#your thing is in my drafts and i'm just like

[introvertbard]

@grison-in-space @mysteryteacup What's up, this post has been SERIOUSLY updated! I also have a section SPECIFICALLY on warhorses, and why everyone who rides and/or knows history is begging writers to 'PLEASE stop putting your medieval knights on Basically-Modern, Chunky, and Slow Draft Horse Breeds! Real warhorses were not like that at all!' https://www.tumblr.com/introvertbard/752832508636332032/your-weekly-reminder-that-ive-updated-my-nerdy Also, I've seen both sides of the "are horses cheap, expensive, or BOTH" coin. (I'm in the United States, for reference.) There are many Americans who DO think horses are "for rich people," and others say that "horses are cheap to buy and expensive to own." A horse CAN cost as little as 1,000USD... but you'll need more money for the horse's basic needs (boarding stables or "the land, food, and a barn/stable for you to keep your own horses in," and a vet who can both treat horses AND head to your place for emergencies).

The "cheap to buy and expensive to own" saying seems largely like a caution sign, to keep starry-eyed people from naively buying a horse because "wowwwww, it's only X much money!", and then going bankrupt trying to take care of it.

Usually, the ones who say horses are "cheap to buy and expensive to maintain" are in rural areas, while the ones who say horses are "just expensive in general" are in cities. It may also be a generational thing, because a lot of older folks expect "good basic horses" (ie, not champion athletes or breeding prospects) to be like 3,000USD, while younger folks see a horse for the same price and think "uh-oh, what's wrong with them?" Because "cheap horses" are commonly expected to be "problem horses (medically or training-wise)."

And then the stuff you need to actually USE THE HORSE will eat up even more of your time and money. A saddle, bridle, and saddle-blanket/pad set alone can easily cost you several thousand dollars, unless you shop around for secondhand ones and KNOW HOW TO AVOID GETTING SCAMMED. If you want to DRIVE your horse, I don't even know how much you'd need for a cart/buggy, the harness to hitch your horse up, and "places that are suitable to DRIVE your horse the old-fashioned way." As for when "driving your horse to different places" means "you need to transport the horse to shows, parades, or to far-off trails," you need a good horse-trailer and a VERY strong car (generally a pickup truck or an SUV). Alternately, you need to know another farmer or horse-owner.

Preindustrial travel, and long explanations on why different distances are like that

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance." For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND.

If you are traveling in winter or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

[mynameismad]

What have I been up to?????

Hey all! I'm sure you're all cycling rapidly through the stages of grief like I am, but I thought I'd just check in and let everyone know what's going on with me and when they can expect more comics!

GOOD NEWS: I got a concept art job! I've been working freelance for a client for about two months now and things are going great! Honestly working on short assignments with weekly deadlines has been an amazing break from the slow, constant march of longform comics. I am surprising myself every day and haven't been this excited to learn and grow as an artist in a very long time. Moving forward, I would like to find a full time job in games and stay there, rather than continuing to hustle full-time in comics. I've paused my Patreon for the foreseeable future.

THAT BEING SAID: I will always be making comics!!!!!! I love them a lot, they've been good to me, and I have all these ideas in my head that NEED to be let out. I want to start making them in my own time, rather than as my main source of income. We'll see how long it takes to find true stability in concept (maybe never, lol) but in the meantime I will keep drawing my silly little guys and posting them online for everyone to see. I have to! I have to keep going and making the art I want to see in the world! We have to keep going!!!!

SAKANA: hoping to get back to the fish boys sooner rather than later. I've been stuck on whether to end the latest chapter right away or get a few more pages in there. We're moving into a HEAVY part of the plot, which will be trickier to write, so I've been procrastinating lol. Please don't take my extended absence as proof that I'm walking away from the story: I've just been busy with a new job and I don't know exactly how to get to the next chapter yet!! (also, jsyk, the Webtoon mirror is something I was doing for fun! not a priority!!)

RR: I actually have a few different projects started for RR! Chapter 2 is like 9 pages in, but then I paused and started work on a 20ish page minicomic, which is like 7 pages in. I'm going to finish the mini first and hopefully upload it to itch.io. For Chapter 2, I created this really elaborate environment in an effort to force myself to learn Blender, but then I got a job....so I have no time to learn Blender lol. Still trying to figure out whether to simplify or push forward.

OTHER: yeah...I am a comic artist at heart so obviously I have a million things I want to do. But SAKANA and RR are the highest priority right now!

UPCOMING: I am pursuing other freelance work for shorter, more manageable projects! If you need somebody to redline all your thumbnails, critique the first draft of your synopsis, or make a 20-40 page comic, please keep me in mind!

In closing: I'm locking my twitter accounts tonight and moving away from the platform for now. I'll be here, Instagram (@/mad_rupert), and BlueSky (@/madrupert). Thanks for sticking with me, let's hold onto and support each other in the coming weeks, months, and years! Let's keep going!!!!! I love you all so much!!!

[snowball-doie]

| pairing: sub!nerd!Mark x Dom!Reader

| warnings: 18+ MDNI. Jerking him off. Oral. Slight edging. I'm like a broken record when it comes to writing about sucking Mark off, my b <3

| wc: 2.3k

Sometimes the best way for Mark to study was with an incentive system— A way for him to earn rewards if he did his work. He had a habit of getting disinterested in his work easily because you were a fantastic distraction from his textbooks, even if you weren’t doing a single thing aside from lounging on the couch in pajamas. Mark just… he couldn’t care less about anything else whenever you were around. You were his everything. But to you, his studies should have been his everything because he was so close to getting his master’s, it was stupid of him to throw that all away just because he couldn’t keep his hands to himself. So you figured out when finals season approached and Mark was constantly throwing his work to the side to make out with you that if you gave him rewards for studying, Mark was eager to speed through his flashcards, textbooks, homework, and so on.

“When you’re done with your lab report, I’ll blow you.”

“When you’ve reviewed your final draft for your philosophy essay, you can kiss me.”

“Once you make your own comment on the assignment of the week, I’ll sit on your lap while you reply to two of your classmates’ comments.”

Mark had always been a good student, but somehow his grades were doing even better ever since you started the incentive idea. You were having to slow him down and stall on his rewards because, like a dog in training, he figured out that if he was a good student then you would touch him, so he was doing too much at once just for the chance to get your mouth on his cock, or even the opportunity to be inside of you. Usually he only got to fuck you after big projects worth about 20% of his grade… But since it was finals season, Mark was more worked up than usual, and he was incredibly stressed, so he was eager for more and more and more—

“I can’t keep doing this, baby, I’m too tired,” he whined, hiding his face in his hands before diving face-first against his open textbook. “If I have to read one more thing about how arteries work, I’m going to start tearing my hair out. Like, who doesn’t know this already! Why do I have to read seven chapters about bullshit I learned in high school!”

“How much more do you have left?” you asked, setting your phone to the side and sitting up on the couch.

“Two more chapters.”

“That’s nothing,” you whined back mockingly.

Mark lifted his head so that he could show you his pouting bottom lip and those big puppy-dog eyes behind his glasses. Why did you have to fall in love with a hot nerd, huh? A nerd would have sufficed. Or a hot jock. But a hot nerd was your kryptonite, and even though you knew he was baiting you to get what he wanted, there was no denying that he was irresistible when he was wearing his glasses, his hair long was a mess, and his pajamas were shifting around just enough to let you see the outline of his abs under his shirt and his cock in his pants. Ugh, he knew how to get you.

“Finish this chapter first,” you said, hoping to buy yourself some time.

Mark perked up thanks to the mysterious hope you’d provided him. His eyes began scanning the chapter at the normal, quick pace you were familiar with when he wasn’t protesting the idea of studying; and in the meantime, you pushed yourself off the couch and walked towards Mark. He hesitated briefly, but his gaze didn’t leave the textbook. He warily flipped the page, revealing that he was on the last few paragraphs before the next chapter. You watched over his shoulder to put some pressure on him to actually read and not just fuck around because even though you weren’t a nerd like him, you’d learned enough during his “rewards” to catch on whenever he was lying about doing his work just to get what he wanted.

“Done,” he cheered victoriously.

“How long’s the next chapter?”

Mark flipped a few pages in search of the chapter he didn’t have to read for homework. Six pages later, he found it and pointed.

“You think you can last ‘til then?”

Mark looked confused. “For what?”

With a wicked grin, you dropped down to your knees then crawled under the dining room table where Mark had set up shop with all of his study material in preparation for finals. You were having to eat meals on the couch since there was no room at the table anymore.

“Read the chapter aloud so I know you’re not lying,” you told him casually as you pried his knees apart to make room for yourself to settle between his legs. Mark leaned back so that he could watch you for a moment. “Don’t lose track of your spot either.”

As you grabbed the hem of his pajama pants, Mark aided your attempt to undress him by lifting his hips so that you could pull the fabric down, then he resettled on the wooden chair. Mark wasn’t unfamiliar with being naked on that chair— You liked to tie his hands behind his back and have him sit on that chair while you rode him until his head was spinning and he couldn’t get out a single word.

When you wrapped your hand around his length, Mark gulped, but he remembered what you wanted him to do in order to earn his reward, so he leaned forward again to put his focus on the last chapter of the night. You didn’t do anything to distract him for a bit. Despite his growing eagerness as shown by his hardening cock in your hand, you didn’t move or do something new— So Mark began reading the chapter aloud. Honestly, you weren’t paying attention. A lot of the science shit he studied went over your head, so even though you heard the words and learned a thing or two here and there, you never really… absorbed everything like he did…

Mark concentrated on the words in front of him, and as he began the next paragraph, that was when you began slowly pumping your hand up and down his long dick. He moaned suddenly. His ability to keep reading coherently faded, so you stopped your motions. Mark immediately bucked his hips upward to encourage you to keep going, but so long as he wasn’t studying, you weren’t going to give him his reward. When he recuperated, Mark slowly started reading again… You took a moment to believe him that he was actually ready, then you continued when you were doing. Mark moaned, but before you could stop again, he raced to keep reading at a faster pace, likely in the hopes that you would put him in your mouth or ride him, or let him fuck you…

Your tongue flicked Mark’s tip suddenly. The words of the textbook got caught in his throat, and within an instant he was leaning back to look down at you, his glasses hanging low on the bridge of his nose. You stopped to look up at him. He whined at the lack of stimulation, but you grinned while cocking your head to the side, waiting for him to say something, to admit that he wanted more, or perhaps he would silently return to his work. In fact, that was what he did. He read the next line casually to give you time to get back to what you were doing. Two lines later, you caught him off guard by sucking him off again, your tongue swirling around his tip, your fingers playing with his base and even teasing his balls a bit to really get him worked up.

The third page turn marked him reaching the halfway point of the chapter without any more issues. He did his best to ignore you so that he could focus on his work, despite the fact that you were slowly working his cock towards an orgasm which you didn’t plan on giving him quite yet. He knew that. He read as fast as he could in order to complete the assignment sooner, but every time he fucked up a word or lost his place in the paragraphs, you paused to give him a chance to figure out how to reset. Unfortunately, whenever you stopped, you also edged him. He hated that. But you loved how cute he sounded when he was all submissive and desperate.

By the fifth page, Mark was losing it. He was stuttering through every word, moaning between sentences, begging for more at the end of paragraphs. You tried to show him a little bit of mercy by going slower so that you didn’t have to edge him as often, but even that couldn’t really help Mark. Poor thing. Before you, he didn’t have a lot of experience— A personal choice until he met you. He’d only kissed a guy, some friend of his, and one girl in middle school; and he fully intended on never thinking about dating again until after his PhD when he could think about getting married. However, he saw you in his ethics class, a required course which he was less than excited to be attending instead of the courses required for his master’s degree, and once he laid eyes on you, he knew that he had to have you, but there was one thing in his way. He definitely didn’t deserve you. The fact that you were so gorgeous and perfect and amazing and— Mark couldn’t believe that someone like you would look twice in his direction. What he failed to recognize, though, was that he was actually way out of your league, according to you, so you couldn’t believe that someone as handsome as Mark Lee would even glance at you.

Now there the two of you were, moved in together, happily dating, supporting each other through your degrees, and even teasing the idea of marriage whenever Mark got really sappy during cuddle-time late at night. His experience obviously grew in that time too. Mark liked to experiment with his sexuality, and that led him to discovering that he liked being submissive from time to time, especially when it came to things like rewards and punishments— Having structure in his life provided by someone else gave him comfort.

“Can I cum?” he asked suddenly.

You pulled off of him.

“Wait, wait, please, don’t stop—”

“You have to finish the chapter first.”

Mark shuddered. “I can’t.”

“Yes, you can. I believe in you, baby.”

He swallowed a moan then continued reading. Something, something, arteries, something, something, blood, something— “I’m close! No, no, no…” His knuckles turned white as his fists tightened when you edged him again. Something, something… Nutrients… Something… Hormones… “Okay, I’m done, I finished, please!”

Sitting up on your knees slightly, you were able to angle yourself better to sink your mouth down over his tip while your hand continued to jerk off the first few inches down at his base. Mark grabbed your hair to hold onto something for balance. He didn’t push you down or buck upwards. He just let you take the lead while he used you to keep himself sane. Slowly, you swallowed every inch until there was no more room for your hand, and you could feel him tickling the back of your throat, which was uncomfortable just enough to cause you to go back up. Mark moaned with relief. Feeling your cheeks hollow out, your tongue dragging along his length, and your saliva coating every inch of him made his eyes roll behind those handsome glasses of his.

“Can I cum?” he begged desperately.

“Yeah,” you mumbled before sinking back down.

Mark squirmed, his tip hitting the inside of your wet cheek, then he thrusted upwards until he hit the back of your throat again, and even though you gagged a bit, he moaned and started cumming. He panted breathlessly through it. There wasn’t a lot since you’d drained him throughout the past couple of days, but the orgasm was strong enough that he threw his head back and clenched his thighs around your shoulders.

“F-feels so good… Fuck… Thank you… Thank you…”

As his orgasm passed, he slumped in the chair. You allowed him a minute to catch his breath while you also used that time to swallow every drop he gave you while also trying to regain your composure.

“Fuck, I’ve got a headache now.” Mark reached to help you to your feet.

You kissed his forehead. “Take a break from studying, then, we’ll get some rest for a bit.” You continued to hold his hands as you pulled him to his feet too then calmly led him to the bedroom. Mark crashed on the bed in an instant. “Gotta take these off first, babe.” You carefully slid his glasses off his face and set them on his bedside table. “There you go.”

Mark grabbed your waist and pulled you on top of him to cuddle close and nuzzle his face in the crook of your neck lovingly. “Do you think I’m going to pass my bio exam?”

“You’re studying more often than not, so, yes.”

He chuckled. “You’re biased.”

“Then why’d you ask me, silly?”

Mark squeezed you tight and rolled over so that you were laying beside him, giving you ample room to squeeze him back. “Thank you,” he said. “You’ve helped me a lot this semester.”

You kissed the top of his head and played with the end of his long hair that laid against the back of his neck. “Any time.”

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[twisted-broth]

Any of the boys you want do a challenge where (they aren't dating yet) but they are at a fair and they win a bear or a prize and s/o gives them a kiss on the cheek for how many they win and s/o says if they win 10 or more they will give them a kiss on the lips and spend a week together with just them (maybe show like if some did get the kiss and how they would react?) I thought this was cute lol

This has been sitting in my drafts for like a year so I just figured I would post the parts of it that were done.

Leave it to Crowley and Grim to get you into this situation. “Every dorm has to have a booth at the fair, prefect! Maybe you’ll even earn enough money to make some renovations to that shoddy old place!”

Crowley failed to take into consideration how making a carnival attraction costs money to be any good. Any cafe service would need more money and supplies than you could afford, a show would need more than two people, and a game would need prizes.

Grim is not one for bright ideas, but it would seem there was no other solution that wouldn’t cost all your food money for the month. So this is what it came to.

“Knock down all the pins and win a kiss on the cheek from Ramshackle’s prefect! Hit all three targets and he’ll give you a kiss on the lips!!!!”

It was probably in your top five most embarrassing moments of your life as your cat basically prostituted you at the top of his lungs. Surely no one would actually be enticed by a prize like that, right?

Trey

"You always manage to find a way to keep things interesting, don't you? For once I'm glad to be at a school mandated event."

Feels bad. Plays anyway.

No hard feelings, right?

He tells you that you have nothing to worry about, he's really a lousy shot anyway (as if he's not the best spelldrive player on Heartslabyul)

He easily knocks down the first two stacks, but misses the third

Maybe he missed, maybe he found it in his heart to show you mercy

He not-so-subtly implies that he's sure he could find a different way to win the "grand prize"

Despite his big talk, he still has a noticeable blush when you give him a kiss on the cheek

He would also keep an eye on your booth for the rest of the day to make sure not too many people are winning

For your sake, of course

Jade

“It would seem you’ve found yourself in quite the situation there, prefect. Please find it in your heart to forgive me if I take advantage.”

This is the funniest shit Jade has ever seen

How stupid do you honestly have to be to get yourself into this predicament?

Of course he’s playing the game. The scowl on your face when he trades in his tickets to Grim for three baseballs fills him with unbridled delight

His aim is a little wonky and you sigh in relief when his first three balls miss the target

He feigns disappointment before handing over another few tickets to the cat and grabbing the balls again

Of course he was hustling you. He let you think that even for a second you would be safe from this menace. For shame

Each ball is thrown with such force that pins from the first stack fly into the other stacks, easily ensuring that Jade clears the game with ease

He calls it beginners luck. Asshole.

Has the biggest shit eating grin on his face as he leans down to your face to claim his prize

Rook

"Mon amour, what a dastardly situation you've been resigned to! Not to worry sweet dame, I shall save you from the beasts at your heels!"

You knew you were in trouble the minute Rook’s gaze happened to fall on your stall

His eyes narrow and he smirks as he makes his way over to the stall

He's visibly holding back his excitement as he trades his tickets in to Grim

His idea of "saving you" is to hog the game- and the prize- for himself

He hits every stack with effortless accuracy, game after game

The second all three stacks have been knocked down, he prances over to you and leans down for his kiss. You can practically see the flower emojis radiating off his satisfied smile

This will continue until Grim gets fed up with him scaring away customers, or Vil comes to drag him away

You got so used to kissing him that you almost do it again the next time he leans down to talk to you

[nhlclover]

DRESS JURAJ SLAFKOVSKY

pairing: juraj slafkovsky x fem!reader

summary: caught up in a secret romance with juraj, you find yourself toeing the line between desire and discretion.

warnings: owners daughter x juraj slafkovsky, heated makeout, sort of nsfw? but not really

wc: 2.07k

notes: loosely based on 'dress' & 'i can see you' by taylor swfit. first piece for my mannnnnz. also if you're curious about what dress i'm picturing, it's this dress!

Juraj Slafkovsky was bound to get you in trouble one day.

You knew it was inevitable. From the moment your dad tasked you with handing him his jersey when he was drafted, your fingertips brushing against each other, you knew that he was going to turn your world upside down.

And that he did. Your crush on Juraj burned intensely.

It started off innocently, as these things do — fleeting glances during short conversations after games, quick smiles when you would run into one another at the Bell Centre. It didn’t take long for those small, little interactions to evolve into something more. At first, you convinced yourself it was harmless. You were just being polite, maybe a bit friendly, but certainly nothing more. You didn’t want to get caught up in something you couldn’t handle, especially with him — someone so high-profile, someone who had the potential to disrupt the balance in your life completely.

But Juraj had a magnetic pull, an easy charm that made it impossible to stay away from him. There was something about him that made you feel noticed like you weren’t just another face in the crowd, but someone he genuinely enjoyed being around. You would catch yourself overanalyzing every single moment: Did he look at you a little too long? Did he stand just a little too close? It felt silly, but you couldn’t help it.

It didn’t take long before you both began to seek each other out in the arena after games, slipping into hidden corners or meeting up in quiet hallways, even just to have a short conversation and be in each other's presence. Those encounters felt charged, buzzing with an unspoken tension. Each time, you found yourself pushing boundaries, flirting just a little more boldly, and testing the waters to see how much you could get away with. And then, one night after a big win, it happened.

He caught you, standing next to your dad, watching Martin St. Louis's post-game speech in the locker room. Your eyes were not on the head coach, delivering an impassioned speech about the win they’d just achieved, but rather they were on the Slovak still sitting in his gear, sweat-drenched hair sticking to his forehead. Juraj alike was not listening to his coach, but instead staring at you, like you were the only person in the room. At that moment, something shifted. Maybe it was the adrenaline of the victory or the way your gazes were making you feel like the only people in the room. Either way, it felt like neither of you could wait a second longer.

As soon as possible, after media was done and Juraj was back in his gameday suit, you were pulled into a side closet. Before you knew it, his lips were on yours in a kiss that was as desperate as it was inevitable.

After that, there was no turning back. You fell into a rhythm that felt comfortable but thrilling, a secret only the two of you shared. You didn’t talk much about what it meant, and neither of you tried to define it. You didn’t need to; you were both content with the way things were. Stolen moments when you could finally be alone, sneaking out of the house to Juraj’s apartment, and even sneaking Juraj in one night in a dangerous attempt at just being together.

There was a softness in how he treated you that was at odds with his towering presence on the ice. He would brush a stray hair from your face, or wrap you in his arms with a gentleness that made you feel safe, cherished even. But the reality of your situation always lingered in the back of your mind. You knew you couldn’t stay in this secret forever; he was bound to attract attention sooner or later, and you couldn’t risk your dad finding out. Not yet, at least.

Tonight, though, was different. The grand, polished event left no room for any sort of private rendezvous. You were expected to play your part, mingling with sponsors and season ticket holders, smiling by your father’s side. But from the moment you arrived, you could feel Juraj’s gaze on you, the intensity of his stare almost enough to melt the composure you fought so hard to maintain. You didn’t dare look at him directly — not with your dad beside you, not with so many eyes around.

Juraj couldn’t stop staring at you. He couldn’t keep his eyes off of the deep purple dress that had a deep neckline, as well as a long slit up your left leg, exposing your thigh that Juraj kept imagining placing kisses along the inside of.

He didn’t know how he’d managed to keep his composure so far, how he could even focus on the mind-numbing conversations he was being pulled into by donors and sponsors when all he wanted was to close the distance between you. The way the dress hugged your curves, the delicate fabric resting against your skin, it was as if every detail had been designed specifically to drive him insane.

Juraj’s jaw tightened as he watched you laugh at something your dad said, the sound carrying to him where he stood only a few feet away, the closest he’d been all evening. He clenched his fists, trying to shake off the impatience gnawing at him. Finally, an idea sparked. He’d seen a stack of napkins on the refreshment table, and the thought struck him. He casually picked one up, borrowed a pen from the waiter passing by, and, hiding it in his palm, scribbled a note on the napkin. He took his chance when your father’s attention was elsewhere, moving to your side just long enough to slip the napkin into your hand.

Feeling the subtle brush against your fingers as he pressed something small and folded into your hand, you didn’t dare look, let alone react to his presence. As soon as he’d drifted by and back into the crowd, you turned and glanced into your hand: a napkin with a hastily scrawled message in his looping handwriting.

“Meet me in 10 in the locker room.”

A flutter of excitement rose up in your chest as you tucked the note away in your purse. It felt like an eternity waiting for the minutes to pass, pretending to be engaged in polite conversation while your mind raced, anticipation building with each second. Finally, you excused yourself, slipping away towards the benches and down the tunnel where you knew the locker room was. As you neared the entrance, the silence made your heart beat even faster. You entered slowly, the room dimly lit and empty.

You stepped in, glancing around. “Juraj?” you called out softly. The room remained silent as you ventured in further, the clicking of your heels muffled by the carpeting.

You wandered deeper into the locker room, glancing around at the space usually bustling with activity but now eerily quiet. The benches were pristine, the air filled with the faint scent of musky hockey gear that no amount of heavy-duty cleaning products could mask. The neatly arranged stalls bore the player's name above them, their personal items tucked into place with a casual order.

You stopped in front of Juraj’s stall, looking at all the items that filled it. Setting your purse down on the bench, you ran your fingers along the edge of his stall. Your gaze fell to a compartment below where his skates were kept. You nudged the compartment open and peered inside. A folded towel, some extra tape, and a single, stray hockey puck lay there.

“Looking for something?”

You jumped, dropping the lid to the compartment which slammed down. You whipped around, spotting Juraj leaning on the frame of the doorway with a smirk on his face. His suit was perfectly tailored, and his hair just the way you liked it — soft and slightly unruly. You couldn’t hide your smile as you took him in, your cheeks warming.

“You look incredible tonight,” you said, voice barely above a whisper.

He took a step closer, his gaze trailing down the length of you before meeting your eyes. “Not as good as you,” he murmured, his eyes smoldering. His eyes trail your figure, and you can tell his mind is thinking a million thoughts that you are begging to hear. You need to hear all the things he’s thinking about saying and doing to you.

“What are you thinking right now?” you asked, unable to keep yourself from smiling despite your teeth biting down on your bottom lip.

“What am I thinking?” Juraj asked, you nodding. “C’mon y/n… don’t make me spell it out for you. You know I want you.”

You swallowed but kept your gaze steady. “Then come over here and do something about it.”

He didn’t hesitate. In one smooth movement, he closed the space between you, his lips capturing yours in a heated kiss. Your arms wound around his neck, fingers tangling in his hair as he pulled you close, hands roaming down the curve of your waist. Every touch, every brush of his lips felt like a release of all the pent-up tension from the evening. His kisses grew deeper, hungrier, and you melted into him, feeling his warmth seeping into you.

As he pulled back slightly to catch his breath, his eyes moved over you appreciatively. “God, this dress,” he murmured, almost in awe, his hands tracing the outline of your waist.

You smirked. “You like it?”

He opened his mouth as if to speak but only managed a quiet exhale, seemingly lost for words.

“Well,” you continued, a teasing glint in your eye, “I hope you’re not too attached because I bought it just to watch you take it off me.”

A playful grin tugged at his lips. “That’s great,” he said, voice a little husky, “because I don’t like it, anyway.” His lips found yours again, his hands roaming down to the small of your back, where his fingers brushed against the zipper. You felt a thrill rush through you as he gently began to slide it down before you remembered where you were and let out a small laugh, stopping him.

“We can’t, Juraj,” you whispered, giving him a gentle push. “Not here. It would be basically sacrilegious if we had sex here.”

He groaned, dipping his head to press a trail of kisses along your neck. “It’s fine,” he murmured between kisses, “as long as we don’t do it on the logo.”

You let out a laugh, Juraj feeling the vibration against his lips as he worked his way down to your clavicle. You exhaled, fighting to keep your thoughts straight as his lips moved against your skin. “We really shouldn’t, Juraj,” you managed, your voice more breathless than you intended. “If we’re gone too long, my dad’s going to notice I’m missing.”

Juraj paused, his eyes glinting with a mischievous smile. “We can be quick,” he whispered into your ear, pressing a light kiss to the lobe.

You laughed softly, shaking your head. “Juraj, c’mon, the last thing we need is being caught having sex in the locker room. You’d never hear the end of it if we got caught.”

Juraj sighed, his forehead pressing gently against yours, his hands rubbing slow, warm circles on your hips. “Fine, fine,” he murmured, his tone playful but with an edge of disappointment. He reached back around and pulled the zipper back up as if nothing had ever been out of place. “But you’re making this incredibly hard, you know?”

You grinned, placing a soft kiss on his cheek before slipping out of his grasp. “I’ll take that as a compliment.”

He watched you, a flicker of frustration mingling with amusement in his expression. “We’re finishing what we started later.”

“Only if you behave,” you teased, walking backward toward the door, your eyes never leaving his. “Now go on, try to look like you’re not dying inside when you rejoin everyone.”

“Easier said than done,” he muttered, adjusting his tie, still watching you with a longing that made your heart skip. “But alright, I’ll try.”

As you walked back down the hallway, you caught his gaze one last time, and it was filled with a promise. Whatever had started between you was far from over. And tonight had only deepened the thrill of it all.

[webslingingslasher]

J!!! I don't remember if nerdy!peter plays video games but I'm pretty sure he does 😓 how would he react when angel keeps wanting his attention but he keeps saying 10 more minutes so she gets annoyed 😓😓

I literally love all your Peter's sm idek how u have the mind for all this!!

*cleaning out my drafts* wheew boy, i hope you guys remember nerdy!peter. he's been on a shelf too long!

peter doesn't even blink when you kiss the side of his face- he doesn't notice in the slightest. you hold in a sigh and mutter out a half-hearted goodbye.

'i'm leaving, i'll call you later.'

suddenly, peter's available to talk. 'woah, wait, you're leaving? why?' you bite your tongue, there's a dozen things you want to say and none of them are nice. if you stay, you'll cause a fight.

'because i'm mad at you and if i don't, we're gonna have a fight.' peter gives you puppy dog eyes, he's pre-apologizing and he doesn't know what for yet. they always soften you but when he turns away to check his screen, you harden right back up.

'i had no eyes, sorry, sorry. med pack, please.' you can only put up with so much and a game taking priority over your relationship was just a straw too much. 'you're about to have no girlfriend.'

peter hits mute real fast, tossing his headset off and standing up even quicker. he's looking at you like a deer in headlights, 'you said what?'

'i shouldn't have to threaten a break up for you to listen to me, peter.'

'i was listening! you were fine then all of a sudden you're stomping out of here and calling me single.' he’s not allowed to care when you get mad, he should've cared the last five times he said ten more minutes.

'i'm leaving.'

peter blocks the door, you cross your arms over your chest. 'talk to me.' you're being petty because it's the first time he's giving you attention since you've been here. it's nice to have him worry over you.

'no, i'm mad at you.'

'yeah, i picked up on that. wanna tell me why?' your eyes narrow, he can’t act cute when you're pissy. 'no.' peter gives you a pity smile but he's not sad at all. 'then i can't let you leave, sorry.'

'you think holding me captive will fix things?' there was a snap with your voice, peter takes a step away from the door. he was half and half with your tone but after that he feels the need to back down.

'you're actually mad at me.' peter doesn't like when you're upset with him, it makes him feel all itchy. 'you can leave, angel. if you think it'll help, you can leave. but i would really like it if you told me what was going on first.'

you and peter make communication a priority but this time you want to be childish. if he couldn't understand why you were mad, he obviously didn't respect your time. you wouldn't act like this if it was the first time, but it’s everytime you come over and he's already on his computer.

you're getting tired of begging for your boyfriend to choose you over a video game, especially after he told you to come over.

'no. i'm leaving and i want you to think about why i would be mad at you.' peter whines in return, he hates when you don't give him an answer. 'angel, please. this is punishment enough.'

the issue is how well you know him. he's going to pout and give you kisses while he tells you how sorry he is and he never meant to make you feel ignored. it always makes you forgive him too quick, you don't want him to apologize for it, you want him to acknowledge it.

'you're gonna try to excuse it and kiss it better and i don't want that. i want you to look me in the eye and tell me you've been shitty.' peter's already giving you that pouty look, you ignore the clench your heart gives when he pulls you closer by your hips.

'i'm still gonna kiss it better, i'll just tell you i'm shitty while i do it.' you don't gripe when he gives you a chaste kiss. you don't tell yourself you're going back on your word, just that he didn't give you one when you first got here.

'wanna tell me why i made you mad?' you love when peter talks to you like this. it's not a whisper, but it's low. it's almost guttural- a ring of sexual if you looked at it the right way. when he pairs it with two wet kisses to your cheek, you have to remind yourself to stay strong.

'your game.' you silently moan when peter pushes your back against his door, he drops a mark to your neck. 'mhm, what about my game?' you're not sliding a hand into his hair to egg him on, it's to support yourself, that's it.

'you were ignoring me again.'

peter's lips catch anywhere they can meet, you think you're about to start sweating. 'i hate begging for your attention, i don't want to do it anymore.' peter's kissing your sweet spot, you try to keep your focus.

'angel, no one has my attention more than you.' there's only so much you can fight and peter's pillowy kisses isn't one of them. you're not forgiving, you're just compartmentalizing. plus peter's the best damn kisser you've ever had.

‘until you’re on discord with your friends.’ you’re reminded of your anger, you push peter off and glare at him. ‘if i didn’t tell you i was leaving, would you have even noticed?’

'of course i would, i check on you every couple of minutes.' peter might suck at giving up a winning streak but he makes sure to put his eyes on you every two minutes.

'making sure i'm still here isn't the same as giving me attention. and dump me if i'm wrong, but i want a boyfriend who's a little obsessed with me.' peter kisses the middle of your throat, it spurs more frustration.

'if you wanted to fuck me, you should've done something about it an hour ago. you don't get to disrespect me then put your dick in me.' peter exhales over your skin, it feels like a laugh. you don't know why he thinks you're joking. he reads your mind before you can say it.

'angel, i'm not trying to seduce you. i'm trying to show you how obsessed you make me.' you give him your neck and he softly bites, just like that, the fight's over. 'go on... i'm listening.'

'i've been shitty.'

peter's kisses make sense, they've been on a subtle trail downwards. he sinks to his knees on the floor, hooking your leg around his shoulder and looking up at you. looking up with his angelolatry duties.

'and now i'm gonna kiss it better.' 

[nicosraf]

It's my birthday! And Angels Before Man's second birthday from the original publishing! And almost three years since the original draft of it! Wow! Thank you all a million times for being here. Really, genuinely

I'd like for this extremely long post to be happier ! But a lot of people are really troubled by the United States election. There's a lot of fear-mongering online about what'll happen and a lot of real threats to marginalized people in the U.S. and abroad. I don't talk about my own identities a ton. I'm a gay, trans, Mexican from the US-Mex border. The vast majority of my family, community, and friends are immigrants of varying legal statuses. I could lose everything!! I fear for my family! My friends! For my body and my heart!

My mom called me yesterday morning, though, basically asking for an explanation. She told me she was shocked, she was scared, and I said that so was I, then we said, "Pos ni modo." Ni modo!! Oh well!!! What can we do now? We can keep doing what we've always done. Survive. That's all you really have to do at the end of the day, you know, survive.

My family is from a rough Mexican city that fell apart when I was little, a place where my own family has been kidnapped and bodies have been left mutilated in the street for everyone to see. The radio spoke in code to let you know not to go outside when things got really bad. There used to be mariachis in the street to greet American tourists but by the time I was little, they were mostly gone. Boarded up, abandoned stores and boarded up, abandoned homes. I remember being scared, and I remember not knowing what to do listening to a shoot out right outside. I remember my heart stopping when my family was stopped by the soldiers and they demanded money out of us for the first time.

(And I can talk also about living on the other side. The hyper policing, ICE, the racism when my school played against other schools, my parents forbidding me from speaking Spanish outside our Mexican enclave and to stay close to them, and I can talk about the aggression from the white nuns at my catholic school toward the latino kids, I can talk about having to see the border patrol every day just to go to school, I can even talk about Trump-supporters coming down to the border and making a mess of the place and I can talk and I can talk but why? what for??)

My family is all (mostly) still around. I'm here also. We're still here. All of that horrible stuff happened and is still happening to us y ni modo!! Ni modo ! The fight continues. You'll be fine if you allow yourself to be, and if you're not, then you really gave it your best shot, and the people around you will see that you did.

I know for a lot of people there might be the urge to spiral into doom and grieve, but you don't need to borrow the grief of the future. Today you can get up and roll up your sleeves and clean the house. That's what my parents tell me to do when I'm sad. Ponte a limpiar. Ponte a trabajar. I used to get mad at them for it, but in the end, you're only in charge of yourself and the places/things that you upkeep.

I was raised around nopales (prickly pear cacti) and, many years ago, I threw one out of my parent's house because I didn't know what to do with it. I didn't want it. I figured it'd get eaten by something or die somehow. The nopal started growing instead, and it's still there. It even grew a flower, though it hasn't given us a pear yet. My dad doesn't like the pears/tuna but my mom does, so we went out to check on it and while we were there, we heard a bird singing. He looked up and he told me it was a cenzontle and that it was singing a little song for the nopal. I had this thought about how even though I basically tried to kill it, the nopal was growing, thriving. it's an easy metaphor to make, but the earth gives you simple lessons sometimes.

(The monarchs pass by every year. They don't even do it legally. They cut the border line and don't wait their turn to talk to the Customs guys!!! They just fly overhead then look back at us like we're crazy. How can we explain this to them? How do I tell them that there's a place that hates us both)

All you have to do is survive. Whatever happens to me or my family or my friends, we will find a way to grow and find birds to sing along with. If there's so much grief in the future, then we can grieve when that time comes. In other words, canta y no llores. All you have to do is survive. Take it hour by the hour. Pick up the broom and get to work while you can.

Because I've talked too much, I wanted to remind everyone that my ebooks versions of my writing will always be free to read.

Maybe it'll come as a shock to you that a lot of ABM was about coping with losing a home forever, of remembering the feeling of wall paint that you will never feel again. But it's about survival too. I hope you all take care of yourselves as much as we can. This isn't a sad post! Go out and enjoy what you have! Go for a snack. Protect yourself however youre able to. I'm so lucky to have a birthday, to have lived this long. I hope my work will live on no matter how much the world might despise it. I've survived this far despite the world too, and so will ABM... I hope ! :)

[markrosewater]

I'm fairly certain the "I have to draft Spiderman even though I don't want to" asker was talking about playing at an LGS or at tournaments. And I highly doubt the person running the store/event is going to forgo drafting that set when it is the latest set. One, because it's the latest set and most stores just run one (maaaybe two) drafts a week of whatever just came out, and two, because that set will no doubt be very popular. I don't think they would switch any of those draft events to an older set that'll certainly perform much worse because a single player doesn't like Universes Beyond. And yeah, I definitely wouldn't if I was in charge of scheduling drafts. So responding to them with a suggestion to play another draft format isn't really all that helpful, and I think their critique of your buffet analogy made a lot of sense in their particular case.

If you want to draft, you're most likely signing up to play the latest set. But there were drafters that didn't like the body horror of Phyrexia: All Will Be One or the cuteness of Bloomburrow or the modernity of Duskmourn. The idea that you're drafting a set that isn't your cup of tea from a flavor standpoint is something that drafters always deal with.

My point was that one of Magic's strengths is that there are many ways to play it. If you feel so strongly about a product (be it Universes Beyond or an in-multiverse Magic set) that you refuse to play with it, there are other ways to play Magic.

I'm not trying to come across as cold to the Universes Beyond dislikers. I do understand why Universes Beyond crosses a line for you. For a long time, I shared that line of where Magic creative should be. I'm really not trying to dismiss it. My issue is my job isn't just to make one subset of Magic players happy, but make all Magic players happy.

The problem is there's low cost to adding things. If there are things that a subset would really enjoy that Magic doesn't do yet, I can explore adding those things. There's a giant cost to subtracting things. Taking them away means no one gets to play with it.

Now, there are things that cross that line because they are upsetting to a high enough percentage of Magic players (ante, strong land destruction, Aftermath sets, etc.). But if I took away every aspect of Magic that a small subset disliked, there wouldn't be a lot left.

Double-faced cards would be gone, horror sets would be gone, cute sets would be gone, planeswalkers would be gone, "activate once per turn" would be gone. The list would go on and on. Anything you adore about the game, odds are there's someone else that hates it.

There's an audience, and a pretty big one (with a lot of enfranchised players in it), that wants Universes Beyond sets and cards. And that group mostly wants to play those cards in the formats they play. (In general, market research shows players want to play the cards they most prefer in the formats they most prefer.)

Yes, our buffet might have a Seafood night, where we focus on seafood, but the reason we do that is there are a lot of customers who will show up and eat the seafood. The buffet will still have other food, and you can eat a meal without seafood if you really don't want to eat seafood, but the banner up on the wall will say "Seafood Night".

[hippolotamus]

Fuck it Friday 🎖️

i'm not honestly in the mood, but fuck it. amirite?

So @diazsdimples sends me an angsty ask for EddieTommy and it just... took on a life of it's own. Then there was more from @peppermintquartz and James (here and here) and now I feel like a 3-part series is gonna happen. (Eventually. Because I promised I would finish mer!Buck.) Allow me to introduce you. (and please feel free to ask me all the things about this because these 2 have taken over my brain to an unhelpful degree.)

Part 1 (with Moodboard!)

Eddie and Tommy meet in the throes of WW2. Tommy enlisted voluntarily but Eddie’s been drafted into it. They become fast friends with an underlying Something. Eddie worries when Tommy gets sent out with the bomber unit. Likewise, Tommy frets about Eddie being a medic and having to crawl through the front lines.

One night Eddie walks into an underground club that Tommy’s been frequenting. They share a dance and then much more than that. It leads to them conducting a secret relationship over the next several years, sustained by coded messages and risky meet ups. It's hell, but it's theirs.

Eventually, in the wake of surrenders and defeat, it’s time to go their separate ways. Eddie back to Texas and Tommy to California, wondering what happens next when the one beautiful thing to come out of the war has to be cast aside.

Part 1 is gonna be an angsty cliffhanger. Their story will pick up in Part 2 with Eddie and Tommy both trying to fit in and uphold societal expectations of the time (marriage, kids, white picket fence). They can pretend, it's what they've always had to do. It just becomes a whole lot more complicated when they unintentionally walk back into each other's lives.

np tagging (and lmk if you do or do not want to be tagged for this wip/ship) @diazsdimples @dorkydiaz @swiftiefirefighters @slightlyobsessedwitheverything @bucksbignaturals

@bi-buckrights @peppermintquartz @theotherbuckley @freewayshark @loveyouanyway

@tizniz @diazheartsbuckley @saybiwithme @daffi-990 @bidisasterevankinard

@spotsandsocks @dr-shortsighted-owl @eddiebabygirldiaz @stereopticons @kitteneddiediaz

@your-catfish-friend @lemonzestywrites @thekristen999 @rainbow-nerdss @steadfastsaturnsrings

@inell @bucksbiawakening @giddyupbuck @monsterrae1 @eowon

@rewritetheending and anyone else who wants to 😘

[nothorses]

Well that was a lot of really creative ways to avoid saying donate to a Palestinian.

Hey, I understand the hurt and the panic you're feeling, and I'm worried about Palestinians too. I'm hurting too, and I'm worried too.

This ask sucked to receive. It hurt a little to feel like the effort I have been putting in to promote Palestinian fundraisers, particularly to double check that what I promote is vetted by someone trustworthy so that people do not lose more faith in the validity of these donation efforts on my account. More than that, though, this ask made me feel angry and isolated.

The post you're referring to is a post about local community support networks, and what I said on it was just a list of small things people can do to build local community connections, starting from 0. It's for people who don't think they have friends and don't know how to make them, or who don't know how they can translate friendship into material support and action that benefits the whole.

This ask made me feel frustrated that you don't understand that point, or the importance of it. Or maybe you do, and you weren't willing to see or engage with that point because of other feelings you were having. Maybe you chose to direct those feelings at me because you needed an outlet for them, and you weren't thinking about the impact your actions would have on someone else.

Donating to Palestinians is also good, important work. I have fundraisers in my pinned post for that reason. I haven't had time or energy to go through the asks I've received to verify, promote, and add them to that list in a while, and I feel bad about that! And it's weird to me that you think I'd avoid advocating for that after all the energy I've put into doing exactly not that.

And like, again, I feel bad that I haven't done more. Part of that is because my expectations for myself are too high, and I am a person who tends to feel guilty over stuff that I shouldn't feel guilty for. Part of that is because I really could be doing better. I just haven't figured out how to do that in a sustainable way yet; which also means getting over the guilt so I can redirect that energy into productivity.

I wanted to respond to this ask with the frustration and irritation I was feeling when I first read it. I'm choosing not to because, when I started drafting that response in my head, I realized that telling you off for guilt-tripping me in this hostile, unproductive way would be hypocritical.

Community connection is more important than ever right now. We need each other. We need patience, forgiveness, grace, and connection. We need to be vulnerable with one another, even and especially when it's hard. When it hurts.

I would have preferred you ask me why I didn't add a suggestion to donate to Palestinians in my response. Better yet, that you add it yourself! I would have been happy to reblog that addition, and receiving that as a reminder, or as building on what I said, would have felt encouraging. It would have made me feel more connected to you, more hopeful, and more excited to do this work. It would have made me excited to dig into my ask box and promote more Palestinian fundraisers, in solidarity with them as well as with you.

I understand why you didn't do that; it hurts right now. It's hard to make the choice to embody critical hope in the face of so much pain. I don't blame you for the guilt I feel, and I know I can't let that discourage me from doing work to help other people either.

I also know you're less likely to hear any of this than the uninvolved people who'll see it without feeling any defensiveness over this critique of your choices, and like, that's fine too. But I don't think I'm wasting my breath either way; I want to set an example in my community, promote connection, and promote the healing and growth that will allow us to do the hard work we need to do in the coming years. We're entering a fight, and we need to do it together, with grace for each other and the vulnerability that will allow us to connect and heal. We need to practice the future we're fighting for, and we have to start now.

[dumbasslesbi2]

Let Me Read To You ~ Chapter 6 (Agatha x Rio Bookstore AU)

Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5

Summary:

Rio's book is finally finished! Which means now she can focus now on how she can ask Agatha Harkness to be her wife <3

Notes:

School burnout is so real, warning chapter uploads might be not as frequent but I'm trying my best to keep it daily!

“Rio! This book is going to be a hit!” Agatha said, finishing the final draft of Rio’s book. “You really think so, my love?” Rio said, coming into the living room with two glasses of wine. “I swear Rio, I love your other books but this one is amazing. I’m not just saying that because it’s about us” Agatha told her, taking a sip of wine. “What? Us? I have no idea what you’re talking about” Rio said, side-eyeing Agatha. “Uh huh, and I guess then you have no wants of marrying me then” Agatha said, putting down the final draft of the coffee table. “I wouldn’t say that exactly” Rio said, cuddling into Agatha’s arm. Agatha put her arm around Rio so she could cuddle her better. “Well atleast I have a hint” Agatha told her, kissing her head. “I think you would look so pretty with a wedding ring on your hand” Rio told her, kissing her hand. “I think you’d look gorgeous with another ring on your hand baby” Agatha said, taking Rio’s hand and kissing it. 

The next day Rio decided to pay Lilia a visit without telling Agatha about what she needed to talk to Lilia about. “Lilia I don’t know, I really love her” Rio told her while Lilia was finishing her tarot reading. “Rio, the cards do not lie. Just propose to her, it’ll be fine.” Lilia told her, taking her hands. “I know but I want it to be special” Rio complained, still not sure how to propose to Agatha. “Listen, take it from an old crone. It doesn’t matter as long as you feel it’s the right time. When my wife proposed I was the happiest woman and it didn’t matter where she did it. It mattered when and how loved I felt” Lilia told her, looking at her wedding ring. “I guess you’re right, I don’t know, I guess I’m just scared. What if she doesn’t want to get married again. What if she’s just pretending because I hinted it in the book” Rio told her, still groaning and complaining. “Hey auntie where do you - Oh, hi Rio!” The teen came in with a box full of candles. “Just leave them over there William” Lilia told him, letting go of Rio’s hands. 

While Rio was dealing with the teen and Lilia, Agatha was over at Jen and Alice’s. “Guys please, I’ve already been married once but I need this to be special for Rio” Agatha whined, practically gulping down her beer. “It’ll be fine Agatha, trust, we know Rio. She likes the simple things in life, she doesn’t need a grand gesture” Alice said, rubbing Agatha’s back. “I know but I still want it to be special” Agatha groaned, heading towards the fridge for another beer. “Listen, an at home proposal can be special, why not just do it in the backyard? Rio practically has turned it into a full on garden at this point” Jen suggested, grabbing the beer out of Agatha’s hand. “Hmm I guess you’re right, I could hang lights and stuff. I have the ring already so I could just do it tonight” Agatha said with a sigh, putting her hands in her hair. “You have the ring and haven’t shown us!!!!” Alice yelled, upset Agatha had been talking the whole time and hadn’t shown them. “Oh ya, it’s in my pocket” Agatha said with a laugh, pulling out the black box. Agatha opened it to show a silver ring detailed with a black obsidian rock in the center. “I know how much Rio loves the color black so I chose this one to match her aesthetic, what do you guys think?” Agatha asked, pulling the ring out. “Oh my god, she’s going to love this” Alice said, examining the ring. “She’s so going to say yes” Jen said, in awe of how pretty the ring was. “Thanks guys I really need the encouragement” Agatha said, putting the ring back in the box.

It was later at night when the two had put Nicholas to bed that Agatha brought out Rio to their backyard. She had put on a fire and brought wine and chocolates for both of them to enjoy. Agatha had set up two chairs for the both of them but she should have guessed that instead it would end up with Rio on her lap. “So what’s the occasion of all of this” Rio asked as she fed Agatha some chocolate. “I’m not allowed to spoil my lover?” Agatha asked, licking Rio’s fingers. “No but now I might aspect this more often” Rio giggled, kissing Agatha’s neck. “Wait, Rio” Agatha told her, pushing her off a bit. She knew once Rio started, she wouldn’t stop and then get carried away and not let Agatha have their moment. “What is it my love?” Rio asked, perplexed since Agatha usually lets her go all the way. Agatha took her hands and looked at her solemnly. “I need you to close your eyes” Agatha said, waiting for Rio to do as she said. “Ok” Rio said with a giggle, waiting to see what Agatha would do. Once Rio had her eyes closed Agatha pulled out the box in her pocket, opening it to show Rio the ring. “You can open them now” Agatha whispered, praying Rio would say yes. As Rio opened her eyes, she was speechless. “Agatha…”Rio  whispered as  tears formed in her eyes. Agatha remained silent with her mouth agape, waiting for Rio’s response. Instead Rio didn’t reply and instead kissed Agatha, pushing her face closer to Agatha’s to feel her whole being. “I’m taking that as a yes?” Agatha questioned as she let go of the kiss. “Of course it’s a yes, I can’t believe you beat me, I’m still waiting on the ring to be made” Rio said, kissing Agatha’s hands. “Made?!? You’re giving me a custom made ring?!” Agatha asked, flabbergasted that anyone would do that for her. “Of course, only the best for my future wife” Rio said, kissing Agatha’s cheek. Agatha was too shocked to say anything so instead she kissed Rio as passionately as she did earlier. 

It was about a month later as Rio and Agatha were getting ready to head out with Nicholas they heard a knock on the door. As Agatha went to open it she was greeted with streamers and screamed, not ready for all the noise. “Congrats!” yelled her lesbian book club plus the teen. “Holy shit, you guys almost gave me a heart attack” Agatha said, grabbing at her chest. “You can’t die before the wedding” yelled William. “I swear to god teen im shocked you even brought the right type of popper” Agatha said, looking over at him. The whole group laughed and when Rio came to see what all the commotion was, a smile came to her face. “Also this isn’t just a congratulations on just you two but also to Rio” Jen said, bringing out a cake. Rio’s book not only was a massive hit but was winning awards in best LGBTQ+ fiction. “Aw thanks guys but we need to get going, I have an interview I need to go do” Rio said, making sure she had everything. “We’ll be over at our place then, join us when you can later” Alice said, giving the couple space to walk out. “We’ll be over later tonight” Agatha said before they all left, waving them all goodbye. “Are you sure you wanted to bring Nicky to this? I don’t mind but we might be there for a while and I know how he is about wanting you” Agatha said, double checking she had everything in her purse. “Trust me baby, I want you all to be there. I need them to see how much my family matters, especially since half the book is about that” Rio told her, taking her hand and kissing every knuckle. “Alright but don’t get upset if mid interview he starts crying for his mama” Agatha told her, taking Rio’s hand and repeating her action. The two giggled and laughed for a bit until they made it to the bookstore in which Rio would be interviewed for her newest book.

“Mama!” Nicholas screamed after about thirty minutes of waiting and not being able to be held by Rio. “What did I tell you” Agatha said as Nicky interrupted the interview. “It’s fine, we can keep it in!” said the interviewer who found the entire interaction cute. “Nicky, do you wanna tell something to the people?” Rio asked as she picked him up. “Hi!” Nicholas said as he waved to the camera which had the whole camera crew giggling and aweing at how cute they found the kid. “Is it ok if we do the rest of the interview with him? He won’t say anything, he just wants cuddles” Rio said as she let Nicholas hold onto her neck. “Of course! Now where were we, oh right! So I think it’s no shocker to everyone that family is important to you and especially now with the story within this book. Many have been speculating and wondering if you have gotten married yet and if so if that caused this big shift in your writing?” asked the interviewer who also couldn’t help but look over to Agatha as well. “Well, it’s true that my latest relationship has changed my views on many things but unfortunately we are not married. We are, however, engaged!” Rio exclaimed as she showed her ring. “Congrats! I hope you two have a wonderful wedding!” the interviewer said as she also looked over to Agatha. “Baby do you wanna add anything to this?” Rio asked, looking over to Agatha as well. The crew made sure to make fast work and grab a mic and chair for Agatha as well. “I, oh, uh. Well, we only recently got engaged. It was actually me who asked Rio to become my wife. We’ve only been together for a short period of time but it feels right. I love her so much and can’t see a future without her” Agatha said, looking over at Rio and kissing her on the cheek. “Honestly I haven’t felt so at peace with someone until I met Agatha. Honestly I never even thought of having kids until I met Agatha and now here we are raising a three year old together.” Rio said as she also made sure to kiss Nicholas’s head. “Many are praising your book for finally not doing a kill your gays trope for your two lesbian characters, do you have anything you want to add or tell the people about this?” the interviewer asked, looking at her notebook. “I think nowadays the message of dying lesbians and unhappy sapphic endings aren't exactly the best message to send out, especially to the youth. While this book focuses more on forming a family, I think it shows young sapphics that they can have a happy ending. That we can find happiness despite all our hardships” Rio said, looking over at Agatha and holding her hand. “Truly such a genius at your craft. Well that's all the questions we have here as we talk to Rio Vidal, author of the amazing new lesbian romance fiction, Coven of Chaos” the interviewer said, looking straight into the camera. The camera crew made quick work of tearing everything down and thanked Rio for letting them film in her store. Finally the couple were able to go back home and celebrate with their friends.

“Took you three long enough!” Alice shouted as she came to the door, already shoving a wine glass in Rio’s hand. “Perfect, now we can cut the cake!” Jen said, getting the cake out of the fridge. “Sorry, the interview took longer than we thought” Agatha said, picking up Nicholas. “Its fine, Jen and Alice are just upset because they didn't like the reading Lilia gave them” William said, going to greet the couple. “Alice we talked about this, you can’t blame Lilia for your results! Only yourself” Rio told them, hugging William. “She’s the one dealing the cards!” Alice yelled back at Rio, obviously semi drunk at this point. “Yes but it’s your reading not mine, I can’t control what they say” Lilia fought back, sipping her own wine glass. “Ok how about we just cut the cake?” Jen asked, placing the cake on the table. “I call dibs on cutting!” Rio said, reaching out for the knife. “Of course you want the knife,” Agatha said with a groan, bringing Nicholas closer to her. “Don’t complain, I know you find me hot with a knife” Rio told her with a wink, making the whole group groan. “Really? In front of your kid” William said jokingly, putting out the plates. 

After the small party was over Agatha and Rio were laying in bed, cuddling and telling each other words of affirmation. “My love?” Rio asked, kissing Agatha's shoulder. “Hmm?” Agatha questioned, propping herself up on her elbow. “Marry me?”Rio questioned, looking up at her. “We're already getting married” Agatha told her, giggling and kissing her lips. “I know but I wanna hurry up and be your wife already” Rio told her, putting her arms around her tighter. “Mmm we have so much to plan” Agatha said with a huff, threading a hand in her hair. “I know, once I'm done with all the press from the book we can plan everything we need” Rio told her, leaning up to kiss her lips. “I'm still so proud of you. I'm so happy you're getting the recognition you deserve, “ Agatha said, kissing Rio’s crown. “Thank you baby. I couldn't do it without you” Rio replied, smiling up at Agatha. “I was thinking too,” Agatha said, looking away from Rio. “What is it my love?” Rio asked, propping herself up to really look at Agatha. “Well I was thinking, how would you feel about adopting Nicky?” Agatha asked, still avoiding eye contact. Rio had tears form almost immediately, she reached out for Agatha’s hands and basically made Agatha look at her. “I would love nothing more. I want nothing more but for that boy to be considered my son” Rio told her, trying not to full on cry. “And I would love nothing more than to see you be his mother” Agatha replied, tears forming in her eyes as well. “Thank you, thank you for letting me be in your family. I love you Agatha” Rio told her, hugging her as hard as she could. “I want nothing more than for you to be a part of us. I love you too, Rio. Now hurry up and marry me already” Agatha said with a teary chuckle. “God I hope the press tour ends soon” Rio said, giggling and kissing Agatha's cheeks. 

[loquarocoeur]

I've been wanting to ask how known/open charles' and Max's relationship is in the yours-verse? 👀

I'm assuming that it's public knowledge, especially after the Brazil fic (which is making me kick my feet and twirl my hair like a FOOL, btw) – but do you have a mental timeline of how more and more people found out about them? Did they directly announce it? Did they go "eh, they'll 100% inevitably find out about it, anyway"? Honestly, knowing these fools, it was probably an accident where one/both of them failed to keep their hands to themselves.

Getting a "loquarocoeur posted ..." Notification is genuinely the highlight of my week, thank you for blessing us with your work!

Yeaah I think it's basically a thing of they don't really want media people obsessing over their relationship and taking too many pictures but considering how closely their teams work with them they know it's inevitable they'd find out and it's not worth trying to hide it, like they're not ashamed of it or anything

I'd say they're like an open secret, like everyone on the paddock knows, but it goes like:

Reporter: Is this you two kissing under the stars on this picture?

Charles, practically in Max's lap: No, of course not I've never seen those men in my life, Max and I are just friends. *Proceeds to kiss Max's cheek

Max: Best friends. Roommates actually. We adopted a dog together recently, oh yeah, Charles schat did you organise my haircut at your mom's?

Charles: Mmhm, we're going to dinner with her on Saturday too by the way

Reporter: ...

Nah but like I think everyone kind of knows, but it's like F1 and Monaco's best kept secret that every time someone posts a picture of them online some dark web enthusiast just conveniently gets rid of it, and everytime there's paparazzi at their restaurant date there's just conveniently a no pictures policy and whenever someone asks the other drivers about lestappen they just conveniently have no idea what you're talking about

Silvia is getting stress rashes trying to manage the social media rumours. Charles has turned off his email notifications for her specifically. Max is actively doodling his and Charles' initials on a paper in engineering meetings and telling anyone who asks that no actually he hates Charles what are you talking about, mostly because he thinks it's funny. If Checo hears the word Charles one more time he's going to throw Max out of a window. When someone asks him Checo says, 'oh no, they're not dating, see max is my wife, daniel's husband, and charles' childhood sleep paralysis demon, everyone knows that'

The reporters are having breakdowns daily, Max and Charles are kissing with tongue behind the Ferrari garage flipping off a camera which conveniently breaks when someone accidentally trips into a too gleeful looking reporter.

Silvia is drafting another email.

[persephonesdreams21]

Sweet Tooth

A/N: Well let me say first and foremost. My bad guys. Lol I didn't mean to keep this rotting in my drafts for almost a year, but life got crazy. I hope you guys enjoy this

Warnings: Explicit. Oral(fem receiving) Body worship. Finger sucking. Squirting. Multiple orgasms. Willy being down bad.

Summary: You’re sweeter than any chocolate he could cook up in his shop, and Willy is all too eager to show you just how much he craves you. Your smiles, your attention…your taste.

The last few weeks of your life have been vibrant.

Filled with technicolor so unlike the dreary years you’ve spent in this town. Between the weather and the chipped cobblestone, England was so gray this time of year. Frigid and frozen over with winter winds and a constant flurry of snow.

It was on a particularly cold night that you’d found him.

Saved him, he’d argue whenever he told the story. Saved him from Bleacher and his mangy mutt.

“Don't you ever get tired of harassing people?” you'd sighed as you'd stumbled upon the scene. A familiar one- another poor soul about to get roped into Bleacher and Scrubbit’s barely concealed hoodwink. Everyone who’d grown up in this city knew better.

“Why don't you mind your business, Y/N. And leave us be. Both me and mister-” Bleacher looks to the man. The one with the sharp cheekbones and the ostentatious velvet trench coat.

“Wonka. Willy Wonka” And he’d said it with such innocence gleaming in those bright eyes that in that moment, you knew you couldn't let him fall victim to the cruel scam.

That’s how you’d ended up with an unexpected housemate.

The home you’d grown up in is nothing special and far from fancy, but you do happen to have a spare room. One with an old fold-out bed that’s more comfortable than it looks. It may have been stupid, but you couldn't help but trust him. Want to help him, feel this pull to him…

That was weeks ago. Almost a month now.

Willy living with you, under your roof, feels oddly natural. Like it had been years that the two of you had been co-existing, he fits into your space like he was destined to come to you. Like he belongs there; the two of you working together like a well oiled machine.

You cook dinner, he washes the dishes and wipes down the counters. The house has never been neater. Even though you try to deny them, every day when he returns from the Gallery Gourmet, he leaves silver shillings in the key bowl on the kitchen table.

“It’s not much…but I want to make sure I’m paying my way. I’m real appreciative of all you’ve done for me” he tells you so earnestly it makes you blush. You sneakily slip his sovereigns in the pockets of his trousers when you do his laundry.

He doesn't know it but he’s helped you too. And not just by scrubbing dishes.

You truly hadnt realized how lonely you were until he came along, and you were terrified of losing your found companion. You’d hold on to him for as long as he’d allow.

Your new favorite time of the day is the evenings; quiet ones. With a fire burning in the hearth and the radio playing softly. You and Willy curl up on the couch, warm in your respective quilts. And read. Well, you read to him. At his persistent insistence.

“Aren't you tired of me blabbing yet?” you tease as you pick up the dog eared copy of The Hobbit that the two of you had been working your way through.

Willy gives you a grin, all boyish and crooked “Never that. I adore the way you tell stories”

That makes your stomach swoop dangerously and you shake your head “You’re a flatter, Mr. Wonka”

“No, no. Your voice is more melodic than the bells of Notre Dame” and when he says things like that to you, how are you not supposed to swoon? From any other man it would make you scoff, but from Willy his compliments always feel different.

Like maybe he’s telling the truth…

You ignore it and change the subject to something that feels safer “One day i'm gonna put you in front of a map and make you show me all the places you’ve been”

“Honestly, It would probably be easier to mark off the few places I haven't been-”

“Oh ho ho ho. How modest of you, great explorer” You tease around a laugh and his ears redden a bit at your ribbing.

“It's not like that and you know it” Willy defends “It was a lot less glamorous than it sounds. I spent seven years under the deck scrubbing pots and then collecting ingredients for my chocolate whenever we made port”

“And wooing girls on every continent?” I ask and that blush on his ears spreads to the high apples of his cheeks.

He’s a pretty one and you know even though he pretends to be demure, might come off as innocent, he’s anything but.

You’d gotten a small taste of it, and hadn't thought of anything else since. But neither of you had quite mustered the bravery to talk about that yet.

The two of you settle in on the old worn couch with mugs of steaming hot chocolate, courtesy of Willy. He’d spoiled you rotten, made you develop a terrible sweet tooth. Any cavities you develop, you’re completely blaming on him.

“Willy” you whine.

“Just try it, please. I made this recipe especially for you”

You take a sip.

The first rush of flavor over your taste buds has your eyes fluttering.

“Mmm, oh my god” you can't help but moan. It’s the most complex thing you’ve ever tasted. Truly. He’s outdone himself- cinnamon and warmth.The kind that feels like a a lovers embrace. Sweet milk chocolate. Is that a hit of rose? “This is insane, what’s in this?”

At your praise Willy smiles like the cat that caught the canary “Cinnamon bark from Sri Lanka, Wild roses from China. Coconut milk”

You look over at him, appraising. Trying to figure out why his voice has taken on that husk. Why his eyes are boring into so intensely.

“What a peculiar combination of flavors” you whisper and Willy bites his lip.

“Its become my favorite combination lately” he admits “but I can't seem to get it quite right. You see, I was allowed to taste it only once, and its tormented me since”

Your breath hitches. Flashes of tangling tongues tongues and his lips pressed against yours. It had only been one kiss but it had wreaked havoc on you since.

You eyeball the mug in your hands. Maybe you weren't the only one suffering with the after effects after all.

“Is this chocolate supposed to taste like?...”

“You. Yes. Your kiss. Your tongue and your lips” Willy nods. “I don't know if anything can come close to the real thing, but I tried”

Your heart thunders behind your ribcage. The longing in his voice matches the one within your gut, the need that had been brewing.

“I’ve spent hours. Thinking of you, trying to imitate your taste so that I could have it one more time. Spicy, but not quite. More warm. Sweet…the floral note from your lipstick. I’ve been nearly everywhere and i’ve never sampled anything quite like it”

With his confession, the thin thread of control snaps.

You’d been trying, so hard. Trying not to scare him away. Trying to keep the intensity of your feelings at bay so that he’d stay, even after he secured his shop. That he wouldnt leave you when he found success-

You place the mug down on the old wood of the side table-

“Please” Willy’s pathetic as he grabs at your arm “Don't go, I understand if this was too much but I- I didn't know how else to show you”

You lean into his touch, not away and that seems to calm him if only just.

Of course this sweet silly man couldn't just tell you that he cared for you. That was not his style. He was bad with words, so much better with his hands. To him, he’d shown you the most sincere form of devotion, crafted your portrait with his most loved medium.

“I feel the same” you say, voice quivering just the tiniest bit. His eyes melt and he comes in close, forehead knocking against yours.

When you kiss him its hot from the start. It’s wet and electric, charged with emotion. With desperation. Willy’s sinewy hands are all over you, cupping your chin, squeezing your waist, so much more bold this time. The waiting had lowered any inhibitions he might have had.

It’s frantic, him unbuttoning your blouse and you tugging at his trousers.

You need more. Need to feel his dark silky hair between your fingers, his pale skin under your palms.

Nothing feels like enough. Not when he mouths at your garment covered breasts or when you wiggle out of your skirt.

You reach into his boxers, wanting to palm at the blood hot hardness you’ll find there-

He groans and pulls his mouth away from your neck, where he’d been suckling marks into the delicate skin. “Wait, don’t”

“Why?” you’re confused, you can feel him. Firm and needy under the cloth.

“Because I want to take care of you first. With my mouth. If you’ll let me”

And oh. Oh.

All you can do is nod. Lay back and let him take what he needs, you feel more vulnerable than ever before. When he blankets you with his body, you realize that you also feel safer. Adored by this man, by this odd beautiful man.

Willy is a tactile person. He wants to touch and taste. And so that is what he does.

There’s so much to feel. Your heavy breasts, peaked with hard little nipples that he swirls his tongue round. Your belly and wide hips, so soft, so much give, he watches his fingers dig in and indent. Your thighs, so plush.

He buries his head between them. And inhales, deeply.

“Willy!” you exclaim, scandalized, trying to close your legs, but he shoulders his way deeper.

“You smell so good” Willy reassures you, his nose pressed against the wet patch on your knickers. Groaning like it’s the best scent in the world.

He takes his time, savors the moment as he peels the damp fabric away. His eyes locked on how the strings of slick stretch and shine in the low fire light. You’re so wet, the puffy lips of your cunt sopping already. And when he takes his first tentative lap, he knows that he could do this for hours and there's no way he’d ever be able to replicate it.

Nectar from the gods. Earthy and sour sweet.

You whimper as he feasts, as he gorges greedily. The sight of his dark head bobbing between your thighs makes you shudder. It’s almost unreal. That he’s doing this, that he wants you. His arms are wrapped around the back of your thighs, holding them up, holding you open.

You come for the first time with your fingers buried in his hair, pressing his face deep into you. Riding his nose and tongue.

For the second time you’re arching away from the sharp pleasure.

“Willy” you choke on your whines as his fingers reach deep into you, hitting that sensitive place inside over and over. You’re shaking with overstimulation, but hes groaning like he’s the one being brought to orgasm over and over.

He pulls his wet mouth away every so often. To tell you how beautiful you are. How good you taste.

“I can’t” you whisper, warningly.

“Please” Willy insists, his breath against your clit “One more, one more for me”

You can't deny him anything, can you?

You arch right up from the couch cushions, squealing as you hit that peak again. But this time is different, this time something inside you bursts, pushing wetness out in a flood.

Willy lets out a gutted sound from where he’s smothered by your thighs, that have tightened vice like around his head during your orgasm.

Coming down from it is almost painful and you’ve never sobbed from pleasure but well. There’s a first time for everything. While you shake and shiver Willy’s gentle, petting your thighs and tummy in soothing circles. Pulling away from your over sensitive flesh.

He stares up at you, his gaze heavy and his tongue poking out every few seconds. Swiping at his wet lips. Like he can't stop tasting you. It’s debauched. Beautiful.

“You are the best thing i’ve ever tasted” Willy pants out the vow, raw with honesty. Drunk on the flavor of you.

Wryly, you wonder if he’ll try to manufacture it into a truffle. A fancy bon bon.

You smile as he climbs back fully on top of you, your arms wrapping around him and holding him close. You kiss the shell of his ear before whispering-

“My turn to taste you”

🍬🍬🍬🍬🍬🍬🍬🍬🍬🍬🍬

I never thought I’d be writing Willy Wonka smut but well. Here I am lol

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[triglycercule]

mtt therapy moment except dust keeps taking breaks to talk to phantom papyrus and horror just wants this to hurry up so it can get to his turn because he couldn't give two shits about dust and killer's trauma and killer physically cannot discuss his issues and just starts zoning out while crying for some reason during it

and i'm the therapist listening to all of this writing down notes fervently because ITS CANON MATERIAL CANON I NEED TO GET THE CANON MATERIAL

[batsplat]

hello!! i hope you're having an amazing day 🥹💗 do you have any vale's races masterpost?? thank you so much in advance!!

*takes deep breath* *cracks knuckles* *cracks knuckles again for good measure* *rolls up sleeves* *cracks knuckles one more time* yes of course anon. no problem. let's do this

going to forgo any extended intro as this post will be long enough as it is - though it wasn't always easy to both represent the scope of valentino's career and make picks based on actual race quality. there will be a skew towards the early years of his time in the premier class and there are a few obvious fallow spells, but I hope I've adequately done justice to most of his very, very long career... and used the asterisk system to do my quality control for me

speaking of - another rec post, another escalation of the asterisk system (luckily, we have reached the final boss of motogp and it is impossible to escalate beyond this - here are the casey and marc/dovi lists). * means check it out, ** personal fave, *** classic, **** if you watch nothing else please watch these

I also need to mention mat oxley's 'valentino rossi: all his races', which is an excellent reference book that I consulted a fair bit when compiling this list. it's especially invaluable in making sense of the early years - where the archives unfortunately are sorely lacking and I'm grateful for every bit of additional context I can get. about those early years, a little bit of housekeeping with the codes I'll use to indicate in which form these races are available:

ITA: only italian commentary, which means I've found them on youtube. this is relevant only for the very early races. there's upsettingly few of his 125cc and especially 250cc races available even when you include these (though I haven't included all the ones that are available)

HL: only highlights, which is specifically about some of the 2000-01 races. there's only three full races of valentino's first premier class title available in their entirety on the motogp website, which is unfortunate (technically four including valencia, but who would want to watch that). now, the highlights they provide for all the other races aren't actually bad - they're around twenty minutes long for the race themselves so you will see most of the exciting action and the overtakes and all that (though it does raise the question of 'why don't you just upload the full races')

NC: no commentary, and is mainly an issue for the 2002 races that are all uploaded in their entirety but... well, only a few with commentary. obviously not ideal especially with older races. my recommendation would be watching the very short highlights (aka 2-3 minutes of actual race footage with commentary) available on the website for each of the 2002 races - either after or even before watching the race - to just give yourself a better sense of what you're watching

as ever, the descriptions will frequently provide spoilers for the result. my spoiler-free top ten recommendations are: donington park 2000 suzuka 2001 phillip island 2001 brno 2003 phillip island 2003 welkom 2004 donington park 2005 laguna seca 2008 catalunya 2009 assen 2015

and here, ten more spoiler-free recs because it really is a bloody long career: sachsenring 2003 mugello 2004 phillip island 2004 jerez 2005 sachsenring 2006 sepang 2006 catalunya 2007 motegi 2010 argentina 2015 assen 2017

**brno 1996: I find it very charming when riders have early career races that tell you everything you need to know about them. this is valentino's first grand prix win, achieved from his first pole position. he has an awful start, ends up way down the order, fights his way through, is eventually caught by this 34 year old former world champion who he does not like, fights him for a bit, stalks him and lets him draw them away from the pack in what the commentators consider remarkable confidence and poise from a seventeen year old, loses touch enough with the race leader that it looks like he's surely lost the race before pulling out a crazy last lap with some hard racing™ to overtake that other bloke. after he crosses the finish line he's so excited he almost rides into the wall. deeply excessive celebratory fist pumping that just goes on and on and on. angelic smile on the podium as the bloke he's beaten looks rather peeved - and apparently complained about valentino's riding afterwards. what more is there to say, really

^driving his elders to drink. here's a video where valentino is talking about the race: "and from there a fight to the death came out because we didn't get along very well. we weren't very nice to each other because we were bothering each other throughout the championship". like I said, tells you everything you need to know about him. just watch this one and call it a day

nurbuergring 1997 (ITA): an early strong wet weather performance, at a time when he was still a bit of a wimp about the whole riding in the rain thing. granted, he was a little lucky when the runaway race leader had a mechanical dnf, but he got into a nice little scrap with a few other riders to claim his fourth consecutive victory

rio 1997 (ITA): the thing about 125cc/moto3 races is you kinda know what you're getting, and more often than not what you're getting is a fun time watching them go at it. valentino's first, he's third, he's first again, they're having it out... and then on the final lap, he's taking advantage of the backmarkers to secure the victory. which is so sneaky and so valentino that it obviously deserves to be mentioned here. incidentally, his last ever win at assen 2017 had a controversial involvement of a backmarker on the last lap, which is a nice little full circle moment twenty years later

brno 1997: in many ways, this was a more impressive ride from his title rival ueda, who came back from thirteenth on the grid to take the win. which meant that valentino had to finish on the podium to claim his 125cc title at the same venue where he won his first race... and he just about managed it, with the entire leading group of riders headed into the final corner together

there are race highlights in the 5-10 minute range from his 250cc race years which... well. since they're not anywhere close to full races and this is a race recs list, I can't exactly give them their own bullet points, but I'll just rattle through a few highlight videos here I enjoyed from 1998: jerez (features a nifty overtake with four blokes entering one corner together, also harada fucked with valentino despite being a lap down to help capirossi win?? anyway vale's first 250cc podium, to which harada showed up to clap for capirossi specifically???); mugello (featuring his controversial beachwear celebration); paul ricard (see below); catalunya (he spent a lot of that year crashing but towards the end of the season finally figured it out - works his way back from thirteenth place to win), argentina (controversial title decider claxon; valentino found the whole thing so "hilarious" he was giggling when the drama was going off in the garage. he also referenced the jerez incident in his post-race interview, because of course he did)

^the three protagonists of the 1998 250cc season: valentino, harada and capirossi, all part of the same nightmarish aprilia 'super team'. everything I've read about that season makes me want to break into dorna hq and get my hands on the full race footage. both images are from the paul ricard race, in which valentino was trying to figure out how to stop harada from continuously outsmarting him. they kept slowing down the pace further and further, with harada running his bike comically wide to let valentino through and valentino doing a massive wheelie down the straight (image on the right) to force harada to go back past - but harada still eventually managed to best him on the final lap. valentino was heavily criticised in the press for wanting to 'humiliate' capirossi by letting capirossi catch up to the pair, but really he was just getting creative in his tactics. I may not have been able to 'watch' this season but I love it dearly

donington park 1999 (ITA): the ONE 250cc race I've been able to watch in its entirety. it was stopped and restarted due to the weather and the final outcome was decided on aggregate time across the two races (yeah, this does feel weird but they used to do that). a close fight especially in the first part. not too wet, presumably, given his 250cc performances in the soaking wet were often. hm. not great

1999 highlights I enjoyed: catalunya (was riding with a suspension glitch but kept his main title rival ukawa behind him anyway); sachsenring (won an intense battle with capirossi, admittedly you do not see much of him in the highlights); brno (another intense fight, this time mainly with an older rider in waldmann after they both worked their way through the field); phillip island (worked his way to the win from seventh on the grid and one of those phillip island races)

jerez 2000 (HL): valentino's initiation to the premier class wasn't... the most dignified thing you'll ever see... two dnf's in the first two races by which point he was so bloody terrified of the bike he was just very slow in the third. in his defence, those 500cc bikes were pretty scary, but also it was time to get his act together. which he did in jerez! this was another one of those weird ones where the rain interrupted the race and then the whole thing was decided on aggregate time, but a good ride to bag his first premier class podium

**donington park 2000: maybe it was the bikes, maybe it was experience, maybe it was a mindset thing, but eventually he would get over his moral objections to 'getting wet' and develop into an excellent wet weather racer in the premier class. this was his first premier class win - and a pretty neat way to seal it too. had an awful start, took a while to figure out the grip conditions, and then he was off. the second half of the race involved a fun fight between valentino and both roberts jr and mcwilliams for the victory

^almost gave the commentators a heart attack by running a defensive line through the final corner that took him completely off the dry racing line

rio 2000 (NC/HL - as in, both are available): valentino's second win of the year and his first in the dry, the race after his late charge to a rookie title was scuppered by a crash in valencia. he made some adjustments to his riding style after the valencia fiasco and really started to get to grips with the 500cc, which would stand him in good stead the following year. as is traditional, he makes a truly horrendous start, dropping back from the front row to find himself briefly outside of the top ten. from there, he gets to work. it's confident stuff, getting himself to the lead by about half distance and pulling away from there

**suzuka 2001: the first race of 2001 and a clear statement of intent. as ever, valentino had to work his way through the field... which took him right into the path of max biaggi, a man who had already been his enemy before they started actually racing each other. now, it has to be said, biaggi is a dick here! quite literally elbows valentino while running him off-track and could easily have caused vale to crash (as valentino said afterwards, "I had to learn how to ride motocross-style at 140 mph"), he continues using various body parts rather creatively in defending his position. when valentino finally gets past, he sticks out his middle finger. set the tone for that season rather nicely

jerez 2001: this is the cool-headed, calculating valentino who would prove such a formidable foe over the years. having already won the first two races of the season, he's high on confidence as he engages in a duel with the man who had so captured his imagination as a teenager: norifumi abe. valentino takes his time - but when he finally makes the decisive pass, he pulls clear so easily it feels like valentino may have just been toying with his hero all along

^valentino and norick, the inspiration for 'rossifumi'. in 2008, valentino paid tribute to the other man a year after his passing: "norick for me was a hero. I grew up watching the suzuka 500 race in 1994 with the great battle he had together with schwantz and doohan. last year was a shit year for me when I heard of the death of norick and colin mcrae, for me it was not a great year. I think it is possible to dedicate this championship to norick”

catalunya 2001 (HL): I don't care if there's only highlights - I am not leaving out a race that sparked a fist fight. honestly if I were biaggi I'd be pissed about this race too. valentino was twelfth at the end of the first lap and ended up winning... painful, truly. a really good scrap, plenty of fun to watch as valentino always is at catalunya, and obviously you've also got to watch the presser clips with the knowledge they were throwing hands a few minutes earlier

assen 2001 (HL): this one was low-key kinda stolen from valentino. it's good fun - y'know, one of those assen battles, valentino's doing the stalking and lurking thing and it starts raining and valentino takes the lead and... whoops! time to call off the race due to the rain so let's take the results from the previous lap! biaggi win! imagine getting into a fist fight with someone and losing the very next race to them on a technicality. oof

^post-fist fight handshake to show how it's all fine. they're totally fine. completely fine. no problems here

*donington park 2001 (HL): I'm gonna be so real, if I'm on pole and my title rival starts eleventh and he ends up beating me to the win by 1.8s, I think I just call it a day after that one. valentino had a bad crash during practise where he was lucky to not really hurt himself and then obviously had a pretty terrible qualifying, so a great opportunity for biaggi to claw back some points. worst bit is, vale didn't even make a good start - he was still in eleventh place halfway through the first lap. good fun to watch him pick his way through the field, and in his autobiography he ranks this race near the very top in terms of ones that gave him the most "satisfaction"

****phillip island 2001: look, if you've seen one of those classic multi-rider dogfights at phillip island, then, here, I've got a version of that for you from 2001. it's just so much fun to watch, with so many different riders and rider constellations and run orders at various parts of the race, riders looking like they'll break away and getting caught again etc etc etc. and it is also a match point race for valentino - a relatively comfortable one given his formidable championship lead. he didn't need to win the race to take the title, but would you want to see your greatest enemy take the spoils on your big day? in the most dramatic fashion possible, valentino ends up right behind biaggi on the very last lap and makes a daring overtake for the victory. hard to beat that as a way of sealing your first premier class title

*suzuka 2002: you know how I said in the marc rec post that I found it tricky to pick out a few for 2014 because a lot of the races were good without being all timers? this is valentino's equivalent season - he's winning, life is great-ish, tricky to differentiate, and if you enjoy any of these races you'll probably enjoy them all. mostly I'm just going to include the ones with commentary available, even though I'm too stubborn to let dorna completely make my choices for me here. anyway, this one is available with commentary and it's a good watch... valentino hadn't had the easiest weekend to start off his title defence, crashed badly twice, bloodied his hands, all that. he had a sluggish start in the wet conditions and worked his way up the field, before sitting on the rear tyre of the japanese wildcard akira ryo for a while - who knew the track well and knew where all the puddles were. a smart and composed win and feels very typical of his wet weather performances over the years

jerez 2002 (NC): in my head, this is the sister race to le mans 2014. valentino is pushed down quite a few spots to ninth early on (kenny roberts jr just. shoves him aside and does the thing where he gestures back to apologise, but that doesn't really help valentino when half a dozen bikes have passed him) and then he gets down to business. that whole season really does have that 2014 vibe of 'right this is fun but also feels a little too easy' - but hey, the way valentino picks his way through the field is satisfying to watch. and valentino did always like to play with his food, so he sits behind barros for a fair bit before doing the inevitable

*assen 2002: so, the thing about 2002 is that it was the first year of the rebrand to motogp and the introduction of the four-stroke bikes... but you still had two-stroke bikes on the grid, which tended to be tragically outgunned. the circuits where they were competitive tended to be the ones where they could take advantage of how 'nimble' the old bikes were, with more corners and fewer straights - and honestly, if you go on a race-by-race level you could make the case that on-track barros on his two-stroke machine (for most of the year) was valentino's most important rival that season. this is a head-to-head duel with barros that nicely showcases the respective strengths and weaknesses of two such different bikes and riders riding them, and barros manages to mount a stern challenge to valentino for most of the race

*sachsenring 2002: I do find it a little funny that this is one of the ones with commentary they've provided, because there's a bit of an anti-climax close to the end and I'm not sure valentino should have won that race. anyway, similarly to assen, this is another week where the two-strokes can put up a proper fight, and it's an engaging scrap that involves a lot of riders and quite a few nice little shifts in momentum. like above, another interesting study in how the different bikes compare in direct combat

phillip island 2002 (NC): always fun when someone builds up a bit of a gap on valentino. as was so often the case that year, it was barros (now on a four-stroke) who served as valentino's closest challenger, and valentino took his time hunting him down. from there, it's familiar material from the rossi playbook, stalking and studying before making his move - but barros sticks very very close to valentino until he makes an error on the last lap

^is it a bird is it a plane etc etc... don't think this was supposed to mean anything, just being silly

okay we're now headed into the 2003-05 stretch and I should mention that most of the races in that era will also have been featured in this post, which might also be useful to put them into context

*le mans 2003: valentino tries to make a break for it, but the rain denies him. he raises his hand to get the race called off (you could do this as the race leader back in the day, or I suppose also not do that if you wanted to be an asshole)... and immediately almost falls off his bike so. uh. probably a good idea to get it called off. when the race resumes, it's a three-way tussle between valentino, barros, and new challenger sete gibernau, even if at times it's less tussling and more wobbling. in the last couple of laps, it's down to sete and valentino to have it out in the treacherous conditions - and the last lap is proper dramatic. sete had already gotten one over valentino in welkom... but this defeat, coming after valentino had led the race, must surely have stung even more

*catalunya 2003: I feel a little mean making my first three 2003 picks races valentino all lost in quite painful fashion, but, hey, it's character building and really set up his whole arc for the next season-and-a-half. this one is... well. it's both embarrassing and kinda neat from vale. most of this race consists of a duel with capirossi - and when valentino hits the front, you do think that's going to be it. capirossi keeps close, however, and valentino eventually makes an error, running wide to let him through. shortly afterwards, he makes even a worse mistake and runs off into the gravel. once he's fucked up it's a pretty fun performance, where he starts posting pleasingly insane lap times to recover from sixth back to second

***sachsenring 2003: this race will always be remembered for valentino's penultimate corner overtake followed by his last corner mistake that resulted in sete's unlikely victory, but the race before that is good fun too! valentino looks like he'll make a break for it, and obviously miserably fails in his attempt - this time he's the one to be slowly, slowly, slowly caught by a persistent rival who eventually manages to get the better of him again. after this race, valentino vowed he wouldn't be taking any more prisoners. he didn't

****brno 2003: after a horrifying four race losing streak and the humiliation of sachsenring, valentino came back from the summer break with new determination and hunger and a mission to not let anyone get in his way any more. he does not have an easy time of it at brno, with a classic multi-rider dogfight that features regular and dramatic shake-ups of the riders' fortunes. the finish is incredibly close, and vale could have easily been denied the opportunity to pull out his elaborate victory celebrations: dressing up as a convict to symbolise how he felt imprisoned by his own success. here is a more in-depth post about the race

****phillip island 2003: this starts off in classic phillip island fashion, with a bunch of riders having it out in the early laps. then, valentino takes the lead and makes a break for it, and it looks like the excitement of the rest of the race will be all about the fierce fight for the remaining podium positions... except there's a twist. valentino overtook another rider under yellow flag conditions - and unlike donington that year where he was retroactively slapped with a ten second penalty that denied him the win, this time he is informed of the penalty during the race. this race is about as exhilarating as it is possible for a race to get when you're watching someone riding alone in the front - and you'll be provided with some added spice with the scrap for the last podium place. in the end, valentino crosses the finishing line with an obscene margin of over fifteen seconds

^think I already posted these notes somewhere but I can't NOT mention the commentary for this race. bottom of this post I included the autobiography excerpt about how valentino channelled his fury to win this race - very revealing!

****welkom 2004: still perhaps valentino's favourite victory of them all, and with good reason. his first race with yamaha and one that the entire paddock thought he didn't have a hope of winning... until they hit the track that weekend. valentino led every single session and qualified on pole: he said the pole position felt as good as ten with honda. better yet was still to come, with valentino claiming a victory following a thrilling duel against his old foe biaggi that raged on until the very last lap. such was the pace that third-placed sete was seven seconds down on the top pair at the chequered flag

^valentino stopped at the side of the track after his win, kissing his bike and sitting down for a moment to soak in the moment. he says he was laughing into his helmet: "'and so in the end I was right!' I thought to myself. 'I can't believe it, I screwed them all... what a show!'"

****mugello 2004: this race has so much going on, and all of it is highly enjoyable. valentino might have won the last two races at mugello - but off the back of two fourth places and with mugello's famously terrifying long straight, it felt like surely the more powerful hondas would have the decisive edge. and this one is a hard fight for valentino. it's a hard fight with several riders, it's a hard fight with sete and, following an interruption due to the rain, it's a hard fight in mixed conditions where valentino initially drops back to seventh to figure out the grip levels - before speeding off to the win. all the best types of races rolled into one

***catalunya 2004: right after mugello, it's time to visit sete's home - and here valentino kicks off a bit of a tradition of memorable one-on-one catalunya duels... as well as a habit of beating spaniards at the track. it's hard fought, it's challenging, but again valentino emerges on top

***assen 2004: the third consecutive race that featured an extended duel with sete. initially involving barros too - but he crashes, and it's down to the familiar protagonists. this really works as the last episode of that mini-trilogy because you can tell how badly sete felt he needed to reassert himself in that title fight, and conversely how little interest valentino had in letting him do so. involves a hard last lap overtake that resulted in contact. sete was not best pleased, but valentino had secured the win and the championship lead

^left: catalunya, where valentino dons the doctor's garb to perform a series of 'medical checks' on his yamaha, feat. stethoscope and thermometer, before declaring it fit for duty. right: assen, where yamaha staff dress up as doctors to pay tribute to him

qatar 2004: a good old-fashioned hubris ride. valentino was slapped with a back-of-the-grid penalty for some midnight grid cleaning shenanigans and is furious about this. he gets quite possibly the best start of his career and is eighth after a few corners, continues charging and barging his way through the field... before crashing and mashing up his finger and reopening that year's championship fight. the race does get a little dull after valentino does his thing - here are the ten most relevant minutes of footage as well as some more details about the penalty and the race. the weekend that irrevocably damaged his relationship with sete

***phillip island 2004: an underrated spite ride. if you're in the penultimate race of the season and you know a second place is enough to clinch the title and you're over a second behind your title rival and you historically suck at the circuit where title deciders are held, the sensible thing to do is just ride home in second place when it becomes clear the third-placed guy is not catching up. obviously, valentino does not do this, not least because he is determined to stop sete from ever winning a race again. this goes down to the very last lap and it is either a very cool or a very dumb way to seal a title, depending on how you look at it

****jerez 2005: both protagonists make very little secret from the start of the race of just how much they want to beat each other: this is war. and it's a war in which sete has the upper hand for most of the way through (as much as you can really feel you have the 'upper hand' with valentino sitting on your rear tyre) - until valentino makes his move with three laps to go. it takes an error from valentino on the last lap to set up the dramatic and controversial finale, with the infamous valentino block pass that sent his bike careening into sete's. the actions of a man who had decided neither of them finishing the race was a more acceptable outcome than his enemy taking the win, and the relationship between the two riders manages to improbably deteriorate still further

^satisfied with a good day's work as the furious spaniards jeer. if anyone had any lingering doubts about valentino's trademark ruthlessness, they were dispelled that day

**mugello 2005: another year, another thrilling mugello battle. it's looking increasingly clear that this will be a one-rider title fight, but luckily that isn't impacting the race quality (think marc's 2019, where he was incidentally the same age as valentino is here). similarly to the year before, there's cause for concern whenever you're fighting more powerful bikes at mugello, but after a dramatic multi-rider fight valentino is not to be denied

**catalunya 2005: back on sete soil and oh god how much he would have loved to win this race. it's the tension and hatred and desperation that makes these races so exciting to watch - though sete is hardly helped out in his mission of revenge by teammate marco melandri who keeps sabotaging sete's attempts to defy valentino's curse. but melandri has whatever the opposite of main character energy is and the race ends up being another valentino/sete duel. some excellent riding by the pair of them, valentino is particularly fearsome on the brakes that day, and sete has truly taken his gloves off when fighting valentino. but of course, valentino denies sete once again and makes a break for it shortly before the end

****donington park 2005: the defining wet weather ride of valentino's career - even though it got off to a shaky start (literally) and continued to be pretty shaky most of the way. this race was held in truly appalling conditions that they probably would not race in these days, and it's reflected in the number of dnf's - one of which was courtesy of poor sete gibernau once again crashing out of the lead. for most of the way, valentino is wobbling his way into the lead and wobbling his way out of it again... but after some big scares and some time spent nicely sheltering behind other riders, he finally figures out the grip conditions - and he's off. it's one of those rides that is just demoralising for everyone else in how good it is, with valentino pulling insultingly far clear from the other riders with insulting ease

^valentino plays a violin after crossing the finish line. teammate edwards: "I looked at his data and it was scary. he was locking the front in the rain on a shitty track that was slicker than snot, at every corner. this guy's crazy!" not pictured - valentino hugging himself and shivering while parking the bike... and being provided with an anorak and gloves that he only very, very, very reluctantly relinquishes when stepping onto the podium

*le mans 2005: you realise fairly quickly that this one's building to something juicy. colin edwards, valentino's teammate, takes the lead and heads out on his own, as valentino sets off after him - eventually slotting into his favourite position sitting right on the leader's rear tyre. except, he can't afford to hang around - because sete is going faster than both of them and is rapidly catching up. this one really gets going when the inevitable happens and the three of them collide on track, and of course we end up with another sete/valentino duel. cruelly, it's another one where the winner is still not entirely decided when they enter the very final lap... but the curse will not be denied. valentino breaks the circuit record on the last lap

*sachsenring 2005: the problem with watching these races is that even if you would prefer not to know the result going in... well, every single time the race comes down to a duel between sete and valentino post-qatar 2004, however strong sete looks, however confident, however near he is to the victory... you know he's obviously not going to make it. my advice is to really lean into it - the joy/horror of it all is in discovering how it's going to go wrong this time. this race features another lovely duel between valentino and sete, at a track that suits the honda far better than it does the yamaha. valentino leads early on before sete manages to catch up and overtake him. two laps to go and sete is still in the lead as valentino stalks him around... you know how this story goes

*brno 2005: ah, the misery. listen, if you enjoyed the previous sete/valentino duels I listed, then you're going to enjoy this one too. it's the race immediately following sachsenring and it feels like basically they just continued the last one, and boy are they going at it from the very start. sete determinedly sticks with valentino and surely one of these has to go his way... includes a particularly cruel twist on the final lap

qatar 2005: one year on from the race in which valentino put his curse on sete, and it feels like this might be sete's best chance for the remainder of the season to free himself. he gets perilously close to making a break for it ahead of the battling melandri and valentino... but of course, he can never run far enough. another painful defeat (if one caused by melandri more than valentino) and eventually valentino claims victory at the circuit that had caused him such trouble the year before

qatar 2006: valentino's 2006 season got off to a tricky start when toni elias rode into him in the very first corner of the opening race, and his luck didn't get much better from there. still, the year featured plenty of excellent valentino rides - including the second race of the season, where he fought his way through from sixth on the grid. features his first tussle with the rookie pole sitter, one casey stoner, who defends sternly against his future rival. eventually, valentino faces off against nicky hayden in a decent extended scrap that went on for much of the race

***mugello 2006: boy, did valentino get himself involved in some banger races at this circuit during his time. sete tries to escape at the front, and even in a tough year like 2006 valentino will not allow that man a moment's rest. a duel between sete and valentino ensues (featuring melandri and casey), then valentino suddenly drops down to fifth, then the race turns into a three-way encounter between capirossi, hayden, and... still valentino. he emerges from the feisty fray with a much-needed win

***sachsenring 2006: you could copy paste 'much-needed win' any time valentino won this year, and sachsenring is no exception. not traditionally his strongest track, valentino's urgency produced one hell of a race ripe with tension throughout. the yamaha's struggles made for a difficult qualifying and he fought his way through from eleventh on the grid. even when he caught the leaders and passed them, he couldn't just clear off like in times past, dragging three dogged riders along with him - but he just about managed to hold them off for the win

****sepang 2006: one of the best valentino duels, this time featuring one of his oldest rivals in the form of loris capirossi. part of his remarkable late season charge that brought him within kissing distance of the title. the entire race is enjoyable but the final lap is one for the ages, with valentino vicious in both attack and defence

^no hard feelings: capirossi hugs valentino while vale is still on the bike. 2006 is a rare title fight in which valentino genuinely liked most of his major rivals. vale was exhausted after the battle in the gruelling sepang conditions and had a little sit down after hugging his team

phillip island 2006: the first bike swap race and quite frankly the whole thing is a mess. a lot happens and it's classic late season chaos where the championship standings and implications are chopping and changing by the lap. when the dust settles, valentino has snagged third place on the last lap off poor sete gibernau and chips away a little more at hayden's championship lead

***estoril 2006: sure, valentino lost the 2006 title when he crashed at valencia, but he also lost it by .002s in estoril. this race featured a dramatic twist in the title fight when rookie dani pedrosa wiped out his teammate hayden, and suddenly valentino had to consider just how much risk he was willing to take. he had mostly decided to play it safe - but then couldn't help himself and ended up attacking toni elias on the very last lap. if he had managed to bag the extra five points, then even with the valencia crash he would have won the title on countback

valencia 2006: everyone thought valentino would be winning the title again headed into the weekend, and they became even more certain of it when valentino qualified on pole. but in the end, it was not to be. valentino got a poor start and felt something was wrong with the bike (or maybe it was the tyres, if one casey stoner is to be believed), but admits the mistake that left him on the ground was his own. a bitter pill to swallow after a season plagued by misfortunes, though valentino had always gotten on well with title winner nicky hayden and was sincere in his congratulations

****catalunya 2007: from the start of 2007, it was clear that new ducati hire casey stoner would be a problem. with yamaha's struggles continuing into the new 800cc era, ducati had gotten it spot on at the first try... even if it was only casey who could completely tame their troublesome bike. for a while, it seemed easy to dismiss casey's victories as built primarily on the back of the infamous ducati horsepower, but at catalunya casey proved he was far more than just a powerful engine. one of the true classic catalunya duels, with both riders displaying dazzling race craft, and one of casey's finest career victories

***assen 2007: valentino's season wasn't getting any easier - the yamaha was one thing but his continued struggles with the michelin tyres if anything frustrated him even more. he qualified in eleventh place and doesn't get a particularly good start while casey streaks off in the front. casey is over five seconds clear at one stage, but valentino manages to hunt down his title rival anyway. it's studying and stalking and lurking and all the rest of it, and as ever casey doesn't make it easy for him - but eventually valentino manages to pass him and pull clear

*estoril 2007: casey's championship was more or less wrapped up by this point, though valentino was able to deny him just a little longer at the first match point race. this features a nice scrap between casey and valentino, and then an extended duel with dani that is perhaps the best fight the two of them ever had. it was a much-needed win in a rough patch for valentino on- and off-track - and he dedicated it to one of his idols, the rally legend colin mcrae who had just passed away

**catalunya 2008: yes, okay, I know he won the three races before that one - but this one's a more fun race! after an initial adaptation period to his shiny new bridgestone tyres, his season had finally properly kicked off with the aforementioned three race win streak. at catalunya, valentino only qualified in ninth, and pedrosa streaked off in front - but valentino and casey engaged in a highly enjoyable rematch of the previous year's duel. in the end, it was valentino who prevailed, but casey and ducati had clearly gotten their own house in order...

^the version of valentino that marc first met, before vale's race in his special football-themed livery and leathers

****laguna seca 2008: after catalunya, casey stormed on to win the next three races on the trot, typically by ominous margins. heading into laguna seca, a race casey had dominated with ease the year before and valentino had never gone particularly well at, valentino knew casey might be in danger of running away with this championship... and he was determined to do something to finally conduct this rivalry on his terms. nobody expected there would be a contest for the victory, let alone one valentino won - but he did, in a brutal encounter that served as a masterclass in psychological intimidation. the relationship between the two rivals did not emerge unscathed

*indianapolis 2008: another race, another mediocre start, if this time from pole. it sets up a fun (to watch) race in worsening conditions, as valentino takes his time to get comfortable with the grip levels before slowly and surely working his way through the field and stalking first casey then nicky hayden around the track. he makes it to the front before eventually the race has to be called off - and, in a rare moment of unity, valentino and casey are seen briefly talking to ezpeleta together, presumably to tell him they have less than zero interest in going out again in that weather. they get their way and the race is called off, with valentino bagging his fourth consecutive victory - a streak he of course started at laguna. his second and last win on US soil

motegi 2008: the title-sealing race and fifth consecutive win - not the most exciting entry on this list, but earns its place by featuring a bit of a duel between title rivals casey and valentino for the lead (after they both get past dani, casey in a rather rude way that he apologises for with a hand gesture) (not that he gives the position back and valentino immediately swoops through too). motegi had always been one of vale's weakest tracks, and it must have felt extra sweet to clinch the title at the home race of his perennial enemies at honda (as he miserably failed to do in 2005 in a deeply embarrassing performance)

^'scusate il ritardo', or 'sorry for the delay': this title was special given the heartache of the two previous years. all smiles with casey and jorge (who comes to parc fermé to congratulate his teammate)

*sepang 2008: as was sometimes rare in that era, this race involves several good fights going on simultaneously down the order. the fight for the victory ends up coming down to valentino and dani, and it's a nice little duel they put on - plus there's also dovi's dramatic fight for the final podium position to enjoy

jerez 2009: dani and valentino's young teammate jorge lorenzo are the clear pre-race favourites and there's a slight fear one of them will run away with it... but jorge never quite finds his groove and ends up crashing, while dani very much does not run away with it. valentino finds something extra after being absolutely nowhere all weekend, as he had a habit of doing. features valentino shadowing first casey and dani - and a particularly nifty contact-free block pass at the infamous final corner on casey. valentino's first win of a tough season

****catalunya 2009: one of valentino's finest career victories - and another example of his ability to wrest control of a season when he needed to. off the back of two tricky/embarrassing races at le mans/mugello, it felt like the time had come to demonstrate he was a serious contender in that year's championship... as well as assert himself within yamaha over his increasingly troublesome young teammate. the stakes are clear: jorge sorely wanted to win in front of his home crowd and valentino sorely wanted to beat him there. after a strong start, the physically ailing casey falls back, letting jorge and valentino soar off and fight it out as they take turns to tail each other around the track. a duel for the ages and the victory that transforms his fortunes in that season (some more details in this post)

**sachsenring 2009: a few races after catalunya, it was once again jorge and valentino to fight it out for the win - unusual for two yamahas at that track. it's a duel that has been overshadowed by catalunya, but this is another gem: a close and dramatic battle at a time when it felt like jorge was the one who had something to prove. but valentino demonstrates how hard it still is to best him in head-to-head combat, and he ends up beating the number 99 bike by the pleasing margin of .099s (listen I have no evidence for this but in my heart of hearts I 100% believe he noticed and appreciated this fact)

misano 2009: this race followed valentino's massive error in indianapolis, crashing and reopening the championship fight at a time when it looked like he had things perfectly under control. his traditional special home race helmet is dedicated to taking the piss out of himself - featuring a donkey because of how "stupid" he had been. but in misano he was the "flying donkey"... look, it's not the best race you'll ever watch, but after a poor start (surely not), he does do quite a nice job to overtake dani for the lead. in parc fermé, his team dons donkey ears, and he gets his own pair to wear to the podium as he greets his ecstatic fans

**sachsenring 2010: valentino's early season was troubled by a motocross shoulder injury he'd picked up after qatar, and he had to push harder and harder to keep up with an ever-improving jorge. eventually, he pushed too hard and broke his leg in mugello. this was his first race back, returning sooner than anyone had expected (except casey, who thought people were making too big a deal out of the whole thing) - and he immediately was on the pace, to everyone's surprise (not casey's, who thought valentino's main problem was just losing a bit of muscle mass). this race features an excellent duel between casey and valentino in the closing stages for the final podium position, with casey stealing it from valentino at the very last gasp. it was an impressive performance by the pair of them, a heartwarming demonstration of how mediocre bikes and broken legs can be overcome by the power of mutual contempt

***motegi 2010: do you ever feel overcome by the sudden urge to watch someone be an absolute asshole for no good reason? if so, then I have the perfect race for you. jorge is very close to clinching that year's title, and in truth it's a pretty sure-fire thing given dani is out with injury. still, it's generally not considered good form to ride into your teammate at the best of times. valentino continues to struggle with his fucked up shoulder late into the season, but spite will do all kinds of magical things for you. it's a race-long battle for third place between the yamaha teammates, and the last few laps in particular are uh. intense. features valentino dangling out his leg to increasingly comical extents - whether to try and mitigate the shoulder issues or whether to physically block jorge is anyone's guess. jorge basically rides right into the leg more than once. there are at least three separate extremely dubious moves valentino pulls on jorge. you can tell jorge is losing his mind. you can feel the sheer concentrated malice radiating off valentino. when valentino gets off the bike, the mic picks up how he tells the yamaha team that it "was fun". not everyone would agree

^you'd think a season in which valentino had broken his leg might be one where everyone lays off the dramatics a little, but somehow this year was the one in which valentino's relationships with both of his main rivals soured considerably and made the final step from 'rivalry' to 'feud'. there'll always be a slight air of unfinished business to the casey rivalry in particular, but 2010 did end up unwittingly providing us with a few gems. in the motegi qualifying press conference (pictured above), vale talks about how he knows he needs shoulder surgery - but is determined to delay the surgery until the end of the season. it wasn't a good decision for his shoulder

**sepang 2010: the race that immediately follows motegi. valentino doesn't qualify particularly well and starts worse, dropping back to 12th during the first lap as jorge and dovi set out in front. but valentino determinedly sets after them - and when he catches up, they engage in a lovely three-way scrap in the race in which jorge can seal the championship... as long as valentino doesn't knock him off. this doesn't reach the viciousness of motegi, but it still involves three riders who clearly really want to win and also really want to beat each other. his first victory after the broken leg - and his last one for a long time

jerez 2011: thing is, right, if you just ignore the bit where he wipes both himself and casey out and then has to pick the bike up and start again, it's actually a really good ride! can't fault it! did his thing in the wet again! just one little. uh. blot on the copybook. I wouldn't even say the ambition outweighed the talent as much as it was his patience, given he knew it might be the only chance he'd get for a big result for a while on the struggling ducati. it's the kind of misjudgement he makes relatively rarely in his career, and speaks to his frustrations with the continuing shoulder problems as well as the underperforming desmosedici. casey was less than sympathetic

le mans 2011: it's le mans, it's raining, you know how it goes... these conditions were pretty much the only times valentino could manage a decent pace in his ducati years. this one should've gone on the dovi list too actually, not least because jorge executes an extremely rude move on dovi I feel confident in saying dovi did not appreciate (he gets jorge back with a far more polite and civilised move). casey runs off with the win by a fairly obscene margin but behind him there's plenty of talking points - not least the hugely controversial clash between dani and sic that leaves jorge, dovi and valentino fighting for the two remaining podium spots

*le mans 2012: valentino might have expressed mixed feelings over the course of his career about riding in the wet, but it sure did its job during the ducati years as the great big equaliser. now, point of order: in my casey rec list, I described this as 'not a great casey race', which I don't stand by at all. the last casey/vale duel (that also heavily features a vale/dovi/cal crutchlow tussle), with valentino stalking and harassing casey both at the start and the end of the race - though he did exercise some advisable caution... initially. involves a last lap overtake and is valentino's best ducati performance

^the last podium valentino and casey shared, in the race after casey announced his retirement. usually it's a bit easier to tell when a valentino feud is at its worst, and the two of them joked in the press conference about how they were thinking back during the race to their 2011 jerez clash. ducati were in such a miserable place in those two years that in truth, nobody could have done much with that bike - casey certainly could have done more, but by 2010 the bike so awful that valentino outscored casey that season even after fucking up his shoulder and breaking his leg. vale's sole dry podium in the ducati seasons came at an emotional home race in misano the year after sic's passing, though unfortunately it's not a particularly watchable race. there are some other rides in those two years that are strong in isolation, but valentino isn't the star of the show - and really, it'd be a waste of our precious time to talk any more about two years that were a waste of valentino's precious time

qatar 2013: the first race back with yamaha and the first race of a 'qatar trilogy' of sorts, i.e. 2013-15, where valentino just keeps executing extremely watchable races by qualifying poorly/dropping back at the start and then fighting his way through. by the time he catches up with the pack, race winner lorenzo is long gone - but valentino can still have his first fight with the next big thing in motogp, the rookie marc marquez. there's an optimism to this race, the hope of new beginnings in a series that perhaps needed some life breathed back into it... and so did valentino. all three men on the podium have good reason to be delighted, and show it. valentino truly had not known if he could be competitive again after the dark ducati days, and he looks happier here than he has in ages

*assen 2013: his first victory in the post-ducati days and a track at which he had always been strong. partly helped out by jorge's collarbone injury (though assen had always been a bit of a bogey track for jorge), valentino overtook stefan bradl, marc and dani for the win. it's not the most thrilling of races, but is still perfectly enjoyable - and you can tell by valentino's reaction how much it meant to him

qatar 2014: bar a few high points, valentino's 2013 season had been troubled and frustrating as he found himself unable to match the top three in the championship. he decides to make one more big move - this time not by switching teams, but instead by firing his long-time crew chief jb. the start of 2014 is all about seeing if he can become competitive once again... and if he cannot then he will retire. qatar is a promising start, coming back from a poor qualifying to engage in a tightly fought duel with marc that lasts until the penultimate lap

misano 2014: valentino clearly stepped up his game this season, making him decide to continue on racing in motogp in a year in which marc was dominating the competition. race wins, however, remained elusive - but there is nowhere valentino would have rather emerged victorious than his own backyard. the opening stages are a proper fun three-way tussle between valentino, marc and jorge. valentino gets to the front and marc pursues him, so doggedly determined to get the better of valentino that he ends up crashing. the rest of the race isn't all that exciting, but it's notable as the first race in which valentino directly outperformed both marc and jorge when they were fully fit. the ranch visit happens after this race

phillip island 2014: never the most gifted of qualifiers, valentino would continually struggle to get to grips with the new qualifying format introduced in 2013 - and his grid position of eighth was typical of the time. but you can't fault him for his ability to pick his way through the field as he does here, which culminates in his enjoyable duel with jorge for what was then p2. he got lucky with marc's crash out of a sizeable lead, but it was still a good ride to ensure he would be the one to take advantage

***qatar 2015: it takes one corner for the 2015 championship to be blown wide open, when two time defending champion marc marquez goes off and drops to the back of the field. for much of the race, it looks like jorge will be the primary benefactor, battling it out with two revitalised ducatis. valentino starts badly and drops to tenth, but he works his way through the field - and eventually it is he who fights the ducatis for the win. this is actually a really nice marc comeback ride too, even if he never comes into victory contention. it is also a statement victory from valentino. game on

^valentino started the season on a high, daring to hope that the elusive tenth title might finally be his. the optimism would last roughly until they got to europe and jorge hit his stride, after which it was a gruelling defensive campaign to try and cling onto his points lead

**argentina 2015: the thing is, right, qualifying poorly isn't great. starting poorly also isn't great. but if you want to be fighting for titles, you should maybe pick a struggle and stop doing both. valentino's championship bid that year has all these charming races where he's still at the fuck end of nowhere after the first lap before heroically picking his way through the field, which feels needlessly exhausting but there we are. it is, however, exciting to watch how he creeps closer and closer to marc - and he eventually catches up on the penultimate lap. the resulting duel is short but memorable

****assen 2015: a duel that will always be remembered for the controversy surrounding the final chicane, but the whole race is a fantastic watch. valentino needed a result after jorge had won four races on the trot and had led 103 consecutive laps - and he played the weekend perfectly to achieve it. his only pole of the season and, excitingly, actually a good start too... but marc quickly slots in to sit on his rear tyre and it's a fight that continues the entire race. did valentino know what marc had been intending to do at the final chicane, given marc had admitted to repeatedly executing the move during that weekend's practise sessions? or was it just quick thinking that allowed him to read marc's move and realise he only had one counter available? we'll never know for certain - though marc was suspicious of valentino's motives and eagerly made his thoughts on the matter known in the post-race press conference. the beginning of the end

**silverstone 2015: after brno, valentino had surrendered the championship lead for the first time that season on countback and it was obvious he was in serious trouble. silverstone had proven a fairly happy hunting ground for jorge over the years and it looked like he would continue doing his thing that weekend... but then the rain came to the rescue. valentino spends most of the race with fellow wet weather expert marc stalking his every move, until marc goes down and valentino is left managing the gap to a late-charging petrucci. one of the finest wet weather performances of his career - and in several ways jorge got lucky to limit the points damage

^valentino's shadow, until marc pushed it too far and crashed. was marc more determined to beat valentino here than he would have been anyone else? valentino sure seems to think so - he later references both this race and misano as ones where marc aroused his suspicions. who knows, he might be right, but there's still a sizeable difference between competitive fervour and conspiracy

****phillip island 2015: one of the classic multi-rider fights. what valentino lacked in outright pace, he made up for in wheel-to-wheel skill and fighting spirit... except in the end, he couldn't completely make up for the deficit. all year, valentino had been fighting against the odds to keep his championship dreams alive - but at last, they were truly slipping, slipping, slipping away

**sepang 2015: one last roll of the dice, classic rossi-style... but this time it all goes horribly wrong. when the duel between marc and valentino arrives, it has an air of inevitability about it - as, perhaps, does the final outcome. but the fight itself is captivating to watch, in a raw brutality that befits the tragedy we are watching unfold. the penalty that valentino receives after the race is what truly dooms any remaining title hopes

valencia 2015: another doomed title decider, though valentino's race itself cannot really be faulted. he picks his way through the field from the very back and makes it to fourth, but he could never have hoped to catch up to the top three. quite a boring race afterwards bar some late marc/dani scrapping

jerez 2016: it is admittedly hard to vouch for the quality of this race precisely because it is such an extremely non-valentino way to win. clear and complete domination of the race - in a way he had otherwise been incapable of doing post-2009. while the title fight ended up being a bit of a dud for various reasons, early 2016 held promise that this year valentino would be able to match his two enemies on raw pace

***catalunya 2016: after the dramatic closing stages of the 2015 season, everyone was of course waiting for the first proper on-track duel between valentino and marc. it took a while to get going at catalunya, with valentino getting a typically poor start and having to ruthlessly work his way through to even get to the marc fight. but it's worth it once he gets there - like all their on-track encounters, it's a fierce battle of wills nicely complemented by the contrast in styles, and you can tell how ferociously determined they are to get the better of each other. the race that prompts the slight rapprochement between the pair of them

silverstone 2016: maverick vinales ran off in the front to claim his first premier class win, though the fight behind him is well worth watching - and warranted a mention on the marc list too. the first part is good, but the final laps are what it's all about, as the multi-rider scrap distills into another vicious little encounter between valentino and marc. as ever, with these two it's personal, and they're hardly shy in their ferocity fighting each other. but valentino makes clear afterwards he has no complaints... even if marc always reserves a "special treatment" for him

cota 2017: a lovely whiff of controversy to one of the better races cota has produced. valentino is involved in a feisty clash with the rookie johann zarco, who was well on his way to acquiring a certain kind of reputation within the premier class. it's fair to say valentino was not a fan, and he's certainly not a fan of zarco's attempted overtake that valentino argued forced him off-track to avoid taking them both down. he's slapped with a three tenths penalty his team decided against informing him of - which he's still unaware of when closing up on dani with a few laps to go

^not quite the hand-holding of yesteryear, but it was something. the pair of them disagreed in the post-race presser about zarco's aggressive riding - and, perhaps, valentino's off-track excursion that supposedly granted him an unfair advantage reminded marc of a certain other previous incident. riding standards remained a major talking point for all of that season, most notably in assen and phillip island (though valentino himself ended up coming under some criticism, in particular by pedrosa after aragon). the two rivals agreed more often than not, even if valentino still had his reservations. after phillip island: "all riders are very aggressive, so you have to be more stupid than them"

**assen 2017: his last grand prix victory and it's as true to him as brno 1996. a rough, bruising tussle between riders who aren't afraid to exchange paint, with plenty of high quality racing on offer. some rain adds to the excitement - and valentino still faced a sturdy challenge on the very last lap. he remains the only rider in history to have recorded a grand prix win over twenty years after his first. he said afterwards that "sincerely I race with motorcycle for what you feel the five, six hours after the victory". in many ways, it feels like a scarcely believable amount of commitment for so fleeting a reward

****phillip island 2017: multi! rider! scrap! in! australia! valentino's strongest result after a broken leg in a motocross accident took him definitively out of the title hunt (the second serious motocross-related injury that year for him). anyhow, they're at it again and it's a brutal battle between several protagonists who are happy to get their elbows well, well out. valentino's leathers were marked by rather a lot of rubber by the end of the race - but the most important thing is that everyone had fun!

sachsenring 2018: valentino's 2018 performances were generally stronger than the results would suggest, with yamaha increasingly out at sea in a new era hurried along by the return of the michelin tyres. still, he put together a strong first half of the season and was marc's main challenger points-wise. even this late in his career, he demonstrated his willingness to continue to learn and improve by studying satellite yamaha rider jonas folger's performance fighting marc the year before at the circuit, joking after the race that nobody had ever told folger the yamaha wasn't supposed to be good around there. while in the end valentino couldn't really pose a significant challenge to marc, he gives it a good go and gets involved in a fun fight with jorge along the way

****assen 2018: one of the classic multi-rider dogfights, and valentino contributes very nicely to the drama of the race - not least as a result of his deep love for the final chicane. while the winner always had something extra in his back pocket, a rather unfortunate late coming together ends up (probably) depriving valentino of what would have been a deserved podium place

argentina 2019: marc disappears the moment the lights go out, but the battle behind him provides plenty of excitement. there's a bunch of riders fighting for the remaining podium places, elbows nicely out, but eventually valentino and dovi have it out in an entertaining contest that goes down right to the very last lap

^winning a last lap duel against andrea dovizioso... what, like it's hard? a year on from an eventful argentina grand prix, marc memorably likens his handshake with valentino to kissing a girl. the last podium the two of them share

andalusia 2020: some silly good defending against his teammate throughout the race that mainly had the effect of allowing fabio to escape. valentino's result was quite the heroic feat given the gruelling physical conditions: 36 degrees celsius with horrendous track temperatures, with only 13 of 21 riders making it to the end. the blistering heat also hardly helped with the tyre preservation that plagued this portion of valentino's career; managing these tyres was one development too far for his ever-evolving riding style to adjust to. two academy riders could have denied valentino's final career podium, but both their bikes had the decency to break down

^three yamaha's stood on the podium that day for the first time since 2014 phillip island, and presumably for the last time until around 2064. valentino celebrated enthusiastically to the empty jerez grandstands, 21 years after his infamous visit to the portaloo at the same circuit. valentino's decision to retire was complicated by the pandemic, his past ability to bounce back from rough patches and - most of all - his inexhaustible passion for racing, but eventually he called it a day after the 2021 season