#// no more words • just music \\

[pencildragons]

bro i LOVE indigenous fusion music i love it when indigenous people take traditional practices and language and apply them in new cool ways i love the slow decay and decolonisation of the modern music industry

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[turtledotjpeg]

girls who go 🧍

[girlishguitarist]

I always feel so weird when I see companies making mega expensive “punk” and “goth” clothes. I used to know this other person who kept on wanting to get into the goth scene, and another one of my friends literally was so willing to help her and get her started out with like music recs and clothing tips and she’d constantly tell us. “Oh, but dressing goth isn’t accessible for me. I don’t have the money.”

Which y’know makes sense, not everybody has the money to drop on getting goth clothes. Especially when your priorities are literally keeping a roof over your head and paying bills. We’re all from working class families here. But then we just kind of realised she was referring to the shit you’d find on like… Killstar or Dollskill and everything made a lot more sense. It’s been making me think. Ever since alternative subcultures such as goth, such as punk, even grunge tbf have made their way into mainstream fashion trends on the internet it’s made people believe that the only way you’re able to get clothes to “dress the part” is to fork out shite tonnes of money to these ridiculously overpriced online clothing stores. (You don’t even have to dress goth for example to be goth because it’s a music based subculture but that’s a whole other thing.)

The way trends are today with this whole, “aesthetic” thing along with the consumerist HELL that is fast fashion sparks a wave people just buying swathes of overpriced clothing to hop onto a clothing trend that is actually ripped from a subculture they don’t really understand? Like part of the whole core of these subcultures is that we are anti-consumerist and anti-capitalist. You are a fucking joke.

Don’t get me wrong, I’m not talking negatively about people who truly want to get into these subcultures. There is nothing wrong with that at all, of course there isn’t. I’m talking about people who will see a fashion trend and just hop onto it and really have no idea what they’re doing. (This is part of the reason why I believe it’s unlikely we’ll ever have a new subculture as big as previous ones ever again because of just how everything is a trend now.)

Fashion that has been born from these subcultures has always been DIY. Making your own battle jackets, thrifting pieces of clothing and tweaking them to be how you want. Like… I don’t know about you babes but I don’t think goths in the 80’s were getting their clothes from fucking Hot Topic.

The fact that companies are now and have been making ridiculously priced pieces of clothing to capitalise off of: 1.) People who want to hop on trends because they don’t want to make the clothes they just want the style now, and 2.) People who want to genuinely get into subcultures such as punk and goth but may be misguided as to where to get clothing just makes me so fucking mad because it makes getting into the fashion within these subcultures seem inaccessible and consumerist-ridden when they’re absolutely not meant to be.

[gentlebeard]

If I could hold you for a minute, Darling, I’d go through it again

For @edsbacktattoo & @stedesearring 💕 Show: Our Flag Means Death - Season 1 & 2 Music: Francesca by Hozier YouTube

[longmaxsilvarg]

something about the main menu for life is strange genuinely makes me wanna collapse and sob

[ahhrenata]

golden hour 🌅

close up below the cut:

[festivating]

elphaba has such an intriguing relationship with her magic in the musical. like. imagine having this mysterious power you can't control and you don't understand and obviously nobody is going to help you understand it because everyone completely fucking hates you.

and elphaba wants so badly to control these powers she promises nessa that once they're at shiz things will be different and she won't use them but she doesn't KNOW how to do that. so this is yet another part of her that scares people or makes them angry at her, and it's yet another part of her that she has no control over.

it's fucked that she admires the wizard also. because she thinks the wizard has magic but of course that's a good thing. magic isn't the problem. the problem is her magic. she never even considered a career in sorcery because her magic is more a curse than a gift.

and we know her magic is tied to her emotions and it comes out when she's mad or frightened. can you imagine how many times she must've gotten mad growing up, considering how hard her life was? and how many times her powers manifested without her control? it must've happened a LOT if she had to promise nessa she wouldn't use her magic again. and how many times she stopped herself from getting mad in the first place because she was afraid of what she could do?

also elphaba tells morrible "something just comes over me sometimes. something i can't describe. but i will try to control myself." and then she apologizes to nessa. she apologizes for something she can't control, something she has clearly tried to control before, smothering down a part of her that should be natural, that should be considered a talent.

and a part of me thinks that she grew to resent her magic so thoroughly she carried that resentment even after getting training from morrible. after her lessons and after getting the grimmerie all the magic we see from elphaba is more "controlled" so to speak.

but still think about the scene at the governor's manor, when she purposely enchants nessa's shoes and she says "FINALLY from these powers something good" so even after all that time she still never saw her own powers in a positive light. and i mean. with the wizard and morrible tricking her to fuck up the monkeys of course she thinks like that.

she went from having to hide her powers, to trying to suppress them to make the people around her more comfortable, to being hunted because of her powers. of course she's never going to see that side of herself as something good. the amount of self-loathing she carries is just unreal i don't know how to finish this post but i love her very very much and she needs a hug.

[fairyofshampgyu]

GUYS THE CONCEPT PHOTIS IM DEAD OMFG SOFHDU!*%%^ I LOVE TJEM SO FUCKING KUCH THEYRE SO PRETTY OMFG OMG OMG OMG 😭😭😭😭😭😭😭😭😭😭😭☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️☹️

[sirjo-esque]

Okay I think that one thing we're really not talking about is how Telemachus adds something to the end of each song, the exact moment we think it's over.

"If I fight those monsters, is it you I'll find? or "Tell me Athena why you came to my aid"

He's setting up for the next song, telling us that there's still more to it. In the Wisdom Saga, he figuratively acts as a reprise to Odysseus, through his relationship with Athena and the riffs Jay pointed out in We'll Be Fine.

That's why I think it's especially important that in We'll Be Fine, Athena is the one adding to the end of the song.

"You're a good kid."

Though Telemachus technically has the last line there too, it's not one that provokes action. Instead Athena adds a line, which in theory didn't need to be there. In all technicality, the song had ended. The next song, she takes action.

She's giving herself a reprise. A second chance.

[galoogamelady]

Hi! What is red flags? Who are these characters? Is there a comic, story, something...? Really cool art, and nice style, I just want to know the context

Buttons is my OC and Val is @wafflii's OC and we just have fun here

[annabelle--cane]

spotify will play me a song that I've never heard before that actively knocks my socks off and compels me to immediately add it to four separate playlists and take a quick research dive to learn everything about this artist that's available online and then spotify will manage to never play it for me again

[lovelylulib]

okay i do not like this drawing so much but also i like some parts of it....ANYWAY: HERMES!!!!!!!!!!!!!!!!! i love his song SO MUCH

[passionartx]

Mini Health/life update!:

Just wanted to drop a lil update cause I’ve been mega mia! At the end of September/start of October I ended up being hospitalised for about a week due to getting a pretty bad case of pneumonia. Was a really scary time but I luckily got through it but am still undergoing tests to montier recovery and am dealing with knock on effects from my other chronic health issues.

Against all odds I luckily still managed to play Dorothy in the production of Wizard Of Oz I was in and since then and have been trying to catch up with university and get through other irl home and mental/physical health issues. (And a power outage and rat infestation… I’m starting to get how tails feels when we all put him through horrific events for angst).

I can’t express how much people’s support and patience has meant to me and while I’m not 100% back I really hope I can get back on tumblr a bit more soon cause I love and miss the bros and everyone on here so much! 💛💛💛

I really hope you’ve all been well and will try and get back to everyone soon! 🫂

It’s my birthday this coming Wednesday and if one more crazy life event happens to me before then I think I’m actually gonna go insane lol.

[lemonycranberries]

there's a bunch of parallels to be made between wicked and mo dao zu shi, as many people have already pointed out (see: these reddit posts, these animatics). but i was thinking about how wangxian's roles in comparison to elphaba and glinda can be considered to reverse over time. i mostly see people comparing wwx to elphaba and lwj to glinda, and sure, there's a lot of comparisons to be made there, but try to consider another angle.

in the cloud recesses, when they're teenagers, lan wangji is a disciplined, hardworking, intelligent student with a lot of pressure put on him to honor his family and their reputation, beloved by his teachers but witout any friends around his age, except perhaps for his brother; much like elphaba. meanwhile, wei wuxian isn't exactly the most dedicated disciple, and breaks quite a few rules without caring about it, which doesn't exactly make his teachers love him, but at the same time, he's popular and loved by his colleagues (who mostly dislike lan wangji, either finding him a sort of teacher's pet or being afraid of him); in that sense, he's more like galinda (if we're looking through a queer galinda lens, we can also say both characters are very entrenched in comphet and very oblivious to their same-sex attraction, with galinda supposedly being a boy-crazy, girly girl and wei ying being very flirtatious towards women, and claiming to have been with many of them without even considering the most remote possibility that he could like men too).

but then, let's skip to both pairings in their adulthood. wei wuxian, that formerly popular, charming individual, is now the yiling patriarch, a previously very talented, advanced young man who's considered different from others in his society because of his methods, something that used to make people admire him and then became his downfall; he started to be hunted and blamed for all evil that ever happened, becoming the biggest public enemy in the cultivation world, and a legend of sorts, nearly a mythical figure, the represention of evil itself. at the same time, despite being warned by those who loved him, he didn't back down in doing what he thought was right (also defending a vulnerable and marginalized group that was being ostracized and blamed for doing evil things - the remaining wens - like the animals were), officially cutting all ties with the respected, traditional cultivation circles and running away to the burial mounds, very aware that this would make him be hated and turned into a villain. eventually, after losing people he loved, he started actually leaning into this evil version of him that was publicly known, comitting so called "evil" deeds while stricken by pain, and soon after, he died on hiw own, while the entire world celebrated his death and talked about how he deserved it because of how he'd done certain things, a lof of them not being true (note: both pieces of media begin this way, with the viewers/readers being introduced to the story with celebrations of the main character's death - and in both cases, said character wasn't actually - or permanently - dead). i don't even have to say how extremely similar to elphaba's story his story is in that sense (and you could still find more similarities, like both characters being morally gray or both characters being very attached to their siblings and going at extreme lenghts to protect them; i could go on). now let's look at lan wangji, who used to be that stubborn student disliked by many of his peers. in the current time, he has become hanguang-jun, a strong authority figure, respected by everyone in the cultivation world and widely considered an example of righteousness and Good. always very put together, always elegant, always where the chaos is; he's often resolving conflicts and is looked upon and admired as someone trustworthy and strongly virtuous. he was offered the chance to join wei wuxian in what he was doing at the burial mounds, years ago, but he declined, which led to him only being capable of helplessly watching from afar as the person who mattered the most to him grew to be more and more misunderstood by society at large, and consequentially, more and more hated - and persecuted. he was then forced to watch as the entire world celebrated the death of said person, never learning the truth about what had actually happened and who he actually was. does this remind you of anyone?

so basically, what i mean is that teen wei wuxian, a popular, likeable, enjoyer-of-life (or perhaps dancer-through-life) galinda, became a brilliant, but villanaized, ostracized and misunderstood wicked witch, like elphaba; while young lan wangji, a disciplined, introverted, hard-working elphaba, grew to be a respected and admired authority figure who was actually in deep suffering because of the way he lost the person he loved - not unlike our gal glinda, the good.

[izloveshorses]

it's crazy how the neva flows and my petersburg happen right next to each other. juxtaposing gleb's militaristic anthem with dmitry's free spirited and spontaneous i-want song... they're both singing about their fathers and living up to their legacy, but while gleb feels trapped by his, dmitry takes the lessons for what they are and still chooses to make his own place in this world. and anya sings a verse in both songs, one not so much by choice, and another because it's an invitation to participate and be acknowledged as a figure in his story.

even the scenes leading up to their respective songs parallel one another. anya is in danger, in one scene she is alone and another she has an ally. both men are trying to convince her to trust them; she trusts one of them. both scenes result in either physical violence or the threat of something worse. anya has agency in one scene all the way through. in the other scene, she does not.