#// here you go demon.
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wintertundra-art · 6 months ago
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“I want to take someone back to the Cloud Recesses… take him back and hide him. But he is not willing.”
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radiance1 · 2 months ago
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Damian was going to live with his father.
He was... Pleased, of course. Of course he was, why wouldn't he be? He was the Heir to the Demon, son of Talia Al Ghul, true blood of the Batman and the rightful inheritor of the Robin title.
So of course, he was pleased.
And yet.
"Stay close to me." He whispered, a small and barely noticeable weight settling on his shoulders that made untense the slightest amount. "Don't reveal yourself, don't do anything that I can't cover up and stay invisible."
He reached up towards his shoulder, closing his hand around the smaller, unseen one and gave it a reassuring Squeeze.
Either for himself, or the one he had slain. He didn't know.
Damian had more than enough information on his father, yet not enough for him to trust him with his most well kept secret.
That of his younger brother's existence after death.
Not from the Lazarus Pits, no. Damian had slain Danny himself and watched his body be disposed of. He knew not why Danny persisted, nor stuck around him, but he made the best of the situation as he could.
He loved his mother.
But he could not trust her with this.
He knew of and had expectations of his father.
Yet he also, could not trust him with this.
He respected his grandfather, but he could trust him even less with something like this.
No, Danny was his secret and his alone. One that he managed to keep years since his death, with added help from his younger brother's powers.
(Danny was always too soft, too kind, too emotional and all of the things that would have failed him in this organization.)
(It was a mercy kill, rather than a duel in Damian's eyes.)
(He did not regret killing Danny, but he regretted that he wasn't strong enough to not have to.)
Damian was his older brother.
Damian had a responsibility.
Damian would keep this secret, from the entire world- no. The universe, if he had to.
(He wasn't able to protect him then.)
(So he will protect him now.)
(Just a small edit for those interested if this continued or not: 2)
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greykolla-art · 11 months ago
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Hello!
This show gets more intriguing by the minute!
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lotus-pear · 5 months ago
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mourning black and the death of ideals
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vaguely-concerned · 1 month ago
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thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:
the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)
it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.
"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)
as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.
that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.
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stark-lord · 5 months ago
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Which could, of course, mean nothing.
+ bonus
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prommytheus · 2 months ago
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me: im not a asoryu divorce truther, but i AM an asoryu taking a break & eventual unlabeled-long-distance-situation truther. they ABSOLUTELY needed to go on different paths at the end of the game. i totally get people who rewrite them to go back home together after 2-5, but it misses the point IMO. their split is a bittersweet thing & a testament to their devotion to each other as people and friends more than it’s a toxic split and a tragedy. it’s not ryuunosuke leaving in bitter anger at kazuma’s deceit, or kazuma being idiotically self punishing. rather, it’s them mutually saying “We need to exist outside of each other for a while for our own development as people. But i would never leave you in anger. You will always be enough for me, but you also need to learn to be enough for yourself. And ultimately we will meet again at the crossroads. When we need each other the most, and we are finally ready, and we will walk our paths side by side. Unbroken, and never having been broken. And that bond is stronger than both of our deceit, violence, shyness, and ignorance combined.”
their physical split is a show of their assurance that they could never spiritually ‘fall off’ from each other. no matter what happens, they stand together in a cosmic sense. they need to be apart so that kazuma can find a self that will live past 24, and so ryuunosuke can develop the self he found in his own journey— the self that sees its value at all. basically, ryuunosuke is leaving for himself to prove that he has a self, and kazuma is staying for himself so he can learn to care about himself enough to put his struggle in the hands of the people offering to him— so he can learn to stop running. do you get me?
you, tied to a chair and actively being waterboarded: BLBLBLBLBLLBLUBUBU—
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whchwitch · 3 months ago
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D e a t h is a g i r l.
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just-null · 5 months ago
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HELLO HANTENGU NATION (5 people)
I'VE MADE AN [unofficial] HEIGHT CHART FOR MYSELF
Hantengu: 5"5 (166cm) Sekido: 5"9 (175cm) Karaku: 5"9 (175cm) Urogi: 5"9 (175cm) Aizetsu: 5"9 (174cm) Zohakuten: 5"3 (160cm) Urami: 8"5 (257cm)
[little aftermath under the cut]
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they're so annoying. peace is nonexistent... they're the best ever.
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shanastoryteller · 4 months ago
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The day his deal comes due, Sam goes missing.
Dean tells himself it’s nothing, that he’s gotten caught up in some research, some last ditch, hail mary nonsense and that he’s just turned his phone off and everything’s fine, that he wouldn’t do something stupid, that he wouldn’t break his promise.
He tells himself that for the first two minutes after he cracks his eyes open and sees the empty bed across from him, and the first time his call goes straight to voicemail, and not much after that. Sam’s broken his promises over things significantly less important to him than his brother’s life.
Dean is dressed and in the Impala five minutes later, heart thudding wildly in his chest. He calls Bobby, Ellen, everyone he can think of, but none of them have heard from Sam, none of them have eyes on him. Sam was with him last night, even if he boosted a car, there’s only so far he can get.
He keeps calling, keep searching, desperate to stop whatever he’s trying to do, to find him, to see his brother one last time before he’s dragged to hell. To make sure Sam is going to be okay after he’s dragged to hell. But the hours tick down, the sun sets, and he can’t find a trace of him. He’s so exhausted and heart sick that when he goes to call Sam again it takes him a long time to read the number on his phone, eyes swimming, the time not making any sense.
1:03
That’s not possible.
That’s not –
His phone rings, blocking out the time with Bobby’s name across the screen, and he answers it but his throat is too thick to say anything.
“Dean?” Bobby says tentatively. “Are you – I got an email from Sam. It just said, I mean, did–“
“What did it say, Bobby?” he asks, even though he’s sure he knows.
Bobby sucks in a breath at his voice, because he knows just as well as Dean that he should be screaming in hell right now, not answering his phone. “To take care of you.”
Dean drops the phone, hears Bobby still talking as he grips the wheel and presses his forehead against the back of his hands. This is what he’d been afraid of. This is why he hadn’t wanted to mess with the deal in first place. This is the one thing he’d begged Sam not to do.
It's easy to find a crossroad.
The demon is laughing at him when it shows up, wicked grin in a pretty face. “That didn’t take you long, boy.”
It’s a different demon than the one he delt with, obviously, but Dean figures they all know the same shit, since demons are a bunch of gossips. “This wasn’t the deal. My brother lives and I die.”
“You traded your soul for your brother’s life,” she corrects, so amused by all this that all he wants to do is kill her, to exorcise her, to make her scream. “Just like your father traded his for yours. There’s no reason Sammy can’t make his own trade. Man, but is your family fucked up. Maybe if you’d just settled down like little Sammy wanted, you wouldn’t all be bargaining for each other’s lives like haggling at a flea market.”
“Untrade it,” he snaps. “My soul for him alive, come on, no year, no waiting, you bring him back and take me to hell right now.”
She laughs in his face. “You don’t have anything to bargain with, boy.”
“My soul,” he repeats, “That’s what this is about, isn’t?”
“Oh, it’s what it’s all about,” she says. “But Sammy’s a clever boy. You know that, don’t you? He didn’t trade his soul for your life, he didn’t have to. You didn’t die. No, he traded it for your soul. Sorry, honey, but your credits been declined.”
At first he doesn’t understand. Sam traded his soul for Dean’s, exactly, so there’s no reason he can’t trade it right back. Then he gets it.
She sees the exact moment it clicks, the moment despair and horror sweep across his face too quickly for him to stop them. “That’s right. Little brother owns your soul now. For some reason he didn’t think you’d take proper care of it. You have it because that’s where he wants it, but no one will be making any deals with you, Dean Winchester. You can’t sell a soul you don’t own.”
“You can’t,” he has to clear his throat, “you can’t just come in and change things at the eleventh hour-”
“Eleventh hour?” she interrupts. “Sammy made his deal eleven months ago.”
His mouth is so dry he can’t speak.
“Isn’t it funny?” she asks, head cocked to the side. “All this time, the deal he’s been trying to get out of wasn’t yours, but his own. Maybe the two of you might have even managed it, except you just wouldn’t help, would you? Insisting that he not research, that he not look for a way out, and he spent so much time trying to convince you, coaxing you to talk about your feelings when he knew you were safe, all he because he thought it would make you feel better when he was gone, because he couldn’t tell you the truth and talk about how scared he was, so talking about your fear was as close as he could get.”
Dean’s going to be sick. “Don’t – please, please, I’ll give you anything-”
“You don’t have anything,” she says, gleeful. “You want to know why I agreed? The thing that made it just too delicious to refuse? Sammy’s down there, just starting in on an eternity of torture, and all he has to do get out of it is give up your soul. It’s his, after all, and he can put the original deal back in place any time he chooses. Just one moment of weakness on his end and his beloved big brother will be on the rack instead.” She sighs happily. “It’s almost as good as anything we’re doing to him down there, the knowledge that if he slips up for even a moment then it would all be for nothing. I couldn’t have found a way to twist the knife deeper if I tried.”
There’s vomit crawling its way up his throat and he has to swallow it down before he can speak. “I can’t – I’ll do whatever you want, please, there has to be something.”
She leans forward, cruelty and delight shining in her eyes. “The only thing you can do is what you’ve been telling your precious baby brother to do for the past year. Accept it. Move on. Live a good life so his sacrifice isn’t in vain.”
God. How can she – how can Sammy expect him to –
He’s doubling over, finally upchucking what little he’s ate today, and he’s dry heaving on the dirt when he hears the fading sound of her laughter.
This can’t be real. This has to be Hell, he has to be in it right now. He has to be.
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starry-bi-sky · 5 months ago
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this just in: danny fenton is just as much of a mask as Brucie Wayne? - another danyal al ghul au
Turns out, being placed in a civilian family who have no knowledge of your background is actually detrimental to the health and development of a child assassin due to lack of proper support! Surrounded by strangers in a foreign city, Danyal Al Ghul does as assassins do best. He hides. Espionage is one of many teachings one learns in the League, and it only takes half a day for Danyal to construct a new persona to hide behind: Daniel Fenton.
By the time dinner rolls around, Danyal al Ghul is safely and securely tucked behind the face of Danny Fenton; brand new adoptive child of the Fenton family who came from overseas. A shy, quiet little boy with a thick accent and curly hair, with brown skin and blue eyes, and an avid interest in the stars. The best fictions are always cobbled together in a little bit of truth, it's some of the only truth he ever lets through. He apologizes in a meek voice for his behavior early, he didn't mean to be rude, and he watches the three of them eat it up with coos.
Lies roll like silk against his lips, he struggles to meet their eyes and offers them his weakest, shyest smile. It's too easy. It's easy to go from there.
Danny Fenton, adoptive son, shy and awkward and unconfident but friendly. Who struggles in his classes and isn't the brightest, but tries his hardest. He makes bad jokes and has a quick tongue and a sarcastic mouth. He wants to be an astronaut. He's got the best aim in school, and is a terrifying dodgeball player. He's one of the least athletic kids in his grade.
It's like playing two truths and a lie, but there's only one truth, and the rest are lies. It's easy to pretend when he knows it's insincere.
Danyal Al Ghul, grandson to the Demon Head. Deadly, trained assassin. Has spilled blood, has had blood spilt from. Environmentalist, animal activist. He loves the stars. He owns a calligraphy set. A sharp tongue, an even sharper blade. He's clever, quick-witted, he would be top of his grade if he tried harder. He purposely doesn't.
He misses his family. He misses his mother, and he misses his brother. Mother visits a few times a year, so few times that he can count it on both hands. He cherishes every visit, as brief as they are. It helps remind him who he is.
Sam and Tucker are Danny's best friends. They've never met Danyal, but Danyal's met them.
It becomes routine to become Danny Fenton. As familiar and as easy as pulling on a shirt in the morning. Danyal wakes up and is always first to the bathroom in the mornings; stares at himself in the mirror until he can finally see Danny staring back at him. At night, he locks his door and sheds the mask.
Dying throws a wrench in his mask; splits a crack straight through the porcelain. He's able to smooth it over with sandpaper and liquid gold, but it's a little hard keeping his ghost form under wraps. It instinctively wants to shift to show his true self. Danyal can't have that, he's spent four years as Danny Fenton, he'll spend another four as him as well. Even if the feeling of the hazmat suit in his ghost form feels restrictive, like a too-small shirt suctioned to his skin that needs to be peeled off.
He'll live. Er-- well, you know what he means. It's frustrating however, trying to keep his Danny Fenton mask up even as Phantom - fighting in the air is something he needs to get used to, and the sudden propping of powers throws him off. But he is nothing if not adaptive, and he hates that he needs to slow his own skills down in order to keep pretenses up in front of Sam and Tucker.
The first time Danyal summons a sword when he's alone, is one of the few times Danyal gets to grin instead of Danny. He's fighting Skulker, and from an invisible hilt he draws a katana from thin air. It startles them both. Skulker takes a step back at the smile that spreads across his face.
They're both silent as Danyal examines his new sword.
"Do you know what people like me do to people like you, poacher?" Danyal finally asks him, the accent he began to hide a few months in slipping through. He drops all pretense, dragging the flat end of the blade slow and appreciatively against his palm. It's a good make, and when he cuts it through the air, it slices through like butter. He looks up at Skulker with a smile; "are you ready to find out?"
When Sam and Tucker ask about why Skulker seems so skittish around Danny now, Danny shrugs at them and says with a playful smile; "I don't know, I guess I kicked his butt too hard after our last fight." and he watches as Sam rolls her eyes exasperatedly, and Tucker snickers with his own joke.
By the time he reunites with Damian before their 15th birthday, Danyal is buried beneath so many layers of Danny Fenton that his brother will need a shovel to dig him out. He's not sure what he'll find.
#dpxdc#danny fenton is not the ghost king#dp x dc#dpxdc crossover#dp x dc crossover#danyal al ghul au#danyal al ghul#dpxdc prompt#dpxdc au#dc x dp crossover#dp crossover#demon twins au#so turns out putting an assassin child in a normal family does not actually fix the child. it may just make them worse. had this thought#today and had to extrapolate. i have a whole ass post in my drafts explaining my idea for this lmao. my thought was basically:#'damian would be the better off twin because he'd have actual proper support compared to danny bc the bats know damian's background and +#+ as a result can actually address the league's teachings properly and help him dismantle the lessons that have been ingrained in him +#+ as compared to danny who would be with a random family - regardless of affiliation - who would only be able to help with surface level +#stuff if danny even ever lets them see that. danny would need to dismantle his own mindset on his own if he even thinks he has to.'#jazz is not a reliable or licensed therapist. that is a child. she's not even implied to be a good one. psychoanalyzing people doesn't make#you a good therapist. it just means you can psychoanalzye people. and therapy only works on those who think they need it. danny would not#think he'd need it and any attempts from jazz to psychoanalyze him would just result in him shutting her out and doubling down on his belie#tldr: starry made another au exploring the psychological effects of growing up in the league and he calls it:#'whose the more adjusted twin? Damian or Danny? Lmao Damian ofc. Danny got screwed over'#rip to damian you have your work cut out for you trying to peel back all of your brother's protective layers. that's an iceberg waiting to#be explored. o7 to you champ your brother got the short end of the stick. danny has so many things to unlearn that i didn't go into here#its an actual demon twins au too! would ya look at that.
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artistmarchalius · 8 months ago
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Yet another catalog page! We’re breaking away from just using shades of red this time with Fem!Vox in outfits from the late 1950’s!
Of course I had to give her a more 50’s style head to match her clothes. Black and white television screen version is below the cut.
Fem!Alastor’s catalog page Rosie’s catalog page
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I can’t resist historical accuracy, but the black and white screen wasn’t reading too well as Vox. Technically both versions are historically accurate since there were public colour television broadcasts in the mid 1950’s, they just weren’t as common as black and white ones. I wouldn’t think Hell would be as kind as to manifest Vox with the latest technology, plus I just like the idea of Vox having a black and white TV head phase.
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demigod-of-the-agni · 1 year ago
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The pishacha are manifestations of evil itself, locked within a cursed amulet. The wearer of the amulet is at the mercy of the demon, known for possessing humans and feeding off their host's chakra energy. However, if symbiosis is achieved, the pishacha can grant its host a myriad of powerful abilities.
I just needed to draw something cool okay. I needed to draw some cool goop and some cool looks okay. okay. if I didn't post this I would have exploded okay
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spacedace · 1 year ago
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Found this old snippet and don't really remember of the context for it outside of being a joking exploration of how weird the Fenton/Phantom family tree would seem to outsiders (not even getting into how relationships might be classified differently between the human side & the ghost side)
Anyway gonna drop it here as a prompt lol
Mind the quick reference to dismemberment, there's no gore or detailed description and no one is actually hurt, it's more there for comedic effect, but still wanted to give the heads up on it 👍
---
Nomad motioned to the towering, vaguely vampire-looking buff dude with literal flaming hair what the fuck, “Dan, this is everyone. Everyone this is Dan. He’s my…” Nomad trailed off and blinked, a look of confused befuddlement on her face as she let the sentence hang for too long.
“Huh…” She said considering, looking up at vampire-dude, Dan apparently, with a confused furrow on her brow. “You know this is the first time I’ve ever had to try and explain our relationship to each other and I’m drawing a blank and what exactly to call you. Uncle? Dad? Brother? Like, I think you could technically be considered all three.”
What the fuck did that mean??? Kon snapped his attention over to meet Tim’s masked gaze, the look of wild confusion Kon was sure was on his own face mirrored there. Around the meeting room confused and worried looks were being shared by the rest of the League. Which like, yeah, what in the Habsburgs was happening here for all of those terms to be applicable?
“Well, you’re Danny’s Mirror, so if you consider him your dad then it stands to reason I’m also your father.” Dan said, hand coming up to his - literally flaming, how did that work? - goatee thoughtfully.
“Yeah but like, I call Danny dad just to piss Vlad off.” Nomad countered, toying with her severed arm with her still attached hand. Kon didn’t think he’d ever get over how casual she was about being literally disarmed and just…not caring. “And I definitely don’t see you as a dad. Uncle?”
The giant of a ghost shook his head with a frown, “Implies that Danny and I are brothers, which could work but gives our relationship kind of a weird vibe. I feel more like his father than anything.”
“Gramps, then?”
“No.”
Nomad laughed, “Fair, wouldn’t want to take the title of Grampa away from CW. Besides we’re both half Vlad, so I think brother works best here.” She frowned, looking thoughtful, “Maybe half brother?”
Dan considered, “Half-brother could work. Though it gives Vlad more credit than he deserves.”
“Oh come on, can you imagine the look on his face if we went in together on suing him for child support?” Nomad asked, fanged grin wicked. Dan’s face lit up at the idea, and Kon felt like they were rapidly heading towards the two ghosts running off to go and go torment whoever this Vlad guy was rather then them help deal with the current demonic problem at hand.
“Can you please explain what any of that means?” Kon asked, more a squeak than anything else. He was starting to get a headache.
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marypsue · 19 days ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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blackburningrose · 4 months ago
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I’m late yeah but consider it’s been haunting me this ENTIRE TIME
Nanny AU by @notherpuppet
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