#they are allowed to do whatever they want BECAUSE THEY ARE THEIR OWN PEOPLE

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[peppermintquartz]

I'm feeling bitchily critical today so. Let's get critical.

Reasons why Season 8 of 911 (so far) sucks:

Bobby and Athena are aimless

They have no house. The logical development is for them to look for one, one for their future. That is theirs. Where are the house hunting woes? The disageeements and compromises? Are they ever going to have a chance to find a place they both love? Or build one, even?

Athena's job description is all over the place

She's giving school talks. She's conducting traffic stops. She's escorting a prisoner across state lines. She is mentoring new officers. She's a goddamn Sergeant but what is her job scope? Every single thing requiring the presence of police, apparently!

Hen and Karen have little direction for growth

The Mara adoption issue could have brought out more of their relationship, developed them in terms of relying on each other through a difficult time. The storyline with Ortiz could have really delved into the struggles of the foster care system, and how Hen and Karen broke rules designed to protect the kids. (Seriously, if a child is removed from a foster family, it's logical not allowing the foster parents to meet the child that was removed for the safety of the child). Where was the appeal to Ortiz as a mother? Where was the struggle? Where is the tension between the Wilsons and the Hans? Instead there was a Deux Ex Gerrard. And I am not even gonna start on the whole "why didn't you take leave for Halloween" shit, that stuff should have been settled when Denny was a baby. What are their next steps? Same old same old?

Gerrard is a joke

An established bigot and racist returns. He could have been a great way to show how the 118 has grown beyond him and his bullying. Instead they're cowed by him, and lets him yell at Buck? Whatever happened to the "who cares" courage in Season 7? And he gets the reward of his dream job?

Eddie is still not healed

He emotionally cheated on his girlfriend with his dead wife's doppelganger. Has he even processed what that actually means? No! His son moved to Texas. Has he coped with the loneliness in his house? Who knows? Certainly not the audience, since we don't see him go to therapy or, hell, have a full breakdown! He confides in people who aren't his friends, let alone his so-called best friend! Bobby gave him a prayer book but we don't even hear Eddie rage at a God who keeps putting devastation and challenges in his way. What wa the point of the prayer book then? He just danced in his underwear and somehow that made him smile and now he's moving across the country and, what, giving up on his home and his job? Is that really healing, Edmundo Díaz? Or are you just running from the problem again?

Chimney has no internal or external motivation

He was providing for Mara for a few months. Was he stressed about it? Did he think about seeking a promotion for a higher salary? Also, he is an immigrant. Does that influence how he teaches Jee? Has he and Maddie, white suburban raised Maddie, ever discussed the potential problems Jee might face? Or whether they wanna include some Korean culture in Jee's education, since they gave her a Korean name? Does he ever think about any of these issues? Is he at all conflicted? What does Chimney want?

Maddie

She was the one who wanted to meet Tommy. Has she done so outside of the wedding? What was her opinion of him? Is Maddie content to stay in Dispatch in the exact same position? Has she any career ambition? And about Jee: does she never think about the Korean part of Jee? Connecting to her own culture? Learning Korean, maybe? That would have been interesting because perhaps she wants her daughter to connect to that part of her roots but Chimney doesn't, for his own reasons. Also, if she wants to have a second kid, why didn't she discuss it with Chimney outright before the pregnancy? Was she not taking the pill? Were they careless again? What would she do if Chimney didn't want a second child? Abort? Given how the first pregnancy was traumatic for the whole family, including her brother, this development is showing her to be pretty self-centered, frankly. I don't know this Maddie. She's not the same one that gave Buck her Jeep to escape, knowing that she'll be hurt by an abusive husband.

Brad

Why is airtime devoted to a character that is barely connected to the 118? What is the reason behind giving him so much focus? Is he supposed to quit acting and become a firefighter or something? What is the rationale for his existence?

.

.

And I haven't even touched on Buck or Tommy.

[furiousgoldfish]

I've noticed the other day how life is fundamentally different when living out of abuse. I had an experience of waking up in the morning, sleepily tapping over to the kitchen in my pajamas, wondering what to make for breakfast, and making a plan for the day. Completely careless and unselfconscious, thinking only about the food and what I wanted to do with my day. It hit me then how impossible every aspect of this would be, had I still been living in the abuse.

If I was still around abusers, my first thought in the morning would not be 'oh I'm so sleepy I'm gonna find something to eat', it would be 'Are they in the house, are they in the room, are they already mad at me'. I would be looking around cautiously, listening for every sound that indicates they're near me. I would be checking the clock to see if their schedule had already put them in their workplace or wherever they go, and then still peering trough the doors anxiously to see if the hallway is clear, if I can get to the kitchen. I'd be checking how I look to see if I'll be reprimanded for being in the pajamas in the common area. I'd change just to avoid the possibility. I'd be checking each item of food and wondering if it's okay to take it, or whether there's a chance I'll get yelled at or blamed for taking it. I'd be analyzing the last words and actions we exchanged to try to predict how close the abuser is from blowing up and possibly attacking me.

The rest of my day would be scheduled around avoiding them, or alternatively, being in the place where they could easily find me, because if I'm not where I'm expected to be, they might get mad. All of my activities could be stopped and prevented at moment's notice if they decided I need to be doing something for them at that moment. I could be yelled at for not doing something for them sooner, for 'making them say it'.

If I wanted to go out, I'd have to consider if this is allowed, and if they'd want me to stay inside for one reason or another. If I am outside, I'd have to worry about what's going to happen to my stuff if I'm not back whenever they're expecting me to be there, or what kind of angry state I'd find them in. It would be safest to notify them of everything I'm doing, but they might immediately call it unnecessary, stupid, offensive or otherwise inconvenient, and force me to drop it and do something for them instead. Secrecy was the only way to do things, but also risky in case some part of it turns out to be not allowed. There were never any clear rules to what is okay, it would change with their moods.

If I could hear the abuser's car parking in the driveway, I would run back inside of my room, as if it was the 'safe area', when it wasn't. It would at least take me out of their view, so they wouldn't immediately think to start at me. But if they wanted to, they could just go inside of my room and charge at me then. I would just delay being the target, putting myself out of immediate sight. Of course this also meant I couldn't leave any trace of doing anything in the home, so it wouldn't be noticeable I just ran away. Everything has to look untouched.

And then when they interacted with me, I had to make sure to not show emotion on my face, to not look overly confident or happy, to not show any fear or anxiety, to not look sad or upset, to not look angry. I had to act normal, or else. I had to try and defend my own actions and interests walking a fine line of 'trying to let them know I'm upset and unhappy about this, without setting them off and causing them to blow up at me for talking back'. And I'd be told off for this too, because 'how could I complain when people have it soo much worse and I am ungrateful for having a roof over my head'. I had to do whatever was asked out of me, and restrain from even expressing it wasn't what I wanted, for the fear of losing the roof over my head.

Unbelievable I just lived like that for many years. And now I can flop in my pajamas to the kitchen, eyes half closed, make a mess, and think of nothing but food and plans for the day, not worrying for a second that someone could target me for any move I make. I still get scared easily, but nobody attacks me anymore. I can take any item of food, for it is all mine. I can decide to go out anytime, come back anytime, no consequences. I decide what is good for me to do, and nobody else gets an input. I can think of my own interests, and disgreard what anyone else in the world could want from me, because I don't exist for their convenience, and I don't have to worry about it anymore. What I lived before feels absolutely intolerable now. Even one second of that is unsurvivable.

[bugflies00]

im getting pissed off seeing some things on twitter but seriously, where did the idea that fans have to "address" or "have a conversation" about cc's relationships and friendships even come from? the idea that we have to decode red flags and we have to address "how weird things were in retrospect"? yes this is about tommy and WS, no matter what tommy alluded to in yesterdays video that was not permission to suddenly start talking about things that you have assumed were a given. we do not actually know what their relationship was like, and we never will unless tommy chooses to say something about it. that is the ONLY word you can take for it and its frankly weird to jump on a few things he said when he was clearly venting, and use that to construct your imaginary version of how things are behind the scenes. you can show support to tommy without digging further than he chose to share its really not that hard

i do not understand in what reality its somehow a fan, a STRANGER's, responsibility to a) closely examine a creator's relationship b) pick out supposed "red flags" and c) speculate on what this interpretation entails. thats invasive and creepy. you're allowed to privately have your own opinion of peoples relationships but we dont KNOW these people. we're fucking strangers.

if anyone was hurt, we're not involved! and you know what WOULDN'T fix that potential hurt? seeing people online wildly speculating and guessing and providing their own "take" like its a fucking tv show. i understand ccs put themselves forward in a manner not unlike reality tv sometimes, but that doesnt mean you dont owe them privacy.

and i understand its not always something malicious, sometimes its out of very misplaced genuine concern/anxiety for someone who you look up to. so i want to make it really clear that you, random fan, are not being "complicit" or whatever because you watched while a creator had a friendship that you, from behind your screen, consider as unhealthy with a younger creator. even if it later revealed that your analysis was correct. you are not complicit in this scenario because you are a stranger who is not involved and has zero responsibility.

do people genuinely think making all these posts help? do you think that tommyinnit is relying on his fans to analyse for him whether his friendships and relationships are healthy or not? do you really not see how thats not our job and is completely out of line? just be normal like honestly i think he's dealt with enough

[therealbeachfox]

"Why do we make laser grids like these?" came the chirp from across the table.

"What do you mean?" Otto responded without looking up.

"I mean, instead of a messy random arrangement of lasers that a nimble intruder might be able to jump through, why not a simple grid wall with no gaps large enough to allow a person to pass?"

Otto sighed heavily and looked up from the blueprints he'd been amending and reworking to focus on his nephew. One of his nephews. One of his multitude of nephews because none of his siblings understood the concept of wrapping it up. He was at Mykola's place, so probably one of his. Too young to be Aiden, too old to be Eric. A, B, C... Connor? Conway? Conrad? One of those. At that extra annoying age where they're too curious for their own good, and have started to believe they actually know something, so get real argumentative about it when you prove they don't.

There's a reason why Otto didn't have kids. Or deal with kids. And tried to talk the Boss out of putting kids into his deathtraps. Fucking kids. Ugh.

"Because if we did that, it'd be impossible to get through." he said, hoping it'd satisfy the kid.

"But isn't that what you're trying to do?" Mykola's boy had his head twisted around to try and look at the blueprints from his uncle's perspective and was tracing out the twisting pathways with his eyes. "This whole thing is a giant 'You Can't Get In Here' tunnel. I don't understand why you're leaving holes in the security."

Well, the kid had actually asked, instead of just flat out stating that his way would be better. Otto grit his teeth and settled himself back for a proper lecture. "You're thinking too mundanely, kid." The boy looked up curiously and brushed a tangle of near-black hair out of his eyes. Slightly mollified, Otto continued. "This isn't like designing security for a bank or vault or something. This is something for my Boss. So we're already not designing like we would for the public sector, right?"

"Yeah? Yeah." Con-whatever agreed, though still looking just as confused.

"So, our issue is, whoever comes looking for whatever it is that the Boss is gonna put at the end of this is already going to be uniquely skilled and driven. Not just your average jewelry robbers or beat cops, right?"

"Right, yeah, you're going to be dealing with capes or cowls and stuff, sure. But wouldn't that mean you'd want it all extra locked down?" The kid was now looking directly at him. But with the intense look of someone who didn't understand but wanted to. It was by far more annoying than if the kid had just been flat-out disparaging of the whole process. Now Otto couldn't just tell him to shove off without feeling bad about it. Ugh.

"Well, here's the thing. If this was something the Boss really wanted to keep away from people, he'd have it put in some indistinguishable bank vault lock-box by a patsy that one of us underlings had hired through a third party, leaving two whole layers unaware of who even wanted the thing in there, and at least three whole layers who have no idea what the object even is besides. But he's not doing that, he's putting it at the end of a long tunnel of traps, alarms, and obstacles. Which means, what he wants is for whoever's coming after him to go through the whole thing. Which means it's gotta be at least theoretically possible to get through the whole thing. If you were a cowl and you came across a perfect laser grid that there was no way to squirm your way through and no way to work around, what would you do?"

Mykola's kid frowned down at the blueprints, eyebrows furrowed in tweenage concentration. "Start cutting through the walls, I guess. Either to find a way to cut the power, or to bypass the tunnel all toget-OH! Ooooooh, okay! I see, I see!" Otto grabbed the edge of the table to steady it as the kid started bouncing a little in his seat. "If you make it impossible, the cowls will start thinking outside the box and start looking for ways to end-run around the whole thing. If you make it difficult, but still possible, they're going to be too busy focusing on how to do the almost impossible thing so they're still playing by your Boss' rules instead of making up their own!"

Otto grunted and bit back the hint of a smile that wanted to cross his lips. Last thing he wanted to do was encourage the brat; then he'd be stuck answering questions all day. "Now you've got it. Make it hard enough that they waste as much time getting through it as possible without breaking out their bat-themed metal cutters or retreating and finding another way to come in altogether. Same reason why museums do it this way. Otherwise, the only way to get at shit would be to blow a hole in the floor, and that'd damage way more artifacts than whatever the thief was targeting originally."

"Okay, I think I totally get it. Is that why the HVAC ducts are big enough for sidekicks to get through? In case they can't work stuff out?"

Otto blinked and scowled back down at the blueprints to figure out what the kid was talking about, "No? No! I've got them as small as they can get without leaving the air rank, and we've got mesh grids every five feet just in case they try anyway."

The kid pointed down at one point in the blueprints and traced out a line that went way from one-third of the way through the hallway to right near the end, "Not on this one. And it's got this other branch that leads out to the bathrooms in the laundry mat you're using as a front, even!"

Otto squinted down at what the kid was pointing out. It was a second branch of the air circulation network, focused mainly on the above ground business, but with a few pipes down below ground as federally mandated backups to the system he'd been focusing on locking down. "No. That's not for the sidekicks." He growled and grabbed for an eraser and pencil and got to work grinding out alterations.

"Huh. So what about the-" the kid started.

"One thing at a time. Let me get this fixed, then you can ask the next one, okay?"

"Yeah, sure, okay!" The kid shrugged and grabbed up one of Otto's old notebooks that had the first iteration of designs for the Boss' main vault and started reading while kicking his legs.

Otto just ground his teeth and focused on his work. Only thing worse than a kid was a precociously bright kid with an honest interest in your work. Worse thing in the goddamn world.

He should message Mykola and let him know he needed to get one of his other kids to bring up snacks for the brat. He was at that age where he was going to get hungry long before Otto was done.

"Why do we make laser grids like these?" "What do you mean?" "I mean instead of a messy random arrangement of lasers that a nimble intruder might be able to jump through, why not a simple grid wall with no gaps large enough to allow a person to pass through?"

[pauleentology]

lets talk about...

Ashlyn Banner 💚

Ashlyn Banner's character isn't limited to a typical antisocial introvert who hates people. She's so much more than that. She, like everyone else in the SBG group, has trauma and pain of her own, that wasn't brought about by the phantom realm.

Let's firstly talk about her introversion. Ashlyn has built walls and defenses around herself that have gotten so high nobody even dared to climb them. She didn't do this just because she didn't like people and having to interact with them, because deep down, she takes shame in her sensitivity. Her tinnitus and hyperacusis aren't just physical conditions for her, but a reminder of her fragility. The world is a cacophony of sounds that continue to overwhelm her senses, highlighting her internal chaos. She longs for peace but finds herself in an endless battle against the very sounds of life. She didn't want people to portray her as weak or sensitive, so she's built this entire cold front to distract everybody from the fact that she's just like everybody else. The irony in that though is that her very defenses end up pushing away the people that might understand her pain.

She's a clueless, troubled, socially-deprived teenager. It's only natural we expect her to not know what to say every time she speaks with someone, which sometimes ends up in her just blurting out whatever comes to her mind, often having her come off as abrasive and painfully straightforward. But she never means to be rude, she just doesn't know how to sugarcoat her words or soften her sharp tongue.

Despite her introversion, Ashlyn is more than capable of asserting herself when needed, and her bluntness is merely a defense mechanism for her to navigate her complex emotions even she herself doesn't completely understand. She's unfamiliar to the social construct of friendship, and avoids it as much as she can.

So when Ben and Aiden come into her life all the sudden, she's prompted to confront her fears of social interaction. After getting entangled in the supernatural events of the phantom realm with the others, she began to slowly soften and get attached to them, eventually trusting them with her life, and they begin to trust her with theirs. This puts her under the impression that she's responsible for their safety, and is obligated to protect them. She takes the lead, and protects them all with her life, just like she would her family.

Everytime they were together, she always felt some underlying guilt for their predicament. She always felt responsible in some way, and she vowed to take the lead from there. If she felt responsible, she thought it best she would take responsibility, and be the reason they were safe. She was the only one who didn't understand that she was allowed to show them her own vulnerabilities and hurt. She thought nobody else would understand if she just broke down into tears, that everybody expected her to be perfect as the leader. If there was anything she was scared to death of, it would be fucking everything up.

Her guilt that was already eating her up inside only got worse when Tyler died. She hated seeing her friends like that, seeing Taylor absolutely inconsolable for Tyler's state in the hospital, to see everybody else worried and shaking, she thought everybody blamed her, and even she blamed herself. To think that if she'd just taken a safer route, or driven a bit more carefully, or if she'd just listened to Taylor's pleas, none of this would've happened. She saw everything as her fault. If she had just been better, Tyler wouldn't have died.

Imagine how strong she must've been to be the one to get Tyler off that tree that night. To inject into him the sedative, having to use all her strength to stop herself from trembling in those moments— the slightest slip-up could compromise any chance they had of saving Tyler.

In the hospital, all she needed was comfort, which Aiden unexpectedly provided her. It wasn't meant as a romantic act, it was just basic human decency. A tap on the hand and the light squeeze of her palm was enough to break her. She never expected that of Aiden, and Aiden never expected that of himself. They only reacted like that because— well, what could you expect from two clueless teenagers? Their development is amazing excluding romantic interests, and they aged beautifully as characters.

Having to drag Aiden's limp body to safety at the school, after witnessing him die just after Tyler did— all under her care, that was already too much to bear. Seeing Aiden look like that just before waking back up to his seizing body, she was completely frozen. Overwhelmed. If she had just reacted faster, or had kept them closer, maybe she would've been able to save Aiden in time. But no. She fucked up, again, and the guilt she felt for it crushed her. If she had just been better, none of this would have happened.

She always felt responsible for their safety, and always blamed herself for things even she had no control over. She thought everybody expected the best of her at all times, and she'd be letting them down if she were to just cry or crumble where she stood. She's a character who'd choose to go back to the past and fix all her mistakes. The new her wouldn't have traded them for the world, and if she were given the chance to go back, she wouldn't even dare to change being friends with them, she'd just keep them even closer, and make sure none of those bad things happened again. She would do it all again if it meant they'd be safer.

[sili-redwing]

you ever just think abt Them

the mall video, the way moon followed sun, the way he immediately decided the yellow yogurt dispenser was for sun because it had his colors, the way he gave him a coconut popsicle because he wanted sun to be able to try it as well.

the way he knew sun wanted to buy things, and immediately gave him all the coins he found in the mountain so he could buy whatever he wanted. ("Moon! I want to try everything, Moon."

"Okay.")

the laboratory video, with how excited he was to show the things he made off to sun, the way he allowed sun to use them on him in turn for the fact he used them on him.

("Moon, we can't just become a common crimina-- what's this?"

"A chocolate popsicle."

"A...chocolate popsicle?"

"I made it."

"Oh! Like a homemade popiscle? :0"

"Yep."

"Oh my goodness, thank you Moon- I knew you cared about me deep down!"

"Sure.")

-.-

("Don't worry. If you ask, I can make things for you, too.")

the video where they first met monty, where moon told sun that he'd be the one to lie for him, because sun wasn't comfortable doing so himself.

another thing i may note with this episode is that monty never once physically hit sun; he hit moon because he was in the way, but other than verbal threats, he never actually did anything. this carries on to later episodes, too, i believe.

("We can't lie to people, Moon!"

"Yes we can."

"Why?"

"I can. You don't have to; I will.")

he treats FREDDY better than he does SUN. which i find particularly strange because both sun and freddy have the same exact traits.

they're considered the dumb ones, too kind, a bit naive. but in the episode they upgraded freddy, moon was so soft towards him while threatening sun the moment before

("Your joints are connected by screws, I will take off your limbs."

"Freddy, help me! He's threatening to kill me!"

"Uhh..don't kill him, please."

"Freddy, you are a sweet baby boy, move out of the way.")

sometimes i think about how bewildered and offset sun seemed when moon was suddenly being nice to him, the way while happy about it he still chose to keep his distance because something was obviously wrong with moon.

("You're so good at this job."

"...I am?"

"Yeah! You're the best at it."

"..Okay! [nervous laughter] Let's just- now go downstairs!")

moon clearly holds sun in a bit of a higher care than he acts like he does. hell, he panicked when sun was 'missing', and told monty he'd do anything as long as monty gave him back (even if it turned out that monty had nothing to do with it, and that sun was just sleeping.)

("I don't have a ringer! I don't even know what a ringer is! Why are you hitting me?!"

"Because I just had to go get a necronomicon because I thought Monty kidnapped you!")

i will say that the demon and angel episode added a lot of insight on how moon does feel about sun. my only gripes is that it feels like NOTHING WAS DONE ABOUT IT.

("I don't think we should be yelling at him--"

"You're right! i shouldn't be yelling at him! I SHOULD BE BEATING HIM TO A BLOODY PULP!

"I'm sorry! I'm sorry! I just wanted to share my cool science with you.."

-.-

("It's not like you try to get along with me!"

"I don't try to get along with you becase the first thing you ever did was just saying 'Oh, you're so annoying and dumb and stupid!' What do you mean, try?!")

-.-

"I've been trying my best! That's why I've been bringing you along for my adventures!"

-.-

("I made your favorite..."

"I want you to tell me right now what my favorite is."

"Gingersnap.")

it feels like after they got foxy, it went downhill. or maybe it was after roxanne on her own. maybe that isn't fair to them, maybe it is. i don't know. but there was definitely a shift in moon's behavior, to me at least.

because it feels like foxy brought a surge of violence...

("Hey, by the way, Monty? Sun ran onto oncoming traffic."

"I'm not too surprised, the way you treat him.")

...which only seemed to spiral further once they got bonnie.

("You just- he just hit me with the bottom of his gun, Moon!"

"Let the Sheriff do what he needs to do."

-.-

("It doesn't matter anymore, no one likes me."

"If no one likes you, then you'd think you'd try and be a little different."

"Why- why should I at this point?! Screw you, Moon.")

moon considers sun one of his best friends, which we know from freddy of all people because sun's name is literally part of the password to their internet.

("It's the names of his three best friends! Himself, you, and me!"

"I- I don't think you can be friends with yourself."

"Moon's very self-oriented!"

"Yeah, I know that one...selfish guy."

"No, not selfish! Self-oriented.")

can i just say that it's a terrible fact it can even be part of a bar when this is one of the few episodes moon doesn't physically attack sun, and that's only because hes too focused on investigating?

("So you're saying that Sun's the problem because he keeps getting caught!"

"No, you are in fact still the problem, Moon."

"HA!")

that entire conversation with foxy and roxanne both in the video that sun finally, perhaps rightfully if not in the best way, snapped.

("Just drop the gun, Sun- just drop the gun and we'll be okay- this isn't you- this isn't you, dude-"

"This isn't me? YOU MADE ME LIKE THIS! I'm going to enjoy watching you dissipate to nothing.")

-.-

("Why do you want to kill Bonnie so bad?"

"He has done nothing except torture me ever since he has come here!")

i don't know what moon was expecting, when trying to confess to him. moon, bestie, i think the first sign that you fucked up should have been the very moment he assumed that it was a prank. that eclipse was messing with him.

("I'm in love with you-- what?

"So Eclipse is doing something to you, right?"

"What?"

"Eclipse is doing something to you?"

"…n- no?"

"Yeah, okay, I get it. Eclipse, this some kind of big prank trying to get me to say I like Moon in some romantic light because he treats me like garbage all the time? Eclipsee?-- oh.")

that something was wrong with you.

-.-

("...Because I like you?"

"That's not possible. Improbible!"

"I mean, you're a good person, you're nice, you're kind."

"YOU LITERALLY BEAT ME UP EVERY DAY!")

the fact monty was surprised that moon liked sun. which says a lot because it feels like monty's one of the few moon hangs out around, besides foxy and bonnie.

("Yeah, it's because he doesn't believe i'm in love with him."

"Pardon?"

"Byeee.")

the fact that freddy's been trying to talk to moon about it. been giving moon advice. and moon hasn't been taking it whatsoever.

("He's been talking to me about it. He didn't know how to go about it because he thought you would hate him."

"I do hate him!"

"Yeaahh…I know. But I wanted him to learn his own way."

"He literally started beating me for some trivial reason-- for no reason??"

"Yeeeahhh… I know. I wanted him to learn from his own mistakes.")

while roxanne was..close to being a friend to sun, she's also- as much as i hate to say it- more of an...observer? like she doesnt have the- yknow- courage to actually prevent it outside of words. she was on that route of "she has the spirit, but she's too weak-willed to actually do anything about it" i think. because she like,, she did try! but she never actually followed through. all she said was "maybe we shouldn't do that?" and then never actually tried to stop them

and freddy- while he isnt actively doing things...did turn a blind eye to bonnie's antics in the carnival video. he, too, has never once actually said anything about how sun was treated.

the only one who EVER said anything about it was monty, and that was offhand. that and the fact monty said he cheered when sun pulled the trigger on foxy and bonnie. which honestly might as well be the closest person to an almost-friend sun has! because while monty hasn't been particularly helpful, he hasn't outright hurt him either!

for all the times eclipse has tried to send people after sun and moon to kill them (which so has bonnie! so has moon!), at least he hasn't once went under the guise of actually caring for sun. he hasn't lied to him or anything. also!! that time on the roof, with him and bonnie? while eclipse didn't say anything, he didn't dismiss sun either as he ranted about all the things bonnie did to him. he never once interrupted, let him get it out of his system.

which maybe thats the bare minimum! but honestly? despite all his faults, i'd still think sun was better off with him. because at least he knows eclipse doesn't outright care, and so he can't get sucked in that continious cycle of mixed feelings.

this is all just mostly my opinion though so. feel free to disagree, this is just from what i noted, and honestly i might not have worded it the best but its the best i got rip

i dont even know what im trying to say with this tbh. they are just... idk. i miss what they used to be. i wish things were better for them.

[tenitchyfingers]

Well, AO3’s whole deal is allowing people to post their art without forcing them to censor themselves. Like afaik as long as you aren’t posting CSEM of genuinely harmful content like that and trying to make money off of fanwork (which is a legal issue wrt copyright laws) then you can post whatever you want. All you have to do is tag your work appropriately and make sure to put your tws/cws in there including content related to major character deaths, strong violence and sexual assault. And then yeah every now and then there’ll be the usual puritan trying to start a crusade, but AO3 is the last place where you would get it.

Now I know it can still be intimidating, but if you want an ulterior layer of protection you can turn on the option to only let registered people leave comments, you can delete comments and you can also shut all comments off by default. So actually AO3 offers so much control wrt how people interact with you and your work.

And then again, you may also decide to write a story only for yourself, or only for a closed off group of people. You can just share a text file with a group of friends. That’s how fanfic communities started, actually. But if your reason for using AI is fear you might get attacked, you’re gonna get attacked anyway. If someone wants to be a dickhead like I was just a couple of comments ago, they will. If you want to share your ideas, that’s part of the deal - people will have opinions about it. And once more, if you don’t feel safe sharing a story you can just write it for yourself. For your own joy and entertainment. I mean I don’t know ass about game development, but I assume you also have to work with problems, assets that won’t work the way you want them to, things that you notice could be better, angles to your narration you didn’t even think of at first, right? And then maybe you started out with an idea, you worked on it and then realized the game you were making ended up being very different from what you had in mind. Maybe more engaging. Maybe something you enjoy more. And writing works like that too. If a computer writes a story for you, you won’t get to see your brain child grow to become something completely different from what you’d envisioned at first, entirely because of the processes your mind engaged in while working on it; on your taste, on the themes you care about and enjoy. And that’s such a satisfying part of the process in any medium: surprising yourself. Saying “huh I didn’t think I’d end up doing this with this story but it seems to work” and getting your hands dirty again.

And if people have a problem with your fun, you can just tell them to fuck off, block them and keep on writing your thing. Do not let their pearl clutching affect the way you tell stories.

just saw a fanfic on ao3 have a dedication for chatgpt... that section is meant for your horny perverted mutual who proofread your work, you violated sacred law and you will be torn apart and laid bare btw

[abysshare]

Wow..i saw the leaks and just. Wow.

I was hoping they were fake and its everything i hate in a series. I was biting my tongue until i saw the episodes but here we are.

Before i go into spoilers i do want to say that i AM grateful that we even got anymore of Arcane, but sometimes less is more.

Spoilers underneath

Edit: these are kinda messy thoughts.

My biggest gripes:

Too many plot points for a finale

Family trade in ( Bio sister for found sister for bio sister again )

Vander dying, Alive but fucked up, okay, fucked up again, dead, alive but fucked up, dead.

Not bringing up Isha at all??? Not even a quick funeral?

People being brought back to life but Isha and Jinx has to die.

Jinx has to sacrifice herself to save Vi and herself. 😒

The SEX scene.

Better explaination:

Too many Plot points:

I knew it was gonna be too many. I KNOW we needed answers/resolved plots, as well as needing things to make sense. But it.. was too much. Like most media at this point.

Family Trade In:

So... no one really talks about this trope? Or whatever you want to call it. But it bugs me, so much. If you don't know what I'm talking about..

To me a family trade in is when a Character, no matter their role, has family, turns evil or gets lost and finds a family of their own, and then when it seems perfect for them, they end up back with their original family because the new family died for them/their old family or they just.. don't belong/want to go.

Perfect example that isn't Arcane: Amphibia. Anne has to leave her adoptive found family from another universe and can never go back ( until she dies basically ). As well as her friends have to leave their found families as well and also cannot go back. Anne loves both her families..

And while i understand life isn't fair, and that people are allowed to not want to stay here or there.. it just bugs me the trope is to always trade back in for the old.

With Jinx, she "loses" Vi ( and yes Silco but it isn't about him right now ), And gets Isha. I KNEW the second i saw her she was gonna die ( this isn't a bash against those who didn't see it coming ( /genuine ) at some point. While i adore Isha and i am fine with Jinx adopting her, i am not okay with the writers choice of adding her just to kill her and be practically a trade in for Vi later on.

It sucks. I'll just say it out right.

And i want to be very clear. By trade in i do NOT mean replace. I know Isha was never a replacement for Vi ( or Powder ).

Again, i know life sucks, and you just don't get everything you want in this world, especially when it comes to war. But since this is a trope or at least a thing i see constantly, whether its in a pg way or an R rated way... its annoying.

Which brings me to....

People dying / Jinx / Vander:

Why? Other than shock value?

Jinx Dies, and it felts uncomfortable to me as a Psychotic/Schizospec person like her. She should have lived, she should have been able to find her own happiness after properly grieving Isha.

Isha Dies, happy to do so for her big sister(s), but like.. it ends up not being worth it. It both does and doesn't. She saved them time but then-

Vander. Vander is killed, then brought back to life in a fucked up way, then okay for awhile, then fucked up again, then dies ( by Isha ) and then is fucked up again and alive, and then dead.......... and then fucked up and alive again! And then dies, with Jinx!

It doesn't feel satisfying. Of course that one moment was very sweet and worth it. But oh my god? Why do it at all if you're just gonna kill and reanimate him again and again. Its not shocking its annoying by the third time and a joke by the fourth.

Viktor.. Same deal with him? And I'm not even clear if he is dead or just fucked off to space-time with Jayce, but still. It wasn't shocking anymore. Or thrilling. Just like "ah. Okay. Cool mask".

Heimerdinger... when i read the leaks i thought he was gonna die. Then i was watching and thought "oh no okay, he's gonna stay in that universe. Thats nice he deserves that". Nope. He's either also dead or also in space time. I just sighed really hard rather than be sad.

And finally.. The Doctor's daughter gets to live- AND HIMSELF- even he gets a happy ending? Over Jinx or Vi? What.. i mean yes Vi gets Caitlyn , but.. ? Ugh

The Sex scene:

I'm glad for Sapphic rep i really really am. I like Caitvi a lot as well. But this didn't feel comfortable for me. Not because it was an intimate moment, but because neither of them talked things out properly. On top of that it was really random.

Vi was upset, then suddenly horny for i guess.. make up or grief sex? Or both? And Cait was obviously fine with it, but then to suddenly try and talk about Maddie. I'm glad Vi wasn't the typical ">:( you fucked someone else while i was hurting?!" It was so... random. This is why they needed to talk before hand. At LEAST say it before getting into it.

And doing it in Jinx's cell? It feels so.. weird and wrong in a way? I don't know how to describe it.

TLDR: what in the five marvel hells was that other than visuals pretty

[jikupikus]

trans!curly / jimcurly / mdni

In all ways Curly is someone who Jimmy wants to be.

He’s kind, he’s handsome, he’s a leader, and people respect him. He knows what to say and when to say it, and others listen to him like how a dog listens to a master. Curly doesn’t even demand esteem, he just gets it, and it pisses Jimmy off.

It’s been that way for a while, and all Jimmy can do is stomach it. He doesn’t know what happened, what strings Curly had to pull, but he tugged those strings and is now sitting pretty on his pedestal looking down from his rosy spot onto the other crew members– onto Jimmy.

The worst part about it is that Curly isn’t even a man, or at least not one in the technical sense. Jimmy remembers when he was a scrawny little girl with poofy long blonde hair that his mom wouldn’t allow him to straighten or cut. He remembers Curly’s braces, and how he would mispronounce words and stumble over his sentences. He remembers the skirts he had to wear because he wasn’t allowed to wear pants, or anything “revealing” for that matter that wasn’t what his stuffy fucking Pentecostal parents approved of.

They met at a church that Jimmy didn’t attend with a chain link fence surrounding the perimeter overlooking a busted white trash trailer park. His mom used to talk shit about that church and how fake everyone is, how they will say “bless your heart” to her when she was on the front porch hitting the glass pipe right before CPS showed up in Jimmy’s front lawn with a nosy cop the next day.

“Remember when my mom used to have a nasty meth addiction and get so addled that she’d accuse us of stealing her spoons?” Jimmy says off handedly one day in the cockpit.

“I don’t think she liked me much,” Curly muses, brow puckering. “Then again I don’t think she liked anyone.”

Jimmy leans over in his chair, his brows creeping up his forehead. “No, she didn’t. I think the meth fried her brain,” he says. “The only time she didn’t do meth was when she was pregnant with me.”

Curly looks over, a smirk playing on his lips. “What did she do instead?”

Jimmy’s face fell, but he played it off. Curly didn’t mean anything by it, maybe. He definitely did, actually. Jimmy crosses his arms, affronted. So much for playing it off.

Sometimes Jimmy’s emotions got the better of him like now, but he can’t help the visceral annoyance that creeps up in him like an invasive vine.

“You fucker,” Jimmy spits. “She wasn’t clean, as you know. I don’t know why you had to go there, but heroin.”

Curly’s eyes flit over to Jimmy, expression apologetic in its own manipulative way. He hates how Curly wilts at any backlash; it’s pathetic in how he behaves like a kicked mutt at any ounce of criticism.

Maybe he’s a little too hard, maybe. Whatever, Curly can just deal with it.

“I… didn’t know. Sorry. I was just joking”–

“Shitty joke,” Jimmy states flatly. “Don’t know why we can’t have a conversation where you don’t make a comment at my expense. It’s kind of annoying.”

Curly’s mouth draws into a taut line, obviously affected by the weight of Jimmy’s words and how they land so heavily on his shoulders. He twists the knife regardless.

They’ve always been that way together, and Curly has always been too sensitive for his own good. Too appeasing, placating. He has never told Jimmy no nor has he ever defended himself. Jimmy thinks his leadership is ill-placed because even if he is well respected and people listen to him, he’s a big fucking pushover. It’s goddamned irritating.

He found that out when they were kids, when Curly forked over his sour gummies because Jimmy threatened to beat his nose in with a rock. Not once did he claim that Jimmy couldn’t hit a girl, nor did Curly ever use any method of defense. He gave up just like that.

Curly is the same now as he was then.

Jimmy sighs, arms unraveling. “Relax. I’m not mad or anything. Don’t get so worked up over something so trivial.”

Curly deflates. He drags his hand down his face, smoothing out the lines of exhaustion that creases his skin around his nose. Dark circles paint his eyes from lack of sleep, his normally bright blue gaze dull and lacking life.

“I guess I’m more sensitive than I normally am. I haven’t slept well at all since we’ve disembarked, maybe averaging one to two hours of sleep a night.” Curly explains himself to Jimmy. It’s another compulsive habit of his, one that makes Jimmy’s heart swell.

He likes that he can wiggle his fingers in the cracks of Curly’s otherwise pristine surface. Curly is riddled with small, hairline cracks, and Jimmy knows exactly how to chip away at his vulnerabilities.

Jimmy will claw his way up Curly’s pedestal and drag him down to his level.

“You need to relax, Captain,” Jimmy presses. He takes Curly’s hand off the center console, holding it in his own rough, calloused palm as his heavy lidded gaze lingers on his friend.

Curly drags his hand out of Jimmy’s grasp and stretches. “I don’t know how to relax,” he says. It isn’t a complaint, but the truth.

In all actuality, as Jimmy knows, Curly is a tightly wound ball of anxiety. During their more intimate moments when there weren’t eyes and ears trained on them, Curly has said so himself.

Only the cockpit and sleeping chambers lack cameras. Jimmy swivels his chair, now facing the door.

“I can help you relax,” Jimmy says, turning his thoughts over in his head. “If you’ll let me, that is. If you won’t shy away like you always do. If you won’t deny me like you did when we were shitty hormonal teenagers.”

Curly’s face flares pink.

[ghost-of-you]

Ima hop in talking to throw my two sense about this major break that’s coming up for 5sos, anonymously as someone who runs a anonymous 5sos confessions blog.

There’s a lot of new people in this fandom who’ve never experienced a 5sos break, and still have trauma from either 1D or other bands who took a break and then disbanded before the reunion. Or are fans of bands who are also in a limbo and are worried about what’s going to happen. (Looking at 1975 fans, I wish the best for yall)

And I’m a mixture of both! I was here for the first break, but drifted into other music genres during it, and kinda forgot about 5sos for a while, but came back within the last 3 years.

Plus for those who were here for the first break - there’s a lot of different factors that add into the uncertainty this time, like Michael becoming a dad!

There’s a lot of feelings being thrown around in the music industry of what happens before/during breaks that adds to what a break means now vs when the first break happened. It’s just… a lot.

Okay, look, I'm nice and I'm understanding but right now I'm gonna sound like a bitch and I don't care. Whatever experience anyone has with any other band doesn't matter. What happened with one direction is different from what is happening with the 1975, that's different from what happened with big time rush, that's different from what happened to why don't we, that's different from what happened to the Jonas brothers, I can keep going but you catch my drift. They are different bands, formed by different people, in different ways, with different believes and way to make music. No one thought backstreet boys were ever gonna come back and they just did a world tour, NSYNC was seen together just last month for the first time in YEARS, bands can take breaks and reform and regroup and move on if they want. I think this expectation that you're owed content all of the time is crazy. Album cycles shouldn't be just month long things. They should be allowed to work on something for longer. They should be allowed to not tour every 6 months. 5sos released 5 album in 10 years. An album every 2 years is a fucking good number. But even if it takes them another 2, 3, 5 years, it's their right as humans to take as much space as they want. I understand why people might be scared, but no one has the right to demand anything from anyone. Maybe Luke and Ashton will release more solo music, maybe they'll go on a tour, maybe Calum will drop a poetry book, maybe we won't see them for 5 years and then they'll announce the announcement of a new song. They can do whatever they want. You can't honestly expect to have access or content or tour at all times. They are grown men with lives and families who worked hard to learn how to exist outside a band they started when they were teenagers.

And yes, Michael is gonna be a father, but one, he's not the first musician ever to have a kid so that doesn't mean anything, but you also can't expect him to not be there for his daughter. Baby girl Clifford should be his priority but in nowhere is stated that you can't be a father and a musician.

And to compare 5sos to one direction is not a fair comparison, one direction was formed in a reality show by people who only wanted to explore them. 5sos were friends first and they are still friends first. Maybe they won't drop an album every year anymore. Maybe they won't make a tour with 101 concerts in less than 8 months. But that doesn't make them any less of a band, it they are doing shorter tours and longer album cycles.

Also, if they break up, they broke up, we can't force them to stay a band.

But I stand by the fact that these men went through quarantine, lost a whole record with calm due to an internal error, dropped their label, their management, both Ashton and Luke released solo albums, with Luke signing a 3 record deal if I'm not mistaken , Michael got signed as a dj and a producer, and they still released a whole album independently that was made the way they wanted. If they were gonna stop being a band they would've done in it in 2020. They're allowed whatever breaks they want or need. They are real humans. And they are not one direction.

But this break they are taking is something that they planned around it, or do you think it's an accident the tour ended just in time for Michael to be back home for the birth of his daughter? This tour wasn't scheduled, they could've not done it. But they chose to do it. But to look at them and accuse of being about to breakup and lying about it because they are taking a break for a very specific and unbelievably valid reason is bullshit.

I don't care about whatever trauma you may have about other bands. What happened to other bands happened to other bands. You can't make a different situation about them because it's never gonna be the same because there's different people involved.

Is their life. Their choice. We're just along for the ride. It's a hell of a good one so far and if this is it so be it. It's their choice.

And honestly, if you're actually this affected by one direction breaking up and this is not just some exaggeration for the bit or a joke, get help.

[joannerowling]

Take a look at this baby, it has EVERYTHING.

riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever.

"Harry Potter is bad because some arbitrary elements of real life i've got a personal interest in aren't part of the plot. Why aren't the books 1000 pages longer? I really wanted to read more of Harry Potter's really bad, terrible writing."

the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt

(CONTEXT : The Weasleys actually "win the lottery" the year after their son Ron broke his wand, and the win explicitly allows his family to buy him a new wand. So OP here is definitely talking out of their arse. Also,)

"JKR is a terrible writer because occasionally her characters aren't all good and make mistakes or bad decisions. Unlike real life, where people are always good and never make mistakes or bad decisions."

snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on.

"JKR's writing sucks because she can quickly and efficiently paint a picture for her young readers to understand a social context and develop empathy for her characters. Some would call her ability to do that in so little words impressive… Wait, what was i saying? Oh yeah, bad writing. Because reasons."

yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing.

See first paragraph. (Also, CONTEXT : Hermione is very much distraught at having to - temporarily - wipe her parents's memories "for their own good". Hermione's willingness to do questionable but necessary things to protect people and win against the bad guys is built up throughout the series and is an established character trait at this point. Again, one wonders if OP has actually read the books.)

lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao

"I can't see the point of not knowing more about the main character's long dead mum that he never got to know. The tragedy of this fully escapes me. From a literary perspective i don't get the point of being put in the protagonist's shoes. As the reader i should be told everything, and never ever made to use my imagination and empathy."

thinking again about jk rowling being a bad writer. like, we all know about the massive flaws in her worldbuilding and i hope by now it's clear she's a bigot on basically every front. (hello, regular reminder that she doesn't even actually like women.) but like. she's especially good at dropping bits of lore and then those not being relevant in the fucking slightest. riddle was told to go home to his orphanage in london during what would have very much been the blitz? whatever. the weasley's are so strapped for cash that they're sending their son to school with a potentially dangerous broken wand? of course they're spending their lottery winnings on visiting their adult son in egypt, what else would they do. snape grew up in what was likely a dying northern industrial town with abusive/neglectful parents, largely cut off from the magical world? almost impressed you caught on to that, with how little it's expanded on. yes hermione has a supposedly good relationship with both her parents, no we're not going to show you it at all, yes she's going to wipe they're memories like it's nothing. lily evans is the moral compass of james and basically the most important person in the series but fuck you if you want to actually know anything about her lmao. even what little we see is wildly inconsistent.

[casualavocados]

If anyone allows Zhang Teng to get in again, I'll kill them!

AI DI + talking about & attitude towards death KISEKI: DEAR TO ME (2023)

[lenasai]

can we please stop with the conspiracy that the government wants to ban tiktok because of pro-palestine content

do you realize how close that sounds to accusations of "zionists controlling the media" (i don't care how you frame it, it's an antisemitic conspiracy theory, please stop)

the us has wanted to ban tiktok for years because the company that owns it is chinese. they literally would let things go on as usual if they sell tiktok to an american company. that's it.

the primary driver is racism, not a conspiracy to shut down activism

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[lordelmelloi2]

It's normal for teens to be attracted to other teens, hell it's normal for teens to find adults attractive, but I do think that like. The phenomenon I witnessed in the circles I saw here on tumblr and twitter where we had *Grown Men, Women, And Everyone in-Between Or Neither Or Otherwise*, people who are adults, constantly talking about how bad Castoria needed to get fucked or how much of a sex pervert she was ... I don't know how anyone can witness anyone talking like that about a teenager and not be like, WTF? It was fucked up because so much of LB6 is strictly about Castoria's trauma and neglect, how she only could rely on Ector, and how her supports have been ripped away from her, and how she's expected to do this grand act without a chance to live humanely or experience life or love... and people just wouldn't shut up about sex or petplay or fucking whatever. And she's like just a teenager. She's 16. But people kept acting like she had absolutely insane raging hormones, and projecting their own sexuality onto her, and the shit ppl wrote and drew was like... bro is she not like in dire need of some happiness that doesn't assume sex fixes everything about her? Or rather, do you idiots really think sex just cures you and everything you ever went through? Is sex the end goal of happiness for yall? It just felt demented as fuck. Like, who cares? But also why is it any of their business?

That's what drives me nuts and people talk about it seriously when it's like, American media, like I read conversations discussing how weird it is that tv runners and filmmakers love hyperfocusing in on teenage sexuality & sexualizing teenagers, how burdensome that for teens they can't enjoy media meant for their age group without *somebody* joyfully writing or trying to depict how much Sex they're having or how Sexy they are... I'm not even asexual, I just think this is a patriarchal problem that a ton of people just decided didn't matter anymore. Like it's ok to sexualize teen girls because they're teenagers. And if they're anime it's doubly okay because otaku don't care about that stuff. "Buh its Fikshon. Its make believe its pretend" type excuses made by people who think you don't passively absorb messages about how you should be acting, how you should talk, or look, or behave, depending on the positive connotation and depiction of anything in media. Like we're already aware we are slaves to advertising. Im getting ahead of myself here so let me like recap my thoughts:

- I think a ton of adults have this assumption that fictionality means 1) No teens will see it and internalize Sex = Value, 2) No adults will internalize that it's ok to treat teens like this and start behaving strangely towards teenagers

- "oh well then we should never depict teenage sexuality" How about this: Teenage sexuality has rarely been depicted with the dignity that allows teens to process real emotions about it rather than simply existing as spectacle and entertainment for pedophilic, boundary-lacking, disrespectful adults. And teens know this.

- Castoria is just so blatantly a little girl that needs like guidance and support and real ways of treating her like a person first that when I see people jump to speculating her sex life or talk about fulfilling her through sex I just want to strangle them. It is mostly adults that I have witnessed doing this and very rarely teens.

- I don't trust these adults because I think they have implicit bias directed towards being disrespectful of the boundary between adults and teenagers, they likely don't understand that that boundary is about respect, it's about treating those younger and less experienced than you with dignity and not forcing expectations onto them, they don't understand that negating that boundary is predation. A teenager is not your emotional equal. Or rather, they shouldn't be -- and if they are, and you're an adult, you need to understand your own maturity being on par with a teenager's doesn't mean you have the right to make adult expectations of a teenager. & I think that last bit as a principle applies to Many, Many things, not just sexual abuse dynamics

- I think if people try to strawman and say "well we can never talk about sex ed then" are also stupid because any sex educator will tell you there are clear cut boundary respectful ways that you can advise minors on sex ed and health that are able to answer their questions Without being disrespectful towards the minors involved or prying or treating them as equals to you.

- The older I get the more I realize the sheer and utter gap between a 16-17 yo and Any person above like. TWENTY years old and I start getting angrier and angrier the more instances I see of people talking about teens, fictional teens, teenagers in media, ETC. like they're sex symbols instead of like. Just. Kids. They're kids. They are literally kids that are growing up. My god. You do not really start to understand until you hit like 25 on average, I think, how absolutely batshit insane it is for ppl to be fantasizing about teenagers. & Quite frankly. I find it all starkly antifeminist and properly aligned with fascist ideals to be obsessed with this kind of thing as a virtue of sexual ""liberation"" or whatever people are saying these days. What exactly is liberatory about this and who does it benefit? In what way? What kind of ideas and power does this align with in our current political climate?

Asides from her being 16 years old it does make me insane when people talk about how bad they wanna fuck Castoria or how bad they need her to get fucked or something. I think these people are just straight up deranged. Maybe its bc I have kids but like theres noooo fucking way anyone who looks at Castoria and is fantasizing about anything sexual wrt her isn't a predator in some way bc how the fuck do you look at a sheltered, emotionally neglected 16 yr old like that and start immediately thinking about sex. She should be doing a nature walk field study and like playing basketball with her friends and going to hot topic not doing whatever the hell these weirdos think she should be doing lmfao