#you're never truly alone

[chrisbangs]

231003 ♡ Happy Birthday Bang Chan!

[incorrect-ikevamp-quotes]

Oh we are so BACK

When I tell you I saw this and died. HELLO?????

I keep hiding my face lahshjsdhjgfsaf HE HAS NO RIGHT. NO RIGHT AT ALL BEING THAT SEXILY INTENSE AAAAAAAAAAA

Anyway, I should probably try to make some attempt at describing the event since. If I don't I'll just be barking/crying/hiding my face for the next twelve hours.

Basically--and I'm not sure this is going to be across the board, but it held true for Napoleon and Sebastian at least--each suitor has a birthday event this year instead of a separate story. Comte's won't be released until tomorrow, but they have posted a preview.

From what I gather, he talks a little bit about himself and reveals parts of his past that haven't come to light in the game yet. There wasn't really enough to convey a coherent narrative beyond attending a party, but the line displayed here does get across the larger theme:

Comte: (I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.)

He talks about how the aristocracy have thrown parties and extravagant celebrations for his birthday for most of his life. But none of it has ever really made him happy, largely because he knows that they are attempts to strengthen and broadcast power relations within high society. While I don't think he means it's entirely devoid of well wishes, I do think he sees it as a nexus of influence--and thus, by nature, impersonal. And honestly, I don't think he's wrong about that; the higher the echelon in social standing, the more it requires performance to maintain the position.

That being said, there is a fascinating flashback where he remembers a pureblood telling him about how falling in love with a human is an experience of another caliber entirely. My understanding is that Comte was still a fairly young vampire at the time, so he didn't really understand what the person was getting at. It seems like the other pureblood was trying to convey the difference in feeling, perhaps the fact that humans are more grounded in accordance with how they live--the reality and necessity of change.

After reading this--and the recent 5th bday story--I can absolutely see how change is something Comte has a complicated relationship with. He's known a certain way of life for so long, has constructed a sensibility of distant, rational maturity. After all the heartbreak of his youth, and two very acute traumatic events in his life, I can see why he'd be so afraid of broaching any kind of proximity with another person. Because on some level it's so much easier not to put your feelings on the line, to never have to fear devastating loss. And that's to say nothing of the worry of being unable to measure up on behalf of another person, of letting them down.

I'm so excited to see the rest of the contents, but something about the preview made me equal parts giddy and enamored (all I do is kick my feet with excitement LOL). I think what gets to me with Comte is that he truly does love companionship as a place to rest, a place where he can be honest about himself and his feelings without fear of ridicule (and the same goes for MC). In a world increasingly obsessed with surface level performances of power, status, and emotion, it's hard not to feel his exhaustion to the core.

Also, because these lines at the end more or less destroyed me in the best possible way:

MC: ...The you who had nowhere to belong no longer exists. In much the same way...Abel, I belong to you. Comte: ... Comte: I wish I could say to myself all those years ago, the me who kept indulging in such paltry things. Comte: Until you meet MC, you will never know love... The warmth of MC in my arms filled me with such joy I was near tears. (I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.) The moment my lips found hers, the sweetness lit a fire deep in my body. Comte: These cute lips that melt against mine, the heat of your skin, the love that envelops me in your embrace--always leaves me so deeply in love with you.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[kaleochu]

hey

be kind to yourself and the people around you today, tomorrow and even the days after. there's too much happening in each of our lives that others will never fully know so the best thing we can do is show each other that love we need and deserve

love you

[iceyrukia]

I think people really take the whole "separtism is non-action" way too literal in order to invalidate it IMO. like actually it is kinda a big deal that movements like 4B exist and get positive reactions by women and make men loose their minds. If it was so insignificant non-separatists wouldn't feel the need to belittle it so much.

[bunnihearted]

i hate my stupid bleeding big heart bc i actually want him to be ok and be happy and have someone even if it's not me but it just hurts so much to think of him giving all of what i want from him to someone else

[softplacetorest]

just finished i saw the tv glow. don't know how I'm supposed to do anything after that.

[yeonban]

HAPPY BIRTHDAY TOBIAS! (24.05)

@effigist asked: / Tobias bday festivities ! this got long . my bad bestie

ash lingers in dark shadows cast down from the buildings surrounding the big celebration’s location , vigilantly observing from outside rather than daring to step in . he heard about tobias’ birthday a few days prior from some of his blabbermouth men who had timidly asked their leader if they could attend the big party dedicated to no other than the sharpest thorn in ash’s side . he responded with a dismissive scowl , grumbling something like do whatever the hell you want , while doing his best to seem as disinterested as possible . last thing he wanted was for the men to think he would be attending that hellish celebration - god , no , he’d rather get himself thrown in the slammer just to avoid it . in great contrast to his apparent dislike for the celebration , he nonetheless loitered outside for a good hour after showing up towards the end of the celebration , remaining out of sight until groups of people filed out from the doors &. ash concluded it was finally coming to its rightful end . about time . only when the detested birthday boy enters his line of sight , does the lurking predator step out from the shadows . though , instead of attacking or otherwise antagonizing tobias , he merely walks with an air of leisure &. casualty a teenaged gang leader had absolutely no business maintaining , before stopping at the dark haired teen’s side .

❝ you tired of gettin’ pampered like a snobby princess , yet ? ❞ a playful smirk tugs at the blonde’s lips , implying he must be in a decent mood . gingerly , his arm lifts &. stretches over tobias’ shoulder , although no contact is made . he merely keeps his limb hovering just above the point of contact , but close enough to where any bystander from a distance would be fooled . swiftly , ash’s nimble fingers drop a little plastic card into the other’s chest pocket . It’s a library card . ash is more than aware that the man could easily access any book of his choosing with his status , connections , money , &. influence , but he paid it no mind . once the sneaky exchange is completed , his arm lowers , but not before giving a slightly - too - hard - to - be - considered - a - pat smack into the back of tobias’ shoulder . ❝ better be careful around my guys until the clock strikes midnight , cinderella . they’ll give a loser like you a beatin’ for every year you’ve been alive . ❞ they won’t .

The birthday boy is one of the last to exit the building, animatedly chatting up the few who have chosen to continue their conversations with him even after the party has ended, and it's only when they're stepping down the outer stairs and the teen can feel a distant gaze intently focused on him that he steadily shepherds the guests towards the end of the conversation, shaking their hands and waving them goodbye before glancing in the direction of the gaze. Whatever he may have expected it to be caused by --- an ambush on his birthday or an informant returning to report their findings; the sight of Ash Lynx willingly approaching him had certainly not been it.

Tobias' expression doesn't change much, yet the surprise is apparent enough if one knows where to look for it. It hides in the sudden blink and the lingering stare as the blond threads closer, it crawls in the unspoken but palpable question of what's going on and in the quick yet subdued glance behind Ash as if to check whether the blond has either been coerced into it or sought him out with an urgent purpose in mind. Grey eyes return to look into the jade pair and yet none of these possibilities seem to have quite hit the mark. Ash's smirk isn't gloomily sarcastic nor does his body language speak of anxieties or woes, and there is nothing whatsoever to indicate that he's come here in a hurry. If anything, he appears to have either been on a stroll to this location, or been hiding nearby for a while.

Tentatively testing the waters, Tobias' lips curl into a matching grin, carefully watching each of the gang leader's movements. ❛ Ash? You could've told me you were dropping by, you know. I'd have ditched the others way earlier if I'd known you're around. ❜ The subsequent close proximity is as shocking as the other's presence near the celebration's location and Tobias almost opts to jokingly remark on it when the corners of his eyes catch a glimpse of a thin card delicately sliding into his chest pocket. Hm...? ❛ What, you got me a gift, too? ❜ This may have counted as a teasing comment had the exchange taken place on another day and for the first few seconds Tobias even means it as such, but with Ash's jesting and the deliberate secrecy surrounding the gift-giving, as if this display of cordiality has the potential to be ruinous to the blond's image, Tobias can't help but reach into his pocket and bring the alleged present into his field of vision. A gift? Really?

He doesn't bother inquiring from where Ash has learned of his birthday, he'd expected as much with anyone worth their damn being able to find out about it one way or the other, but the sequence of events following that has barely been considered a priori, imagined as unlikely from the get go and thus unworthy of being thought about; yet it appears his calculations have, shockingly enough, been slightly off the mark. He'd figured Ash would accept hanging out with him if he approached the blond after the fussy festivities were wrapped up (if begrudgingly so), but had he misjudged how challenging it would be for them to reach this point of vague friendship, back during their first few meetings? Or had Ash just coincidentally felt generous on this occasion?

The library card that graces his eyes once he fishes the present out of his pocket might seem as nothing much to most in his position, but Tobias grows troublingly quiet at the sight, the grin on his face slowly dissipating into a thin line; neither annoyed, nor upset --- but rather, cognizant. Under normal circumstances it would take nothing more than a name and an address for such a plastic card to be issued, and it could very well pass as a friendly insult, jokingly implying the receiver should open a book for once, but in their situation it's a calculated effort, and quite an effort he's sure it has been. False identities such as his own come bearing little documentation, or if there is any available it certainly wouldn't be at everyone's discretion, so the existence of a library card with Tobias' name on it hints at a far grander and more complicated process than the regular person would give it credit for, and it seems the blond has deemed him worth the trouble, despite the older teen having indirectly offered Ash a way out of the mandatory gift-giving by not inviting him to the celebration.

Yet perhaps even more baffling still is another minor detail, something so subtle that it would have passed entirely unnoticed had it been anyone but Tobias attempting to grasp its meaning, or had he not been as attentive to Ash's lifestyle and habits as he chose to be. A detail he is more than certain represents a major step in their relationship, and one which signifies a degree of trust (whether conscious or subconscious) that he hasn't been expecting to receive for at least another year of incessantly bothering the blond. Being offered access to Ash's last safe haven, by the gang leader himself.

The silence continues while Tobias stares at the gift in muted incredulity, unsure of how exactly to react to any of the rapid fire surprises this simple choice of presents has flooded him with. Is it a code for something? No, Ash seems to be having a good day, there is probably no reason for him to ask Tobias to meet him at the library for a secret conversation. If so, is he going to request or demand something? No, also unlikely given the ease with which Tobias already offers him everything. There'd be no point in going the extra mile for something he could receive for free while doing nothing.

Is Ash really just reaching out to him of his own volition? That almost seems more doubtful than the previous possibilities, but unless the younger teen is a greater actor than all of the ones Tobias has met... he doesn't seem to be the sort to harbor ulterior motives or take advantage of others without first being given a reason to; and the orphan would like to think he hasn't done anything egregious enough to the gang leader or his men to warrant that. Ash's honesty is one of the traits he values about the other, after all (quite the rarity in their field of work, for better or worse) and what a shame it would be for him to senselessly lose the privilege of knowing for a fact that Ash's words and behaviors are always connected to the definitive truth.

Although there is an ongoing dispute in his mind, Ash's remark doesn't pass by unnoticed; bringing a familiar tint of amusement in the otherwise uncertain state of affairs. Paired with the quizzical gift in hand, it brings the smirk back onto Tobias' face, if a tad more hesitant than it had been before, and it prompts him to turn to look at the other again. How should he react now? Where do they stand, if not where he'd thought they did? Should he wait and see, or should he outright ask? ❛ ......Then, prince charming, how about you act as my bodyguard 'til I'm safe from harm and ready to depart? Midnight is still a long way off, but surely your macho men won't think to lift a finger on someone as frail as me with you around to keep them at bay, ❜ Perhaps slowly prodding is the way to go, if he's learned anything from Ash's lethal allergies to appearing vulnerable. He'll always have the time to ask later, if the moment is ever opportune enough, and maybe there won't even be a need for that after observing Ash's behavior for a while longer.

Lifting his free arm, Tobias leisurely brings it 'round the lynx's shoulders as the other had done to him prior, except he lets his arm come into contact with Ash's shoulders while slowly poking him with the library card present in the other hand. It's a blithe touch, one blatantly meant for gauging where he stands with the other rather than an attempt at rudely breaking into his personal space, and one he had been very careful not to engage in prior to this day despite physical contact being the brunette's go-to when interacting with practically everyone else.

However... with all of the surprises already sent his way, and particularly so with the confounding (albeit indirect) openness Ash has showed him today, it might as well be the best moment to check what boundaries he's currently kept at, and figure things out from there. Will he be shrugged or pushed off as he'd previously figured it'd happen, or will Ash allow him this sort of friendly touch, and surprise him for a fourth time? ❛ And while you're at it, how about you show me to the library, too? I could use some new book recommendations. Who knows, maybe you'll even find that I'm a pretty good reading buddy to have. ❜ The request can easily pass as a debonair way of bringing Ash along for the ride, but with the lengths Tobias has gone to not encroach into the library for as long as it had been Ash's turf, the assistance with maneuvering inside the humongous building might actually be helpful.

[figsbass]

if i could bottle any feeling in the world it would be everything i felt between the last minutes of bahumia into the transition to one big bed

[snekdood]

Your impulse to believe every last bad thing people say about a guy and then if that guy is victimized by those people or the people who spread the rumors you dont even try to look into if thats even the case, you just assume hes bad by default-- yeah thats incredibly unfair to guys who are victims of abuse.

[anaalnathrakhs]

people won't fucking FORGET me i can't handle this anymore there's always a friend who wants to go someplace a friend who needs someone to go to the store with a friend who hasn't seen me in a while who wants to hangout, and i can't let those friendships decay i just can't i can't be this kind of asshole again, but it feels so shit it feels like i can't fucking relax cuz there's always something tomorrow something next week and something to do at school between classes and holy SHIT leave me ALONE please fucking stop talking to me i just want to relax and do things i enjoy.

[girlbob-boypants]

And like sure I *could* have been more well written on my very quick offhanded post, but it was a quick reaction to someone unironically using the tags "femce|" and "fema|e manipu|ator" on all of her posts multiple times per day and getting NO interactions while rb'ing almost exclusively aesthetic posts.

It genuinely does boil down to girl your basic human rights and sense of community!!

[medicinemane]

Mike johnson has so god damn much blood on his hands, obviously Ukrainian blood, but also plenty of American blood

Refusing to renew something that helps vets exposed to atomic blast and Americans who were downwind of the fall out... it's just sick. I can't fucking stand mike johnson, he's one of the worst scum to ever be in congress, and that's fucking saying something

"Johnson refused to allow House members to vote on bipartisan legislation to renew and improve the program"

Fucking quivering little pimple seems to have a real MO for just wringing his hands while insisting it's not his fault, he just can't do the one fucking part of his job of putting shit up to a vote... oh boo hoo, so sad, he'll just have to unilaterally let funding expire on things instead of literally just putting it up to our elected representatives to see if they want to vote yay or nay

Single handedly make the choices but it's not his fault when they work out how they do

Murderer

[autumnrory]

"women are crazy for thinking they could ever be attacked in their home" is certainly a Tumblr Take

[imissthembutitwasntadisaster]

The way Charlie doesn't even start Bloors alone and afraid, he has Fidelio from the very start. Jenny Nimmo said you're never quite alone and I took that personally

[bunnihearted]

hmm i like actually wanna kms