#<- did they even have a ship name?

[cloud-based-and-rainpilled]

The angel on my shoulder: Shipping real people is bad. They could find it and become very uncomfortable. It it highly disrespectful to them and their significant others.

The devil on my shoulder: John Lennon coming back from the dead to fuck Paul McCartney in the ass is the greatest contribution to humanity ever known

[originalartblog]

Someone's last crush didn't live up to the hype 😬

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)

[psipaka]

V2 and Mirage on a date..? (I JUST REALLY LOVE HOW YOU DRAW THEM I NEED MORE SORRY,,)

Why is it now a running gag that V2 smokes in my drawings

Anyway here you go dear anon

[boombhauer]

going to hollow earth for your first date is crazy

[demaparbat-hp]

In your Spitfire AU, since Zuko is looking after Lu Ten II, what happened to Ursa?

Zuko is slightly older in the Spitfire AU. He was banished at fifteen, his head a little clearer and denial a little weaker than in canon. After his first look through the Air Temples, Zuko decides that if he can't find a myth, he might as well search for the next best thing.

Finding Ursa isn't easy, but in time he makes it to a secluded house in a near-forgotten part of the world. His mom is there, older and stronger and alive.

But she isn't alone.

And Zuko, as it turns out, didn't keep the best company during his search.

When Ursa is discovered and her secrets are laid bare for assassins (for Ozai) to find, she begs Zuko to take his little brother and run. She'll do anything it takes to protect her children, even if that means leaving them behind to keep a target off their back. Ursa diverts attention from them and allows Lu Ten's ancestry to be kept a secret. She orders Zuko not to follow her again, and disappears.

Zuko is left with a little three-year-old brother to raise and a mother he cannot hold onto.

[hajihiko]

The polycules are falling apart

[ananinidraws]

This is how Super Paper Mario went, right?

[gracie-rosee]

I seriously wonder what Xaden said in order to convince his friends to help him haul an entire armoire into the bedroom of his “enemy,” all because him and said “enemy” were going at each other so hard she made the furniture explode.

[giddlygoat]

mario + peach is such a good ship istg they’re so good. straight ship so good it feels gay

[queeringclassiclit]

Enjolras & Grantaire

from Les Misérables by Victor Hugo

[ganondoodle]

i might be thinking too much about this rather irrelevant background story for the ancient queen and ganondorf (.. yes still botw2/totk rewrite ................ its background stuff you dont get to see, it would just be a line in a hidden diary and some environtmental story telling- that bracelet being in his room- wrote a longer text post about it today but uh .. heres a doodle that took me too long to make bndksbnsd)

[gayofthefae]

There is something in a story structure called a cave. It is when all hope is lost, the lowest point for a character; they hit rock bottom. It happens right before the climax to force them to make an important decision, force them into a dilemma.

Every scene has one, every episode has one, every season has one to varying degrees. But Stranger Things as a whole is also a single story. A 5-season single story.

It's why season 4 is the only time they lose the battle. It is at the perfect point of the cave in the story - 4 of 5. "All hope is lost". It is the cave of the story as a whole.

So, though it may be played as his season climax, Mike Wheeler's story cave is this:

"Forced to make a decision between bad and worse" in my screenwriting teacher's words, he chooses that she live and he lie irrevocably over that he be honest and risk her dying. I once said he spent the season wondering whether he would have lied if he'd known it'd keep her safe; now he knows. A dilemma.

And I must say, it is genius to place it right here. Exactly here. The perfect way to convince you. It is his season climax: everything he's wanted achieved...But it is his story cave: rock bottom.

Yes, he achieved what he originally wanted - to love her. But he has reached the point in the story where he realizes what he wants and needs are not only different but at odds. He always wanted to love her. He always wanted to love a girl. He always wanted to avoid this fate

But unfortunately, he really did end up loving El, not just in concept or cover, so when what he needed was to be true to himself against their relationship, he acted in favor of his previous wants - and of her, not his needs.

Mike's story is confirmed to be incomplete. This is why.

Additional support to this analysis if you have doubts:

Will's decision would much more obviously be considered an all time low in this same structure. He had a dilemma Mike and El continuing to be sad or himself being sad and chose to sacrifice himself.

This clearly supports that the structure is being applied. Narrative structures aren't just applied once. That would make an incoherent mess in an ensemble cast. Mike and all characters follow the same structure we can prove is present with Will.

Will built up to giving Mike the painting, what he wanted to do all season, but sacrificed what he needed, to share his feelings. Mike is the same. Mike cannot be different. That's just not how writing works.

[starscream-is-my-wife]

Dammit

[infriga]

I've been reading the translated novel version of S-Classes That I Raised, and I remember when I was first reading the webcomic version I was curious about why the ship with Yoojin and Hyunjae was so much more popular than any other ship, since I hadn't gotten very far in yet. I get it now. They won't stop fucking flirting with each other every time they're close enough to exchange words.

[airborneice]

they live in my mind rent free