. I didn't really like that she was overwhelmingly shown having sexual villence done to her, that felt weirdly like a punishment. But, I did like her a whole bunch, and I liked the look we got into her head. She was probably my second, maybe third, favorite character in the whole book until Act 3.

I really, really liked Ouyangs dynamic and relationship with Zhu. The weird sexual tension between them, their weird kinda nonsexual but also kinda very sexual S&M relationship. It was somehow the most sensual, sexual part of a book that featured Madam Zhang having sex with multiple people, and Zhu going down on Ma, and a lot of other mentions of sex or scenes involving sex. Tbh I feel like, in a way, Ma was left to the sidelines for most of the book because Ouyang became the primary 'love' interest for a hot second there and the only reason Ma could get her spot back was Ouyang and Zbu's separation. Also, from what I've seen when people talk about this book, they always kinda try to express Zhu and Ouyang's dynamic as very nonsexual and nonromantic, as platonic mostly. And there is no inherent superiority of romantic over platonic, but I think to insist that it is only platonic, and not a strange swirl of romantic, platonic, sexual, frustration and relief, and a swirl of familiarity and vulnerability all wrapped into one, is doing the dynamic a bit of a disservice. And ther is, imo, very clearly a subtle hint of romantic intent and interest on Ouyang's part before he realizes Zhu has a body he hates.

Which is also another point I didn't like. Ouyang and Zhu's relationship end felt off. The entire bit with the pirates felt off, but especially how Ouyang found out about Zbu's body, and how Zhu reacted. I think Ouyang finding out second hand, from a combination of being suspicious and from Jiang saying it, was a poor way for that to be revealed. I think there was a better way for that to happen that woyld have felt more like a betrayl to zhu than this did. The fact that Zhu and Ouyang were so in tune and could see each other perfectly, but this one thing was a blind spot for both of them because of how unaffected by gender Zhu was compared to how overaffected by gender Ouyang was is a really interesting thing to explore, an interesting disconnect between two character's whose entire basis for their relationship is 'like recognizes like'. I think Zhu seeing it as a betrayl would have been more impactful if she had presented this informatuon to Ouyang herself and been rejected than how it went down. And, I think her not realizing Ouyang would be disgusted that he felt connected and felt a sameness to someone with a body he found grotesque and that he feared would have been more interesting for zhu, who views herself outside of womanhood and didnt really think that other people would not see her outside of womanhood, if she was the one who told ouyang herself.

Also, less importantly, think going into Ouyangs annoyance that zhu kept moving his target further away was a good move but it wasn't expanded on as much for my taste. I also really liked it when (spoiler) Xu Da dies, and that entire part despite some minir bits, was extremely good in that Zhu finally has tasted loss. She had, up until that point, been riding a wave of positivity, she was the underdog who won over and over again despite all the odds and despite her own reckless choices. So I did appreciate that everything went wrong for her at least once. that would have been, imo if other things were changed, a good place to end a book two in a three book series. Which will make sense as to why I mention it im a bit.

I also didn't like how Ma was nonexistant unless the plot was like 'ok we need to remind people that Ma exists.'

And there's of course other stuff but those are the main points of acts 1 and 2 that i wasn't fond of or that i liked.

Act 3 is a wholely different behemoth which can be encapsulated with 'I wish it was longer but also different' (courtesy of the convo my friend and I had).

My friend and I both agreed that we liked this kind of courtly drama game it was playing. My friend doesn't tend to like the structure or writing style of a lot of the chinese wuxia, danmei, or courtly drama translated books i read, so it was nice to know that the genre content isn't the issue for her there.

The biggest problems I had with the ending though was 1. I think Baoxiang and Ma had an interesting dynamic despite it being really rushed and how distasteful I found the entire concept of Ma being such a good wholesome goody good good person that she could change Baoxiang, quiet his demons and fix him in some way. That was annoying in an otherwise interesting dynamic. And 2. I think Madam Zhang's character traits and cleverness and all that were wiped away to make her inexplicably jealous of Ma in a way that I don't think fit her character and just served to fit a trope of jealous empress who hates the favored concubine.

So, here's my major proposed changes.

1. Ma gets sent to Khanbaliq extremely early on. Like, act one maybe after ouyang is captured early. This serves three purposes. A. Ma has something to do and is more present in the story. this could be a good xhance to let her actually feel frustrated or upset at Zhu in some tangible way that needs to be resolved or talked thru eventually. B. she gets more time to build a relationship with Baoxiang, whose entire defeat hinges on him having a strong connection with her. and C. Her absence in the other parts of the book feel less like she's being ignored or forgotten. It makes Zhu's lack of haste more than just a way to annoy Ouyang, and turns it into an interesting moral choice. Should she rush to Khanbaliq to save Ma or trust that Ma will be ok in favor of gaining power? Her lack of haste means Ouyang leaves, depressed, and she loses Xu Da, all while she doesn't even have the assurance that Ma is ok, she is truly at her lowest point with nobody with her. If Ma is in Khanbaliq and that's explored, then Zhu and Ouyang can also explore their dynamic without Ma feeling a bit like she is battling for Zhu's attention.

2. Madam Zhang is suspicious of Ma, or feels actually tangibly threatened by Ma. In act 3, Madam Zhang's anger towards Ma feels really out of place. She got exactly what she wants, she is empress, her emperor isn't interested in removing her from her position and her position isn't threatened by anyone. Baoxiang won't get rid of her, he won't demote her, he has shown zero sign of ever even considering it. So, why is Madam Zhang jealous of Ma? Imo, especially since she very clearly has dissociated into oblivion and has no love or affection for anyone anymore, and no real desire or motivation to secure her position further aside from maybe producing an heir to make sure shes taken care of after Baoxiang dies, there's no reason for her to be inextricably jealous of Ma. It kinda just erases all of Madam Zhang's political savvy and cunning into jealous, petty woman, and that sucks. If she was suspicious of Ma's intention, or Baoxiang genuinely expressed spmething that actively threatened her position, her hatred of Ma would make sense, but instead she hates Ma cause Ma is ugly and spends every night with Baoxiang. She hated rice buckets concubine cause that concubine used a lot of funds and competition genuinely made her position less stable. She needs better motivation for hating Ma.

3. As I mentioned earlier, Zhu needs to be the one to tell Ouyang that she does not have a dick. That's just all around better, it feels more like a betrayl to bare your secrets and be rejected, etc etc.

4. The duology should have been a trilogy, with book 3 starting when Zhu is at her lowest, ouyang is dead, ma is in khanbaliq, Xu Da is dead, a new guy is the emperor. This is where a book three should have started. in a series that has so many important characters, i feel like it needs more space. she's in a 10 gallon tank when really she needs a 30 gallon tank. Lots of it, especially towards the end of book 2, felt rushed and the extra book will absolutely push that back a bit and make it less rushed.

Anyways that's my critique of The Radiant emperor duology. Once Again, I liked the series, its one of my favorites i've read all year. I don't dislike it, and having a critique or opinion about something doesnt mean I didn't like the book or understand the book (because obviously if i understood it i would understand why its flawless). I liked it, there are things I wish were different, that's it.

[crystalldragon]

I've heard different opinions up until now so I wanted to make a poll about how you all feel about the gw2 community

[nabaath-areng]

mutual orbit

[hyylia]

A DRINK WITH DESTINY ──

botw/totk modern au | rated T major characters: zelda, link summary: for galentine's, zelda and her friends decide to check out hyrule's newest bar, the lost woods. word count: 1695 warnings: alcohol mentions/use

a/n: happy (late) loftwing letters @angelicgarnet! you said you like botw/totk zelink and modern au's so have this modern meet-cute story :) i hope you like it!

read it below the cut or on ao3 → here

It’s five o’clock. The Lost Woods has just opened, and it’s only a matter of time before a crowd makes its appearance. Link’s spent the last hour preparing for it: stocking the bar with an array of cheap liquor and top-shelf alike, cutting garnishes, filling the bin with ice. The Galentine’s event tonight had been his clever idea—a way of bringing in and establishing patrons for Hyrule’s newest bar. 

“Go ahead,” he calls out to the band in the corner, tucked away on a small wooden stage. The head of the band, a tall woman with a dark brown bob, nods her head and readies her violin. Light, traditional Hyrulean folk music fills the silence hanging in the bar, just as the crowd begins to slowly trickle inside. 

“I’ll have a Champion.” A Gerudo woman with long, red hair sits at the bar mere moments later, handing him her card between two fingers. “And a Zora’s Scale for my friend.” Her head tilts in the direction of the shorter redhead who takes up the barstool beside her. Link nods, mindlessly pulling the Champion into a tall glass, slowly falling into the motion of making drinks. “And another friend will be joining us soon. Put her on my tab when she comes in.”

“Sure,” he says easily. “What does this friend look like?”

“You can’t miss her,” the Gerudo says with a knowing smile and a wink. She takes a sip of her Champion, then nudges the Zora beside her to do the same. Link shrugs, turning away to take the order of another woman. 

Eventually, a steady stream of patrons occupy the bar, groups of young women eager to celebrate their friendships and drink on a good deal. The music becomes a background to the loud chatter taking place, and at some point, the Gerudo and Zora leave their barstools with their drinks in hand, mingling with a few others they must know. He turns his attention to his work, focusing solely on getting his drinks just right.

Some time later a voice cuts through the bar. It’s soft and sweet, clear as day to him despite the noise. His attention is shattered at the sound of it. He looks up, distracted.

“Sorry I’m late!” The voice says hurriedly to the Gerudo from earlier, holding a soft blue purse close to her body. She pulls the gold chainlink strap up onto her shoulder with one hand, then runs the same hand through her blonde hair in an attempt to smooth it down into place. From far away, Link can’t hear the rest of the exchange, but he sees the Gerudo wave the apology away. She says something to the woman, then points her towards the bar. Towards him. 

The Gerudo was right; he couldn’t miss this woman.

Link has bartended for years—mostly on the side, only recently full-time. He’s flirted, exchanged phone numbers, the whole nine yards. But she… She is like something out of a fairytale. Her golden hair lays in silky straight strands, bangs clipped out of her face with blue butterfly clips. Her eyes are big and beautiful, green like emeralds and accentuated by dark brown cat-eye liner. The pink gloss on her lips seems to glow, reflecting the dim light around them. She is the first woman to make him feel truly nervous.

“Hi,” her soft voice says. She stands on her tiptoes, leaning over the dark mahogany bar to speak to him. It’s unnecessary. Even with all the noise, his attention is focused solely on her. Listening.

“What can I get for you?” He says, trying to look casual as he pours another cocktail through a strainer. He sits the glass on the bar in one quick, fluid motion towards its recipient.

“Oh. Um.” Her green eyes trail from the drink and over to settle on the framed specials sheet sitting atop the bar. They scan the sheet slowly, taking in every detail. Finally, she frowns. “I’m sorry. I don’t really drink…”

“That’s okay,” he says quickly, sounding maybe a bit overenthusiastic. “Do you want something sweet or dry?”

She chews her lip. “Maybe somewhere in the middle? Probably more sweet I think. But not too sweet.”

He nods. Normally when women don’t know what to order, he makes them a classic. A Castletonian, or a simple Zoran’s with cranberry. It’s hard to go wrong with either of those, and if they don’t like it, well… then he has a better idea of what to make for them next time. Yet, for her—for this goddess standing before him—something else comes to mind entirely. 

He takes a step away from the bar, conjuring the supplies up quickly from the shelf behind him. Her eyes follow intently all the while, taking in each and every motion he makes. For good measure (and maybe because he likes the feel of her eyes on him), he shoves the sleeves to his blue shirt up over his elbows before he continues. The Master Sword tattoo on his right forearm is fully visible now. She seems to smile at the sight of it.

“How long have you guys been open?” she asks. He’s grateful for her attempt to fill the heavy silence hanging between them.

“Just a couple of weeks.”

“Cool…” Her eyes fall away from him now, taking in the scenery around them. They focus on the plants filling every corner, fake vines crawling up the few faux stone ruins around the room. Finally, they land on the band playing in the corner. “I like it. The theme is really cool.”

“Thanks,” he says, sincerely. Then he shrugs. “I’ve been interested in Ancient Hyrulean stuff for a while. I thought it’d make a cool bar concept.”

Her eyes light up, snapping back to him. “Me too! Well, not the bar thing.” She rushes to explain. “That sounded negative. I don’t mean it like that—it’s a cool concept. I just… I’m actually an archeaology major at the university.”

“Really? I thought about going to school for history.”

She leans forward. “Why didn’t you?” 

“I’ve always been bad in school. Trouble focusing, sleeping during class, that kind of thing. I’ve never been super disciplined, I guess.”

“I get it,” she says, but he can tell from the tone of her voice that she doesn’t. No–this woman strikes him as intelligent. She’s probably never made below an A-plus in any of her courses.

He nods without thinking and, with one final motion, garnishes her drink with a simple Silent Princess. It floats lightly on top of the light blue liquid, edible gold glitter shining with every swirl of the martini glass.

“What’s it called?” She wonders aloud as she takes the glass from his hands, peering inside.

“The Princess.” 

Her eyes widen. Her mouth opens, then closes. A dark red flush crawls up her skin.

“Oh,” she says quietly. Then, as if realizing what he’s done, her eyes narrow. She eyes the glass suspiciously. “And do you make The Princess for every fair lady who enters your establishment, sir?” Her faux-royalty accent makes him smile.

“Only for you. It seems fitting.”

Despite the dim lighting, her cheeks burn fiercer. She smiles. 

“Oh. Then thank you.” 

“What’s your name?” he asks finally. It’s his turn to lean against the bar, resting his chin lazily on a hand.

“Zelda,” she says with a soft smile. He widens his eyes. 

Zelda, like the ancient princesses from thousands and thousands of years ago. Either it’s a coincidence or—

“Are you teasing me?”

“No,” she laughs, “that’s really my name. What’s yours?”

“Link.” Her mouth falls open. She laughs harder. It’s a lovely sound and makes his heartbeat quicken. 

“Like the hero?” 

“The very same, actually. My dad was really into military history. Wars and stuff.”

“Well it’s a pleasure to meet you, Hero,” she teases, holding a hand out for him to take.

“Same for you, Princess.” Feeling bold, he pulls her hand closer. His mouth lightly brushes the back of her hand. It hovers. At the very last second, before he pulls away, his blue eyes flick up to meet hers. She dares to hold his gaze. 

They break away only for her to take a sip. 

“Mmm! It’s perfect!” 

“Good.” He gives a lopsided grin, releasing her hand. “I’ll make as many as you wish, Princess. On one condition.”

“And what might that be?”

He points his finger up in the air, towards the rickety wooden sign hanging above the bar. Drink Responsibly. Don’t Get Lost, it says, scrawled in someone’s poor attempt at mimicking Ancient Hyrulean script.

She laughs. “Clever.”

“Thanks.”

“Zelda!” The Gerudo’s voice cuts through the bar. “Come here!” 

“Sorry,” she apologizes, wincing. She hesitates to move away from him. “Thanks again.”

And like that, she’s gone.

—

He’s closing up the bar when something catches his attention. A specials sheet, removed from its frame and torn in half, sits between half-full glasses on the bar. When he peers closer, there’s text.

Thanks for everything. You were really nice tonight. I’d love to get to know you more.  -Zelda

Below the text, a set of numbers is scrawled in pretty handwriting. Her phone number. Link grabs the paper quickly and wastes no time in sending her a text.

—

Her phone buzzes, just as she enters the shared apartment with Urbosa and Mipha. Warm and fuzzy, stumbling slightly from the alcohol, Zelda struggles only momentarily to pull her Slate from the pocket of her jacket. It lights up when she finally does, the notification quickly expanding on her screen.

Hey, it’s Link, the bartender. Thanks for giving me your number, I’d love to hang out some time. :)

Zelda blinks once. Twice. 

“How’d he get my number?” She asks no one in particular. Had she given it to him? Did she forget? It’s possible, she muses. The Princess had been stronger than it’d tasted.

“Sorry, Zel.” Mipha is the first to crack, her voice soft and nervous. “But you should have seen the way you two looked at each other.”

“And, Princess,” Urbosa gently mocks, a wide, mischievous smile spreading across her face. “He’s handsome.”

Zelda can’t say she’s angry.

[redstrewn]

helo artists and anatomy students. need to study anatomy??? wanna see actual real muscles on an actual real body and how they move? there's a video atlas for that which is recommended by my professor and what i personally use to study.

and it's available for free instantly on the internet archive, no borrowing or login or anything

[enhanced-operatives-division]

Head in hands. 'I Spy' with Pulp is such a banger for Zor. It's giving me the urge to finally think about designing them (+ redesigning a couple others..). There's something so good abt some of the lyrics like: "you see I spy for a living // and i specialise in revenge // on taking the things that i know will cause you pain". Like....likee.............

Theres earlier parts that also make my brain tick: "it may look like to the untrained eye // im sitting on my arse all day // I'm biding my time until i take you all on // my lords and ladies, i will not fail // i will prevail, cause i spy"

PLUS the name. That did not help the situation. Alas Different Class by Pulp 🤝 IEYTD Characters. Similar can be said about the Chicago soundtrack but thats a. Whole other ramble

[aaronymous999]

In my opinion if you’re making a “dark, realistic superhero” work, you should always hold some kind of love for the superhero genre, and if you don’t there is no reason to make it. You’re not going to enjoy your characters or have fun twisting the tropes. You’re just gonna have a bad time writing and make something that nobody enjoys.

*cough* The Boys comic *cough*

[rush-valley]

a lil hungy tbh

[nibbelraz]

If your hair (and binghe’s hair) is frizzy in the morning, I recommend a satin/silk bonnet at night. It’s life changing for the morning routine.

(I hc that he wakes with it frizzy tho. no halo can protect the curls from a night of sleep, no matter who you are)

-a fellow curly haired anon.

Anon I owe you my life