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Mori and chuuya analysis

The world of BSD thrives on its complex characters and their intricate relationships, often blurring the lines between loyalty and manipulation, strength and vulnerability. Among these compelling figures are Mori Ōgai, the enigmatic leader of the Port Mafia, and Chuuya Nakahara, its fiercely loyal yet independent executive. Both characters embody the organization’s dark allure, yet their dynamics and individual arcs reveal layers of humanity, ambition, and control that go beyond the surface.

Mori, a strategic mastermind, wields power with chilling precision, often treating people as pawns to further his goals. In contrast, Chuuya's raw strength, unyielding sense of pride, and complicated relationship with authority make him a foil to Mori's calculated demeanor. Their interactions, though limited in the series, offer a fascinating exploration of leadership, trust, and the weight of responsibility within the mafia's brutal hierarchy.

This analysis seeks to dive deeper into their characters, exploring how Mori’s manipulative tactics and Chuuya’s principled loyalty shape their relationship. By examining their motivations, key moments in the narrative, and their roles within the Port Mafia, we can better understand how these two seemingly different characters contribute to the intricate web of BSD’s storytelling.

Foil and Parallels

Mori and Chuuya as Narrative Foils

Mori and Chuuya serve as contrasting figures in personality, leadership style, and morality. Mori’s cold, calculating pragmatism is the antithesis of Chuuya’s fiery and emotionally charged demeanor. Their juxtaposition highlights the different ways individuals navigate power and duty within the morally ambiguous environment of the Port Mafia.

Parallels in Struggles and Motivations

Both characters wrestle with the weight of their positions in the Port Mafia. While Mori manipulates his subordinates and environments to maintain control, Chuuya grapples with his personal honor versus the brutal necessities of mafia life. Both seek stability and efficiency for the organization, though their methods diverge—Mori relying on foresight and control, and Chuuya on raw strength and loyalty.

Ethics and Morality

Mori’s Ethical Framework

Mori exemplifies a utilitarian perspective where the ends justify the means. He is willing to sacrifice individuals or moral principles for the greater good of the Port Mafia, often leading to morally questionable but strategically sound decisions.

Chuuya’s Moral Dilemmas

Chuuya’s internal conflict lies between his sense of personal honor and the morally ambiguous actions required by his position. His loyalty to the mafia often places him in situations that test his ethical boundaries, forcing him to choose between self-identity and duty.

Narrative Critique of Morality

The narrative critiques both approaches: Mori’s ruthlessness leads to fear and resentment among his subordinates, while Chuuya’s emotional decisions sometimes compromise his effectiveness. Yet, Chuuya’s honor often earns genuine respect, contrasting Mori’s manipulative reliance on fear.

Leadership Styles

Mori as a Leader

Mori’s leadership relies on manipulation, foresight, and calculated decisions. He maintains control through a mix of strategic planning and psychological manipulation, often symbolized by his relationship with Elise—a representation of his control and detachment.

Chuuya’s Leadership

Chuuya’s leadership is more direct and personal, rooted in his strength and charisma. As a leader of the Sheep and an executive in the Port Mafia, he inspires a mix of respect and fear, commanding loyalty through his actions rather than manipulation.

Tensions and DynamicsThe tension between Mori and Chuuya stems from their differing leadership philosophies. Mori sees leadership as a chess game, while Chuuya views it as a battlefield, where personal involvement and honor are paramount.

Personality and Ideological Differences

Mori Ougai

Mori’s pragmatic, utilitarian nature emphasizes efficiency over emotion. He prioritizes the survival and dominance of the Port Mafia above all else, even at the cost of personal relationships or ethics.

Chuuya Nakahara

Chuuya is a study in contrasts: fiery and passionate yet deeply principled. His emotionalism often clashes with the ruthless pragmatism of the mafia world, creating internal and external conflict.

Comparison

Mori’s cold rationalism and Chuuya’s emotionalism highlight their ideological divide. Yet, this contrast also underscores how their respective traits complement the mafia’s needs—Mori’s calculated strategies ensure stability, while Chuuya’s passionate leadership inspires loyalty.

Power Dynamics

Mori’s Authority over ChuuyaMori’s control over Chuuya is multifaceted, relying on institutional authority, manipulation, and subtle psychological pressure. This dynamic emphasizes Mori’s role as a puppet master within the organization.

Chuuya’s Responses

Chuuya’s pride and strong sense of self often clash with Mori’s manipulative tendencies. While he respects Mori’s strategic mind, he resents the control and moral compromises Mori embodies.

Trust and Loyalty

Chuuya’s Loyalty

Chuuya’s loyalty lies more with the Port Mafia as an institution than with Mori personally. While he respects the organization’s structure, his trust in Mori is conditional and often tested by the latter’s decisions.

Mori’s Perspective

Mori views Chuuya as a valuable asset—his loyalty and power are tools to further the organization’s goals. Any personal regard Mori holds for Chuuya is secondary to his utilitarian priorities.

Philosophical Differences

Approach to Leadership

Mori’s leadership is detached and strategic, prioritizing long-term outcomes over individual well-being. Chuuya, by contrast, leads with a hands-on, emotionally driven style that values personal connections and honor.

Views on Power

Mori sees power as a tool for control, while Chuuya struggles with the overwhelming nature of his ability, Corruption. Their differing relationships with power shape their worldviews and mutual understanding.

Moments of Conflict

Tensions in the Narrative

Conflicts between Mori and Chuuya often arise from strategic disagreements, with Mori pushing for cold pragmatism and Chuuya advocating for honor or personal involvement.

Chuuya’s Defiance

Chuuya’s moments of defiance are significant in the narrative, showcasing his refusal to fully succumb to Mori’s manipulative control. These acts highlight his individuality and moral code.

Manipulation vs. Autonomy

Mori’s Manipulative Nature

Mori uses Chuuya’s pride, loyalty, and vulnerabilities to maintain control, ensuring Chuuya remains a key asset to the Port Mafia without allowing him too much autonomy.

Respect or Contempt?

Mori respects Chuuya’s abilities but views him primarily as a means to an end. Chuuya, in turn, tolerates Mori’s leadership out of necessity but often questions his methods and intentions.

Subtle Parallels

Similarities

Both characters share a strong sense of duty to the Port Mafia and a willingness to bear heavy burdens for its sake. They are both ruthless when necessary, driven by a desire for stability and effectiveness.

Differences

While Mori’s ruthlessness is calculated and emotionless, Chuuya’s is driven by passion and honor. Their differing motivations and methods set them apart.

Impact on the Port Mafia

The dynamic between Mori and Chuuya significantly influences the Port Mafia’s structure. Mori’s manipulation ensures stability, while Chuuya’s charisma and strength foster loyalty among subordinates. Their relationship, however, can also create internal tensions, especially when their differing philosophies clash.

Mori as the Calculating Leader

Mori Ōgai, the head of the Port Mafia, is characterized by his cold, calculating nature and his ability to manipulate those around him for the sake of the organization. His leadership style is pragmatic to the extreme, often prioritizing the survival and power of the Port Mafia above all else. This approach makes him a formidable leader but also one who is untrustworthy and morally ambiguous.

Mori’s interactions with Chūya reflect his tendency to view individuals as tools to be utilized. As one of the most powerful ability users in the series, Chūya’s strength is an asset to the Port Mafia, and Mori ensures that it is fully harnessed. However, Mori’s treatment of Chūya often borders on dehumanizing, as he focuses on Chūya’s utility rather than his individuality.

Chūya as the Reluctant Pawn

Chūya Nakahara, on the other hand, is a character who values loyalty and personal agency. Despite his fiery temperament and disdain for authority, Chūya remains committed to the Port Mafia, partly out of a sense of duty and partly because it provides him with a sense of belonging. His relationship with Mori, however, is fraught with tension.

Chūya is acutely aware of Mori’s manipulative tendencies, and this awareness fosters a sense of mistrust. Unlike Dazai, who actively schemes against Mori, Chūya’s resistance to Mori’s control is more subtle. He follows orders but maintains a critical view of Mori’s actions and motives. This duality underscores Chūya’s internal struggle: while he recognizes the necessity of Mori’s leadership, he resents the lack of autonomy it affords him.

Moments of Interaction

One of the most telling moments in their relationship occurs during Chūya’s induction into the Port Mafia. Mori’s role in bringing Chūya into the fold reflects his ability to identify and exploit potential. At the same time, it highlights Chūya’s vulnerability as someone searching for purpose and direction. This dynamic sets the tone for their future interactions, with Mori acting as both a mentor and a manipulator.

Could Mori Be a Father Figure?

Mori’s relationship with Chūya also raises the question of whether he could act as a father figure in Chūya’s life. While Mori’s manipulative tendencies and focus on utility might seem to preclude such a role, there are elements of their dynamic that resemble a paternal relationship. Mori provides Chūya with guidance, albeit in a way that often prioritizes the Port Mafia over Chūya’s personal well-being. This mirrors the dynamic of an authoritarian parent who seeks to mold their child to fit a specific purpose.

For Chūya, who values loyalty and seeks a sense of belonging, Mori’s role as a leader may fill a void left by a lack of familial connection. However, this "father figure" dynamic is inherently fraught, as Mori’s actions are rarely motivated by genuine care. Instead, his guidance is a means to an end, reflecting his cold pragmatism. Chūya’s awareness of this dynamic complicates their relationship, as he must reconcile the authority Mori represents with his own need for agency and self-respect.

And now what you all have been waiting for:

Did Mori Abuse Chuuya?

While it isn't confirmed, and depends on who you ask, i'm pretty sure Chuuya is a victim of abuse by Mori because repeated manipulation does count as abuse.

Examples of Mori's Manipulation of Chuuya:

Control through authority: Mori often uses his position as the boss of the Port Mafia to pressure Chuuya into fulfilling his orders, regardless of Chuuya's personal feelings.

Exploitation of Arahabaki: Chuuya’s powers, which come from his connection to Arahabaki, are dangerous and taxing. Mori appears willing to exploit this ability for the Port Mafia's benefit, potentially disregarding the toll it takes on Chuuya.

Threat of Violence: In the first text, Mori threatens Chuuya and the members of the Sheep (Chuuya's former allies). This demonstrates a clear use of coercion to force Chuuya into cooperation. The casual way Mori delivers this threat underscores his calculating and ruthless personality, making it clear that he prioritizes his agenda over Chuuya’s autonomy or well-being.

Emotional Manipulation: In the second text, Mori dangles the truth about Chuuya's identity and his connection to Arahabaki in front of him, only to pull it away at the last moment. This is a psychological tactic to assert control over Chuuya, keeping him dependent and unable to fully trust Mori. By withholding this critical information, Mori solidifies his leverage over Chuuya.

"Chuuya-kun, I will withdraw my previous statement of joining the Mafia. Instead, I

would like to offer a joint investigation. The rumors we've heard about the previous boss's return and the 'Arahabaki' that you're after are clearly rooted in the same incident. I think we could achieve a mutually beneficial relationship simply by sharing information, don't you think?"

" .... And if I refuse?"

"I'll kill you." Mori said with a natural tone, like the moment when sugar is put into coffee. "Though it's hard to kill you, even in the Mafia. So I'll kill all your companions in the 'Sheep'. How about it?"

Now, the next one.

"This is the data collected by Randou-kun." Mori showed Chuuya the envelope. "There are many other interesting things written in here."

"In there ... Is the truth ... " Chuuya subconsciously reached his hand out. "Arahabaki's … My true identity ... "

But right before Chuuya grabbed the envelope, Mori quickly pulled it away from him.

Chuuya looked at Mori suspiciously.

"Sorry, but this is the hidden asset a traitor of the organization had." Mori said with the usual smile on his face. "It's something that was originally going to be burned, and therefore can't be so easily disclosed. This is only available to people who are executives or above in the organization."

Chuuya stirred slightly and quietly stared at Mori.

A few short, tense seconds passed between them.

1. Chuuya's Vulnerability

"I ... " Chuuya squeezed out the words in a voice similar to that of a boy's. He gently touched the wound on his back. "I was the Sheep's leader. But all I was given were my friend's anxieties and the reliance of the group. At this point, I'm not that upset about joining your organization and obeying your orders. But can you tell me one thing? What does it mean to be a leader?"

At the boy's serious gaze, Mori's smile abruptly disappeared.

He closed his eyes, then opened them again. Then, with a genuine look that nobody had ever seen before, said,

"The leader stands at the top of the organization, but is also its slave. For the profit and survival of the organization, I will gladly soak in all its filth. Raise my subordinates, position them optimally, and if I need to, use and throw them away. I will gladly do any inhumane act if it's for the organization. That's what it means to be a leader."

Mori shifted his gaze to look out the window at the various cityscapes.

"All to protect this beloved city."

Chuuya listened with clear eyes. He had an expression of innocence on his face, like he was reborn.

"That's ... what I was missing."

Chuuya hung his head as he dropped down to one knee. And with a soldier's sharp,

commanding voice, he said,

"In that case, I will devote all this blood to you, boss. I will protect this organization that you support as your slave, crush your enemies as your slave, and let those who undermine the Port Mafia know how it feels to be crushed by gravity."

Chuuya is shown reflecting on his experiences as the leader of the Sheep, where he felt burdened by the anxieties and expectations of his peers. This reflection leaves him open to influence, as he seeks guidance on what it means to be a true leader. Mori seizes this moment of vulnerability to instill his philosophy of leadership, shaping Chuuya’s perspective.

2. Mori's Philosophy of Leadership

Mori’s response is chilling and pragmatic, emphasizing his willingness to embrace inhumanity for the sake of the organization. He paints leadership as both an immense responsibility and a position of ultimate servitude to the group. This resonates with Chuuya, who, as a former leader of the Sheep, realizes what he lacked in his own leadership—unwavering commitment to the survival and benefit of the group, no matter the personal or moral cost.

3. Chuuya’s Transformation

Mori’s words spark a rebirth in Chuuya’s identity. He internalizes this philosophy and pledges absolute loyalty to Mori and the Port Mafia. The imagery of Chuuya kneeling and vowing to be Mori’s "slave" is both powerful and tragic, signifying his acceptance of a life of servitude and violence in exchange for the purpose and structure that the Port Mafia offers.

4. Themes of Manipulation and Control

This scene also underscores Mori’s skillful manipulation. He doesn’t coerce Chuuya with threats or force this time but rather appeals to Chuuya’s need for direction and understanding. By presenting his own harsh worldview as the "truth" of leadership, Mori binds Chuuya to him ideologically and emotionally.

5. A Tragic Bond

While Chuuya’s devotion to the Port Mafia and Mori is admirable in its intensity, it’s also rooted in the toxic dynamics of the organization. Mori’s definition of leadership is deeply self-serving—it positions him as indispensable while justifying any cruelty or sacrifice in the name of the Port Mafia’s survival. For Chuuya, embracing this philosophy means willingly giving up a part of his humanity.

Conclusion

This moment cements the unequal power dynamic between Mori and Chuuya. Mori takes advantage of Chuuya’s vulnerability and longing for guidance, molding him into a loyal subordinate. While Chuuya believes he has found purpose, it is within the confines of a system that exploits his strength and loyalty. The scene poignantly reflects the series’ recurring themes of power, loyalty, and the sacrifices required to survive in a harsh world.

Could Mori Be Connected to Chūya’s Experimentation?

One of the critical elements of Chuuya Nakahara’s backstory is his suffering due to experimentation at the hands of the organization that created Arahabaki. However, there is no evidence in the canon to suggest that Mori Ōgai was directly involved in these experiments. The timeline of events and Mori’s role within the Port Mafia do not align with the actions of the researchers who experimented on Chuuya.

The experimentation on Chuuya is tied to a separate scientific group that sought to control and weaponize his connection to Arahabaki. By the time Chūya joins the Port Mafia, Mori’s primary focus is on integrating him into the organization as an asset. Mori’s interest in Chuuya begins after these events, positioning him as a manipulative leader rather than a scientist or direct perpetrator of Chuuya’s past suffering.

This distinction is important because it reinforces Mori’s role as an opportunist who capitalizes on Chuuya’s existing trauma and abilities rather than creating them. His lack of involvement in the experimentation also shifts the focus to how Mori uses Chuuya’s power within the Port Mafia rather than how he came to possess it. Thus, while Mori’s treatment of Chūya is morally questionable, it is not rooted in the direct exploitation of Chuuya’s origins.

Does Mori Care About Chuuya?

The question of whether Mori cares about Chuuya is complex, as Mori’s actions are often guided by pragmatism rather than overt emotional connections. However, there is evidence to suggest that Mori’s interest in Chuuya extends beyond mere utility. As a leader, Mori values Chuuya’s loyalty and recognizes his significance not only as a powerful ability user but also as a steadfast member of the Port Mafia.

Mori’s form of care is rooted in his strategic mindset. For example, he ensures that Chuuya’s abilities are honed and that his position in the organization remains secure. While these actions serve the interests of the Port Mafia, they also indicate a level of investment in Chuuya’s well-being and stability. Mori’s decision to rely on Chuuya during critical moments further demonstrates his trust in Chuuya’s capabilities, which could be interpreted as a subtle form of respect.

However, Mori’s care is not altruistic. It is shaped by the Port Mafia’s hierarchical structure and Mori’s overarching goal of maintaining power. This dynamic complicates their relationship, as Chuuya may recognize Mori’s manipulative tendencies while also benefiting from the structure and support that Mori provides.

Fifteen: Chuuya’s Entry into the Port Mafia

In the prequel novel Fifteen, Chuuya’s entry into the Port Mafia is portrayed as a reluctant decision made under duress. Chuuya joins not out of a desire for power or belonging, but to save the lives of the Sheep—a group he had considered family until their betrayal. While Chuuya primarily blames Dazai for orchestrating the events that led to this decision, it becomes evident that the entire scenario was a calculated move by Mori. Mori recognizes Chuuya’s value, both as a powerful ability user and as someone who could influence Dazai, and he meticulously plans to bring Chuuya into the fold.

Mori’s speech about leadership plays a pivotal role in shaping Chuuya’s perspective. Mori emphasizes that true leadership requires treating everyone, including oneself, as pawns for the greater stability of the organization. Chuuya internalizes this philosophy, contrasting it with his own belief that prioritizing people’s safety above all else led to his betrayal by the Sheep. This moment marks a turning point for Chuuya, as he pledges loyalty to Mori partly because of this newfound purpose and partly because Mori holds critical information about Arahabaki, which remains a mystery central to Chuuyas identity.

Stormbringer: Loyalty Tested and Principles Affirmed

In Stormbringer, Chuuya’s loyalty to the Port Mafia is further explored and tested. Despite discovering that the Flags—a group assigned to support him—were also spying on him, Chuuya remains steadfast in his commitment to the organization. His loyalty is portrayed as a matter of principle rather than emotional attachment. When a detective offers Chuuya a chance to betray the Port Mafia, Chuuya’s refusal is definitive and unapologetic. His response is not driven by blind allegiance but by his personal code of honor—he swore loyalty, and he will not break that promise.

Chuuya’s loyalty to the people within the Port Mafia, however, supersedes his loyalty to the organization itself. This is evident in his actions throughout the novel, as he prioritizes the well-being of his comrades and even extends help to the remaining members of the disbanded Sheep. Despite Mori’s pragmatic philosophy, Chuuya’s core values—his humanity and his care for others—remain unchanged. This dynamic tension between Mori’s utilitarianism and Chūya’s empathy highlights the fundamental differences in their principles.

The ending of Stormbringer is particularly significant in understanding Chuuya’s relationship with Mori. Armed with information about his origins provided by Mori, Chuuya takes steps to uncover the truth about his humanity. Yet, even after learning he was always human, Chuuya reaffirms his loyalty to the Port Mafia, viewing it as his family. Mori’s satisfaction with this outcome underscores his deep understanding of Chuuya’s character and his deliberate efforts to shape Chuuya’s loyalty. By surrounding Chuuya with individuals he could grow to care for, such as the Flags, Dazai, and Kouyou, Mori ensures Chuuya’s integration into the organization is as emotional as it is strategic.

Present-Day Chuuya: A Complex Leader

The Chūya we encounter in the main storyline of Bungou Stray Dogs is markedly different from his younger self. The events that shaped him into the person he is today remain largely unexplored, but his demeanor is more cynical and guarded. He openly critiques Dazai’s moral posturing and questions the naivety of the Armed Detective Agency, suggesting a disillusionment with idealistic views of morality.

Chuuya’s current relationships within the Port Mafia are more formal and distant compared to the bonds he shared with the Flags. While he treats his subordinates with respect and compassion, his deep emotional connections seem muted. This shift hints at significant experiences that led to his increased wariness and self-reliance. Despite this, moments of vulnerability—such as his grief over subordinates lost to Q’s abilities—reveal that his capacity for care has not diminished, even if it is more cautiously expressed.

One of the most telling moments in the manga occurs during Chuuya’s confrontation with Dazai. Dazai’s suggestion that Chuuya’s loyalty to the Port Mafia might be questioned speaks volumes about Chuuya’s precarious position within the organization. Chuuya does not argue against this implication, acknowledging that his loyalty has always been to the people rather than the organization itself. This distinction becomes apparent when Chuuya provides Dazai with critical information and allows him to proceed with his plans, prioritizing personal principles over organizational directives.

Chuuya’s Reflections on Dazai’s Betrayal

One of the most fascinating aspects of Chuuya’s character is his likely perspective on Dazai’s betrayal of the Port Mafia. Dazai’s departure wasn’t simply a rejection of the organization—it was a direct response to Mori’s ruthless decision to sacrifice Oda Sakunosuke for a piece of paper. For Chuuya, who places immense value on people over principles, it’s not difficult to imagine that he could piece together the reasoning behind Dazai’s actions. This raises the question: why does Chuuya remain by Mori’s side despite everything?

It’s possible that Chuuya stayed because he believed he could mitigate Mori’s more destructive tendencies from within. Perhaps he thought that by remaining loyal, he could protect people from Mori’s calculated ruthlessness. Alternatively, Mori might have justified his actions to Chuuya, convincing him that the sacrifice was necessary for the greater good of the Port Mafia. Given Chuuya’s principled nature, however, it’s unlikely that he would accept such reasoning without significant inner conflict.

Why Mori Wouldn’t Lie to Chuuya

While it is tempting to consider the possibility that Mori lied to Chuuya to secure his loyalty, this theory doesn’t align with Mori’s established character or leadership style. Mori Ōgai is an opportunist and a strategist, but he is also pragmatic. He understands that trust, even a wary and conditional kind, is essential for maintaining control over individuals as powerful as Chuuya. A lie, if discovered, would jeopardize Chuuya’s loyalty and potentially incite rebellion within the Port Mafia—an outcome Mori would seek to avoid at all costs.

Furthermore, Mori’s speech to Chuuya during his induction into the Port Mafia emphasizes his philosophy of treating everyone, including himself, as a pawn for the greater stability of the organization. This transparency, however cold and calculating, establishes a baseline of honesty in Mori’s dealings with Chuuya. It’s far more likely that Mori framed his decisions in a way that appealed to Chuuya’s sense of duty and responsibility, rather than resorting to outright falsehoods.

Chuuya’s True Loyalties

Ultimately, Chuuya’s loyalty to the Port Mafia is not about the organization itself. His commitment lies with the people within it—those he considers his subordinates, friends, and comrades. This distinction is crucial when writing Chuuya, as it underscores his fundamental conflict with Mori’s leadership. Chuuya values humanity and connection, while Mori views individuals as tools to be used for the collective good. This ideological divide creates a tension that defines their relationship and shapes Chuuya’s actions within the narrative.

Chuuya’s principles are a driving force behind his character. Despite Mori’s manipulations, Chuuya remains steadfast in his commitment to the people he cares about. This focus on personal loyalty over institutional allegiance makes him a compelling and multi-dimensional figure, one whose choices continue to intrigue and inspire deeper exploration of his character.

Thank you for reading. Having said that,

TOODLES!!!!!!!!!

[emilover-1]

LOTS of things.

First, with the 'Ilusiones'.

Your thoughts are really interesting and show how deeply you’ve connected with Mori’s work. I love how you pointed out the cultural meaning of black and red in Japan and how Mori’s writing reflects his personal history and traditions. It makes his work feel so rich and meaningful.

I also liked how you described Mori as both strong and vulnerable. That’s something many people can relate to—trying to seem strong on the outside while struggling with emotions inside. It’s powerful that he shows this side of himself in his writing, even if he’s not doing it on purpose. It makes him feel more human and real. (Even though he doesn't really think of himself as one, but anyways)

His journey from being a doctor to an author must have been tough, especially since he couldn’t go back once he chose that path. But it also shows how determined and brave he was, even if people misunderstood or judged him. That kind of honesty in his work is what makes it so emotional and unforgettable.

Thank you for sharing it!

It’s amazing how Mori’s writing can create such a strong connection and make people think deeply about life, culture, and emotions, really.

And, answering your final question. Yes, I can see it. You say:

"Mori you wanted to defend your idea why were you doing a conclusion of you being a slave of your own thoughts, reputation and the standards with what people (specially your parents) expected from you."

And, it's ironic, because Mori in BSD feels like a slave for the port and yokohama. knowing that they expect him to manage very hard things. And, what you said by the end it.... hits hard.

Yes, you're right. Mori's purpose is to UNDERSTAND his point of view, and it's funny that people just don't get it when that is one of his purposes.

I like that, for example, with dazai you can understand and believe that he, Mori, didn't really thought of it as abuse. Because this time, it was different. He cared about dazai. A lot. Because he sees in him the younger. version of himself, and despite how... ironic ? it sounds; Mori wants to protect the little innocence (if there is, he just likes to believe that there's even just a bit buried deep, deep behind) that he couldn't protect when he was younger and with Yosano. So, he's in sort of denial to believe that he actually abused psychologically dazai because that would mean that he hurt and harmed (psychologically, yet again. Don't misunderstand(Im seeing yall)) one of the very little people he actually CARES about. And that had been out of his control since, well. In Dark Era, it is obvious that Mori, despite feeling glad to have the envelope, is... hurt ? By dazai leaving. Because deep, very deep down, he knows that he left a scar on him unintentionally, BECAUSE, Mori saw himself in Dazai so much that he thought Dazai would react like he would have done. Sad on the inside, but also knowing that it was for the greater good, and cause Mori thinks of himself as a slave to the organization, it would've been worth it, to him

Nothing to do but it's also weirdly funny that the fandom considers Mori as smelly without knowing that he hates dirt. Media Literacy, I guess.

Oops, did I rant too much? Mb. Anyways in conclusion, Mori CHOOSES to believe he isnt quite human because of his actions, yet his feelings and thoughts prove himself as one. Mori doesn't really see what happened with Dazai as abuse, because that would mean to accept that he hurt someone he cared about, and Mori isn't really ready for that yet.

Thank you for taking your time to read, having said that,

TOODLES!!!

My favourite work from Rintarou Mori was Vita Sexualis. Now (since a long time ago lol) it is Moso <3 in Spanish it is translated as «Ilusiones» that literally means «Illusions» and in some contexts it can mean «Fantasies» I don't know how the work is called officially in English though I'm so sorry

So for everyone to have context about why Mori wrote it, there was this opinion that Rintarou hated and it said something like: ”Japan is a backward, poor and dirty county, plagued by diseases and dominated by barbaric customs, which indiscriminately imported Western customs and techniqued that weakened it, and whose esteemed culture was devastated by the Japanese themselves“. And Rintarou Mori, an author known for not knowing when to shut up, not because he spoke too much, but because when he sees something that he doesn't like, he speaks so freely about it and Natsume knows about it lol

In this short work from 1911, Mori explains his reasons of why that statement is absolutely incorrect, and there's a quote that I love a lot"

“From the time I was born until today, what have I done. I study relentlessly as if someone is whipping me, whipping me constantly. I think I do it to develop myself, to be able to fulfil a task. Maybe a part of this goal can be fulfilled. But it seems to me that what I do is nothing more than playing, like an actor, a role on stage. I feel that beyond the role I play, there must be something more. I feel that I am constantly being whipped and stimulated, so that I have no time to let go. The child who studies, the young man who studies, the civil servant who studies, they all play a role. One day I'll wash my face painted in red and black and get off the stage. I wish to think of myself calmly and see how it is something behind. With these thoughts I continue to play role after role, while the stage manager whips my back. I am sure that this performance is not life. I sense that the something that is behind me is nodding off again and falling asleep. Lately I feel nostalgic for my people; I am like the grasses that float and move with the waves in the distance and continue their undulating movement, and sometimes with the shaking they tremble to the roots, and this does not correspond to the role I play on stage. But this feeling, as soon as I raise my head, is erased”

Mori you wanted to defend your idea why were you doing a conclusion of you being a slave of your own thoughts, reputation and the standards with what people (specially your parents) expected from you also WHY IS THAT SO RELATABLE

The author is so human, traumatized and very much autistic, but it's so realistic and relatable... I don't know if I have analyzed the quote here before, if I have done it I'm so sorry 😭

Anyway Mori and samurais were topics extremely connected. His mother was a descendant of samurais, black is a colour associated with them and to weddings, being seen as a masculine colour in Japan. On the other hand, red in Japan is associated with peace, prosperity of family and even justice only in Kabuki Theater performances!

Kabuki is a genre of traditional Japanese theater, dating all the way back to the Edo Period (1603-1867)

The quote I shared is like less than 4 pages to the end of the work. It helps for reflexion and is one of the few times that the author opens his heart to the reader, where he shares things, but he's doing his maximum effor to show that Japanese and his people aren't weak... Although, it's almost obvious (at least for me) that deep in the inside he's not as strong as he claims to be, he can also be vulnerable, but he can't go back anymore because he already started walking that way to being an author, a doctor, a strong person that not only people hated but even felt afraid of Mori!

Unlike Vita Sexualis, Ilusiones is not a semi-autobiography, it's not a novel or a long book... But it's so deep, so emotional in some parts that at least I felt connected to the author when I read it. Mori's purpose is for you to think like him, to see his point, and he knows how to make sense to people that it can be shocking reading his works

Do you see any of this in BSD? I do. But what about you all?

[emilover-1]

OML I LOVE THIS SO MUCH???? I believe I treated a bit of it but VERY very lightly, so maybe I should probably add them more in depth. Sorry if I'm asking too much, but do you think I should upload my analysis like as a whole or by sections? It's been bothering me all day and I can't decide. And also, thank you a lot. Your mori analysis (even though you don't really consider it as an entirely analysis) helped me a lot to understand beast Mori, and his need to care for children. On another note; Do you perhaps have tiktok? I'd like to add you there in case you'd be open to talk.

Also! I kind of was asking you for a mori analysis. Because most of the analysis I've seen about mori, I don't quite agree with them. Or well, not in all the points. And with you, I've found that I agree with mostly everything, (if not everything). Perhaps you could do an analysis on why mori wasn't really aware per se he was abusing Dazai? Though, that's just a thought of mine, may you call it a theory. But it makes sense for me, if you'd like, I could elaborate on that, since it's a very interesting topic (for me at least)

Btw, sorry if it looks like I'm nervous but that is because I kind of am nervous. I don't usually asks those analysts I really like for mori analysis, yet since I've also spoken to you before in other asks, I believe it would be fine to do so. Anyways, sorry for ranting

hi so, me again!!! Question, could you do a mori analysis? I'm in NEED of one for my 80-pages mori analysis because I rlly need inspo but nothing pops to mind 😭

Hello! I haven’t been on Tumblr for awhile and my eternal despair has prevented me from doing analysis, but I’m partial if it’s for someone else.

I was going to ask if you were looking for anything specific, but I realized that’s exactly what you weren’t asking me. My only Mori-specific analysis was not entirely analysis, and more my thoughts on coming to terms with what kind of person he is. Let me see if I have any ideas that intrigue you from the top of my head.

There are ideas I have gone over in several analyses. So maybe you could look at those if you want. Looking back, I may have brought up Mori like… a lot. I’ll throw some of my more understated thoughts at you and see what would like me to talk about.

Mori will sacrifice his (quite poor) humanity for the sake of protecting the bigger picture, BUT thinks of himself as a more important chess piece. Like how all pieces are ultimately being moved around to combat the other, but the king being gone is game over. Rightfully, he has a reason to think so, but it shows his limits to how much he’ll use himself compared to others.

Fyodor is actually pretty similar to Mori, and could be considered close to what Mori thinks Dazai could be if he didn’t value relations as much as he did when using others for his goals. The only difference and issue of those two points is that Fyodor’s ideas are on a larger scale and come from a less compassionate source of our society.

On that note, it really isn’t that Mori doesn’t care for those under his command. Mori is just able to put away any friendly relations for the sake of the ends to the means. The PM is his family in a more fucked up fashion.

I’m not sure if I can say anything that hasn’t already been said or you’ve already thought of. It’d feel like yelling into an echo chamber if I kept repeating the same ideas over and over to people who know it.

Thank you for valuing my perspective enough to ask this though. If I come up with some more thoughts, I’ll tell you. I think you already do a good enough job with analyzing Mori.

[emilover-1]

I know I'm dead but I wanted to ask something

[emilover-1]

Hi! i found some wrong things that i would like to correct.

Firstly, the 12 yo thing.

This is used a lot for “proving” that Mori is a pedo, but, this is another of the mistranslations, in the chapter 37 in the EN version he says “I’m touched, but the only girls I protect are aged twelve and under I’m afraid” yet in the ESP version it says “I’m very happy to hear that, but I’m only interested in those under twenty, you know?” In the anime if you put the JP audio and English subtitles it says “I’m grateful, but I deal only with those under twelve” however if you put the English audio it says “I’m quite grateful for that, but I prefer the woman in my life to be under twelve” which- absolutely sounds weird however the JP version and the JP version, from what I understand says “I’m happy but my defense range is under 12 years old” So, the prove that a lot of people use are straight up mistranslation because on every language it is different and it even variates from the manga to the anime.

Second, Omake 12

Omake 12, Mori says that Elise is his wife, however is that really what it should have said?

Bsd has a LOT of mistranslations, for example with Yosano in the Spanish version it isn’t specified who dragged her into the war, yet the English version says that Mori was the one who dragged her into the war. In the JP version, it doesn’t say so, in the JP he says tsuma (妻), and while yes, if you put tsuma on the traductor it says wife, is the traductor really reliable? It isn’t. Tsuma goes from “side” and “edge”, indicating someone who is at the side of someone else, tsuma has historically been used for someone/something by the side, it depends on the context of the situation but honestly for this context I believe it makes sense to use the historical version. Mori could have perfectly used Okusan (奥さん) that directly mean wife, again I believe it’s a clear reference to the irl author who give things to interpretation a lot of times.

Third, Chapter 65

In this chapter a lot of people think that Mori was a creep to Yosano because he liked her, and I honestly agree, he was creepy, but not because of that, it was because a doctor, finds someone who can heal all injuries, he felt fascination and obsession in a non-romantic way. Let’s start talking about some panels. I want to talk about this one a bit "先週まで和菓子屋の店番だった妾をアンタが無理やり徴用したんだろ" 先週まで before the last week. 和菓子屋 shop where you buy wagashi, Japanese sweets. 店番 shop assistant. だった the end of plain and informal, not-past sentence. "Before the last week l was a shop assistant in the bakery, ..." The strangest part is kanji 妾. Traductor says, it means concubine or mistress. In manga we read it as atashi, アタシ, one of the female pronouns.

The anime did an awfully bad job with this panel too, in this panel Mori says, “Such a strong will….” While having tears in his eyes and a nosebleed, however rather than being a nosebleed because of Yosano per se, its because of the strong will she has, the confidence she has. Mori represses his feelings due to being the pm boss and going always by the logical solution, in a lot of times he has been shown with regret on his face, an example being the fight with Fukuzawa, so the nosebleed is because of admiration while the tears are because of him deep down wanting to have that will. Also, his expression changed when looking at her before having the tears and nosebleed.

Next panel, basically a lot of people think that mori has an attraction towards Yosano because of this panel, in this panel he says “よ·さ·のくん私の与謝野君がお気に召したかね?” which means “Did you like my Yosano-kun?” which does sound creepy, but let me explain: by calling Yosano “his” is a teasing. He ends his sentence in “だよ” which is the informal or friendly ending to a sentence and in this context, Yosano was a sponsored medical student, most likely, Mori is her sponsor. Mori wasn’t the only one who acted that way towards Yosano, other soldiers did too, but why would they? Because she was useful, with the soldiers it was rather admiration for such an ability but that doesn’t change that the way they acted is weird. Mori not only admired Yosano due to her strong will, but because of her ability too. She was useful to war, and therefore she should not be attached because they could not only end up having hatred towards her which would cause her mental health to be worse, and or those soldiers could get killed and it would also affect her mental health. Sure, Mori did abuse her however it was never his direct choice to, sure shooting someone in front of her and forcing her to heal them did affect a lot on her mental health, but we also have to understand that going by Mori’s logic it would be better if she was willing to heal them without the necessity of them being at the border of death (it is shown that she COULD heal minor things).

Thanks for reading my rant! :3

I want to hear some opinions on this:

so we all pretty much had the thought of mori ougai being a pedophile including me, and these thoughts came to my mind because of a few scenes.

the first scene is when mori was talking with kouyou and during the conversation he said "I prefer the women in my life to be under twelve". this sounds so wrong when you know nothing about his character.

so, let's discuss this scene, he did say he prefer 12 year old girls, but he never said in wich way, it doesn't have to be a sex*ual way or a romantic way, it may have been meant to be platonic, mori doesn't have any children besides elise (I'm going to talk about her after discussing everything about this scene), he doesn't have any 'twelve years old women', so in a way he could've meant that he doesn't want to get married or be in a romantic relationship, and that he just prefers to spend his time taking care in children (he does lead an orphanage in beast).

now, about elise, we know that she's mori's ability (Vita Sexualis) wich is named after a book written by irl mori, the book despite its name it doesn't have anything sexual, the book talks about the author's experience in sexuality, questioning if he's asexual, saying that he doesn't feel any need for it.

so why would asagiri base an ability about feeling no need for sex*ual things and make the ability itself about the sex*ual preferences for the ability's holder? it makes no sense to me.

i also once saw someone saying that the irl mori was pedo himself, but they gave no evidence, so i searched it up, and there was literally nothing about him being attracted to children, no rumors, no articles no nothing. it would honestly be so disrespectful towards irl mori from asagiri to base a character off of him and make the character a pedo.

the second scene that was also brought up so much in these conversations was the one where he said to yosano "my yosano". and honestly now, yosano was a tool for him, she provided victory for the army from her ability, so he considered her a useful tool for him, his tool, he used her and her ability.

if you have something to add please don't hesitate to tell me.

all in all, mori is well-written character and a good villain.

[emilover-1]

I believe that he would be more of a INFJ rather than an ENTJ, but still, good analysis! <3

Mori Ougai BSD : analysis

Mori :

Mori is the chief of the Port Mafia. He possesses the ability called Vita Sexualis. He likes theory, sweet red bean chazuke and protecting young girls. He dislikes dirty things, raw food and mackerel in miso. He may seem like an ordinary, slightly clumsy, and anxious middle-aged man when you first meet him. But as you get to know him better, you realize there's much more to him. Despite his calm demeanor, Mori is a strategic genius who knows how to handle tough situations.He can be tough and unforgiving, but his actions are driven by a desire to protect and strengthen the Port Mafia. Mori is incredibly intelligent and can be quite manipulative, using his skills to achieve his goals. While he may seem distant and cold at times, especially when making tough decisions, he does care about his subordinates and recognizes their value. Deep down, Mori is driven by a desire to maintain control and order in Yokohama, even if it means making difficult choices.

The mistranslations :

There is a common misconception surrounding Mori's character, particularly regarding his way of seeing young girls. Firstly, Mori's behavior towards young girls is often misinterpreted due to mistranslations, cultural differences, and misinterpretations by fans. His actions, which may seem unsettling or inappropriate to some, are often taken out of context or exaggerated. Furthermore, Mori's grooming of Yosano and Dazai is often misunderstood. While Mori did manipulate and mentor them, his intentions were not inherently predatory. Instead, Mori saw potential in Yosano and Dazai. While he may employ questionable tactics to achieve his objectives, there is no evidence to suggest that he harbors inappropriate intentions towards young girls or any other characters. Most of the things that were considered weird he said are pure mistranslations as there are some words and expressions in japanese that are hard to translate .

What is the difference between a Lolita complex and a L*licon :

The difference between Lolita complex and l*licon lies primarily in their focus and implications. Lolita complex, also known as Lolita syndrome, refers to a non-s*xual fascination or obsession with young girls, often rooted in a desire to protect or preserve their innocence. It can manifest as a paternalistic or protective attitude towards young girls, without necessarily involving s*xual attraction or exploitation. This first definition seems to fit Mori (Without taking in count the mistranslations) rather well. On the other hand, l*licon, short for Lolita complex, specifically refers to a s*xual attraction to young or underage girls, often depicted in anime, manga, or other forms of media. L*licon is characterized by a s*xualized portrayal of young girls and can involve explicit or erotic content that fetishizes youth and innocence. This is the mistake most people make, they associate Mori with this term. He is not a l*licon, he has a lolita complex yes but is not a l*licon. While both Lolita complex and l*licon involve an interest in young girls, the former is non-s*xual and may stem from a desire to protect innocence, whereas the latter is explicitly s*xualized and involves a fetishization of youth. His fixation on Elise, who is portrayed as a young girl, reflects a fascination with innocence and purity, which are key elements of the Lolita complex. However, Mori is not considered a l*licon because his relationship with Elise is not overtly s*xualized or depicted in a s*xually exploitative manner. As I said multiple times, I am not taking in count the mistranslations. While his attachment to Elise may hint at a Lolita complex, it is portrayed in a way that is more symbolic and metaphorical, rather than explicitly s*xual. As a result, Mori is not classified as a l*licon, as his character is not primarily defined by a sexual attraction to young girls. (Key word : S*xual.)

His ability :

Mori's ability, Vita Sexualis, is a reflection of his complex and controlling nature. Through this ability, he can summon and manipulate Elise, his ability, in various ways to achieve his goals. This ability allows him to control the situation and make decisions, mirroring his desire for control in his life. The fact that Elise used to be more subservient but was later configured to mimic the defiant personality of a young Yosano shows Mori's deep-seated obsession and desire for what could have been. This aspect of his ability reflects his regrets and longing for à different path, perhaps one where he could have formed a different, more positive bond with Yosano. It also hints at his own inner struggles and desires, showcasing a part of himself that he rarely reveāls. Elise is simply Mori's ability personified, known as Vita Sexualis. She lacks consciousness and any distinct personality, essentially a puppet or doll shaped by Mori's wishes. She can be seen as an extension of Mori himself. While the current Elise seems to resemble a young Yosano, it's not strange or disturbing. She exists to Fulfill Mori's needs and desires, as seen in the Beast universe where she appears as an adult, serving as a caregiver to Mori. Contrary to common belief, Elise doesn't represent Mori's sexual desires but his regrets and needs, despite the suggestive name of the ability. She's purely a puppet, reflecting the user's soul in its purest form. Personally, I believe Elise embodies what Mori might have been if he remained a child or the part of him he rarely reveals, including his regrets regarding his bond with Yosano. He cherishes her because she represents what Yosano could have been if he hadn't "broken" her spirit, admiring her strong will.Puppets and dolls, like Elise, lack feelings or personality and simply reflect what their controller desires. They often symbolize childhood and innocence, mirroring Mori's pure and innocent desires.Elise, as Mori's manifestation, embodies a profound purity in her existence as a doll-like entity. She serves as a canvas onto which Mori projects his regrets and unfulfilled desires, representing what could have been or what he wishes to be. In this sense, Elise becomes a symbol not only of innocence but also of the haunting presence of past choices and their lingering effects.As a doll or puppet, Elise is a vessel for Mori's manipulation, devoid of her own will or emotions. This concept mirrors the human experience of grappling with our own desires and regrets, often feeling controlled by them, much like a puppeteer controls their puppet.

Mori and Yosano :

Mori's relationship with young Yosano is often misunderstood. While Mori's interactions with Yosano may seem reminiscent of a Lolita complex due to her being a child and his protective attitude towards her, it's crucial to recognize that their relationship is not based on sexualattraction.Mori's relationship with Yosano is characterized by a profound sense of regret and what could have been. He recognizes her strong will and potential, yet acknowledges the ways in which her past traumas have shaped her. His past interactions with Yosano reflect a genuine desire to mentor and use her for the war, rather than to exploit or sexualize her innocence.It is rooted in admiration and respect for her character. He once saw in her à potential for greatness and regrets the loss of what could have been if her spirit had not been "broken." This aspect of Mori's character humanizes him and shows that his motivations are not solely driven by sexual desires but also by a desire for meaningful connections and a longing for what might have been.

His philosophy :

Pragmatism is a philosophical approach that emphasizes practical consequences and real-world outcomes as the criteria for assessing the truth or meaning of beliefs and theories. It values practicality over abstract principles, focusing on what works in practice rather than what is theoretically correct. Utilitarianism, on the other hand, is a moral theory that suggests the best action is the one that maximizes overall happiness or utility. It evaluates the morality of actions based on their outcomes, aiming to achieve the greatest good for the greatest number of people. Mori's beliefs align Closely with both pragmatism and utilitarianism. He is driven by a desire to achieve practical results for the Port Mafia and Yokohama, often making decisions based on what will benefit the organization in the long run.His actions are guided by a pragmatic approach, focusing on the most effective means to achieve his goals rather than adhering strictly to moral or ethical principles. At the same time, Mori's utilitarian beliefs are evident in his decision-making process. He is willing to make sacrifices and tough choices if he believes they will ultimately lead to the greatest good for the Port Mafia and the city. This can be seen in his willingness to take drastic measures to maintain control and order, even if it means resorting to violence or manipulation.

Moral alignment :

Mori's moral alignment can be described as complex and nuanced, often guided by his own sense of duty and pragmatism rather than traditional notions of right and wrong. While he is not devoid of morality, his actions are often driven by his belief in the greater good for the Port Mafia and Yokohama, even if they may seem ruthless or unethical to others. One key aspect of Mori's concept of morality is his belief in maintaining control and order. He sees himself as a protector of Yokohama, willing to take on the role of the "bad guy" if it means preventing greater chaos and harm. This sense of duty and responsibility drives many of his decisions, leading him to make difficult choices for what he perceives to be the greater good. Additionally, Mori's morality is influenced by his loyalty to the Port Mafia and its members.He values loyalty and respect within the organization, often treating his subordinates with a level of care and consideration that may seem contradictory to his ruthless reputation. This loyalty extends to his belief in protecting the organization and its interests, sometimes at the expense of others outside the Mafia.

MBTI preferences and enneagram type:

Mori can be classified as an ENTJ (Extroverted, Intuitive, Thinking, Judging) in the MBTI (Myers-Briggs Type Indicator) and likely falls under Enneagram Type 8, often known as "The Challenger" or "The Leader." He is strategic in his interactions and prefers to engage with the world around him rather than introspectively. He is more interested in the big picture and long-term goals than in the details of the present moment. He values efficiency and effectiveness, often making decisions based on what he believes will achieve the best results for the Port Mafia and Yokohama. He is goal-oriented and likes to make plans, rather than leaving things open-ended. He is driven by a desire to maintain control and order, which aligns with the characteristics of both ENTJs and Enneagram Type 8s.

"Are we the masters of our desires, or do they control us like puppets on strings?"

[emilover-1]

are you still alive?

I am! I just have been working on a mori analysis with 7k words

[emilover-1]

Let's remember that Harry and Draco are NOT confirmed to be related, Dorea black had a son with Charlus Potter but it isnt specified who is the son AT ALL, and Sirius is just Harry's godfather, not related whatsoever.

BUT who is confirmed to be related to the blacks and by consequence to draco are the weasleys.

Cedrella black married Septimus weasley, who is Arthur weasley's father, Arthur then married Molly, with who then they had William, Charles, Percy, Fred, George, Ronald and Ginevra.

this is not what I usually upload but I really wanted to talk about this.

[emilover-1]

I should probably start working on the aku analysis lmao, I guess I will make it about his feelings more than anything, the abuse web and how he also abused people

EDIT: due to personal reasons i pretty much can't continue on that analysis rn! soon if i can i will continue it

I'll be lowkey busy due to school these days but I wanna upload something every Sunday or Saturday if it's possible

[emilover-1]

Ohh okay! thank you though! Normally when ppl hate on mori fans or just hate me because of liking and analyzing mori instead of ignoring I just ask why, I really hate how ppl just feel the need to hate on other's likes when it normally doesn't affect anything with their lives unless it's a very problematic thing and even then it wouldn't affect almost nothing, either way thank you for answering and for your kind words! <3

Another round of Ask answers~

Hello, my 700+ followers who sadly interact with me way too little, yet I know I am absent from my blog for months too, so we're in this cycle together OTL I am grateful for each one of you and I praise the ones who were brave enough to interact with me. Do I seem intimidating on my blog? Sigh... Either way, I love good conversations, so here's a few short asks that need answering.

Thank you for your kind words! I have been drawing since childhood, would be the exact answer, but let's refer to my art schools & professional years only. Total: 17 years. I studied and went through many styles, grew bored of realism in art, so now I pursue other visual experiments, sometimes reflected in my... unconventional fanarts. The brushes I use are all kinds of watercolour brushes I bought over the years, with synthetic gold hair or sable hair, sometimes also squirrel hair. Some are not strictly "watercolour" brushes, they're for face-painting or acrylics, but one thing art studies teach you is that you can use everything to make your art. If you expected things like digital brushes, lolol, sorry to disappoint – my art is traditional!

This is a tough one, Anon! A tough one. The life of a rational Fedya fan online is hard, I mean this in the sense of: if you don't let yourself get carried by the fandom waves of hype, negativity, virtue-signaling, shipping hyperfixations, and general hornyposting dominance these years. At some point in 2022 or 2023 I gave up my quest to find genuinely enjoyable Fedya fanfics (maybe new ones appeared, but I don't want to dive into all that again...). I'm afraid I can't help you much, but I will list some great ones to check out:

my fav fanfic that is still preserved on my sideblog is this one by naaalau, by a deactivated account of a very good fanfic writer...

naturally, the goddess of canon!Dazai fanfics (pompompurin1028) wrote good pieces on Fedya as well, both, admittedly, when I was orbiting around her with my contagious adoration for Fedya lol. Here's her Fedya fic tag. Her Dazai fanfics are sublime though, I highly recommend them even if Dazai doesn't occupy your no.1 spot in your heart!

I find "once upon a december" by puppetlooselystrung a very enjoyable, fun read featuring a refreshing dynamic between a Fedya and a Reader who share a backstory and it's filled with repressed emotions and spy action. Not canon!Fedya per se, but it does extract some of his core traits (like competitiveness, playfulness and unpredictability) and finally gives them to you, who otherwise are flooded with aggressively ooc representations.

you can find more recs under my "fedya fic" tag on my sideblog. I saved pretty many of them there.

I also wrote exactly 3 fanfics for Fedya, you can find them on my blog here. I am not a writer, of course, so these are more idea-driven than anything, and reflect my own musings. Who knows, maybe you'll enjoy them, even if they barely have 100 notes... I just know I won't write or post more of them. A personal decision, even though I had many drafts, and Eliott knows them.

my end recommendation is... you should really just uhh.... switch fandoms and dive into the brilliant writer paradise that is the akeshu/shuake part of the Persona 5 Royal fandom lmao (like subject line, tomorrow B-SIDE, don't tell me you're fine, or the ones in this list here. Even me, who heavily dislikes ships in fandoms, has like 3 ships I ship across all media, and akeshu is one of them, others being 9S2B and SilverV). Or go directly to polarisbibliotheque's DMC Vergil fanfics. They're SO good, you won't believe it.

my actual end recommendation is avoiding disappointment by minimizing fandom engagement. Most fanfics are there to fulfill a reader's unrealistic sex fantasy. If you, like me, aren't into that, you're gonna have a bad time. It won't even matter if it's Fedya or Dazai or Tachihara or Bram or literally anyone – in that kind of fanfic, you could replace the character's name with any other and the fanfic reads the same. Then, what's the point?

Hello, @emilover-1 ! It seems I can't tag you here (update: does the tag work now OTL), but nonetheless my answer is: sadly I don't take analysis requests, and probably won't take analysis requests in the future either. Reasons are: I am mostly absent from my blog now, deep analysis takes weeks or months in-between real-life things and work, and also the simple fact that I want my blog to be a tranquil place dedicated to Fedya-only, very veeery rarely to other characters I still like a lot (my top 4 are Fedya, Dazai aka my ex, Kolya and Sigma, in this order). No shippings, no major topic deviations, just pure adoration for the Conjurer himself, as much as possible. A Mori analysis, just like a Fukuzawa analysis or any other, would simply not fit my blog's purpose. But I do appreciate you reaching out, and (I feel the need to say this) if anyone ever gives you shit for liking Mori as a character, ignore all that and remember: analysing fictional characters is a mental delicacy, and Mori is a terrifying and fun character to try to understand.

I might add that, if people have Fedya-related questions or analysis "requests" 100% focused on Fedya or key-points from my pinned post essay, I might take those into consideration and expand on them.

To be continued if more asks appear and catch me still on my blog~~~ Tick tock tick tock... Time's running out slowly~

[emilover-1]

I'll be lowkey busy due to school these days but I wanna upload something every Sunday or Saturday if it's possible

[emilover-1]

Ten Calamities theory

What if Fyodor is one of the ten calamities? We know for sure that Bram is one of the calamities and that probably Lovecraft is one too, however what if Fyodor is one?

We know that Fyodor was around when Fukuzawa was 32

and he also appeared in chapter 2 of the anime, season four, and with the new chapter, we can say that he was alive and looked the same age DURING the medieval era

It's even said by sigma that he looks the same age (Chapter 111 for reference on how he looked in the prison arc)

And we can assume it was placed when Bram still had his duke position, and what is my point?

He is old, very old and his ability is to take the rest of the years a non-ability user has. It hasn't been fully said what Fyodor's ability is about, we only know that he can kill non-ability users with a touch, and it would make sense for his ability to take the rest of the years those people would have lived, the non-ability users, but why am I only saying non-ability users? because it hasn't been shown Fyodor killing any ability user with his ability, neither Nikolai nor Sigma died while holding his hand, so I believe it's safe to say that his ability only works with non-ability users; let's remember that the ability is tied to the user's soul, and going by this theory by taking the rest of the years of those, his ability somehow gets a fragment of the soul away, it would give more years on his life making his aging less faster and making him live more.

Also! the ten calamities are said to be able to destroy the world, and yet again it would make sense for fyodor to be one due to 1 his intelligence and his ability, if someone kills a large number of people, can the world be considered as not destroyed? it can and at the same time can't because there would still be people, however the population would decrease a LOT, and if fyodor teamed up with bram to destroy the world they perfectly could by fyodor killing off every non-ability user and by bram a vampire outbreak on the rest of ability users and make them kill eachother.

HOWEVER THATS JUST A THEORY

A BSD THEORY

Thanks for reading!

[emilover-1]

Why Mori lied to Yosano

a short analysis!

In the chapter 65 of the manga, he tells Yosano about probably being choosed to be back to the pm, lying about the agreement he made with Fukuzawa, and my opinion and thoughts about this is that:

He lied to Yosano so she wouldn't be worried about the rest of the ADA members.

Mori lied to Yosano so she wouldn't worry about the rest of the ADA members, since Yosano is a very selfless character, she would have instantly thought that it was her fault due to Fukuzawa saying that Mori only couldn't choose Yosano, she would have felt guilty since she was the only one who wouldn't go back to the pm, anyone from the ADA might have to go instead. Not to mention that Mori's eyes do reflect guilt, same with his expression.

Even before and while saying that Fukuzawa had said he could choose her, it is quite obvious that he seems guilty, but at the same time satisfied.

THANK YOU FOR READING MY ANALYSIS!!

[emilover-1]

Why Mori indirectly killed Oda + Why he led Dazai out of the pm

A very short analysis

Killing Oda was the most logical solution, it was; to kill a lower member or to kill more pm members that possibly were higher rank, it didn’t make sense, and even Dazai in the light novel dark era recognized it:

Dazai glances at the at the muzzle still pointed at his face, following which, he turns back towards the center of the room, standing right in front of Ougai, quietly speaking. “I’ve been thinking. Between the mafia, Mimic, and the Black Special Ops Forces, who is the one manipulating these three organizations? When I realized Ango was a member of the Special Ability Department, I reached a conclusion. That conclusion was that this is the Special Ability Department’s plan. Their motive was to let the mafia and Mimic, two illegal organizations causing the government a headache, to kill each other off. If they were lucky, they would both perish together ��� I thought this was a playbook written by the Special Ability Department, that this was the real reason behind this war. But I was wrong.” Dazai pauses after these words, looking at Ougai. Ougai smiles, shrugging his shoulders, “I’m listening.” “The person who painted this picture was you, Boss. Using the illegal organization Mimic as a threat, you pulled the Special Ability Department onto the negotiation table. And the pawn in the center of this plan was Ango.” Dazai speaks with half lidded eyes. “Boss, the reason you sent Ango to infiltrate Mimic’s ranks was not to obtain information on Mimic. Because you knew that Ango was a spy from the Special Ability Department from the very beginning. Am I right?” Ougai does not affirm or refute this, only saying, “Huh.” “If you think about it that way, the meaning behind several truths will change accordingly. At the same time Ango passed us insider information on Mimic, he had to pass that information on to the Special Ability Department as well. They are undead ghosts that will not listen to negotiations or compromises, only seeking a battlefield. Such danger cannot be compared to the mafia. If this went on any further, conflict would break out between them and the government agencies. This is what the Special Ability Department thought. The next thing they thought of was to fan the flames of war between Mimic and the Port Mafia, manipulating matters by leaking information to Mimic through Ango. As long as Mimic bites the hook, the mafia has no reason not to fight back. Based on this line of thinking, they instructed Ango to engage in combat – all according to your plan.” “You’re overestimating me, but it’ll still be troublesome for me.” Ougai smiles. “To the mafia, the government agencies are also a demon-like existence, an opponent that cannot be manipulated easily.” “That is why you would come up with such a large scale plan – Because the value of that envelope is worth all that effort.” Dazai points to the black premium envelope beside Mori’s hand.

pages 125 and 126 of the light novel

By what they talk about, its pretty obvious that Dazai recognized it was a logical solution, yet he had got very attached, Dazai has little to no problems in using people, but the problem was that Dazai had got too attached with Oda. Not to mention that getting the envelope was beneficial to the port mafia, it was like getting rid of two birds with a stone or however it is said, and as I've said a lot of times, Mori goes to the option that benefits everyone in Yokohama or at least to the pm.

He is called "The one who fell to the optimal solution" isn't he?

next topic:

Why Mori led Dazai out of the pm

This is more of what I believe but I still wanted to include it

Mori led Dazai out of the pm because of two reasons:

He was afraid Dazai would aspire to take his position as a boss

He wanted Dazai to learn a lesson

It's mentioned that he is afraid of Dazai so we aren't going to talk about this topic right now, but about the lesson topic; Mori wanted Dazai to become more like him in case Dazai were to take the boss position, but Mori didn't thought that Dazai had grown that attached to Oda, and while Dazai did recognize that killing Oda was the most logical solution, he didn't like it, he would have preferred that more members had lost their lives than Oda losing his, and therefore to Mori; Dazai didn't want to learn the lesson.

Thank you for reading

I got the quotes (if it can be considered that) from this pdf, i hope you enjoyed my analysis! its very short but what can we do

[emilover-1]

Fyodor will live theory

uhhh late theory

Let’s talk first about his resemblance and references to Christianity and Jesus.

This is obviously Fyodor, however the season in which these pics where from was the 4th season, in the episode 2. This was a great parallelism to Jesus before dying, a LOT of people watching and Jesus being on the cross, and with Fyodor it is the SAME, only difference being that 1- it was Fyodor instead of Jesus and 2- Fyodor has clothes (specifically of the prison).

Into the next similarity to Jesus and reference to Christianity

In this scene, he says the same thing Jesus did before dying in Mark 15:34 and Matthew 27:46.

Let’s also talk about how he thinks of himself as a ‘God-sent’ while Jesus is literally God-sent, and both Jesus and Fyodor are shown as somehow cruel or bad because of God (Jesus refused to heal someone, Jesus engaged in a long harangue against the scribes and pharisee and he also used a whip of braided cords and drove merchants and money lenders out of the outer courtyard of the temple. Fyodor does things that in other’s eyes can be considered as cruel or bad but in his eyes everything he does is good and in the name of God.)

Let’s go now to the theory itself why Fyodor is alive,

In this official art, Fyodor has his arm hidden and it’s the SAME arm where he got his hand hurt and the SAME arm that he was took away by Dazai.

Fyodor’s backstory still hasn’t been revealed, and in the chapter 111, he says that Dazai was his most formidable foe since that man, which could mean Fyodor getting a backstory finally.

In this scene, which is in the untold origins of the agency, Fyodor appears crucified in his prison clothes and with the wounds that he got in chapter 111 of the manga and episode 11 of s5, however he doesn’t appear without one of his arms, which was supposedly took away by Dazai.

In this scene, Fyodor’s arm got off a bit too easily, which shouldn’t be like that since even though he got crushed by a rock, it wouldn’t make sense for it to come off that easily.

Let’s also talk about his out of character things.

Fyodor chooses to not take the antidote before going into the helicopter, which is out of character asf because if he is going to die in less than 15 or even 10 minutes the most logical thing to do would be to take the antidote as fast as possible, not to go to the helicopter and take the antidote inside.

Let’s also talk about Chuuya’s acting, because even though Fyodor did look surprised, there is no way he actually fell for it, for this we have to go to the Ace vs Fyodor chapter.

Fyodor led Ace to believe that he had a space/consciousness controller ability, Fyodor memorized the scratches of each single card, which made him won, not to mention, he had seen how Ace was listening to his conversation with Karma, which is why he lied and he himself gave false information to the one who kidnapped him, and what was it all for? To get the secrets of the pm executives and even the boss himself. He even drove Ace to kill himself, which was a pm executive and also a very intelligent man. So, how could Fyodor fall for Chuuya’s act? Let’s go to why he probably didn’t believe Chuuya’s act.

First of all, Chuuya’s skin isn’t the same as the other vampires, let’s compare Chuuya’s skin to Akutagawa’s one.

See the difference? Even though in canon Chuuya is a good actor, there are different things, one being his costume for the act to the act itself, and let’s admit that the act itself wasn’t that great, he grabbed his hat under the water, he putted his hands on his waist when walking and even when not.

When Chuuya was walking Fyodor should have known that it wasn’t a vampire because he was using vampires to communicate to the exterior.

Dazai's reaction is also weird, the expression he has is definitely not one would have after defeating a enemy, his expression is unsure, doubtable, and even going out of his expression, the way he speaks isn't his usual self, and even chuuya notices

Having took all those facts he probably didn’t believe Chuuya’s act despite him supposedly being surprised when he saw Chuuya again, and I say supposedly because it could have been an act considering how he got sigma to believe his act.

Let’s also mention that Fyodor ‘commanded’ Chuuya to kill Dazai when there wasn’t really any need, because Fyodor could have just escaped after letting Sigma unconscious and let Dazai die from either the poison or just bled out, he knew that if Dazai got to touch Chuuya, Chuuya ‘wouldn’t’ be on Fyodor’s side anymore, which can actually mean that he knew Chuuya wasn’t a vampire, not to mention he looks VERY confident that Dazai would be dead.

So, what does this bring us to? Fyodor faked his death, but why and what other proves are there for this conclusion? His arm got off too easily and his ‘corpse’ was never shown AT ALL, Fyodor is a very smart man so there is absolutely NO WAY he is dead when 1- his backstory hasn’t been showed, 2-it would be very abrupt to kill Fyodor and lastly, 3- it wouldn’t make sense.

Thank you for reading! I hope you enjoyed this theory

[emilover-1]

Has Dazai ever been emotionally neglectful towards Atsushi?

Short answer: yes.

We will be talking about chapter 25 in the manga.

But, what is emotional neglect? Disregard/invalidate/ignore/failure towards someone’s else emotional needs.

Some people say that Dazai slapped him to comfort Atsushi, when it obviously isn’t for that; he slapped him to get him out of a panic attack, Dazai went with the most logical option that was slap him to get him out of the panic attack as fast as possible, which is a disregard to Atsushi’s emotions, what Atsushi needed at the moment was comfort due to almost killing Naomi and hurting Haruno as self-defense when he already was being a bit more confident with himself, then having PTSD and a panic attack, in what world is slapping someone when having a panic attack comforting? Dazai could have comfort Atsushi, yet he didn’t. Even if he gave Atsushi advice afterwards, can it really be justified with just that? Sure, in his eyes before slapping Atsushi there was a doubt, and at the same time pity I can guess, but even then, that isn’t correct and is neither a good option for “comforting” someone out of a panic attack.

Someone in a comment of a similar post in tiktok about this topic had said that it was how he probably was treated and that he didn't know any better, however does that excuse anything? not to mention that it hasn't been confirmed how he was raised (before the pm), it's not really a good argument, not to mention that the he didn't know any better isn't an argument, does that excuse parents that abuse their kids because they were abused too as a child and didn’t know any better? it doesn't, and going on by that, then how would you explain that Dazai abused Akutagawa because he didn’t know any better yet said that with Oda Akutagawa would be better treated, Dazai learned from what happened with Akutagawa and saying that he didn't know any better is simply sugar coating it.

What Dazai did to Atsushi still can't be considered as abuse contrary to what some people say, but it can be considered as emotional neglect towards Atsushi, because abuse has to be something that is repeated; a pattern, and Dazai doesn’t neglect Atsushi’s emotions repeatedly, Dazai comforted Atsushi when the headmaster died.  What Dazai said to Atsushi in chapter 39 of the manga was exactly what he needed to hear. Even though the headmaster had been abusive towards Atsushi, Atsushi still considered him as a father.

Thank you for reading!

[emilover-1]

I disagree very hard with this post, i understand why you would think of him as a pedo yet he isnt.

He isnt a canon pedophile and the prove you showed was from the Omake 12, Mori says that Elise is his wife, however is that really what it should have said?

Bsd has a LOT of mistranslations, for example with Yosano in the Spanish version it isn’t specified who drag her into the war, yet the English version says that Mori was the one who drag her into the war.

In the JP version, it doesn’t say so, in the JP he says tsuma (妻), and while yes, if you put tsuma on the traductor it says wife, is the traductor really reliable? It isn’t. Tsuma goes from “side” and “edge”, indicating someone who is at the side of someone else, tsuma has historically been used for someone/something by the side, it depends on the context of the situation but honestly for this context I believe it makes sense to use the historical version. Mori could have perfectly used Okusan or oksan that directly mean wife, again I believe it’s a clear reference to the irl author who give things to interpretation a lot of times.

I honestly put a paragraph from the analysis im doing, however there is another great mori not a pedo analysis (its worth it trust) which i think you could read if you want to inform yourself in this topic, im sorry if i came off as unrespectful since that isnt my intention.

Also, a bit unrelated but not because you defend Mori it means you defend his actions too, a lot of people defend other bsd characters which in terms of crimes are even worse than mori (normally dazai) but it is obviously (most of the times bc someone out there may defend his actions) not a defend of actions, its irrational to think that, you can defend an specific thing and it will always be that, one specific thing you defended that isnt related to his actions.

Also, is it really neccesary to give arguments of why you like a character? not really, you can like a character just because, just as how you can hate a character just because. I really hate how mori likers or fans have to justify themselves saying they dont defend his actions when really its common sense, any chuuya or dazai liker/fan dont have to do that because its common sense, yet every comment about mori i see in different plataforms justify themselves and it honestly annoys me a lot.

Again im sorry if it came out as unrespectful or rude, i just disagree heavily and ive argued with a lot of people about this topic so it ,may sound rude by some words.

mori

hi! i’m here to provide a little ramble analysis thing to explain why people shouldn’t defend mori/their love for mori.

before i begin i wanna say that i don’t hold anything against people who like mori, and this isn’t an attack. it is just my personal view on mori and why i don’t think he should be defended. please consider reading even if he’s ur favorite character- it isn’t hate! 

no spoilers below the cut, but tw for discussion of pedophilia (nothing explicit)

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