#young peter quill

[abydell]

Another Udonta-Quill Family (Yondad) bit

Yondu strode through the hanger of the Eclector with Peter Quill in toe; the boy carrying his little sister upon his back. They approached a craft docked in the maintenance area.

“Whoa cool!” Peter exclaimed as he saw the ship come into view. It was an old piece of construction equipment, it had an odd rounded shape and was yellow in color.

Yondu glanced down and chuckled at the boy's wide-eyed look of wonder over the big old hunk of junk.

“What is it?” Peter asked excitedly.

“A laser drill, meant to be for mining…but that’s not what we’re gonna use it for.” Yondu explained.

“Awesome. Can we check out the inside?” Peter’s eyes were hopeful and pleading.

Yondu looked to his crewmen who were working on repairing the craft, “Nothing is operational captain, should be okay.” one of them informed.

Yondu grunted then jerked his chin up, signaling Peter forwards.

Peter smiled and hitched his sister a little higher on his back as he ascended the loading ramp up into the ship, Yondu followed.

Once in the cockpit, Peter dropped his sister down into the co-pilot’s seat, “Alright, I’ll be the captain and you’ll be my First Mate, okay?” Peter told her.

“Kay,” she replied happily.

Yondu crossed his arms and leaned back against the wall, watching silently. The corner of his mouth turned up as Peter placed himself confidently in the Pilots chair, adjusting some of the control settings, though it did nothing; he was just pretending, Yondu realized.

Even though Peter was now in his early teens, Yondu knew he still had quite the childish streak and didn’t mind at all playing these types of games with his younger sister.

“Ready?” Peter said, “Begin take off sequence–”

“Wait!” the little girl to Peter’s left spouted, “What about daddy?”

“Oh… um,” Peter looked back over his shoulder to Yondu with an uneasy expression, unsure of whether or not to assign him a subordinate position.

“Daddy can be Gef.” the girl said, like that was the final word on the matter.

Peter looked bewildered. Yondu just chuckled as he stepped forward, “Shit, I’ll be Gef,” he said as he grabbed some goggles out of the service compartment. Placing them up upon his forehead, he pulled on his ear as Gef often did, and started pressing random buttons and switches on a side panel, “Uhhhmm, yep, all systems look good, Wait no– errrrrr” he squinted and leaned closer to the blank screen. The kids laughed at his impression. “Yeah, ready for docking detachment on your word, Captain,” Yondu turned and gave Peter a sly grin.

Peter's ear to ear smile lit up his whole face.

Soon the trio were pretending they were flying through a quantum asteroid field, but they’d shout out increasingly ridiculous objects that would appear before them out the viewport window.

“Aahh! That’s no moon, It’s the Death-Star!” Peter yelled.

“Ablisk! Ablisk!” his sister shouted.

“Go to the right, I think I saw a food skiff.” Yondu/Gef added.

Kraglin walked across the metal catwalk in front of the viewport window.

“Kraglin no! Get out of the way!”

“Fool is out there without a space suit, again.”

“Get him with the tractor bean!”

Kraglin turned his head and paused as he spotted them. He couldn’t hear them, he just saw Pete and his sister gesturing wildly and waving their arms at him, Yondu standing between them wearing goggles. Kraglin shook his head with a smirk and continued on his way.

“Hey Dada– uh, I mean Gef,”

Yondu turned to her, “Yeah lil’ bit?”

She pointed out the viewport window at nothing in particular “What’s that?”

Yondu/Gef shrugged, “Eh, could be my brains, cause I sure ain’t got ‘em in my head.”

“Pfft, nah, everyone knows Gef’s brains are in his stomach.” Peter chuckled.

“–What’re y’all doin?” a voice called from behind them.

All three turned to see Meredith entering the cockpit with a bemused expression on her face.

“Hey now, how’d a space angel get in here?” Yondu cracked a crooked grin.

“Shoulda figured y’all would be playin around in this thing.” Meredith told them.

Yondu stepped up to her, “The kids were curious is all.”

“Is that so,” Meredith placed her hands gently upon the lapels of his jacket as he shrugged.

“Mommy don’t, he’s Gef.” Lil bit warned.

Meredith paused, “Oh, you’re Gef huh?” she eyed him up and down.

“Yes ma’am.” Yondu grinned.

She spied the goggles and laughed, “Got it, well when you do see Yondu, tell him I want him up in the quarters.”

“Yes Ma’am.”

“Ugh, you guys can play later.” Peter complained, “We’re in the middle of a mission here.”

“Alright,” Meredith relented, giving Yondu a slight push. “So anyways, I got some of those new snacks you guys were askin for.”

“Zarg-nuts?” Peter lit up, “Oh cool! Thanks mom!”

“Yay! Zag nuts!” Lil’ bit spouted.

“I gotta get back to it, y’all play nice now.”

“We will, love you mom!”

“Love you too.” Meredith said and winked at Yondu as she descended the ladder out of the cockpit.

“Later sweetheart.” Yondu called after her.

“Whoa Gef, don’t talk to my mom like that,” Peter smirked, “or my pop will kick your ass.”

“Boy, ain’t no way you can trick me into kicking my own ass.”

“Well you know, never hurts to try,”

“Cheeky brat.” Yondu grunted.

“Gef, get back to your post, or I will whip your ass.” Peter said.

“Alright that’s it, I’m pulling a mutiny.” Yondu growled and moved into Peter’s space.

“What? No!” Peter’s suppressed laughter as Yondu began punching playfully at his chest and stomach, “Gah! One man mutinies don’t count!” Peter shouted as he squirmed around and tried to fight back in his seat.

“Says who,” Yondu spun and scooped his daughter up, placing her over his shoulder, “I’m takin this lil’ bit with me too,”

“Hey give her back!” Peter jumped up from the chair and gave chase.

They quickly caught up with Meredith and the sounds of playful laughter echoed through the maintenance bay.

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Authors Note:

This is from my variant timeline of the Star-Queen universe. So fanfiction inspired by fanfiction.

'Lil' bit' can be Yondu and Meredith's halfbreed daughter,

Or she could be a baby they ended up adopting (Mantis even maybe)

[happy-bubble]

This might be my favorite GOTG fan art of all time.

Some older sketches of Peter and Kraglin. :D

[nalian0vna]

First concept art for Avengers: Doomsday

[joezy27]

HAWKEYE - Kate Bishop with the Young Avengers, Wong, Star Lord, Ms Marvel and Doop (MCU)

Avengers Doomsday (?) / Secret War(?) Concept art by Mushk Rizvi

[raccoon-coded]

Frankie was to Rocket what Yondu was to Peter. (At least in the beginning.)

Rocket Raccoon & Groot: Tall Tails Infinity Comic (2023) #13

[cyren-myadd]

A list of characters who remind me of Spider Socorro, but it gets progressively worse

[smhalltheurlsaretaken]

still sad yondu never got to learn mantis is peter's sister (he could in theory have been the one to bring her to ego but i don't think that's the case, i feel that would have been commented on) because he absolutely would have made it a point to designate her as his favorite child

[soupsandwich64]

THE GUARDIANS OF THE GALAXY AND THEIR LOVE LANGUAGES.

Forgive me for any mistakes of lore, names or character traits etc.. I am bad at remembering things.

Not proof read.

ALSO NOTE THAT THIS DOESN'T MEAN "THESE ARE THE ONLY LANGUAGES THAT WORK ON THEM" IT MEANS "THESE ARE THE ONES THAT WORK BEST OUT OF ALL OF THEM"

And theres things like least favorite, too.

--------------------------------------------------------

ROCKET RACCOON

RECEIVING -

(What is most effective towards him)

GIFT GIVING.

(Particularly prosthetic limbs)

QUALITY TIME.

Think like co-playing. Both in the same room doing different things. Sometimes talking

WORDS OF AFFIRMATION.

This one is probably pretty intense for him, so he only lets it actually sink in if it's a short sentiment from someone he truly cares about. Like, a friend being like "wow you're so cool!" Would definitely make him feel good, and probably inflate his ego/self esteem, but wouldn't really set in. But if like, Peter or Mantis etc. said something like "I appreciate everything you do for this team, we love you" that might actually hit hard. That's what I mean when I put words of affirmation here

---

GIVING

(What he would give you or others)

WORDS OF AFFIRMATION.

QUALITY TIME.

These two are his most standard forms of affection. He also gives them like he receives them. So, if someone he's friends with is a silent type, comfortable silence in the same room. If they're talkative, some light chatting is ok, and so on. Words of affirmation from him would most likely just be surface level stuff like "Good job" "You're not as dumb as I thought" "that's a neat trick" etc. sort of a friendly bullying. How people respond to that bullying tells him a lot about someone, usually. Just like with himself, if he's particularly close to someone, he may let out the occasional genuine praise without a layer of sarcasm.

LEAST FAVORITE

Physical touch.

Yeah, ouch, I know.

Not only is he smaller than everyone, which might make physical touch overwhelming, but he also has the situation on his back. But deep down, I think he's a bit touch starved (Everyone in the dang MCU is at this point) and secretly enjoys it. You just can't be heavy handed, and he really has to trust you. And too much too frequently may make him feel like a pet. So be careful.

(theres no way he would admit though, If asked about it he would simply say "Cause I don't want you gross sweaty skin bags all over me", referring to most peoples lack of fur)

-------------

PETER QUILL

(Theres like only 4 gifs of him. Why does my boy not deserve tasty gifs)

RECEIVING

-----------

With Peter it heavily depends on where you are in his timeline. The "golden age" Peter, where Gamora is alive and in love, and its good times for everyone, is probably not focused on relationships outside of the team (which might be part of his issues that were addressed in Vol 3.) The "everyone I love is dead" peter is in an extreme depressive state and obviously isn't going to be making new friends or even be responsive to his current friends (for the most part). The post Vol3 "Reconciled with my dad and stopped hopping on lily pads" Peter is new man! But also the same, being like a rebuilt version of himself. He would now, in my opinion, value every relationship he has. Every opportunity he has to be with other people becomes valuable, and everything he does is to honor the people who loved him when no one else did (Mama Quill, Yondu, Gamora etc.) and serve the people who love him now and kept loving him even through hard times. (Rocket, Mantis, Drax, Groot etc.).

With that said,

ACTS OF SERVICE

GIFT GIVING

I see Peter feeling loved more through actions and physical items because of what he's been through, making him crave things that are solid and real. Also Yondu was a lil trinket collector so that may turn up in Peter too. But, I also think Peter may feel a little guilty when receiving gifts. Very grateful, though.

I will also add

WORDS OF AFFIRMATION

QUALITY TIME

Because even despite what I just said, I think a solid "You're so strong, I look up to you" every now then would make him giggle and kick his feet a little internally.

And listening to music together or sharing music is also particularly special

At the end of the day, he's just happy to be around loved ones.

GIVING

Just as you may be doing right now, he would probably try and figure out what the specific person likes. So his giving just depends on the person.

LEAST FAVORITE.

He doesn't really have one. He just wants to be loved.

--------

DRAX

(The destroyer (and protector))

Drax is probably receptive to most forms of affection, but it has to be obvious and clearcut.

Like, doing subtle things in the background might not get his attention, but hugging him directly and saying something like "I appreciate you as a person and for everything you do for the team" would be a lot better, and mean a lot more to him, even though its a very bold/blunt move. Theres probably a balance between blunt and subtle, but it would be pretty easy to strike. You also don't want to leave room for interpretation if you're afraid of him misinterpreting the difference between platonic and romantic affection. Its a slippery slope, but as long as you avoid using the word 'love' without platonic clarification too many times, you'll be good.

Also Drax does does not make friends in the traditional sense, he simply decides who is and who is not his friend. Whether they know about it or not. Not even in a way thats like cold and calculated or something, he just thinks it in his own head and decides it, expecting the others to simply Know.

With that said,

RECEIVING

PHYSICAL TOUCH.

I say this is probably both receiving and giving, but he's probably less likely to give and more open to receive. I feel like he would just kinda stand there the first few times someone hugged him, but if it became a routine thing, he would become more reciprocal. That might sound like he doesn't like physical touch, but I think its rather the fact that along with his other social skills, physical affection just turns out.. different.. for him. Like when he pet Rocket. I think he's a physical person, it just comes out weird. I want to hug him. If you touch his muscles too much he may get weirded out, or think you like him.

GIVING GIFTS

If you give him something he likes, like zarg-nuts, oh boy. He will DEFINITELY like you. Thats all to be said.

GIVING

WORDS OF AFFIRMATION.

Things like "You're ugly, but thats good because then you know who really loves you", y'know.

GIFT GIVING

Will offer you zarg-nuts. Thats a big deal.

LEAST FAVORITE

Probably Quality Time, but only if its boring. I think he actually sees things like fighting alongside the team as quality time, so it might just be different than how we would interpret quality time.

Again, he probably is just generally receptive to each language so you can't really go wrong, as long as you come across right.

-------------------

GAMORA (pre and post)

(There's also not a lot of gifs of her at all)

So, much like quill, she has three versions. During Thanos, Golden Age, and Multiverse. I'll do Golden Age and Multiverse because I don't think During Thanos is interesting, at least not for this specific post.

Also golden age and multiverse are technically two different people.

GOLDEN AGE GAMORA

Golden age Gamora is, in my opinion, a very deeply feeling woman. She can be stone cold when she needs to, but I feel like she is very emotionally intelligent especially as she gets closer with the team. She is also very loving, and is often 'the rock' of a friendship. Or just generally the level headed, down to earth one.

-----------------------

RECEIVING

QUALITY TIME

Definitely finds spending time together and talking valuable. Even listening to music together is special.

WORDS OF AFFIRMATION

As long as the words are honest and not trying to just flatter her or try and get in good with her, she appreciates it. Honest praise goes a long way. Too much too often may make her embarrassed.

GIVING

Since she *is* rather emotionally intelligent, I imagine she would figure out what that person is most receptive to, and display that. But if it's someone she likes, like Peter, she may get bashful and have a hard time acting natural with it and would probably revert to her own preferred language.

LEAST FAVORITE

GIFT GIVING.

I imagine her upbringing caused her to not be a materialistic person. That said, gifts can be extremely special to her, but its just rare. So giving her flowers doesn't do anything but like if Peter gave her a mixtape, thats different.

////

MULTIVERSE GAMORA

A more hot headed, less sensitive version of golden age. Meaning she's probably more standoffish and less emotionally intelligent, but not by a lot, just sort of by the trimmings and details of her personality. Being with the ravagers probably does that to most anyone. Golden age has more motherly vibes, while multiverse has more protective older sister vibes.

--------

RECEIVING

PHYSICAL TOUCH.

In the form of rough housing and play fighting with her ravager friends. Not exactly in a tender way, although I do see sort of the "let me patch you up" angst. One of the differences between the two is that multiverse is more afraid to be vulnerable.

GIFT GIVING

Surprisingly. I think the ravager life style may make her a little more appreciative of having her own things. I imagine theres a lot of competitiveness for special food and special items, even if its playful. Even though something unnecessary like flowers may not excite her, things like a newer, stronger weapon could mean a lot. Golden Age may not feel the exact same only because it's probably more accessible. But lets say if its something Rocket made her, then it would be inherently valuable because its from her friend. With multiverse, things gain inherent value when they're useful.

LEAST FAVORITE

WORDS OF AFFIRMATION.

She doesn't need you to tell her she's doing a good job, she already knows. Compliments are only effective from people she respects above peer-level, which is rare. Joking around with her friends (loving insults, etc) is different though.

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GROOT (multiple ages)

(I couldn't find gifs of young adult groot, only many of baby groot and a few of groot senior. Sad)

Baby Groot, Teen Groot, Young Adult Groot, Adult Groot, Groot Senior. So many choices. I'll do them ALL. (Except adult groot cause we just saw him for a few minutes so like- yknow)

GROOT SENIOR

Since Groot sr. was treated "more as animal" than a person, I imagine he doesn't have a concept of love language at all. Therefor, I will say that anything he perceives as loving, caring and protective action is his love language both giving and receiving. R.I.P. legend you will not be forgotten 🪽🕊️🕊️ 🙏 💯

The original baby boy. I'm still sad.

-----

BABY GROOT

He's a baby, so in theme for babies, attention, physical affection, and quality time are pretty much his main priorities. He ain't got much going on. Older baby groot, like toddler groot, is more active and perceptive, so I'd say his main receiving language is words of affirmation, and his main giving language is acts of service.

TEEN GROOT

Teen groot is broody and angsty, and he's definitely not thinking about other's feelings. So I'm gonna say while it's rare, when he does show affection, it's act of service. Receiving is pretty much anything, he doesn't really care right now.

At least not about the specifics.

-

YOUNG ADULT GROOT

Now, groot is much more loving and affectionate. He is receptive to all love languages, and gives them all too. Except, theres not much use in words of affirmation for him unless he really loves the person.

-----

MANTIS

RECEIVING

Anything. As long as she can clearly tell it's love/affection, it's effective. Like Peter, she just wants to be loved.

GIVING

WORDS OF AFFIRMATION.

Being able to verbally explain how she feels to someone, and how she may appreciate that person, is the most confident option for her. She thinks that it's pretty effective, and is the safest option. She probably also never got a lot of affection at all before the Guardians, but I think she appreciates mental and social affection more than physical.

LEAST FAVORITE

Doesn't have one.

------------

NEBULA

(Last one I'm doing this post then I'll do a few more in a second post)

RECEIVING

QUALITY TIME.

Like board games and stuff, or at least thats what I think she wants, deep down. I feel like maybe she doesn't realize this is one of her love languages. Like it's subconscious.

GIFT GIVING.

With her upbringing, she only had things taken away. Giving her something of importance may mean a lot to her. Like her new arm in Vol3. Again since shes still a little emotionally constipated, she may not really realize this.

GIVING.

She doesn't really understand how to sort of actively pursue a friendship or how to read someones love language, so her giving language is probably just existing in the same space as someone without criticizing them. Because she doesn't quite know how to do more than that, or at least isn't comfortable right now. But she wants to and deep down she's trying.

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THANK YOU FOR READING!!!!!

I'll do like Adam Warlock and stuff next.

[caseghost]

don't know if anyone still following me here and alive remembers me as the girl who used to draw a fuck ton of thorquill. well i'm a man now and i still draw and i still love gotg so here's a fat trans peter quill. also vol 3 was so good i think it re-routed the entire course of my mind and life alright that's it

[itsybitsypeterparker]

@beatfreesmysoul continued from HERE

When it came to all that occurred before, during, and after the Blip and all that Thanos nonsense, a lot of people's common senses went out with the bath water. People too blinded by panic and fear to think straight. That could be one argument as to why Tony even let Peter participate in the coming and aftermath of the apocalypse. He was an Avenger, after all! What would he do if not help them fight towards a better future? Especially after they ended up winning!

But one could also argue that Peter was the dumb-ass who shot himself into space after being warned not to. He was the dumb-ass who headed towards an intergalactic cave match with a purple being that made Grimace look like a joke. He was young but he was also stupid. A genius when it came to certain things, an imbecile when it came to others. It was a team-effort that got Peter into these sort of messes in the first place. So if Quill wanted to blame anyone for seeing someone so young, he would have trouble pointing a finger at just who caused it all.

Peter was enticed by Quill's friendliness. The corners of the teen's eyes crinkled as he smiled wide, switching his mask to one hand so he could hand-shake the other's, only to debate it, pull back, and offer a fist-bump just in case that was too classy for Quill.

"Sure is. Maybe one of the best names around?" He contemplated the man's question, tilting his head just a bit, "Uhh....I don't think I really listen to one type. Just kinda what interests me. But the soundtracks of movies are nice. Like Star Wars'. It really immerses you in the story, you know? And if I listen to that kind of stuff while I'm doing homework or working on a progress, it really keeps me focus. Kinda lame but...." Peter shrugged, "That word sums me up 'cept for the Spider-stuff."

[nextlevelpromo]

SEARCHING FOR... TONY STARK AKA IRON MAN

We are a Marvel and DC roleplay where characters lead ordinary lives and interact virtually through a new game called "The New Era: Legends Rising" on a device called the VENTURA, the evolutionary new VR Gaming experience. With it, games come to life with its patented technology, and now you can experience the world of gaming on a whole other level via all the senses. The world of superheroes has never been experienced like this before.

START A NEW GAME TODAY! [ HOME ] [ MOBILE ] [ SERVER ]

> 18+ Discord Server > Modern/Slice-of-life AU w/ virtual canon-inspired elements > Seeking both DC and Marvel charas~! Most Wanted: Sam Wilson, Jessica Drew, Bobbi Morse, Pietro Maximoff, Miles Morales, Oliver Queen, Barry Allen, Donna Troy, Barbara Gordon, Rachel Roth

[urdreamydoodles]

MARVEL COMICS CHARACTERS X FEM!READER

You kiss them when they least expect it

Characters: Peter Parker, Tony Stark, Steve Rogers, Thor, Loki, Clint Barton, Natasha Romanoff, Bucky Barnes, Matthew Murdock, Frank Castle, Bullseye, Marc Spector, Taskmaster, Johnny Storm, Reed Richards, Ben Grimm, Susan Storm, Felicia Hardy, Stephen Strange, Namor, Johnny Blaze, Eddie Brock / Venom, T'Challa, Elektra Natchios, Muse, Victor von Doom, Peter Quill & Nova

Reply to anon: As promised...your little Catholic boy. I spend my days writing to keep my mind off my surgery. I'm a really anxious person, so I have to fill my head with my pleasures (my fandoms). So the requests will come out quickly, I'm happy and you're happy... win win. Thank you for all your requests and support. LOVE YOU GUYS SO MUCH ♡

Peter Parker

- Peter Parker has been kissed before. He has known the warmth of affection, the giddy rush of young love, the slow ache of something deeper. But nothing—nothing—could have prepared him for the moment your lips press against his, sudden and unannounced, shattering the rhythm of his thoughts like a lightning strike in the middle of a quiet night. His brain short-circuits instantly.

- His body reacts before his mind does, his breath catching, fingers twitching as if unsure whether to hold you or simply let himself drown in the moment. There is a fleeting second of hesitation, a half-formed thought that this must be some kind of dream, some cruel trick played by the universe. But your warmth is real, your presence undeniable. The city fades around him, the constant hum of responsibility momentarily silenced beneath the press of your lips.

- When you finally pull away, Peter blinks—once, twice—like he’s trying to process what just happened. Then, without warning, his face erupts into a deep crimson flush, spreading down to his neck like wildfire. “Oh,” he breathes out, voice slightly strangled. “Okay. Cool. That was… um. Wow.” He rubs the back of his neck, a nervous chuckle escaping him. “Was that, like, a scientific experiment? Because if so, I volunteer for more data collection.”

- Despite the awkward attempt at humor, his hands are still trembling, his pupils blown wide with something raw and unspoken. And then, after a moment of hesitation, his fingers curl around yours, his grip steady despite the lingering nerves. “But, uh… just so we’re clear,” he murmurs, voice softer now, more certain, “if you ever wanna do that again, you won’t have to catch me off guard next time.”

Tony Stark

- Tony Stark has spent a lifetime mastering control. He anticipates every possible scenario, every variable, every consequence. His mind is a constant whirlwind of calculations, solutions, contingencies. But when you kiss him—when you seize the moment and steal his breath away with no warning, no preamble—his mind goes completely, utterly blank. For the first time in years, there is no plan. No exit strategy. Just you.

- His body reacts on instinct, hands coming up to grasp your waist, a sharp inhale against your lips. But it’s not just the physical contact that undoes him—it’s the fact that you did it at all. That you, beautiful and untouchable in a way he never dared to hope for, have chosen him in this moment, with no ulterior motive, no expectation. It is not a conquest. It is not a game. It is real. And Tony Stark has never known how to handle real.

- When you finally break away, his lips are still parted, his usually sharp tongue momentarily silenced. Then, ever so slowly, a grin tugs at the corners of his mouth, something dangerous and delighted and entirely Tony. “Well, well,” he muses, his voice a low hum. “That was unexpected. Not that I’m complaining, of course.” He tilts his head, eyes gleaming with mischief. “But, uh, you might wanna be careful, sweetheart. You kiss me like that, and I might just start thinking you like me.”

- And yet, beneath the bravado, there is something softer, something unspoken in the way his fingers linger against your skin, in the way his expression shifts—just for a fraction of a second—into something almost reverent. Because the truth is, he is already lost. And if you kissed him again, he wouldn’t just let you—he’d make damn sure you never stopped.

Steve Rogers

- Steve Rogers is used to the world moving too fast around him. Time slips through his fingers like sand, people come and go like ghosts, and every moment is a reminder of just how much he has lost. But when you kiss him—when you break through the steady, predictable rhythm of his days with something as sudden and undeniable as your lips against his—it is the first time in a long, long while that he feels truly, absolutely present.

- He freezes at first, caught between instinct and shock, but it lasts only a second. Then, without thinking, his hands find your waist, steadying you both as though the moment itself is something fragile, something sacred. His heart is hammering against his ribs, a deep, resounding drumbeat that he swears you must be able to hear. And when he finally exhales, it is not out of hesitation—but out of something else. Something like surrender.

- When you pull back, his blue eyes are searching, tracing your face with an intensity that makes your breath hitch. He doesn’t speak at first, doesn’t joke or tease or stumble over his words. Instead, he simply watches you, memorizing every detail of the moment, committing it to memory as if he is afraid it will slip away. And then, at last, he lets out a quiet, almost incredulous chuckle. “You really do like keeping me on my toes, don’t you?”

- But there is warmth in his voice, something gentle and unshaken. And then, after a moment, he does something you don’t expect—he leans in again, slower this time, deliberate. His lips brush against yours, and this time, he is the one who takes control. And when he pulls away, his hand lingers at the back of your neck, his thumb tracing slow, absentminded patterns against your skin. “Just so you know,” he murmurs, a small smile playing at his lips, “next time, I won’t let you take me by surprise.”

Thor

- Thor Odinson has been kissed before. He has known the passion of warriors, the devotion of gods, the fleeting tenderness of mortals who looked upon him with awe. And yet, when you kiss him—when you press your lips against his without hesitation, without prelude—it is not reverence that he feels, nor expectation. It is something deeper, something that sinks into his very bones. It is you.

- There is a moment of stillness, as if the entire world holds its breath. Then, with a deep, rumbling exhale, he reacts—not with hesitation, not with shock, but with the full force of a man who has never done anything by halves. His arms wrap around you, pulling you flush against him, his grip firm yet careful, as if you are something both fierce and fragile, something he is terrified of losing.

- When you pull back, he does not release you immediately. His forehead rests against yours, his breath warm against your skin, and for a moment, he simply exists in the aftermath of what you have done. Then, with a slow, wolfish grin, he pulls back just enough to meet your gaze, his eyes bright with something unmistakably pleased. “Ah,” he rumbles, his voice thick with amusement, “so the battle has begun, then?”

- And before you can question him, before you can even think, he leans in once more—this time with purpose, with certainty. His lips claim yours in a way that is both a challenge and an offering, a promise and a declaration. And when he finally pulls away, his fingers trail down your spine, his grip unwavering. “A warning, my beloved,” he murmurs, eyes gleaming. “You have started something you may not wish to finish.” But the way he holds you—the way his touch lingers, possessive and warm—tells you that, in truth, he is hoping you never do.

Loki

- Loki is a creature of calculation, of control wrapped in silver-tongued deception. He reads people like poetry, anticipates betrayals before they are spoken, dissects affections before they can wound him. But when your lips find his—without warning, without preamble—it is the first time in centuries that someone has truly caught him off guard. His breath halts, body rigid, as if the universe itself has shifted beneath him.

- He does not pull away. He does not return it immediately, either. Instead, he remains perfectly still, sharp eyes searching yours with an intensity that borders on dangerous. You can almost hear the gears turning in his mind, the war between disbelief and hunger, between skepticism and the undeniable thrill of being wanted without agenda. And then, ever so slowly, the corner of his mouth curls, something dark and pleased blooming in his expression. “Interesting,” he muses, voice velvet-smooth, though there is an unmistakable edge of breathlessness beneath it.

- When you move to step back, he does not allow it. A hand—cool, firm, deceptively gentle—curls around your wrist, anchoring you in place. “You think you can best me in my own game, little one?” he murmurs, amusement dripping from every syllable. “That you can steal a kiss and escape unscathed?” His voice is teasing, but there is something else beneath it—something raw, something aching, something that trembles on the edge of longing.

- And then, with a slow, deliberate certainty, he leans in once more. This time, there is no hesitation, no caution. His lips claim yours in a way that is both challenge and surrender, fire and ice melting together in something neither of you can quite name. And when he finally pulls away, his thumb traces the edge of your jaw, his smirk lazy yet predatory. “You are playing a dangerous game, darling,” he whispers. “And I do hope you intend to see it through.”

Clint Barton

- Clint Barton has been trained to anticipate the unexpected. He is a man who survives on instinct, who sees what others miss, who never lets his guard down—not truly. But when you kiss him, when you press your lips against his without warning, without prelude, it is the first time in years that someone has managed to slip past his defenses. And it floors him.

- His breath stutters, muscles tensing as if expecting some kind of punchline, some cruel joke at his expense. But then—then—your hands brush against his jaw, gentle, grounding, real. And suddenly, the world feels quieter. The weight of it all—the missions, the past, the scars that never quite fade—momentarily lifts, leaving nothing but the steady, warm press of your mouth against his. And for once, he lets himself sink into it.

- When you finally pull away, he blinks as if shaking off a haze, lips parted in something like disbelief. And then, ever so slowly, a grin spreads across his face—lazy, crooked, entirely Clint. “Well, damn,” he breathes out, a chuckle escaping him. “Gonna be honest, didn’t see that one coming.” He tilts his head, eyes alight with mischief. “You always go around ambushing guys like this, or am I just special?”

- But there is something softer beneath the teasing, something unspoken in the way his fingers linger near yours, as if debating whether to pull you back in. And then, with a quiet exhale, he murmurs, “Not that I’m complaining, but—maybe next time, give a guy some warning?” He smirks. “Or don’t. I kinda like the element of surprise.”

Natasha Romanoff

- Natasha Romanoff is not a woman who is easily caught off guard. She is control, precision, danger wrapped in elegance. She anticipates every move before it happens, never allows herself to be vulnerable, never lets anyone too close. But when you kiss her—without warning, without calculation—it is the one scenario she never saw coming.

- Her body tenses immediately, years of instinct screaming at her to assess the threat, to react. But then—then—your lips linger, warm and unhurried, and something in her falters. There is no ulterior motive, no expectation, no game being played. Just you. And that, more than anything, leaves her shaken. She does not kiss you back, not at first. She is too busy deciphering why—why you would do this, why she doesn’t hate it, why the world suddenly feels too small with you this close.

- When you pull away, she does not speak. Instead, she tilts her head, studying you with an unreadable expression, emerald eyes scanning your face as if searching for an answer you have not yet spoken. And then, at last, a small smirk tugs at the corner of her lips. “Brave,” she murmurs, voice smooth, almost amused. “Reckless, but brave.” But there is something else in her gaze—something uncertain, something hesitant. As if she is not quite sure what to do with the warmth still lingering on her lips.

- Then, before you can respond, she steps closer, closing the space between you. There is no hesitation this time, no calculation—just the slow, deliberate press of her mouth against yours. And when she finally pulls away, her voice is softer, quieter. “Don’t do that unless you mean it,” she warns. But the way her fingers trail against your wrist, the way her breath lingers against your skin, tells you that she is hoping—just this once—that you do.

Bucky Barnes

- Bucky Barnes is a man who flinches at softness. He does not know how to accept kindness without suspicion, does not know how to be wanted without expectation. He has spent years being used, being controlled, being nothing more than a weapon to be wielded. But when you kiss him—when you press your lips against his without warning—it is the first time in a long, long while that he is simply Bucky.

- His entire body stiffens at first, muscles coiled as if expecting an attack, a trap, a trick. But then your hands brush against him—gentle, grounding, real—and something in him cracks. His breath shudders against your lips, something raw and unspoken trembling just beneath the surface. And for the first time in years, he allows himself to be held instead of holding himself together.

- When you pull away, he doesn’t move. Doesn’t breathe. His expression is unreadable, blue eyes stormy with something you can’t quite decipher. And then, ever so slowly, he exhales. “Why?” The word is quiet, hesitant, as if he doesn’t believe he deserves the answer. As if he is bracing himself for you to tell him it was a mistake. But you don’t. You just look at him, and that alone is enough to undo him.

- And then, after a long moment, his fingers brush against yours, tentative, uncertain. “Do it again,” he murmurs, the words barely audible. But when you do—when you kiss him once more, slow and patient and real—his hands finally come up to hold you, steady and warm and home. And this time, he doesn’t let you pull away.

Matthew Murdock

- Matthew Murdock is a man who lives in anticipation. Every breath, every footstep, every heartbeat in his vicinity is accounted for, cataloged, expected. He senses things before they happen, navigates the unseen with the certainty of someone who has never truly been blind. But he does not sense this. The moment your lips press against his, his world—usually so finely attuned—stutters. For the first time in a long time, Matt is truly caught off guard.

- His breath hitches, his fingers twitch at his sides, and for a brief moment, he is frozen in place. The taste of you lingers—warmth and surprise and something maddeningly sweet. His senses flood with you, and it is overwhelming in the best and worst way. His pulse is erratic, his mind a mess of tangled thoughts. He has fought the devil inside himself for so long, denied himself softness, pushed away love because it only ever ends in ruin. And yet, here you are. Kissing him.

- When you pull back, he exhales shakily, his lips parting as if to speak, but no words come. Instead, his hand finds you—fingertips ghosting over your cheek, as if to make certain you are real. His voice, when he finally manages to use it, is quiet, reverent. “You shouldn’t do things like that,” he murmurs, but there is no conviction in his words, no true protest. Only the lingering tremor of someone who wants—desperately, deeply—but does not know if he is allowed to have.

- And then, as if unable to resist the temptation you have placed before him, he leans in. His kiss is not hasty, not fevered, but something far more dangerous—slow, deliberate, inevitable. It is an unspoken confession, a quiet surrender, a promise that he may not be ready to put into words. But his hands find your waist, his lips press deeper into yours, and the way he sighs against your mouth tells you all you need to know.

Frank Castle

- Frank Castle has lost too much to believe in second chances. Love is a thing he buried alongside his family, a thing he does not touch, does not deserve. He is a man made of violence, of war and grief and cold, unrelenting vengeance. He does not get soft things. So when you kiss him—when you, in all your warmth, in all your reckless beauty, dare to press your lips to his—he does not know what to do with it.

- His entire body goes still, as if the world has caught fire and he is standing in the center of the blaze, unscathed but bewildered. He does not pull away. He does not push you back. He simply exists in the moment, feeling something that is not rage, not pain, not the gnawing emptiness that has been his only companion for years. The taste of you lingers—something achingly sweet against the bitterness of his own existence.

- When you finally step back, he exhales sharply, his breath uneven, his jaw clenched. His eyes—dark, stormy, battle-hardened—lock onto yours, searching, questioning. He wants to tell you this is a mistake. That people who get close to him only end up hurt, that his hands are meant for killing, not holding. But he doesn’t say it. Because for the first time in a long, long time, he does not want to push something away.

- Instead, his fingers curl at his sides, his voice low, rough. “You sure you wanna be doin’ that?” It’s not a warning—it’s an invitation. A chance to walk away before he inevitably ruins you the way he ruins everything else. But when you don’t—when you meet his gaze and kiss him again, slower this time, softer—his resolve cracks, and he kisses you back with something that is almost desperate, almost alive.

Bullseye (Lester)

- Bullseye is used to taking. He takes lives, takes power, takes anything he wants because no one can stop him. He is a monster, and he knows it—embraces it. There is nothing good in him. Nothing worth saving. And yet, you—beautiful, foolish, unafraid—have the audacity to kiss him as if he is anything but ruin incarnate.

- The moment your lips meet his, something snaps in him. His instincts scream at him to turn this into a game, to take control, to make you regret ever thinking you could surprise him. But for once, he does not move. He lets himself feel it. The warmth of you, the softness, the maddening contrast of something so pure against the corruption that coats his soul like tar. It is unexpected, undeserved, and utterly intoxicating.

- When you pull away, his smirk is slow, sharp-edged, dangerous. His eyes—dark and gleaming with something predatory—drag over your face like he’s memorizing every detail, committing your recklessness to memory. “Well, damn,” he drawls, voice slick with amusement. “Didn’t know you had it in you, sweetheart.” His fingers ghost over his lips as if testing whether the sensation was real or just some twisted hallucination.

- And then, with a sudden, startling speed, he moves. One hand grips the back of your neck, the other pressing against your waist, and before you can react, he’s kissing you back. But this—this is something else entirely. It is wild, chaotic, consuming. A warning, a promise, a claim. And when he finally pulls away, grinning like the devil himself, he murmurs, “Hope you know what you just started.”

Marc Spector

- Marc Spector is used to ghosts. His past, his mistakes, his fractured mind—he carries them all like shadows that never fade. He does not trust happiness, does not trust peace, because both have been ripped from him too many times to count. And love? Love is not something that belongs to men like him. But then there is you. And then there is this. Your lips against his, unannounced, unexpected, real.

- The first sensation is shock. Not fear, not rejection—just shock. His mind, always a battlefield of shifting identities and whispered voices, goes silent for one aching, beautiful moment. The warmth of your mouth, the way you lean into him with no hesitation, no fear—it is something foreign, something he does not know how to hold. And yet, he wants to. God help him, he wants to.

- When you pull back, his breath is unsteady, his hands curled into fists at his sides as if fighting the urge to pull you back in. His eyes—haunted, desperate, yearning—flicker between you and the ground, as if struggling to find something solid to anchor himself. “You shouldn’t…” His voice is raw, broken. “You shouldn’t do that.” But there is no weight behind the words, no real protest. Just the quiet, trembling confession of a man who does not believe he deserves to be touched with kindness.

- And then, with a slow exhale, he makes a choice. His hand—scarred, trembling—reaches for yours, fingers brushing tentatively before curling around them. He does not pull you close, does not claim you the way others might. Instead, he simply holds on. A silent plea, a fragile hope. And when he finally kisses you back, it is not with hunger, not with dominance—but with something far more dangerous. Need.

Taskmaster (Tony Masters)

- Taskmaster survives by reading people before they can act. He sees a shift in weight, a flicker of intent, the smallest twitch of a muscle, and he knows what comes next. It’s how he wins fights, how he predicts every move before it happens. But not this. Not you. He doesn’t see it coming when your lips press against his, a ghost of warmth against the cold edge of a man who has spent his life being untouchable.

- His entire body stiffens, instincts roaring at him to react, to counter, to do something—but he doesn’t. His mind, trained to memorize, analyze, replicate, suddenly falters. He can mimic a thousand fighting styles, anticipate attacks from the best in the world, but he has no defense for the softness of your mouth, the way you kiss him like he is something more than a weapon. And it unsettles him.

- When you pull back, his hands twitch at his sides, fingers flexing as if searching for the right response. His mask hides his face, but you can feel the way he’s staring at you, the sharp intensity of a man trying to process something he can’t categorize. “The hell was that for?” he finally mutters, his voice low, rough—gravel scraped over steel. But there is no anger, no mockery. Just a quiet, dangerous curiosity.

- And then, something shifts. A decision made. He moves faster than thought, a gloved hand catching your wrist, pulling you in before you can slip away. And when he kisses you back, it is not soft, not hesitant. It is sharp-edged and confident, like a man reclaiming control over the one thing that has ever caught him off guard. You wanted to surprise him? Fine. But now, he’s the one in charge.

Johnny Storm

- Johnny Storm burns hot—always has, always will. A fire that never quite settles, never dims. He is loud and reckless and bright, and he wears his confidence like a second skin. But beneath it all, there is something deeper, something hidden behind smirks and easy laughter. And it is that something that flickers the moment you kiss him.

- At first, he doesn’t process it. One second he’s talking, maybe making some cocky remark, and the next—your lips are on his. His brain short-circuits. Johnny Storm, king of comebacks, has absolutely nothing to say. There’s just heat, not from his flames but from the rush of you, the sudden realization that this thing he’s been pretending not to feel is very, very real.

- When you pull back, he blinks—once, twice—before a slow, almost disbelieving grin spreads across his face. “Damn,” he exhales, voice a little breathless, a little stunned. And then, because he is who he is, he recovers. “If you wanted a piece of me, sweetheart, all you had to do was ask.” But his voice wavers slightly at the end, betraying the fact that he is not nearly as unaffected as he wants to seem.

- And then, before you can say anything, he moves. A hand curling around your waist, pulling you flush against him as he crashes his lips back to yours, kissing you with the full force of his fire—burning, consuming, alive. Because Johnny Storm never does anything halfway, and now that he knows what you taste like, he is never going to pretend he doesn’t want more.

Reed Richards

- Reed Richards lives in a world of equations. He understands the mechanics of the universe, the fabric of reality, the infinite complexities of time and space. But there are some things even he cannot predict. Some things he cannot quantify. You are one of those things. And when you kiss him, it is a complete and utter anomaly.

- His breath stills, his mind goes blank—something that has not happened in years. He can usually calculate the likelihood of an event before it occurs, but this? This wasn’t factored into his reality. His hands hover in the air, as if unsure of the proper response, as if the laws of physics themselves have momentarily escaped him.

- When you step back, he does not move immediately. He is frozen, recalibrating, processing. Then, slowly, his lips part, and a quiet, stunned “Oh” escapes him—soft, unguarded. He pushes his glasses up the bridge of his nose, as if needing a moment to refocus. “That was… unexpected.” His voice holds no rejection, only fascination, as if he has just witnessed a scientific miracle.

- And then, something shifts. His hand reaches for yours—not hasty, not desperate, but careful, deliberate. His eyes meet yours, and for the first time in a long while, Reed Richards abandons calculations in favor of instinct. When he kisses you again, it is slow, exploratory, like a man learning a new language and savoring every syllable.

Ben Grimm

- Ben Grimm does not get soft things. He does not get stolen kisses or tender touches or the kind of love that isn’t weighed down by pity. He is The Thing. A man made of stone, of battle and loss, of aching loneliness that he never speaks of. And yet, here you are. Kissing him. As if he is not a monster. As if he is just a man.

- He stiffens, his whole body locking up. His heart—too big, too hopeful despite everything—stumbles in his chest. He has dreamed of things like this before, but dreams are cruel, and reality is harsher. He expects you to pull away, to realize what you’ve done, to see him and regret it. But you don’t. You don’t. And that, more than the kiss itself, threatens to undo him.

- When you finally step back, his throat works around words he can’t quite form, holding the weight of years spent convincing himself he doesn’t get to have this. His massive hands twitch at his sides, as if afraid to reach for something too fragile, too precious. “You… you sure about that?” There is doubt in his tone, not because he doesn’t want you, but because he doesn’t know how to believe you’d want him.

- But when you step closer again, pressing your hands against the solid breadth of his chest, when you tilt your head up and kiss him again, slow and sure and certain, something in him cracks. A deep, shuddering breath escapes him, and his massive arms finally—finally—come around you, pulling you close. And when he kisses you back, it is hesitant at first, reverent. But then it deepens, something raw and aching in the way he holds you, like a man who has been starved of love for far too long.

Susan Storm

- Susan Storm is a woman of grace, of careful composure, of quiet strength that bends but never breaks. She is a leader, a protector, a force of nature wrapped in silk. And yet, for all her brilliance, for all her ability to phase in and out of sight, she does not see you coming. Not when you step close. Not when your fingers graze her cheek. Not when your lips press against hers in a kiss that is as sudden as it is soft.

- Her breath stills, caught between the moment and the impossible realization of what it means. Her mind races—was she blind to this? Had she misread the signs, the weight of your glances, the unspoken words hovering between you for so long? But all thoughts unravel when she feels the warmth of your lips, the unguarded tenderness of it. She has spent her life holding herself steady, but now—now she is the one being unraveled.

- When you finally pull back, she blinks, slow and breathless, a flush creeping up her neck. “Oh,” she murmurs, a small, almost disbelieving smile tugging at the corner of her lips. A rare moment where she is not Susan Storm, the poised and polished heroine, but simply a woman standing before someone who has just shaken her world.

- And then, that moment of surprise shifts into something else—something warmer, something braver. Her fingers find your wrist, curling around it in a silent request. She meets your gaze, eyes shining with something unreadable, something soft. And when she kisses you again, it is no longer hesitation, no longer surprise—it is intention, steady and sure, as if she has made up her mind that this—you—is something she does not want to let go.

Felicia Hardy

- Felicia Hardy is a woman who dances on the edge of danger, who thrives in stolen moments and the rush of risk. She is a thief, a phantom in the night, a creature made of silver laughter and sharp edges. She knows the art of seduction, the game of push and pull, and yet—when you kiss her, it is not part of the game. It is not calculated, not played for leverage. And that is what stops her dead in her tracks.

- Her lips part against yours, a stunned exhale slipping free. For the first time in a long, long time, Felicia Hardy is caught off guard. She is used to controlling the moment, to being the one who sets the pace, who dictates the terms. But this—this—feels like something stolen from her. And she doesn’t know if she wants to steal it back, or if she wants to let herself fall.

- When you pull away, her signature smirk wavers, something uncertain flickering behind those sharp, clever eyes. “Well, well,” she purrs, but there’s a breathlessness to it, a vulnerability beneath the velvet tone. “Didn’t know you had it in you.” A tease, a cover. But her fingers twitch at her sides, as if resisting the urge to reach for you, to pull you back in, to demand more.

- And then, as if making a silent decision, she moves. She closes the space between you with a sharp, deliberate kind of grace, tilting her head with the confidence of a woman who has decided to play a game she was not expecting—but one she suddenly wants to win. When she kisses you again, it is slow, languid, laced with amusement and hunger, as if savoring the way you are the one who caught her off guard for once.

Stephen Strange

- Stephen Strange is a man of logic, of precision, of control honed by years of discipline. He bends reality to his will, commands forces beyond human comprehension, and yet—he is utterly unprepared for the moment your lips press against his.

- His body locks up, his breath caught between disbelief and something deeper, something dangerously close to longing. He does not move at first, too caught in the sheer absurdity of it. He has faced cosmic horrors, rewritten fate itself, but he cannot seem to process the feeling of your touch, the warmth of your mouth against his own.

- When you step back, he blinks, slow and calculating, as if searching for some rational explanation. “That was… unexpected,” he says at last, his voice measured but carrying the faintest waver. He looks at you as though you are a paradox he cannot solve, an anomaly in his carefully structured existence.

- And then, after a long pause, his lips curl in something resembling amusement, a rare, genuine softness breaking through the rigid control. “I suppose,” he murmurs, stepping closer, voice dropping to something almost dangerous, almost reverent, “it would only be fair if I returned the favor.” And when he kisses you again, it is with the deliberation of a man who refuses to leave anything to chance.

Namor

- Namor is not a man accustomed to surprise. He is a king, a warrior, a god walking among mortals. He has stood against empires, defied the heavens, and shaped history with his own hands. But when you kiss him—you, with your infuriating defiance and your breathtaking boldness—he is, for the first time in centuries, at a complete and utter loss.

- His entire body tenses, as if bracing for an attack rather than an act of tenderness. And yet, despite his initial shock, despite the sheer audacity of you, he does not pull away. He does not stop you. Instead, his sharp, piercing eyes darken, a slow and simmering heat curling beneath his ribs—dangerous, unrelenting.

- When you finally part, he does not speak immediately. He simply looks at you, gaze heavy with something unreadable. And then, after a moment, his lips curl—not in anger, but in something far more unsettling. Amusement. Interest. Challenge. “You are either very brave,” he murmurs, voice rich and edged with something unmistakably possessive, “or very foolish.”

- And then, before you can respond, before you can think to retreat, he moves. His hands—strong, unyielding—catch your wrist, his body closing the space between you with the effortless command of a king reclaiming what is his. And when he kisses you again, it is not a question. It is a declaration, a silent vow that whatever game you have started, he will be the one to finish.

Johnny Blaze

- Fire and damnation have clung to Johnny Blaze for as long as he can remember. He is a man marked by hellfire, by a fate he never asked for, by the weight of every soul he has ever sent screaming into the dark. He does not expect kindness, not really, not from anyone. And yet, when you kiss him—suddenly, without warning, like a spark catching dry earth—he is stunned into absolute stillness.

- The scent of smoke and leather clings to him, the remnants of something infernal lurking beneath his skin, but you do not hesitate. Your lips are warm, soft, a stark contrast to the cold edges of his existence. He has faced demons, outrun the devil himself, but this? This simple, quiet moment? It terrifies him in a way nothing else ever has.

- He exhales sharply when you pull back, as if he’s just come up for air after drowning. His blue eyes burn like embers, searching your face as if trying to understand what the hell just happened. His throat works around words he doesn’t know how to say, his fingers twitching at his sides like he wants to reach for you but doesn’t trust himself to. “You don’t wanna do that,” he finally mutters, voice rough with something dangerously close to longing.

- But when you tilt your head, when you don’t flinch, don’t pull away, don’t fear him—something in him cracks. His jaw clenches, his hands curl into fists, and then, finally, finally, he lets himself move. He grabs the back of your neck with a touch that is both possessive and reverent, and when he kisses you again, it is with the desperation of a man who has spent too many years in the dark, suddenly blinded by the light.

Eddie Brock / Venom

- Eddie Brock is a man who has lost too much, fought too hard, and learned to trust too little. He is rough around the edges, worn down by anger and regret, always bracing for the moment when the world inevitably turns against him. He is not used to gentleness—not from others, and certainly not for himself. And so, when you kiss him, when you press your lips against his like it is the most natural thing in the world, his brain short-circuits entirely.

- His first instinct is to pull back, to question, to doubt. But Venom—Venom is faster. The symbiote rumbles in amusement, in approval, wrapping around Eddie’s ribs like a second heartbeat. "We like this one," the alien purrs inside his mind, and Eddie swears under his breath because of course Venom would be delighted by this.

- “You’re—” Eddie starts, but stops himself, dragging a hand down his face like he’s trying to physically shove down the confusion. He shakes his head, glancing at you with something that is half bewilderment, half hunger. He wants to say something cocky, something to brush it off, but all that comes out is a breathless, “What the hell was that for?”

- And then Venom moves, slick tendrils curling around his shoulders, shifting his posture. "Kiss her back, Eddie," the symbiote urges, a wicked, knowing grin in his voice. And—God help him—Eddie does. He surges forward, his grip strong, his kiss a mixture of frustration and want, like he’s fighting against how much he needs this, how much he needs you. And when he finally breaks away, his breath is ragged, his pupils blown wide. Shit.

T’Challa

- T’Challa is not a man who is easily surprised. He is a king, a warrior, a strategist who sees every angle before the game even begins. His mind is always ten steps ahead, his composure an unshakable force of nature. And yet—when you kiss him, when you step close without prelude or warning, tilting your chin up to press your lips to his—he is caught entirely off guard.

- His breath hitches, just slightly, so small a reaction that most would not catch it. But you are not most. You are you, and you notice the way his body stills, the way his fingers twitch at his sides as if warring with the impulse to pull you closer. His heartbeat is steady, measured, but beneath the surface—oh, beneath the surface, you have sent ripples through a man who does not bend easily.

- When you part from him, his dark eyes study your face with a sharpness that borders on unreadable. “You are bold,” he says, but there is no admonishment in his tone—only observation, only something deeply considering. His gaze is heavy, knowing, like he has already unraveled every reason why you did it. And yet, for all his brilliance, there is one question left unanswered.

- And so, after a pause, he tilts his head ever so slightly, a slow, deliberate movement. “Was that a challenge?” The words are a whisper, rich and silken, spoken against your lips as he closes the space between you once more. His kiss is not hurried, not desperate—it is a promise, a declaration, a reminder that T’Challa does nothing without intention. And you? You have just become something he intends to keep.

Elektra Natchios

- Elektra moves like a shadow, like a blade cutting through the dark, like something that cannot be held for long. She is sharp edges and silken danger, a whisper of death wrapped in a dancer’s grace. She does not trust easily. She does not love easily. And yet, when you kiss her—fast, sudden, without warning—she does not push you away. No. She freezes, her entire body tensed, not out of resistance, but because she did not see it coming.

- For a woman who has spent her life reading people like open books, you have just managed to turn a page she did not anticipate. Her lips part against yours, not in invitation but in sheer, startled stillness. The moment you step back, her gaze is already piercing into you, unreadable and electric, the air between you charged with something taut and dangerous.

- “That,” she breathes, eyes narrowing just slightly, “was foolish.” But the way she says it—it is not a warning, not truly. It is curiosity, the ghost of something far more wicked lurking beneath the surface. She watches you like a cat watching its prey, her fingers twitching at her sides, as if deciding whether to draw a weapon or pull you back in.

- And then, just as quickly, just as effortlessly, she moves. Her hand catches your wrist, yanking you forward with a force that is not violent but possessive. And when she kisses you this time, it is not hesitation—it is fire and fury, a battle won with the curl of her fingers at your nape, the press of her body against yours. If this is a game, you have just signed yourself into a war. And Elektra Natchios? She never loses.

Muse

- Muse does not feel things the way others do. Art consumes him, violence is his language, and the world is nothing but a blank canvas begging to be marred. He has wandered through blood-soaked streets and carved poetry into walls with trembling hands, but this—this sudden kiss, this moment where your lips press against his without prelude or warning—is something entirely new.

- He does not flinch. He does not gasp. He does not react in any way that might be considered human. Instead, he listens. To the way your breath hitches. To the way your heartbeat stumbles in your chest. To the way the world stills around him, just for a moment, like existence itself is waiting to see what he will do next. And oh, how he loves the weight of expectation.

- When you finally pull back, his blind eyes remain locked onto you, empty and unreadable, yet somehow knowing. His lips part—not in surprise, but in something closer to fascination. “Beautiful,” he murmurs, the word almost a sigh, almost a prayer. “Do it again.” It is not a request. It is not a plea. It is a command wrapped in velvet, spoken like a secret only you were meant to hear.

- And when you hesitate, when you wonder if it is wise, if it is safe, he simply tilts his head, his smile carving itself into his face like a brushstroke on an unfinished painting. His fingers ghost over your jaw, not quite touching, not yet. “I wonder,” he muses, voice lilting with something dangerous, something close to reverence, “how many shades of red I could pull from your lips alone.”

Victor von Doom

- Victor von Doom does not tolerate surprises. His mind is a kingdom unto itself, a fortress built upon knowledge and control. There is no action he takes that is not calculated, no movement that is not deliberate. And yet—when you kiss him, when you dare to step into his space and press your lips against his without permission, without warning—it is the one moment he does not anticipate.

- His body tenses, not in shock but in something colder, something unreadable. There is steel in his stance, in the way his fingers curl ever so slightly at his sides. For one impossibly long second, the world feels as if it has stopped, as if the very air around you is waiting for his verdict. And then, his hands rise—not to push you away, but to cup your face with the precision of a sculptor, as if he is considering whether to keep this moment or cast it aside.

- “Foolish,” he murmurs, though his grip does not loosen. His green eyes burn into yours, heavy with something unreadable, something vast. “You mistake me for a man who yields to impulse.” But you can feel it—the faint tremor beneath his touch, the war waging behind his gaze. You have shaken something in him. Something he does not have words for.

- And then, Doom decides. His grip tightens just slightly, his gaze darkens, and when he leans in, it is not hesitant. It is not uncertain. No, Victor von Doom does not do anything halfway. His lips capture yours with the finality of a ruler taking his throne, with the weight of a choice made, a fate sealed. And when he pulls away, he exhales sharply, as if he has allowed himself one moment of indulgence—and nothing more. “You are either very bold,” he muses, voice quiet, “or very foolish.” And then, after a pause, after a second’s hesitation— “Perhaps both.”

Peter Quill

- Peter Quill has been kissed before. By strangers in bars, by lovers who knew better, by the lingering ghosts of memories he refuses to let go of. But this—this kiss, your kiss—catches him completely off guard.

- He is mid-sentence, probably saying something ridiculous, something cocky, something meant to make you roll your eyes—and then, suddenly, your lips are on his, stealing the words right from his mouth. His brain short-circuits so violently that for a full second, he just stands there, hands hovering awkwardly like he doesn’t know what to do with them.

- And then, like a delayed reaction, like an aftershock, he grins. A slow, lazy, completely obnoxious grin that spreads across his face like wildfire. “Well, damn,” he breathes, blinking at you like he’s just been hit by a starship. “If I knew that’s how you felt, I would’ve shut up ages ago.”

- But then—just when you think he’ll ruin it with another joke—he tugs you forward, his fingers curling around your waist with an easy kind of confidence. And when he kisses you this time, it is deeper, slower, like he’s savoring it, like he means it. And maybe, just maybe, Peter Quill has finally found something—someone—worth holding onto.

Nova (Richard Rider)

- Richard Rider has been through hell. He has seen galaxies burn, has carried the weight of worlds on his shoulders, has fought and bled and lost more than he can put into words. He is tired. He is so tired. And yet—when you kiss him, when you pull him down from the weight of the cosmos and remind him of something as simple, as human as this—he forgets, just for a moment, how heavy the universe feels.

- His breath stutters. His entire body tenses, like he’s waiting for something to go wrong, like he’s bracing for an impact that never comes. He has been hurt before, has been broken in ways that no amount of power can fix, and yet—this is different. You are different.

- “I—” he starts, but the words get lost somewhere between his lips and yours. He laughs, but it’s not the cocky, confident sound most people expect from him. It’s breathless, unsure. He runs a hand through his hair, exhaling sharply. “Didn’t see that coming.” But the way he looks at you—the way his blue eyes soften, the way his fingers twitch like he wants to reach for you and doesn’t know if he should—tells you that maybe, just maybe, he’s glad you caught him off guard.

- And then, slowly, hesitantly, he steps closer. He cups your face in his hands, his thumbs brushing over your cheekbones with a gentleness that feels at odds with the battles he’s fought, with the wars he’s survived. And when he kisses you again, it is not hurried, not rushed. It is quiet. It is careful. It is real. Because for the first time in a long, long time—Richard Rider is not fighting. He is simply here. With you.

[marvelfilth]

Professional help (18+)

Pairing: Natasha Romanoff x f!reader, Wanda Maximoff x f!reader, brief mention of Peter Quill x f!reader

Warnings: AU, gynecologist!Natasha, assistant!Wanda, smut, oral, fingering, cheating, Peter being an asshole

Summary: your boyfriend makes you see a doctor to get yourself "fixed", luckily Natasha and Wanda know exactly what to do

A/n: I'm not a doctor, so bear with me pls

Masterlist

You sit in the waiting room, anxiously waiting for your name to be called. Your leg bounces rapidly against the marble tiles of the clinic, drawing the attention of other patients. You cross your legs, sanding a sheepish smile to an old lady who's been eyeing you for the last few minutes, wishing your boyfriend just stayed with you like he promised he would.

He's the one who made the appointment after all.

You sigh for a hundredths time and check your watch, debating on leaving. Peter will be disappointed, sure, perhaps even mad, but you still can't stomach the idea of admitting something so embarrassing to a stranger.

You've been dating for almost six months now, and after a lot of persuasion on his part, you've finally allowed him to take your virginity. Your jaw clenches when you remember the night. It was very romantic, sure, the wine was expensive and as old as your grandma, the food was delicious and his jokes were perfectly timed, but when it came down to it, you were both left disappointed.

Peter is attractive, sexy, and you know any girl would kill to be in your place, but when he took off his clothes and climbed on top of your naked body you couldn't feel a thing. You went to sleep unsatisfied. He went to sleep with a bruised ego and a promise of getting you right the next time.

And now you're here, ready to see a gynecologist, because there has to be something wrong with your body, there's no other explanation.

"Y/n Y/l/n?" A voice pulls you out of your head.

You look up to see a young woman, smiling down at you politely, her green eyes sparkling in the blinding lighting of the hospital.

"Yes?" You speak up hesitantly, torn between following the woman and trying to make it for the door.

Her smile turns genuine. "Follow me."

You walk behind the woman, your eyes pinned to the intricate braid, strands of brown hair clinging to her neck. You swallow, looking away. It's definitely not the time to stare at a pretty woman. She leads you to the last door down the hall, opening it and following behind you once you step in.

"Take a seat." She gestures at the chair in front of the doctors desk. You swallow nervously when you notice a gynecological chair behind a folding screen.

The woman squeezes your shoulder

"Don't be nervous. Dr. Romanoff will take good care of you," she says with conviction. For some reason it helps you relax, your shoulders dropping. "My name's Wanda," she says, "I'm Dr. Romanoff's assistant. I'll be here the whole time."

You gulp. "Like… the whole time?"

She smiles, mirth flickers in her eyes.

"Yes, the whole time." Another voice enters the conversation and you crane your neck to see the woman striding into the room to take place in the white leather chair behind the desk. "Is there a problem with that?"

She eyes you intently. You feel like it doesn't matter what your answer will be, Wanda will stay either way. And now, looking at the stern looking woman you feel like you'll need Wanda's soft reassurance. Maybe that's why she's here in the first place.

You shake your head at last, not trusting your voice not to waver.

"Good. Now tell me what's bothering you." The redhead flickers through your medical file, barely sparing you a glance.

You look at Wanda for help and she sends you an encouraging smile, her hand sliding lower down your arm. "Um…" you start, not sure how to broach the subject. "Well, you see, me and my boyfriend, we-" you swallow nervously, and Wanda takes hold of your hand, squeezing your fingers reassuringly. "We've been intimate… a few times. But it seems there's something wrong. With me, I mean." You cringe, biting your lip.

You can feel their gazes on you.

Dr. Romanoff's eyes narrow dangerously and you feel like getting up and running away.

"What do you mean by that, sweetheart?" Wanda asks, her breath fanning your ear.

You gather your courage and meet her eyes. "I can't- I can't finish." Now that you've started, the words come out easily. "I mean, it doesn't bother me, not really, but my boyfriend-"

"It doesn't bother you?" Dr. Romanoff cuts you off. You feel small under her eyes, ready to fold in on yourself.

"N-no?"

She sighs heavily and closes her eyes for a moment. You feel like a child about to get scolded.

"So you're here because your boyfriend can't make you come." The words leave her mouth the second her eyes open.

You flinch, scooting deeper into your seat. Wanda wraps her other arm around your shoulder, softly nudging you to continue.

"He- he told me he's never had that problem before, and I… well, when I tried it myself, you know…" You look at Wanda and she nods in understanding. "It didn't work either, so he must be right. Can you help me?" Your cheeks are crimson red by now, you can feel how hot your face is.

Dr. Romanoff stands up abruptly, making you flinch. She walks behind the folding screen and you can hear her fiddling with something. Wanda squeezes your shoulders reassuringly and tells you to follow her. You do so without a second thought.

"Take off your clothes," Dr. Romanoff says, settling on a rolling stool.

You gulp, folding your arms in front of your chest. "A- all of them?"

Dr. Romanoff looks like she wants to roll her eyes before stopping herself and looking at Wanda, her brow quirking. You can feel Wanda inhale sharply behind you.

"Yes, sweetheart, all of them." Her tone's urgent. "You need a thorough examination."

Dr. Romanoff smirks at that, shaking her head almost unnoticeably.

"You heard her." She nods at you.

You look around for a spot to undress, but figure it doesn't matter if they'll see you naked anyway, so you hesitantly start to undress under their scrutinizing eyes.

"Let me help." Wanda's fingers skimp over your skin as she helps you take off your bra, your nipples hardening from the cold. Dr. Romanoff's eyes dart to your pebbled skin, her lips parting slightly.

And then Wanda cups your breasts from behind you, whispering, "I'll start right now, okay?"

You can only manage a small nod.

Dr. Romanoff must've noticed the state you're in, because suddenly she's kneeling in front of you, tugging down your pants along with your underwear, humming at the sight of a string of your slick connecting to your panties.

You close your eyes in embarrassment.

She cups your face. "No need for that, angel. You're doing good."

You shudder at the tone of her voice, slurty and breathy. Having no idea on why your body is reacting this way, you lean back against Wanda, granting her more acces. She massages your breasts, kneading and tugging until you're left breathless.

Then, as quickly as she came, she pulls away and nudges you into the other woman's arms. Dr. Romanoff leads you to sit on the chair and you swallow your embarrassment when she spreads your legs and puts them on the knee rest, sliding between your legs on her rolling chair.

You look away, wincing.

"It's okay, sweetheart," Wanda whispers from your side, taking hold of your hand, "Natasha is best at what she's doing."

You breathe out.

You think her name fits her very well.

"How long does it usually take?" You ask, not daring to look away from Wanda.

Faint scraping noises sound around the room as Natasha writes something down in your chart, humming in thought. She hasn't touched you, not yet.

"Not long, usually, but you're here for a special reason, aren't you? So it's going to take a bit longer," Wanda says quietly.

You nod in understanding, finally looking down to meet Natasha's eyes. She's holding a speculum. You shudder, backing away. Wanda pins you in place with a strong grip on your shoulders.

"Please, don't. Can you use something else?" You ask. Biting down on your lip, you look at the redhead pleadingly. The last time a doctor used that thing on you, you were hurting for days.

"I don't think there's anything else I can use. I promise I'll be gentle," she tries to reassure you, but you shake your head no, gripping Wanda's hand fighter.

"Please, just use something else. There should be something else, right?" You plead.

Natasha's eyes flicker to Wanda, a silent question swimming in the emerald pools. After a tense moment she gives the younger woman a brief nod. She slides away and Wanda leaves your side, taking Natasha's place between your legs.

Dr. Romanoff takes hold of your face, gaining your attention. "My assistant needs some hands-on practice and this is a perfect occasion, since you're adamant about the speculum. You don't mind her using her fingers, do you?" She rubs your chin gently, coaxing you to agree.

You wet your lips, feeling your pussy clench in anticipation. Natasha's eyes follow your tongue, her pupils dilating. You nod your consent and Wanda wastes no time in spreading your folds open and teasing your entrance. Your hips jolt violently.

"Try to keep still, sweetheart, or we'll have to restrain you." Wanda fingers glide around your folds, barely grazing your clit and you're already drenched and gasping for air. "You're doing good so far, angel, keep it up." Wanda smiles softly, gently easing one of her fingers inside.

You bite back a moan, gripping the cushion below you with all of your strength. Natasha keeps taking notes, occasionally glancing down at your pussy and exchanging quiet words with Wanda.

Wanda's finger pumps into you at a gentle pace, hitting a soft spot deep inside of you.

You didn't even know you could feel that good.

When her finger curls you let out a loud moan. Your hand flies down to take hold of Wanda's, but it's intercepted by Natasha's, who pins you back down with surprising strength.

"You're not allowed to move, remember?" She scolds. You nod dumbly and relax in her hold. She nods in satisfaction and looks at Wanda. "One more."

Wanda obeys and slides two fingers in the next thrust, pushing down on your hips with her other hand. You try not to squirm, but your legs still shake from the way her fingers curl inside you. Your eyes begin to water as your stomach tightens, you feel like you're about to explode.

"How does that feel?" Natasha's whispers against the shell of your ear, her hair tickling your neck.

"G-good, so good," you whine, desperately clutching the chair.

"Mhm," she hums, putting her hands on either side of your breasts, rubbing the skin in soft circles. "You're taking Wanda so well, kotenok. Make me proud and hold it for me, okay?" She asks as her hands cup your breasts, pressing down on your nipples.

You don't have to ask to know what it means, you just shake your head desperately, not daring to touch her. Tears gather in the corners of your eyes, making your vision blur.

"Please, Natasha, pl- ah!" You cry out when Wanda adds another finger, stretching you out deliciously. She thrusts into you hard and fast, making your body move up on the chair. "I can't-" you bite down on your lip, pleading Natasha with your eyes. "Please, let me come."

The doctor chuckles with mirth, rolling your nipples between her defty fingers. "Stop."

Wanda pulls away immediately, making you whimper. You want to cry out, you want to tug her back, but you do none of these things, obediently laying back and waiting for Natasha's instructions.

You pussy clenches around nothing while Natasha takes her time stepping around you and taking Wanda's place, the younger woman coming to stand near your head, wiping her fingers.

"Natasha's gonna take a good look at your pussy, sweet girl, just don't move."

Dr. Romanoff's fingers slide in without any struggle, immediately making you whine and buckle your hips in her hold. She spreads her fingers inside you, opening you up even more and you feel like you're about to burst from the stretch. You moan loudly when she adds a third finger.

"Keep quiet," she says, pinching your inner thigh.

You swallow back moans as she starts circling your clit with her thumb, the added pressure sending shivers down your spine.

"Such a perfect body," Wanda murmurs, trailing her fingers down the length of your torso. "You deserve to be worshiped." She leans down and licks a long stripe from your ribs to the underside of your breast, sucking the tender skin there.

Your eyes roll to the back of your head, your fingers burying in her brown locks. She hums softly as her arm slides along your waist, holding you tight.

Natasha doesn't waste another second waiting and sets a rough pace, thrusting her finger deep and spreading them with each thrust. "Look at you, malyshka, your greedy pussy is swallowing my fingers," she smirks, bending down to kiss your inner thigh.

"Natasha!" You cry out loudly, your back arching. Lips wrap around your nipple, sucking gently, and you choke on your moan, your pussy clenching around Natasha's slender fingers.

"You're doing good, baby, so good," Wanda mumbles around the pebbled skin, "You deserve to be filled to the brim. Fuck, you'd look so pretty with both of us deep inside you, sweetheart."

Your hips buckle to meet Natasha's thrusts and this time she doesn't stop you. She curls her fingers, hitting a spot you didn't even know existed and you come, your orgasm hitting you hard as spots of white cloud your vision.

Natasha's fingers don't stop moving inside you, if anything she thrusts faster, rougher, your sensitive clit pulsing rapidly.

"We're not done until I say we're done, got it?" She leans down to wrap her lips around your bundle of nerves and sucks, fingers moving inside you with a violent pace.

Wanda releases your nipple with a wet pop and focuses her attention on your neck, teeth leaving purplish marks on the tender skin. You cry out, another orgasm fast approaching and Wanda pulls you into a bruising kiss, your moans disappearing between her full lips as Natasha licks long stripes up your slit.

"You're doing so good, baby. Fuck I want to make a mess of your pretty face, sweetheart," Wanda whines and takes hold of your hand, pushing it past the waistband of her scrubs. You follow her lead and soon your fingers disappear in her wet heat. She gasps and bends to rest her weight on you as you quickly pump your fingers inside her.

Natasha pulls away to admire the scene in front of her, fingers lazily circling your clit before she plunges four of her fingers back inside, stretching you to the brim. Your back arches as you moan loudly, clenching around slender fingers. Wanda comes with you, burrowing her face into your neck as you both come down your high, gasping for air.

Dr. Romanoff presses a kiss to your thigh before gently prying strands of hair away from your face. "We'll have to schedule a follow up appointment, kitten."

[booklovingcreechur]

I love hearing ideas on how the Pevensies need to readjust to Earth when they get back from Narnia the first time, but what about them having to get used to living in Narnia when they become kings and queens?

The children having to discover how to lead an entire country.

The Pevensies having to learn how to ride horses because they grew up in the city.

Peter and Lucy taking to it pretty easily but Edmund and Susan having a bit more difficulty at first.

The talking horses trying to give pointers but Edmund ending up falling off multiple times anyways.

On a cold winter's day, Lucy coming into Cair Paravel chilled and wet after having a snowball fight and wishing nothing more than for a hot bath only to discover the amount of time and labour needed to warm a tub of water without electricity.

No toilets. Just, no toilets.

Susan trying to write a letter to Mr. and Mrs. Beaver and getting frustrated because her quill pen keeps tearing the paper and blotting.

Peter accidentally knocking down a candle while looking through papers and nearly setting the whole table ablaze.

The Pevensies slipping occasionally when it comes to mentioning things about Earth to the facination of the Narnians.

Edmund trying to explain Earth being round to a group of curious yet politely confused creatures and eventually giving up when a young faun asks if everything is upside-down on the other side of the world.

[raccoon-coded]

Rocket Raccoon (2014) #4 -Skottie Young