#//wow this got long and rambly

[severevoiddragon]

I haven't seen anyone talk about how Joel and Bdubs genuinely helped Pearl. Like, they knew what her task was. But they valued their alliance more than the reward they may have gotten for guessing correctly. And pearl was. So scared they'd guess seriously, like she was literally running away as Joel spoke his 'guess', and then turned around like 'oh'. She'd put so much into that alliance, but didn't expect them to reciprocate it. But they did. And I think that shocked her in a positive way.

[galactic-rhea]

Do you guys ever think about how the generational cycles of abuse slowly crumble in The Simpsons? Do you ever think about it?

I love The Simpsons, and by no means it's supposed to be taken as a show that takes itself seriously, because it doesn't. But yet it handles heavy themes, it does handle strong subjects, particularly first seasons had certain, strong character's driven episodes meant to actually make you take it seriously. Even later seasons, albeit it becomes less and less of a thing (it becomes a bit heartless), has certain episodes like that. And is what makes The Simpsons a bit unique on the adult shows landmine.

Not to say it's completely original on this, because The Simpsons come from an era where sitcoms were everywhere, and sitcoms tend to be 70% comedy and then a few strong, heart-felt moments. This is because to keep you laughing, you need downs, otherwise, joke after joke after joke, you get a monotone story were there's no stakes nor pauses between a punchline and another. Comedy needs a tiny bit of seriousness, so you feel your feet on the ground, and then they will throw at you a joke, that, if is well written, is meant to surprise you, you don't see it coming. In the Simpsons, many of the classic jokes you remember best? You don't see them coming, not really, because the way they wrote the jokes in the simpsons is actually very clever, if I were to graph them, there would be several curves and points because they're jokes within jokes within jokes.

And then is a bit of dark humour, that is meant to reasonate with the audience somehow. So you laugh a bit at the fact that Homer's dad let him drink beer just so he would stop bothering him, but then the show makes you care, sometimes, about Homer being extremely hostile with his very old dad. But then you also laugh at the fact Homer's mom was a hippie, a rebel hippie, at that, that took him to Woodstock and is one of Homer's happiest memories of his childhood, and then you don't expect her literally dying.

And returning, in a way, just because she wants Homer and his family to continue what she started, and the show makes you care, the show makes you feel for the characters. Because Abe is a war veteran, he was awful to Homer and to his wife, but you also know he cared, and you also feel bad because he lives in a retirement home and wants to live with Homer and his family, but Homer will literally start the engine and leave him there, and at his age, he doesn't deserve that, but what does he deserve? Should Homer forgive him for everything? No, not really, you don't have to forgive abusers, but then it gets messy and complex because abusers don't deserve to be abused.

Homer, however, does forgive Abe, sometimes (and because of the nature of the show, it gets retconned, or forgotten, or brushed away, and etc). But more interestingly, he forgives his mom. Homer's mom was a much nicer parent, she was kind and Homer's refuge for happiness, so it's easy to forgive her, despite the fact that leaving Homer with someone like Abe was certainly, not a good choice, and we know that many, MANY of Homer's problems, all come rooted from either trauma or behaviours he learned from his childhood. And he's rightfully angry about it, he acts a bit like a rebellious teenager, because Homer is fairly inmature and this is because a extremely troubled youth.

But he forgives her right when she's literally a corpse in a chair, and then the closure comes from finishing what she started years ago as a radical environmentalist advocate.

So Homer knows, extremely well from first hand, his parents' flaws, and he is, to some degree, aware of how these affected him, which is more than most of the audience he represents realizes. But he's still an awful parent. He is abusive, towards Bart, but he also cares and tries deeply. He does an incredible much better job as a parent and as a partner than his parents.

And that's still not enough. That's not enough because trying doesn't mean sucess. The nature of the show makes it a bit harder, because sometimes it can be uqite inconsistent. There's a whole episode focused on how Homer decided to give up a lot and to stay under the awful working conditions from Mr. Burns because of Maggie, and then there are episodes where he literally forgets he has a third child.

But that's still better, somehow, than his upbringing. The bar was low, quite low, but he doesn't know anything else, and yet tries to be something different. And that's, from a narrative sense, interesting.

The cycle is breaking, is not completely over, is not a good job, but it is an attempt, it is watering down the abuse, it is making it less awful. Is like trying to purify a river, you're starting to remove the trash bags, you blocked the wastes tubes, the water is still contaminated, there's no grass and the ground is infertile. But it's a start, you need to start somewhere.

And then, in the futures episodes with Bart (and Lisa, and Maggie, even) we learn that, he isn't doing that much better either. Bart is divorced, his ex hates him because he's inmature and his children aren't very fond of him. Lisa's marriage is a bit of a mess, and her relationship with her daughter echoes a bit the one she had with Marge and Homer: She can't understand her, there's a lack of cummunication.

But it's still incredible, much better, than what they knew while growing up. Bart tries to be more responsible, he isn't abusive, his problem is that he's inmature and therefore can't connect with his children. But he doesn't quite yell at them, or tries to choke them (at least in the future episodes I remember, there are several). And unsurprisingly, he resents Homer a lot, which is logical, given everything, but he's also baffled that his children love Homer, and as a grandparent, he actually does quite a good job.

And the cycle is almost completely broken. Perhaps you can't absolutely clean it all, at least not in so few years, but it's happening and the change and evolution is logical, despite it being a sitcom, it is quite well written and sadly realistic. Bart and Lisa and Maggie don't have perfect lives as adults, and they struggle and the narrative shows you that a lot of these struggles come from their toxic enviroment.

And they're still doing better, because Homer and Marge chose to do slightly better than their parents. And so the cycle is near to the end.

I could talk about Marge, but sadly, in terms of her upbringing, there isn't much, besides the fact that she grew in a conservative home. We know her mother told her to held back tears and always pretend to be happy and force a smile, which is how she carried out in her life in many facets. And then we see she tries, at first, to teach the same to Lisa, and then decides to break that rule, to break what she forced herself to do and let Lisa be sad and express her emotions fully.

We also know she was quite bullied by her older sisters, and she's the one to always try to stop fights between Lisa and Bart, and the first one to try to stop rivalry between them when Homer tried to make them fight the other for attention.

Marge is flawed in a sense that she internalized a lot of misoginy and conservative ideals and then, sometimes, she tries to spread it, unwillingly, because is what she knows. Despite this, we know she supports Lisa's interests in studying and artistic skills. We know her mother was cold, and a bit detached, but Marge tries to be as warm and supportative as possible.

The Simpsons reasonates, mostly, with a generation that came from similar home enviroments, and, to some degree, some people in the audience could realize of their own flawed origins or how they carried those flaws, because I think the creators and writers had this in mind, the change and the struggle with trauma, the "not being good, but being better than what I remember".

So there's that. Deeply, deeeply flawed people that were raised in awful enviroments, and ultimately fail at being "good" parents, but they tried to change, and they tried to be better, and trying does matter in the end , because it's a start. They didn't end the cycle, but they planted the seeds for it. And to me, that's extremely interesting, and more so because this is the fricking Simpsons, a comedy, but like the context and narrative it generates, reasonates deeply with me despite not being for any of the generations the Simpsons represent, I'm a queer person in their 20s that was raised and still lives with an awful, awful family, but that I know their upbrinding was just so so so so much worse. And I know they try, and is not enough, and I can't quite forgive that, but I can see they try. And I know the cycle ends with me, at the very least.

[bizarrelittlemew]

i was hoping to make a post like this under happier circumstances, but here goes.

as some of you know, everything with the cancellation and renewal campaign has happened right on top of the worst part of my mom's cancer treatment (plus the show was cancelled on my actual birthday 💀). i won't go into details, but it's been tough. lots of ups and downs, mostly downs, luckily ending (for now) on as much of an up as circumstances allow. the whole thing has been weirdly tied to the cancellation for me, kind of amplifying every feeling. the grief got mixed up, and there was so much of it - mourning the loss of the kind of future i thought i'd have with my mother and the time we might not get, mourning the end of a show that means so much to me and is such a big part of my life. different types of grief, sure, and of different magnitudes, but in one big ugly swirl. i sort of had a breakdown right at the start of february, and it was because of news about my mom, but it morphed into my brain telling me everything i'd ever written was shit and wanting to delete it all. stuff like that, spilling over.

anyway. i was holding off on writing this post to see if the show got picked up by someone else. but i still want to say it. because what also spilled over was the support and community from this fandom, and being in this space (despite the rough times and high emotions) helped me through it, because of all of you here. whether we talk regularly, or you left a comforting reply or simply a like on one of my posts about having a hard time (i tried to keep them few), or wrote a nice comment on a fic, or said something funny or nice or insightful in the tags of a gifset, or was active here (or on twt) in any way, talking/sharing/creating stuff about the show - THANK YOU.

you all helped me through all the ups and downs, and i am so grateful. thank you for being here, listening, distracting, helping me feel some joy despite the horrors. i love you and i love this incredible show and all it has brought and will continue to bring and inspire, and although it should go without saying, i'm not going anywhere. just do me a favor and give yourself a big ol' hug from me, and know that you made a difference for some random guy on the internet (but in reality for many more, and for this fandom as a whole, just by being here and being you) 💕

[livwritesstuff]

This universe literally lives in my head rent free. I had another thought. How do the girls handle their relationships? I know as one of three daughters those dynamics change a LOT over the years, so I’m wondering how they manage their age differences and relationships over time? And how Eddie and Steve referee them?

ok so for reference:

Moe is born in july ‘01

Robbie is born november ‘03

Hazel is born september ‘06

(yes, i picked their star signs before i picked their birthdays - they are, respectively, a leo, a scorpio, and a libra)

So the age difference between Moe and Robbie is about 2 years, with ~3 years between Robbie and Hazel, and ~5 years between Moe and Hazel.

I think the general vibe of their collective dynamic really is the epitome of my sister is my best friend but also she’s the worst and I hate her. That doesn't change over time, but what does change is the way it gets expressed.

Moe was obsessed with Robbie when she was first born, and once Robbie was old enough to have her own opinions, she's equally obsessed with Moe. Robbie is definitely Moe's shadow for the first few years, and that only starts to shift when they're both in elementary school together, at which point they start to take on that quintessential love-hate-always bickering-with a tiny sprinkling of rivalry type of sibling relationship. The ebb and flow of this is one part of parenting three kids that only-children Steve and Eddie have a hard time keeping up with. There would be days when the girls were non-stop fighting, and then Steve would be like, “Moe, wanna go on a drive with me,” to, y’know, separate them for a bit, but then Moe would hit him with some major ‘tude like, “Just me? …why would we do that.”

There’s also definitely a psychological aspect to the sibling warfare that Steve and Eddie sometimes feel like they're two steps behind, so refereeing really just looks like keeping an eye on the metaphorical scoreboard (so to speak) and making sure it’s staying as even as possible (and breaking things up when it gets a bit too brutal).

Moe and Robbie circle back around to being buddies when they’re both in college – I have very very vaguely referred to how Moe and Robbie end up going to the same school, which is messy at first but it ends up being really good for them.

As for Hazel, when Steve and Eddie first introduced her as a newborn to her older sisters, Moe is basically like, “Thank you for the child. You may go,” whereas Robbie is definitely side-eying her like, “Uhhh I did not agree to this.”

That 5 year age gap between Moe and Hazel is enormous when Hazel was first born, and it continues to feel like a lot for a long time. Like, when Moe is learning how to drive, Hazel is still in elementary school, and she’s only twelve when Moe graduates high school. They spend their entire childhoods in completely different developmental brackets, and Hazel is definitely the baby to Moe while Hazel basically worships Moe and thinks she’s the coolest person on the planet. Then Hazel hits her high school years, and Moe, who's wrapping up college, is suddenly like, wait is Hazel cool? omg she’s *so* cool. That’s around when they stop feeling like they occupy totally different planets.

Because Robbie and Hazel are closer in age, their relationship looks a bit more like Robbie and Moe's. Hazel is basically just an avenue for Robbie to exert her own power in a way that Moe would never let her get away with. She’s definitely always pestering Hazel and teasing her and trying to push her buttons (and Hazel is so laid back that it really doesn’t bother her that much, which drives Robbie crazy in its own way). She’s super protective over Hazel though – both Robbie and Moe are very aware that Hazel is basically an angel, so the standard is very much *we’re* the only ones who get to mess with her.

I think Moe and Robbie might have a tendency to force Hazel to be a tie-breaker in their arguments, which is another facet of raising siblings that Steve and Eddie actually get involved in (to make sure she's not being completely steamrolled by her big sisters). Other than that, they mostly stay out of it. They've seen their kids go to battle *for* each other enough times to feel pretty confident that they'll make it through the times they're battling against each other.

[yeetusthemighty]

The creechur

The silly (crazy? I was crazy onc-)

So I got inspired to finally post this guy because of this post by @z4n3jul13n (cool person you should look at their stuff)

full version with my doodles under the cut

(I have a whole au based off of this guy)

[disposal-blueeee]

doodles

edgar vargas and squee by johnen vasquez

scriabin by zarla-s

[jesncin]

FINALLY MADE IT TO MA'AL'S DEBUT EPISODE IN YOUNG JUSTICEEE

can I get a YEEEHAAAW!!!

Haha they're already doing the "marginalized villain is too extreme in his methods for justice" nonsense but I'm honestly just so happy to see him that nothing is knocking me from this high rn

[camels-pen]

the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?

Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.

Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.

With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.

So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.

[tonguetiedraven]

So I was cleaning up a few manga panels for my other blog, and darn it, I need to talk about my thoughts on two scenes in the Shimane Illuminati arc (specifically chapters 61 and 62) because Kato deserves all the applause for everything. This post will be for chapter 61 and I'll post 62 later.

TW/CW for character death, medical abuse, and mental health struggles. Content below the cut.

First, in chapter 61 we get this heart breaking page when Tamamo Kamiki dies.

To get into what I'm seeing with this panel, I need to give a brief (or I'll try and make it brief) overview of Tamamo. Tamamo gets introduced to us in chapter 52 and the first panel we get of her is her sobbing into the camera that everyone acts so cold towards her because she is sleeping with the head priest and not married to said high priest.

We are then told that she was an irresponsible and careless woman by Mike. We find out three really important things though.

Tamamo is judged by the people around her and gets a cold shoulder

Tamamo relies heavily on her daughter and the byakko to have the house run at all and has dreams of a fantastic family and house she has shown no ability to actually run.

Tamamo is in love with the (shitty) Chief Priest of Inari and that he isn't married to her.

We then find out:

That Tamamo and her entire line have always managed the terrifying and unruly Nine Tails by assimilating the god and becoming her, and that the town/shrine distrust her because of that, even though she does it to protect them. They ostracize her for the duty her family has and they judge the entire family because she had Soji's children.

Notice Soji isn't in the judged club and that Soji has never seen his daughters. He's never been to her house. It is always her going to him.

This theme of ostracization is something that pops up over and over and over again in Blue Exorcist. Almost all of the main characters had a childhood that was lonely and where they were rejected by their peers--almost always for things outside their direct control and almost always in someway connected to demons, even if they didn't know it, but I'll get to that more in a moment. Suffice to say, at this point we can see that Tamamo is isolated outside of her illicit meetings with Soji (not at all healthy as we'll see later on) her interactions with the demons around her, and her daughters, neither of which are old or mature enough to offer her the type of companionship she's in need of, which leads to everyone in this tangled dynamic having unhealthy relationships with each other.

We see Tamamo seeking connections and affections and largely being rebuffed by it everywhere except Tsukumo and the byakko. Soji's affection has strings attached, and Izumo is too fed up to offer any affection. The other members of the shrine ostracize her and give her a cold shoulder, and I'd bet money that they're vocal about their opinions any time she's around. (And they likely don't care if the kids are around or not.)

What I'm getting at is that Tamamo is lonely and you see that in how desperate she is for approval and connection and it mostly comes out with Soji. She does whatever he wants to keep her connection to him intact. We've also had a few indications thus far in the manga that isolation and depression and poor mental health are things demons take advantage of. We'll get more explanation on that later on, but suffice to say that Tamamo is not at all in a healthy spot to be constantly risking possession against an immensely powerful and evil demon.

I'll be honest and clear up front that I have no love for Soji and think him deplorable and he did not do anything to help Tamamo that we see. Rather, it seems he exclusively used her for his own pleasures without any care for her or the consequences their time together had.

I also think it's important that everyone know that Nine Tails -- at least the Nine Tails in this story -- is based of Tamamo no Mae who is an infamous yokai in Japanese lore. She has a long and complicated history with her origins unknown and a lot of political manipulation, but an important thing to know about her is that she is always depicted as a child eater. She devours women as well, and thrives on seducing men. She's beautiful and powerful and alluring, and she's manipulative.

So generations of women manipulated and regularly partially possessed by Nine Tails down the line, we have a shrine and town that reject Tamamo and her losing her grasp on the one adult who 'likes' her, and we see this moment:

We see her staring at him, enjoying the light atmosphere and gathering her courage (the sweat drop in the panel has me thinking she's nervous about this because it's not the first time this convo has happened.)

She wants him to come to her house and is trying to make it as appealing as possible. She wants a family and the life she's been dreaming up.

Soji rejects the idea entirely and pushes further by saying if she asks for him to interact with the kids in any way he'll dump her. The one adult connection she has will be lost because of her children. (Not actually. It's because he's a dick but she sees it as the children being the problem.)

She then goes immediately to Nine Tails to do the dance of spirit invocation which we're told this about:

So Tamamo--who has been isolated and lonely for at least a large chunk of her adult life is now seeing the one connection she's made with another adult (and an unhealthy one at that) potentially break because of her children-- goes to assimilate the Nine Tails in that unstable and unhealthy emotional and mental state.

It is heavily implied that Nine Tails started to take her over at this point, and you see her become more and more obsessed with Soji and more angry with her children, further isolating herself away from the small amount of support and connection she did have until she's entirely possessed by the vengeful and malevolent spirit of Nine Tails.

She murders Soji and tries to do the same to her children before the Illuminati take her and subject her to years of torture, all while she's still possessed by the Nine Tails.

One more detail and I'll get back to the scene in chapter 61.

When Tamamo was last fully in control of her faculties and saw her daughter, she saw Izumo in the same place she was. Ostracized by her community with no one but their small family to lean on. Her daughter was doomed to follow the same path Tamamo had, and at this point, it looks like this was a cycle that had been going on for at least a few generations. Isolated and connection starved women raising daughters who were isolated and connection starved children. Tamamo became overly touchy and clingy to everyone where Izumo became mistrustful. (And man does she have a lot of reasons for that.)

Now back to chapter 61 and the moment Tamamo dies.

She wakes up amongst the chaos of the zombie hoard going towards possessed Izumo, and she immediately intervenes to get the Nine Tails spirit back inside herself to save her daughter.

That's important to understand for her. She moved before the next moment I'm going to talk about. She saw Izumo possessed and didn't seem to hesitate to save her daughter. She has been tortured for five years and immediately moves to start that horrible possession again.

But while she's dancing to contain Nine Tails in herself, this is going on in the background:

Each of the other teens in the room came to get Izumo and they're shouting their support of her even while they fight an endless hoard of zombies because they came to get her. Tamamo can hear that happening and she can see that they came to help Izumo.

No one came to help Tamamo. At no point did anyone ever come to rescue her or fight for her. She was blamed for everything and was left to bear all the consequences for five years. (I am not blaming Izumo for that. She was a child and was not responsible for saving her mother.)

But with "We're here for you!" ringing in Tamamo's ears, she completes the ritualistic dance and frees her daughter from the possession.

Tamamo in her dying moments looks at her daughter and sees a community around her that Tamamo didn't have. She sees people willing to intervene and help and fight even though Izumo is pushing them away and possessed and not easy to get along with.

Tamamo, from everything we saw, was isolated and rejected by her community and had no one to support her. She was manipulated and played by her significant other and left vulnerale to possession by a society that needed her to do the thankless job and hated her for doing the thankless job. She was bubbly and friendly and still pushed away and rejected and ostracized until she succumbed to Nine Tails.

back to chapter 52

Blue Exorcist talks a lot about curses and ostracization. All the main cast suffer from it in some way or another. They've all been called terrible things and most of them have been treated as if they aren't human, and a lot of them have complicated lineages and may not be fully human which just amplifies the amount they're rejected by their peers.

For Tamamo, that curse was literal and figurative. The literal curse was the constant absorption of an insane demon that eventually consumed her until she'd destroyed what little family she had.

It was figurative in that as the head priestess and medium in charge of the rituals, she was rejected by the community she needed to support her. She was left floundering on the outside, always given just a taste of what she could have had if she was born to a different family, and left with a longing for what she would never be given and always wondering why she couldn't have it. (And yes, I'm probably reading into some things and filling in the blanks with hypothesis and assumptions.)

But in that final moment, Tamamo sees that curse of isolation and rejection has been broken by Izumo. That her daughter, who like all the daughters of the Kamiki line was alone, is no longer alone. That she has friends and support. Support that followed her into this hell and reached out to call her back even from a demon like Nine Tails.

I don't know if I've made myself all that clear, but I love the way that Kato has shown this over and over again and keeps showing the rejection of isolation and ostracization as any kind of solution. That she keeps showing through each of these relationships and arcs that it's reaching for and connecting with other people that brings change and healing and hope, and I love how she shows that through moments like this. It's a little moment that's so easy to miss, but it's so immensely huge when looked at in the context of the entirety of Tamamo's life.

I wish she knew that they would have come for her if they'd known she'd been there all this time. I wish she'd have found a community to support her and I wish she'd had someone to tell her Soji was a dick and she could do better.

I wish she could see Izumo now, still connected to her friends and even though it's the end of the world, she's fighting with and beside them. That she's seeking out connections and learned her lesson about not needing to be alone. That she's teased and loved and welcomed.

But I'm pretty sure in that final moment, she saw it all anyway.

[crystalpallette]

get you a girl who can give you everything

this started a long long time ago when I made a joke about how sega should put ringo in more dresses, and then my friend reminded me that oh yeah!! I can do that instead!!! and then one thing led to another and we joked about punk ringo and I drew that too. using ringo like a dressup doll is so cathartic it's kinda crazy

some bonuses (original designs, timelapse) under the cut bc I like these designs!! I might do some more with them!! please disregard the band poster in the first second of the timelapse that's something else!!!

[featherlikescartoons]

A brief-ish Analysis on the most important scene in For the Future lore: The Collector's Story

I needed a place to ramble, so here we go

To start off with, the cover of the actual book is much simpler and more childish than the symbol we've seen in the past:

So this book was probably made for this Collector specifically, or any young Collector to learn about their species. I'd also like to comment on the fact that while the book may look impossibly long, the stone pages coupled with the large font greatly shorten it. This doesn't mean it's not long, just not as long as it first appears.

This isn't important, just thought I'd point it out.

Moving on:

The contents of the book

This scene confirms something very important, there were other Collectors

and from the looks of it, they weren't very nice. More on that in a moment

The people depicted here are probably the ancestors of the Titan Trappers, seeming to worship the Collectors. But considering the Collector's tendency to wipe out anyone in their path, this isn't surprising. They seem to gain followers through fear, the type of fear they twist into awe and worship.

I find this especially interesting because Belos gained followers in a similar manner, fear turned to worship. First of all, I'd like to acknowledge they are still very different. Belos's rise to power came about through manipulation and making everyone believe he could lead them to a better future, while the Collectors probably scared everyone into submission with the idea they could take down any who go against them in an instant.

But while their origins are different, they grow into something very similar. By season 1 and 2, Belos was forcefully gripping at control and using his powerful position to either capture any who rebel, and to invoke worship in the rest. Maybe I'm reading too far into it, I don't know.

Additionally, each group were trying to destroy an opposing species. Belos with witches and The Collectors with Titans

Long story short, The Collectors inspired fear and turned it into worship. Belos did something kind of similar. Also, Boscha and Kikimora also established a tyranny in this episode. Just some food for thought

Back to the book, the section that the Collector crossed out hold some heavy implications.

("But should they meddle in our affairs, we'll clean the planet and scorch the air")

Not just the ones who opposed them, the planet itself.

The Boiling Isles would be an empty mass of boiling sea if it weren't for the titan's carcasses. Without them, there would be nothing there. What if this is because the Collectors reset the planet, burning away anything that once rose above the sea and raising the ocean's temperature to boiling levels in the fire.

Or at least that's my interpretation

So, based on the information we have, the Collectors may or may not have had the power to wipe out an entire planet. Yet, they seem to have been completely wiped out alongside the titans, except for just one of their young.

We know a titan was the one that sealed away our Collector, so we can assume that it was an evenly matched battle, the two species wiping each other out. (King and our Collector probably can't reproduce, so their as good as extinct)

Okay, at this point, we've figured out a rough theory on the Collector's history, but how does our Collector play into this?

It's made very clear that our Collector isn't fond of his predecessors. He's a kid with a lot of power and was probably bored by the other's ideas of doom and gloom and the tendency to destroy anything interesting.

So our Collector decided to start doing things his own way. It's clear he didn't decide to step away from the old ways out of sympathy, rather, it was because he's a bored, lonely kid who wants to do interesting stuff like play and make friends.

Does he have any role in the destruction of his species? We don't know. Personally, I think he was placed in the mirror when he was really young, leaving him with nothing but vague memories and a book to get to know his predecessors by.

I believe this because it would parallel him more with King, both of them not being able to remember their species.

I think if the Collector learned to listen to king, they could form a really nice, genuine friendship

[gjsxj0]

mindless rambling in tags don't mind me

[calissarowan]

I was just thinking about Bloom’s wager against Nebula. I mean, she won and got the wizards that trial, and Morgana said she’d given up revenge, but…what if she’d lost? If Nebula had defeated her, would Bloom have kept her word? Would she have gone into Sibylla’s cave and taken the wizards to Nebula? A deal is a deal, after all, and Bloom made Nebula keep her end of the bargain. Would Bloom just have walked into the cave and told Sibylla that she had bet the wizards’ lives and lost, so she had to take them to Tir Na N’og to face whatever horrible punishment Nebula had dreamt up? Sibylla would have definitely not been happy about that, but we’ve seen that she doesn’t interfere, so maybe she’d have to give in and give Bloom the wizards. So then rustic fairies show up in the wizards’ cave and say they have to come to the throne room, and Bloom has to miserably explain that she has to take them to Nebula. How would they react? I imagine horror, anger, and fear. And Ogron would probably feel really guilty, since surrendering to the Winx was his plan, so this is only happening because of him. Gantlos would be scared out of his mind for Duman, because he’s so sick and can’t face whatever Nebula’s planning. But they don’t have any magic, and Ogron said he was willing to abide by the Winx’s judgement when he surrendered, so they don’t really have a choice. So Bloom just has to Zoomix them to Tir Na N’og, and Nebula’s there waiting with warrior fairies, who probably grab the wizards as soon as they see them, and Bloom just has to stand there helplessly watching, because she made a deal, and she’s bound to keep her word. Nebula would probably gloat about having the Fairy of the Dragon Flame as her errand-girl, and Bloom would have to stop herself just attacking, because she won’t win a fight against these odds, so she just stands on the beach and watches Nebula drag the wizards away to do things she doesn’t even want to think about to them.

But! Maybe, later on, after she’s gone back to the other Winx, feeling guilty as hell, Tecna points out that she agreed to take the wizards to Nebula. She didn’t say anything about making sure they stayed in her grasp. So, realising she’s now free from the terms of the deal, Bloom rushes back to Tir Na N’og with the Winx, and they transform and burst into the throne room, action-hero style. And Nebula’s furious that they’ve interrupted the wizards’ punishment, but Bloom just attacks, and the Winx win the fight, because they’re the Winx and no way are they leaving the wizards here. Maybe Roxy even manages to get through to Morgana, appealing to her conscience over what she’s doing. Either way, the wizards are rescued and Bloom spends like an hour apologising while she heals everything Nebula did to them, and Sibylla probably gives her a lecture about betting people’s lives, because that is such a bad idea, and things could have turned out far worse than they did, and then everyone just passes out and sleeps for at least a day, because they’ve all had such a day that they just can’t face anything else for a minimum of twenty-four hours.

[caluupin]

(secret) admirer

[sitp-recs]

hello liv! thank you for your service to the fandom, i spend such an inordinate amount of time sifting through all your reclists! i’ve been seeing drarry authors do their first line/last line posts for patterns and was wondering how that might pan out for reccers, so i had a question for you— what are some of the fics you find yourself reccing most often, across lists? do they speak to your own tastes? does a pattern emerge through them about the kind of asks you get? you always rec a really diverse range of fics but i do see some recurring favourites cropping up and was wondering if you had thoughts on it!

Thank you for your kind words and for the ask, anon! This was a very interesting way to adapt that ask game to my blog and I appreciate you for including me 💜 I had to take a minute and think about this because despite knowing that I’ve recced some fics over and over across lists, I’ve never stopped to analyze it in detail. Taking a quick look, I’ve tried to identify some patterns and I think these examples offer interesting insights:

1) I Am Not Who I Became and A Sword Laid Aside - two long fics I mention a lot (often alongside each other) because they combine some very popular tropes: recluse & powerful Harry, competent Draco, forced proximity, fast smut + slow emotional burn, D/s undertones

2) Clear as Mud and Unfinished Business are two personal faves I don’t see in rec lists often, they’re more like old-ish hidden gems and I love getting the chance to sneakily include them!

3) Take the Moon and Life goes not Backward: two favourites written by my friends! Funnily enough, they’re both kid fics which is a trope I don’t really care for lol. Reccing friends is one of my biggest pleasures in fandom, I’ve seen a lot of criticism/questioning around it which makes absolutely no sense to me - appreciating each other’s work and finding things in common is what brings us together in the first place 🤷🏻‍♀️

The main reason why I include any fic on a list is because I believe it’s a good fit. I always try to get a sense of what the reader is looking for bc it helps me find the right tone, but it can also get challenging if the request is too vague or too specific. Because I publish lists on demand I try to be as trope agnostic as possible, but at the end of the day I can only rec what I’ve read and enjoyed, so this will always be a subjective process (which I love! Imo rec lists are special and unique exactly because they are personal).

Back to the pattern discussion, I think seeing the same works mentioned on a regular basis reflect not only my own preferences but the ways it matches some emerging trends among the readers who follow me. Now the blog’s been around for a while and I don’t rec as much as I used to, it’s fair to assume that those who stick around have found in my blog similar tastes and fandom approach. In the last couple years I’ve noticed more requests around themes such as powerful Harry, competent Draco, bi and gay awakening, or fics where they take care of each other, bond over shared trauma and redeem or heal together. I think those reading trends are largely influenced by writing trends and vice-versa (especially in the Tumblr bubble!) so in a way we’re all collectively setting those trends and de-constructing or giving new meanings to old perspectives. That’s the true transformative power of fandom! Love that for us 🙌

[nono-uwu]

First oc post i am shaking crying throwing up for multiple reasons and also anxious as hell- anyways, meet the man, the failure disaster gay, the forever doomed ginger(derogatory/lh)

I forgot to add his birthday omg, it's march 13th

Lore utc (i wrote a lot lmao), the uh post ch 134 stuff will be elaborated on later (or if asked. Actually, ask me anything about him. And my other oc's once they're posted. Please. I will answer in great detail. I also need a distraction. Pls.)

So basically, among the first few vampires (a 4th progenitor to be percise) turned by Shikama was a woman who showed great potential for spells and magic. She had a loving husband and child which she tragically lost in an accident. Upon turning into a vampire, her family was still the only thing on her mind. She accepted to help Shikama in his endeavors to revive Mikaela since she hoped she could revive her own family in the proccess. Unfortunately it didn't work. Disillusioned, she abandoned vampire kind and started searching for the possible reincarnation of her beloved husband, whom she may be able to have a child with and have family again.

Fast forward a a lot, and I mean a lot, of years and she arrived in 60s japan. None of the people she had hope for turned out to be the reincarnation of her late husband until that fateful day. She encountered a (rather pathetic may I add) man in his late 20s and it was like a miracle. The woman cornered the man in disbelief and from this awkward first meeting blossomed true love. Then everything went to shit lmaooo

The first problem was that the mans family didn't approve of the woman. Tough this didn't stop their love. Next was the issue of bearing a child, something that a vampire simply can't do. Well, an ordinary one but this woman was anything but ordinary. By some impossible miracle she bore a child. A biological child. (GIRL HOW?? We will never know and frankly, i don't want to think about it💀)

The child was, as expected tbh, kind of a disaster. Already born with pointy ears and sharp fangs. The child needed both human food and blood to properly sustain themselves. Drinking blood outside of their family would permanently stop their aging. Despite this, the couple was overjoyed. (And then named their child "mistake" bc that would help /s.) They named him "Machigai". Why tho?? I dunno man something along the lines of "a mistake but the best mistake of their life" bruh

So after Machigai was old enough to walk, but not old enough to remember, the mother diappeared, leaving father and child behind. The father did his best to raise such an... extraordinary child but it was understandably kind of impossible. Machigai grew up alone and isolated from his peers. He was always wearing a hood of some kind and rarley opened his mouth to talk. In high school, he met a girl who he became good friends with but she is another oc I'll post about sometime adlf,wpl.

Anyways! Come Machigai's high school graduation and 18th birthday, his father... disappeared. All he left was a note saying, that Machigai now owned the apartment and that there is enough blood in the fridge to sustain Machigai's thrist while he could grow and mature. To an already depressed and disillusioned Machigai this obviously didn't help. Throughout the next years he became a shut in, who only left the house if absolutely necessary. All he did all day was play video games, watch tv and later be on the internet. Once he ran out of his fathers blood was when things changed. He had to go out and actually find a new source of blood. Welp, sorry to unlucky bastards who went into dark alleyways at night bc these types of people became Machigai's source of blood. (That's when he stopped aging)

On one of these nightly escapades, Machigai was greeted by a large man in a neat black suit who called himself "Saito". Saito claimed to have known Machigai's mother and offered a deal: Machigai would offer up his unique constitution to the Hyakuya sect's research and in turn get a well paying job and a guaranteed source of blood. He agreed. "Welcome to the Hyakuya sect. I look forward to your performance"

Machigai was practically a lab rat for the development of cursed gear. Thanks to his half-n-half physiology he could tank wounds from cursed gear/magic n shit while still providing useful data to how effective it is. During this time Machigai aquired knowledge of vampire culture(?), became familiar with magic and it's quirks and learned how to perform simple spells and whatnot.

Around 2011, when the internet was already fairly well used, Machigai came across a forum dedicated to paranormal sightings. Various users claimed that a secluded spot in Kyoto was home to vampires. (Ferid was the one spreading these rumors btw) Most would have dissmissed this as someone wanting attention, yet Machigai was intrigued. He was well aware that vampires existed across the world but he mever knew how to actually contact them. Perhaps out of morbid curiosity, perhaps out of a genuine want for connection with people like him, he went to check out the spot. There, he met none other than the eccentric Ferid Bathory who specifically manufactured the rumor to meet Machigai (extra much?). He was well aware of Machigai's work for Rígr "Saito" Stafford and was trying to one up his father by stealing his most prized lab-rat. Machigai declined, not trusting a single thing out of that vampires mouth. Ferid left, already proclaiming that one day Machigai would be working for him.

Machigai stuck around that area as it was already well into the night and public transport wouldn't start up until the early morning. There he met another vampire: Crowley Eusford. Their meeting wasn't planned or meticulously calculated, it was actually rather awkward. Their chat was meaningless and short but in the end leagues above whatever Ferid likes to plan. Crolwey has already unwillingly heard about this curious being from Ferid and seeing Machigai himself left him wanting to learn more about him. Machigai was left a little hopeful, that perhaps it's not too late for him to look for connections.

So the apocalypse rolls around-

Machigai makes a deal with Saito that in exchange for his freedom (*eagle screech*) he would keep his mouth shut about anything the Hyakuya sect discovered while Machigai was there.

Machigai seeks out the Demon Army where he successfully keeps his half vampire identity a secert until someone on his squad gets blackmailed into revealing it. Before that, he gets a cursed weapon, a pair of daggers. And lo and behold, the demon possessing the daggers is his own mother. Unfortunately since the now demonic mother didn't witness Machigai growing up, she falsey believes to be able to still shape Machiagi to her will. After getting locked up by the army, Machigai completley gives up, only wishing for his miserable existence to end (spoiler: It won't! Ever. :) ). He ultimately loses any and all trust he has in humanity or just anything in general.

After about half a year of grueling torture and some experimentation, Machigai gets freed (kidnapped) by Ferid and promptly brought to Kyoto Sangiuem. Krul Tepes, finding Machigai to be useful in her fake-ish war against humanity and whatever she's planning with Yuu and Mika, lets him be part of the japanese vampires under Ferids faction. Ferid found himself unwilling to deal with the often uncooperative and irritated new "recruit" so he did what he does best and made it Crowley's problem.

After a rather agressive and disrespectful first impression, Machigai was officially a... coworker? of Crowley and thus also Chess and Horn in Nagoya. The three got the additional task by Ferid to somehow domesticate this feral and angry stray animal and get him to open up. At least that's how Ferids orders were phrased. Shenanigans, Drama and FeelingsTM ensue.

(How did I write so much??)