#<- does it apply? idk

[firyfox]

"Guys stooooopp the queer coded relationship shouldn't be romantic it would be REDUCTIVE of the significance of their bonnddd" I actually DON'T think making a relationship definitive romantic queer love would ruin or degrade their closeness at all, that seems like a you problem ..

Notice how it's only ever 'they transcend platonic & romantic feelings ! stop putting a restrictive label on it' when it's a queer pairing ..

[dykedvonte]

I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.

I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?

The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.

[nerdy-hyperfixations]

"Ford is intellectually smart and Stan is emotionally smart" is a statement that makes me want to nose dive into academic studies in order to single-handedly redefine the categories of intelligence because that *cant* be right.

[meaningless-mayhem]

Being asexual and possibly aromantic but also being a huge shipper and hopeless romantic is such a wild experience ngl. I'm always freaking out about my favorite ships and giggling internally reading ship fics, getting invested in characters finally kissing or reading about their pining and their love and I think "I want what they have!!"

But then sometimes you have a slamming realization that your sweet shipping scenarios you imagine in your head look totally different irl and that you are extremely aspec.

One time I went down a YouTube rabbit hole and stumbled across Vsauce's "Why Do We Kiss?" video and let me tell you. When I saw that stock video footage of two people kissing each other I was a little flabbergasted lmaooo

[thegracefulwillow]

Will I ever stop making everything purple? (no)

[stealingyourbones]

I was talking to a friend about how good of a father is batman and he argued that if he really was one he would have his family in therapy. Have you read anything like this in any of the issues? All can think of the top my head is that one Young justice episode.

this is in my opinion, but Batman is a nebulously alright father. Bruce both loves and will intentionally hurt his kids if it’s for the greater good and to protect them. He is a comic book character. To make interesting plots you need to have constant drama, wether it be familial or related to the current comic arc, and for that drama to never fully be quelled so you can recycle the same issues over and over. Comic writers benefit from shitty family dynamics and it wouldn’t be profitable if they had an ok family dynamic that was healthy.

With that out of the way, Bruce doesn’t go to therapy. If he does go his therapist would definitely be Harley Quinn. Publicly he might go to a therapist for his Bruce Wayne persona but would flawlessly portray a playboy bachelor and not address any real issues he has to his therapist. I haven’t seen a comic where he either goes to therapy or gains anything from it. I know in the Caped Crusader tv show Bruce goes to Harley and completely avoids feeding her any true problems about himself and walls himself off completely. This is before he has any robins if I can recall.

Hope this helps!

[beanghostprincess]

Actually thinking more about Reiju's only sin being a woman and... Going into more depth, I know that logically/canonically she's smart and empathetic enough to not want to be in her brothers' place. She doesn't want to be an heir/ successor or follow the family's footsteps at all. She knows they're bad. She sees herself as such, too, unable to change/be different like Sanji was. She doesn't think she can bring her mother's kindness to this world the way Sanji does, so she sticks to what she knows, whether it is to protect Sanji too or to accept her fate.

BUT (and bear with me for a second here, I know I have been watching too much Succession lately) we also do know that during her childhood she didn't do anything to help Sanji from the abuse. She watched it happen because that was the way things went there and because she knew what would happen to her if she did. Of course, she ends up helping him escape and taking care of him but-- I'm just thinking, for a tiny little moment, about how she's actually the oldest.

She should be the heir. She should be the person everybody views Ichiji as. She should be considered the most responsible. The smartest. The strongest one. The one who should take the throne. And she doesn't even want it now, but what about back then? What about when she did have some little, tiny faith/hopes for her family and what they did? She sought approval and naively thought "my father is going to offer me the place I rightfully deserve, right?" blindly seeking acceptance like all of them did.

But no, because she might be the oldest but Ichiji is a man. She might be the strongest, the smartest, the most reliable... But she is not a man. And I believe there must have been a time when she expected her destiny to be something more, and once she realized she was just a woman in their eyes... Well, we know what happened.

I just keep finding similarities between The Vinsmokes (OP) and The Roys (Succession) and perhaps my headcanon of Reiju being similar to Shiv has gone a bit too far. But the scene where Shiv is like "This is real?" when Logan promises she'll be the CEO and he goes "This is real. Remember this. The slant of light" for it to be a lie later is something I fear could have happened with Reiju and Judge if Oda had given us more content,,,,

[neg4tivew4ves]

Hc that Amy's the one that teached Blaze how to ride a gear

Blaze can't believe that she's standing so close to her crush

[theneighborhoodwatch]

on the one hand it is A Tad Frustrating to see a creator's response of "this work's queer themes are a pretty substantial chunk of the actual story so i can't answer this without spoiling the work itself, which wouldn't be ideal given that this is a serial work; any concept art not found on the site where the work is hosted is not indicative of how these themes manifest in canon" be met with "so the queer themes aren't canon anymore? :(". on the other hand though it does create a very funny mental image of like, a bunch of people muttering worriedly over to each other at like a comic con panel or something, and then there's a loud "WAHOO YIPPEE" from offscreen and it pans over to me wearing a "#1 SLOW BURN LOVER" t shirt and jumping joyously and clicking my heels and snoopy dancing etc.

[asingerofdreams]

au where Fiddleford somehow learns about Bill pre-portal incident and, out of desperation, wipes Ford’s memory for everything regarding Bill and the portal… cue a Very Confused Ford trying to piece together his journals, his best friend from college being at his place for Some Reason, and a triangle who appears in his dreams and is Very Irritated that Ford doesn’t recognize him anymore…

[book-lover85]

Stay at home dad and artist on commission Keefe

[sonic-adventure-3]

i’ve always personally thought that shadow has a more specified skillset and sonic has more overall potential. they come up about equal most of the time but if sonic gets serious then he wins. shadow relies on more specific skills and aids like chaos manipulation and his skates to close the gap. he’s operating near the upper bounds of his potential at all times, there’s desperation and super forms and shit that’d let him be even stronger, but generally he’s just about as strong and as fast as he could possibly be. sonic however, sonic could get infinitely stronger with sheer force of will and time. i don’t think he’s holding back or anything, i just think he has no interest in the pursuit of perfection. sonic is exactly as powerful, as fast, as he wants or needs to be, plus some.

[elizakai]

hey undertale/ deltarune/ utmv community

are we just like

gonna sleep on that sequence in undertale where everyone becomes lost souls?

we just gonna NOT play with those implications and mechanics??

[scarlct-vvitch]

*im using "dating" to refer to any kind of romantic relationship, it just fits neater in the boxes! interpret as u see fit

pls leave your thoughts in the tags im genuinely very curious

[mishy-mashy]

Probably not gonna match with when this comes out translated, but still—just a few things I liked about BNHA 423

WE GOT TO SEE THE VESTIGES AGAAAAINNNNN!!! HI BRUCE!

I think Bruce gets a lot of bad angles. This is an example (but it's okay honey, you're still hot stuff)

Unfortunately, I have a favorite. It's Bruce. The most Normal Guy™ in the vestige line up. And the special-est sopping wet cat for Kudo ever (Yoichi is a dry cat because at least Kudo remembered to take Yoichi inside).

The vestiges were all gearing for a punch, but Tomura/Tenko is reaching out.

The rest of the users usually use OFA to punch, is the general idea we see. But Tomura/Tenko's Quirk isn't that.

Tomura/Tenko reaching his hand out to grab, and the vestiges readying a punch—it's their ways of putting the hurt on.

And Tomura/Tenko knows what happens if he puts his fingers on someone. He was aiming for AFO's head too. Guy was pissed.

I like that the vestiges look like they're crawling out of hell (or the depths) here. Technically for OFA itself, which they embody, being in AFO's realm was hell. It meant they failed their collective goals to win against AFO, and keep OFA [Yoichi] out of his possession

Also, they're all embers of who they once were. If Factors embodied their personalities, these embers are the leftovers of that embodiment. Their eyes are blank.

And even when they're only shattered fragments of themselves, they came for AFO to take him down.

They really embodied that purpose. Even as husks of themselves, or sad leftovers that scattered from their destroyed Factors, they still reached forward to clock AFO one last time.

They were that determined, and that determination was all that was left of them.

Meanwhile, with Yoichi, his itty bitty remains continued trying to talk sense into his brother till the end.

Yoichi has such a bleeding heart. But he also loved his brother.

AFO is standing in the dark. But in that dark, there's a light. It's Yoichi, as if he were the light at the end of the tunnel.

AFO chased OFA for decades, and ruined a lot of lives, just to have Yoichi by his side again.

Joining hands with Garaki; killing Banjo, En, Nana; forcing the creation and upbringing of Tenko; the whole Shimura incident; everything he did to UA and the Aoyamas to get close to the wielder of OFA [Yoichi]. He did all that, and more.

He just wanted the chance to have Yoichi with him again. That was his purpose in obtaining OFA this whole time.

Yoichi was AFO's light at the end of the tunnel.

Too bad for AFO, the light at the end of the tunnel was an oncoming train.

Yoichi is telling AFO what happened, but I love that in front of Yoichi, AFO became himself. I mean, not a mass of scar tissue, but who he originally looked like

Idk, there's just something symbolic about it?

Midoriya calls AFO a lonely man. And Yoichi comes to him, and AFO says he wants Yoichi by his side. He wouldn't be lonely if that were the case. Yoichi could make him not lonely anymore.

And the lonely man, a bundle of scar tissue from his warpath to see Yoichi again, reverts to a time he had no injuries or scars. He looks like the period of time where he and Yoichi lived in the same era.

In front of Yoichi, he's just.. himself, I guess is how to put it. Not a mass of scar tissue, or the evil villain everyone feared: he's literally just Yoichi's "Nii-san".

It's like, the scar tissue shed itself to reveal AFO's true face.

He wants to see Yoichi's face, and ended up showing his own without even meaning or thinking to.

He's finally looking straight at Yoichi, trying to see his face. It's not like when Yoichi was alive, when AFO always looked down on him, and just waited for him to bend to his will.

Now, AFO has little time left with Yoichi, and he's lost his composure for it, wanting to see Yoichi as more than an ember. But maybe he got to the point he only ever saw Yoichi for his Factor, rather than the Factor for Yoichi: how often has he said he was chasing One For All, instead of his younger brother?

AFO wanted to see Yoichi's face, but when he saw Yoichi next to Kudo... yeah, he lost his mind a bit there. Probably (Definitely?) because he saw Kudo's Ability, and Kudo with Yoichi. And Kudo is "to blame for everything".

Maybe he lost it seeing Kudo and Yoichi together, because it was a repeat of the past, I suppose?

(Technically, he did see Yoichi's face one last time already. Just that he also saw the bastard Kudo's face again too. And AFO did not like that.)

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid