#you were too young to die

[testing-tranquility]

you deserved so much better

[annasofthe11thdimension]

Alright, so this is basically...an art dump for all the pics i drew when i was trying to draft the ending i wanted my Odile looping Au 'Like a Wheel Ever Turning' which...is not even SLIGHTLY how this fic is going to end now, but while figuring that out i still like draw all this and had to do SOMETHING with it.

So figured I'd post it and be like 'hey! fun Odile looping act 5 boss fight vibes not connected to anything else!' since like...that basic IS what they are at this point lol.

The one cool idea i loved that i think is now FIRMLY ditched is the act 5 boss fight starts when Odile uses wish craft to splinter herself into two halves.

The 'old/current' her that is meant to be her coldly logical side, and a younger 'copy' version, which is meant to be the childish irrational side...that is what's stopping her just shutting down the time loop because she can't figure out how to be happy with her friends leaving.

I mean, if you murder the part of you that WANTS the wish to come true, that's basically a 'get out of time loop free card' right? Right! Totally sound logic!

Yes the 'young' version of her firmly believes that she's real, and also also got memories going up to about age 21, and also that she ought to be in Ka Bue not HERE among these french weirdos.

Also yes again, a 'young' Odile is EXACTLY as unhinged about this as you'd expect a 21 year old to be upon finding out that apparently the 'real' her think murdering her is the correct solution to this problem!

The shift of the fight was meant to have the inverse 'colors' shift from one version to the other by the end, wrapping up with the point where the 'original' Odile is forced to have a heart to heart with the personification of her perceived 'worst' qualities.

Pretty sure the vibes for this ending was a lot more focused on the resolution of having deeply complex feeling about EXPRESSING emotion directly to other people. That along with a side helping of how isolating it is to be perceived as a 'real' adult such that you can't be weak enough to ask anyone for help. Because really if you can't even be that then why are you any different then when you were irritating mess of a youth?

Not saying any of that isn't still present in the story, but like...there is a LOT of other stuff going on, and those themes are now linked into many other ones too, and that's not even TOUCHING on how Loop's been...somewhat complicating my redrafting lol.

...Also I might have drawn/plotted this version before i knew about two-hats lol. THAT also is a factor.

Anyway! Still liked all of these enough to want to do SOMETHING with them, and figured this worked, so i could like map out my thoughts on them, even if i never got to write this.

[justaz]

oh fuck merlin following after arthur for five seasons, at his heel following him into every battle, every fight, every quest without regard for his own safety. arthur dying on the shore of that damn lake and merlin dying with him but his body remains. arthur goes to avalon and merlin is forced to stay on earth. merlin can’t follow arthur this time. this is one journey merlin and arthur can’t take together. two halves split and kept apart for over fifteen hundred years. goddamn it. these fucking assholes never fail to make me cry. i hate them i hate them i hate them i hate them

[canon-notcanon-warriorcats]

i love how absolutely evil the brokenstar mini figure is, like look at him

like his EYES, he looks very fitting considering he's (debatably) THE most evil cat in the series

AND HE HAS DEATH BERRIES IN HIS MOUTH, I DIDN'T EVEN NOTICE UNTIL I TOOK THIS SCREENSHOT this is literally brokenstar moments before his death, that's crazy

[dirtytransmasc]

[mild tw for marital rape/forced 'consent' its only referenced a little, but it feels necessary to mention it]

imagine Alicent only standing up for herself when Aegon is in the picture. Imagine her talking her son to her chambers cause he's fussy and won't go down for bed and was asking for his mum, and she has him tucked close, blissfully asleep, and Viserys calls for her.

she knows she can't refuse, but she tells the servant he had sent to make him aware of Aegon's state. he still demands that she be brought to his chambers and that the babe go back to his nursemaid. she looks down at her baby, who's now woken due to the disturbance, who is staring up at her with soft tired eyes, a little yawn escaping him.

she doesn't want to go, she doesn't want to be forced to take her husband, to pleasure him at her own discomfort. she doesn't want to leave her son, to have him sent back to bed where he will remain restless and in the care of someone who is not his mother. she had never want to refuse more than she did in that moment.

she hesitates, her facade falters. Aegon is still looking up at her as tears well up in her eyes. he quirks his head at her, fingers reaching for her cheeks as if to comfort her. with a sudden conviction, she takes him in her arms, rising from the bed, requesting a robe and a blanket. when her servant looks at her in question, she clarifies that she will be taking Aegon with her and does not wish to rouse him in attempts to dress him. they look at her with shock, but don't voice the concern written on their faces.

they bring her Viserys's favorite robe. Alicent recognizes it from her time with Rhaenyra and Aemma. she's worn it before, Viserys has made sure the servants bring it to her every time he requests her. she hates the way it feels against her skin, knowing why he makes her wear it. she wraps aegon in his blanket, soft and royal blue, his hands beginning to play with its golden tassles as she tucks him inside her robe, pressed to her chest with care.

even as fear bites at her heels, anxiety churning her stomach, she walks to Viserys's chamber with her held high. she knows she is only asking for her husband's wrath; she knows she should just obey him, but she just can't. her son will not suffer a sleepless night and horrid following day all because her husband feels the need to use her body once more. he will not suffer at his father's hands tonight, even if she has to endure Viserys's anger for it.

she enters her husband's chambers, finding him in bed, in a white night gown, clearly ready to use her; he was never subtle when he asked for her, not even the first time.

she pauses in the doorway, pulling back the robe slightly, making him aware of Aegon's presence. she watches his face fall, barely muted anger. she holds onto Aegon tighter. part of her fears he may hurt her for this disturbance, but more of her fears he will hurt Aegon on her behalf.

"I told the damned servants to take him," his voice is warped and cruel, just an angry scowl of sorts.

"Aegon is not well, dear husband... I could not leave him," she admits before he can say anything else. she puts her foot forward as a mother, hoping to claim mercy from the man who made her one.

he mutters something in response, not quite loud enough for her to hear. she has a feeling she is grateful for that.

"what was it you needed, my dear?" she tries to sound sweet and kind, in attempts to abate his anger, "I'm sure I could still attend to it."

"you know what I wanted," he yelled. it had been the first time he'd truly raised his voice to her. she couldn't help but gasp, stepping back one step, than two, stopping when Aegon began to fuss, curling around him instead.

"Please Viserys, the baby." she ducks her head down to press her against his whispy white hair. her son his huffing, as if about to cry, and she's sure if she could see his face, his little cheeks would be red and his eyes would be crinkled and wet, his lip puckered. she begins to rock him slightly, still afraid to move.

"your'e dismissed," he grunts, but his tone gives it away. she knows he doesn't mean it, the if she leaves she will be in more trouble. she questions staying, calling a servant to take Aegon and giving him what he wants, but decides against it. he would not come before her son, not now, not ever.

"I'm sorry, my dear, another night, when I do not have Aegon to tend to," she forces some cheer into her tone, "he is still so young, so helpless. he needs his mother. I'm sure you understand?"

"he is not the only one in need of you." he had not lost his anger yet. not even for the sake of his son.

"yes, of course. forgive me. only he is not as understanding as you, my love." that wasn't the truth, Aegon was more kind and understanding at a year old, than viserys was in all of his years. "I will leave now. I am sorry for the disturbance."

she pauses for a moment, waiting for her husbands reaction. when he doesn't lash out at her, she breathes a quiet sigh of relief, feeling as though she has evaded a great beast. her heart calms in her chest, slowing from its fluttering and her stomachs stops its dizzing ache. she questions turning and running, fleeing from his presence before he can change his mind, but knows better.

she hurries to his side, eyeing him all the while, each step calculated, avoiding cracking any eggshells, until she is close enough to kiss his cheek. he allows it, and gives Aegon grace when he reaches out for him, letting him play with his finger a moment, before pulling it away, not even turning away fully before sneering. she takes that as her cue to leave, this one being much more genuine than the last.

"goodnight dear husband." he says nothing. she takes Aegon's little hand, waving it slightly, "say goodnight Aegon."

her son tries to imitate her, though unintelligible, as a toddler would. she continues to smile and coo at him even when his father ignores him, not letting him feel his father's scorn, quickly turning towards the door and back to her own chambers.

the second the door is close she feels herself sag, she would have fallen to the floor right then and there had there not been kingsgaurd watching. instead she holds her head high once more, walking calm and steady, like a queen should.

Aegon settles his forehead against her collar, giving a great yawn against her skin. she smiles at him fondly, kissing his brow, earning a tired little giggle from him. it hits her that he is unaware of the trouble he just saved her from. she feels equal parts relief as she does terror; she hopes he never knows, never understands, but is so so thankful for it none the less.

the second she steps into her chambers she pulls of the robe, setting it aside carefully despite the pain it brings her, respecting the memories it carried. she pulls back the covers before smothering her and her son amongst them. he's quick to curl against her, quite tuckered out after their harrowing adventure, even if he was unaware of its true weight. she herself still wanted to cry, but was similarly too tired to keep her eyes open for another moment. tomorrow, she tells herself, tomorrow will be difficult, but tonight you have your son, tonight you have a chance to rest.

so she does, she holds him close, tracing fingers over the gold threaded patterned of his blanket, feeling the shifting of his chest as he breathes and the tickle of his hair against her neck. all is well in that moment. she drifts to sleep at the thought.

[afterlife-2004]

Reminds me of “The World Was Wide Enough”, a song from the musical, Hamilton!

[rotisseries]

happy fourth of july to fall out boy fans, sufjan stevens enjoyers, and the city of versailles

[kakarotcamp]

Brendon! At The Urie is coming back

[grimdot]

*reading Genesis* so god is both male & female? & we were made in its image & are therefore also both male & female? & that's how a man technically gave birth to a woman? whoa rare old testament trans rights win!

[rainingincale]

.

[getosugurusbangs]

what if i said i actually love too weird to live, too rare to die and think it’s underrated. what then.

[angorwhosebabyisthis]

i don't know why out of all the gags in sdmi i lose it over this one probably the most, but oh my god

something about the combination of how quick and understated it is, the extremely dark and tragic surrounding context, the scene already being really obvious innuendo, and the fact that in the midst of all this they Had to put it in for This is a Kid's Show reasons before moving on with the murder plot and the murderers' abusive relationship picking back up where it left off. and that they managed to slip a gag in without lessening the impact of that or making light of it. it's genuinely deft and it kills me every single time

[daandyli0n]

had some thoughts about the MCI kids again. when am i Not, though.

but like. as much as i think the "William lured and then murdered all five of them together" idea is interesting, i don't. think it's canonical. in the games at least.

like. in Fnaf 1, we had the whole "Two kids were seen with a guy in a mascot costume" thing. why were only Those Two noted as being missing at this point if all of them went missing at the same time? did the cameras not catch the other three? how?

we don't really know, 100%, which two kids it was, but we almost know for Certain that Susie wasn't one of them. (we only see her getting lured off on her own, not with anyone else. if she Were lured with someone else, we're never told or shown that). and we Know that, after her at some point, two were lured together. and i believe it was one of two options:

Fritz and Gabriel

or, Gabriel and Jeremy

why not the Fredbear MCI Kid? (whoever you believe them to be; from this point onwards, i'll just call them Fredbear) well that's simple:

i think there's something about Fredbear that makes them different somehow. that their death was separate.

even in "Give Gifts, Give Life," Fredbear only shows up after you finish putting the heads on the other four...who've already been in the room. but not Fredbear. an implication of Fredbear's death having been different from the others. somehow, they were separate from everyone else...why only show up after everyone else has been "Given Life?" why show up afterwards if you were a part of their group?

unless of course...there's a reason Freadbear seems to be viewed as separate from the other MCI kids. a reason why we seem to be shown that they're different.

something something "Five children are now linked to the incident at Freddy Fazbear's Pizza."

(@that-darn-clown if you wanna see my Ramblings)

[tenwhiteandalusians]

pertaining to the idea of tenax’s band of strays i do think it’s touching that the kids are the ones who saved him and waited outside the door to make sure he’s okay. for all tenax claims to be harsh and cruel it’s a fine indicator of his character that the kids won’t rest without him and are there every time he’s in danger.

[7roaches]

need adventure time and utmv fans to talk abt betty grof and nightmare sans parallels with

[hauntingblue]

Oden is winning the bad bitch competition jesus