#// character meta

[pesky--dust]

the "diagnosis" Chilton gave Will during his trial was the one closest to the truth ("Will Graham has never been diagnosed. He won't allow anyone to test him. He has carefully constructed a persona to hide his real nature from the world. He wears it so well, even Jack Crawford couldn't see past it. (...) There is not yet a name for whatever Will Graham is.")

unlike Alana Bloom or Jack Crawford, he saw what a manipulator Will was and that in front of them he played a poor, confused, wounded bird ("(...) A particularly-manipulative one at that. Poor, confused, wounded bird for Agent Crawford and Doctors Lecter and Bloom. And for me, well, I get the psychopath's triumvirate: charm, focus and ruthlessness. The charm, of course, being debateable.")

he believed Will that Hannibal may be the Chesapeake Ripper and said Jack Crawford: "Hannibal once served me tongue and made a joke about eating mine. It's hard not to at least consider it.". Jack ignored him. (I think Jack was already planning some large-scale action against Hannibal, but that's a topic for another post)

he called Dr Lecter "Hannibal the Cannibal"

he understood that Will Graham was alive because Hannibal Lecter liked him that way

criticized Jack for letting Will and Hannibal get closer to each other and then leaving Will alone ("You dangle Will Graham and now you cut bait. You are letting Hannibal have him hook, line and sinker.")

when Jack expressed hope that the relationship between Hannibal and Will was one of those friendships that ends after the disemboweling, Chilton told him: "I would argue, with these two, that's tantamount to flirtation. Will is going to lead you right to him." and let's be real, he was right.

[incorrectsmashbrosquotes]

It's actually funny, in a meta way, how people are salty about Miquella being a villain. Because, like, that's how it is in-game too.

The people of the Lands Between wanted Miquella to be the solution to their problems. To be the promised savior. The God who would get it all right and do what Marika tried to do and failed so resoundingly, bring an age of infinite prosperity.

But, no, it doesn't work like that. Gods can't solve their problems. The Gods want their own ends and then convince people that what they want is what's best for them. The fans are the same as the poor bastards in the Haligtree, waiting for their savior, only for it to turn out he's just another spoiled kid.

It's brilliant, from a writing perspective. They kept Miquella vague, letting the Soulsborne fandom do what it always does, theorize, investigate, and build up ideas. We built up an image of Miquella as a savior, a hero, one of the only truly heroic characters to understand and get it right.

But in the end, Miquella fooled us as well as he fooled his own people.

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[0rb0t]

"Why is sonadow being forced on us now"

no no, you don't understand... nature is healing. this is how it WAS 15 years ago. what you're calling sonadow now is just how sonic and shadow used to be before sega butchered sonic and shadow's characters

[naranjapetrificada]

It's not that I don't love a little bit of gossipy, interfering Lucius, but I got to thinking about the look on his face just before he tells Ed off in This is Happening:

He's not delighting in/frustrated by their back and forth, he's annoyed. He's looking at all the work his bizarre little boss put into trying to show Thee Blackbeard a good time, and Ed's been whining about it the whole time, and how Ed isn't seeing how torn up Stede is about the whole thing.

And like, we know for a fact that Lucius has picked up on the vibes, and not because his character is standing in for some world-weary queer who's seen it all. We know because in a previous scene (that is literally the episode title) we see him see it. Even if he had entertained the idea before, he's seeing it happen in front of his eyes. He's not saying "Oh my god this is happening" he's saying "Oh my god this is happening."

And if it's happening, that means Stede isn't just demanding the treasure hunt as another of his misguided little ideas or out of naivety (although both are definitely in play because it's Stede). It also means Stede isn't pouting just because his plan didn't pan out. Lucius, who is regularly shown to be one of the most empathetic people on the crew (aside from my beloved Oluwande), now understands that Stede is desperate to keep Ed entertained (and why) and that the plan for the Day of Adventure falling apart has much higher stakes to Stede for good reason.

So yeah, he's mad. Mad enough to tell off Blackbeard. And I feel like we Flanderize him sometimes and make him intervene in their relationship in fanon just for the hell of it. But when do we actually see him get involved?

When he's mad and feeling protective:

When Stede is sad about Ed leaving:

When he's telling Ed how sad Stede is:

And I guess in way that's less directly about their relationship and more about just being supportive, when Ed is sad in the blanket fort:

I'm not saying it's wrong to write nosy gossipy Lucius, lord knows I've done it. I just think we sell him short if we ignore his empathy and how much that motivates his actions.

[sparring-spirals]

Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.

Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.

So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).

and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.

and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.

If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.

There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.

And Fy'ra Rai said: no.

I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.

Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.

And in some, sideways way, this saves you both, at least for a little while.

Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.

And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.

This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.

Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?

[kaizokuou-ni-naru]

actually re: saturn insulting akainu in the newest chapter, this is also something i was thinking about earlier this arc, when akainu was fighting kuma at mariejois, and as he was attempting to fend off this quite genuine threat, the celestial dragons were just sort of hanging around and whining at him about all the minor inconveniences in their privileged lives.

akainu is the most committed servant of the world government's vision. he questions no orders and has no doubts of the rightness of his cause. he will destroy an entire ship fill of civilians on the off chance that a single scholar may have snuck aboard. and what does it get him?

it gets him the very people he's defending demeaning him because they can't have lobster. there will never be any gratitude for that loyal service he's rendered, because the celestial dragons see it as nothing less than their due. and as we see in the most recent chapter, even the slightest or most unavoidable failure will get him ruthlessly insulted. at the end of the day the celestial dragons see akainu as, like all other people, fundamentally lesser, and therefore unworthy of respect.

this is the system you're slaughtering for, akainu. hope you like it.

[salroka]

The people who are personally offended when Bull betrays you after sacrificing the Chargers just confuse me. Bitch you did that to yourself. Did you really think he was gonna choose you (the person who let everyone he loves die) over his people? You think he's gonna just ignore orders from a superior when you've given him no reason to be loyal to you? When he has every reason to be more loyal to his own people?

[wwillywonka]

SPOCK: CHILD OF TWO WORLDS

[exaltior-a]

Personally the amount of people who are either "Jake is a stupid himbo" or "Jake is actively malicious" blow my mind. No, Jake isn't stupid, and he's not evil. He's a sixteen year old who is implied to have a mental disability and/or brain damage (it's not exactly clear, Caliborn claims they have the same developmental disorder and Dirk iirc worries that Jake hit his head too much, I guess you can take either with a grain of salt but I digress), and has not had meaningful real life interactions with other human beings in years. He is in the wrong for his actions, but it feels. Purposefully ignorant to claim he's just stupid or just evil for them.

He's socially stunted. He wants to emulate heroes in movies but lacks self esteem and experience. If the alpha kids had enough time to be more fleshed out (and let's be real, if Hussie cared about Jake) this might have been explored more thoroughly. He'd never had the opportunity to learn how to cope with a relationship, how to communicate his needs, or understand that he can't control how other people perceive him like he can through a computer screen.

He doesn't know healthy boundaries because he's never had to use them, and this goes both ways (allowing his friends to sexualise him and treat him like an object, as well as constantly complaining about his relationship with Dirk to Jane) Like yeah he does run away instead of communicating with Dirk and yeah he does dump all his problems on Jane. I love Jane, but one of her problems is her bottling up her feelings and people pleasing until everything blows up. She should have told him off much sooner, and while he was being a dick, it was partly because she allowed him to feel like it was okay to do, since she never told him it wasn't after the first few times or when she was starting to get aggravated.

His problems with Dirk are a little more complicated because we're never actually shown their relationship or how it broke down, but from what we can gather, Jake felt overwhelmed by Dirk's intensity and decided to ignore him rather than tell him try and avoid confrontation but leading to Dirk being frustrated and breaking up with him. Dirk claims he feels like he bullied Jake into a relationship, and though I personally think that's him making it seem worse than it was, it does mean that Dirk probably was trying to go too fast. I've best heard it is Jake being an introvert pretending to be an extrovert.

This is not to say I don't think people can't dislike or even hate Jake, but it's like. Idk. Misinterpreting a character and disliking that version of them is a little redundant to me.

[fic-over-cannon]

Jason Todd is Orpheus, but he’s also Eurydice. The Lazarus Pit, with its sickening green light, is that place between dead and alive that no man has true control over. Jason Todd dies and he fractures into pieces. Robin is forever trapped in the depths, the casualty of a bad man’s insanity. The Red Hood is born there, irrevocably changed.

If Jason looks back, he is lost. If he looks forward, what beckons is an empty wasteland of revenge. There is no ending to this story where both Robin and Red Hood, Eurydice and Orpheus, come back to the living together. No man has the power to make it so. So Jason Todd looks forward, leaves his past in that cave with its eerie green glow.

And all Bruce sees is Orpheus coming out of that cave alone.

[thedomesticanthropologist]

Astarions Agonies

Why WOULD you want to love someone after everything has been taken from you? Everything but your name. Everything but your name

Your sense of taste, the warmth of your skin, your own heartbeat. Your reflection in the mirror. Your home, your clothes, your friends, your family. Your history, memories, your life.

Stripped of all of this, left with only the ability to feel. Mentally. Physically. And then that, too, is broken. Because it cannot be taken, so it must be controlled.

Anyone you care for, murdered. And not just murdered, but you have to do it. You have to bring them to their death. Maybe you have to watch. So you protect yourself, you protect them- whoever they nay be, whoever they could have been. You cannot care. You cannot. The consequences are too high.

Your body, every touch you delight in is perverted by the same solemn end. How can you enjoy this, even as a distraction from the more violent touches you are forced to endure, when you are still being forced? You cannot choose the sweet, the kind, the gentle, for they meet the same fate as the cruel, the evil, the fools. Picking soft touches over harsh ones fades to picking at random, to grabbing whoever you can get. Because it doesn't matter. It doesn't matter. It all ends the same way.

And then there is the pain. The Punishments. At first, tastes of who you are- who you can be, are traded out; exchanged for physical torment and 'correction' of your behavior. But the punishments so hea ily outweigh the benefits of a snide remark, a night out too late, a prank, a room visited after being informed it is off limits. A victim you refused to hand over.

This life- no, this Un-death allows for a greater torment than any living person could survive. Hunger, thirst, pain, psychological abuse, sexual abuse. Never, ever ending. There is not a second in the day for two hundred years that you are not watched, used, handled, beaten, starved. Even in your rest there is no relief, for you cannot sleep but only enter reverie- a skill wherein your mind re-lives what you have been through, over and over.

So why would you choose to try to love someone? Why try to trust? Why, when you know what happens when you do?

Perhaps you've been allowed to believe you made it out before, only to have been captured and dragged back. Perhaps you've been allowed to believe a friend or a lover has escaped before, only to be called into a room and advised to clean up their corpse.

The only difference now is the sun on your skin.

The distance between you and that place.

The days, and days, and days that begin to pass with no retribution for your insolence, for your escape.

And these people, these idiots keep... not trying to kill you. Even when they find out what you are. One of them keeps looking at you like they might really care. You can use that, can't you?

Why would you love, when you could use their love to get your revenge?

But... in the wee hours of the morning, in the arms of a living, breathing person who has bedded you more than once and still is not gone forever, you think... maybe, maybe He didn't take it All from you.

Maybe even if he did, you could get it back.

Maybe you could love.

Maybe you could... try living, again.

[dontbelasagnax]

To understand Obi-Wan, you have to understand that his reputation of being demure or a bitch are not mutually exclusive. In fact, I would say you can't have Obi-Wan without at least a little of both.

Obi-Wan is someone who always has a remark on the tip of his tongue. It's just his instinctual first reaction. Always some quip or bite of sarcasm. But the thing is, he knows when to rein it in. He knows when his choice words are appropriate and when they're not. And if he feels particularly compelled to be bitchy when he can't, he'll phrase things in a way that will be scathing without the target ever realizing what hit them.

He's known as the negotiator. He knows his way around words. Now, it's my understanding that we so rarely see him utilizing this particular skill set in canon because that's not what the story was ever about. It's demonstrated in other ways. How he's regal and more reserved amongst figures of respect to downright maliciously petty while facing foes like the Sith.

Take Anakin's perception of Obi-Wan. He sees Obi-Wan as a perfect, stuck-up, unflappable Jedi. This competes with the fact that Obi-Wan is particularly catty and playful with Anakin and routinely chides him for behaviors... yet does many of the same himself. He's far from perfect but obviously wants Anakin to know what's best and do better than him.

Anakin has this perception of Obi-Wan (not only because it seems he's never good enough for him) because it's how he perceives Obi-Wan's station in the world based on how Obi-Wan is treated by others.

To really get into Obi-Wan, one must talk about how his self worth issues constantly war his ego. Constantly building himself up only to tear himself down again. Going around saying Sith Lords are his specialty (having never actually defeated one lmao) yet finding himself shocked and deeply honored when Mace calls him the master of soresu.

His moments of grandeur are sharply transposed by his feelings of insignificancy and inadequacy.

He's a complex, multifaceted, hypocritical human being like any. He's elegant and bitchy and yes, at times a sopping wet cat.

He's all these things because he's Obi-Wan

[murasaki-cha]

Tcf part 2 chapter 278

One thing I have always loved about Cale is that he never does all that "trying to understand the villain, what could their circumstances be, why are they doing all this evil stuff" bullshit.

When he recognises someone as evil than they're evil. When they've done stuff so cruel it literally makes his blood boil than they're evil. No matter what curcumstances they had they're evil.

Because he as Kim Rok Soo had a tough life too, he had misfortune and death follow him throughout his entire life and yet he would never act the same as ex.: White Star or the Hunters. He knows the circumstances don't define the person but their actions do so why the hell does he need to listen to their reasoning.

The few times he has listened to the people he was against it was because he saw good in them or the same anger against their common enemy and used that to his advatage by bringing people on his side.

Cale is very good at noticing the true character of a person through their actions. And when the actions speak louder than words no way in hell is he trying to analyse these villains. They're evil and messed up and that's it!

[whetstonefires]

Honestly the most interesting thing about the Jiang interpersonal dynamics that is being totally slept on is how Jiang Fengmian's power as head of the family affects everyone, including him.

Yu Ziyuan knows Jiang Fengmian won't use his power against her unless he feels like he needs to, and that he doesn't fear her and isn't going to feel like he needs to act in self-defense unless she attempts significant physical harm, so short of that she can do whatever she likes against him, and he won't resist.

But if the collateral damage to the kids of her verbal attacks on him goes above a certain level, he says one word and she stops.

He just goes, 'wife.' ('My lady' but it's just a polite term for wife.) Sort of disapproving. Same kind of way he talks to Jiang Cheng when he acts like a shithead, but without the subsequent attempt at an ethics lesson.

And bam. Momentum halted. That line of attack is out of bounds. Nobody likes this, but good god it works.

And because they both know he ultimately has all the power, that Yu Ziyuan's lifestyle of privacy and doing exactly as she pleases at all times and so forth is all something that exists by Jiang Fengmian's generosity and sufferance, and she hates it, and he's not comfortable with it either, he sets that boundary really high, and she gets away with all kinds of cruelty because it's all stuff she's strictly allowed to do, entitled to do. So he'd be abusing his authority over her, by constraining her right to exercise her power within normative bounds over the people she outranks.

Even if she's using it harmfully and in a way directed by spite, these are her rights, she's not technically abusing her power, and her primary target in all the episodes he actually witnesses is him who outranks her; she's not being one of those mistresses.

So he'd be overstepping if he tried to constrain her, he'd be one of those husbands. Just like she always accuses him of.

(This is why she keeps insisting that she's also the master of jiang sect and he's 'forgetting' that in contexts where it doesn't make a huge amount of sense.)

Anyway, the fact that it's impossible to unpick where Jiang Fengmian's moral principles stop and his conflict-avoidance kicks in with this relationship is so much more interesting than the weirdly sexist readings I keep seeing, where it's all the conflict-avoidance and he's an unmanly loser who lets Yu Ziyuan bully him and his kids without ever standing up to her, for no good reason. When actually they have a really interesting and fantastically realistic toxic relationship.

He has a good reason! His reason is he's uncomfortable with the patriarchy! And guilty that his wife is miserable! And that he doesn't love her correctly! So he gives way as often as he can, trying to fix it!

But it doesn't fix it, because no amount of giving in to her gives her cause to trust him, and if she doesn't trust him and she knows that if he actually cares about an issue her ability to get her way will disappear, she can't feel secure about any of it. And therefore everything, especially Wei Wuxian the symbol of that fact, makes her angry and Want To Punish.

[sparring-spirals]

Jester follows Caleb in, dutifully, loyally, ready to fight on his behalf, of course. Of course. And Fjord balks, a little, everyone hesitates, for a moment. But she was always going to go in. She was always going to go in. How could they let Caleb go in there alone, facing Trent, facing his undead parents? Facing his worst fear, his worst guilts, his worst enemies. She follows him in.

How could they let Caleb go in there alone? With just his parents, with Trent. With just his parents, almost the same but not quite, speaking and moving, with Trent and his poison honeyed words. Facing his worst guilt, and a twisted form of forgiveness, and something he has been aching for but cannot have. She follows him in, because she loves him, because she wants to protect him, because shes sorry he has to face this. Because she. Is sorry.

She follows him in, because Jester is always willing to do what is needed to protect the people that are hers. Jester is always willing to do what she has to do to protect her people, whatever that looks like.

Jester follows him in, and looks at him and says- I'm so sorry. And casts Turn Undead.