#you move the fucking button

[misstermirkwood]

i know polls are the new thing but i am LIVID ABOUT MOVING THE SEARCH BUTTON

what do you mean i have to scroll to the top to search motherfucker move it back

[akito-shinonome-daily]

🎤 day 223 🥞

➥ today’s akito is from the project sekai comic anthology chapter 11!!

[vanmarkus]

on a quest to find more than 2 good scogan fics... so far unsuccessfully

[horseshoemybeloved]

He is so bbgrl

[gideonisms]

When the urgency just is not there...when the primal urge to do fuck all takes over...

[kyliafanfiction]

I sometimes feel like characters who do truly monstrous things while also having been victims of some pretty insane shit themselves are sort of an exercise in empathy. Or at least, should be seen as such.

Like, in real life, if a person who has been horribly broken by their experiences and failed by society than proceeds to rape someone - it's hard to feel the justifiable sympathy/empathy for that person (without excusing their rape, never do that) because well, you can look at this actual human person they hurt, or worse, and it feels gross and disrespectful to the rape victim.

And this is understandable. (And applies to more than just rapists/rape victims of course, that's just the most visceral one and thus picked for that reason)

But a fictional rape victim is... fictional. You can't 'disrespect' their trauma, and while obviously rape/whatever else is real, and people may related to the rape victim and thus see your comments about the rapist also being a victim as somehow being about their experience...

Well, it's not.

Because the rapist here, didn't actually hurt a real person. Fictional characters are objects. They're objects that often grab us by the throat and refuse to leave our fucking heads, yes, but they're objects. They are tools used by writers to tell a story, and readers to tell a story.

And one of the things fictional characters are good for is allowing us to consider experiences we never had, and imagine ourselves in other circumstances and lives. (Also just fun and fascinating and interesting to watch their stories).

It's very easy to feel for the rape victim in fiction, and rightly so. That's Level 1 Empathy there. Granted, some people IRL fail that, but that's not really what we're talking about here.

Advanced Empathy, hard Empathy is feeling for the rapist. Not for the rape, of course, even if they feel guilt about it, but if someone really was failed on multiple levels and was broken and damaged and went through the sort of psychological wringer that would leave most of us here on tumblr catatonic - they do deserve the same Empathy any human (any person) who went through all that.

Even after they also do the bad thing, critically they still deserve Empathy. And that is fucking hard. I very often have a hard time feeling bad for truly awful people who also deserve empathy and sympathy, real and even fictional (despite all this, yeah, I'm not perfect on this) for what they (separately) went through.

It also becomes even harder when what they went through is utterly bound up with what they did. How what they went through and experiences is in part responsible for what they did - because they still made a choice. The circumstances may have left them not in their right mind, may have left them feeling without choice, may have driven them to things they normally might not think of or do, but they still chose to do that bad thing. And that's not okay. They still hurt someone.

And yet - one cannot remove the action from the circumstances. So you can still feel empathy, and elucidate all the factors and circumstances as to what led up to their choices and why, and it doesn't change that they did the horrible thing. The rape, or the murders, or whatever.

But circling back - with a fictional character... they didn't hurt a real person. There's no one who is real that suffered. The things the character did IRL are bad because they hurt real people.

So you're not being disrespectful to the victim by feeling that empathy, or sympathy. By exploring the things that they were a victim for. Even by wanting to focus on those things - fictional characters should be compelling in all their aspects, if they're written well.

And yet, of course, if you do that empathy and do talk about what the bad person went through and all that context, people come at you. They call you evil, just as bad as the (again, fictional) character, or they say that you're treading dangerously close to the arguments people use to defend the real people who do these things in real life. Or you're disrespecting all the victims of these crimes IRL. Especially of course, if the person coming at you has a reason this comes close to home.

But again - fictional.

In an ideal world, we'd all feel sympathy and empathy when it's called for, regardless of what the person did. Even the worst most monstrous people deserve human treatment in prison. And if you don't have empathy, that's hard. Even if you do have empathy, that's hard.

So if you look at a fictional character (who doesn't hurt a real person by virtue of being fictional) that does horrible, vile things, but went through so much, and you still can't empathize or sympathize with them... I mean, it doesn't make you a bad person, not even close, this is still fiction, and there's people I should empathize with in fiction that I don't, but...

It's still a failure of your ability to be empathetic. And we're all humans. We're all failing at that, among other things, all the time. But... it's good to be aware of that. at least?

At the very least, bear that in mind when other people are talking about that context, and that victimization. And please, for the love of god, don't fucking pretend that the victimization didn't happen, that this person who did do terrible things (in fiction) suddenly didn't also (in fiction) experience awful shit, as if doing a bad thing erases all the bad things done to you.

Again - it doesn't necessarily make you a bad person, but like... the horrible state of prisons in our society is a real, actual problem. The way we as a society dehumanize people who do bad things is a real actual problem for a lot of reasons (not least because it creates an incentive for authority that wants to dehumanize a person or a group to expand the definition of 'did bad things' to make their dehumanization now acceptable, among other things).

So yeah. Fictional character who suffers but than also makes others suffer - that's a useful exercise in Empathy. And doing that doesn't make you or anyone else a bad person, or actually defending the sorts of crimes, IRL or Fictional, that this character did. Contextualizing is not whitewashing, empathy is not erasing, and humanizing is not disrespecting the victim(s).

So yeah, they fictional character did bad things. But there's more to them than that. And you can say but and talk about what comes after but without disrespecting the fictional victim. Because the fictional victim... is just as fictional. Just as not real.

Is it possible for this to end up being taken too far? Yes. But that's a reason to be mindful of yourself when it comes to real people, not to never do it. And when it comes to fictional people - again, fictional. Nobody was actually, really hurt.

(I really do want to make clear, before people read the tags, that this applies to all crimes these sorts of characters do, rape was just picked as the one to use as the example.)

[ghost-of-you]

Ima hop in talking to throw my two sense about this major break that’s coming up for 5sos, anonymously as someone who runs a anonymous 5sos confessions blog.

There’s a lot of new people in this fandom who’ve never experienced a 5sos break, and still have trauma from either 1D or other bands who took a break and then disbanded before the reunion. Or are fans of bands who are also in a limbo and are worried about what’s going to happen. (Looking at 1975 fans, I wish the best for yall)

And I’m a mixture of both! I was here for the first break, but drifted into other music genres during it, and kinda forgot about 5sos for a while, but came back within the last 3 years.

Plus for those who were here for the first break - there’s a lot of different factors that add into the uncertainty this time, like Michael becoming a dad!

There’s a lot of feelings being thrown around in the music industry of what happens before/during breaks that adds to what a break means now vs when the first break happened. It’s just… a lot.

Okay, look, I'm nice and I'm understanding but right now I'm gonna sound like a bitch and I don't care. Whatever experience anyone has with any other band doesn't matter. What happened with one direction is different from what is happening with the 1975, that's different from what happened with big time rush, that's different from what happened to why don't we, that's different from what happened to the Jonas brothers, I can keep going but you catch my drift. They are different bands, formed by different people, in different ways, with different believes and way to make music. No one thought backstreet boys were ever gonna come back and they just did a world tour, NSYNC was seen together just last month for the first time in YEARS, bands can take breaks and reform and regroup and move on if they want. I think this expectation that you're owed content all of the time is crazy. Album cycles shouldn't be just month long things. They should be allowed to work on something for longer. They should be allowed to not tour every 6 months. 5sos released 5 album in 10 years. An album every 2 years is a fucking good number. But even if it takes them another 2, 3, 5 years, it's their right as humans to take as much space as they want. I understand why people might be scared, but no one has the right to demand anything from anyone. Maybe Luke and Ashton will release more solo music, maybe they'll go on a tour, maybe Calum will drop a poetry book, maybe we won't see them for 5 years and then they'll announce the announcement of a new song. They can do whatever they want. You can't honestly expect to have access or content or tour at all times. They are grown men with lives and families who worked hard to learn how to exist outside a band they started when they were teenagers.

And yes, Michael is gonna be a father, but one, he's not the first musician ever to have a kid so that doesn't mean anything, but you also can't expect him to not be there for his daughter. Baby girl Clifford should be his priority but in nowhere is stated that you can't be a father and a musician.

And to compare 5sos to one direction is not a fair comparison, one direction was formed in a reality show by people who only wanted to explore them. 5sos were friends first and they are still friends first. Maybe they won't drop an album every year anymore. Maybe they won't make a tour with 101 concerts in less than 8 months. But that doesn't make them any less of a band, it they are doing shorter tours and longer album cycles.

Also, if they break up, they broke up, we can't force them to stay a band.

But I stand by the fact that these men went through quarantine, lost a whole record with calm due to an internal error, dropped their label, their management, both Ashton and Luke released solo albums, with Luke signing a 3 record deal if I'm not mistaken , Michael got signed as a dj and a producer, and they still released a whole album independently that was made the way they wanted. If they were gonna stop being a band they would've done in it in 2020. They're allowed whatever breaks they want or need. They are real humans. And they are not one direction.

But this break they are taking is something that they planned around it, or do you think it's an accident the tour ended just in time for Michael to be back home for the birth of his daughter? This tour wasn't scheduled, they could've not done it. But they chose to do it. But to look at them and accuse of being about to breakup and lying about it because they are taking a break for a very specific and unbelievably valid reason is bullshit.

I don't care about whatever trauma you may have about other bands. What happened to other bands happened to other bands. You can't make a different situation about them because it's never gonna be the same because there's different people involved.

Is their life. Their choice. We're just along for the ride. It's a hell of a good one so far and if this is it so be it. It's their choice.

And honestly, if you're actually this affected by one direction breaking up and this is not just some exaggeration for the bit or a joke, get help.

[damnation-if]

on today's episode of Hashing Out Concepts Theatre, i spent a while today while waiting for my new fridge/freezer to be installed after my previous one died and i lost all my food hashing out a bunch of concepts for another game idea i have. (rest assured i'm not actually working on it as a game yet i just like to bash out a framework for things every now and then to make my brain do happy chemicals lmao)

putting all of this stuff under a cut since it's a bunch of images and also in case people aren't interested XD

i am regrettably a huge fan of comic books (mostly DC) and i've seen a couple of comic book inspired IFs popping up lately, though when it comes to my own interest, i'm definitely more into a straight interpretation of a comic book universe than a more. the boys-style universe - i'm into the camp lol, not so much the grim and gritty stuff. (though that's just my own personal preference)

anyway the idea behind That's Just Super is something that i really like about certain comics - giving the villains more of a purpose and rounded existence than just existing to be in somebody's rogue's gallery. the joker's angry defence of the batfamily from various other DC evil forces, lex luthor's furious resistance against brainiac alongside superman because it's His planet, damn it, DOOM throwing in with the heroes in every second marvel event comic... i really like stories where villains and evil characters don't always make the Most Evil choice just Because, but have clear and explainable motivations that sometimes bring them into what we'd consider a 'good' alignment because unlike in d&d, there's no real such thing as a concrete moral alignment.

(this is my banner design for it)

the basic idea is that an inexplicable cosmic event removes all of the superheroes from the planet, leaving it vulnerable to attack by evil mindflayer style aliens - unless the supervillains who remain are able to band together despite their more unpredictable, less cooperative natures and save the planet in the heroes' absence. after all... if aliens take over the earth, the villains can't take it over themselves.

here's my fun little UI design idea lmao...

the other major thing about That's Just Super that i've been hashing out is the pc. the basic idea is that you pick your villain identity from a list but you get to customise their like. birth name and secret identity, while the villain identity comes with its own name, costume, and set history (including occasionally past romantic encounters). i like playing around with the way that IF works with the idea of mcs and customisable mcs so i just thought it'd be a fun twist... it also allows me to create nice drama by having set occurrences in the past lol.

so i did some profiles for the nine villain options - three each of the DC triad of tech/metahuman/magic origin. they're all based on a specific kind of villain archetype, and i really tried to limit myself to ones where i could definitely pin down more than one specific influence so it didn't end up like me just making too many analogues haha... even if some of the influences are probably pretty obvious.

weirdly i haven't even Thought about ROs yet since i've been so focussed on the pc... maybe i'll play around with the partially set background idea even more and only have 1 possible RO for each villain choice or something. maybe a couple that you can romance as anybody... not sure. (talionis could definitely have a messy broken romance with his superhero for example)

apologies that readability isn't great but these are mostly just made for me lmao

[bonnieisaway]

i like to think that despite his unfamiliarity with technology when seven initally washed up on chicken island and his general dumbfuckery seven is for some reason unnaturally good at fighting video games (like mk) even tho he has no fucking idea what buttons he's pressing or anything . like dai bo or cola showed him one one day in hopes of pulling a fast one on him and wiping the floor with his ass and then were like jaw on the floor both stunned and befuddled when he proceeds to win 23 times in a row whilst saying "what does this button do again?"

[varjopeura]

.

[rissahs]

mouthwashing is an ~2.5hr long experience of feeling constant absolute dread as you make your way through a harrowing narrative of which you control the main character but there is never a point in which you are actually in control and capable of influencing the trainwreck in motion and stopping the inevitable from occurring, and it makes damn certain that youre aware of this in the first minute of the game in which you are told that the ship is about to crash and you need to make a manual correction to the left in order to prevent the collision but the only action you are able to take in this sequence is to steer right

[beesorcery]

google how do i tell my dad that the reason i keep bringing up elon musk's transphobia isn't that i've got gen z political tunnel vision that makes me blind to his "innovation" in electric cars but because i am desperately crying out for you as the father of a trans child to feel just as outraged and angry as i am that that man has so much power

[leezuhh]

i think game jams are a test of patience of how close you can get to snapping at someone

[local-soda-can]

shut up shut up shut up shut up shut up shut up shut up shut up shut up shut up shut up

[parkeryangs]

the problem with bed alarms is that they're easy as fuck to set off. and deactivating them is apparently like defusing a bomb idk

[laugtherhyena]

Playing Bomb rush cyberfunk has been a crazy experience so far because i feel like I've been enjoying the game just as much as I'm not doing so