#// (and I'll probably never get to write it BUT THAT'S NOT THE IMPORTANT THING)

[seventhconsumedsigil]

The following is a record of the infamous Speech of Defiance by the heretic wizard known as Ao, formerly proscribed by the Tower under penalty of immediate execution, indisputably the pivotal point between the Age of Hierarchy and the Age of Madness. This copy is kindly produced by now-Archmage Vath, who was in attendance at the time as the scribe and only other direct witness, and so could make this copy after that proscription became dead law.

Archmage Telluric - We meet here today to discuss the "alleged" heresies of Mage Ao, who stands before us. Under my powers as Archmage, I shall sit in judgement over this case, and serve as executioner when it concludes. Apprentice Vath holds position as Scribe and will ensure the transmission is clear and properly archived. The courtroom is sealed against any trickery your fetid allies might pull, so don't-

Mage Ao - Oh do shut up, you withered old windbag. We all know why we're here, and we all know what's going to happen. Stuff the formality.

Telluric - [A lot of spluttering that I don't see the point in writing down. Heretic, lich, blasphemer, none of it really coherently strung together into a sentence. He did heat the air a by 20 degrees through the whole chamber while doing it though, which was an impressive display of unchanneled power if not for how uncomfortable it made my seat. This isn't helped by the subsequent effort of will Ao made. It would take us months to work out what he had done, but at the time it felt like being suffocated by very soft pillows. An uncomfortable combination, let me tell you]

Ao - Sweet silence. Ah, that's better. What, surprised that I can do that without you opposing it? Because I'm not effecting you, Archmage. The air around you, that's another matter.

[This was patently ridiculous, as effecting non-discrete objects like that should have required a ritual circle to manage the definition by common understanding. I know this sounds horribly archaic now, but magic was a lot rougher back then. For example, the wards sealing the courtroom were on a hard-set timer of 1/23rd of a solar cycle and would not budge unless blasted down before that time. Appreciate how we can do things in non-prime numbers nowadays.]

Ao- Now, I don't much care for defending myself to the likes of you all, but let me get a few things straight, since if I'm going to be condemned I want it to be accurate. Lichdom, the act of binding one's dead and dormant soul back into the body, has a few important differences. It loses the ability to naturally grow, leaving consumption the only viable path for increased magical potential, but more importantly it deforms the soul through shear forces. It tears at it, opening holes that cannot be healed without more raw material, leading to the legendary soul-thirst. What I have done is much simpler and far, far stupider, despite the fact it works! I just filled in my skull with raw magic and let my soul press against that to induce cognition instead, at least where the scraps that used to be my brain were. That causes stress, yes, but compressive stress. My soul is a mass of calluses and grows so slowly I'll probably reach Archmage level potential... approximately never, or at least an order of magnitude late, but there are upsides. You would not believe how badly optimised that sack of fat in your skull is. We've spent over ten thousand years killing anything that strays from the nice safe bounds of known magic, and arguably for good reason in some cases, but the rest... no, you've all been sat on your thrones for too long, got too comfortable with being right in the ways we teach even the dumbest apprentice not to be, before the immortality abrades their common sense away. And here I am rambling almost as bad as you are, in front of such an audience. Terrible habit, spent too long lecturing and not enough fighting. Well, I suppose a little class demonstration to end it off is due then. Watch closely, oh Archmage, and consider this. If I can run on a substrate of magic, why should I remain constrained to one piece of meat?

[At this point, Ao proceeded to fall over stone dead, in what was shockingly actually his plan. The autopsy revealed that was in fact his body, but the first sighting of one of his crystal spiders a week afterwards confirmed that he was in fact perfectly alive and had figured out body-transference a whole month before, and it was almost safe when he used it. The Hivemind of Ao would go on to become, as Ao liked to style himself, A Big Damn Problem. They still called him a lich for the next sixteen years though, and I have it on the best of authority it drove him demented that entire time.]

When a mage is badly injured, magic sometimes "fills in the gaps"—growing an arcane hand or leg. You suffered brain damage that would have killed most. Magic filled in your mind.

[steve0discusses]

Episode I dunno, like 60? Is anyone keeping track? OMG it's 52. This is part 52.

Remember how I was like "I'll be able to get the next episode up real soon!" Well...

...you can probably guess what happened...

But we're back again! Last post I mentioned that this season it felt like Yami spent his time finding his lost memories of his father and his friends, but I feel like Yami never found himself in all of this.

But, he did make a new boobie card!

And there he goes, goodbye Zorc, I hardly knew you. Like literally. This was a very short arc (despite how long it took me to write these recaps)

The sun comes out to welcome another scorching day in the desert, and all of our starry eyed friends wonder at this new guy, Atem.

JK, he’s still Yami, thus confirming my whole spiel from earlier about if this new name is even important past that one single plot point with the necklace. It's really not.

It’s the end of the show, the bad guy is dead…maybe it’s just me expecting the show to follow the same formula as any other adventure show when the love interests are reunited but hot damn

Tea is the one who gave him the airport cartouche to save his ass, she's supposed to have been ... dating? ... him the past 5 seasons. Does Tea EVER get sidelined in this show, hahaha!

Please admire the shape on this jacket on Seto. Caught this in a beautiful animation tween.

Ah, and now the second dead as hell elephant in the room 🐘🐘, it is time to put Yami away.

Forever. 

That’s right. We’re going to cure Yugi in the show that is all symbolically about living with an uncurable mental illness. We’re going to stuff this brand new friend directly back in his tomb in a show that is all about making new friends. We’re going to treat Yami like the crutch I have said he was for the last 5 seasons, but only in the last half of the last arc of the show.

Yugi is going to grow up, be a man, and uh…kill his best friend to do it, I guess. Neat.

And I’m sure the show was like “no, this isn’t death” but what is death in my counter? That’s right, soul disconnected from body, that is death. Welcome to the death pile, Yami, you’ve been here before and now you get to be here again!

And like don’t get me wrong, I’ve been wanting this guy out of this boy’s bean since day one, it’s a very unhealthy thing they got going, but the whiplash of how quickly we all decide “Yep, lets do it,” is very, very funny.

We also address the third elephant 🐘🐘🐘, which is how the hell Seto got to fake Egypt and what the hell is he still doing here?

And thus we end the Kaiba arc of this season. He started a man who did not believe in magic, and ended a man that might believe in magic sometimes. Cool. Most of the Seto development was by the Seto in the hat, not gonna lie. Seto was mostly here for eye candy, and that’s OK. That’s Joey’s job most of the time, after all, so it was time Seto did some of the heavy lifting.

Egypt picks up the rubble, as I’m sure they have to do quite a lot in this era, when Yami decides to hint to Hat Seto that Seto’s whole coup was a huge waste of time because Yami was going to give him the kingdom anyway.

Oh, PS, I have no idea how his court is all alive again, Don’t worry about it, they weren’t alive in the first place. Everyone here is a dead guy de facto anyway.

Especially Yami.

I assume that Hat Seto gets given the necklace by Yami because in the original storyline, he would have gotten the necklace after Yami died.

Although, I guess that necklace would have been in pieces and in a spooky ass box. Or maybe Seto was the one who made the spooky ass box and then shoved it in a cursed tomb with a sign that says "you will die if you open this tomb and this spooky ass box" That Mr Muto completely ignored.

No idea, but I never really think about how past Seto technically was a millennium necklace owner at one point, after Yami had died. Although it was like...out of batteries at the time and sleeping.

And then they conveniently peace the hell out of Dodge.

Lets not get me wrong, half of my lack of attachment has to do with never ending long covid and chronic fatigue and stress messing with my brainballs. But also…

…I feel like it’s missing something. Again, this was a season of excess in everywhere but it should have been. We had so many new characters who had a lot of potential. We had the overarching villain of the entire show. We had Yami learn about a past that has been hinted at for 4 seasons and now it’s here and like…it needed more time in the oven. 

I was in film classes for a hot minute and they'd talk about story structure and about how the climax should be like 1/3 of your story most of the time. Imagine if this whole season had been this? Or 2 seasons? Then maybe I'd be more attached.

But it’s not a bad season, I think. I’ve seen way worse TV. But lets say, I understand why people maybe weren’t thrilled by this ending. Especially since next time, we gotta kill Yami. Youknow, the heart of the cards, the heart of the show, and the actual heart-throb to all the teens that watched this? Yeah that guy. 

Lets straight up send him back to Hell.

(Normally I would put a link here to read these in chrono order, but I think I need to redo my tumblr template or something everything's moved around. But if you know, you know.)

[gale-force-storm]

Feel free to ignore this but I think I might take a couple days. Just been feeling really shit about my writing the last day or two. Like it's... fine. But that's all it is. Bland one-shots, lukewarm takes, and overwrought poetry. And then I look at what everyone else is doing and I'm just... yeah

Anyways. I'll likely still reblog a bit here and there, but I'll probably be pretty quiet the next couple days

[mcalhenwrites]

Still alive, writing and editing a lot and even drawing (mostly dragon sketches at work). Seasons has some new chapters now... I saw something earlier about writing being something you can hone by doing lots of reading and writing. I wonder when that will apply to me. I've read a lot of books this year. I have almost hit my goal of 90 books, and while a couple are nonfiction and half are comics, the rest are novels. I expect that to increase again, now that I'm going back to the library. (I stopped with the bed bug scare.) Then I'm setting aside time each week to write. I work on stories at work, even if it's mostly just planning. (My laptop is falling apart so I just gave up taking it to work.) Yet here I am, still the same idiot who doesn't have anything appealing enough for most people to read. I can't get 99% of my followers interested. Sales of Geckos have dropped to next-to-nothing. Nothing else I put out there matters either. The fault lies with me. I'm not good enough. After having this stupid blog for 12 years, I want to delete it. I want to delete my twitter account. I want to delete every single account and shut up for good. There is nothing I can offer. My writing is a good hobby for me. I can get pats on the head for doing a little thing for myself. Aww, look at the cute little dumbass adult doing wittle storwies!!! Isn't that silly!!! They're not good, but he's having fun during the process. Too bad he hasn't figured out that not even 39 more years of practice can save what he's handing out.

[theoretically-questionable]

I've often found myself confused by people who use LLMs for tasks that involve communication, even in an office or other setting where a non-trivial portion of emails/messages are 'box-checking' rather than strictly interpersonally communicative.

Having thought it over, I think the difference in attitudes is probably akin to the split between people who value small talk and people who regard it, with extreme distaste, as "pointless and annoying": i.e., there is something the former is getting out of small talk that the latter group is not.

This is mostly just a rambling tangent, but oh well.

I like communicating and I do so with intent. I've heard the sentiment from some other autistic people that they'd love to have an 'autoresponder'-style module for their brain to automate away layers of necessary-but-draining/pointless conversation. Never been able to relate, in significant part because doing so would give people communicating with said autoresponder the entirely wrong impression about how I was feeling.

The purpose to communication is to transmit information from one person to another. There are so many layers to this information — something I have definitely struggled with, as an autistic person. Some of those layers were totally opaque to me for a long time. Hell, sometimes I didn't even know some layers existed.

In a collaborative environment, even rote/'pointless' communication rituals have a huge density of information. That is the point. It is important. If Joe Bloggs over in HR replies to my routine email confirming details for this week's parking garage allotments in a more abrupt way than usual, or slower than usual, that's contextual information.

Maybe I'll pick up that he's probably got a lot on his plate or feeling stressed. Maybe that's not relevant. Maybe I need someone from HR to do something later that day, and then I can either loop in someone else from the department or just know to approach Joe tactfully, rather than just passing the task along as I usually would.

When people start using LLMs to write emails, summarize meetings, and 'touch up' all of their work, all of that context turns to unparseable sludge. It's entirely random. You can't "get used to" how someone writes and learn to pick up context clues when everything longer than a single-sentence reply is being filtered through an LLM.

It genuinely ends up being a bit of a nightmare for me, having absolutely no access to any kind of context, just taking a ride down a river of vaguely polite- and professional-sounding drivel, all without even the barest grace of useful context. It just... makes things worse. It becomes a self-perpetuating loop with no eject button.

If it's really easy for everyone to maintain the 'professionalspeak' facade, nobody ever has times when they break the facade. And *breaking the facade* is important. Being able to shape the communication norms of your department/company over time is... I mean, I think it's essential? Willingly choosing "we all communicate via LLM" seems horrifying, like not just acquiescing to but actively reinforcing the worst parts of corporate expectations of overly sanitized communication standards handed down from your manager's manager.

And yeah, some of my feelings on the matter are definitely my own baggage, but it feels just as frustrating as having to work with someone who actively scorns 'small talk' and deliberately makes every single communication as stripped-down as possible — and ends up being less efficient overall, not more, because what they're actually doing is refusing to engage with their colleagues or make sure they're getting all the right information across.

The other thing is that LLMs don't actually, by default, have access to all the information you do. If you want to get specific information across in the output, you have to give it to the LLM first. I've never hit a scenario where I would have preferred an LLM-generated email instead of. like. just the bullet-point list of information that was used when prompting it.

If you're time-poor and easily frustrated by communication tedium, I would rather *know that*, and know for sure that none of the information you're giving me has been twiddled accidentally to be slightly wrong by a context-free LLM, than get 'professionally formatted' emails from you all the time.

the scariest thing about the generative AI thing is how quickly people have accepted it as an indefinite, irrevocable part of their reality. people have genuinely convinced themselves that ChatGPT is the only solution to most tasks - tasks they did with their own brain without any large effort two years ago. like you know damn well all of us used to write emails ourselves why are we pretending like this is an impossible task to do with your own two hands. what's with the fucking. AI revisionism. i feel like i am going insane.

[girlitfeelsgood]

I'm so nervous about writing an essay for the first time in two years. What if I do horribly 💀

[bumblingbabooshka]

Worst Guy Ever - Also, Unfortunately, Very Homosexual Convo. (subtextually)

[tacetnix]

[+] ARMORED CORE VI VERSE [+]::ESTABLISHING

Tag: A Link in the Human Chain | Armored Core VI

[Arquebus 4th Squad AC]::TACET NIX [Callsign]::V.IV Schendel

]====================[

---- Mary Stermann is a 4th-Gen Augmented Human who survived Augmentation Implantation at the cost of her vocal cords and a significant portion of her personal ambition. For the years following her contract's signing with the Arquebus Group, she has served as both a pilot and researcher affiliated with Schneider, an Arquebus Subsidiary, and is deployed under the command of V.IV Rusty, a pilot whose aptitude she silently takes after and admires. She attributes Rusty's STEEL HAZE to be the first AC that 'inspired her' to think outside of the Corporation's limitations, outfitting her own with a few choice additions -- a minor expression of individuality amidst corporate-mandated uniformity.

Other than a minor rebellious streak, Schendel's greatest betrayal to the company comes in an earnest willingness to work with ALLMIND, spying on both Schneider and Arquebus's greater acts and movements on Rubicon. As a mole, she feeds the AI information and strives for the completion of the Coral Release Project, hoping to one day counteract the affects of her older-generation augmentation. Until then, Schendel is a quiet and aloof pilot, biding her time and attempting her best to lay low -- both to avoid being assigned field work and to keep herself around the think tanks and research labs where she feels most at home.

[bluzebub19]

I have a request for how the Arcane characters (Viktor, Jayce, Jinx, Vi, Heimerdinger, Ekko) look so that the reader can access their cuteness. Maybe they are doing or saying something to the reader and the reader suddenly starts hugging and petting them, calling them cute. How would they react to this?

Note: So... I'm the only one who thinks Heimerdinger is really cute. Why aren't there fanfics with him? Mysteries of life..

Arcane characters being called cute by their s/o while they're working

Writer's note: Thanks for requesting! It took longer than I expected because I kept deleting some of the dialogue from how cheesy and cringe it sounded lmao. Heimerdinger is not on my list of characters I write for, but I figured I'll write him this one time. I hope you don't mind that I also added Mylo, cuz why not?

Request/s: Open!

Warning/s: Get a dentist. This is some tooth-rotting fluff. Not proofread and english isn't my native language.

Character/s: Viktor, Jayce, Jinx, Vi, Ekko, Heimerdinger and Mylo

● Viktor tends to get lost in his work, mumbling equations or sketching out blueprints for his projects. You find this incredibly endearing, but not when he gets so absorbed that he forgets to eat or sleep.

● If you suddenly hug him or call him cute, he’ll freeze in shock at first. He blinks up at you as if you just said something in a language he doesn’t understand. Then, his cheeks will flush a light pink, and he’ll chuckles softly. “Cute is... not a term I hear often. But thank you."

● Over time, he grows more comfortable and secretly enjoys the affection. He may even lean into it, but he’ll never outright admit it. Instead, he might deflect with a shy smile and, “You should focus on more important matters."

● Yeah no, that's a sign for you to keep doing it.

● Jayce is the golden boy—confident, charming, and ridiculously handsome. He likes to appear professional and put-together, but you know him well enough to see through that exterior to the dorky, hardworking man beneath.

● When you hug him out of nowhere while he cooks and call him cute, he blinks for a second but chuckles as he turns to look at you. “Cute? Babe, I’m going for ruggedly handsome and sweet here. But I'll take it."

● Still, he's flattered and loves the affection you give him. And unlike Viktor, he's not afraid or shy to show you he wants more of it. He might pull you closer and say, "You're one to talk." He's a romantic and albeit cheesy guy.

● Now, you probably might be thinking about why and how is he cooking, but that's for another headcanon! (I just realized how I'm not even sure whose side am I on. Can he cook?? Cuz I feel like he can. But I also see him burning food-)

● Jinx, as we all know, is pure chaos, always working on something explosive or messing around. She has a habit of humming and singing off-key to herself while she works, which makes you think she’s oddly cute in her own... quirky way. To be honest, it’s hard not to find her enthusiasm contagious, even if it’s a little dangerous.

● One day, you catch her doing exactly that while painting her trademark designs on one of her grenades. The sight just makes you smile as you walk up and wrap your arms around her, telling her, “You’re so cute when you’re focused like this,” or something of the sort.

● She’ll throw her hands up and turn to look at you, trying to play off your compliment as a joke. “Woah, you might be crazier than me!" She grins and laughs softly, before making her voice sound more gruff, "Ya buttering up the author nightmares with your mooshy stuff!”

● But after her initial over-the-top reaction, she’ll soften. “Fine, soak it all in.” She shrugs and continues working. But deep down, she really loves the affection and she's getting more and more attached to you. You're giving her the kind of love that she thinks she never deserved in her life, so she really appreciates these little things you do. She might even snuggle up to you later, claiming it’s to “soak in all this ‘cute’ energy.”

● Oh, by the way, she'll make this happen a lot more often. By how, you ask? Well, by doing the same thing to you, of course! It becomes a little challenge betweem the two of you who calls the other one cute first and catching them off guard with it.

● Vi is all tough love and sass, but there’s a soft side she shows only to the people she really cares about. You notice this when she’s being protective or just in those peaceful moments when you're both alone together.

● If you call her cute, she’ll raise an eyebrow and smirk. “Cute? Babe, I think you’ve got the wrong person.”

● Later, she’ll definitely tease you about it, saying something like, “So, how’s it feel dating the cutest person in Zaun?” or "Am I still cute?" with a playful grin. She'll be teasing you and making you smile with that while she's half naked and flexing her biceps (she knows you love them), or when she just got done with a fight and is still holding her gauntlets.

● She loves it, don't let that teasing fool you.

● Heimerdinger is an adorable bundle of wisdom and fluff. You often catch him rambling about science with such enthusiasm that you can’t help but smile. Look at him! He's just adorable!

● One day, as he’s showing you a tiny contraption he just finished, you can’t help but reach out and pet his fluffy head, saying, “You’re the most cutest genius ever.”

● Heimerdinger chuckles, his mustache twitching with amusement. “Ah, well, I suppose I do have a certain charm about me, don’t I?”

● He pretends to be unaffected, but you notice the way his tail swishes slightly when you hug him. “I must say, your affection is quite... energizing! Perhaps I should study its effects further.”

● From then on, he might start subtly seeking out your affection—like casually leaning into your hand when you pet him or “accidentally” bumping into you while working.

● Ekko is talking to you about his plans for the Firelights while sketching upgrades for their hoverboards.

● You were quietly admiring him, the way his eyes light up and the focused furrow of his brows, when you suddenly blurt out, “You’re so cute when you’re focused.”

● He freezes for a second, then looks at you with a mixture of surprise and amusement. “Cute? Me?” He grins, a soft laugh escaping. “You sure you’re not talking about yourself there?”

● He rubs the back of his neck, trying to act nonchalant, but the smile gives him away.

● “You’re not getting away with saying that,” he teases, leaning in to nudge you lightly with his shoulder. He goes back to doing his work before playfully adding, “But if you keep looking at me like that, I might just start believing it.”

● It's these little things that matters. These moments, even if simple, it gives him hope and motivation to make the world a better place. The way his eyes soften when you look at him in that moment, and how he lets his guard down just enough to show you he cares — it’s clear that, while he teases, he loves the attention, and he loves you even more for it.

● Dude's got lines fr fr

● Mylo has always been the type of guy who had a sarcastic, sassy remark ready. We all know that from how he treated Powder.

● When you suddenly hug him and call him cute, he freezes for a second, unsure of how to react. “Cute? Me?” He scoffs, trying to play it cool, but it's very obvious he's a bit flustered by it. “Out of all the compliments you could’ve picked, you went with cute? I’m more like... cool, and handsome.” He throws a dramatic, exaggerated pose, trying to hide his nervousness.

● Despite his teasing, there's a small, pleased grin tugging at the corners of his mouth. He tries to act nonchalant, but the way he keeps glancing at you shows how much he’s secretly enjoying it.

● “Seriously, though. I’m cool, alright?” he continues, trying to regain his confidence. “I don’t do cute. But, uh... thanks. I guess.” He says softly as he shrugs, clearing his throat.

● Later on, when no one’s watching, you might catch him glancing at you from the corner of his eye, a small smile on his face, clearly still flattered.

Can you guys guess which is my favorite based on how long their headcanons are

[junkissed]

goodnight n go

★ | member — fwb!vernon x f reader ★ | genre — smut, angst, non-idol au, happy ending, fwb to lovers ★ | word count — 10.2k

★ | synopsis — you keep coming back for more, but every night ends the same. maybe this time things will be different.

★ | warnings — guitarist!vernon, rock band!hhu, mentions of alcohol, vernon has commitment issues (but he gets over it) ★ | smut warnings — descriptions of female anatomy, consensual drunk sex, car sex, oral (reader receiving), fingering, piv, making out, multiple orgasms, pussy drunk vernon (he's down baddd), some aftercare ★ | notes — thanks to @onlymingyus for always being the best and to @wonustars for proofreading !! i did not intend for this fic to be this long but i'm actually really proud of how it turned out so i hope you like it!! also i often make playlists for my fics but i never share them, but i've been listening to this one for months while i've been writing this fic so i'll link it so you can listen too. if you enjoy this fic, please reblog and let me know in the tags!! reblogs are super important to tumblr and they help motivate me to keep writing more like this :)

check out the playlist! featuring — goodnight n go - ariana grande ; black eye - vernon ; uh oh - tate mcrae ; sunset - caroline polachek ; romanticise this - james marriott ; entertainer - zayn ; & more

“hey, you wanna get drinks tonight?”

as usual, that’s how it starts.

you probably should have said no. you’d played this game before. you knew exactly what hansol meant when he offered to hang out after band practice, because it was never just “hanging out”.

you don’t even know why you still go to practices anymore. for a long time you’d avoided them; it wasn’t really your style, and you were never interested in being a groupie for their local gigs. your roommate seungcheol always invited you to every practice and every time you declined with the excuse of homework or other plans, but cheol finally convinced you to come just one time.

at first, it had been because he wanted you to hear a new song they were working on and he’d wanted to know how you liked it before they played it at an upcoming show. but then he’d introduced you to the rest of his bandmates, and after that there was no going back.

you couldn’t help the way your eyes always gravitated towards hansol, who insisted that you call him his real name instead of his stage name that everyone else called him. from the very first practice, you were captivated by him: the way his long fingers seem to dance along the neck of his guitar so effortlessly, the way his voice rasps when he sings, the way your breath catches in your throat when he grips the microphone stand and rolls his head back, lips parted in ecstasy.

he’s addictive, and it’s exactly the reason why you find yourself in the backseat of his car over and over again.

every time, it was easy to pretend that things would be different. you’d walk into the bar together and sit at the table in the back, order a few drinks, chat for a while about nothing. did you like the new stuff we played tonight? yeah, i know cheol is really excited to perform it saturday. you been doing any writing lately? mmm, a little. i’ve been feeling inspired. we could go back to my place and i could show you. except he never does.

hansol wasn’t a bad guy. he always paid for your drinks no matter how many times you offered to pick up the tab, he was polite, he listened to what you had to say. he just didn’t want more than that, and that’s where it all fell apart. you’d screw around for a while, then you’d part ways and wouldn’t speak to each other until next week. you never went to see them play shows, he never texted, you never called, never went on a real date besides meeting in the same bar down the street every thursday night after practice.

he seemed fine with that. you weren’t. and yet every time, you ended up back in his arms.

he groans into your mouth, pushing his hips into you and pinning you harder against the faded leather seats of his old honda. his lips are sloppy but eager, messily pressing his mouth into yours as his fingers tangle in the hair at the base of your neck. you can taste the beer and smoke on his breath, but for some reason it doesn’t bother you. maybe you’re used to it, or maybe it’s just because it’s him. you don’t want to know which reason is the truth.

he kisses you until you’re dizzy, and you can’t tell if it’s from the alcohol or from the thrill of kissing him once again. it’s a high you’re convinced you’ll never get tired of, although you’re not quite sure yet if it’s one that he will.

hansol always lets you set the pace, but tonight he can’t seem to keep his hands to himself. both of your shirts met the floor of his car what seems like hours ago, leaving you in just your bra and pants as he makes out with you as if it’s the first and last time he’ll get that chance. his fingers breeze over your waist the same way they breeze over his guitar strings when he plays: careful yet greedy, each touch intentional yet impulsive as he grips your waist.

he drags his fingers higher and it sends a shiver down your spine, arching your hips up against him and rolling your head back against the seat’s headrest. if there’s only one upside to this relationship, it’s that he’s good at this. really good. if he weren’t, then you wouldn’t have spent so many nights letting him fuck you in the parking lot of your shitty local bar. it does something for your confidence knowing that he must feel the same about you, or else he wouldn’t keep inviting you out. at the very least, this arrangement is mutual, even if you wish it wasn’t.

his hips rock against your crotch again, and even through both of your clothes you can feel how hard he is. your mind is clouded, everything’s a haze, and all you can think about is how badly you want him. the warmth of his skin, the gentle scratch of his nails on the back of your neck, his long eyelashes that flutter against your cheek as he kisses you.

you feel your hands slide haphazardly down his bare chest, fumbling over his hips as you tug on the waistband of his jeans. none of it feels graceful, not like the way he handles his music. it’s sloppy, desperate, clumsy, and it’s everything you need right now.

he manages to lean back from you enough to undo his pants and push them down to his knees, but his mouth is back on yours in an instant. somehow you end up on your back across the seats, gazing up at him with slack lips as his thin silver chain dangles over your face. you might not remember a lot of what happens on these nights when you’re with him, but you’ll always remember this moment. him hovering above you with heavily lidded eyes, biting his lip and cursing as he pushes into you, is etched into your mind in a way you simultaneously love and hate. love because it feels so good, hate because it never lasts.

the last half of those nights never stands out in your memory. you remember feeling good, you remember trembling in his arms and gasping and moaning and crying in pleasure, but the images are too fuzzy to make out. you don’t really need to reflect on them anyway; you know he’ll just bring you out next week and do it all over again.

hansol kisses you once more after you’re both finally spent, but the kisses afterwards are always different. more… hesitant, more uncertain. none of the passion and desperation that you’ve come to crave from him. not what you really want.

“i can drive you home,” he offers once he’s finished cleaning you up. for once you think he might genuinely mean it, but you can never be sure enough to take that chance. you want him to drive you home. god, you want him to so bad. to have him come over with you and stay the night, stay another night and another until your apartment isn’t just yours anymore, that’s what you’ve wanted all this time. and it’s what you’ll never have.

“i’ll call an uber,” you answer.

“i’ll wait with you, then.”

the silence that settles over his car is heavy as you climb back into the front passenger seat. you want to tell him to get in the uber with you, stay more than just a couple hours with you in the furthest back corner of the bar parking lot that’s too far to be illuminated by streetlights. you want to argue that he’s too drunk even to drive himself, that he needs to come home with you and sleep it off together in the comfort of your bed, but you know it’s not true and it won’t work. this is a conversation you’ve had many times before. every night you’ve spent with him blurs into the next, always the same. 

sometimes you want to laugh at how naive you are, for thinking he’d eventually come to his senses and realize there’s more to you than a good lay before a gig. sometimes you want to grab him and shake him by the shoulders and tell him to grow the fuck up, give him an ultimatum and make him tell you what he wants from you or else put an end to it all. sometimes you just want to cry, to mourn your wasted time when you’re fully aware it’s never going to lead to something more, no matter how badly you want it and how hard you try.

no matter how many times you get your hopes up, no matter how many times you pray and beg and plead with god and the universe and every other higher power to get him to realize this can’t keep going on the way it is forever, nothing ever changes. you’re never going to stop running to him when he calls, and he’s never going to stop calling.

finally another car pulls into the lot, and you manage to pull yourself out of his car. you hear your name behind you and you stumble, swaying on your feet as he rolls down his window.

maybe this time will be different.

he says his usual goodbyes and goodnights, flashing you a loose grin and a wave as his engine sputters to life, and he asks if you’re planning on coming to practice next week. 

and you find yourself nodding.

you’re left standing there, your head and your heart pounding, watching his headlights fade as he drives away, until you’ve stood there for so long that your ride starts honking and calling for you to get in the car so you can leave.

maybe next time will be different.

this is going to be the last time, you swear.

you exhale as you stand inside the lobby of the venue, repeating the words to yourself. there’s a chill in the air tonight. the wind blows smoke in your direction from the couple standing by the door, abandoned cigarettes clutched between their fingers as they make out sloppily.

you grimace and turn away, studying the faded graffiti and half-ripped posters and advertisements that litter the walls around you. you mean it this time, seriously. the only reason you came tonight was because it’s the last time. a goodbye, of sorts.

you have to admit, you were a little shocked when hansol texted you after your weekly meet-up after practice. not only did he want to make sure you got home safe after you left, but he’d asked if you’d come to their next performance.

you stare down at your phone in your hand, rereading the texts for what feels like the thousandth time in the past few days just to make sure you haven’t imagined them. but no, there they are, bright pixels staring right back up at you from the screen.

hansol: hey just wanted to make sure you made it back home

hansol: btw we’re playing at the phoenix on saturday and i was wondering if you had plans? i wanna see you

hansol: maybe we could get dinner after or somethin if youre down idk

hansol: hoping youll be there

you’d been tempted to refuse him, out of bitterness or resentment or something else, but you can’t say you weren’t shocked by his offer. he’d suggested every once in a while that you should come see them play sometime, but it was always clear to both of you that it was out of small talk rather than genuine interest in you being there. but this time he’d said he wanted you there.

it was nice to feel wanted, for once. maybe you hadn’t been going crazy. maybe things really were different this time.

you glance at your phone once more to check the time before you slip it into your pocket, taking a deep breath as you walk through the second set of doors into the main room. you can hear the deep sound of wonwoo’s drums warming up, but the stage is obscured behind a ratty set of faded red curtains.

there’s still a few minutes before their set, but the room is already crowded with people so you push your way to the side wall near the back. you don’t really want anyone to see you here, anyway. you don’t want anyone to see that your resolve is paper-thin when it comes to hansol.

you hadn’t told him that you were coming tonight, just sending him a vague response and telling him you’d have to see if your schedule is free. even that felt too generous, after the anguish he’s put you through the past few weeks. he doesn’t need to know that you’re here, just like he doesn’t need to know the real reason you’ve been avoiding ever coming to see him play. and it’s not because you always have other plans.

you’re hoping to just watch the performance quietly from the back, then sneak out without ever having to talk to him, and text him later that you’d enjoyed it. you already knew you were going to enjoy it. you’d heard every original song, cover, and riff they’d ever played together, and at this point you could probably recite their setlist by heart. anyone could see that they were talented together, so it isn’t surprising that the venue is packed tonight. honestly, it’d be for the better if you got lost in the crowd and never saw him face to face.

the house lights suddenly fade into darkness and the crowd starts to quiet, the curtains finally pulling back to reveal the band. seungcheol stands in front of a microphone in the center of the stage, with wonwoo in the back at his drum set and mingyu to his left holding a bass guitar. and then, of course, there’s hansol.

you hate the way your gaze immediately lands on him, standing in the same position he always does, with his guitar slung around his neck by a thick red strap. the crowd starts cheering, and distantly you recognize seungcheol’s voice introducing the group, but you can’t make out any of his words.

your mind flashes back to all the nights you’ve spent sitting on a folding chair in mingyu’s garage, watching them laugh and bicker and fool around. it’s different seeing them actually on a stage for once, the metal of their instruments glinting under the harsh, colorful stage lights.

it’s not a large stage by any means, just a few feet higher than the ground and barely wide enough for all four of them to fit. but their presence is captivating, and it makes the dingy local theater seem more special than it really is. but then again, hansol makes everything seem more special than it really is.

seungcheol finishes speaking and the crowd around you lets out whoops and cheers, but you stay silent. your eyes are still stuck on hansol, watching him scan the crowd as he twists the tuning pegs on his guitar.

even from the back of the room, you can tell he’s nervous. his fingers shake just a little, in a way you know they never do because you’ve watched him tune his guitar a thousand times under the dim interior lights in his car. you watch his eyes dart around the room, squinting to see into the crowd before turning his attention back to the fretboard in his hands.

he’s not the most outgoing guy in the world, but at the same time you know he’s not the kind of person to get stage fright. something is different this time. or, maybe it’s not. you’ve never actually seen him play in front of an audience. you don’t know him as well as you think you do, you have to constantly remind yourself every time your mind starts to wander and you let yourself daydream. after all, he doesn’t know anything about you, and he doesn’t seem to care enough to learn. neither should you.

the band opens with a song you’ve heard a thousand times, then another and another, pausing after every few songs to talk to the crowd. time seems to fly by around you, but everything moves in slow motion when you're looking at hansol. you study the way his hair falls in soft brown waves around his face, his head bobbing to the rhythm as he strums his guitar. it's one thing you've always enjoyed about watching him play; he always gets so lost in the music, and it's fascinating to watch. it's clearly on the list of things he's passionate about, and even if you aren't one of those things, at least you get to see him doing something he loves. 

you shake your head, trying to clear your thoughts. you can't let yourself think like that. you're here to end things, not to reminisce. you shouldn't care if he likes music or not, that's not your problem anymore. he's not your problem anymore.

you zone out for a while, trying hard not to think about him but he's the only thing you can focus on. your eyes wander every once in a while, when you hear cheol's raspy voice in the mic or a particularly cool guitar riff from mingyu, but they always end up back at hansol.

they finish playing what you know is their last song, but the crowd is still bursting with electricity. it’s not long before everyone starts to chant, begging for one more song.

“encore?” seungcheol laughs into the mic, and flashes one of his signature dazzling smiles that sends the group of girls standing in front of you into hysterics. he glances over at hansol and nods. “mmm, yeah. i think we can do one more.”

you fold your arms over your chest. now is probably your best chance to leave. it’s not a very big venue, but from the amount of people here it’s obvious that there’ll be chaos once things are over as people start to file out. though most of them will probably be trying to fight their way to the front instead, giving wonwoo their phone numbers written on stained cocktail napkins and asking mingyu to sign their tits. but just as you’re about to start pushing your way back towards the exit, cheol’s deep voice makes you pause.

“we’re gonna play something real special tonight,” he says, making eye contact with hansol again. “something brand new, that we’ve never performed before. you guys wanna be the first to hear it?”

the room erupts into cheers again, and cheol grins. “yeah, i figured. so, i’m gonna let vernon explain this one. take it away, man.”

you stand still, arms crossed and curiosity piqued. maybe you can wait until after the last song. if this is going to be your last hurrah, then you might as well see it through til the end. just this once, and never again.

hansol clears his throat and looks out into the darkened theater. “this song is about a girl i’m in love with,” he starts. that gets a light laugh out of the crowd, a couple whistles and cheers, and he chuckles into the microphone before continuing. the words that have been brewing in your head for weeks seem to instantly melt on your tongue as his voice rings in your ears, echoing through your mind. that’s not you. that’s definitely not you.

“i hope she’s here tonight, but i wouldn’t blame her if she wasn’t. because i think i kind of fucked everything up.” he swallows, his eyes darting back and forth as he scans across the crowd, searching for something. searching for you? “so if she’s out there, i’m sorry. and i know this won’t make up for it, but i hope you like it anyway.”

the crowd cheers again, louder than they have all night, but the noise quickly dies down once hansol begins to play. the lights go dim, and the room fills with a soft melody from his guitar. the sound is unfamiliar, a song you haven’t heard before, and you realize he must’ve been working on it outside of the band’s usual practices. 

even if he isn’t talking about you, the song is beautiful. his guitar seems to sing every note that plays, and you can practically see the air around him shimmering with energy. the rest of the room seems to fade away, the audience that separates you suddenly disappearing. it’s like you’re the only two people around, sitting beside him as he plays just for you. 

he’s done that a few times, played you little snippets on his guitar. you can almost picture it now: it’s always right after he parks outside the bar, before you head inside together. he’ll unzip the case and pull his guitar from the backseat, positioning it on his lap. he comes up with a different reason every time; sometimes he’ll ask if the chords he’s been working on sound good together, sometimes he’ll tell you to listen to see if it needs tuning, sometimes he’ll say he just needs to practice this section a couple more times before giving up for the night and getting shitfaced with you off too many shots.

but you always see right through his flimsy excuses; obviously he’s doing it to show off, to impress you or something. but for the life of you, you’ve never been able to figure out why. why should he care about impressing you, if he doesn’t want to go any further with you?

and suddenly, as you stand in the back of the theater, watching his eyes sparkle under the lights and his fingers breeze over his guitar, looking more focused and frustrated and angry and sad and sorry than you’ve ever seen him look, now you finally have your answer.

you don’t want him to be talking about you. he shouldn’t be talking about you. you almost wish he would just be an asshole to you, give you a good reason to yell at him and cuss him out and tell him to fuck off, but he never does. sure, he’s a little dense to the not-so-subtle hints you’ve been trying to drop, but he’s always been good to you, even if it’s breaking your heart in the process. maybe you’ve been the dense one all along.

the show ends in a blur, and the lights come back on as people start to file out. there's cheers and more shouts for another encore, but it's clear the night is over. this is the part you've been dreading; even after days of convincing yourself, you're still not sure what you're going to do.

when the crowd finally clears out enough for you to move towards the stage, you can already see the group that’s formed around the members. cheol is off to one side, giving out autographs to whoever waves their napkins closest to him. mingyu’s helping wonwoo pack up his drum kit, smiling shyly at the girls calling his name and promising he’ll come back out to the lobby to meet them once he’s finished.

and then there’s hansol, looking flustered as people crowd around him, a deep blush in his cheeks as he waves his hands to try and get them to leave. you’re just far enough from his line of sight that you almost hesitate. it’s not too late to turn around. it’s not too late to leave before he can see you, to disappear from his life forever, but your heart won’t let you. 

you walk a little closer to the stage, hanging back behind the crowd of people, but he sees. his face lights up with relief, and even from a few feet away you can still see his eyes soften. he tells the people to move, more firmly with his words this time, and he hops down off the stage as they part to make room for him. when it’s clear his attention is no longer on them, they grumble and walk away, talking to their friends about the show and how hot all the members are and how they’re definitely planning on coming back the next time they perform.

hansol reaches you in a couple of strides, stopping just in front of you. he stays silent for a second, his eyes roaming over you almost gratefully.

“hi,” he says finally, offering you a lopsided smile. he wipes his palms on his jeans nervously. “you came.”

you bite your lip for a second before you nod. “i did.”

“so you’re— did you— were you here for the end of the show?” he asks, trying to hide the stutter in his words. it’s cute how shy he is all of a sudden. it’s not like him to be shy like this. but then again, the only times you’ve seen him are when he’s playing with the guys or fucking your brains out while he's drunk, so it’s not like you’ve really gotten to know him. maybe he’s always been this shy and you were just too caught up in him to notice.

you know what he’s trying to say without outright saying it. obviously you were there the whole time, a fact you aren’t the proudest of, but you aren’t about to let him know that. “i heard your song,” you finally settle on, cutting straight to the point.

his face goes through about a hundred emotions in the span of a second, from surprised to happy then right back to shy again. “yeah?”

even though most of the room has cleared out by now, he starts walking as he talks, pulling you through the side door into the quieter backstage area. you follow him around the corner until you reach a private room, a wrinkled sheet of paper taped to the door with his name written in sharpie. his guitar case that you've seen so many times lies open on the floor, his backpack slumped against one wall.

“i liked it.”

he exhales in relief as he turns back around to face you, and you can almost see his whole body relax. “i'm so fucking sorry,” he says, nearly stumbling over his words with how fast he tries to get them out. “i've been really, really stupid. the way i left you the other night… i shouldn't have let you go like that. i regretted it the second you left.”

you purse your lips as you listen. you can tell he really means it, and it's getting harder and harder to stay mad at him. but you can't let him off that easy, not after how long you've been going through this.

“i just don't understand what it is you want, hansol. you treat me like— i don't know, like nothing.” you pause and chew on the inside of your cheek for a second, letting your words sink in. “and then out of the blue you beg me to come to your show, and you play this really sweet, heartfelt song, so how the hell am i supposed to take that?”

he winces, but the wounded look on his face doesn't feel as satisfying as you'd hoped it would. “i know. i'm just… i'm bad with words. i'm better at music.” he sighs. “but that's not an excuse. i didn't ever wanna make you feel like that, not on purpose. i just got scared. but i shouldn't have.”

you stand silently, waiting. clearly, there's more on his mind. he stuffs his hands in the back pockets of his jeans, shifting from one foot to the other. 

“i love the way you laugh. i love the way you watch me when i'm playing and it makes me feel like the only person in the whole world. i love the way you smile when you're drunk and the way you kiss me. and it was stupid of me to ever think i didn't want that all the time.” he lifts his gaze to meet your eyes, the fear in his expression more obvious than anything you've ever seen before.

you let out a breath, your voice dropping almost to a whisper. “you should've just said that.”

“i should've,” he agrees.

you offer him a tight-lipped smile, trying to keep yourself together. this is not how you thought tonight would go. you didn't even think you'd talk to him, and if you did, you thought it would be a shouting match, screaming and cursing before angrily storming out of the venue, finally feeling vindicated after all this time. yet here you are, standing quietly in front of him and trying not to cry.

he waits for a second, trying to gauge your reaction before he continues. “you're, like, my best friend,” he says, adding a nervous little chuckle to lighten the mood. “i think about you every time i play or whenever i try to write something. it's always about you. you don't know how much i look forward to thursday practices and getting to see you.”

now it's your turn to laugh. “you literally could've just texted me and i probably would've dropped everything to be there, anytime.”

he grins, his smile a little wider this time. “yeah, i know. i tried, the other day when i invited you. that was scary as shit.”

he looks up at you again, his soft brown eyes and long eyelashes shining even under the dim flickering bulb overhead. “i'm really glad you came tonight, though. i wasn't expecting you to, but i really hoped you would.” he offers you another nervous smile. “will you let me try again?”

you don't answer right away, and the look of nervousness starts to seep back into his features. “i promise i—”

but you cut him off, pulling him in by his shoulders and pressing your lips against his. he falters for just a second but his arms immediately wrap around your waist, tilting his head to lean into the kiss, and somehow that one little action feels more natural than anything you've ever done together.

you slide your tongue against his lips, and he lets out a groan into your mouth before he pulls back to breathe. “is that a yes?”

you have to fight the urge to roll your eyes and laugh, but instead you just nod. “yes.”

you definitely didn't come here tonight expecting to get laid. in fact, the last thing you ever thought you'd do is sleep with hansol again. but all of that feels like a distant memory as you head out of the community theater together, his guitar case over his shoulder, walking hand in hand towards his car.

the routine is familiar, but nothing is the same. you're not drunk, you're not in the parking lot of a cheap bar, and you don't feel lonely anymore. 

he unlocks the doors and you start to climb into the backseat, but he lets out a little noise and shakes his head, and you look up at him in confusion. 

“we're going back to my place. or yours, if you want.” he reaches down to offer his hand and help you out of the car. “i said i was gonna do it right this time, didn't i?”

by the time you get back to your apartment, your stomach is in knots in the very best way. your hands shake as you fumble with your keys, and if you weren’t so on edge it would have almost made you laugh, the way hansol looks away and pretends not to notice. you're more alike than you thought, and suddenly you're overcome with a feeling of excitement. now you get to discover all these little things about him: things you didn't allow yourself to see before, things he wants to show you and tell you and share with you. 

you try not to let the awkwardness seep back in, but you pause outside your bedroom door, almost as if you're waiting for hansol to tell you what to do. in just one night he's turned your life on its head, and now you're at a loss.

so he takes it as a sign and kisses you, his hands finding your waist and slowly trailing up your body until he's cupping your chin. it's different from all the other times he's kissed you. it's not just the fiery passion you're used to when you can tell he's worked up, but there's a hint of uncertainty in it, more similar to the kisses he gives you afterwards when you're trying to figure out whether to ask for a ride home or not. and then, the pieces finally settle into place and you realize he wasn't kissing you like that because he didn't want you; he was kissing you like that because he did.

you pull away and he freezes a little, and you can tell from the worried look in his eyes that he thinks he's gone too far. “relax,” you laugh softly, your forearms still resting on his shoulders. 

he complies, but his eyes still dart across your face in nervousness. despite how badly he wants you, how badly he needs to prove himself to you, there's clearly still so much that needs to be discussed before you can move forward, things that've been left unsaid for far too long.

you inhale and look up into his eyes, trying to find what emotion is hidden there. “what do you want, hansol?”  

“want you to be my girlfriend,” he breathes out without hesitating. if it were any other time and place you might've thought he was joking, but you can tell he's dead serious.

“i—” whatever words you had ready instantly die in your throat, not expecting such a genuine answer. “yes. but i meant, like, right now. what do you want, right now.”

his expression shifts in understanding and he grins, though it's still shy. “oh. well…” he pauses again to think. “what do you want me to do?”

you watch his eyes carefully for a moment before you reply. you've wanted him to do a lot of things. you wanted him to be better, you wanted him to be worse. you wanted him to do anything besides being stuck in this weird limbo of friend-zoned friends with benefits. but now that the choice is up to you… you don't want any of that.

“i want you to be honest,” you start softly, almost shy to say it, but you know it needs to be said. “i want you to tell me how you feel. because i can't lie, you really fucked up. i shouldn't have given you so many chances.” he winces at that, but you brush your thumb along his cheek and pull his attention back to you. “but i did. so you need to earn my trust again. and i just want you to not be so afraid anymore.”

he stays silent for a long moment before he nods, as if he's seriously considering your words. “i know,” he says finally. his voice is quieter now, barely above a whisper. “i'm sorry. you're gonna get so fucking sick of hearing me say how sorry i am, but i'm not gonna stop saying it.”

you want to laugh, but his tone is so serious that you know you shouldn't, so you keep a straight face and ask him again. “so… what do you want?”

he lets out a sigh, still holding you face in his hands. “shit, everything. but, first— i really wanna taste you. can… can i?”

you take a step backwards into the bedroom and he follows, tearing off clothes one by one in a hurry until you're both left with just underwear. with the limited space in his car you've never actually been fully naked together before, and the thought of him seeing you is both terrifying and exhilarating. 

he leans you down onto the bed and you pull him down with you. he falls beside you, pausing to kiss you once more before rolling off the bed and onto his knees, holding your legs in front of him as he stares up at you.

it's the kind of image that could drive a woman mad. you didn't think he was capable of being this patient, but it seems he's full of surprises tonight. “yes,” you breathe out and finally give him an answer. your eyes are locked onto his, a silent conversation happening between you in the span of a second.

he clears his throat and slowly pries your legs apart, pulling his gaze away from your face to stare between your thighs instead.

“god, this pussy…” he groans in delight as he settles your legs over his shoulders, his gaze transfixed on the wet spot at the seat of your panties.

he slides his palms up your thighs, and for his sake you pretend not to notice the way his fingers are shaking just a little. you lift your hips to encourage him, and he slips his long fingers beneath the hem of your panties before pulling them down, taking his time to slide them off and toss them on the floor behind him.

his hands immediately come back up to your thighs, using his thumbs to press your legs apart to give him a better view.

“so fucking gorgeous,” he mumbles to no one but himself. it's like he's in a trance, admiring the dripping mess between your legs like it's about to be his last meal. if he hadn't been so enthusiastic, you might've been embarrassed at the electric shiver that runs through you from his praise. but when there's a man this hot in front of you, kneeling and staring up at you like you're the most beautiful thing he's ever seen in his life, it's hard to feel embarrassed for long.

he leans in and presses a soft, open-mouthed kiss to your clit, and you nearly jump out of your skin at the feeling. he's never been incredibly rough with you before, but he’s never been this gentle, either. he's touching you so delicately, like a statue at a museum that he's not sure yet if he's allowed to touch or not.

your reaction spurs him on, and he leans in further to flatten his tongue against your entrance and gives a long, slow lick. your hips lift automatically, trying to push him closer and add more pressure.

he curls his tongue through your folds before pulling away, his hands coming up to rest on your hip bones and hold you down. “even better than i imagined,” he groans, looking up at you from his spot on the floor, and the image of him down there makes you so dizzy that you have to lay back down against the bed again.

“more,” you whimper desperately. in the back of your mind there's a distant feeling of shyness at how demanding you're being, but you don't think twice about it. after everything he put you through, he still needs to prove himself to you, that he's not going to break your heart again. but he's doing a damn good job so far. “vernon— ah, fuck!”

“mm, anything.” he presses a kiss against the soft skin on inside of your thigh. “anything you want, baby.”

you don't even have time to process the nickname before he's diving back in, his lips wrapped around your clit as he sucks at you. you let out a strangled noise of surprise, your hand instantly flying down to hold his head.

your fingers tangle in his hair, his tongue so deep in your pussy that you're already gasping and writhing under his touch. you can't tell which one of you has been more stupid for not letting this happen sooner, because it almost seems like he's enjoying this more than you are.

the coil in your stomach already feels like it's about to burst, pent up with white-hot energy that feels hotter than the sun. it hardly takes a few more pointed laps of his tongue before you fall apart into his mouth, whimpering and groaning and begging shamelessly for him. 

“you called me vernon,” he says when you finally manage to push his head away, shivering with overwhelming sensitivity. he lifts one hand to wipe at his chin, way too nonchalant after everything he just did.

you're still fighting through the haze of your orgasm but his words bring you back down to earth, and your face fills with heat. “huh? sorry, i—”

“everybody calls me vernon,” he says as he shakes his head, quickly cutting you off. he stands up and moves onto the bed, flopping down beside you. “i liked that you always called me hansol. made it feel special.”

your eyes follow his movements, still laying on your back as you catch your breath. “but…?”

he grins, and you swear there's a hint of blush in his cheeks. “but that was really sexy when you called me vernon. it sounds way cooler when it's coming from you.”

all you can do is laugh, letting your eyes close as you rest your hands on your stomach. “noted,” you giggle. “so should i do it more, then?”

he hums in thought, rolling over onto his side so that he's closer to you. “you can do whatever you want, baby.”

that nickname again. he's already started leaning in to kiss you again, but you grab his shoulders and pull him down to meet him halfway. there's a bitterness on his tongue that you'd almost forgotten about, but you're quickly reminded once you feel his hand sliding across your stomach and down back between your legs. you let out a surprised but happy moan into his mouth, one of your hands moving to the back of his head to kiss him harder.

your legs part, accepting the warmth of his palm as he gently presses it against your sensitive clit. he holds his hand there for just a moment, pausing his movements as he kisses you, eagerly swallowing the whimpers and sounds you give him in return.

after a minute he shifts his hand, carefully pressing his index and middle finger into you. you're right up at the edge again already, clenching down hard around his fingers as he sets a slow pace, pulling them out halfway before thrusting them in deeper than before. you're seeing stars, releasing a constant stream of muffled moans into his lips as he curls his fingers inside you. he follows the rhythm of your hips as you rut against his palm, letting the movement force his fingers even deeper.

his fingers are dripping with your juices, down his knuckles and pooling in his palm, but it only makes him want to fuck you even more. it's not like this is the first time he's fingered you. the guys at the auto shop down the street know him all too well, from the amount of times he's had to take his car in to get the seats cleaned. he always claims that it's because he's a messy eater, and while that's true in some ways, he knows those guys don't buy it for a fucking second.

his fingers are completely buried inside you but he never stops kissing you, breathing almost as heavily as you are. he stops thrusting his fingers and adjusts his hand once more, pressing his thumb against your clit to rub lazy circles over it. 

“ver—vern— fuck, hansol!” you finally manage to pull away from his lips, nearly gasping for air as another orgasm rips through you. his other hand slides down your body and it feels like the first time you've ever been touched, his palm so warm and tender against your skin that it somehow makes your high even better. you're shaking in his arms, lips parted in a soundless moan as you clench wildly around his fingers, but he just holds you tighter against his body and keeps pressing kisses along your jaw.

his lips are wet with both spit and slick as he watches you, his eyes filled with stars. usually when you're together, in the dark backseat of his car illuminated only by the moonlight and nearby streetlamps, it's hard to make out the details. it's dark, and everything is fuzzy from both the alcohol and the late hour. but now, he's realizing how stupid he was for never letting this happen sooner. he could've ended up going his whole life without ever seeing you like this, laying completely fucked out under the soft light in your bedroom, your pupils wide and eyes watery and so, so beautiful.

he waits until you've calmed down again, leaning away to give you a little space, but your hand shoots out to grab his wrist and keep him close to you and he can't help but smile. when you open your eyes you're expecting to find a cocky smirk, to see how proud of himself he is for having you in the palm of his hand so easily, but it's not there. just that soft smile.

“now. what do you want?” he says. “i should be asking you that way more often.”

“want you inside,” you pant out. “now. please? i— i missed you.” you shouldn't have said the last part out loud, but at this point you don't care anymore. all your cards are out on the table.

his eyes widen a little at your boldness, but he bites his lip and nods. he can't lie and say he wasn't secretly hoping you'd say that, but he'd be just as happy to sit here on the floor and eat you out over and over and over again. he'd do anything you want at this point, and not just because he feels like he owes you. he does, but it's deeper than that. it's a different kind of feeling, one that makes him want to do cheesy shit like lay his jacket over puddles for you and buy an airplane to write your name in the sky.

as he starts to position himself between your legs on the bed, you watch his face. his expression is outwardly neutral, but little by little you've started to recognize the signs of his happiness. it looks good on him.

but your brain isn't content with that, not just yet. you swallow as a thought crosses your mind, and you can't push it down any longer.

“wait,” you say quietly, forcing the word out before you can reconsider. he stops immediately, his eyes searching your face for anything he can find, any sign that you've changed your mind about this.

“yeah?” he replies, his voice just as quiet, as if he's afraid to speak too loudly and break the tension of this moment.

you clear your throat as best you can manage, though it's kind of starting to get sore from how much and how loudly you've been moaning all night. “just curious,” you start, nervousness suddenly starting to creep in. but tonight is for being honest, and you can handle the truth. probably.

“before, while we were together— well, it doesn't really count as being ‘together’ but you know what i mean.” you pause again, chewing your lip. “did you ever… y'know. was there ever anybody else?”

hansol exhales, still hovering over you. “no. unless you count lotion and my hand, ‘cause there was a lot of that.” your eyes soften and you visibly relax at his words, and he mentally kicks himself for ever making you even think that was the case. that there would ever be anyone else for him but you. “i know i was stupid, but i'm not that stupid.”

“okay.” you pause again, trying to figure out how to get back on track. “sorry, i just wanted to know. i don't care.”

he scoffs, but his tone is more melancholy than angry. he shifts on top of you so he can rest on his elbows, getting closer and brushing his hand over your hair. “you should care. if i had, i would've given you full permission to lay into me, cuss me out, whatever. i would've deserved it. you don't deserve that.”

“i wanted to, trust me.” you sigh. “but you're too nice to me. i thought…” you chew on your lip, eyes searching his as you try to figure out what to say. “…i don't know what i was thinking.”

“i don't think i'm anywhere near ‘too nice’,” hansol laughs. the sincerity in his expression almost makes you feel better. “i'm the luckiest dude on the planet that you didn't decide to, like, slash the tires on my car and egg my house or something instead. i really wouldn't have blamed you if you did.”

“maybe i should then, next time,” you say, a smile creeping onto your face.

he shakes his head. “there won't be a next time.”

the room goes quiet and you stare at each other for a second, letting his words sink in. you can tell he's being lighthearted, but he's not even trying to hide the sincerity behind his words.

“you can… continue now,” you say after a tense moment, breaking the silence. the tension in the room is thick but it's not uncomfortable, slowly but surely melting into a lust that's deeper than any of the times you've been drunk and horny in his car.

he nods, and he reaches down to brush your hair back behind your ear before his hands slide down your body. he seems so hesitant to let go of you, but finally he lifts one hand to grip his cock and position himself at your entrance. he braces his other hand against your hip, shivering as he brushes the tip of his cock up through your folds. fuck, he's not gonna last. 

after steeling his nerves as best he can and trying to convince himself not to bust the second he's inside you, he angles himself between your legs and starts to push in.

by some miracle he manages not to cum immediately, squeezing his eyes shut and trying to think about literally anything else but how fucking beautiful you are lying beneath him, but what actually happens instead might be worse.

hansol groans once he's fully inside, slowly splitting you open bit by bit until he bottoms out with his hips flush against yours. there are so many words on his tongue begging to spill out, but he can't think straight. holy shit, he can't even think about anything right now. why did he never say anything sooner? why did he waste so much time content with putting in the least amount of effort when he could've been having you like this all along?

“i love you,” he blurts out, and for a split second you think maybe this is all a dream and somehow you passed out at the show and hit your head so hard you started hallucinating this. but then his eyes widen and he winces in that way you've started to recognize, and you almost laugh because now you know it's real.

“shit, i don't know why i said that. i'm sorry. fuck, i'm sorry,” he groans and hangs his head, but despite his embarrassment you can still feel every inch of his dick twitching inside you and it feels way too good to ignore. “you don't have to say it back. i know it's way too soon—”

“did you mean it?”

“what?”

“did you mean it?” you repeat. his attention pulls back to you, a confused yet hopeful look in his eyes that makes your heart warm.

he clears his throat, obviously trying to hide the pink spreading across his cheeks. “yeah. i think i did. and not just because you have the best pussy ever.”

“are you sure? because that's what it sounds like to me,” you tease and try to roll your eyes, but his words make you clench involuntarily around him and he curses under his breath.

“fuck— yes, i’m very sure, i meant it and i'll keep saying it forever if you'll let me.” he lets out a groan, both hands now firmly planted on your waist. “but, god, please let me fuck you now. i'm trying so goddamn hard to hold back and i'll gladly go for another round later but i'm trying to make it up to you right now and it's gonna completely ruin it if i cum in, like, five seconds.”

you can't help your laughter in that moment so all you can do is nod, lifting your hips a little to try and get him going. and he takes the hint, pulling halfway out of you before slamming back in, a loud, deep string of groans leaving his lips.

his pace starts out frantic but he quickly calms himself down, stabilizing himself through his grip on your waist and pulling you to meet his thrusts. he snaps his hips into you at a smooth pace, his cock dragging against your walls with each stroke in a way that has you clawing at his wrists for support as he holds onto you.

hansol may be bad at relationships, but he's never been bad at sex. even on a good day it really doesn't take much to have you seeing stars, but this is different. this is desperate, determined, thankful, and hopeful all wrapped into one movement, sliding in and out of you with a passion you've only ever seen when he's playing guitar. 

“ha— ngh— hansol!” despite your efforts to keep it steady, your voice still comes out broken, his name escaping your lips as easily as breathing. you roll your head back against the pillow, and you're suddenly even more grateful that you're at home in your bed instead of alone in a parking lot. this is so much better, better than you could've dreamed.

“fuck, you always take my cock so good,” hansol groans as he leans forward and buries his face in your chest. “i should’ve been telling you that every single time, how good you are. so fucking good.”

the way he fucks you is strangely tender, in a way you're not sure you've ever felt before. it's rough, but somehow in a gentle way. he's taking you apart piece by piece and putting you back together with his hands, his kisses, his touch. none of the times before have ever come close to this. 

maybe it's the feeling of a mattress beneath your back instead of a hard plastic seat, or maybe it's the promises hanging in the air between you that makes this time feel brand new. maybe you're just too caught up in the moment to think straight, but for the first time it finally feels like a fresh start. this time is different.

“baby, please, one more for me,” he moans into your skin as his hips begin to grow weary, his breath hot against your chest. “‘m not gonna last much longer— fuck, cum for me one more time, baby. god, you're so perfect. please, let me make you cum.”

at this point he's rambling, almost as far gone as you are, but it's like he doesn't even need to ask. as soon as the words leave his mouth you feel the familiar sensation starting to build again, burning hotter and quicker than before. you almost start to panic because you can't even tell if you have another one left in you, but you look up and meet his eyes one last time and suddenly a wave of calm washes over you at the sight of his soft brown eyes filled with way more love than you're expecting to find there.

you don't even have time to tell him when it hits you one more time, you just grab him and hang on tight as your high tears through you. you struggle to lift your legs and wrap them around his back, pulling him in even closer to you as your walls flutter uncontrollably around him. he invades your senses and you can feel him everywhere, and you can only hope he feels the way you do.

but it's obvious that he does, because “ah, shit—” is the last thing you hear before he pulls out, barely managing to get back in time before he spills all over your stomach, your thighs, your pussy, the sheets. it's everywhere, and neither of you care. his hands are still on you gripping your waist tightly like he can't bear to let go, his cock pulsing limply as it rests against your stomach. rope after rope of thick white floods over your skin, and yet it's like he barely even notices because he's so busy repeating your name, praising you again and again in between swears and shaky moans.

you're panting, your hands shaking as you reach for him, but he's already right there. he's breathing heavily himself as he drops down on the bed beside you, wrapping his arms around you and burying his head in the crook of your neck. 

his weight half leaning against you is grounding, and eventually you feel your heart starting to return to normal as you become aware of the sticky puddle of sweat and cum that you're both laying in. but you just close your eyes and rest, focusing on his body warmth and his palm holding your side and the tickle of air coming from his nose as he breathes against you, and you realize nothing, no feeling in the world, has ever felt better than this.

when he reluctantly pulls himself away from your body to go look for a towel, you already know there's no question about whether or not he's staying over tonight.

once he's done cleaning you off he lifts you up into his arms, laughing and nuzzling his nose into your neck as he sets you down at your desk chair to start stripping the mess of sheets off your bed, and in that moment you can't help but think how lucky you are. he keeps saying that he's the lucky one for letting him have a second chance, but you're lucky in a lot of ways, too. lucky that it turned out he wasn't as much of an idiot as you’d thought. lucky that your heart wouldn't let you give up on him, no matter how hard you tried. lucky that after everything, hope still works sometimes.

after stumbling around your room, tossing blankets and sheets around and looking the happiest you've ever seen him, you're finally settled down together and you're back where you've always belonged, laying in his arms. it's so late that the sun is probably coming up soon and you're exhausted from the emotional rollercoaster of a night, but you couldn't care less about what happens next because everything finally feels right.

hansol sighs, his arm curled a little awkwardly around your shoulders as he twirls a lock of your hair between his fingers. “can… we not do this anymore?” he asks finally. 

his voice is quiet; not shy or uncertain, just quiet. it's different than what you're used to with him. usually when you're around him everything is loud, it's fast and messy and jumbled, a whirlwind of a night followed by heartache and a pounding headache in the morning. but now he's just… quiet. all the thoughts that normally rush through your head are gone, leaving nothing but silence.

you swallow, confused. although you've already talked out all your worries, you can't help the uncertain feeling that starts to return. “what do you mean? like, right now?”

he exhales like he's thinking, and his fingers pause in your hair. “like… i don't know. i want things to be good between us. whatever we were doing before— anything but that. no more not talking about stuff. no more tension. y'know? i promise.”

“mmm.” you hum, letting his words sink in for a while. you drum your fingers absently against his chest, almost trying to make sure he's still there. “yeah. i think… i think things are good between us now.” you giggle, leaning your head against his chest. “as long as you don't pull that shit again.”

he laughs, reaching up to grab your hand off his chest and hold it there. “oh, yeah, i know. you're way too good to me for even giving me another chance. i'm so sorry i almost fucked it all up.”

“you don't have to say that anymore.”

“well like i said, babe, i'm going to—”

“you can just keep saying ‘i love you’ instead.” you interrupt, squeezing his hand in yours.

he stops short in the middle of his sentence, caught in surprise, but as soon as your words register a grin slowly begins to make its way across his face. “cool. then… i love you.”

© junkissed 2024. do not repost or translate. ── ⊹ ˙ . 𖥻 want to be notified when i post new fics? join my taglist!

i hope you enjoyed this!! if you did, please reblog or leave a comment or an ask! it shows me this is something people want to see more of, and knowing people like this makes me want to write more of it! i put a lot of time, love, and effort into writing this, so feedback is really appreciated :) thanks for reading!!

taglist — located in the replies

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[dduane]

A homebrew Iliad project

I've been fiddling with this for a long time.

Backstory: I've been dabbling in various depths of the great wine-dark sea of the ancient Greek classics since I was about seven or eight. (Might have been earlier, but I have no data to confirm that.)

I know Greek mythology like the back of my hand. (...Insert here the inevitable sound of Scotty whacking his head into an Enterprise bulkhead.) I know... a lot. And—leaving all the other stuff I know about that no one here is gonna care about one way or the other—I've read the Iliad and Odyssey probably about twice a year for the last fifty years or so. Or maybe more.

To my grief, I don't have enough classical Greek (or good enough Greek of any kind) to do any kind of respectable new translation of the work. That's far beyond my scope, or my level of scholarship. But I can sure as hell do... a retelling? A restatement? I have a number of favorite translations to use as guides, and the Perseus digital library... and, you know, dictionaries. And I'm not afraid to use them. :)

...And I'm a storyteller, and have no shame about the possibilities inherent in going where lots of others of my tribe have gone before—in restatement or in fiction. So let's just call this "a homebrew version of a work that hasn't been out of 'print' for thirty-five hundred years" and leave it there. (Is this ὕβρις? Yeah, seems likely enough. Whether this is going to be a manifestation of the downfall of the Greeks, or of the Geeks, remains to be seen.)

Anyway: my plan is to start publishing books (i.e., chapters) of this homebrew Iliad in the Fic Foundry writing website that will be opening up at last sometime over the next couple of months. The first few books will be open-access: after that they'll go subscription. They'll come out at irregular intervals (because there'll be paying work going on as well. [resigned sigh: So what else is new.])

When starting a project like this it seems like it might be wise to, in a general way, set out the goals.

Ease of accessibility. Lots of people have never read this story, or have experienced it only in one kind or another of paraphrase. (Yeah, well, here comes another one.) For maximum accessibility, I think this means what I want to do is a prose retelling. Nor am I going to get too hung up on anachronisms in the prose style. I'm reaching for the around-the-campfire sound, a little; or the story told after dinner, in episodes (and let's not throw the beef bones at the bard, she's doing the best she can).

Fidelity to the source material. This is an old, old story that both ascends to surprising heights of feeling and amazing depths of cruelty. There are things in it that some modern readers are not going to like at all: particularly the graphic gore and violence of what is repeatedly described as "the world's greatest war story". But these aspects of the Iliad, and the frequently callous, cruel and misogynistic understructure of its story, come with the territory of the original. I will in appropriate ficcer's style add trigger warnings where I think they're needed.

Completeness of the story. The temptation is always going to lurk for an adapter to decide what's important and what can be thrown out. I'm hardly immune. But it's my intention to leave the structure as intact as possible. Some people will disagree with my choices. (shrug) People have been disagreeing about ways to handle this work for centuries. What'll a few more be, among friends?

...So that's the plan. When this material starts to be ready to appear online, I'll let people here know where they need to go to access it. And after that... we'll see how things go.

I'll start this story as its first tellers did, and ask the Goddesses of epic storytelling to stand by me and lend a hand telling this one. At the end of the day, it all comes down to one angry young man: Achilles, only son of King Peleus. Achilles was completely possessed by a bitter rage that brought a whole host of troubles down on the great army of the Greeks. That unquenchable fury sent many a strong man’s soul to the Underworld, and left their bodies feeding the dogs and the vultures, while Heaven’s intentions moved inexorably on toward the Gods’ final goal...

[coquelicoq]

how to write a sympathy card

so someone you know recently lost a loved one and you would like to extend your sympathy, but you have no idea what to say. here are some ideas to get the juices flowing. i did not even try to keep this short, so i've broken it up into four sections: general advice, what to include, some example cards i've written, and takeaways.

general advice

first, if you're reading this i'll assume that you have decided to express your sympathy in some way and just don't know how. the thing about doing this is it will always feel inadequate. it will often feel very awkward. you may be worried that everything you say sounds weirdly insincere even if it isn't. i'm here to tell you that that is all okay and normal and to be expected. i've written a lot of sympathy cards and afterwards i've never been like "wow, i nailed it!" and yet i've gotten a lot of comments from people thanking me for showing up even when all i did was send a measly insufficient card, because most people don't do that. it will mean something to the person that you did it at all, even if it's not perfect.

should you send your sympathy in a card or some other method? if you never send mail, if you don't have their address, if you don't even own stamps, maybe sending a card is not for you. but everything below also applies to an email you could send. i personally prefer a card because i like the physicality; it's something they can keep and look at later if they want to, and it's a way of showing a small amount of deliberation and care (i went to the store and picked this out; i sat down and handwrote this). more importantly, i feel like there's less pressure to respond to a card than an email, and a phone call can be overwhelming to someone who is already dealing with a lot of shit, while a card is just there whenever they feel up to looking at it. but that is entirely my own perspective; there are differences culturally as well as personally. you should do what makes sense for you.

do think about what you're trying to accomplish by sending this card. you may not be able to make things better, but you are certainly trying not to make things harder. one example of this might be: if your friend has just lost her mother, you might have a lot of complicated feelings about this that aren't really about your friend or her mother specifically (you also have a mother!), and that's natural and okay, but those feelings would perhaps be best to share with other friends of yours who didn't just lose their mother. another example: it's okay to be worried about your friend and how they're doing, but try not to imply that they owe you updates or that they're causing you a lot of stress by not keeping you in the loop. (of course, if they are instead sharing more with you than you can handle, it's important to set boundaries around that! though probably not through the mechanism of a sympathy card.)

it is okay to keep it really short and generic. again, i think just the act of thinking to get a card, getting a card, writing something in it, and mailing it already means something regardless of what is written in it. if you feel overwhelmed trying to figure out what to say, it is okay to keep it to "I'm thinking of you in this difficult time. I'm so sorry for your loss." i also sometimes add "I don't know what to say, except that [I'm thinking of you, etc.]."

one thing i've learned that makes this harder is that you cannot assume you know how anyone else feels. you may be thinking, "i also lost a parent, so i know how it feels," but you only know how you felt about it. there are infinite ways to feel about losing someone, including:

sadness for the deceased, that their life is over

sadness for themself, that the deceased is gone

sadness for the other people who lost the deceased

fear of their own mortality

fear of dying in the same way

fear of how their life is going to change without the deceased

relief that the deceased is no longer suffering

relief that their caretaking duties are over

relief that the deceased can no longer mistreat them

anger at the deceased for dying or for not doing something before they died

anger at god

anger at others/self for contributing to their death or not saving them

overwhelm from all the logistical things there are to deal with when someone dies

overwhelm from all the emotions

confusion at their own reaction

guilt for outliving the deceased

guilt for not feeling sadder or for feeling other things in addition to sadness (or for being numb/in shock)

this is an incomplete list!!!

i try not to project onto my friend or put words in their mouth, because it can be very isolating to be told how other people think you should feel if that's not exactly how you feel. because you're sending them a sympathy card, there is some baseline assumption that there is something to feel sympathy about. but beyond that i try to be careful not to get super specific about how "you must be feeling" or how hard "this must be". generally i try to avoid the word "must" because it implies that there is a certain way this is supposed to go, when there isn't.

if i know that they are struggling in some way but haven't talked to them much about it, i personally usually feel okay saying "Loss is hard" or "It's hard to lose someone", which might seem similar to "This must be hard", but avoids the word "must" and the direct reference to their situation ("loss" in general vs. "the particular instance of loss you are experiencing"). if i don't know much at all about how they're doing, i might say "Loss can be hard", which presumes even less, or i might not directly mention the difficulty of loss at all.

but also, it's okay to be more specific and personalized if you have been in contact with your friend as they've been processing the situation. it's good to acknowledge specific feelings that they've told you about, but try to also leave room for other feelings and/or ways their feelings might have changed.

what to include

here are some categories of sentiments you may want to include (all optional!):

thinking of you: even though it's kind of self-evident that you're thinking about them, this is something that is always appropriate to say and always nice to hear. examples: You're in my thoughts. I'm thinking of you often.

wishing you comfort/support: comfort and support are very safe things to wish somebody because they don't assume anything very specific about how they're feeling, and they express care for their wellbeing without putting pressure on them to be fine. I hope you can find moments of comfort in the coming days. I hope you're feeling supported by friends and family.

sorry for your loss: this is one of those things everyone knows is a stock phrase, but it's the kind of stock phrase that imo actually communicates something, so i do generally use it. I'm so sorry for your loss.

my heart goes out to you: this stock phrase is a little iffier, meaning it can be kind of a toss-up on whether or not it will sound insincere. it might depend on how close you are to the person. use your discretion. again, even things that sound insincere to you can still mean a lot to the recipient. My heart goes out to you. My heart is with you.

i'm here for you: offer logistical and/or emotional support if you want to and if you're reasonably sure that you could provide it. if you're able to be specific, that can be very helpful; one thing that can be overwhelming in the aftermath of a loss is dealing with lots of people wanting to help and having to come up with ways for them to do that. Please reach out anytime if it would help to talk about it. If you ever need to be distracted, I'm good at that! I'd love to bring over some food/help out with chores and errands; I'll text you to see if that would be helpful and not disruptive.

prayers: if you and the recipient are both religious/spiritual and it feels right to say, you could say "I'm keeping you in my prayers" or similar, in addition to or in lieu of "I'm thinking of you." if you are religious but the recipient isn't (or you're not sure if they are), i suggest not saying this, but use your judgment. some people don't mind hearing that someone is praying for them even if they don't believe in prayer and may in fact expect you to say it if you are known as someone who often expresses care through prayer, but for others, this can be actively offensive. i would say when in doubt, stick to "thoughts" instead of "prayers". You're in my prayers. I'm praying for you.

there are many ways to grieve: this one is harder to describe, but i like to include something that validates whatever the recipient may be feeling, despite not knowing how the recipient is feeling. the downside of a card is that it's not in real time, so you really have no way of knowing how your friend is feeling when they read it, even if you talked to them previously and know how they were feeling during that conversation. so i like to, in addition to not assuming any particular emotions, make space for the fact that their emotions may be shifting in ways that are confusing or distressing. but you have to be kind of vague about it, because you don't even know if that's happening. I hope you have the space to grieve in whatever way you need to/is meaningful for you. I hope you're getting through this time in whatever way is best for you.

you may want to express your own grief over the loss of this person, if you knew them. i think this can be comforting for the recipient to hear, but i suggest keeping it brief and not overwrought. the last thing you want is for your friend to feel they have to manage your emotions in addition to their own. if you can, do the below instead of or in addition to this.

now i will share my LIFE HACK!! for the very best thing to put in a sympathy card. this will not always be possible, because it relies upon a) you yourself having a relationship with the deceased (which is not always the case) and b) you being able to remember things (which i often cannot, especially when i'm sad). but if you can, i highly suggest something along the lines of the following.

say what you will remember the deceased for. (I will remember them for their wry sense of humor. I will remember them as a compassionate/driven/curious person.)

give an example of a memory you have of them in which they exemplified that characteristic.

if you can't do both, it's also good to do just one and not the other. if you have a favorite memory but it's too hard to think of adjectives to attribute to them, just share the memory. if you tend to think of them as [positive adjective] but no specific evidence is coming to mind, that's okay, this isn't a debate. in general it is comforting to people to know that they are not the only ones who will remember their lost loved one.

example cards

i will now give some examples of cards i've written. these all feel really awkward and inadequate to me, and you can see i didn't always stick to my own advice! but they were all deeply appreciated.

[to my coworker. i didn't have much detail except knowing her dad had been in the hospital a lot, and she was sad that he died]

I was so sorry to hear about your father. It seems like the last few years have been hard on your family, and loss is especially hard. I hope you are able to take the time you need to be with your family and cherish your memories of him together.

[to my friend's mother after the passing of her husband. i knew from talking to my friend that her mom was struggling especially with outliving him, because she was sick and had expected for a long time to die before him]

I'm thinking about you and [friend's name] a lot. I'm so sorry for your loss. Losing someone is so hard. Adjusting to their absence is, too. I hope that you're finding moment of comfort and feeling supported by friends and family. He will be missed. I will remember him for his wry sense of humor; I still have a "card" from him on my fridge (he cut out a sample "thank you" card greeting that said "The smallest good deed is better than the grandest intention" from a list of things to write in different kinds of cards (a sample message for a "Get Well Soon" card was on the back, crossed out) and simply added my name at the top and his name at the bottom. It's one of my favorite pieces of mail I've ever received and it's been on my fridge for many years). I am so sorry that he's gone. You are in my thoughts and my heart goes out to you.

[to my close friend and her husband i don't know as well, after a late-term abortion for a baby they had been very excited to raise. in this case i knew some of my friend's feelings, but not her husband's, and while i knew that many things about the pregnancy had been hard (lots of waiting for test results about the viability of the fetus, for one thing), i didn't want to imply that the decision to abort was hard, because my friend said it wasn't]

I'm thinking of you both lots. I'm so sorry for the loss of your baby. It sounds like it's been a difficult and fraught process, and I hope you're getting space and time to grieve and to come to terms with the loss. I hope you're getting whatever kind of support you need. If there's anything I can do to help, whether logistical or emotional, please let me know. I would love to be of service to you. I wish I knew what to say. You've just had such a fantastically shitty year. I do believe that things will get lighter for you both, and I hope that happens soon. Take care, and know you are cherished.

[to my grandmother after the loss of her estranged brother, when i was extremely unsure how she was feeling about it and had my own complicated emotions]

I just wanted to send you a card to say I'm thinking of you. Mom let me know about Uncle [name]. I know things had been strained for many years and I haven't seen him in a long time, but I'm sorry to hear that he's passed. I hope that you and [grandmother's sister] are able to reminisce in whatever way feels appropriate and meaningful to you. I'm not sure what else to say, other than I'm thinking of you, I love you, and I'm sorry. It was really nice to see you at [family member's] graduation the other day. The next time we're together, I look forward to giving you such a big hug! I feel very lucky to be your granddaughter and to have you in my life.

[to my grandmother after the loss of my 38yo cousin, which was hitting me really hard]

I don't know what to say, but I just wanted to tell you that my heart goes out to you and that I'm thinking of you, and [cousin], and [uncle], and [father], every day. It's so hard to lose someone, and I'm so sorry for your loss. My grief is a strange animal that sneaks up on me at the strangest times. I hope you are finding moments of comfort and feeling supported by friends and family. I'm looking forward to the day when I can hug you in person.

[to my close friend on the loss of her father after a long illness. she had been leaning on me for support, as another person who has lost someone after a long illness]

I'm thinking about you lots. I hope you're getting through this time in whatever way is best for you. Loss is hard even when you know it's coming and even when you get to say goodbye. I hope you are finding comfort and feeling how loved you are. He was a special person, and I'm so sorry he's left you. I know part of him will live on in you and the other people who learned from and admired him. It's still so hard to lose him, and grief is a strange animal. Take care. Reach out anytime. I love you so much.

takeaways

it will probably feel inadequate to you, but chances are it will still be appreciated.

remember that though you may not be able to make things better, you are trying not to make things harder.

it is okay to keep it really short and generic.

you cannot assume you know how anyone else feels. there are many ways to grieve. that said, it's nice to acknowledge any specific feelings your friend has expressed to you, while also leaving room for other feelings you may not know about.

if you want to offer support, it can help a lot to be specific in how you are able and willing to help.

it is usually comforting to people to know that they are not the only ones who will remember their lost loved one.

even if you do it awkwardly, just the act of reaching out is meaningful! people don't know you're thinking about them unless you tell them.

and remember to take care of yourself, too! watching friends lose loved ones can be hard for you as well for a variety of reasons. reach out to other friends for support when you need it.

[dyns33]

Family respect

Alfie and his Shelby wife are back for more adventures.

"He's back." was the first thing Ada said to her when she picked up the phone, and that was enough for Y/N to understand who she was talking about.

If she had hardly known her mother, who died when she was young, she had not really known her father well either, while he was still alive.

The relationship between Arthur Shelby Sr. and his family had always been complicated. Long before Y/N was found by Polly when she was still a child, abandoned in an orphanage.

It had been luck or fate that her father quickly spoke of her in a letter sent to his sister, writing that he had made a little mistake during a trip. That was what he named Y/N, his little mistake.

The rest of Shelby didn't see her that way. They had adored her from the moment they saw the girl, welcoming her as if she had always been there, as if they had the same mother, and protecting her against this drunken and tyrannical father.

There was still respect for the elders. This notion was important to the romani, and some therefore found it difficult to completely rebel against the man despite his many faults.

This was especially difficult for Arthur. He admired him when he was younger, and even though he often stood up for his brothers and sisters, he blindly followed him in all his dangerous plans.

He had often gotten into trouble because of their father. Tommy was very angry with him for that.

This naivety was undoubtedly one of the reasons why it was not Arthur who managed the family affairs even though he was the oldest.

He never complained about it. As he followed their father, he followed Thomas without question, recognizing that his little brother was smarter, more stubborn, better at business and discussion.

But the few times their father had passed through Birmingham again, he had criticized this absurd hierarchy, and even if Arthur eventually bowed his head to Tommy, there were always several days when he was at their father's side, ready to believe that he had changed.

“Where is Thomas ?” Y/N asked her sister, because she didn't want to hear more about their father at the moment.

"Probably in one of the neighboring farms, with horses, to calm down and stop himself from shooting someone between the eyes."

"And the others ?"

"Polly is talking to them in the kitchen. She thinks dad wants something. Money probably. He'll leave quickly when he gets what he's looking for. But I'm afraid of what will happen in the meantime."

"I'll take care of it. I'll find Arthur." Y/N promised, because absolutely anything could happen to Arthur Senior, no one would be sad, but leaving her brother was out of the question.

Ollie asked nothing when she ordered him to send his best men to look for her older brother, and to watch what he was doing. He just nodded, calling her "Madam Solomons" with great respect.

According to Alfie, she had seduced the poor boy, as well as many of his employees, the residents of Candem, and even the dog.

"Before, Cyril sat with me by the fire. Now he moans by the door until you come home. Where have you been, love ?"

“You know very well where I was.”

"Damn right. With Tommy, dear Tommy. Tell me, treacle, why are my men outside a bar instead of working, uh ? Because when I asked Ollie, he just shrugged his shoulders, saying that those were the orders, but I didn’t give those orders. Remind me who’s in charge here ?”

“Cyril.”

"Very funny, love. Hilarious. Why are my men following this crazy dog who serves as your brother ?"

Of course Y/N could have told him. It would have been simple, and Alfie would have sighed and muttered insults, because the whole thing was nonsense and he didn't really care because it wasn't his family.

Since it wasn't his family, she decided there was no need for him to know the details.

There was no need for him to hear about her father.

So she simply replied that Arthur was in trouble, which wasn't a lie, and that she was just checking to make sure he wasn't going to end up in prison, or worse.

If he noticed that she was hiding something, her husband accepted it, growling when he saw that she was petting the dog before giving him attention.

Several days passed, and Arthur Shelby Sr did not leave. The whole community was nervous, which made the London underground scene much more dangerous than usual.

So Y/N went by herself to look for her brother in the tenth pub he had visited this week, finding him alone at the counter while their father was talking with some men in another room.

"Little sis ! In my arms !" shouted the eldest cheerfully, hugging her tenderly.

“Come home with me.”

"I can't. Dad needs me for a case. A big thing."

"You know very well how this is going to end. It always ends the same way."

"You sound like Tommy… He's changed this time. He wants to make amends, he has the right for a chance."

"He got more chances than Judas got silver coins, Arthur. Please."

"Y/N ? Is that you ? You grew up, I almost didn't recognize you ! Beautiful. When I think that I saw you as a mistake, I was wrong, right, son ? A charming girl, all men would want her."

In that moment, she saw in her brother's eyes that he knew he had a choice. He could defend her, saying that no one talked about his little sister like that, not even their father. He could also keep quiet, nodding his head and not talking about her marriage.

But he had drunk a lot, and despite all this time he still had resentment towards Alfie, so he opened his stupid mouth.

“She married a Jew.”

Their father turned to Arthur with a huge frozen smile, waiting for a follow-up to this joke, before looking at Y/N again with a darker look, understanding that he was serious.

"… A Jew ? You married a pompous old cheapskate ?"

"Arthur, come home with me." Y/N insisted, trying to ignore everything around her brother.

"He's not just pompous, he's crazy. And a coward. And mean. He can't be trusted. I'm sure he's putting on an act to get to us, holding Y/N hostage."

"Well said, son. It's quite possible that's what happening. They know how to play, those dirty rats."

"Arthur, come home with me."

"I knew right away he was evil. Even before he killed Billy and betrayed us. I don't know why Tommy agreed to work with him again, or give him our sister's hand."

"Thomas has always been less clever than you. They're a bit sodomite, you know ? He was able to seduce several of us for sure."

"No… No, that bastard son of a bitch, I'll kill him."

"Arthur, insult my husband once more and you will never see me again."

The threat caught her brother's attention for a second, like the tears in her eyes, but their father continued to criticize Alfie, and as always Arthur followed him blindly, considering that nothing could happen to him if he imitated his father.

A hand then rested on her shoulder, while she hesitated between crying and hitting him. Alfie's smile was quick, only for her, as he held her close, watching the two Arthurs who were surprised to see him.

Y/N thought he would say something, but he only placed a kiss on her forehead, leading her outside, to the car that took them home.

"… I'm sorry."

"Why, treacle ? Because your father is an asshole and your brother is a moron ? I don't see how this is your fault."

“I’m still sorry.”

"Nothing I haven't already heard. I promise I've never slept with Tommy."

"You are not funny." she whispered as she sobbed, letting the tension leave her body. He muttered that she was probably right as he took her in his arms, not knowing what to do to comfort her.

It was not easy to lose a family member. Y/N had been close to all of her siblings, but Arthur had always been there for her, like she had always been there for him, standing up for him, respecting his ideas, making sure he was okay.

She loved him, but she also loved her husband, and she could not tolerate him being insulted like this. If she said she wouldn't talk to him anymore, then she wouldn't talk to him anymore.

So it was a shock to find him in the middle of her living room the next day, holding his cap with two hands, looking miserable and embarrassed. Y/N almost told him to leave, before seeing Alfie standing in the corner, tapping the ground with his cane.

"Well, come on, mate. The lady is waiting."

"… I'm sorry, lil sis."

“Where is father ?”

"In prison, I think. He organized bets, the coppers caught him. They would have had me if… I mean if…"

"If I hadn't saved his sorry ass." Alfie translated, raising his eyebrows when Arthur growled at him. "Maybe I should have left him, he made you cry after all and I didn't like it."

"Y/N… I'm sorry. Your husband is a cunt, but… But he's not that bad, I think. I see that you're happy and he treats you well. I want you happy. I'll try… If he doesn't deserve it, I won't knock his teeth out."

"Mazel tov ! I'll buy you a drink, brother-in-law, but I don't drink and I want you to leave. Well, come one. Out."

Her husband still gave Arthur time to hug his sister, who accepted his apologies on the condition that he finally stopped following their father in his usual bullshit.

To avoid any problems, she only notice out loud after he had left that he had not winced when Alfie called him "brother-in-law".

“Hangover, probably.”

"Or he considers you part of the family now. Normally it's Polly, Tommy, John or me who keep him from completely tripping."

"If you hadn't cried, I would have let him drown in his beer and piss, treacle."

"I wonder how the cops knew, our father is often quite secretive. He moslty ruins everything by wanting more money or insulting someone."

"Oh. Someone who looks like Ollie may or may not have called the police on orders from their boss." Alfie muttered, pouting a little.

"… Arthur will kill you if he finds out."

"He said you were a mistake. Nobody says my wife is a mistake. Would you rather he be in jail or at the bottom of the Thames ? Now I'm sleepy, love. I've been running all night to find your stupid brother, come to bed with me."

“It’s nine in the morning.”

"So what ?"

The only true thing her brother had said was that Alfie was insane, but that wasn't a bad thing. His madness was charming, tender and funny, and if one day they had children, he would be the most protective and caring father in the world.

You only had to see him with Cyril to be sure, even if he slammed the door in the dog's face to be alone for a few hours, only letting him in because he couldn't concentrate anymore. cause of the squealing.

"There you go. Before, he stayed on the ground, now he jumps in my place to press against you, while it's me who opens the door for him despite the cold and my poor back."

“Shut up Alfie and go back to sleep.”

"It is noon."

"Come here."

"Very well, damn woman. You will explain to my men why I was not at work."

Since they had all heard about Y/N's family troubles, they adored her, and were quite happy that the boss wasn't there to yell at them, no one asked Y/N why Alfie had been absent. They even gave her flowers, which greatly annoyed the King of Camden.

They didn't ask if he wanted flowers too. The Shelby sent him some gifts, bottles, money and a horse, without having to say why, and Alfie was in a weird mood for the rest of the day.

Y/N only smiled, knowing that he was lost but proud to be accepted by her family.

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[mrsmangi]

Hibiscus 🌺🌺🌺

late night call - luigi mangione

♡ flower prompt: hibiscus - the realization of a friendship becoming something more - meaning: in victorian times, the gift of a hibiscus bloom meant that the giver was acknowledging the receiver’s delicate beauty. ♡ w.c.: 1k ♡ a/n: hi, love! thank you so much for your request. srry for the delay, i'm a bit backed up with requests. she's a short one, but i hope you enjoy!

♡ send me a flower & i'll write a drabble based off the prompt ! ↪ prompts that have been requested

“Do you ever think people realize just how loud their ceiling fans are?” 

His voice comes through the phone, low and scratchy, like he’s been lying on his back for too long, staring at his own ceiling. You giggle softly, shifting against the pillow propped against your back. Your own fan spins above you, a rhythmic hum filling the space between his words and yours. 

“It’s white noise,” you say, quieter than usual. “After a while, you get used to it and stop hearing it.” 

“Mm, not tonight,” Luigi sighs. “It’s like the fan’s trying to keep me awake for as long as possible.”

You laugh again, a soft, breathy sound that feels just a bit too loud in the stillness of your room. It’s past midnight–long past the time you’d planned to be asleep–but this is how many of your nights with Luigi go. What starts with casual texts morphs into a phone call, then into hours of talking about nonsense; everything and nothing.

“Maybe it’s just your thoughts,” you tease. “What are the voices yelling at you about tonight?” 

He pauses on the other end of the line, just the faint sound of his breathing audible. You know Luigi well enough by now to know he’s not actively ignoring your question; he’s only deciding how much of himself to give away. 

“Life,” he answers lamely, though the vagueness of the reply altogether makes it clear there’s more to it than that. “Do you ever feel like no matter how much you do to succeed, it’s never enough?” 

You roll onto your side, pressing the phone closer to your ear. The dim glow of your bedside lamp casts uneven shadows against the wall. 

“All the time,” you reply honestly. “It gets exhausting, though. I feel like I’m just running a race no one even cares to watch.” 

He exhales, a sound that crackles through the receiver. When he speaks again, his voice carries the kind of understanding that comes from being seen. “Yeah. I get it.” 

The two of you fall into shared silence, the steady hum of your ceiling fan whispering across the line. You let yourself picture him for a moment–probably sprawled out on his bed, one arm thrown over his eyes. His phone would be balanced in his other hand. The image feels familiar, like something you’ve seen a thousand times before, even though you haven’t. 

“Can I ask you something?” His voice breaks the quiet.

“Always.” 

He’s quiet again, but you don’t rush him.

“Do you think…” He pauses again, and you can hear the shift of his breathing. “Do you ever think it’s possible for something to change without either person realizing it? Like, to wake up one day and feel like everything’s changed, even though nothing is actually different?” 

“Maybe,” you say cautiously, voice softer now. “Sometimes things can change so slowly you don’t even notice until it’s already different. Then, you find yourself wondering how long it’s been that way.” 

“Yeah,” he agrees. “That’s exactly what I mean.” 

You stare up at the spinning fan, asking him, “What’s different, Luigi?” 

He doesn’t answer right away. His continuous pauses make you grow somewhat uneasy, stretching a distance between you. “Us,” he says. “I think we’re different.” 

You exhale slowly. “Different how?” 

“I don’t know,” he admits. “But it’s like every time we talk, it feels different. More important, somehow, like there’s something there that wasn’t before.” He stops and you can nearly hear the way he’s turning the words over rin his head. “I used to just…enjoy talking to you, but now, it feels like I catch myself waiting for it. I’m counting down to the next time I’ll hear your voice. And when we’re not talking, I’m thinking about what I want to tell you the next time I see you, or wondering what you’re doing, or–” He breaks out into nervous laughter, cutting himself off. “Um, does any of that make sense or am I just rambling?” 

It makes perfect sense. Too much sense. Your heart picks up speed, the weight of his words pressing against the thoughts you’ve tried to push to the back of your mind. You notice it too. You’ve felt a change in the way you catch yourself thinking about him at odd moments–when a song reminds you of something he’s said, or when you replay the voice messages he sends just to hear his laugh on repeat. Tonight, he speaks heavier, like he’s cracked open a door you have both been staring at for weeks, maybe longer, unsure of who will turn the handle first. 

“It does,” you whisper. 

There’s a small, nearly imperceptible breath on his end, like he’s been holding it and didn’t even realize. “Yeah?” 

“Yeah.” You chew on your bottom lip, letting the word sink in. “I didn’t know if I should say anything. I didn’t want to ruin what we have.” 

“Me neither,” he says, “but I can’t keep pretending I don’t feel it. I do. All the time.” 

You close your eyes, the glow of the lamp behind your lids is a soft orange hue. “So, what now?” 

“I’m not sure,” he says. There’s no pretense, no cleverness to soften the edges of his words. “But maybe we can figure it out. Together.” He says his last word carefully, almost like it’s fragile–like it may break under the weight of its meaning if he doesn’t say it the right way. 

You hear him shift, the faint sound of fabric rustling through the receiver. It’s a small thing, but it makes the moment feel so real, tangible, like he’s not just a voice in the dark. You let his words settle over you. Luigi doesn’t have the answers to all your worries and neither do you. But, it feels comforting somehow–to know that he’s with you in this journey, and you with him. 

“Okay,” you say. A small smile tugs at the corners of your lips. You know he can hear it, even if he can’t see it. Your heart is full of love for this boy as you exhale: “Together.”