A few months before Danny gets his powers, while on a trip to Gotham with his family (maybe there was a ghost convention or something). While in Gotham Danny some how figures out that Bruce Wayne is Batman. I don’t know how he figures it out, but he does. When they get back to Amity Danny jokingly makes a power point presentation for his parents about why they should put in their will that if something ever happened to them Bruce Wayne would get custody of him (and Jazz if she’s still underage at the time).
A couple of his points are:
He’s a billionaire so you know he’ll be able to afford to take care of me and Jazz
He has a mansion so lots of space and big rooms
He’s got a butler
He’s already well known for adopting black haired blue eyed children so he probs wouldn’t be opposed to taking me in
He’s got kids of his own already so me and Jazz would get more siblings!!
He’s Batman
Danny did the whole power point as a joke but his parents actually took it kind of seriously. Cause up to this point neither one of them had thought about what would happen to Danny and Jazz if the both of them where to die. So they make a will and put in it that if they both die then Bruce Wayne gets custody of their kids. And then they all promptly forget about it.
Two years later Bruce Wayne gets a call from a man claiming to be the executor of the Fenton will and that Bruce’s presence is requested in Amity Park for the reading of the Fenton will. Bruce is wracking his brain trying to remember who the Fenton’s are and if how he knows them. But the man is coming up blank (cause he’s never actually met them before). He goes to the will reading and is shocked to hear that the Fenton’s, two people he’s never met before, have left custody of their 16yo son to him.
Danny is just as shocked because holy shit that power point was a joke. He didn’t mean for his parents to actually take it seriously and do that!!! And Vlad is pissed. He was sure he was gonna get custody of Danny after killing off the Fenton parents! Bruce is trying to figure out why these two strangers left their son to him. He’s watching Danny with eagle eyes trying to figure the kid out. And he sees the way Danny flinches whenever Vlad gets close or puts his hand on Danny’s shoulder.
Vlad tries to convince Bruce it would be better for Danny if Bruce gave up custody to him(Vlad). He’s know the boy for two years after all and he was actually a family friend. Danny meanwhile is silently shaking his head and giving Bruce pleading eyes silently begging him not to let Vlad take him. Bruce just tells Vlad that the Fenton’s must have had a good reason for giving him(Bruce) custody instead of giving it to Vlad, and he’s going to abide by the Fenton’s wishes.
Bruce leaves with Danny and once in the limo he asks Danny if he’s ever met him or his parents before. Poor Danny has to explain how he jokingly made a power point about why his parents should leave custody of him to Bruce in the event of their deaths, and how he never thought his parents would actually take it seriously. But hey at least he doesn’t have to go live with Vlad now!
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After the fifth time that Katsuki pops up at UA, surprising Izuku with Bento for lunch, calling him "sensei" in a cocky(affectionate) tone, Kouta just stops at Izuku's desk on his way out of the room and asks him point blank,
"So are you and DynaMight actually dating, or what?"
Izuku sputtering and dropping all of his paperwork and avoiding the question out of sheer dumbfoundedness.
Then, the sixth time that Katsuki barges in, as he is thrusting the bento into Izukus hands as usual, Kota raises his hand, and stands up from his seat and yells out,
"DynaMight, sir!! Pardon me, but are you dating Deku-Sensei??" And the whole class gasps and whispers. Katsuki appears just as dumbfounded as he looks wide-eyed at Kouta and the students.
"Kouta!" Izuku balks, but then Katsuki suddenly grins mischievously. Izuku doesn't trust that look...
"Well, brat, maybe I SHOULD date him, then I could make sure Sensei doesn't forget to eat every day, right??" Katsuki looked entirely too pleased at the louder gasps and chatter that came from the students. He has a wicked grin as he turns his sharp red eyes back to Izuku.
"K-Kacchan, what are you doing?!" Izuku stammers, beet red and grabbing his arm. "This is not the time for--"
"If you don't want me disrupting your class, then stop leaving your Bento in the fridge!!" Katsuki scolds Izuku before swinging himself back out of the open window. There was a fresh wave of gasps and excited murmuring at the insinuationthat the two lived together. "We're ROOM MATES, OK?" He adds hastily, pointing his finger at the noisy classroom of kids.
He drops out the window and blasts off.
Izuku is left, stood at his desk, hands planted and hanging his head, trying to collect enough of himself to quell the riotous theories now flying around his classroom.
Kouta stands at his own desk amidst his unruly classmates, eyes narrowed as if he had just realized something, "I knew it!" He hisses.
"You're the worst," Izuku texts Katsuki later.
"I know" katsuki replies.
"Now eat your fuckin food or I'll stop making it for you."
--
I think I was inspired by this art post ^^;
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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