#you would think that in a book where the main characters sister dies… the book would… idk…

[yuridovewing]

can we talk about how it honestly kinda sucks that leafpool’s “climatic main character death” happens in a book that has barely anything to do with her

[perenlop]

i’m very off and on about whether or not i wanna go through with pokemon protagonist headcanons bc i have weird ideas but never really feel like drawing them out bc i dislike drawing humans. but gen 5 thoughts are tempting me...

[whumpbby]

Tbh i really hate when ppl act as if Jiang Cheng was "rotten from the start" and never actually cared about Wei Wuxian as a brother. Like, in the latter's case we can see he cares very much but that care is very much mixed in with many negative feelings, it's like when you love someone but they hurt you but you still love them, you want things to go back to the way they were before but they can't and they won't. On the former it's pretty much canon that he was an ok if high strung young man and losing everyone he ever loved in very close proximity to each other is what made him be the way he is today, he's not evil (he'd be hotter if he was) he's just angry and bitter for very valid reasons

I think it takes an extreme case of Protagonist Bias to think that. And not even following the actual protagonist's thought process - just being biased on their account in some sort of a projection. Kids these days got to used to having their bad guys colour-coded.

People are so desperate to cast a villain to the Happy Couple they will grasp at any straw to justify their opinion. They will ignore every piece of text that explains in detail why things are happening and why he's acting the way he is - even to the point of ignoring the protagonist explaining what happened and how. They will literally ignore the protagonist they're wanting to stan just so that they can have their villain. Wei Wuxian needs to be massively nerfed and woobifed for the whole shitshow to start making sense. Literally, a man with no agency! Poor helpless victim! The poorest little baby, no one suffered as he did!:(

Meanwile, Jiang Cheng's biggest sin in the novel?

He's not nice.

That's it. He tried to protect Wei Wuxian from his mother. He did all he could to bring Wei Wuxian home after the war against his best interests. He walked away from Lan Zhan being a dick when he could have easily caused him problems. He only ever fought Wei Wuxian when it was either staged or he was attacked first (in the much brought up ancestral shrine scene that people don't seem to have actually read).

But he's not nice about it. He's not even stoicly stiff like the ever-amazing Lan Wangji (who only ever cared about one thing in his life, and it's the man he wanted to fuck roughly in the bushes-_-).

It was barely a decade from having his whole extended family horrifically murdered, so obviously he should be fine by this point. (We can ignore the main plot of the decade-in the making-revenge-plot, that's not important, that's not a theme at all!) At least he should learn to repress his trauma! Because that ended great for the protagonist, right?:)

You need an intense case of lack of comprehension to miss the fact that, until the very moment of the Core Reveal, every bit of information Jiang Cheng had available to him pointed directly to Wei Wuxian being at fault for the tragedy his life became. The only doubt cast upon that conclusion was the spark of love that he could not kill. JC trusted Wei Wuxian for as long as he could. He trusted him - against a myriad of signs that he maybe shouldn't have - until the man killed his brother in law.

That's where any sane person would stop and reconsider.

And yet he was still willing to be convinced otherwise - until his sister died in his arms.

Like, this is what it took for JC to snap.

If someone says that Jiang Cheng was "rotten from the start" that only tells me they have skipped the whole fourth of the book that tells us in detail why Jiang Cheng wasn't a bad kid and how much he loved his family and Wei Wuxian. It tells me that they are here only for the romance and can't see anything else, certainly not character development (why would they? Wanxian don't develop throughout the story in any impactful way except of "oh, hey, we can be together and not care about anyone else - just like we did it before, but now with fucking included!"). It's like people who don't read books cannot comprehend the fact the author thought about this shit and put it there on purpose. It's not something that just happened to fill the pages between the Romance bits for the word count. That's, like, the actual meat of the story? These people have the critical thought capacity of a fucking tiktoker-_-

The author is telling us: look at these kids that were raised in a broken family and how it affects them as teens and young adults. How it affected their relationships with the people they love and demolished their self-worth. Look how a broken family can leave it's children scarred for life!

The idiots online: one is an innocent angel that never did anything wrong and the other an evil, selfish and hateful brat, got'cha! I am very smart!

-__-

[zahri-melitor]

Batman v Ra's Al Ghul, by Neal Adams: A Bronze Age fever dream of a comic, written in 2019-2021.

Neal Adams caps off his over 50 year career with DC comics by...them letting him write a book for the first time in a decade.

Now, Adams is famous for his Bronze Age artwork, not his writing, and it's deservedly so: this is not the comic you would pick up if you were interested in award winning writing. But I have to say, it's actually something far more fun than 'good writing'.

I think the easiest way to describe the incredibly wild vibes of this title are 'Adams writes a multiverse Bronze Age time travel AU fic', where the cast technically consists of a modern set of characters (Dick is Nightwing and both Tim and Damian are Robin), but all of the characters are drawn, talking and acting like they just walked off a page in 1974 or so.

For assistance, that's: Dick in the yellow with the very 70s black vest; Tim in the blue t-shirt; Damian in the red t-shirt; and Bruce in the suit. You end up keeping track of them in this title by their haircuts.

Bruce and Damian here cannot remember anything about being Batman and Robin; Dick and Tim appear to have shown up with a fantastical story that cannot be proven (as I said, this has INCREDIBLE reality hopping AU vibes).

Some of the characters have been mindwiped. Some of the characters are robot duplicates. A whole list of characters Adams helped create show up largely because he created them (seriously Kirk and Francine Langstrom show up for a couple of pages mostly to give Dick and Tim an airlift into a difficult to reach entrance to the Cave). Nobody sounds particularly in character at any point, but that's not really a problem in this comic, because what it really is is a giant jolt of Bronze Age style writing nostalgia direct to the brainstem.

They don't make comics like this anymore and reading one written in the 2020s like this reinforces why.

Deadman's brother Aaron and sister Zeea show up; his brother is busy pretending to be an alternate Australian version of Batman called Marvin O'Hearn, and his sister is a psychic running around in the most 70s outfit imaginable controlling things and mindwiping Bruce on Ra's orders.

(And yes, if you too just asked 'Boston Brand has siblings???' the answer is 'kinda sorta but definitely not these two', however given Adams was writing Boston in 1968 at one point he's got as much right as anyone else to claim there are additional siblings)

There's a group who PRETEND to be the Court of Owls but secretly are a group of industrialists called The Money who want to control the world via paying for legislators, judges and industry (and yes I realise that sounds exactly like the Court's thing, but Adams was almost 80 when he wrote this, he can have an expy Court if he wants one).

Bruce pretends to be Matches for a good chunk of the back end of this comic and it actually acknowledges that Matches Malone was a real gangster before he died and Bruce stole his identity (something other writers and the fandom often forget), because Adams wants one more spin with the character he designed.

There's also a moment in the sixth issue where one of Ra's pet scientists tries to sell a panel of Gotham execs on a perpetual motion machine based on electrolysis as his replacement for the current Gotham power generators and at this point I lost it giggling at the portrayal of Ra's as a cheap charlatan.

(There is also a sneaky joke that only works if you know what British salad cream is; there's this sequence of the kids talking about Alfred making sandwiches with 'crappy salad dressing' instead of mayonnaise, only this tray has been made with mayo...and it's a hint that Alfred has been replaced by a robot. I laughed; I suspect it might be non-obvious to American audiences)

This is not a comic to read if you are interested in 'main continuity' or 'coherence' or even 'good writing'. However if you want some wild antics that feel like someone's 3am fanfic AU written in pure Bronze Age vibes and to see the last work of one of Ra's Al Ghul's creators? Give it a chance. You'll never be able to predict what's on the next page.

[fromtheseventhhell]

I'm not sure how to get it into people's heads that Arya is a female character. She's not a boy, not nonbinary, trans, agender, or genderless. I don't intend this in a way to be negative or wanky, but her girlhood is imbedded within her character. The problem isn't that Arya stans are missing the point by overemphasizing her femininity and wanting her to be a barefoot tradwife baby making machine, but that we're stating it exists when the majority of fandom and the show itself have gone out of the way to minimize the relevancy of her gender. I'm fully convinced there are a lot of people who think Arya would be the exact same character had GRRM created her as a male character named Arry instead, perhaps they'd do a better job at acknowledging her importance.

What's most ironic to me is how these same fans will gush and coo over the sisters being more alike than we think, but only if it involves giving Arya's characteristics to Sansa. Well acktually, Sansa likes to ride horses just as much as Arya does! They're so alike uwu! But dare acknowledge that Arya has traits and aspects commonly associated to Sansa then not only does that get accusations of wanting Arya to become Sansa, but that it's solely about showing Sansa up and wanting her to grovel in Arya's shadow and superiority 🙄 Hypocrisy and projection showing itself.

Somewhat of an aside, but I recently saw a post on reddit complaining about the fact that all four of Daemon's children survived the Dance specifically focused on the fact that both Rhaena and Baela lived. According to the OP, one of them should've died and their post-war roles in the story should've been given to only one of them. Which at its core is really the main conflict between Sansa and Arya stans, no matter how much the Stansas want to cover their ears and play dumb. It's not about Arya stans projecting their sibling squabbles onto the two of them but simply the fact that it's not possible for two characters to fulfill the same role in the story, specifically when it involves two female characters. The existence of two Stark sisters is an inconvenience for the people who want the story to revolve around Sansa.

I have to believe there's some bubbles that they don't want to admit will burst if TWOW will ever be released and that's why they cling to the idea that Arya stans are the delusional ones. They have to believe that the parts of Sansa's seasons 5-8 storyline they like came from GRRM instead of D&D or else their Jonsa and QITN fantasies will fall apart. I have no idea how someone can watch the scene where Sansa tells Arya she couldn't survive what she had while Arya can only sputter out that she was training and believe 1) it makes sense for their book characters and 2) D&D didn't blatantly favor Sansa and Sophie over Arya and Maisie.

This ask came literally seconds after I drafted a post talking about this exact topic and it's so wild to me that we were both up thinking about Arya + her girlhood and wanting to discuss it 🥹

As for this ask, you really hit the nail on the head. Arya's gender is an essential aspect of her journey but fandom ignores that because they've decided that there's only one "right" way to exist as a female character. Arya's self-esteem issues stem from her being a non-conforming Lady in a misogynistic society, she has to disguise herself as a boy in part because of the threat of sexual violence, in Harrenhal she is assigned gender-specific tasks/labor, political matches are made without her knowledge/consent, she is threatened with sexual violence multiple times, and even her role within the FM is influenced by her gender. Her being non-conforming doesn't mean she's the complete antithesis of everything feminine. The obsession with propping up Sansa has ruined people's ability to perceive complex female characters, ironically including Sansa herself. They genuinely would've respected Arya more if she had died passively rather than fight for her life and you can't tell me that isn't misogyny.

That Reddit post is a great example of how people genuinely can't (or refuse to) comprehend the idea of two female characters occupying the same space. Cause you're right, that is the root of the issue. I think the only reason they bother with the fake "Stark sisters uwu" crap is because they've backed themselves into a faux-feminist corner and they don't want to look hypocritical for disliking Arya. So instead, they pretend to care all while rewriting her to serve as Sansa's prop. This is also why so many Queen!Sansa truthers are also anti-Dany + think that Sansa becoming Queen depends on Dany's downfall. They desperately cling to the show as canon, when D&D have openly admitted they changed the story because they favored Sansa/Sophie. They're fine with how show!Arya is written because to them, that's exactly how she should be; a subservient lapdog for Sansa. TWOW is definitely going to ruin that illusion, and one of the reasons I'm optimistic about it being released is getting to see fandom's reaction.

[riveracheron]

eh. might as well post this now. a few of these are wish fulfillment rather than actual theorizing but explanations under the cut

i have an alchemy hyperfixation and all the alchemy stuff in tmagp makes me very excited so a lot of my theories are related to that

spoilers for the pilot btw

main character gets an eye injury - the image will not leave my head. in the magnus institute ruins statement there was this whole thing about redcanary having some kind of encounter with or experience with eye trauma and that feels like something thats just. gonna come up again

another mechanisms va - self explanatory, we need to complete the set. would love to hear kofi or rachel.

gwen has trauma related to something that happened with elias - this is going on the theory that she’s not elias’ counterpart, but a relative of some kind. something spooky happens to him and that pushes gwen to research the paranormal.

character referencing nicholas flamel - all the main characters have names that reference alchemists, and nicholas flamel is probably the most famous alchemist of all time. i doubt he’ll be given the smirke treatment because that kinda already happened with the transphobic wizard books, but someone could be sharing his name.

mag 114 statement is relevant - thats the. hill top road statement that deals with other realities, and anya (the statement giver) could be from the protocol verse. we could totally hear about the aftermath of her departure

alice/sam/gwen = three primes - the three main alchemical symbols on the OIAR crest, and a good sort of symbolic trio sorter. the three peimes are salt, sulphur and mercury, and are the basis for alchemy. the down to earth, reliable salt, the firey, unpredictable sulfur, and the adaptable, easygoing mercury. i think these could apply i just want to have it called out in universe

lena is a good person - i don’t think they’d pull the evil boss thing twice. i just think lena’s weird mannerisms are from her autistic swag

celia is related to or is agnes - (related to as in. her story involves agnes, not that shes like. a sister.) this comes from a theory by @/pinklotjeart, i think. basically: through the way her death was described (spark returned to the lightless flame) and some timeline discrepancies and general avatarness making it weird, agnes might not be Dead dead. and celia’s counterpart, lynne - well, she saw a fire ghost. also, both her and agnes are the only non one-off characters who have shakespeare names afaik. agnes MONTAGUE, celia from as you like it…

annabelle cane is related somehow - self explanatory, she was at hilltop road when everything went down. might have been pulled in.

a famous alchemist is robert smirke’d - self explaining, give me more canon historical figures jonny

another kitty cat - i want more kitty in podcast is that a crime

augustus is not jonah - we hear jonah’s voice as ben meredith in 193, so im skeptical that tim fearon’s character is jonah for that reason.

oiar group has a messy moment that devolves into actual physical violence - mmm angst i think they deserve to smack eachother around a bit

bonzo cult - yeah.

oiar found family - we got the group of coworkers that hate each other angst last time gimme the “hurting one to get to the others” and self sacrifice angst this time

colin dies early - mmmm i cant say much about this bc its based on one throwaway line at the MCM panel where jonny doesn’t mention colin in the main character group. so . death flags.

oiar is containing the entities scp style - this was a super early theory of mine, either this or theyre using them for power or energy in some way. even more heavy handed capitalism metaphors yay

someone gets ushanka’d - its computer horror: the podcast. that’s all

cookbook statement - a few clues in the ARG had to do with cookbooks, and alex and jonny have already said they’re getting weird with the statement formats (they mentioned an insurance report!) so. cookbook doesn’t seem too far-fetched

tiktoker/influencer character - archives was 2010s and they had a podcaster and youtuber, which were like. the big things. whats the hip trend now??? instagram and tiktok baybee

protocol editors va a small role a la mag 100 or the wtgfs cult - those characters were voiced by other rq team members (ie helen as laverne and martyn as robin) and the team has since expanded!! some editors dis stuff for cry havoc, so im guessing nico, annie, april and others will get a small role!

a villain’s goal is creating the philosopher’s stone or other alchemical thing - tmagp is heavily inspired by alchemy, and the philosopher’s stone was the main goal of alchemy!! it would grant you eternal knowledge snd the ability to turn lead into gold- which seems like a good. evil dude’s ambition

the desolation gets more focus - the institute burned down, the oiar crest has a lot of sulfur symbols (the fire element), alchemy as a whole having to do with fire, celia and her connection- it paints a very. lightless flame picture

trip to germany - a lot of the arg was set in and around berlin, and there was that exchange between sam and colin about german in the pilot! i could see a germany trip happening in the same way jon took a trip to china and america.

[commanderbuffy]

Sapphic Books Reccs

Here is my list of recommended sapphic books! There’s a lot of YA here since that’s a lot of what I read. Everything on this list I have personally read and can recommend. I’m sure there’s a TON out there I haven’t read or ones I have read and have just forgotten!

Contemporary

Astrid Parker Doesn’t Fail by Ashley Herring Blake (Adult)

My favorite of Blake’s! Enemies to lovers. SO good.

Delilah Green Doesn’t Care by Ashley Herring Blake (Adult)

A woman falls for her step-sister’s best friend. Oh, and there’s a kiddo in the mix as well.

The Falling in Love Montage by Ciara Smyth (YA)

Two girls promise a summer of fun full of rom-com worthy dates. The only rule, no relationships. Just one summer, nothing more. Sure....

Forget Me Not by Alyson Derrick (YA)

Amnesia fic where a girl forgets she ever met her secret girlfriend in their ultra-conservative town.

Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar (YA)

Fake dating between the girl who wants to validate her bisexuality to her friends and the girl who doesn’t mind the popularity boost.

Her Name in the Sky by Kelly Quindlen (YA)

Best friends to lovers! A big piece of this is also the friend group involved.

Imogen, Obviously by Becky Albertalli (YA)

Imogen thinks she’s just an Ally. Spoiler alert: she’s not. I loved the way friendship was explored in this. You see some really solid friendships as well as a subtly toxic one (that’s acknowledged as such).

Late to the Party by Kelly Quindlen (YA)

An ode to late bloomers and a journey to self-acceptance. A girl goes to her first party, befriends a gay guy who introduces her to new group of friends and one really cute girl

Margo Zimmerman Gets the Girl by Brianna Shrum and Sara Waxelbaum (YA)

Super fun involving a girl asking another girl fo “Queer 101″ lessons. Bi and Autistic rep too!

Perfect on Paper by Sophie Gonzales (YA)

A girl gives anonymous love advice and gets hired by a hot guy to help him get his ex back. Really FANTASTIC bi rep!

One Last Stop by Casey McQuiston (Adult)

A sexy time-bendy romance with so much heart

She Drives Me Crazy by Kelly Quindlen (YA)

My FAVORITE rom-com. I reread it constantly. Fake dating, enemies-to-lovers between the cheer captain and basketball star!!

She Gets the Girl by Rachael Lippincott and Alyson Derrick (YA)

Two girl team up to get their crushes to fall for them and start developing feelings for each other along the way.

Six Times We Almost Kissed by Tess Sharpe (YA)

Childhood frenemies forced to move in together for their best friend moms’ sake. Trauma filled and SO SO good.

Some Girls Do by Jennifer Dugan (YA)

A fun rom-com between an out queer athlete and the local beauty pageant queen.

We Are Okay by Nina LaCour (YA)

One of my favorite books of all time. A story about grief and friendship and love. A soft, quiet story.

Who I Was With Her by Nita Tyndall (YA)

A girl’s secret girlfriend dies and she is left to grieve alone until she finds herself turning to her girlfriend’s ex.

Science Fiction/Fantasy

Crier’s War by Nina Varela (YA)

A romance that leads to revolution by between two girls: one human, one Made

The Once and Future Witches by Alix E. Harrow (Adult)

This is historical and fantasy! Suffragette witches! Another one of those books I wish I could read again for the first time. Three sisters, one of them has a WLW romance

Thriller/Horror

Hide by Kiersten White (Adult)

A high-stakes hide and seek competition in an abandoned amusement park. One of my all-over favorite books of 2022.

House of Hollow by Krystal Sutherland (YA)

No wlw romance in this one, but the main character and her sister are both wlw. My absolute favorite book of 2021. What I would pay to read this for the first time again.

The Girls I’ve Been by Tess Sharpe (YA)

The daughter of a con artist is finally allowed to stop running and faking her identity, only to get stuck in a bank heist with her ex-boyfriend and current girlfriend.

Sawkill Girls by Claire Legrand (YA)

Three girls who shouldn’t have a reason to team up together against an ancient evil. The new girl, the pariah, and the queen bee who’s been helping the evil all along. I have reread this book easy a dozen times.

Throwaway Girls by Andrea Contos (YA)

When a girl goes searching for her missing best friend, she finds a trail of other missing girls and battles with heartbreak after her girlfriend leaves her for California.

Wilder Girls by Rory Power (YA)

Quarantined at her girl’s school after a gruseome Tox breaks out, a girl must find what happened to her best friend who’s gone missing

Historical

Great or Nothing by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood (YA)

The queer Little Women retelling we all deserve with a SAPPHIC JO! Set in 1942. Beth’s POV still haunts my heart

A Great and Terrible Beauty by Libba Bray (YA)

Two of the major supporting characters are WLW. This becomes more important and on the page in the later books in this series, but this is the first one.

Music from Another World by Robin Talley (YA)

1970s California. Two girls become penpals and bond over music.

The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (Adult)

Hollywood icon Evelyn Hugo famously had seven husbands. This is the story of her wife.

[daisychains111]

incorrect chb camper quotes but it's actually just my sister's quotebook from Twitter

Disclaimer: This post is gonna be LONG AF

Percy: "Ahh, die quieter"

Clarisse to Silena: "Do I look majestic?"

Will: "I live in America. Cultures?... casserole"

Nico: "At-home lobotomy"

Baby Nico to Clarisse: "You look like Harry Potter, You just need a scar black hair, different clothes, and to be a boy. "

Annabeth:"I don't know if I have enough sanity for 2 Holy books"

Leo: "I've seen titties before....not really in person, but yk"

Annabeth: "Do you have ears?"

Jason: "I kinda wanna work at Taco Bell"

Piper: "I've never been passive-aggressive in my life"

Will to Apollo: "There's no batteries in my butt Dad I'm not a robot"

Clarisse: "I'm not upset I don't hold grudges"

Ares to Clarisse: "I don't like your clothes it forces me to look at you"

Frank to Leo: "It's not 'drip' it's stupid"

Travis to the whole Hermes Cabin: "I'm the Rizzington bear... like Paddington bear but Rizz" (after his 1st date with Katie)

Nico: "I love Olive Garden, I wish Italians were real"

Rachel: "Come on, you guys stop trying to cockblock the view"

Katie: "If people can smoke weed in the middle of the day, then I can drink chamomile tea"

Rachel: "You don't want to piss me off I'm witewally a werewolf"

Piper about Jason: "All my friends are boys, and one just died... he would have made a great bridesmaid"

Frank: "I was doing a silly but the funny didn’t land"

Jason: "Why am I white"

Rachel: "I am not a whore, I am a celibate queen!"

Drew: "It's not the fashion statement that you think it is"

Nico about the Ares Cabin: "They're gonna call you a slur, but they're gonna be really nice about it"

Piper to Annabeth: "If we both think it, it's not bitchy"

Grover: "I'm just gonna write a paragraph or two about global warming"

Annabeth"I have like a 7th-grade reading level!!! (this is impressive when you're dyslexic)

Jason: "Dude I love yoga"

Will: "They say that Utah is the promise land"

Kayla: *explains what a text-fic is to grandparents (Apollo)*

Clarisse: "Put that on your Twitter!" *points knife at me*

Travis: "Do you eat?"

Katie: "...um yes?"

Travis: "Oh, I mean do you want to eat." (when he asked Katie out the first time)

Hazel: "That's not gonna change my heart. That's just gonna make me cry!"

Alabaster: "I wanna find someone somewhere to impregnate and then steal the baby......Where's your Twitter, that was kinda funny"

Percy about Leo: "I would spoon that man so hard"

Frank: "The closer I get to nature, the closer I get to being a werewolf"

Apollo: "I feel like Jaba the Hut"

Rachel: "It's because you ate girl dinner"

Apollo (same convo^)"I fell asleep, and I woke up, and I ate a girl dinner, and I didn't feel that good"

Percy: Don't mind me just cleaning the ocean" *hand angrily on hip*

Will to the Stolls: "Although my bellybutton was once my mouth I don't want soda in it!!"

Connor: "Look at how majestic I am"

Clarisse: *gasps* *throws uno cards* "This is communism at its finest, and I hate your life." *Is losing* "All I'm doing is humoring you now. There is no reason for me to play anymore." *throws cards* *again*

Nico: *passes out*

Will: "We need to take you to the doctor like right now."

Nico: "No fireworks are more important than my health"

Leo about Percy: "That's a pretty boy right there... if we were in prison, it's over."

Kayla when Will came out to her: "Slay motherfucker"

Annabeth: "I hope to not run over any old ladies...old men are fair game tho."

Percy: "Main characters get bullied, Jesus....yep!"

Leo: "What if I was an astronaut!!!!"

Travis: "Banana, Banana, Meatball"

Clarisse: "I am going to break your toe shut the hell up"

Katie to Connor: "I hope you get bullied in high school."

Clarisse about Leo: "This guy's a fuckin goober"

Clarisse: "What did you do to your sweatshirt? Did you get hungry?"-Grover: *sighs*

Nyssa (Hephaestus kid) to Leo: "Dont hurt me. I'm Batman!.... You better not tweet that"

Kayla to Apollo: "It's called multi-tasking Apollo! "

Apollo: "It's mother to you"

Clarisse: "I could fight God and win"

Percy: "So you wanna fight rn"

Clarisse: "No, I'm good"

Jason; "You look gang"

Leo: "What? I look gay!?!?!"

Jason: "You look straight, but nice"

Leo: "Oh... thanks!"

Apollo to Rachel"Lie, deny, cry, and for good measure be a raging slut."

Silena: "There's all kinds of nature out here"

Katie: "Live, laugh, love, low iron"

Annabeth to Piper: "Keep backing up...Cuz you have a fear of commitment

Lou Ellen to Katie: "Does your knee affect your shoe size... or are your feet just that small??"

Travis: "The amount of testosterone in me, peanuts are allergic to me!"

Leo: "I'm cracked up on feeling sexy"

Connor to the whole Hermes Cabin: "The "10" of us? our parents sp*rm pets"

Apollo about Athena: "OH gods, a single mom"

Apollo about Kayla's dad: "I cheated on myself with a man"

Malcolm about Athena: "She's a mom boogie woogie woogie"

Nico: "I cried at Chick-fil-A the other day"

Nico: "Live, laugh, lobotomy."

Drew about Thalia: "She has no friends and a dead brother."

Katie: "I wrote fanfiction on my i-pod touch"

Lacy to Leo: "Was it a tech? or was it a human?"

Will: "Live, laugh, love, tampons"

Kayla: "Die, cry, hate, condoms"

Aphrodite to Clarisse: "Do you like being a girl? You just always wear pants"

Percy: "Chill I know how to make conversations I have Rizz"

Will: "What! no! cow!"

Frank: "Fvcking knock it off seriously you guys are acting like children!!"

Travis to Lou Ellen: "Yesss pussy-pop you slayed"

Ashlyn (Hermes kid): "Chick-fil-A is mid, Taco bell is where it's at"

Percy during tlt: "You couldn't even buy a gumball with that shit (drachmas)"

Percy (same convo ^): "A quarter? You could buy a gumball with that shit"

Nico: "Your soul and your money!"

Tyson: "You've seen fishes, fishes move fast"

Leo to Frank: "What the fvck is a kilometer"

Leo making fun of Frank: "Mua ha ha ha I'm Canadian"

Percy: "Jesus didn't give up his life he gave up his weekend"

*as seen at 2am in the Apollo Cabin*

Gracie: "You're discriminating against me"

April (the token straight): "It's cuz she's gay"

Will: "We're all gay."

Nico: You don't have any slurs about you."

Leo: "No because I'm perfect"

this was fun to make lol....there will probably be a part 2 but like far in the future. if you made it this far I love you....also if you don't recognize names it's bc I deep-dived Wiki to find canon names for each cabin.

If y'all want one-shots based on these TELL ME I NEED STUFF TO WRITE ABOUT

[impala-dreamer]

Tourniquet - Chapter Five

A Supernatural Dean x Reader Series Told Backwards

~Y/N has been by Dean’s side through his worst days, always there if he needs her, forever just a call away. Love is impossible to fight and more impossible to live with. Just a side character in his epic life, Y/N would give anything just to give Dean a moment’s peace.~

Please see MASTERLIST for full info/warnings/chapter links.

Impala-Dreamer’s Masterlist  ~  Patreon  ~ Published Works ~ Get A Custom Story

How To Lose Friends and Knock on Death’s Door

She hadn’t been far when he called, which was always strange. Strange to think that out of the entire country, they’d accidentally ended up in almost the exact same place at the same time. 

Y/N had just cleaned up a little ghost situation in Absecon, New Jersey and decided to treat herself to a little glitz and glamor down in Atlantic City. Sadly, she found none, but she did find a few really good margaritas which led her to relieve her wallet of a few bucks in Bally’s. 

That night, she hung out on the boardwalk, boots thumping gently on the slatted wood. She took her time, nowhere to go, nothing really to do. The moon was bright and its glow reflected on the ocean like a million diamonds sparkling in the swells.

The November wind was slow but cruel and she tugged her jacket around her a little tighter. 

Someday, she wanted to come back in the summer. To bring a book and sit on the beach under a rented umbrella and feel the sun burn her legs. To dodge the crowds on the boardwalk, walk through the casinos for a little air conditioning. Maybe she’d bring a friend. Maybe she’d bring Dean. She laughed at the thought of Dean lying next to her on the beach; his back red from the sun, his legs too long for the blanket, toes digging into the sand. 

Dean. 

She sighed and leaned against the wooden railing, staring off at the water. Her nose was freezing and she rubbed at it, deciding it was time to go. 

As she turned, her phone buzzed and she smiled. His ears must have been ringing. Maybe she could get him to come out right now. Despite the late autumn cold, New Jersey was beautiful. 

“I was just thinking about you,” she answered with a light laugh. 

“Y/N/N…” His voice was panicked and rough. 

Her heart sank. Another tragic call, another night of talking him off the ledge. Pushing away her smile and disappointment, Y/N squared her shoulders and focused. 

“What’s going on? Are you hurt?” 

“No.” He stumbled as if his tongue wasn’t quite sure how to form the words. “You- it’s- Y/N/N, you gotta come here. Now.”

“OK.” His panic drifted through the phone into her. “Tell me what’s going on. Where are you?” 

Heavy breathing, a choked back sob. 

“It’s Bobby…”

Thirty-one miles wasn’t very far, but she felt every bump in the road like she was running barefoot on broken glass. Her stomach ached; her muscles tensed. Twice, she’d had to slow down in fear of retching, but she grit her teeth, gripped the wheel, and pushed on. 

The trauma rooms were on the main floor behind Emergency, and they were hesitant to let her in. 

“Please… He’s my father,” she lied, but not really. Bobby had been more of a father to her in those early years after her mother and sister died than her own had been. He was the only one she would listen to when reprimanded or given advice; his house buried in the junkyard was the only place she could truly call home. “Please.” 

The tears were real even if the genetics weren’t and they let her in; a short nurse pointing the way to the room in the corner. 

Doctors ran in and out, white coats and blue scrubs blurring as tears filled her eyes. 

She stood in the middle of the walkway, staring at the body in the bed, refusing to believe that it was Bobby. 

The patterned gown was too big, hanging off his shoulders and tucked under in weird places. Plastic tubes came out of his mouth, his chest, his arms. Bright blood leaked through the white gauze on his head.

Someone called her name, but she couldn’t hear it over the monitors beeping or the racing of her heart. 

“Y/N…” 

Sam touched her shoulder and she jumped back and away, hunter’s instincts taking over. 

“Whoa-” He held up his giant hands in surrender and leaned away. “It’s me. Sorry.” 

She sucked in a quick breath and looked up into his worried eyes. His hair was a bit longer than she’d last seen; his sideburns a ridiculous mess. He opened his arms and she fell into them, grabbing the front of his green jacket and twisting it in her fists. 

“What the fuck happened?” It came out in a wet sob, but the words were formed well enough. 

Sam was shaking and braced himself by wrapping his arms around her. “He… we were…”

Confusion choked her. “Who did this?”

He couldn’t answer, he just squeezed a little tighter. 

“What happened? What- I- Sam!” 

She pulled back and looked up. His face was creased with pain, his gaze sad and empty with shock. 

“Sam!” 

Hazel eyes flit from her face to Bobby and back again. Unable to speak, he shook his head.

She tore at his jacket, tugging him closer. Her body burned with anger, not at Sam, but he was the only one around that she could beat up on and not end up in cuffs. 

“Sam!” 

“I’m-” He closed his eyes and swallowed hard. “It just… happened. I don’t-” 

Y/N could tell how hard he was trying, how strong he was being. The simple act of standing there seemed to almost break him down, but he held himself together. She pushed aside her anger and pressed her hand to his chest in a calming gesture. 

He looked down with the tiniest ghost of a smile.

She softened her voice. “Has a doctor talked to you yet?” 

Sam nodded. “Just now.” 

“What did they say?” 

“He’s um… They have to wait for the swelling to come down and then-” 

He shrugged, it was all he could do. 

Y/N’s head was pounding, her arms felt like lead. She turned to look back at the bed, at the old man lying unconscious surrounded by machines. He looked pale, cold. The thin hospital blanket wasn’t enough. She wanted to run to her car and grab another, cover him up, hold him close, but her feet wouldn’t move. She was stuck in place, looking through the glass doors as Bobby clung to life.

Her whole world was shattering and autopilot took over. There were no more words, no more questions, there was only the eerie quiet between them and the constant mechanical beeping.

At some point, she and Sam found chairs and they sat stoically sharing their pain. He clung to her and she covered him the best she could with much smaller hands.   

“He’s gonna die,” she whispered. She was staring, unblinking at the base of the hospital bed, wondering what all the different pedals and levers did. “He’s gonna die.” 

Sam sucked in a shuddering breath. “Yeah. I think so.” 

“He ain’t dyin’. Not today.” 

Dean startled them both with his refusal to admit the truth and his sudden appearance. He towered over them and Y/N tore her eyes from Bobby and looked up at Dean. 

His eyes were wide and bloodshot, the skin dark beneath. He was trembling slightly but doing his best to hide it behind a clenched jaw and tight fists. 

She wanted to yell at him, to force him to see reality, but she was distracted by a drop of blood. It fell from his hand and struck the top of his boot, splashing like a raindrop onto pavement. 

“You’re bleeding.” 

He looked down and flexed his fingers. His knuckles were torn and bleeding. 

“It’s fine.”

Y/N stood up and grabbed his hand, looking it over. “It’s gonna get infected,” she sighed. “Come on…” 

They found an empty room down the hall that seemed unused. Most of the lights were off and the ones that were on were old and dim. They snuck in and Y/N forced Dean to sit on the edge of the bed. He was quiet but she could feel the anger pushing off of him. She could see it in his eyes; feel it in the tension of his fingers. 

“What’d you do, punch a wall?” 

Dean huffed and cleared his throat. “A- uh- glass window thing.”

Y/N sighed as she dug through a cabinet, plucking out alcohol swabs and gauze. “You think that was wise?” 

Dean tipped his head back and closed his eyes. He was exhausted, scared, and running from defeat. 

“Was that or the guy’s face.” 

She pulled up a stool and steel tray, laid out her instruments and sat across from him. 

“Then I guess you did the right thing.” 

He let her examine his cuts, winced as she pulled a piece of glass from the middle knuckle, hissed when the alcohol hit his open flesh. 

Y/N scoffed and hit him again with the cold fluid. “Baby.” 

He cocked his head and looked at her. “You know I love it when you call me that.” 

She met his eye and pursed her lips. “Of all the times, Dean. Now is not a good one.” 

He shrugged and offered half a smile in apology. 

“I’m glad you called.” She wrapped his hand up carefully, sure to make it tight but not too tight. “Thank you.” 

Dean licked his lips and dropped his head, staring at the old tiles covering the floor. They were dingy and the glaze was cracked. Just like him. 

“Thought you’d wanna be here,” he replied. 

“I do. Thanks.” She smiled sadly and patted his arm. “All done.” 

“You’re a hell of a nurse, Y/N/N.” 

“Don’t you know it.” 

She moved to stand, but Dean grabbed her. He pulled at her arms and tugged the stool forward until she was between his legs. She looked up in surprise and then blinked back a fresh swarm of tears. 

“Don’t do that,” he whispered, cupping her cheeks in his warm hands and brushing away a tear with his thumb. “You do that and I’ll do that and then where will we be?” 

“Crying in an ancient hospital room,” she teased. 

He laughed. 

She sighed. 

He’d be OK. 

“Dean, I-” 

His kiss was slow but desperate. He held her face, kept her locked to him as his lips pressed tight against her mouth. She was surprised but not really. This is what he did. He called when he needed her, kissed her when he felt hopeless, let his hands roam when he needed to feel alive and connected. 

It didn’t matter why, it just mattered that it happened. 

Y/N melted against him, parting her lips for his tongue, and breathed him in. He smelled like cheap cologne and smoke, like whiskey and three days without a shower. He stank. He was filthy. His stubble burned her lips. He felt like heaven. 

Dean seemed to find his breath again within her and he sucked at her lips, kissed across her jaw, sank his teeth gently into the crook of her neck. Y/N’s eyes were rolling, her skin burning, heart racing. 

“Dean, we shouldn’t-” 

He sat back, green eyes dark and wide as he looked her over. He ran his fingertips across the hem of her shirt, followed her collarbone across on each side. He was there but not; a mechanical body moving because it had to, but his mind was elsewhere. His mind was back in that room with Bobby. 

“Dean…” 

As much as she wanted his hands to move down a little further, to sneak up beneath her shirt, rip her clothing away, she knew she couldn’t do it. She placed her hands on his wrists and pulled them gently off of her shoulders. 

He startled, shoved back into himself. He blinked quickly and then stood up, pushing her back on the rolling stool. 

“I- I’m sorry, Y/N/N-”

Shaking his head, he wrenched the door open and escaped, leaving her alone in the dim light, surrounded by the ghost of a moment and bloody wrappings. 

She wasn’t sure how long she sat there picking at her cuticles and absorbing the night. She wanted to break down, to run away and scream as loud as she could until she couldn’t anymore, but that wasn’t her. She was the bedrock, the warm blanket, the calm in a stormy sea. If she wasn’t that, she wasn’t anything. 

After some time, she managed to stand. She wiped the tears from her cheeks and his kiss from her lips. 

She gathered up the mess she’d made and tossed it all in the bin. 

She shut the lights and walked back down the hall. 

A white coat flew past her, bumping her shoulder. She turned into the hit and watched the young doctor run towards an incoming trauma. 

Outside, sirens were blaring and nurses were shouting, but inside there was a steady ringing. A long buzz that Y/N slowly realized had replaced the beeping. 

She looked towards Bobby’s room, her vision blurred and her movements slow. 

Dean was at the foot of the bed, his hands on his head as he spun away. Sam was doubled over off to the side, slowly sliding to the floor. 

It didn’t make any sense. 

A nurse in bright blue scrubs and a white knitted sweater reached over the bed and shut off a monitor. The buzzing stopped. 

Bobby was dead. 

Anguish pumped through her system and Y/N broke into a run, screaming for help as she reached the room. 

“Please! Help him!” 

Dean tried to grab her, but she slipped through his arms. 

“Please! Why won’t you do something!” 

Her hands waved over his body, unsure where to land, unsure what to do. Tears stung her eyes and she let them fall, crashing down like a tidal wave onto the thin blanket. She pushed at his shoulders, trying to get him to move, but there was no response. 

“Please!” 

She cupped her hands over his heart and tried to push down with all of her strength, to force his heart to start again, but it was no use. 

“Bobby, please!” 

She climbed up onto the bed and beat on his chest; her cries growing more desperate, more pitiful. 

“Bobby-” 

When he couldn’t stand it any longer, Dean grabbed her by the waist and yanked her off of the bed. 

“Get off of me!” 

She struggled against his hold, kicking at him to get back to the bed, but his arms were too solid, his grip too strong. 

“Y/N, stop!” 

She hissed and slapped at the arm around her middle, but Dean wouldn’t let go. 

“Dean! Let! Go!”

She clawed at his hands and Dean pulled her closer. He dropped his head and pressed it against hers. His eyes fell closed. 

“Y/N/N, he’s gone. He’s gone.” 

Dean’s voice bounded off of every corner of her mind, echoed into the deepest parts of her. She stopped fighting and collapsed, legs giving out and sending them both to the cold floor. Dean fell with her and wrapped his arms around her, curling her into his chest. 

“He can’t go,” she sobbed, fingers climbing up his chest to find something to hold on to. “He can’t. He can’t. He can’t…” 

Dean cradled her head, rocked them both gently. “Shh… I’ve got you.”

“He can’t go, Dean… He can’t.” 

He shivered against her and pressed his lips to her forehead. “I’ve got you.” 

She ran. As soon as the sun rose and she could see clear enough to drive, she was gone. She was broken and devastated and the worst part was, he hadn’t asked her to stay. 

So, she ran. 

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@babysimpala @beardburnsupersoldiers @chenshemesh1 @cosicas-cuquis @deans-baby-momma @deanwinchesterswitch @feelmyroarrrr @foxyjwls007 @hobby27 @impalaspixie @jackles010378 @kazsrm67 @k-slla @leigh70 @lyarr24 @nancymcl @peachy-vans @pizzagirlxnsfwx @rachiem4-blog @sexyvixen7 @the-wounded-healer05 @mariekoukie6661  

[seriouslysam8]

Sam, as a resident expert on all things Sirius Black, do you think JKR killed him off as early as she did because she couldn't figure out how to handle a character that complex and how to build the plot for Book 6 (which imo, would've been a much better point to kill him off) in the way where Sirius' participation wouldn't simply steam roll the horcrux hunt?

Like, as painful as his arc was in OotP, he serves as a fantastic plot device to show the depth of corruption of the Ministry, the prejudices in WW (on both sides of the conflict, gosh, as much as I hate Manipulative!Dumbledore trope, he really earns his morally grey card in that book, like did this man with an isolated sister not know what isolation does to a person?).

I understand why in the context of the "child hero" story that HP is the wise mentors (Dumbledore) and parental figures (Sirius) have to die. But why did she have to kill him that early and in such an underwhelming way, why? And given that the books are from Harry's POV how the fuck did Sirius' death not leave a Mariana trench-deep gaping hole haunting the narrative for the rest of the series (dunno if you read ASOIAF, but good example of that would be Ned Stark's death haunting everyone, including Theon)? Like, wtf, JKR tried her best to whitewash Snape in DH, she redeemed him in Harry's eyes via Albus Severus' name and that speech in the epilogue, but Sirius dies and it's all nice and forgotten throughout the 1/3 of HBP? Did she genuinely hate his character or what?

*rant over, why did I even start re-reading the series past the DoM battle

LMFAO! I would hardly call myself an expert. The way I write Sirius isn't even 100% canon given the fact that I adore the old school headcanons involving leather jackets and tattoos.

I've heard people say she killed Sirius off so early, because she hated Wolfstar. I don't think that true, but I could be wrong.

I've also heard people say she killed him off so early because he was based off an ex-boyfriend and she hated that he was so popular. I have no idea if this is even true or where this even started. But, if it is true, her loss because Sirius is the shit.

Then, I've heard the age old everyone needs to die so our hero can go at it alone bullshit. You know what I'd rather read? I dunno some orphan boy who had to go it alone his entire life and finally have someone who would go to the edge of the earth for him and have them go at it together. It would have been so much more interesting than the camping trip from hell storyline that was DH. Instead of Neville at Hogwarts running the DA with Ginny, it should have been Ron. Like the trusted best friend and sidekick becoming the main character in his own right.

But, anyway, I agree with you. Sirius' death should have been more impactful than it was. I mean, this was Harry's ONLY family and yet... he's fine not that long after it happened? I would think our boy would be FUCKED UP for a long time, especially after hearing the contents of the prophecy.

But I do wish he would have stayed around a bit longer. Instead of Hedwig dying saving Harry in DH, what if Sirius had? Like swooping into the line of fire just like Jily did? It would have been a more impactful and would have hurt your soul a lot more than being killed by fucking curtains.

[zeroducks-2]

Let’s talk Helena Wayne bc like it’s criminal that we barely get anything about her and that they completely changed her origin and family (the bertinelli mafia family) to add her into the main comic book line.

im torn bc I love both versions of her :(

But I wanted Dick to share some older siblings trauma with her and for Damian to have that “blood” sibling bc I think that would have completely rocked early Damian’s shit. All his life, he was told to be the true heir of Bruce Wayne, but it turns out he has an OLDER SISTER BRUCE HID FROM TALIA AND RA. Idk I just think that would have crushed his lil murder ego and made for some interesting sibling moments and an interesting dynamic.

Lastly, can we talk about how the Batfam fandom completely stole all of Helena (Bertinelli)’s character traits and gave them to Jason??? Im sorry but when in the material source has Jason ever been super devout and catholic? Helena is the religious one, why am I reading about Jason’s apparent Catholicism in fics and HC dumps? Also Jason (besides his Robin days) has never been this savour and protector of the woman and children of Gotham, that’s very very veryyyyyy clearly a trait from Helena and strongly ties into her backstory as a child who suffered coming from a rich bloodline of syndicate crime. And don’t think this is me bashing on Jason, bc it’s not!! I love Jason Todd - but for who he is. Not for this weird fandom version of him who is either still suffering from the craze the lazarus pit puts you through, or this Joan of Arc of Gotham character either.

I'm gonna be honest with you, this character confuses me a bit. I know that Bruce and Selina got married and had a daughter in their Earth-Two incarnations, and this daughter is Helena Wayne, who's Dick best buddy and a vigilante in her own right called Huntress.

Then I know Helena Bertinelli, daughter of a mafia lord who was introduced in the late 80s in the preboot comic continuity, and was a quite murdery vigilante called Huntress who Bruce didn't accept because she "reminded him of Barbara" (you gotta love DC's excuses for sexism and ableism lol it's not like Barbara was dead just paralyzed. Also it did not look like Bruce gave a shit about it at the end of TKJ that Joker had crippled her - "she reminds him or Barbara". LMAO Bruce).

Then post reboot the title Huntress was given back to Helena Wayne, however Helena Bertinelli is ALSO there and she's ALSO called Huntress? She appears in the Grayson run where Dick is an agent of Spyral, and she seems to be Italian-American but I don't think her origin is the same as in preboot? Also I have no idea about Helena Wayne's continuity post reboot - when she was conceived, who raised her, how did she become a vigilante, neither I have any idea where to find this info.

I agree that if she had been raised by Bruce it could have made for an interesting dynamic amongst the bats and birds. It did in Earth 2 even if only Dick is just there - they're not siblings but they also aren't not siblings? The dynamic is murky and I love murky. Pretty sure it would have changed everything for Damian as well, especially the fact that she would have most likely been the first object of Damian's need to prove himself worthy, instead of Tim.

That being said, not much of what you mentioned is fanon about Jason.

Jason had an arc in which he's a priest. Pretty normal that fans HC him as devout or anyway catholic.

Father Todd in Flashpoint: The World of Flashpoint Vol. 1 - this is an AU in which Jason was never taken in by Bruce and was never Robin.

As for the whole "protector of women and children" thing, you probably know that Jason was born in extreme poverty, his father was in and out of prison and his mother died of overdose. He is very much a child who suffered because of a broken system, and given how harshly he reacts when women and children are the recipient of violence "in his Robin days", is it really that strange that fans assume he carried these traits in adulthood?

We see him being sweet and protective to kids many times, or anyway losing his mcfucking shit when children are being harmed (like in Brothers in Blood). Imo that of Jason caring about vulnerable people is barely a headcanon, and I don't see how this would make him the Joan of Arc of Gotham either - if I'm being honest ALL vigilantes should care about minorities and vulnerable people, it's the other way around that is weird as fuck (like that arc in which Dick almost dies to prevent this guy from shutting down Bludhaven's casinos, like what the hell was Tim Seeley thinking exactly).

That being said, I understand your frustration if the character you like doesn't have recognition. Trust me I do! There's a lot of them for me too, especially female and/or non white characters who had maybe 1 run ages ago and then got forgotten by DC, and I would REALLY LIKE to see them more, and to see them acknowledged more by the fans (from the top of my mind, Jenni Ognats or Patricia Trayce).

But this isn't fandom's fault. As I mentioned before, Helena Bertinelli as a fleshed out character was a thing between 20 and 30 years ago, and most of tumblr's userbase was either very young or not born yet. DC forgot about her, stripped Huntress from her to give it to Helena Wayne, then brought her back but as an agent of Spyral and it really doesn't look like they care. Fans can't be held accountable for the fact that she's simply not there. They didn't "steal" Helena's traits to give them to Jason; this implies a willful and malicious intent from people who saw this character and decided her features fit another character better, and it's obviously not what happened - people barely know Helena Bertinelli exists if at all.

Also - I said this about Jason already and I will repeat it a million times: Jason wasn't picked at random from the sea of DC characters to be people's blorbo, he resonates with fans for a reason. Under the Red Hood is a deeply emotional and relatable arc for many people because it's the story of how a child was failed by every single person who was supposed to protect and guide him, and then was failed again as an adult victim who demanded to be seen and heard and acknowledged, and instead was silenced again. It's heartbreaking to see how many people see this and say "this is me, this is what happened to me", but it is what it is, and most of all there is no taking this away from Jason's fans. DC tried to villainize him, to make him look and sound like a madman, to make him unhinged and deranged and they had Tim suggest that "maybe it's the Lazarus Pit that drove him mad", but it didn't work and fans still love him and still consider him a symbol of how "bad victims" are treated worse than their abusers, and keep being retraumatized by a society that prefers turning a blind eye to violence than deal with the issue at its root.

And lastly, bitching won't get you anywhere. I am the living proof that the right way to make people interested in something is to be passionate about that something. You want more folks to pay attention to Helena Bertinelli, then since DC won't do anything with her, the most effective thing you can do is post about her - write essays, draw her, write fics with her, create webweavings and moodboards, commission this stuff if you don't have the skills. Complaining that she should be the recipient of fandom love won't make anyone more interested in her.

[rise-my-angel]

Ned Stark never told Jon the truth for multiple reasons, a big one being about the extremely tenuous spread of information. If by telling Jon, there was ANY chance that that others may learn and it could reach Robert, he would not risk it.

There's clearly a reason after the war, Howland Reed returned to Greywater Watch to sit on a swamp bog lilypad in complete silence for twenty years.

Any chance of the wrong people learning this truth puts Jons life at immediate risk, something Ned won't allow. Protecting Jons life at the cost of some of his relationships with the ones he loves, is a sacrifice he has to make. One of his final thoughts is of guilt, wishing he could talk to Jon just one more time, implying he doesn't want to leave this world with his son thinking Ned raised him this way out of shame or spite.

There's also the fact that Ned is clearly a man with deep trauma. Most of the main older characters from Roberts Rebellion we meet are trapped at that age. Their traumas never really let them move passed that era and its clearly effected the men they've become. Ned Stark, Robert Baratheon, Jon Connington, Jaime Lannister, even Howland Reed. All characters who never really lived passed that war and its greatly effected their lives as older men.

It means that while it isn't fair, Ned does not discuss those days, Jons mother, or even Lyanna in general because he is still trapped in that room she died in. Ned is still metaphorically that young man, sat catatonic at his little sisters now dead bedside. Ned doesn't shut all that down from his family and Jon to just keep him in the dark, its Ned spending Jons entire lifetime with deepy unresolved trauma that he now has no idea how to process. Shutting down emotionally about his families death and not truly processing the greif isn't even singular to Ned. This is a trait we literally see with Jon later on once he thinks hes lost basically his entire family, not really processing those loses in a healthy manner.

So if shutting down from trama is a flaw you put towards Ned, then its Jons flaw too. They both are extremely closed off about greif.

Again, Ned in his final pov chapter feels shame when thinking of how he and Jon will part ways with each other before Ned can fix his wrongs. Ned doesn't want Jon to think he raised him this way with any ill intent, Ned raised Jon that way out of deeply rooted fear for losing his son. And Ned wants Jon to know that hes sorry if he ever made Jon feel anything less then that love.

Its easy to fall into Jons pov trap, where the thinks his father abaondoned him to the Wall because thats what he thought Jon deserved. But the books clearly explain that Ned always wanted Jon to stay in Winterfell with Robb. But between the turmoil of Roberts appearance, the mystery of Lysa accusing the Lannisters of murder, and then realizing Jon wants Benjen to convince his father to let him go and Catelyn pressuring Ned to make Jon go, he concedes. At the least, even if Jon hates him for it, if Jons at the Wall hes as far from Roberts wrath as he could get.

Ned lets him go, but Ned always wanted Jon to stay in Winterfell where he belongs. Ned never treated Jon like a pariah. Ned treated Jon better then most bastards ever get from their highborn families, but did not give too much special treatment in order to keep eyes off of him for his saftey. The less people who pay attention to Jon, the less chance anyone would ever put it together. And keeping Jon a bastard, means while he receives the stigma that comes from it, most people who Ned would be scared of Jon interacting with, will now ignore him. It hurts for Jon, but Ned again, knows its better then someone putting the truth together and winding up having Jons life at risk.

Even through what Jon doesn't understand about his father continues to bother him, Jon actively still pushes away every older male his life trying to position themselves as a psuedo father figure to him, because despite it all, Jon knows the only father he wants or ever needed, was Ned Stark.

Ned was not perfect in the manners which pertain to Jon, but to pretend as if Jons unobjective pov of insecurities and fears stemming from not having the context of his father keeping such a massive secret, is secretly some smoking gun proof that Ned was actually a bad father or deserves to have Jon discount being raised and loved by him his whole life?

It is completely disingenuous.

[sophieinwonderland]

The Plurality of... The Hybrid Chronicles: What's Left of Me

Over the past couple weeks, I've been listening to book one of The Hybrid Chronicles, What's Left of Me.

And it is AMAZING. Fantastic story with a fantastic narrator!

As always, expect huge spoilers ahead!

A World of Twin Souls

The Hybrid Chronicles takes place in an alternate reality where every person is born as two people. Each has their own name. Each has motor control of the body at different times and can switch who is in control. And they communicated with each other internally with mindvoices just like most systems.

This is how it is in the beginning, at least.

There's a recessive soul that usually fades away naturally though childhood. Usually around 4 or 5. Some take longer. If the recessive soul doesn't fade away, if they don't "settle", then the two become a Hybrid.

If a child reaches 10 and hasn't settled yet, they're sent away to nightmarish institutions.

The history the government gives explains that Hybrids are all terrible and chaotic. At some point in the history of The Americas (The whole supercontinent appears to have one centralized government in this universe) people rebelled against the Hybrid leadership, massacred the Hybrids, and took control of their new Hybrid-free nation.

The Americas became intensely xenophobic and trade was cutoff from the rest of the world.

The government of The Americas pushes constant anti-hybrid propaganda, showing the other nations as violent and destructive because of their hybrid leadership.

A weird note on names: One of the least believable things about this story to me is that parents give their children two names. It seems like it would make much more sense for them to just call each soul by the same name. Maybe with a number attached. For example, you might just have Addie 1 and Addie 2 instead of Eva and Addie. Then when the recessive soul fades away, it will feel less like your child just died. Because it seems really messed up that there's just a world where you're expected to name two children, knowing that one would be guaranteed death. (In real life, it's common for places with high infant mortality rates to not name their babies immediately.)

But then again, maybe some people tried that, and it just resulted in one of the souls choosing a different name for themselves anyway. And then if that soul with a different name settled as the dominant, then the parents get a child with a name they didn't choose. I suppose I could accept that headcanon. 🤷‍♀️

Eva and Addie

That brings us to the main characters. Our viewpoint character is Eva, a recessive soul who has lost motor control of the body. But she didn't fade away completely. She shares a head with Addie.

The two have to constantly hide who and what they are from the world, lying to everyone and saying that only Addie survived.

At the same time, Eva longs for nothing more than to be able to move her fingers again. To talk to people outside of their body.

The relationship between these two characters is the heart of What's Left of Me. The two are like sisters. They comfort each other when they're hurt or scared. They fight with each other. They fight for each other. And they are both willing to sacrifice for the other.

Addie has to wrestle between her desires to remain "normal," and to support Eva and let Eva be herself.

As a system, something I often hear come up from singlets is a question of why you would let someone take control of your body.

And I think this amazing bit of dialog when Addie and Eva find a way for Eva to regain her mobility encapsulates it perfectly.

When you care about someone, of course you would be willing to give up time for them. Even if it's hard sometimes to step away from the reins.

At its core, this book is about pluralphobia. In part, from a society that is openly hostile to plurals. But it's also about internalized pluralphobia. It's about Addie and Eva's self-hatred instilled into them by a world that refuses to accept them.

It's about their own struggle to be able to accept themselves.

This is such a poignant quote and it stuck with me more than anything else in the book.

So far, most of the excerpts from this are focused on the general premise of the book and the relationship of the protagonists. What I'm going to say next is more spoilery as it's from near the end of the book. If what I've mentioned already as enticed you to read it for yourself, this is a good place to stop...

...

...

...

Acceptance

Through the story, Eva gradually regains motor controls and the two start to accept themselves more.

And I must say that it's an amazing journey. I love seeing Eva so excited to talk to people and even just move her fingers for the first time in years.

Every new milestone is so well-written. (And the narrator does an incredible job playing the characters in the audio book.)

And it all culminates in this exchange, with Eva in full control and no longer hiding, or ashamed to be who she is.

Proud. Determined. No longer afraid to be who she is.

Parallels to Real Pluralphobia

The ages of settling are interesting to me. If it's not done intentionally, it at least feels like a pretty big coincidence.

I recently mentioned my feelings about imaginary friends and the belief that many of them are sentient beings. Through that lens, you can see a lot of parallels.

An imaginary friend in childhood may be treated as if they're real by the rest of the family, just playing around. It's often seen as a normal thing. But as a child ages, imaginary friends are more stigmatized. Children are expected to outgrow them. And most will disappear.

Except when they don't...

And then having people in your head is suddenly treated as an illness. You're suffering psychotic hallucinations or a dissociative disorder. Much like with hybrids, you're treated as if you're "sick" or "broken."

And the age range of this is pretty close. Most imaginary friends fade away during early childhood. This is also when self-states are alleged to become fully integrated and why 10 is usually considered the maximum cutoff for the trauma that causes DID.

Stigma of plurals as "dangerous" is persistent through our media in the form of the evil alter trope, and through media that portrays malevolent psychotic hallucinations as self-conscious entities with their own identities and personality.

There's not some huge government conspiracy in real-life. But the connections are definitely there between the fear of hybrids in The Hybrid Chronicles and the pluralphobia and ableism plurals experience in the real world.

And with our country's history of ableism, even being forcefully shipped away to an institution for being plural would have been a real fear 50 years ago.

On mechanics of Manifestation Types and Emotion Influence...

Having compared the plurality of the book to real plurality and to imaginary friends, I should mention that the souls of the book are exclusively fronters. There are no inner worlds, nor do either Addie or Eva have external visualized mindforms.

And even when she lacks control, Eva seems to almost always be attuned to the body.

Another thing the book handled really well, I thought, was the sharing of emotions between the two and how they can both experience emotions from the other, while clearly identifying those emotions as belonging to the other soul.

And with this excerpt, I feel I should also give a shoutout to the unique formatting choice to denote their mind speech. Though, full disclosure: the audio book can be confusing sometimes when that formatting doesn't exist and you have to depend heavily on context clues to figure out if something was said in their head or through their mouth. Sometimes I didn't realize that something had been verbalized... or not verbalized... until a few sentences later.

Conclusion

What's Left of Me is a fantastic book exploring (whether intentional or not) plurality and pluralphobia in an alternate universe where everyone is born with two souls. It's such a great story, and the dynamic between Eda and Addie is handled amazingly.

Writing this felt weird. When doing The Plurality of… Batman (Failsafe), I was focusing on one character who happened to be plural and ignoring most of the story aside from what was relevant to that.

Likewise, The Plurality of… Skyward - Diones dealt with a single alien species. None of these really felt like I was writing a review of the whole work.

But with What's Left of Me, the plurality is so central to everything that it's practically unavoidable. It's seeped into every layer of the worldbuilding and the characters.

I still left a lot out. There are a bunch of hybrids in this book and a lot I could say about each of them. Maybe I will another time. I chose to only focus on Addie and Eva to keep this from getting too unfocused and avoid giving much more away than I needed to.

And that itself is a situation I haven't been in, where I feel like I need to omit a lot of the plurality in a story just because there's SO MUCH there.

It's a plural world where about half the characters are plurals.

And I only talked about the main two.

There is just too much plurality in this book to cover it all in a single post. So do check it out for yourselves.

And as always, thank you for your time. Have an amazing day! 💖

[topazadine]

OC Fun Facts Tag

Thanks for the tag, @illarian-rambling! I particularly liked that your villain has a New Jersey accent lmao.

I'll do five fun facts for each of my main characters.

Uileac Korviridi

His favorite Bremish festival (predictably) is Feast of the Horse, particularly the mounted archery competition. I mean duh. He makes everyone else look like pathetic losers.

He doesn't have much of a sweet tooth, but Cerie does, so their house is usually filled with all manner of sweets.

Uileac has a bunch of weird little rituals he does before battle, like making sure he has an even number of arrows (lucky) and brushing his horse Erix's armor with blessed oils. I mean, I guess they've worked? He hasn't died yet ....

One would expect such a dextrous man would play an instrument, but he doesn't, he's too busy to learn. Though he thinks the fiddle is pretty cool.

If he did not have his beloved palomino mare Erix, he'd probably want a dapple gelding.

Orrinir Relickim

Even though he went through all the same training as Uileac did, Orrinir has never figured out how to fire a bow. No amount of training seems to make it stick.

His favorite Bremish festival is the Feast of Saint Mermina, where people throw flower votives of the saint into the water and swimmers try to retrieve them. Every damn year, Uileac intentionally designs his so they fall apart, but poor Orrinir tries anyway.

Orrinir LOVES to bake. He's very proud of his manly and cool creations in the kitchen. You know, like little apple dumplings shaped like hearts. Incredibly manly. Very brave.

Because he does not drink much, Orrinir is a total lightweight. As such, he typically is the responsible non-drinker who escorts his mildly drunk husband Uileac and embarrassingly drunk sister-in-law Cerie home.

Orrinir has been known to play around with a mini piano (kalimba) on occasion, usually when bored out in the field. He likes it because you don't really need any musical knowledge to get it to work.

Haniya Aina

Haniya is EXACTLY what you think when you think "horse girl." Kinda snobby, convinced that she has a unique bond with horses that no one else in the world could ever fathom, and obsessed with the latest and greatest in tack trends. Her horse Saelsie has tack that costs more than most peoples' houses, and can you blame her? Girlie is a literal princess.

Because her mother, Queen Susuma, was essentially absent throughout her childhood, Haniya was raised by governesses and teachers.

She loves music boxes and has quite a collection. Diplomats who want to get in her mother's good graces know to bring Haniya a pretty music box for her trouble. One of her favorites has a mechanical dancing horse.

Haniya's brother, Prince Daiski, was meant to learn fencing, but Haniya, who actually wanted to learn it, was told it wasn't a "women's skill." As such, she lied to Daiski about when his practices were supposed to be and showed up instead, threatening the instructor into silence. Those were her favorite childhood memories.

Her favorite books are about faraway lands, especially travel logs of distant places. Any time that a diplomat comes to visit her mother, she corners them and picks their brain.

Ono Kagan

Ono, being deeply socially awkward, is more comfortable around animals than people. Even animals that he's rather scared of, like dogs.

His first romantic/sexual relationship is with his wife, Vinanna, who is charmed by how sweet and shy he is. YES! The pathetic virgin gets the pretty girl!

The average Sinan outside of the upper classes is illiterate, but Ono taught himself after becoming a royal guard by taking shifts guarding the library. There, he read the children's books that Haniya and her siblings would have been told as children before working his way up to more difficult texts.

His most prized possession is his sword, Melikik ("the sea cutter"), made by his father, a blacksmith.

Ono can't hold his liquor. Like at all.

Mordrek Willets

Mordrek is somehow both the straightest and the least homophobic person in all of Sina. Gay men serve as great wingmen, and lesbians can teach him even more ways to romance a beautiful woman. Bisexuals? Why, he admires anyone who has enough eyes to ogle both sides.

He considers his mule, Carrot, to be his best friend and closest confidante. Carrot gets the best of everything, even when Mordrek can't afford to feed himself.

His greatest fear is heights. Maybe that's why Queen Susuma keeps sending him to high-altitude places.

Mordrek is agnostic. He jokes that all the gods probably hate him, so he doesn't want to believe they exist.

Though Mordrek gambles on occasion, he only plays games that he knows he can win with his wiles. Or by paying someone to fix the game for him.

Cerie Korviridi

Cerie is one of the most irritating overachievers you will ever meet. When she's working on something, you better leave her alone or you're going to get your head bit off.

Sometimes she likes to daydream about what she would have been if she didn't become a High Poet. Her top three alternate professions are horse trainer, potter, and leatherworker.

Cerie is messy af and is always forgetting where she put stuff. Orrinir yells at her about it all the time.

She's a night owl, which is unusual in a country that doesn't have artificial light like Breme. She just likes it when all the world is asleep and she can focus on whatever she wants to do.

Her favorite festival is the Feast of Snow Lights, where people go around and recite two-line traditional poems; if the homeowner misremembers it, they have to give the guest a drink. She, of course, has them all memorized, but sometimes she'll come up with her own just to screw with people, and then they have to call a "truce" and both give each other something.

Tagging @drchenquill, @the-golden-comet, @mysticstarlightduck, @davycoquette, and open tag

[rearranged-fanfic]

Chapter-By-Chapter Part 1; The Prologue - Unfinished Painting

Blog Masterlist

Links:

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*Spoilers Below*

This fic starts off incredibly melancholy. let's properly set the tone, shall we?

"When death strikes, it’s sometimes a long, slow cut.  And sometimes, it’s swift as the blink of an eye.  It does so efficiently, without remorse, and without discernment.  We all die, in the end."

This is the opening paragraph, the reader's first impression of the story and of our protagonist. We cut to Reader-chan (our Reader Avatar) in the hospital directly after her mother's death. There's a sense of shock and upset, but ultimately, resignation.

We know from the story that her mom had been sick for a while.

 "It wasn’t sudden, nor was it unexpected.�� Mom had been sick for a very, very long time."

"Mom’s death had been a slow cut, festering over months and months until it was long overdue."

This is something she's been preparing for quite some time now. But there's still the undercurrent that she's not dealing well. You'll notice that she has no support structure; there are no others in the hospital with her.

Reader-chan is very much alone. She has few friends, and most of her family is distant or has since passed on.

"I was nineteen when I was made an orphan."

"After Dad had died unexpectedly from COVID complications..."

"And then [the younger sister] become an adult.  And she’d left me behind without a backwards glance."

I know you're thinking, 'Author-san', why would you give us such a depressing start? This is so sad'. And, primarily, it's to ease the transition when Reader-chan transmigrates to the JJK world. If she'd have had a family who loved her and supported her, would she have wanted to stay in her new world - which, in this story, is portrayed in an incredibly dark way? For me? I'd say not. I'd claw and scrape and scream to get back to my family, hot fictional men be damned.

When isekai stories have protagonists that just go 'this is my life now', it really tanks my immersion. Especially when they're supposed to be serious dramas. Comedies are a little less glaring, because there's a suspension of disbelief that allows me to excuse more. But dramas? Oh boy, if you have family in your old world, you'd miss them too.

So, her losses before the start of the main story justify her lack of desire to return home - because it is something she struggles with in the first few chapters. Not only that, but it also reinforces her mental strength. She lost her dad and mom within a few years of each other and her sister is globe-trotting, so what could I possibly throw at her that's comparatively worse?

A character that has less to lose or less to return to is easier to manipulate emotionally for the author. There are less hangups, less connections to keep in mind, and less loose ends to tie up when the isekai inevitably ends.

Not only that, but the grief she experiences gives readers an immediate point of connection with her. Most everybody can identify with the loss of a loved one. Whether it's a parent, grandparent, or sibling that has passed away or simply lost touch, that sort of mental anguish resonates with humanity on an intrinsic level. We, as the readers, see her pain and understand it.

And we want to see her pick herself back up and move on from this.

We go from the hospital to her apartment, where she unpacks the last of her mother's belongings.

Reader-chan reveals that she'd been taking care of her mother before her death, for some unknown amount of time. And, in doing so, had let her own life fall by the wayside.

"I’d been able to see my ribs at one point, and my collar bones had become pronounced in the v-necks of my shirts."

"I’d neglected other things, too."

"An easel and canvas lay covered in the corner of the room, doing little more than collecting dust. [...] My book collection was little more than decoration at this point, too."

"I’d just lost my job. [...] I’d gotten fired for taking care of her."

"I wasn’t exactly qualified to do anything else, since I’d dropped out of college [to take care of her mother]."

Things like her health, career, future goals, hobbies, and interests were all discarded. Reader-chan, in dedicating her life to her mom, had completely derailed it.

This is the characterization we get of Reader-chan: she's toxically altruistic. Reader-chan is an incredibly kind person. She's hard-working, fiercely loyal, and selfless. This is to set up not only her desire to save those around her, but her own personal conflict within the story itself.

She can easily be viewed as a doormat, letting others take advantage of her. She bends under pressure, gives pieces of herself with terrifyingly little asked in return, and is unconcerned about her own wellbeing. Which is... very much not okay.

Despite this, we see that she's surprisingly resilient when faced with seemingly-insurmountable odds.

"And I resolved that I was going to go back into the store and talk to my boss"

"I could’ve started doing murals for the businesses in town again. [...] I could’ve paint windows for offices or the brickwork facades downtown, or done commissions for smaller pieces [to pay for her expenses]."

Reader-chan almost immediately starts to make plans to get back up onto her own two feet. Which shows that she's mature for her age, and able to deal appropriately with setbacks as they come. She's also not prone to getting overwhelmed and giving up.

Cut away again, and we find her in the parking lot of her old job, intent on talking to her boss to get it back. And she's trying in vain to get a hold of her distant sister.

She leaves a voicemail, to no avail. And for the first time, we see her truly angry...

"Snapping in anger, gripped the phone so hard that the fragile class façade threatened to break.  Part of me hoped it would, that spiderweb cracks overtook it and the screen shattered in my grasp.  So I’d lose her number and never have to call her again.  Then I’d never have to see her again, either."

... and her immediate regret.

"I’d never see her again, just like Dad.  Just like Mom."

"Was that what I really wanted?  … Maybe not."

Because, despite the fact that her sister left her behind, she still very much loves her. And, if she cuts her sister loose, she really will be all alone.

I included a strained sibling relationship because, initially, I wanted there to be something that Reader-chan would be conflicted about. Should she rekindle her relationship with her sister - forgive, forget, and move on? Or should she hold a grudge in her heart, even if it leaves her miserable?

When she gets isekai'd, the conflict becomes: should she put forth the effort return home to her sister, knowing that their relationship is only hanging by a thread, or resign herself to her fate in her new universe?

We catch a glimpse of fandom. We know that Reader-chan enjoys a myriad of media, but that it's fallen by the wayside in recent months.

"Only a few manga volumes had been touched, when I’d take them to the hospital to read with Mom; she’d liked looking at the pictures."

"On the rearview mirror, little chibis of my favorite anime characters hang and jingle together."

I made eye contact with tiny Tsunade from Naruto [...] the blindfolded gaze of Gojo [...] next to Levi Ackerman.

So we know that she has a keen interest in manga, specifically, judging from her collection and from the characters she keeps in her car.

After getting off the phone, frustrated and angry with her sister, she attempts to calm herself down by reading through her curated stories page. Which leads to this:

"And I saw a headline titled 'JJK: Fan-Favorite Character Killed in Battle', with a picture of Sukuna next to it."

"Out of curiosity, I clicked on the article and scrolled down, looking for the manga panels in question."

"Because it wasn’t Sukuna dead.  Gojo Satoru had been bisected, cut clean through, and left in a pool of his own blood."

Reader-chan reacts like this:

"“Th-that’s not possible, right?”  I inhaled through my nose.  Out through my mouth.  Trying to calm myself."

"I stared at [the tiny Gojo keychain] for a bit, and yanked his chain off the mirror, tossing him into the back seat where I couldn’t look at him anymore.  Then I pressed my face into the backs of my hands and screamed at the top of my lungs."

"Because the universe was so fucking funny that it had to play some sort of cosmic joke on me.  Because Gege killing off that character just had to happen now!"

Up until now, we've seen her handle everything with a surprising amount of grace. We can tell that she's deeply upset by the loss of her mother, sure, but she's putting on quite the brave face. Or maybe she's simply too shocked to be anguished. yeah... definitely the second option.

"I watched the doctors rush around like I was a thousand miles away, observed from outside of my body as they tried in vain to bring [her mother] back from beyond the threshold."

 "I went about my motions like I was piloting myself remotely."

"Even as I unpacked her stuff, I didn’t cry. I was just… empty, I guess.  Too tired, or maybe too shocked."

"I still didn’t cry.  Not when my whole world was collapsing around me."

But the moment she reads about Gojo's death, it acts as the metaphorical straw. And she's the camel.

"Unable to help myself, I laughed.  I laughed so hard that my shoulders shook.  And I laughed so hard that the laughs turned to sobs, and then to wails."

"I cried."

"It was ugly, and violent, and so stupid. [...] I cried for what felt like hours."

Initially, I was kind of wary of putting this chapter out into the world because of this moment. Because, yeah, her mom died, but she's going to cry over an anime character? That's the criticism I honestly expected.

"I was an idiot, losing it over some fake guy when I couldn’t even shed a tear for the woman who’d raised me.  And though I tried to stop, the waterworks kept coming and coming and coming."

But it makes sense in my mind, because we humans displace our emotions all the time. We get irrationally angry or sad at things and take our emotions out on them. Have a bad day at work? Get mad and kill something on a videogame. Upset? Watch a sad movie and cry about it.

I do this with 'The Fox and The Hound' all the time! I'll put it on and just weep until my eyes and head hurt. And, man, does it feel good! Like, on the days when my emotions are going haywire, like when I'm on my period, I just want to vent.

Gojo's death isn't what makes her sad enough to finally cry, but it gives her the perfect outlet for her emotions. It's a way for her to finally experience the emotional devastation of losing her mom without touching on the raw wound itself. It's a catharsis that she so desperately needs.

Crying really does help her. Sometimes, all you need is a good breakdown to realign your axis.

"And, little by little, I came back to myself."

"In the aftermath, there was a bit of clarity, of peace.  The buildup and the release of pressure. [...] Weight lifted off my shoulders and I felt a levity that I hadn’t in months. [...] I felt like I could breathe again.  Like my lungs were expanding properly and my heart was beating in my chest instead of my throat."

"Turns out that crying is good for you; who’d have guessed?"

After she cries, she picks herself back up and resolves to push forward. Starting with getting her job back, then ending with possibly rekindling a relationship with her sister.

This is one of my favorite parts of this little chapter because it perfectly encapsulates the whole vibe of 'post-nut clarity'... but for sobbing like a crazy person, obviously. Like, we all have that moment after we cry where everything just sorta clicks into place.

Reader-chan, for a solid moment, is standing tall. And she's putting her own emotions and needs first.

She calls her sister, getting out of her car. And while she's leaving a voicemail, she finally meets her fate.

"But I never got to finish my ultimatum.  The screeching of tires cut me off as I whirled around just in time to see the grill of a large truck barreling toward me.  And then there was the sickening crunch of bones breaking and somebody screaming."

This is where the isekai truly begins. Because when she dies, she winds up in a black void. And this void is where the next chapter opens.

We have a callback to our first paragraph.

"When death strikes, it’s sometimes a long, slow cut.  And sometimes, it’s swift as the blink of an eye.  It does so efficiently, without remorse, and without discernment.  We all die, in the end."

Keen observers may also notice that prior to being run down, the story is in past tense. Everything past getting struck is in present tense. This is to reinforce the idea that Reader's old universe and life are permanently 'was', while her new world and life permanently 'are'. A little bit of author psychology for you guys.

There's also one of my favorite side stories ever in this: 'The Saga of The Shopping Cart'!

"I scowled when one person pushed their empty cart into another parking spot instead of the cart return.  Idiot."

"A gust of wind blew the loose shopping cart in front of me, and I let it cross before making my way towards the building." 

"Because that shopping cart had blown onto the road, in front of a vehicle going way too fast. [...] And in a bid to avoid hitting it, the driver had cranked their wheel.  And hit me instead."

I love this introduction chapter, because I feel like it gives us a solid foundation for Reader-chan. We immediately know what her motivations are, how she reacts in the worst situations, and whether or not we'll personally identify with her during the series. It also sets the tone really well, in my opinion: dark and sad with a shining glimmer of hope on the horizon.

The title, 'Unfinished Painting', is a reference to both her neglected work in her apartment and to her life being cut short before she can be fully realized.

"Every morning, I gave [the easel with her painting] a nasty side eye, wondering when I’d just get rid of the stupid thing.  Maybe it’d be good to start fresh on a new piece."

"I [..] crossed over to where my easel had remained untouched [...] The painting on the canvas was half-finished, a work-in-progress that’d never quite made “progress”.  It was an ambitious landscape painting: colorful sunrise breaking over the Colorado Rocky Mountains, with clouds encircling the highest peaks and rays caressing the jagged edges of the cliff faces.  It’d been detailed, almost obsessively so, and vivid."

"I traced the edges of the painting fondly.  It was supposed to be my best work yet.  And it had been.  For a time."

The parallels become even clearer when digging into the color symbolism of red paint.

"[..] in a fit of rage, I’d thrown an entire tube of red paint at [the painting].  Crimson splatters dot the scenic mountains like blood spray."

"All the hopes and dreams inside my head smear across the pavement like paint spatters on a canvas.  Just a red, red stain."

But, there's also the implication that death isn't the end. That she can take this and make it better.

"The painting wasn’t necessarily ruined; I could still restore it if I worked hard."

"Maybe it’d be good to start fresh on a new piece.  If I ever found inspiration to draw or paint, anyway." 

When we consider that 'The painting' is acting as a parallel for her life, it essentially changes this to mean 'My life isn't necessarily ruined; I could still restore it if I worked hard.' And 'Maybe it'd be good to start anew. If I ever found the inspiration to live, anyway.'

Which all points to the idea that a fresh start is, perhaps, a good thing?

All-in-all, I'm super happy with how this turned out. Of course, that could just be my own personal bias, since I wrote it. Who can say?

[vacantgodling]

re. wip master list

an ever updating list of all of my wips and ideas that i juggle in my brain at any given moment, laid out as simply as possible for y’all’s convenience. obviously PARAMOUR & TCOL are my main wips right now so you can check my main pinned for more information about those, however, these are for all my other wips that are backburner in some way.

this list will probably update often as i revamp old ideas or come up with new ones

these are also in no particular order

THE CHRONICLES OF LATHSBURY BOOK I: THE WRATH OF THE DEMON KING

summary: five adventurers from different backgrounds must face The Labyrinth as the deep magic that keeps the chaos within it at bay begins to rip apart at their seams

wip intro || character intros || crash course || s: tcol (main tag)

THE LIMINAL SPACE SERIES

summary: a series of 5 continuous books and 1 spinoff tale centered around this universe’s concept of liminal spaces. what they all have in common is they center on death, Reapers, Witches, magic, possession, and horror, but above all liminal spaces.

Liminal Spaces are defined as the place a person is in during a transitional period. this can be emotionally, physically, metaphysically or all of the above. in this series liminal spaces are more akin to separate planes of existence where death and horror reign supreme and magic is in the air. nothing is impossible and your worst nightmares usually come true.

wip intro || tags -> s: donut wip / s: noi alone / s: jenna the reaper / s: jenna the witch king / s: mason at the airport

GOD EATER

summary: the sun is stolen, drenching the upper in darkness and spelling certain doomsday for the world as its known it if it’s not returned. nevaeh is sent down to the treacherous under to find the god responsible for the sun’s disappearance and return it as soon as possible. to do that, they’ll need to find the last god eater. and they only have 13 weeks.

wip intro || character list || tag -> s: god eater

THE GRAVES WE DUG

summary: graves is a bounty hunter on the run after betraying his organization following the death of his partner, dove, in a mission gone horribly askew. however, one night in a seedy saloon far removed from their old stomping grounds of the city of rapture, dove shows up and demands that graves finish what they started before he “died.” emotional turmoil ensues.

wip intro || playlist || chapter one || tag -> s: the graves we dug

VAMPIRES DON’T TAKE ROAD TRIPS

summary: 20 year old darren de leon is content with just living his life as is, with his father dave, step-sister (kinda) olice, and not including his father’s girlfriend veronica as much as possible. that is, until someone he never thought he would meet shows up at their doorstep—his absentee mother, lizette rouzet blanc who… incidentally is a vampire. someone is out to hunt darren down and so they have to leave town to get to safety… leading to the most awkward and life changing road trip he’s ever been on.

wip intro || powerpoint intro (more accurate than the wip intro tbh) || how vampires work || tag -> s: darren and co

DEAD RITES

summary: nathali “n” blackburn is the top reporter at the small firm aurora press, and has had it up to here with the fear mongering surrounding the vampire group the marauders after the death of rising politician richard lindsey, which they have no proven involvement with. seeking the truth, n manages to arrange a meeting with a marauders chapter worker, a vampire named beau bellerose, and the rabbit hole his search leads them down may start a civil war.

wip intro || tag -> s: dead rites

LUKEWARM REJECTION

summary: aidan “di” absyna has it all—or so he thinks. he’s a guitarist in a punk band with his best friends, his boyfriend, the lead singer maverick loverde, is perfect, so what if he’s not out to his extremely controlling religious parents yet? things however come crashing down around him when the day before they’re supposed to go on stage at the biggest and probably most important event in their budding careers, maverick walks out on them, ending he and di’s relationship suddenly in the process. their leader nix, frantic to not let them crash in burn calls in a “best friend” that none of them have ever heard of—a mysterious, good looking, powerhouse vocalist toph. and toph well… toph’s a demon. literally.

wip intro || tag -> s: lukewarm rejection

ALIZATH

summary: kirsi sunniva and her aunt lady jeanna sunniva (posing as her governess) make their (hopefully) triumphant return to alizath’s social scene; to repair the tarnished reputation their family and of her father who still waits outside of the country for his banishment to be lifted. in order to do this, kirsi must make connections, and connections she makes. but even from the beginning something seemed slightly… off about why her family was banished—and who she even is. and if she happens to uncover those secrets�� what will the state of alizath be once they come to light?

wip intro || the major courts & characters || tag -> s: alizath

PURPLE HAZE

summary: calvin im and jake deluna have been best friends since they were 5 years old. they’ve been with each other through thick and thin, all throughout high school… at least until two things happen on the eve of their high school graduation: jake tries and fails to commit suicide, and calvin’s long term girlfriend breaks up with him without warning shortly after that. both spiraling, but trying to put the pieces together two years removed from these events, they must slowly learn to heal, to love, and to remember what best friends are for in the first place.

wip intro || tag -> s: purple haze

THE VIRGIN OF MOUNT HEREDOSA

summary: nyoka is destined to die. a foreigner in this land that worships gods unfamiliar to them, nyoka was taken in by the council of elders when their parents passed away from a strange illness many years ago. this grace came with a caveat; that when their time came, they would be thrown into the mountain as a sacrifice to the gods. nyoka has no intention of dying for a cause they have no stake in—however when they’re suddenly bumped up the chopping block and are next in line to die, they need to think fast. the only way to get out of this? well, if they’re no longer a virgin. and perhaps, the mysterious spice merchant verin is the key to defying this fate.

s: wip intro || character intro || tag -> s: mount heredosa

NONDISCLOSURE (previously: NAD)

summary: nyseah nicoletti is an overworked nurse who suddenly has psychic powers awakened in her after a one night stand. alona springwell is a college student who works part time at the largest corporation in the city and during her first night shift sees a trail of blood leading from one of the rooms she’s forbidden to enter. donte macbride is a jaded PI who’s dragged into one last case by an offer he can’t refuse. 3 storylines, each seemingly unrelated, weave together to uncover a sinister underground of extortion, experimentation, and evil—even more than what’s already expected from the city.

wip intro || tag -> s: nad

GOTHICA (title pending)

summary: lennon rhapsody granger is sent to a private prep institute for troubled youth after she gets expelled from school for the fifth time. there, she meets and becomes romantically involved with bad boy heartthrob aurora o’rion, who is a lackey of a group called the centurion, who do not take kindly to outsiders being so close to their secrets. but lennon has always liked playing with fire… she just isn’t prepared for it to burn this badly.

wip intro || tag -> s: gofficka

NOBLE

summary: found adrift in space, noh bell is taken in by a cargo vessel and dropped off at the nearest planet. he doesn’t remember anything about himself, other than the rudimentary finger spelling for his name. yet, when he enters the tavern with the crew who saved his life, his name and face are plastered all over message boards, a billion dollar bounty on his head. he’ll need to find out what he did, and find out fast before he’s killed.

wip intro || tag -> s: noble

THE WHITE SHIRTS

summary: twins prosper and jane morning have been living life in a rural town in what used to be the united states, it’s backbone the fire department—tasked with stopping the endless raging fires that the dry heat blows in through the prairie. but everything changed when men in white button down shirts showed up, armed to the teeth, and raze their town, leaving them as the only survivors. but the thing is: there aren’t meant to be survivors. faced with annihilation without a cause, the twins begin to run with no destination in mind until they meet a fellow survivor of a white shirt massacre marin; who’s heard rumors of a ship on the east coast that can take them away from here to europe. the only problem is making it there alive.

wip intro || tag -> s: the white shirts

SUPERNATURAL DADS (title pending)

summary: hue rvynwell really doesn’t know what he’s doing with himself. as a recently divorced werewolf single-ish father of two overly powerful witch girls, he’s kind of got his work cut out for him. meddling family and friends can’t understand why he left his vampire husband of over 20 years, jihan, but so much of it boils down to that age old struggle of mortality. but he’ll have to face his demons, and his ex, when the government requires the two of them to cohabitate so that their eldest daughter can start at (essentially) witch U. and their daughters are more than ready to parent trap this situation.

wip intro || tag -> s: supernatural dads

LITTER SUPPORT

summary: kaspian or kas, has made a lot of mistakes in his life - and chief among them is unintentionally having so many litters! with so many children to look after, having custody of none of them, and trying to just get by, romance and doing things for himself are a huge afterthought. however, he knows that he should try to live a little more. its just... hard when you have your hands full. (this takes place in the same universe as supernatural dads)

wip intro || tag -> s: litter support

CELESTIAL WEDDINGS

summary: dagmar of dattenmaow (or the 8th sphere) is one of the eight hopefuls set to try their hand at becoming the new celestial ruler; after the previous one rava died only 50 years into their reign. after 27 years of rigorous training by the celestial lovers, the hopefuls begin the most important part of their journey; traveling to each realm to woo and marry a member of the royal family of each sphere. polyamory, love, weddings, and uncovering the truth behind rava’s demise await.

wip intro || pinterest board || tag -> s: celestial weddings

TRAIN MASTER CHIDORI

summary: chidori jonson just hit his 1 year anniversary of being a train master—and things are just starting to kick off!

notes: train master chidori is more of an art project/potential webcomic so not much writing mostly art will you see if this wip.

playlist || tag -> s: train master chidori

SIXTEEN CANDLES

summary: ranger, nanette, tucker, vani, and roger have been friends for 16 years, and with that much history in one group chat? shenanigans ensue.

notes: this is a chat-style wip, so any writing will be in the form of characters messaging each other. i love the emerging language that is internet linguistics, so there will be a lot of playing around with how words are showcased. remember: no typo is just a typo in this wip!

character list || tag -> s: sixteen candles

TEARDROPS OF THE GODS

summary: quill is half-merman; he’s known this since he was a boy, but the fear of capture by his pirate father has kept him from returning home to the sea. until, a string of town decimating pillages begin down the coast—quill knows his father is coming to look for him. and frankly, it’s high tide (heh) that quill get revenge for everything that man did to him.

wip intro || tag -> s: teardrops

RED DEATH AND THE ORACLE’S FAVOR

summary: red like blood, that’s what she named herself when her sister was stolen. red like death. she has been scouring the land for her missing sister and it has been endless years of empty leads and dead ends until she finally meets the man called oracle, hel lovendusky. he, who knows everything about everything and could know the whereabouts of her sister, and with the promise of protection and one unnamed favor, he agrees to traverse these war battered lands with her to find her.

wip intro || tag -> s: red and hel

PERI & DANDY

summary: when you die, your spirit is taken to the library—a world between worlds where you’re allowed to read your book of life, make peace with it, and pass on to whatever your idea of an afterlife is. librarians guard these sacred spaces; not man, nor woman, but angels or bookkeepers, who guide souls on. one spirit has always been the sacred rule. so what is she to do, when two souls show up at the exact same time; named vesper “peri” and andrew “dandy”. and this is not the first time they have died at the same time. in fact, this ongoing phenomena may break the very fabric and principles that she holds dear. what can you do, when a soul loves itself so much that it splits in two to never be apart?

wip intro || tag -> s: peri & dandy

DREAM TEAM

summary: yeah tbh no fancy summary here, 4 kids traverse to a fantasy world in their dreams where they’re the chosen ones meant to stop a great evil. they continue to visit dream world every time they fall asleep and they can see the changes irl but eventually when they all go to the same college they end up meeting in person for the first time. which is yknow. bad cuz that means the evil is about to strike but yknow. GOOD bc shenanigans.

notes: this wip will probably never be formally written it’s just funny to think about and i’m allowing myself to be a kid with it since i technically thought of this idea as a kid. bless.

wip intro || tag -> s: dream team

MARVIN & LINDA

summary: after finishing a recon mission with freelance special agent “linda”, “marvin” is ready to finish these file downloads and get onto his next mission. they receive sudden correspondence from his employers however, that they will need to wait (i have to decide how long) before they can be extracted and they are not to leave the hotel. this forces two extremely private and dangerous agents in one room to unfortunately tear each others walls down and bear each others souls before parting once again.

wip intro || ending || tag -> s: marvin and linda

ITRI & THE GIANTS

summary: i’m still working on the plot but this is a thumbelina adjacent reimagining. i’m thinking itri is a “dwarf but not how we think about them” and his nickname is thumbs because he’s great with his hands and always has the “thumbs” to fix things. i know the giants to them are essentially like past gods or something like that. So. gotta figure this out.

wip intro || tag -> s: thumbs and the giants

BROKEN CLOUDS

summary: utah and slug's mother has been missing since slug was born, and almost 20 years later, utah wants to find her. at the same time, their aunt, official but absentee caretaker, and their mother's elder sister, risky game, receives a letter in the post from someone claiming to be her long lost sister. this leads to the three of them, plus utah's hacker partner gator to head out on a fucked up roadtrip to find out what happened to their mom annnnd a bunch of other shit happens too.

wip intro || s: broken clouds