#< for identity policing (I believe)

[gingerswagfreckles]

Well they caught him. If he wasn't the exact kind of person tumblr loves, the conspiracy theories about this being a random person being framed would have continued to spread. But he's an attractive 26 year old white man who was caught carrying a manifesto about corporate America and has an internet history that matches up with tumblr's general politics. So everyone is going to get excited about how he's a martyr and go back to acknowledging reality in that there isn't a conspiracy to frame the wrong guy.

The discussions over whether or not this man should be lionized as a hero are honestly not as relevant as the comfort with which people are going to drop the conspiracy theory they would have been fully committed to if this man's politics turned out to be nuts. The ease with which the userbase of this website switches between realities based on whether or not they confirm their biases is really alarming. I just hope people understand how weird it is to claim a random person is 100% going to be framed by the FBI on one day, and then drop that by the next day when it becomes clear that the person being "framed" is the exact kind of communist you had hoped.

[moliathh]

i feel like we are skirting around hellsing being very obviously a fiction surrounding monsters, surrounding VAMPIRES at that! 😔 Fantasy monsters in fictions, many of times, are metaphor for marginalized groups, especially queer people.

It was not even subtle metaphors it was literally on the nose that Alucard is a genderfluid shapeshifter, you dont get any character in Hellsing more visibly queerer than that. Brought this up because i have seen people argued about the queer coding of Hellsing mostly in regards to Integra. (mostly to speak against Alucard x Integra as a ship) Why we collectively forgetting about Alucard? In many arguments I had seen many people regard Alucard as a cishet man when he is put into a relationship with Integra. There is at least at the minimum of one confirmed and canonically trans character in Hellsing and it's not even Integra. It's Alucard.

I'm not saying headcanons are wrong on the contrary i love headcanons that deviate far away from canon. But if you insist we "have to abide by canon" you should do what you practice. If you too enjoy non-canon headcanons, might as well leave other people alone with their headcanons. And if you want to take a go at "metaphors" and "undertones"? Alucard and Integra is the opposite of heteronormative, their relationship have much overlaps with queer experience. The forbidden aspect and frowned upon by society, by their own upbringings and religious institutions? Checked! Unconventional dynamic/kinks? Checked! Criticized by Christianity especially the old school Catholics? Check!!!!! 🥳🥳 I haven't even started on how monsters in fiction especially vampires are inherently queer, as they're outcasts of the community whose attraction and expression are deemed deviant and perverted, which is an experience many queer people could relate with. I know a large number of Alucard x Integra fans are queer people, because the ship itself challenged and subverted social norms. It is something we are familiar with, that's why we liked the ship. At least it was for me!

In conclusionnn! Even if you want to police other people's headcanons, you have to at the very least makes some sense! If your headcanons are just your own and even misunderstand definitions of real queer labels you cannot go around talking on us like we are enforcing the patriarchy or something 👎💔 we are gay too wdym

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[our-inspire-verse]

Hey man? If you have "endos dni" or nontraumagenics or anything related anywhere on your blog (unless its specifically a post about trauma and even then. Im fucking heavily side eyeing you) i am instant blocking you.

If i ever reblog from anyone who has that on their blog I'd hope someone tells me so i can delete it and block.

I do not care. We do not treat our colleagues like this. We do not seperate members of our community. In doing so you are keeping resources and safety and community away from people who desperately need it, especially now.

In times where people in power want to control us and seperate us so we do not have each other, we are adding to the hellscape we all deserve to not be in.

Do not talk to me about what is possible, you are not god and if you were you are not mine. Do not talk to me about science, or misinformation when you are the one spreading it.

[musical-chick-13]

Having principles that you believe apply to every single person without question means that you sure do risk others thinking you're defending reprehensible people, huh.

[kittykatkatelol]

wahoo throw back to when I was cussed out and called me a faker and attention seeker just for being fictionkin

shout out to all the attention seekers and secretly just role players who just got jealous of real otherkin !1!!1

[girltakovic]

last thing and then ill shut up about it but it pisses me off so bad when people say shit like...that on my lighthearted little poll and then reblog the "activated charcoal will flush all medication from your system and you will get pregnant and be forcibly detransitioned and die all before the next time you have to take a shit" post with full faith. 99% of the users on this website truly have no medical literacy and im starting to think thats on purpose so they can continue to say they have eighty five rare diseases all comorbidly

[sharpth1ng]

thoughts on therians? (this relates to something i swear)

- ☔️

Tbh if you aren't hurting anyone I support you no matter how you identify or experience your own existence. Diversity of experience is one of the good things in the world imo. Theres a lot of bad shit out there but its super cool that there are folks who have a completely different experience from me, why the fuck would I have a problem with that.

Also I'm not a therian but I'm an autistic Aquarius who uses it/itself pronouns, I don't super feel like a human either so I'm not judging.

[daydreamerdrew]

Marvel Mystery Comics (1941) #2 and #4

[robronrewatch2023]

August 4th summary

We watched from 2015/12/30 p1 to 2015/12/31 p3.

The police arrest Ross for Robert's shooting. Debbie tells them he was with her at the time. Robert asks Andy if it was Ross and Andy claims it was someone he didn't know, but Robert becomes suspicious when he sees the two of them talking. By threatening to call the police about Andy's role in it, Robert forces Andy to admit it was Ross, and Andy explains their deal of swapping targets. Robert is angry but agrees to let it drop because going to the police would bring up Andy and Katie.

New year party at the Woolpack. At Ross and Debbie's, Robert confronts Ross with a gun, making him admit to shooting him. Ross says he really struggled with it afterwards. Debbie and Andy walk in on them and Robert makes Andy admit to the shooting to Debbie. Robert pulls the trigger... but the gun is empty, because he just wanted to scare Ross. Debbie says she could never trust Ross again.

Chas finds Gordon's wallet in the Woollie and phones him; they make plans to meet up. Zak turns up with his new girlfriend and is kicked out. Lisa and Belle go home, then all the Dingles burst in at midnight to celebrate the new year with them.

[yogurt-boat-69]

So it seems like there are two possibilities:

One possibility is that the person who did the shooting changed his jacket right before the shooting- but into a different jacket that was remarkably similar (a puzzling choice! He brought two almost identical jackets with him? He changed his jacket to avoid detection into a jacket that looks very similar but has subtle differences? Puzzling!), shaved his unibrow (the better to shoot with, I guess?), then executed a plan so well thought out that the police had pretty much no leads, but was then caught (with both the murder weapon and a manifesto conveniently on his person! And the unibrow now regrown with long hairs) at a small town McDonalds five days later thanks to a random person recognizing him (and is a random McDonald's employee thinking you appear similar to a partial photo of a criminal enough to get you detained?)

OR

A police force with a budget bigger than many country's entire military, in a country notorious for having corrupt policemen who routinely lie and believe themselves to be above the law, realizing that it would be supremely embarrassing to have no leads, and likely facing immense political pressure to make sure the public doesn't think people can get away with this kind of crime, feeling motivated to peruse the many many records available to their giant counter-terrorism unit and using it to find someone who was in the vicinity, with an established online record of extremism, who has a jacket that is reasonably similar, and straight up planting some evidence on him so they can wrap this up with a neat bow and all of the ceo's who run the politicians who run our country can breathe easier?

As a random person on the Internet I will never find out the truth but some of this is not really passing the sniff test, and if there is one thing you can count on in this country it's that cops lie and cover their own asses. If he mysteriously dies in prison from "suicide" then we will know it's definitely not him

Edited to add: for those confused I do think it's possible Luigi is the guy from the hostel. It's just that based on the jacket and the eyebrows I'm not convinced he is the shooter. There was never anything solid linking the hostel to the shooting other than a similar (but actually different jacket)

[rribb0n]

hot take: people who believe in a gender trinary are just as bad as people who believe in a gender binary. like "you're either girl, non binary, or a boy" "wouldn't that just be non binary" that's not how it works. it annoys me sm when people try to police others identities just because it doesnt make sense to them. you're still shoving people into a box. let me be what i want.

edit: i feel like i didn't word this post properly enough so i would like to elaborate im talking about people who make non binary a third gender. it's extremely ironic to say you can only be one of three things when you say there's a specific way you have to be non binary.

its not really about it being more than a trinary in regards to the umbrella term either, its the fact you can be between non binary and a binary gender or whatever the hell, its not black and white.

[thoughtportal]

This is a developing news story and may be updated as more information is obtained. If you value such information, please support this Substack.

On Dec. 1, a woman immolated herself with a Palestinian flag outside the Israeli consulate in Atlanta.

Now, according to the Atlanta Fire Rescue Department, the woman — referred to in their report as “Jane Doe” — is alive and “in stable condition” at Grady Memorial Hospital, where she has been since the immolation.

After repeated requests for her name, the department stated to this reporter in an email that it “does not disclose the identities of victims”. Repeated inquiries to Grady, which is a public hospital, went unanswered. The hospital houses the Walter L. Ingram Burn Center.

“Jane Doe” is 27.

When asked if they had made any comment to tell the public that she was still alive this entire time, the official at Atlanta Fire Rescue Department said they “shared the last updated with local media via email on 12/21/23. The release stated: ‘The victim remains hospitalized in critical condition. The security guard, who attempted to assist the burn victim, has been released from the hospital.’” Several internet searches on that quote produce no results. This would also indicate that "Jane Doe" went from critical to stable condition without public notice. 

Aaron Bushnell immolated himself at the Israeli embassy in Washington, D.C. on Sunday, explaining “I will no longer be complicit in genocide” and shouting “Free Palestine!” repeatedly as he burned alive. So, his case — unlike many other self-immolations including Gregory Levey, Raymond Moules, Timothy T. Brown, Malachi Ritscher and others — has received some attention. Thus, “Jane Doe” being ignored fits with the usual pattern. Bushnell is the exception — probably because he livestreamed it. See “Ignoring Immolators Lulls the Society to Sleep.”

As Bushnell was burning himself alive, an officer pointed a gun at him, barking orders as if he constituted a threat. A security guard, Michael Harris, sustained injuries working to rescue “Jane Doe” — but there were similarities, where she was actually viewed as a potential threat.

At one point, the police report for “Jane Doe” refers to it as being a case of “arson”.

Much of the media coverage and general discussion of her self-immolation in December focused on if she had done damage. The Atlanta Police Chief said: “We believe this building remains safe, and we do not see any threat here.” The Israeli government released a statement: “It is tragic to see the hate and incitement toward Israel expressed in such a horrific way.”

Police records indicate that they obtained a search warrant and entered an apartment they believed to be associated with “Jane Doe” — initially using a drone:

The drone was able to relay information as to the layout and the belongings inside. After it was deemed "safe" entry was made with bomb technicians. While clearing the apartment no improvised explosive devices were located.

The police report also noted:

During the search a Quran was found in the bedroom along with a [sic] Arabic dictionary and a Hebrew dictionary. The bedroom bookshelf contained books related to fiction and fantasy. A "Drug use for grown ups" book was on the bookshelf as well. Two journals were seized from the bedroom. A thumbdrive was seized from the bedroom as well. A laptop computer was seized from the kitchen counter. A copy of the search warrant was left in the living room of the apartment. The front door [of] the apartment was secured before law enforcement left the premises.

When pressed for more information in compliance with an Open Records Request under Georgia law, Atlanta Fire Rescue Department claimed: “There is an ongoing and active investigation for the incident in question, which is why the only releasable information has been shared via the incident report. Investigative documentation is not available for release until the investigation is closed.”

[anisespice]

“ baby steps ” || tokyo rev.

continuation of this post.

pairing: bonten x fem!reader [ mikey, ran, sanzu ]

warnings: mature content ahead. MDI. mature language, crude humor, ANGST w/ comfort (mostly in mikey's), deadbeat!bonten (unintentionally), not proof-read so there may be A LOT of errors :// mikey's is LONG, ran + sanzu's are silly goofy, mikey + sanzu's are a lil unhinged lol and i think that’s it :))

notes: can i just say thank y'all so much for showing "accidents happen" the love that i didn't think it would get, it was made on a whim so i'm so so so happy y'all enjoyed! i tagged as many as i could (or that tumblr would allow) sorry if i missed some of you :( thank you for your patience and let me know how you feel about this continuation format :) !! notes ii: also also, pt. 2 for "accidents happen" coming soon! notes iii: MY COMPUTER CRASHED AND I THOUGHT I LOST EVERYTHING BUT IT'S OKAY IT'S OKAY :'))))

tagged: @fantasycantasy , @illegalspacecow , @captaincyberqueen , @cherryblossiren , @niragiswhore , @awkwardaardvarkforever , @valentsoup , @lovely212 , @miffysoo , @yandere-kouhai , @i-am-just-a-girl-ur-honor , @wisteriarose214 , @kindadolly , @yuwaimo , @sweetbella1221 , @simpingfor-wakasa , @sirachano0dles , @yutahg , @slowlikehonee , @blurpleuni-squid , @haruchiyoreen , @istanstraykidss , @loyard176 , @msluccapotato , @luv444lay , @backgroundcharactera , @jegelskeranime

Ever since you picked up your daughter, there’s been a hovering presence that wouldn’t go away no matter where you went. From the park, to the grocery store, all the way home it clung to you like a bad itch. Despite looking over your shoulder and being met without any sort of threat, that didn’t stop the uneasy feeling. And it only intensified when you received a knock on your front door.

You made a confused hum, checking the time on the microwave to confirm that it was indeed past the reasonable hour for potential visitors. Not to mention, you weren’t expecting anyone.

The hairs on the back of your neck stood up, instincts telling you that something wasn’t right, that your best option was to pretend you weren’t home. However, the person on the other side knew otherwise as they knocked on the door again, this time with more fervor. You inhaled sharply, taking hesitant steps towards the door until you were mere feet away from it. Eventually, you worked up the courage to look through the peephole, your brows furrowing in distress when all you could see was black—They were covering it. All the more reason not to open the door…

What if it’s a robber? Ridiculous, they don’t knock.

What if it’s just the neighbor? Why cover the peephole?

More and more did your mind swirl with endless possibilities, each one becoming less and less believable. Taking a long, deep breath, you doubled-checked the door-chain was on before slowly cracking it open. And as you attempted to peek through the sliver, nothing could’ve prepared you for the arm that forced its way through, startling you as you yelped, stumbling back as it made a grab at you.

Before you had the thought of shoving the door closed on the offender’s arm they grabbed the little chain, then yanked it clean out of the wall. To your terror, a dark hooded figure entered your home, head hung low, concealing their identity.

You began to hyperventilate, backing up to keep distance as they staggered further into your home before kicking the door closed behind them, effectively blocking you from the exit. Surely, someone heard your scream and would check in, or call the police. But, how long did you have before the intruder decided to make a move? Not to mention, your sleeping child just down the hall…

With that last thought in mind, you immediately steeled your nerves.

Even if you had to use your bare hands, you were going to do whatever it took to keep your baby out of harms way.

You reached for the closest weapon without taking your eyes off the figure, hands clasping onto a discarded umbrella that was leaned up against a closet door. It wasn’t ideal, but it would have to do. Taking a defensive stance, you prepared for what you assumed to be the inevitable.

“I-I don’t know who you are, or what you want…b-but if you don’t leave…my..my boyfriend will be home any minute! H-He knows how to fight, and he’ll fuck you up if you try anything!”

Your means of intimation fall on deaf ears. It were as if you hadn’t spoken at all. They just…stood there. Watching you from the darkness. That feeling, that hovering presence you’d been weary about all evening…there was no doubt in your mind it was because of this individual. Suddenly, they gave a watery chuckle, hand coming up to rub the lower half of their face as the chilling noise dissipated into soft snickers.

You sweatdropped. “I mean it! He’ll be here real soon, so you better get out of here before-”

“[_____]…” the figure finally rasped, voice heavy with an emotion you couldn’t decipher in the moment. You froze, eyes widening.

“…How the hell do you know my name?”

Without much urgency, they stepped forward into the light. Beneath the warm glow, it took you mere seconds to recognize the person standing before you. You gasped, trembling hands dropping the umbrella, it landing with a harsh clatter. Soft, mortified hitches in your breath echoed through the small space, memories flashing before your eyes as you covered your gaping mouth.

“M.. Ma..” you whimpered, throat tightening. A shell of a man, who gazed upon you with stormy eyes flooded with tears at the mere sight of you.

He gave another strained laugh, muttering to himself as he soaked you all in. “Needed to know.. Needed to know it was really you…”

Mikey eyed you up, intensely, eerily silent as he did so. Then, he took in the surroundings, the warmth, the interior, the smell of dinner—It truly felt like a home. A bitter pill to swallow once he reminded himself that you built it without him.

His sharp gaze returned to your stunned expression. He sneered.

“Must’ve been easy for you. To forget me and move on, just like that. Like I was nothing.”

You blinked, taken aback. All you could do was remain speechless, cemented to the ground with thoughts and questions racing in your head. Now matter how many times you opened your mouth, no sound would come out aside from choked whimpers.

“Do you know…how long I’d been searching for you? Been mourning for you?” He hissed through clenched teeth. “When you left, I thought… I thought someone had taken you. That I lost you all because I was too stubborn to say I’m sorry…”

As he spoke, Mikey slowly closed the space between you. The more he came into the light, the more you could see how the years had treated him. His cheekbones were more pronounced, the dark circles under his eyes as well. His lips were dry, cracked, his fair skin now ghoulishly pale. If not for the black hoodie you would’ve mistaken him as such; ghost of your past.

Your shoulders shook, hands hovering over your face as you gaped in disbelief. He’d been looking for you?

That night, that stupid fight you could barely remember…he made it crystal clear that he wanted nothing to do with you. He pushed you away. Pushed so hard that you almost believed he really wouldn’t have cared if you dropped dead. You knew he didn’t mean it, knew it was just another dark impulse…but none of that mattered when all your pregnancy tests came back positive just hours prior.

That night, you made the decision for the sake of your daughter. And also, for his sake. At the time, you were certain he wasn’t ready to be a father. He was quick to rage, merciless, losing himself to the darkness you tried to protect him from. If you had stayed, you were certain Mikey would’ve never forgiven himself if he lost control in front of his own flesh and blood, if the child grew to resent him for something he struggled to control.

You thought you were doing him a favor…but it appears to have done the opposite.

“And this whole time…you’ve been here, alive. Playing fucking house with someone else.”

You stiffened. Someone else? Your visible confusion only irritated him further.

He scoffed. “Don’t play dumb. You said it yourself. Too bad he won’t be coming home anytime soon. I’ve already got Sanzu and the Haitanis looking around for the bastard. And when they find him, I’ll make him regret sticking his filthy dick inside you.”

Confusion morphed into realization. You did threaten him with said hypothetical boyfriend…But, that was before you knew it was him!

“Oh, Manjiro…” you whispered. He glared, scorned.

“Don’t you dare pity me. I mean, you got the family you always wanted, right? So who cares who it was with, right? Congratu-fucking-lations.”

You shook your head, exhaling deeply as you held your face in your hands. For years, he thought you dead. Then, when he received word of your appearance, he finds you with child. And not once did he consider that child to be his? It’s like…he couldn’t fathom the thought.

If only he had looked just a little bit closer, he would’ve seen that she had his eyes. How they resembled those pools of ink that used to shine with so much hope back in his youth, so playful and full of love…those same eyes that now gazed upon you with contempt.

It stung.

He thought so low, not only of himself, but of you as well.

Taking a deep breath to reel in your emotions, tears began to well up in your eyes. He assumed they were tears for your doomed lover, further breaking his heart as Mikey clenched his fists to the point of nearly drawing blood. Luckily, even though you struggled to find the right words, someone else happily found them for you.

“Papa..?”

Both of you instantly drew your attention on the toddler standing near the kitchen, one fist clutching her blanket while the other rubbed the sleep from her eye. You glanced at Mikey, and he was stiller than stone. His once dead-stare had morphed into what could only be described as incredulous. Surely, he heard her incorrectly…

With a sniffle, you crouched down to address her, offering a soft grin as you nodded earnestly. “That’s right, sweetheart. Papa’s finally come home.”

The little girl blinked sleepily, taking a second to reboot. But, as soon as the words registered, a bright smile stretched across her face as she excitedly rushed towards Mikey, throwing herself onto his legs and hugging them like a koala as she chirped, “Papa, home!”

Said man hobbled a bit at the force, arms windmilling as he caught himself to keep from falling backwards. He didn’t know what to do with himself, especially when those big, round pools of ink opened and stared right up into his soul. Mikey’s heart nearly stopped. With a hitch in his breath, the gangster did everything he could to hold his composure, looking between you and the child as you both gazed at him with so much warmth…it was suffocating.

Sensing he was overwhelmed, you reached down to scoop up the bubbly bundle, holding her close as you eyed Mikey, apprehensively.

He resembled a cornered animal—Muscles stiff, jaw tight, eyes wild. After a moment, Mikey began to slowly back away into the shadows of your home, conflicted, devastated. It wasn’t until his back hit the door did he eventually fall to his ass, of which caused your child to giggle at how silly he was being. However, all you could do was hold back tears, watching as the reality started to weigh down on a man who just discovered he was a father.

Nervous, you gently explained. “I didn’t leave you because of our spat, Jiro…and I never moved on. I just…thought that I’d be doing more harm than good sticking around when I found out I was pregnant…I didn’t want to add any more stress on your plate, so I…”

Mikey didn’t respond. He sat there, stare vast and unfocused. But, you knew he hung on to every word. So you continued. “I wanted to tell you. But…I wasn’t sure how. At the time, I believed you had stopped caring about me altogether. And to hear you’d been looking for me, I-I’m…I’m so sorry. I’m sorry you harbored all that guilt. I didn’t mean for any of that to happen.”

Your daughter wiggled around in your hold, making small grunts in complaint. Her eyes were trained on his figure huddled in the dark, wanting to be acknowledged, wanting his attention. “Papa!”

Mikey flinched. He focused his gaze on the two you, haloed by the light emitting from the living room. You both were like salvation, reaching down to a broken sinner…How could she want anything to do with him? When he had missed so much already…

To keep from accidentally dropping her, you placed your daughter back on the ground, watching wearily as she wobbled all the way to Mikey, blanket in tow. You weren’t worried about him hurting her, far from it…if anything, he appeared to be the fragile one.

Eventually, she made it to her destination, standing before him with a curious, but eager expression as she rested a hand on his knee. Mikey watched her, took in all of her features, every last detail as he engraved it to memory. She was beautiful, just like her mother. One would think his genes didn’t stand a chance. But the eyes. That was all him. From his mother to his older brother to himself, there was no doubt in his mind that those were Sano eyes.

His lower lip quivered, reaching out hesitantly to caress her cheek. She didn’t cower away, merely babbled as she began patting his knee, allowing his thumb to rub over her chubby cheek. You clasped your hands over your mouth, growing even more emotional at the delicate moment. Mikey looked enamored already, eyes subtly sparkling from what you could see as they interacted.

“I-I told her stories, about you. And I made sure to show her photos, too. Old ones, but still you nonetheless. I wanted her to know who her father truly was. Despite everything else…”

Your daughter cooed, then placed her blanket in Mikey’s lap before climbing into it. Mikey didn’t dare move, rigid as she made herself comfortable. He looked up at you, looking for guidance, for reassurance. Your encouraging smile was enough for him to hesitantly place his hands on her small back for support, carefully adjusting so that she was stable. She laid her head on his chest and stuck her thumb in her mouth, sighing contentedly.

And, for the first time in years, he smiled.

When you hadn’t seen her familiar pigtails bobbing around, or heard any of her excited chatter with the receptionist up front, worry couldn’t even begin to describe what you felt the moment you realize…your daughter wasn’t here.

As soon as the meeting looked like it was wrapping up, you politely excused yourself from the room. Masking your worry wasn't too difficult, but there's no doubt a couple people might've noticed the spring in your step as you exited. One of them being Rindou Haitani. He watched you speed down the hall with mild interest, corner of his mouth ticking up ever so slightly as he thumbed around on his phone beneath the table. Having been updating his older brother during the meeting while he was on his smoke break, he was more than eager to inform him of the storm that was no doubt heading his way.

Little did the younger Haitani know, he was already dealing with one.

"And then, Haruka-kun tries to take Momo-kun's bento box because she had cuter animal shapes, but Momo-kun already said no, and so Haruka-kun pushes Momo-kun, and then tries to take it! But I pushed him and hit him with my fist, like this," she clenched up her tiny fist and held it up to Ran before striking down on his forearm with all her might. It didn't even pitch. "Like that."

The lavender-eyed man merely gazed upon her with mirth. "Did you now?"

"Mmhm! And teacher got so mad, and said that she would tell Ma about me fighting, but she's stupid because Ma didn't pick me up today, and I told Haruka-kun if he snitches, I'll beat 'em up!"

Ran lowly whistled. "Quite the little menace, ain'tcha?"

She pumped her fists. "Yeah!" Then, she paused, holding a finger to her chin in thought. "Wait...what's a menace?"

"Ah, something you inherited from your old man." He ruffled her hair, much to her displeasure. Though her innocent jab earlier regarding his age still hit a sore spot, he was starting to like the sound of it. She, on the other hand, wasn't convinced.

"I already told you; Ma was on her happy juice when she said that. She said not to believe anything she says when she's on happy juice. It makes her do silly things."

Ran chuckled. He knew that all too well. The little girl wouldn't be in this world if not for your inability to hold your liquor. But judging based on how you've raised her so far, clearly you made the right decision keeping him in the dark.

He'll admit, he wasn't the best in terms of commitment. Throughout his day to day, Ran just didn't have the energy. With being in Bonten, keeping an eye out for his younger brother, handling business, dealing with numbskulls and disposing of their bodies, there was never a time to even consider settling down. One-night stands and on and off flings were the easiest choice. At least, until he stumbled upon you.

You were the whole package and more. Classy, independent, witty, and a looker to top it all off. When Bonten started collaborating with the organization you worked in, he couldn't help but to be drawn to you—Like a moth to a flame. It started out as the occasional bantering, trying to one-up the other, catch them off guard. Ran was smooth with his words but could never quite beat your sharp tongue. Thus, things escalated to something more flirtatious. Harmless, but it didn't take long before the months of tension between the both of you began boiling over...and throwing alcohol into the mix, it was the first time Ran finally felt like he had the upper hand. Seeing how poorly you handled just a few glasses of wine, it endeared him. Seeing a piece of you that no one else had the privilege to witness. Your sloppy side, the clumsy, whiny, touchy side. After that long, passionate night beneath the sheets, the one time you and Ran allowed yourselves the space to be vulnerable with one another...you found yourself pregnant. And Ran found himself being nonethewiser.

He wonders, if he hadn't left the next morning and completely ghosted you...would you have kept him in the picture?

Suddenly, his phone dings. Reaching back to pull it from his back pocket, Ran half expected it to just be another update on the meeting or Rindou cursing at him to hurry his ass back inside. But, it wasn't that at all. And at the sound of your kitten heels rushing out of the building and halting at the top of the steps, Ran didn't even need to look up to know who was glowering down from them.

"Hey, Ma! Guess what, the purple man isn't such a meanie after all!"

Ran snorted, finally looking up from his phone to greet the woman who not only still had his heart, but evidently his first child. You, on the other hand, weren't so thrilled to see him.

"Rika. Wait inside. Ma's got some words for the purple man."

He smirked. "Wanna say 'em over a glass of wine?"

"You son of a-!"

"Bad word!" Your daughter covered her ears. You flushed, your composure nearly slipping just by being in his prescence. Ran, immediately seeing the opportunity, teasingly pouts at you whilst covering her tiny hands with his larger ones, shielding her.

"Honey, please, not in front of the child. Can't have her repeating those dirty words at school, can we?"

You fumed, speaking through clenched teeth. "Haitani, as soon as I get her in this building, away from you, I swear to God, I'm gonna wring your neck."

He hummed, amused. "Well. Guess she didn't get her violent side from me after all. Speaking of which, did you know at school today-"

"Hey! No snitching!"

“...What did you say?” 

You were hoping you heard the teacher wrong. Surely it was just your exhaustion taking the wheel. But, when her kind smile didn’t falter, nor did her gushes for the supposed “adorable display”, you immediately grew suspicious.

While heading home from work, you went to pick up your children from daycare. And when you arrived, the teacher merely informed you that it was already taken care of by your very handsome and very devoted husband. 

“I-I think you’re mistaken. My boyfriend and I aren’t married…”

The teacher, finally coming back down to earth, tilted her head in confusion. “Eh? You aren’t?” 

“Did he…say we were?” 

“Well, no. I just assumed since it was easy to tell who he was here for. Hikaru and Kaoru look so much like their daddy.”

You choked on your spit.  Hikaru and Kaoru look so much like their daddy. Hikaru and Kaoru look so much like their daddy.

You did everything in your power to keep from strangling the poor woman. Sure, she didn’t do anything wrong per say…but she sure did make a grave error. And your struggle to restrain your intrusive thoughts must’ve shown on your face from the way she placed a concerned hand on your arm. “Are you alright, miss? You look like you’re about to faint.”

“M-Mhm, yep, great, just peachy.” You squeaked through clenched teeth, sweatdrop on your forehead. “Could you um…confirm something for me?”

“Uh.? Er, sure. I’ll try my best.”

With tense shoulders and a tight smile, you asked, “Their…father…did his mouth have two scars in the corners?”

The teacher blinked, confused. Shouldn’t you already know that answer yourself?, she was probably thinking. And she would be right; you did know. But her simple, hesitant nod was the final nail in the coffin that was your delusion—Haruchiyo Sanzu had found you. And to make matters worse, he had the children.

Your smile faltered, twitching ever so slightly. Covering it with a forced chuckle, you cried, “Oh, that’s..wonderful! He’s always been self conscious about them, and I’m j-just.. beaming with joy that he’s embracing them more. Have a nice evening, Ms. Yuki.”

The teacher didn’t get a chance to respond as you quickly turned on your heel and began speed walking home. You’d apologize for your abrupt exit another day…right now there were more important matters to worry about. For instance—How on earth did Sanzu find you? How did he know about the twins and where they were? Oh, God…did he know about Satoru?

Dialing him up a few times only for the calls to go straight to voicemail weren’t reassuring in the slightest, having you rush across oncoming traffic just so you could avoid any further delays for your fraying nerves. You could see your apartment complex up ahead, heart thumping in your throat at the familiar, black SUV parked a couple blocks down. Had it not been for the heavily tinted windows and no license plates, you probably would’ve overlooked it. He knew where you lived. Stomach in knots, muscles stiff, nerves shot. You didn’t know whether to feel relieved or devastated. Your kids were safe at home, but at what cost? You stood in front of the building, rooted to the ground. Despite mentally preparing for this exact scenario for years, it all went down the drain the second you went to that daycare and discovered your children were missing.

It wasn’t until your phone vibrated did you snap out of your thoughts, shakily pulling the device out of your back pocket to check the notification.

from : unknown 1:06 pm     “ hi, mama.~ ”

Your stomach twisted. Attached to the message were two photos.

The first photo was of your kids eating McDonald's in the kitchen, happily cheesing and waving at the camera. You couldn't hold your choked gasp, hand coming up to hold your quivering lower lip—They were safe.

The second photo...was of Satoru. Tied to a chair, gagged, and beaten senseless. And standing behind him, holding him by his hair so that he could pose for the camera, grinning like a cheshire cat...

Another message pops up. Your grip tightened around your phone.

from : unknown 1:09 pm " daddy's home.~ "

© 2024-2025 anisespice ッ all rights reserved. likes, comments & reblogs much appreciated!

[drdemonprince]

have you defined the meaning of “white woman brain” anywhere and if not, can you? /gen

Many Black and brown feminist writers have discussed this phenomenon and I encourage you to seek out a lot of writing about this subject, because there are a variety of perspectives, but to distill it, white woman fragility brain is a phenomenon that is not exclusive to either white people or to women, but is especially common among those who can weaponize white womanhood, and it consists of the following qualities:

A view of oneself as a helpless victim that is constantly in threat of being attacked, especially by strangers (even though statistically, this is not the case).

A refusal to consider oneself as capable of doing harm to others, especially a lack of consideration toward others' body autonomy or consent. (even while being highly concerned about one's own autonomy and consent).

A generally passive or passive-aggressive orientation toward the world: seeing oneself as a romantic or sexual object to be approached, but never wanting to initiate (or feeling that one never can), never feeling comfortable directly communicating displeasure or one's desires, believing that others instead must guess at it. (and then resenting people when they don't, but never expressing it).

A tendency to cry, excessively berate oneself, complain about being made to feel "unsafe," or give up when criticized or challenged, especially when challenged by people of color.

A tendency to associate a person's body type with how much of a threat they are. For example, feeling unsafe around people with penises and expecting a social space to accommodate that fear to cater to you, a fear of people who come from cultures where it's common to speak loudly, a fear of those who are large, assertive, and/or darker-skinned.

Instinctive fawning-type responses to stress, and a pattern of feigning happiness, agreeability, and ease when one is not genuinely feeling it, and expecting all other people (but especially other women) to feign happiness as well, paired with a deep-seated resentment of anyone who violates this illusion and expresses any negativity (being especially punitive toward women of color).

Instinctively "smoothing over" conflict between other people before it even begins, even when healthy conflict is necessary and not at all your business-- often performed by gossiping behind other people's backs, triangulating information when it is not yours to share, asking people to alter their behavior in order to avoid a reaction from somebody else, presenting your concerns as if they were somebody else's ("what will people think!"), tone-policing the airing of grievances, derailing hard conversations with more light-hearted topics, and excluding people who are known to be candid and assertive.

Here are some articles on elements of the phenomenon and why it is so dangerous:

Now, I single white cis women out a lot when I am describing this phenomenon, because they have the most to gain from exhibiting these qualities, but make no mistake: this is a pattern that many types of people can and do use. I have seen white trans women use white women's tears to silence critique. I have witnessed women of color being passive-aggressively derailed and silenced by a Black manager who was in a position of institutional power over them. Multiple of the women who sexually harassed me in the story linked above were not white. And LORD knows I see plenty of t boys falling back on this shit, as well as cis men from wealthy backgrounds. It's a mindset that has deep colonial roots and we all must be on the look out for it in ourselves and others, and we must be vigilant in uprooting it.

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!