#& the costumes are like. weirdly modernized.

[victoriawaterfield]

i hate you rent 2019 i hate you soo much

[adlibitur]

time to watch all the eurovision songs

[beechicory]

Thinking about which drivers have Modern Face. Which would fit in a period drama, vs. which have definitely seen an i-pad.

KMag? Period drama face. He'd be amazing. Nearly every era. Hulkenberg? Modern face. He'd look like the owner-operator of a midsize car dealership got forcibly time travelled.

Checo? Modern face. I just can't imagine him looking normal in mutton chops.

George? Come on. He's got period drama written all over him. But not a BBC one, one of those lesser channels', one that's not quite as good quality, where the people are noticeably wearing eyeshadow and the costumes would get a disapproving mention from the historical fashion YouTubers.

Zhou? Oh my God, he'd be amazing in a period drama. Excuse me while I get distracted by mental images of him in a Victorian suit and velvet waistcoat. Oh my God, he'd be so good.

Seb? I would have said modern face but then they dressed him up in that 20s outfit to drive the 1922 Green Pea, and 👀. Oh my God. He looked like he absolutely belonged, it was ridiculous. No more suits, only gentleman farmer waistcoats.

Lewis? My initial instinct is to say "he can do what he wants, next question", but honestly I'm torn. I think it's his smile, his smile feels modern to me. But then imagine him in like late Georgian/Regency...hey get back here, that's long enough, snap out of it! So I think he teeters on modern face, but in the right costuming he'd be amazing.

Pierre? Ooooooh. I think Modern Face, except maybe as a Regency-era farm worker? ...no, he still looks like he's never seen a pair of suspenders and he'd have an allergy to tweed.

Alex? He would be so good in a Jane Austen. Like he'd be an amazing Mr. Bingley, holy crap; even though Alex is also a sarcastic, snarky rascal, he can portray extreme sweetness, and he'd be SO GOOD...oh no now I'm fancasting a Pride and Prejudice.

Esteban? I adore him, but that's a Modern Face. An adorable modern face, but a modern face. I just can't imagine him in any period drama without my reaction being a grin.

Max? Probably controversial but I think Modern Face. I just can't imagine him in most eras, and when I try to envision him in a period costume he refuses and is still just wearing Red Bull team gear. Like, mayyyyybe something mid/late Georgian - I could kind of envision him as a rival to Mozart, weirdly. But that's literally all that will come up when I try to imagine. It's Mozart or nothing. Modern face, I'm afraid.

... though maybe Victorian, like humble gentleman popping into a darkened shop in a Dickens adaptation...Ehhhh, still gonna say modern, because it would take a lot of work.

Franco? Oh I'm torn. I think he could do it. Actually wait it'd be fun to see him in something vaguely Elizabethan. Hmmmm. Another one where the era might matter. Oh but wait, Edwardian??? Oh heck yes. Or, like, Roman for that matter. Okay I'm changing my mind, he has period drama face, dang. If he doesn't get an F1 ride this coming year (boooooooo), he has a new career option.

I need your opinions, my friends.

[superectojazzmage]

There's been a number of posts observing the "isn't this superhero stuff so dumb?" syndrome that a lot of modern superhero media has. Where the creators are basically weirdly insecure about the fact that they're making something based on comic books and either refuse to take it seriously or strip out anything even slightly fantastical in favor gritty "realism" so nobody will think they're not serious filmmakers. And I just wanted to observe the patient zero of this phenomena, the case study that is Batman.

Because, for decades now, live-action adaptations of Batman have been so utterly terrified of being seen as remotely similar to the Adam West or Joel Schumacher versions - or really, most of the original Batman comics in general - that they obsessively try to scrub out (in a very superficial way) anything about the series that could be seen as fantastical, strange, or even just lighthearted. Every single Batman live-action adaptation after Batman And Robin has absolutely no hook beyond "it's Batman but TOTALLY GRITTY AND DARK AND REALISTIC AND NOT LIKE THOSE DUMB COMICS".

All of Batman's family and friends except Alfred will be thrown away, with the creators proudly boasting about how they'll never do Robin or Ace because sidekicks ruin the grounded maturity of a rich guy dressing up as a bat. All of Batman's less "mundane" enemies will be ignored or reimagined as mundane criminals; no Killer Croc, no Hugo Strange, no Maxie Zeus, just movie after movie of Joker but he shoots people instead of telling jokes or Riddler but he shoots people instead of telling riddles or Penguin but he shoots people instead of liking birds. All the decades of lore and worldbuilding around Gotham will be disregarded in favor or depicting it as just a vaguely defined crappy city that looks and feels no different from whatever city the film was shot in. Any stories that are even mildly "weird" will go unadapted or have all it's fantasy elements removed, so seminal arcs like Strange Apparitions or Knightfall or Night Of The Owls will be discarded or neutered in favor of endless repeats of the mob subplots in Year One and Long Halloween, nobody caring that they're locking themselves out of something like 90% of the Batcanon.

And, as alluded to previously, it's all done in a very shallow way that often ends up making things LESS realistic. Batman will always just be some asshole alone in his manor with nobody but Alfred for company, even though realistically he would absolutely NEED that huge family/support network of sidekicks and techies to achieve anything at all beyond dressing up in a costume and getting shot by the first guy he fights. There can be no "silly" characters but the creators desperately want to pretend that a furry beating up a clown is like The Wire. And even the more comic book elements are adapted, they'll be either altered in ways that make them unrecognizable for that precious faux-realism or have their unusual nature downplayed severely.

Just look at the Nolan movies; in his desperation to seem "serious", Nolan did stuff like having Bane not use a super-steroid or wear a luchador outfit, not caring that he was usually replacing the supervillain gimmicks with ideas that were even stupider and less real, like Bane wearing a mask to constantly huff painkillers yet somehow not being a crippled addict like such a thing would render him in real life. And Nolan likewise used the League of Assassins Shadows but was simultaneously crazed to avoid or downplay the supernatural aspects of that group in the comics, so Ra's is just some guy who presumably inherited his title and this secret ninja organization totally doesn't have magic or anything, shut up, and also them being an ancient cult will be remanded to, like, a single brief conversation than never mentioned again.

The consequences of this kind of thinking are becoming especially apparent with Matt Reeves' take. Reeves was a subscriber to that ideology of Batman having to be a bleak street crime drama instead of a colorful superhero, but also tried to pay lip-service to the Twitter discourse about Batman beating up poor people instead of being a symbol of hope. And now he's left himself trapped in this catch-22 where he can't adapt the vast majority of stories from the comics because they're too goofy and fantastical in the eyes of Hollywood but also has to keep playing into this idea of Batman as not just being a scowling brooder who goes out at night to beat endless waves of criminals into comas without making a meaningful change. The best he could manage is a mini-series about Penguin that, while not bad, has basically nothing to do with Batman as a series whatsoever and indeed has to bend over backwards to not acknowledge Batman's existence outside of a five-second shot in the final episode. The proper sequel to Reeves' Batman is stuck in pre-production hell, very probably straining to come up with something that hasn't been done before, isn't weird, and doesn't have Batman being overly dark. Good fucking luck with that.

It's especially bad because the animated and video game adaptations DON'T do this shit and embrace the crazier aspects of Batman as a series, and it works out great and produces works just as good or even better than the live action stuff. Batman The Animated Series wasn't afraid of adapting stuff like The Laughing Fish or Moon Of The Wolf alongside grittier arcs. The Arkham games had Batman punching sharks and dollotrons unironically and those are fantastic. Shows like The Brave And The Bold or Beware or Caped Crusader gleefully embrace stuff from all ages of Batman history and are better for it.

Something has to give on the live-action front. We need a Batman movie that dares to go beyond maybe three miniseries from the 80s, otherwise we're just wasting time and the potential of Batman as a character, whose success is partially owed to his ability to slot into all kinds of adventures.

[ghostlypawn]

i can understand why someone may look at the material of great comet and decide that a modern direction is the way to go, i mean, the anachronisms are literally written into the score. even in the original broadway production the modern elements are visually present. so to set great comet in a modern seedy club isnt completely dissonant. the difference to me, however, is that those anachronistic elements have thematic purpose and by changing them you ultimately dull a lot of moments. having a modern set could be utilised as moscow being a modern unknown world that natasha has yet to explore, its a world anatole is familiar with which is reflective in his gaudy electronic musical motifs whilst natasha's sweeter classical motifs clash with the visuals of a gritty stage. in a similar way, this is also true of pierre who feels distant from moscow society. what i think changes about this though is that, for natasha, it makes moscow seem like a bigger spectacle than anatole (and i think its important for natasha's motives that anatole is the bigger spectacle). natasha goes to moscow and lives with her older traditional aunt. she goes and visits her traditional fiancés family. its only when she sees anatole for the first time does she experience the excitement of something new, something shes never experienced before. its only at anatoles arrival do the modern electronic beats fuse with the traditional/classical sounds we've grown used to, a refreshing excitement for both the audience and natasha. and so imo it makes sense for the set to reflect that disruption of tradition with anatoles entrance rather than have the traditional elegance be absent from the beginning. in the original production i think this was actually showcased with the lighting; the show had a candlelit feel with chandeliers and table lamps only for the audience to get flashbanged with LED lights as anatole makes his entrance and for the audience to get overwhelmed with flashing rave lights as we follow his character in the next scene, it's the same weirdly intoxicating feeling natasha felt, you try to look away but you cant stop looking. its also why i prefer the comet to circle back to that traditional lighting, as anatole leaves moscow he takes his electronic aura with him and the chandelier glows as if a natural order has been restored.

thats not to say i dont think a modern set would never work or couldnt be thematically interesting. if i were to take a modernist approach i would evoke the feeling described above through costumes instead. having natashas costumes start very traditional/period-accurate and slowly fusing with modern clothing would echo anatoles corruption of her and how natasha forces herself to be what he wants. similar to most of their scenes, anatole/dolokhov/balaga/helene lend themselves to modern visuals. i think by making all the costumes glaringly modern you lose the contrast of natashas two worlds, the contrast of andrei and anatole. (in the original production its really the ensemble who wear the modern elements which i think plays into that idea of moscow feeling overworldly and unusual to natasha.)

i think the people who really suffer with modern costuming are pierre/sonya/marya. sonya/marya exist as a reminder of who natasha was before anatole and eventually their role is to try to ground natasha back into the real world they live. the modern elements are almost fantastical in nature, theyre a dream natasha's lost in. traditional costume is realistic and thus brings natasha back into the real world. pierre, to me, can exist somewhere in the between. andrei is the past, anatole is the present, pierre is the future. he is also the person who connects andrei and anatole, he is a perfect middle ground and i think his costume could reflect this. it makes sense for him to dress more traditional as he doesnt fit in with the kuragins/moscow society. i could see some modern elements being incorporated into his costume to suggest that he has a place in that world more than he believes. but i dont think it works if he's entirely modern because to an extent, he's right, he doesnt fit in with that world musically at all and he's the one to rid moscow of its electronic sound (by banishing anatole). he's the one who restores the balance because he has experience with both worlds. the bolkonskys also suffer with modern costuming re: andrei being the past and his family need to reflect that old stuffy dusty feeling natasha has become dulled by. because of all this, if a production has a modernised set AND costumes, i think the first 20 minutes (until the opera) can feel a bit discordant and almost confusing.

alls to say, i dont think a production of great comet having a minimalist set is inherently abysmal and harrowing. i mean take a look at the australian production, there were very few qualms about that. (they did however stick with semi-traditional costuming as some characters had clear 1800s inspired dress or russian-feeling elements to their costumes.) im interested to see if i can find a visual story with the all-modern clothes in the west end production and at the end of the day i would watch a bunch of strangers in jeans perform this show in a parking lot and still have good time so ¯\_(ツ)_/¯ we live to love another day

[lookiamnotshameless]

You know, I usually hate the 'really pretty person doesn't realize they're pretty' trope, but there's something about it that works when it happens with Roderich Edelstein, aka the man who spent half a millennium being The Catch of Europe, and knew it. He knew, and despite making rather full use of that and despite looking like that, he vehemently believes that he is plain and uninteresting without his glasses (his music), that he'd instantly become the worst looking person in Europe when you ask him to put on a relatively harmless costume (so, without his veneer of aristocracy).

This isn't your standard garden variety oblivious insecurity; this is some next level denial of self. This man actively, categorically and thoroughly denies any idea that he can possibly be attractive/wanted/needed by himself, as a person, rather than by what he is, the power he can offer, the cultural refinement he possesses. While he isn't repressed about who he is and has no qualms about showing his slovenly/lazy sides, he simply denies that it has any value. It goes beyond ‘I'm worthless', it's more like, ‘there's no value in getting to know any of this, don't bother' matter-of-factly. (I remember that meta that he doesn't even take his glasses off if there's even one person with him, even someone he's more comfortable around like Erzsebet.) There are cases of other characters telling him that he looks just fine or showing him rather personal affection, and he just seems to…shrug it off, like you'd shrug off someone who just stated that the world is flat and lizardmen live on the moon. He's not angsty about it. This is how he prefers it. He prefers that there's nothing to Roderich Edelstein the entity-who-could-conceivably-be-seen-as-a-person, only what Austria the Nation has built over the years.

Couple that with how he embraces his lack of agency and complacency to a degree that nobody else does and is just kind of shrug emoji about it, and he became this sort of undying cockroachlike intrigue that won't leave my brain even after so many years.

At the end of the day this is probably why my endgame Roderich ship in the Year of Our Lord 2024 is still Gilbert, after all this time. Reams of text have been written about how they've been such perfect foils to each other across the centuries, and what could be a more perfect modern-day foil to all that than the character who literally has nothing left but being a person? Someone who lost everything built in his name as an immortal earth-god-parasite-spirit-thing, whose legacy is being slowly forgotten? Someone who, despite shining as bright as Roderich back in his prime, had never defined or presented himself as anything but who he is as a person and expected the same from others? (Gilbert has his own tanks of worms yes but this is a Roderich stan post.)

When you take in the fact that Gilbert was weirdly obsessed with stalking and antagonizing Roderich this entire time, it creates a really nice juicy conflict point for my shipping tastes lol.

[t4tails]

why are those so humanoid...? riddler bear is just a regular little plush bear wearing a small suit and mask....he's just a little guy wearing a silly little costume but these two look like they're from an offbrand animated movie :(

i know right... they have a catwoman costume too and i want to like it so bad because i love catwoman but this design is simply not it. riddlers works because its classic this is like a modern redesign that takes me a second to even register as catwoman. also its weirdly blue. whip is funny as hell though

[humanitys-strongest-bamf]

gahd dang it, what would Levi do if you’re about to leave the house and he sees you wearing one of those sexy costumes???? practically lingerie with extra steps, NASTY STUFF

hi!! so i didn't originally plan this part in it, but i wanted to do a 2-part piece for halloween to make up for not participating in kinktober and this provided me with just what i needed for the first part 😭

part 2 here!

Basically Lingerie | Halloween Smut Two-Shot Part 1

✧ word count ➼ < 900 ✧ notes ➼ modern!au, suggestive, levi being kinda possessive but not wanting to admit it, fem!reader, nothing too explicit in this part but i still don't want minors interacting so MDNI!!!

You were lucky to live in a warmer area, so it being later into the fall rarely affected your ability to wear what you wanted, no matter what the weather was, although that likely wouldn't have stopped you regardless. It was Halloween and you were invited to one of the bigger parties in the neighborhood. You felt obligated to dress up, not wanting to be the lone party pooper in the room.

Levi wasn't the type to get jealous. He didn't really give too many shits if other people were flirting with you or if you were being overly friendly. He trusted you. He wasn't the type to get seriously possessive (at least, not to your knowledge), so you didn't suspect that you basically wearing lingerie to a Halloween party would bother him at all.

You exited the bedroom and brushed yourself off as you finished making sure your hair was in place properly. You were wearing a pair of shorts that tightly hugged your ass, although it looked more like underwear than it did shorts. Your vest had thin straps attached to it, making it more like a tank top, and was tight enough that it was pushing your tits all the way up to the point that they were on the verge of potentially spilling out over the top if you moved around too much.

It was basically lingerie. Your ass was too visible if you bent over and your tits were constantly threatening to fall out.

Levi was already disgruntled about having to go to a crowded party at baseline, and was caught completely off-guard when he saw what you were wearing as you came out of the bedroom. He immediately felt his face heating up, with the back of his neck rapidly turning pink, and he shuffled around uncomfortably.

His eyes fell on your tits and ass and although he's seen you naked plenty of times before, seeing you in this costume, with your assets being just out of sight made his entire body feel warm. Quiet thoughts of fucking you then and there to get a quickie in before leaving ebbed and flowed in his mind.

Mixed in with those thoughts were some that he rarely verbalized. The idea that other people would be seeing you like this, with some having similar thoughts, maintained the frown on his face, allowing him to hide how flustered he actually was upon seeing you. The possessive thoughts were just a tad stronger than the horny ones.

"What?" you asked, noticing that he was just glaring at you.

"Really?" he asked with a significant amount of skepticism in his voice.

You tilted your head at him in confusion, unsure what he was referring to, until you saw his eyes scan your body before looking back into your eyes with his clearly displeased ones. You immediately felt your cheeks heating up.

"Wh-What?" you asked defensively. "It's Halloween!"

"And what does that have to do with you showing up half-naked to a party?" he grumbled as he questioned your statement.

You weirdly felt the need to cover yourself up, despite intentionally dressing up in an outfit that was supposed to be blatantly revealing.

"You hated the maid costume last year, so I couldn't wear that," you reasoned.

Levi was hesitant to admit it, but he knew that the reason why he 'hated' the maid costume was because it showed off your tits a bit too much, but this new costume—whatever it was supposed to be—was significantly worse in that regard.

Sure, part of it was some lingering possessiveness, but the part that bothered him the most was that it was just going to make him uncomfortably horny the whole night.

"You can come half-naked too," you teased.

Your comment ripped him out of his thoughts.

"What?" he asked, the frown lines on his forehead intensifying. "No thanks."

He continued staring at you for a while before finally sighing. He was quite uncomfortable with the costume, but he wasn't going to tell you to change. Not only was it a dick move on his end, but the request would likely cause you to want to do the exact opposite.

"Whatever," he grumbled, grabbing onto his car keys. "Let's just go."

Based on his reaction, you already knew that Levi was going to be grumpy all night. While he was generally aloof at baseline, him being blatantly grumpy the entire time was just going to throw you off.

Plus, you did feel kind of bad.

"Actually, you know what?" you suddenly asked, turning back towards the bedroom. "I changed my mind. Wearing this all night would've been uncomfortable anyway."

You weren't even putting any effort into making your reasoning sound believable. Levi knew that you were lying. You weren't changing because it was going to be uncomfortable for you to wear. You were changing because he had gotten all grumpy about it, even if that wasn't his intention.

Still, you felt the need to wear something. You dug through your closet, trying to find another costume that you had lined up that you could just change into without any extra hassle. There were two that your eyes immediately fell on.

Hmm...maid or fairy?

#: @chaotic-on-main @romantichomicide95 @levisbrat25 @leviismybby @moonmalice @averysmolbear @cathybarn @tclbts @emiwhore @bejewelledd @sad-darksoul @ackermendick @aomi04 @apolloshaiku @laraackerman @pulpolicia @raenacreates @nube55 @roseofdarknessblog @saenora @noctemys @sixpennydame @sleepyfairyxo @heichoucleanfreak @svftackerman @catskze @nixie-writes-aot @la-undercover-latina @v4mp-wife @darkstarlight82 @professorweezy @meltingforthatackerman @chocoyanchan join my taglist! (and lmk if you want to be taken off :3)

[msfcatlover]

Shadow Damian (Reverse Robins)

Shadow starts with Damian, and I am drawing huge inspiration from his Infinite Frontier design. In particular, this absolutely gorgeous rendition by DuhDude.

(I fucking love this look)

I'm also taking inspiration from @adoptedbybruciewayne's design, which just so happens to have a very similar silhouette.

As I've said before, I'm aiming for "sleek while still somewhat disguising his body outline." The goal is to make him a harder target to pin down.

Black tunic-vest, the part below the (utility) belt shaped mostly like the green design. Keep the puffy sleeves, though they're now also black & ever so slightly translucent; the under-suit is actually very dark grey, so you still can't really see his arms, it just does weird things to the shadows.

The hood is NOT part of the tunic, it's a separate cowl like this (sized similarly to the green design), held on by a single snap so that it never chokes him or holds him back if it gets grabbed.

No bandages, but the bottom half of his forearm does have a metal cuff for protection. Black gloves under dark red fingerless gloves, and the cuffs are the same red.

There is actually a single red stripe running down each arm like a ribbon between the cuffs/gloves & his shoulders, but I feel like if anyone drew it, those would be the first detail to go. In any case, those ribbon-lines sorta pour below the curve of his collarbones to merge into a red bat in front of a gold circle. (Referencing this chart, it's probably a combination of the "Batman: Dead End" & "Batman Beyond" designs.)

(Quickly thrown together in GIMP, though the colors seem to have gotten messed up... it should be redder.)

No domino; he wears a black half-mask/mouth-guard on the lower half of his face (kinda like the "muzzle" mask Jason's been wearing in recent years), and paints the remaining visible skin with grease paint to disguise his features (think Battinson, but it's the entire upper half of his face.)

The effect being Damian's mouth, jaw & nose covered, his face cast in shadow, his skin painted black, so there's no discernible features... just these two piercing green eyes staring at you from under the hood.

The pants are well-padded (same dark grey as the undersuit), and he has extra armor on his thighs, though a lot more in-line with modern sensibilities.

(This, but black.)

I also love Damian's knee-high lace-up boots, especially how they're drawn in "Son of Batman" where they are all the way to the knee, with a very de-emphasized kneepad. Practical? Probably not, but I don't really like how the protective cap they usually put over his knees change the shape of the boots. So he gets those, but black instead of green.

(It is weirdly hard to grab a good reference image for these; they never look as good on the covers, for some reason.)

So that's my... excruciatingly detailed explanation of Damian's Shadow costume. Look forward to future breakdowns of Damian's Nightwing costume, how future Shadows evolved the look, and basically every other costume in the family.

[wingamy24]

Love all the stuff you’re doing for the jeffbritta girlies!!

And I know I’m asking for a lot but could you do like a little guide for their best episodes? Cuz when I sit down to watch a random episode I always forget what episodes have good moments with them that are not mixology certification lol

If this is too much to ask that’s okay💕

yesyesyesyeseyydysyeysyessegewghq

Okay, SO. This is my personal list of my go-to Jeffbritta episodes. Obviously not all of these are romantic: they're just focused on them or have funny interactions with them.

I love them and they deserve everything + endgame

Season 1

Season 1 has a BUNCH of Jeffbritta episodes, specially considering they were supposed to be the main couple of the show back then. My favorites are:

S1 E1 Pilot: Obviously.

S1 E3 Introduction To Film: Seize the day!

S1 E14 Interpretative Dance: This is the cute episode where Jeff brings flowers for Britta.

S1 E16 Communication Studies: This is the episode where Jeff gets drunk with Abed and ends up calling Britta and blablabla...

S1 E22 The Art Of Discourse: This one doesn't have any explicit Jeffbritta I think? It's just fun to see them make an evil plan to take revenge on some random highschoolers.

S1 E23 Modern Warfare: One of my (if it isn't my #1 favorite) favorite episodes of Community. The one where Jeff and Britta have sex in the study room table.

Season 2

On Season 2 we got a weirdly amount of Jeffannie episodes, but we still had our fair share of Jeffbritta episodes!

S2 E1 Anthropology 101: Not really Jeffbritta, but it's still fun watching them being gross in this episode, right?...right?

S2 E6 Epidemiology: Seeing Jeff walk around with Britta to give her drinks is funny.

S2 E10 Mixology Certification: This is an obvious one.

S2 E13 Celebrity Pharmacology: Cool cats. AKA, The Bi Panic™

S2 E16 Intermediate Documentary Filmmaking: That's Irak, stupid. WHAT DO I KNOW, I'M JEFF WINGER'S DUMB GAY DAD!

S2 E19 Critical Film Studies: This isn't really a Jeffbritta episode, but they match costumes... that's... that's enough, right

S2 21 Paradigms of Human Memory: Unrelated, but I just looked at the Wikipedia page, and it was almost entirely filmed in Universal Studios. The "popping the back of a raft makes it go faster" scene was filmed in a Jaws set! Anyway, we have the funny Jeffannie sequence, but it's a fun episode if you focus on Jeff and Britta, too.

S2 E22 Applied Anthropology and Culinary Arts: Not a lot of Jeffbritta, but still, fun and cute interactions.

Season 3

S3 E6 Advanced Gay: I love this episode so much, it's so ridiculous at so many levels. Also, Britta adressing Jeff's daddy issues is always fun.

S3 E11 Urban Matrimony and the Sandwich Arts: One of the many times Jeff and Britta almost get married.

S3 E12 Contemporary Impressionists: This is one of my favorites of all the show. It's so funny seeing Jeff be... whatever this is

S3 E21 The First Chang Dynasty: GothJeffandBrittaGothJeffandBritta

Season 4

It's amazing how many Jeffbritta moments the gas leak season gave us.

S4 E2 Paranormal Parentage: Again, Britta with Jeff's daddy issues.

S4 E5 Cooperative Escapism in Familial Relations: Britta helping Jeff is heartwarming. SHE'S SO PROUD OF HIM YOU GUYS. Also, them in cars. You can never have enough Jeff and Britta in cars.

S4 E8 Herstory of Dance: This is also an episode I really like. Jeff and Britta are adorable in this one.

S4 E10 Intro to Knots: Greendale parents.

S4 E12 Heroic Origins: GUYS LOOK THEY MET EACH OTHER BEFORE

Season 5

I love the Jeffbritta episodes here, but at the same time... it's so cruel that they made all this build-up just for a Jeffannie ending. It's like they WANTED to make us suffer. Fuck you, Dan Harmon.

S5 E7 Bondage and Beta Male Sexuality: HE WANTS HER BACK

S5 E8 App Development and Condiments: mustard

S5 E12 Basic Story: I cried

S5 E13 Basic Sandwich: I also cried. RAGE TEARS

Season 6

I don't really like watching S6, buuuut I'm gonna say "S6 E6 Basic Email Security" for the short Jeffbritta banter.

...this is it. this took me two days. okay bye

[arduennas]

i saw wicked!! 8/10 movie very good. i also have many thoughts head full. i fully acknowledge that these thoughts could only belong to the diseased mind of a person who has thought too much about wicked for the last 7+ years. anyway spoilers and general ambivalent thoughts ahead etc

good things first:

cynthia erivo slay!! she was like an average good elphaba imo which means she was incredible by normal standards

set design and choreography ATE. munchkinland? the emerald city? the clockography? ate ate ate

overall the movie was just visually beautiful. it was colorful and sparkly and looked soooo expensive. whenever a new location appeared for the first time i literally gasped. i loved it

elphaba’s party dress was GORGINA 😍😍😍

michelle yeoh and jeff goldblum my beloved evil parents… they can’t sing but idc they were so cunty

they sort of kept the hammerheads in one short day which is all i wanted from that song. wicked is not wicked without the egg puppet freaks

they didn’t add anything from the book thank fucking god

ari was funny and pretty good! will expand on her later. i think they did popular the best they could in a movie format given that the song relies so much on improv, physical comedy, audience response, etc.

neutral to bad things:

ok so ariana. very eyebrow-heavy performance. not bad vocally! it was foul to make her sing with cheno during osd though, the difference in quality was so clear lmao. i’m interested to see how she’ll deal with act 2 both vocally and acting-wise

i didn’t like how light ariana sang throughout the whole movie. idk if she was directed to do this though—i could see them telling her to do glinda less obnoxious or tone down the comedy which i understand for a movie. but come on girl it won’t kill you to do a full belt in the studio ONCE

ariana and cynthia’s voices do not blend well. you can tell cynthia was trying to tone herself down to match ari and ari was just not giving in return

the mixing was weirdly unbalanced in a lot of the duety portions and i couldn’t tell whether it was the fault of the sound design or the actors just not being able to sound good together lol

it fucking DRAGGED. there is a 90-minute edit of this movie that could easily have existed. none of us needed to hear something bad or a sentimental man. they took every small pause in the music and stretched it out to the point where it interrupted the flow of the song AND became patently obvious that they were trying to pad for time. the new part of one short day with idina and kristin was not good and also too long. the added chase scene before defying gravity started out fun but then went on way longer than it should have. the ozdust dance was SO LONG my god. i could write up a whole list of shit that went on pointlessly for way too long but we would be here all day

there are some elphabas who can carry i’m not that girl. cynthia is not one of them and this is my only complaint about her performance. she divafied a song that is not meant to be divafied

dancing though life was arranged and directed badly. for lack of a better term it’s meant to be a stoner song and it was way too punchy. also if you’re going to insist on casting a white fiyero at least make him good #notmyfiyero

the lighting was often not good??? i think because a lot of it was filmed outside and the sun washed out the set or created a glare. some odd color grading choices as well. really weird because otherwise visually the movie was stunning as i said before

this is a criticism of many modern movies, definitely not wicked-specific, but a lot of the the costumes looked cheap and it’s because of productions cutting corners when it comes to materials and tailoring. especially compared to the show costumes which are so intricate and structurally well-made because they’ve had to last for literally 20 years. we need to ban polyester from film sets i’m so serious

glinda and elphaba should have kissed each other on the mouth

[horse-fanfics]

Got some art prompts~~~!

Modern au: Azula and Yue visiting a haunted house. Idk why, since it's nowhere close to spooky season, but this has been weirdly on my mind recently lmao

Alternatively, Spy/secret agent au... no real thoughts on this, except I think they'd make a hilarious but weirdly effective duo in these circumstances (or some really interesting adversaries)

Or, more accurately to how the pair of them would probably end up and more plausible to the canon world, old baba yaga-adjacent women living in a cottage deep in the woods, widely regarded by all the surrounding villages as sorceresses whose hut is to be marked and avoided (Azula's fault. Yue is generally well-liked, when she comes to the market by herself).

Anyway, I can't wait to see whatever art you post next, on the list or no! Always love seeing it on my dash 👍🏻

These were all such great ideas! How well I managed to portray them... That's up to you, LOL. The spy one makes me laugh way too hard, it was the first thing to come to mind, and after that, I couldn't for the life of me think of anything else!

Extra little joke and some yapping under the cut

Typically, I would've swapped the costumes. But, I really wanted to see Yue dressed up as Howl... of course, you end up not able to see her the whole time! Also, I wanted to do an extra little sketch at the end of the "Zhao" here saying "You don't know Zhao the Moonslayer? Have you been living under a rock? He's only the greatest character since the Jok-" or something ridiculous like that, but then I got lazy.

Also, unrelated to doodles and such, I've got too many WIP fics for these two going... There are at least 5. My latest idea is hands down my favorite, it's so ridiculous. I imagine that if I can figure out an ending for it, I'll be able to start uploading it within less than two weeks!

Anyways, I hope you like these ridiculous sketches!

[corvidclub]

in light of discourse of potential drag in s3 here's the iwtv guys' relationship to drag/crossdressing

Lestat: He does it. We've already seen him do it. He thinks it's fun :). his taste level and makeup skills are...not all the way there. I imagine his drag aesthetic without Louis' supervision is either 5yo girl at a princess tea party or hot mall slut. Regardless, he's having fun that doesn't involve inhuman violence so good for him ig. Knows very little about modern drag culture apart from what his gay tour interns tell him and the occasional bar visit. He is blocked by several drag race queens bc he keeps sliding into their dms with critiques and/or flirtations based on whatever episode he happened to catch a glimpse of.

Louis: Knows the most about contemporary drag culture by far out of anyone on the cast. Was on the ground floor observing the ballroom scene develop. Thinks rupaul's drag race ruined real drag culture (but has seen every episode). Is absolutely vicious in his criticisms of the queens and def ate some baby queens back in the day. Internally thinks he would slay drag race but whenever someone suggests he actually do drag he always comes up with some excuse like 'I can't shave bc I'm a vampire' or 'I can't find a drag mother I'll eat them'. In reality he is just afraid of getting similar criticisms and would like to keep his ego intact. If he were to do drag though his aesthetic would be very sleek and sophisticated a lot of 80s powersuits/powerdresses (executive realness is his fav category), slinky jewel tone gowns, big hats, fur coats, some tasteful bdsm elements. While his style is fairly modern I imagine he's quite old-fashioned about certain elements of drag like: NO body hair! NO boy nipples! FEMALE ILLUSION ONLY! I think he'd get really into the interiority of his drag persona as well...Lestat is like "Je suis Lisette :) it is like my name but I'm a girl :)" Louis on the other hand is looking in the mirror face beat like.. "who is Celine Emerald VanMichaels DuPree? does she dream? what does she dream of? what am I trying to embody when I become her?" tdlr: he is very annoying.

Armand: Doesn't really have much interest in drag tbh sure he'll drink a glass of AB on drag race nights with loustat and bitch about fabric with the best of them but it's not something he'd really do on his own. If he felt he had to crossdress for whatever reason he'd do it but wouldn't feel that strongly about it positively or negatively. I imagine some elements of women's clothing would bring him back to the renaissance since men were very much gowned-up back then which could be good or bad depending on the day he's having. I imagine his past painting skills would transfer so he'd be weirdly very good at drag makeup like he and Lestat would follow the same tutorial on youtube and Armand would come out looking like Plastique Tiara while Lestat looks crazy. He wore eyeliner casually in Paris and I could see him having fun with eye makeup under certain circumstances. However, I don't think the idea of having a drag persona would appeal to him bc 1. repressed femininity and enforced masculinity wasn't really a significant part of his human life unlike loustat and 2. a performance is only worth it for Armand if someone actually fully believes it otherwise it's Just Acting and that's Lestat's thing not his. He loves typical drag queen camp movies though like Mommie Dearest, Showgirls, What Ever Happened to Baby Jane, etc. are some of his faves. Louis thinks those films are bad/weird (he's more of a Steel Magnolias queen) but Daniel and Lestat watch with him.

Daniel: He did drag/crossdressed for special occasions back when he was younger like halloween and pride events/protests. He'd do one of those stories where the reporter becomes part of the community they're writing about and he'd do drag for like a week just for the story ofc. He has a Frank n' Furter costume that he's owned since 1976 and worn to at least a decade's worth of Rocky Horror screenings. Also a playboy bunny look which he tries to claim he wore as some sort of feminist commentary but was really about showing off his twunk body to various substance users. He probably sees these past antics as him 'being secure in his masculinity' rather than expressing femininity which is.... kinda true but also not. He's a huge fan of John Waters and Divine. Like Louis he also believes that rpdr ruined drag culture but actually doesn't watch it except for clips of untucked fights (he would like dragula though). He thinks the most important thing for a drag queen to be is funny and shocking to straight people rather than to serve looks, in fact, he prefers queens who are a bit busted or purposely strange looking. This makes going to drag shows with him and Louis very entertaining because they are guaranteed to have exact opposite opinions and fight about it.

[xerith-42]

My Street Stoner Headcanons

This is part 1 in a series of posts I wanna make about different characters in the Aphverse who partake in the devil's lettuce.

Important disclaimer, I don't really like My Street! It peaked with season 2, it's got a lot of problems from day one that remain problems in it's sixth season, they manage to have TWO beach SEASONS and neither one has someone who was easily one of the main characters of the series it was based on, and it really lost the plot. Like way faster than MCD did. But there is stuff to love about it.

I love the idea of My Street as it was initially promised. A slice of lice modern AU of MCD that is a SLICE OF LIFE. No grand stakes of the universe, nobody's getting blown up (unless it's for comedic effect), and nobody's dying. It's about a bunch of young adults, some of whom have known each other since high school or longer, all living on the same street together and the day to day shenanigans they get up to. So basically Season 3 but the entire series is like that. This is my very long winded way of saying that none of the "lore" of My Street matters to me and when you read my headcanons, know that I ignore the canon of My Street more than I ignore the canon of Minecraft Diaries. I don't care about the angels, I just want to get high with my friends.

Anyways wanna smoke some weed?

Blaze is the main weed dealer of My Street. Man has both an indoor and outdoor garden with multiple plants. He and the werewolf trio all live together and they actually help him out with his business sometimes. It's the main way Blaze pays rent on their place and also just a great side hustle. Like Blaze never has to worry about money, and he's constantly giving free stuff to his friends if they want it.

His first ever costumer in the friend group was actually Aaron. The two got high in High School like once when Aaron was inexplicably at Blaze's house. He's still not entirely sure how he got there to this day, the whole experience feels very surreal and liminal. But he remembers how freeing it was, how much stress he was able to let go of. So when college is kicking his ass, he hits up Blaze expecting to just like share half a blunt like they did before, and then they hotbox Blaze's dorm with a gravity bong.

If it wasn't already clear, Blaze is the top stoner of the entire My Street Universe. Some characters are definitely more frequent users than others (we'll get to Travis), but for Blaze, I mean... C'mon. His birthday is literally April 20th. He's the stoner friends to end all stoner friends but he also gets weirdly emotional with people when they're high and basically makes his friends process their shit every now and then by offering to get them high as a stress reliever. It all started with Aaron showing up in his door, getting baked enough to see God, and then randomly confessing that he was actually a werewolf the entire time. Even though. Blaze already knew that.

And then Aaron confesses it to Irena (C!Aphmau) while they're late night gaming. Like she mentions that Katelyn's room smelled funny when she went into it the other day and Aaron instantly jumps to "I've gotten high with Blaze before." So she tries it out of morbid curiosity, and while she enjoys it, she ultimately decides it's not something she wants to do on the regular. Maybe for celebrations of like finishing a semester of college or finally getting that fucking promotion.

Katelyn definitely smokes it the most when she's living with Irena and Nana. Not having a solid job for a few months really fucked with her stress levels, even if she managed to make it work cause her roommates are awesome. But, she'll only do it outside or in her room and then instantly light a candle to clear out the smell, but they both eventually figure it out. Nana literally walks in on Katelyn lighting a blunt in her room when she's just trying to ask Katelyn what she wants on her pizza. There's a pause, Katelyn answers, and then Nana gives her a thumbs up and leaves.

The next morning Katelyn opens up the fridge and finds a small tray of brownies with her name written on the post-it note slapped onto them. Another note reads "For when you want to be subtle about it ;)"

Nana learned that she could put weed into butter and therefore she could make edibles from one of her sisters randomly showing up in town, dropping a bunch of life lessons and also useless bull shit on her, and then leaving and never elaborating. And the thing Nana mainly got from it is to make her own edibles because it's way cheaper than buying them. Nana doesn't smoke because she has asthma so this is like game changing for her.

She doesn't realize that she even has a chance to know who her dealer is because she's super paranoid about buying it. So she like goes through all these extra steps to hide it and hide her privacy and Blaze literally knows what she smells like and knows who she is, but he gets that people can be hesitant for others to know. Just strange that she's getting all weird about it when he and Katelyn were just hot boxing his car when she texted him.

Most characters have an experience like this. Trying it out for the first time, usually with Blaze or on their own, trying to hide it, only to stumble upon one of their roommates high as balls watching Lord of The Rings at 3 am and realize they're all a bunch of pothead losers and that's fine.

Blaze knows all. Like, he has heard everything. People feel randomly prompted to just start telling him stories from their childhood, confessing in the way of like "haha you wanna know something funny I never told anybody?" and then Laurance confesses he's been in love with Garroth since they were freshman. Or Zane confesses to really liking My Little Pony. Or Dante reveals that he's questioning his gender identity. Blaze just knows all these people on deeper levels than most of them realize if they don't frequently hang out with him.

And if they do, then they know that Blaze is no low level just grows for his friends and accepts tips. No, he's a full blown dealer. he's really strict about rules of wherever he lives, especially when he started dealing to raise money so he could pay tuition at PDH, he didn't want it effecting his family at all. and Blaze can literally chuck you through a window so it's hard for anyone to really pressure him into doing stuff he doesn't want to do. And all he wants to do is grow quality product for everyone to enjoy.

It's why his friends don't mind helping him out sometimes. Like Laurance comes over to his house to ask if he can use Blaze's three foot bong so he gets high enough his body stops cramping, but when he gets there Blaze has some classic rock on and he's just packaging orders and Laurance sits down at the table and joins him.

And while hanging out with Blaze, he always has just the most random wack ass stories. He meets so many strange people in the world, he travels a lot because he's technically unemployed, and he has the wildest adventures that people love hearing about.

Travis and Dante's house always smells different. If they're expecting company they'll use some kind of air fresher, or light candles or incense, or do something to get rid of the smell. But if they have nothing going on? If Travis is on break from classes to get his masters and Dante has the weekend off of work? That house is going to fucking reek for three days. They always take care of it eventually, but when they go on what they jokingly call their benders, they don't bother.

Due to this most people would assume one of the two of them is the biggest stoner on My Street (that isn't Blaze). Or maybe Katelyn and Nana. It's actually Vylad. He's just really good at hiding it.

Vylad got insane stoner rng and is able to be tripping balls and have no visual effect on his eyes. Like maybe they look tired, but they aren't bloodshot, even while he's sitting in a freshly hotboxed room. So Vylad likes hiding it because it confuses his friends and that's just always fun to do.

Despite being so judgemental, Zane oddly never makes any comment about this. If someone's room smells funny or Nana slips a special kind of butter into a batch of cupcakes and insists those are her batch, he doesn't say anything. It's not clear whether he's chill with it or not? Both his brothers smoke, even if Garroth is more infrequent about it, so maybe it's becuase of them? But even then he'll get upset at someone for something but not upset at his brothers when they do the same thing so??

Garroth asks Blaze if Zane smokes one day, and Blaze is just in shock because "You didn't know? Why do you think he wears the mask?" "Because he has facial dysphoria?" "Well, that, and because he can take a sneaky hit from his vape when no one's looking."

Zane has never forgiven Blaze for revealing his secret because now Vylad and Garroth keep asking him for hits.

If you have any specific MS characters that I didn't mention in here, or more in depth headcanons, feel free to send me an ask! I have. A lot. Of these.

[jin-jamm-desu]

•°^:Sukuna Headcanon hear me out:^°•

Modern!Nerd! Sukuna who's into creepy pasta and (early) internet horror and is weirdly extremely obsessed with Marble Hornets.

Like he puts together Halloween costumes of Ticci Toby, Eyeless Jack and Alex Kralie and somehow n o o n e gets the references??

He calls them stupid morons with no good interests but his big, nerdy, gremlin ass stays awake at night foaming at the mouth about Ben Drowned theories.

Like obsessed with Marble Hornets to the point that he tries to find the filming locations for some godforsaken reason to see if there are any clues but he can't figure out the locations because the videos were made in the late 2000s before the areas were developed.

Hell, just plain Nerd! Sukuna who gets reeaaaallly good grades but keeps them under the table because he needs to uphold an image of himself that big and bad and brutal but even though it would actually help if people also knew he could beat them with words he needs to think it was his own idea first.

Also he'e a jock I've just decided. He plays (American) football, Rugby and Hockey because they're pretty brutal and he does boxing/mma/martial arts on the side

How does he fit any of this shit in his schedule?

Fuck if I know!

Anyways that's it lmao bye

[canmom]

saw this solo Blender short film (via a very brief making-of presentation) and it annoys me. like i don't wanna be too hard on someone making a four year solo film project, that's awesome and as much as the piece definitely shows the limits of the automated rigging and mocap animation approach with how awkwardly everyone moves, how they're all kind of weirdly mannequin-like, i respect the effort of finishing a solo film - I am trying to do that right now and it's not a small undertaking by any means.

what bothers me more is the sort of… actual thrust of the piece. the creator clearly went to some effort to at least look like he researched clothing, armour, ships, architecture etc. but the actual mindset, the characterisation and everything, is so off!

like. the story is, the narrator's husband went off to fight in a war and died. and she's just like 'he fought for What He Believed In, yay' and telling her son to do the same fucking thing. that's not how a human being thinks about a partner who died in a war! you had an opportunity to express some kind of genuine emotion here, but just turned this woman just a mouthpiece this shoddy hollywood-influenced 'epic' shit, and this ludicrous projection of very modern attitudes about war and military sacrifice onto a culture that just didn't think in those terms. none of these ancient wars were about belief or principle or whatever. it's sub-300 nonsense, but while the creator's put a lot more fidelity into the costuming and such, the politics of it are barely different.

like c'mon! we can do so much better than this! is this really a sentiment worth spending four years to make?