#young woman reading

[7pleiades7]

Young Woman Reading (1856) by Alfred Émile Léopold Stevens (1823-1906), oil on canvas, Private Collection

[gameraboy2]

Young Woman Reading by Osman Hamdi Bey, 1880

[themuseumwithoutwalls]

MWW Artwork of the Day (4/1/23) Osman Hamdi Bey (Turkish, 1842–1910) Young Woman Reading (1880) Oil on canvas, 41.1 x 51 cm. Private Collection (UK)

"Young Woman Reading," known more commonly as "Young Girl Reading the Qur'an," displays many of the qualities for which Osman Hamdi became best known. The impeccably rendered dress of the kneeling figure and the decorative background against which she is set, rich in colour and Islamic designs, are virtual signatures of the artist, as is the startling clarity of the picture's highly detailed style. The precision of its surface, however, masks significant ambiguities at its core: The book that the woman has chosen, the direction of her gaze, and even the parting of her lips and the buttons at her neck, all serve to undermine our first impressions of the scene. What begins as a pretty harem picture, in other words, becomes a complicated and multi-referential text which addresses a variety of topical issues within the landscapes of Orientalism, 19th century art history, and aspects of the artist's biography itself. Through its transposition of British, French, and Turkish models, and its manipulation of their themes, "Young Woman Reading" demonstrates the unique nature of Osman Hamdi's Orientalism, and his artful game.

[diioonysus]

reading + art

[ffcrazy15]

There's this way of doing female-ness in Christianity that I call "pastel flower journal Christianity." I've got nothing against pastel flower journals per se, but for some reason people believe it's the end all and be all of female spirituality, and I think it's a real disservice towards young Christian women.

One of these days I'd like to start a prayer-and-reading group or something for young women, but there would be no floral themes or over-focus on how "God thinks you're beautiful even if the world doesn't" (a true statement, but it's wayyyyy too often the focus in women's spiritual reading). Instead we would be reading:

Seneca's Letters from a Stoic

Frankl's Man's Search for Meaning

Sheed's A Map of Life

Portions of Pieper's book on leisure

Kreeft's Three Philosophies of Life

Guardini's The Lord (or something similar)

Therese's Story of a Soul

and some select portions of the Nicomachean Ethics.

(Also they're all getting the porn talk. I don't know why we give the porn talk to young men but not young women. There's this idea that women don't use porn and they only need the talk about "guarding their heart." Bullshit. There's porn on the YA shelves of Barnes and Nobles and before that there were bodice rippers. Young women need the porn talk too.)

Every young woman needs to be getting a basic grounding in virtue ethics, logic, natural law, scholastic philosophy and Biblical hermeneutics if they're going to get by in today's spiritual landscape. Enough faffery and emotionalism in young women's spiritual education! Give them real food to chew on, not pasty sentimentalism!

[chefscook]

I always wonder how they’re doing between episodes

[artthatgivesmefeelings]

Victor Gabriel Gilbert (French, 1847-1933) Jeune femme lisant, n.d.

[s-darling-art]

Twt gave me characters I’ve never drawn before for this

[allthedesiredusernamesaretaken]

The Reader / Young Woman Reading a Book

- Pierre Auguste Renoir

[e-louise-bates]

Rebecca Dew is not my favorite character in Anne of Windy Willows/Poplars, but she does have some amazing gems, such as:

"I pity you if you take that iceberg and nutmeg-grater combined home with you for Christmas."

I mean. Have you ever heard a better description of a standoffish, universally-disliked, prickly person?

[7pleiades7]

Allegory of Vigilance (c. 1772), (detail) by Jean-Honoré Fragonard (French, 1732-1806), oil on canvas, 68.9 x 54.9 cm, The Metropolitan Museum of Art, New York City

[astriiformes]

Ordered a copy of Peter Boag's "Re-Dressing America's Frontier Past" while nabbing a couple of books from some university presses' holiday sales, which arrived today, and I am not ashamed to admit that one of my first thoughts flipping through it was "This is going to be so useful for writing trans!Marty in the 1880s fics"

[diioonysus]

baroque art + women

[shsl-heck]

Thinking about the Chevalier interlude, specifically the inaugural team of Wards. Like in universe, they sell it to this first group of kids (and presumably the rest of the world) as a place for second chances, to find friends and mentors who understand what youre going through, where you can learn to use your powers safely while making good memories. The kids broadly seem to believe in these noble intentions of course, but what really gets me is that I've seen readers buy into it!

"Oh, it's such a tragedy that the Wards program became this awful thing that traumatizes kids even more, and expects them to die for the sake of civilians! It's fallen so short of what it was originally supposed to be!"

No it has not??? The fact that the triumvirate and Hero are saying it has this noble goal doesn't make it true. The Wards was pretty clearly always a way to increase the amount of bodies the prt could throw at threats, and we know this because it was started by the fucking Triumvirate as a part of the Protectorate! Alexandria literally came up with the idea of the Protectorate to legitimize the power of capes, and have a consistent source of heroes Cauldron could throw at problems. That is the whole reason for the PRT/Protectorate existing. So when we have this group of children brought in a subsidiary, there are 2 real options.

1). Cauldron and Alexandria decided they would be really niceys and created this program with no intentions other than helping these kids out.

Or 2). As things got worse, they realized the Protectorate didn't have enough manpower to do what they needed, and so they expanded it to include children (the demographic most prone to triggering). That way, they greatly increase the number of capes who they can send to fight and die as needed, and the ones who do survive their tenure in the Wards will be better trained when it comes time to join the actual Protectorate.

At the risk of sounding conceited, I think the second one is far more likely based on everything we know about Cauldron. Maybe it was originally a little nobler, and the goal was just to create more well trained heroes and cut back on young villains, but there's no way Alexandria, Doc Mom, and Contessa didn't factor in the ability to sacrifice the kid heroes if it improved their chances of success. That was absolutely a perk at minimum.

That's the real tragedy of the inaugural Wards. The kids were lured in with promises of safety, comraderie, and second chances like lambs to the slaughter. All the while, Alexandria and Cauldron knew that many (if not most) of these children would suffer abuse by the prt (like in the case of Reed), die, or face a fate worse than death like poor Mouse Protector. It's horrifying! The idea that they didn't know the danger these kids would be in is literally inconceivable. Especially when one of you is also the head of the prt! They knew, and they didn't care. It improved their chances at the end of the world, and so they did it no matter the cost.

[art-allegory]

Philosophy and Christian Art

Artist: Daniel Huntington (American, 1816-1906)

Date: 1868

Medium: Oil on canvas

Collection: Los Angeles County Museum of Art, Los Angeles, CA, United States

Description

Although most of Huntington’s long career was taken up in painting more than one thousand portraits, he also painted landscapes and probably thought of himself as a painter of allegories and ideal subjects. His interest in religious and allegorical painting had been kindled by the Raphaelesque Italian and German ideal subjects he had seen in Rome on his first trip to Europe in 1839. By the 1860s his models were the Venetian artists of the High Renaissance, especially Titian (c. 1488-1576), whose example can be seen in the costumes and figure types depicted in Philosophy and Christian Art. The model or the type of the old man also appears in Huntington’s Sowing the Word, 1868 (New-York Historical Society). The influence of the Venetian school can also be seen in the rounder forms and richer palette of his paintings of this period. Even the half length format seems to echo Venetian examples. The model for the painting to which the young lady gestures, however, appears to be The Adoration of the Shepherds, 1650, by José Ribera (1588-1652) in the Louvre, Paris. The painting is conceived as a conversation between embodiments of opposing, but equally worthy points of view. The wisdom of the aged scholar, reading a book by lamplight, is contrasted with the intuitive perceptions of the young woman who examines a work of art by the daylight signified by the window.

[javelinbk]

The fans of Shea Stadium, 15th August 1965

The parents

The police/support staff