#zeno band

[shinsui-f-works]

This is an illustration of Zeno that I drew for his birthday.😄🎵

Happy birthday, Mr.Zeno. ･･･It's a poor drawing, but I drew it for you.

I came across your music for the first time this year. You had already graduated from this world, but I am very happy to have come across your wonderful music.

If you have regrets about not being able to do what you wanted to accomplish, the people who love you will do it for you.

Are you in heaven right now, happily chatting with Bach, Beethoven, Mozart and Jimi Hendrix about earthly matters

With thanks for the music you have left us.

[shinsui-f-works]

Please don't delete this blog, I hope it continues.🙏

Meeting-Up in Tokyo 2009

[starrysharks]

quick concept art of octavia with dreads for a planned chapter

[voidsentprinces]

You know what Dawntrail really needs? MOTHER. FUCKING. NERO!

UNLEASH GREMLIN MAN UPON THE NEW WORLD! MAKE HIM ANNOY CID FURTHER! THE FACT HE DIDN'T HAVE A SINGLE LINE OF DIALOGUE IN EW IS FUCKING CRIMINAL!

[ambrosesystem]

sigh . ok new band tiem

[vipermenace]

Fun Facts about Zeno as his hero persona Oblivion!

- Lost his powers as a teen but continued being a hero 

- Focuses on his fighting style of kitty kickboxing and parkour!

- Mask has a slight modulator to alter his voice...even if most heroes and villains know who he is due to his past

- Mask also has a slight bump on the nose to protect from blows, also adds to the feline theme

- Took gymnastics in college to become more flexible and dexterous

- Bulked up as an adult to be on better terms in fights with villains

- Can seem intimidating when his claws are almost always out, but is a huge softy behind the mask

- A good man but like.. a B class hero (bad luck flows through him)

- Will have flirty banter with his husband if they cross paths on duty

[anomalocuntis]

i made poster of mine and my bf’s splatband flash fire!t

the the second image is the back of the poster and its spells “ thanks for listening” in inklish!!!

 (flash fire is the thing that tanks do before the explode, they do a little BOOM form their top hatch and it looks pretty cool, and becuase planes and tanks are their autistc hyperfixation we named it like that) i love them, i am a salmonling and he is an octoling and they are gay!!11|!!

[storms-path]

Wheels of Thunder - Eorzean GP: Chapter 7 - Travel

New chapter time! Arashi and Lyse are found out. Yotsuyu has the most awkward dinner known to man. Alisaie spills the truth.

[astrxealis]

astarion... the man that you are.....

[tritoch]

i know a lot of people (very understandably) dislike the paladin job quests in ffxiv, particularly HW, but i do think it's fun that, now that the pre-ShB MSQ revamp is complete, paladins now have a very cool and thematic in-game storyline that happens without a word being spoken: the development of passage of arms.

none of the below is directly stated in the script, but imo it's a fairly obvious gloss on what the game presents, if you assume a paladin warrior of light. spoilers for all expansions through the end of 6.X.

in the new version of steps of faith, as vishap breaks through each ward protecting ishgard from attack, lucia mounts a final desperate effort to hold him back, with a very familiar looking animation:

but even lucia can't hold back vishap's flame alone, so the temple knights surge forward to assist her. their efforts make the shield visually more powerful and larger. the temple knights here band together in defense of ishgard, and their knightly resolve to protect their home is the difference between victory and defeat.

lucia and the knights do ultimately succeed in defending the last ward, as you have to defeat vishap before their shield falls or you lose.

later in heavensward, obviously, we will get ffxiv's most famous (failed) attempt at blocking something with a shield.

this moment can be read as fairly impactful on the warrior of light's development; as i've noted elsewhere, after the trauma of watching haurchefant bleed out in their arms at level 57, at level 58 paladins learn to channel their magic into healing (and it's called "clemency," or mercy. mercy for whom? who was guilty?), and as someone pointed out on that post, at level 58 dark knights used to get "sole survivor", letting them heal in response to a marked target's death.

for a time, you literally carry haurchefant's shield with you, and 3.3 very much literalizes in genre fashion the idea that even when you are standing alone, your fallen friends stand with you. you don't need to call any allies to stand at your side and raise their shields with you because they are already there, in spirit.

stormblood marks a pretty important turning point in the warrior of light as a combatant, in my opinion, and the text makes this clear in several ways. first, in pretty much all your jobs, you've now far exceeded your trainers and are pioneering new techniques. this is no less true of paladin, which for 60-70 abandons any trainers at all for you to show off your peerless skills in a tournament.

second, stormblood is straight up a story about you getting stronger. at level 61, zenos kicks your ass. at level 70, you kick his ass. why? because you fought and got stronger and developed incredible new techniques and became a one-man army.

for a lot of classes, this story lines up nicely with the big rotation changes or flashy new finishers on the way from 60 to 70. SMN is now busting out bahamut and casting akh morn; RDM gets verflare and verholy; DRG starts harnessing nidhogg's power directly through dragon sight and nastrond.

the tanks are divided in two: warriors and gunbreakers get huge damaging upgrades at 70 in the form of inner release and continuation, each of which lets them hit the same button many times for lots of damage and satisfying animations. paladin and dark knight get more protective abilities; dark knight gets the blackest night, and there's been plenty said about that already by pretty much everyone.

paladins get passage of arms. instead of a relentless new attack (and you get requiescat at 68, which is a way bigger deal for your dps rotation), your big reveal at 70 for zenos in your fight in ala mhigo is a superior way to protect your party, a shield that lets you stand for your allies so they never have to fall for you again. it's lucia's same shield, except you need no allies' shields to reinforce you, proof of your martial prowess and your ability to transcend limits, and perhaps in truth a reminder that you never really stand alone.

in many respects passage of arms should really feel like a paladin signature move to you now if you are playing it at this point, because you should be popping it in pretty much every fight (you are using your mits, right...?). basically every FFXIV fight has at least one big AOE with downtime that warrants passage of arms usage, usually after the mid-fight add phase with slowly filling bar. since that AOE usually drops during downtime, there's no reason not to pop passage of arms (which otherwise restricts your movement and actions), and even on normal, sometimes every little bit counts on a damage check even if it means dropping DPS (thinking here of harrowing hell P10N on release, which was...less consistent for a lot of roulette parties than you might hope).

so from 70 onward, passage of arms is in a sense a paladin warrior of light's signature move, and certainly the one a player gets to most actually enjoy (since if you're using it, you're by necessity not doing anything besides moving your camera and admiring your sick animation). it doesn't have any competition in terms of spectacle until confiteor, and those you're usually throwing out in the middle of movement.

it's such a signature, in fact, that the only other person shown using your one-person version of passage of arms is your greatest admirer, who studied your legend for over a century.

and it's when he fails (should've popped arm's length, bud) that the warrior of light decides they can't let their friends fall for them, and sends them away with the transporter beacon. this is all wrong: you were meant to die for them, not the other way around. yours is the shield that stands between your allies and defeat. it is you who will win this passage of arms and break your opponents lance. and you do.

and then later, when they need to quickly establish zero's domain as a place of fallen grandeur, the home of someone who once believed in heroes but is now a cool and cynical vampire hunter d, what do they use? a decayed statue of someone in the paladin endwalker gear doing the passage of arms animation, of course.

from a visible instantiation of knighthood as a joint effort to defend what is sacred, to a tribute to the fallen friends whose memories stand by you and animate you, to a symbol of the wol's power as emulated by their allies or darkly mirrored in other shards.

not bad for a mit button you hit once per fight and otherwise never think about!

[hellodaydream1111111111111111]

More HxH headcanons!

Leorio has had a mullet.

Hisoka shows up at illumi's window frequently.

Mike sheds his summer coat all at once but he still loses a lot of fluff, Illumi uses so many lint rollers it's insane.

Killua and the gang buy random phone numbers on Craigslist to bully Illumi and whenever he gets these texts, he kicks his feet like a little girl.

Silva told all the other Zoldycks not to buy Killua a birthday present so he could seem like the best dad ever and comfort his son when the rest of the family “forgot”

Kikyo is a flat earther.

Hisoka finds Illumi’s hair everywhere in his apartment.

Hisoka is actually a natural ginger but he covers up his freckles with texture surprise and dyes his hair.

Milluki hates Killua because in his eyes his brother took everything from Illumi (he did but it wasn't his fault) and he knows Illumi won't hate him so he feels like he has to do it for him.

Milluki is always worried about Illumi because well... He's Illumi.

Milluki and Illumi flip each other off if they pass by each other in the hallway.

Chrollo spams Illumi with texts equivalent to “Quit your job, join my emo band”

Whenever Illumi returns from an especially long mission, Kikyo picks him up when she hugs him.

Zeno gave up his role as head to Silva on the condition he got a say in what happened to Killua, he doesn't care about any of the other kids and won't do anything about Silva being a terrible human being as long as it doesn't affect Killua.

Illumi talks about his siblings so much (Especially Killua but that was implied) that sometimes Hisoka feels like he’s dating a single mom.

Illumi loves his mother but secretly feels that he would be a better fit as Killua’s mother despite being a man.

Zeno constantly makes fun of Silva for letting Kikyo dress their sons up as little girls and “Giving in to his woman”

Since the Zoldycks are immune to poisons, Kikyo wears dresses in authentic scheele’s green and to build up tolerance the Zoldycks would give their children toys painted with it.

When Killua was little, Illumi used to just sit on his bed and watch sleep all night; gently stroking his hair every now and then.

Kikyo is manic, she hurts her children and then cries about them being hurt while bandaging them up.

Kikyo’s mood changes rapidly, with Illumi she is jealous of him and berates him half the time and is the most supportive mother the other half.

Not really a headcanon but if Illumi can sharpen his nails like Killua, which I assume he can, I feel bad for Hisoka though he probably enjoys it.

Illumi can crack all his joints and it freaks Milluki out.

The Zoldyck siblings are mad creative with insults.

Kalluto has 3 dads and none of them are Silva (Chrollo, Phinks and Illumi)

Illumi is very nitpicky once he comes out of his shell.

Hisoka and Illumi have specialty weapons that are a lot higher quality for when they eventually fight each other.

One time Illumi was in a really good mood and got way too excited to see Mike, the giant beast had lipstick stains all over him.

Illumi tried to summon a demon because Hisoka told him he needed a hobby and he wasn’t sure what to do, Chrollo happily volunteered as the sacrifice.

Illumi enjoys embarrassing his siblings.

The phantom troupe members always ruffle Kalluto’s hair when they walk by him.

Hisoka blasts music while getting ready and Illumi smashes dishes to drown out the sound because he thinks Hisoka’s music is trashy.

Illumi has all of his siblings baby teeth in a jar on his nightstand.

One time Gon tried to make his own orange juice but he added salt instead of sugar to it and cried.

Kalluto knows fan language and uses it on Zushi who is absolutely oblivious.

Illumi organizes when he’s stressed but eventually he runs out of things to organize som he goes into Milluki’s room and cleans. Milluki used to get pissed but now he’s found out that he can pretend he did it an only gets slightly annoyed.

Kalluto and Illumi have a long standing game where Kalluto will try to land a hit on Illumi as he goes about his day to day, he’s only be successful four times and usually ends up getting held upside down by his feet.

Hisoka actually has a lot more aura than it seems, he just uses a lot of it on bungee gum to keep his ridiculous outfits in the right places.

Illumi throws pins around his room when he’s bored but it drives Milluki nuts because they share a wall.

[shinsui-f-works]

Electric Sun/Electric Sun.

Video from DVD ～Uli Jon Roth Historic Performances Volume Ⅰ& Ⅱ～ 〝The ELECTRIC SUN YEARS〟

ELECTRIC SUN ERA 1 Amsterdam 1978/1980

･･･You are all young.😄✨

In an interview for this DVD, Uli Jon Roth describes Ule-san as "like a high school student."

このDVDのインタビューで、ウリ・ジョン・ロートはウレさんの事を〝高校生の様だ〟と言ってます。

As Uli Jon Roth say, young. ･･･確かに若い😅💦

[socoolinmypajamas]

Rayashki and Zeno: How a harsh environment shapes actions.

Sometimes, a perception is taken as a principle. A "cruel reality" can be described as a negative perception of the material world, used to assert a situation. "Reality is cruel", however consists in using the previously descrived perception as a fundamental truth or a proposition in which to base the foundations of a system of belief, of behaviour or of a chain of reason. Both are heavily present in Farewell Rayashki, a story all about the strenght of the colective, the indomitable human spirit in the face of adversity and what shapes the actions of those who persue a goal. With that in mind, I wanted to write... Not an analysis per se, but rather to build some sort of structure or perspective (whatever you want to call it) through which the story can be analyzed.

Now, imagine a matrix diagram where the X-axis goes from "Gemeinschaft" (Community) to "Gesellschaft" (Society), two terms taken from german sociologist, Ferdinand Tönnies, and the Y-axis goes from "Deontic" to "Epistemic" in a mix between a Gretchen McCulloch's linguistic sense and a Józef Maria Bocheński's philosophical sense. If everything I just said made no sense, don't worry. Here's a (very) rough explanation of what I'll mean with these two dichotomies through this post: X-axis: A classification of societal ties. "Gemeinschaft" refers to personal, direct interactions with emotional relationships (such as families or small towns like Rayashki) formed by people who strive to archive the goals of a collective. "Gesellschaft", on the other hand, is about indirect and formal interactions, with more rational relationships (like a company or an institution like Zeno) in which everyone band together to persue personal goals in common. Y-axis: A classification of actions as both modality (McCulloh) and authority (Bochenski). Roughly: "actions based on interpretations and beliefs done by someone with an authority based on their ammount of knowledge and experience" (Epistemic)" vs "actions based on rules and/or desires done by someone with a role or position that gives them the power to enforce them" (Deontic).

Upper-left: Gemeinschaft/Epistemic

Windsong's quest, mostly percieved as a fool's errand, is a classic underdog story. The lone reasercher who, disheartened by the lack of support from all the important academic institutions and societies, finds in the small town of Rayashki a more hospitable enviroment to persue her goals. She creats emotional conections with the community and soon finds more self-fulfilment in helping the townfolk than in other things like taking Zeno's offer or abandoning her studies, which are presented as more beneficial options from a rational point of view.

She confronts the notion of "cruel reality" and rejects "Reality is Cruel" as a principle. This action comes from what she knows (her study of ley lines) and beliefs (the people of Rayashki, the usefullness of her field of research).

Bottom-Left: Gesellschaft/Epistemic

You'll think he should be at the opposite side of Windsong BUT Bertolt, as the classical evil guy in your everyday underdog story, actually rejects the notion of "cruel reality", and accepts "Reality is Cruel" as a principle. His emotional detachment from the people of Rayashki, their values, and even their very same idea of community, comes from his role as a member of Zeno, an institution that exemplfies the impersonal and formal relationships of the Gesellschaft. He doesn't see himself as the evil corporate guy who's there to destroy their dream for a greedy goal, but as the savior who comes to provide the light of rationality to this uncultured rural people who are willing to risk their lives for the sake of primitive traditions and values. He defines himself as a "simple representative of Zeno, bound by their rules and orders, working tirelessly to help people in a world wreaked by The Storm", a description that allows him to minimize his negative perception of the reality of others while justifying operating under the principle of Reality is Cruel.

Bottom-Right: Gesellschaft/Deontic

Evgeni is shown through the story as a leader of Rayashki who deeply cares about his community BUT is willing to destroy it for the sake of a rational goal: protecting the lives of the townfolk.

He embraces the notion of "cruel reality", and accepts "Reality is Cruel" as a principle.

But how is HE in the opposite side of Windsong, instead of Bertolt? In Tönnies dichotomy of Gesellschaft and Gemeinschaft, the relationships that are meant to keep people in communities and societies can also push them out: is all about wether the social ties become too tight or too lose to help us find self-fulfilment in them. Windsong found in a community what she couldn't find in society (validation and encouragment for her study of ley lines), while Evgeni thought he found in a society what he couldn't find in his community (a positive prospective for the people of Rayashki).

Upper-Right: Gemeinschaft/Deontic

While Bertolt is a man of the world, trying to expand the benefits of globalization by placing the needs of bigger groups above those of the little ones, what Vila is persuing isn't just a goal to archive, but a dream to share. She didn't became a part of Rayashki only to build an utopia: everyone living there were already doing that and Vila found meaning in developing strong emotional ties with everyone as they strive together to work hard for Rayashki.

However, unlike Windsong, she accepts the notion of "cruel reality", even if she doesn't agree with "Reality is Cruel" as a principle. This one si a bit tricky to explain.

It all comes down to their experiences while chasing their dreams and how that shaped their understanding of what a dream is.

For Vila, is something that kept her going. A cherished wish that inspired her to leave the rusalki and search for a new home. A goal she could share with the people of Rayashki. A hope to cling unto while she nourishes the sprouts of Rayashki while they are passengers of the ship called "St Pavlov's Foundation" while adrift in the vast sea of the outside world, so they can carry on the spirit of Rayashki. She accepts the "cruel reality" as something that could hinder her dreams, force her to adapt them, but never crush them.

For Windsong, the dream was but a promise turned into a burden. It was not something that comforted her if held tight, but rather something it pained her to let go. Accepting the "cruel reality" meant letting something die, and for someone who was struggling in all fronts, it meant taking a toll way to big for her to handle.

As the last ley line hunter, the dream is but a gamble turned into an investment. The chance of failure is there no matter what. Only thing she can do, is to work hard to reduce it as much as possible. To her, a "cruel reality" is something that crushes dreams. Is not enough to reject the use of this perception as a principle: her own experiences taught her that the perception itself can be a cancer. She might have a tendency to put herself down, to have doubts on what she does and to even be "realistic" in any situation she encounters. But there's ALWAYS a part of her fighting her perception of reality from turning into a negative one even if she lacks the proper arguments or mental state to do it effectively. Vila noticed that from day one, and began to slowly share with her the tools Windsong lacked, helping her become a more confident and capable person, while inadvertibly gaining a trusty partner to rely on.

Their experiences shaped them into people who complement each other incredibly well. Leaning into each other, they'll plant their seeds of hope into a new generation. For the study of ley lines; for Rayashki; for those who live in a world affected by The Storm; for those who'll survive it. *** To anyone who'll read this... whatever the hell it was till the end, thank you for time! Feel free ask me anything, correct me, chew this to bits with your bare teeth, whatever you like. I just haphazardly wrote it because I love this game so much.

[starrysharks]

STICKERz

[marinewaltz]

(guy who knows nothing about making music) band AU time

their relationship is toxic but the breakup is earth shattering. band details under the cut

shinryu is a heavy metal band. zenos is the leader and singer who also plays guitar. yotsuyu is on bass, asahi on guitar and aulus on keyboard. fordola is their new drummer after zero quit. zenos made it VERY difficult for her to leave. she's content now though as the local dealer.

sirenas sings and plays bass guitar for the scions of the seventh dawn, a rock/pop band. he also has a chill music trio going on with sadu and cirina.

sirenas got zenos' attention when he moshed himself into a concussion at a shinryu concert and zenos pulled him backstage to talk to him. somehow it became a serious(?) relationship. EVERYBODY disapproves of this.

[thesoulsofthedarned]

So I finished the Farewell Rayashki event:

Wow, what an amazing event. Probably one of my favorites in Reverse 1999. I loved watching the story of the townspeople of Rayashki fighting back against Zeno to protect their home with the help of a down-on-her-luck researcher unfold. This was probably the first event story in this game that got me feeling emotional. I think what contributed so heavily to my enjoyment and investment in the story was how we got to familiarize with the town itself, from it’s backstory, to the lives the residents that live there.

Back before 1.8 released on global, I never had much of an opinion on Vila. All I really knew about her was that she was a top tier healer mermaid who liked talking about freedom and stuff. But man, this event story really warmed me up to her as a character. She’s such a lovely teacher for the children of Rayashki, always encouraging them to be open minded and learn new things (kinda reminds me of teachers I used to have). Vila’s also such a brave leader for the people, not afraid to speak her mind on the unfair treatment Rayashki was facing at the hands of Zeno and rousing the townsfolk to band together to find new ore to support the town. I also really liked her relationship with Windsong and how she encouraged Windsong to not give up on her dreams. And that’s not to mention her backstory of being shunned and scorned by humans and rusalka alike, yet being able to find a place where everyone could live in harmony in Rayashki. Such a great character :)

Avgust was such a cinnamon roll. Just about every appearance he made on screen was a delight to watch. He’s got such an odd yet endearing way of interpreting the world around him and that made for some excellent chemistry for him and the other characters. He’s so strange yet so cute at the same time, it’s no wonder my sibling went for him on Vila’s banner (they got Vila but not Avgust btw).

Windsong was definitely the MVP. At first I assumed she’d be like Yelan from Genshin: cool, alluring, mysterious, all the typical tropes you’d expect from a woman like her in a gacha game. Turns out she’s almost nothing like I’d expect. Windsong at first was awkward, anxious, not confident that the study of ley lines will even make a comeback due to past experiences. She was on the verge of giving up, yet throughout the story she’s able to finally prove the study of ley lines can be a valid and useful field with the help and encouragement of the townspeople. Watching her become a teacher for the kids at the school was also heartwarming to watch. Also watching Windsong tell that Zeno guy where to shove it was also pretty satisfying, seeing her developing friendship with Vila and the rest of the town was sweet, watching her slowly helping the town achieve their goals and subsequently reach her own and finally coming to her own as a researcher was so cathartic aaaAAA-

Overall, this event was incredible, thanks in no small part to the excellent writing. I absolutely love this story, and I can’t wait for it to rerun :)