#you have ALMOST PUSHED IT TO THE END

[sergle]

finally in a position to donate the amount I've been wanting to since you launched the gfm 😊 I'm a fellow big boobs girlie so I feel a fraction of your pain 🥲 I hope you're able to reach your goal soon!!!! 💕

seeing this ask on its own: oh this is really nice!! solidarity!! this is such a sweet message omg checking my gfm to see the donation:

[catmask]

for me at least, theres always been a really stark divide in the 'child character is the main antagonist' sort of stories.

on one hand. theres stories that rely on the shock factor of a child being evil, because we're supposed to believe that kids arent capable of that sort of thing. i guess its supposed to be frightening but the novelty always wears off really quickly for me.

i think 'a child is the villain' always lands most successfully for me when a kid is given power beyond their years (either by adults around them or otherwise supernatural/societal forces) and then everyone is floored when they arent exactly responsible with that power. and sometimes theyre even selfish! not because that kid is evil, but because theyre a kid.. acting like a kid would in their situation.

it means that any sort of story that follows requires a protagonist to reason with someone who may not even understand the harm theyre doing, or worse - not have the life lived to understand why they should care in the first place. and also, i think watching what happens when u have an destructive force seeking comforts that any child deserves doing whatever they can to have those things is (to me) much more interesting than 'child who is fucked up and evil for no reason but being born that way actually'

[hayaku14]

pushing daisies kaishin au #2

pushing daisies au where shinichi has been able to revive dead animals, plants, even people since he was a child.

kudou "i can literally talk to the dead" shinichi

shinichi's parents didn’t exactly encouraged him to use this power. especially not in public. they’ve seen him revive and re-kill dead plants and animals in the same breath, it doesn’t take a detective to figure out what could happen near a human corpse.

but a young shinichi is curious, a young shinichi admired his father, and a young shinichi wanted to prove himself a detective. but most of all, a young shinichi wanted to help.

so when he saw his father struggle in solving a particular case, a young shinichi figured that maybe asking straight from the source would help give them a hint.

the complete horror in yusaku's eyes shinichi saw that day made him promise himself to never do it again.

shinichi realizes later on that reviving someone just for a clue on the whos, hows, and whys of their death only to touch them again, to basically kill them again, is sick and twisted and the realization leaves him feeling raw and dirty.

he then decides that if he’s gonna find out the truth, if he’s gonna bring justice, it’s not by making the victims suffer a second death. he will unravel the mystery not by magic but by logic.

the curious case of kuroba kaito

hakuba immediately contacts shinichi.

“he was...a friend. if i have to gather all the best detectives to catch his murderer then so be it.”

hakuba goes on to explain.

it was a kid heist. shots were fired. snipers. kaitou kid was caught on camera falling, as if he’d been shot, but he appears a minute later flying away on his glider with not a speck of blood on his suit. all should be well however, a few buildings away in an alleyway, the body of kuroba kaito is found dead. gunshots through the heart and chest.

a simple explanation would’ve been that the glider was a fake activated by kid’s assistant as a last ditch effort to save his legacy and this kuroba kaito was kaitou kid himself. he would’ve said it out loud but by the look on hakuba’s face, he can tell that he already connected those dots long before shinichi even stepped foot in the morgue. that wasn’t what hakuba called him for.

“can i...take a look at the body alone?”

hakuba raises an eye at him but moves to leave without questioning. "alright then. i have to check on another friend anyway. she's been...distraught ever since she heard the news and..." hakuba's words trail away as his eyes unconsciously drifted towards kuroba kaito's covered body. shinichi patiently waits through the quiet pain that he sees on hakuba. the pinch in his brows, the tenseness of his body. he must've been a really good friend.

hakuba shakes his head and turns his attention back to shinichi. "sorry, i...its been a long day. i'll leave you here then. call me if you find anything."

left alone, shinichi carefully zips open the body bag covering kaitou kid's upper body. he looked eerily similar to himself and imagining his own body cold and dead in the morgue sent a shiver down his spine. shaking his head, he pulls a chair close and reads through the file hakuba brought him.

"no witnesses. no camera. not a trace nor lead to anything. just some reports on mysterious gunshots in previous heists that lead to nowhere." they were professionals, whoever did this, shinichi thought. it was not going to be an easy case.

he takes another peek at the body. so this was kaitou kid, huh. too young to be the same as the one before his hiatus. perhaps a successor? motive could be related to his predecessor. his mother hasn't said anything of interest. does she really not know or is she protecting him? he runs his hand through his hair. there's too little information to go on...unless...

temptation rears its head. the source of information is right there in front of him. one touch and it could open up new leads to the case. an immediate disgust twists deep into his gut. he promised himself to never use it on people. to never kill. his father's haunted eyes embedded in his mind. he shouldn't. he really shouldn't. but he remembers the anguished look on hakuba's face. if he was going to do it, this might be the only good time. any longer and his touch would not revive kid. and gone along with him would be vital information to catch his murderer.

shinichi heaves a deep sigh. he has never used his abilities on dead people since that one incident as a child but he couldn't shake off the look on hakuba's face. it was now or never. shinichi reaches for kid's hand.

---

pushing daisies au #1

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[pigeonstab]

Cross and Dream would be unstoppable. In a bad way. Those two are both overworking machines and Blue is so so tired of having to wrangle them into resting.

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[langernameohnebedeutung]

.

[ferryfoam]

I think about The Seige of AR-558 all the time. It's probably one of my absolute favourite ds9 episodes (along with In Purgatory's Shadow and By Inferno's Light which can not be topped) that one part where Julian is treating the wounds of one of the star fleet officers who've been essentially abandoned in this war zone and the officer is clearly so deeply traumatised by his experiences there is one of the most poignant moments in the entire show to me. The dialogue is so good and it really reminds you that this is an actual war theyre having, not just some flashy space battle where the good guys win and then everything is fine- it's had lasting impacts on these people who star fleet is meant to protect but really they send out a group of officers to a planet and then leave them there for months longer than they were supposed to be and so utterly do not care about these people because they see them as disposable. Even after Sisko and the ds9 crew realised how awful the conditions were everyone was expected to stay there - a position too important to the federation for them to let these people go home but not important enough for them to send backup or replacement officers (I though Quarks presence in the episode was really good as well for providing a perspective of someone not in StarFleet and a lot of the things he said about human nature and the actions of the federation really reflected how I was feeling about it as well haha)

Also the music was really good

(Edit if you want to hear more of my take on star fleet corruption I have put it in the tags)

[possamble]

Thank you for writing the (messy but neccessary) farcille breakdown. You handled it so wonderfully aaaaaaaah!! Like the other anon I was wondering how far "rock bottom" could get (because chapter 4 already felt pretty rock bottom) but. Yeah. That's pretty rock bottom, huh. The tragedy of loving someone but the other person not understanding <- this applies to both of them.

I think it was really neat how you flipped the question on who's reaching out to who with the academy flashback and the final scene with Namari, because... Marcille clinging onto Falin really is just a reversal of their academy days, isn't it? To everyone who met them after they reunited, it was always Marcille chasing after Falin, but to those who were at the magic academy, it was Falin chasing after Marcille. From picking flowers and berries to eat together, inviting Marcille out to see a play, and generally monopolizing her free time... I'm sure any of them would say the same thing as Namari, but in reverse. No wonder everyone thinks Marcille is just another friend to Falin. They weren't there to witness her pining /j. Idk!! I was rereading the chapter and the academy flashback girl was like "why do you hang off of Marcille so much" and I screamed to myself, "hey wait. HEY WAIT."

[batsplat]

seen people talk about how marcs 2012 season was the reason the penalty point system was introduced (that made vale start from the back in 2015 which is admittedly absolutely absurdly funny) so here i am to ask my favorite motogp historian for thoughts (and prayers?) mostly about what exactly marc DID to make that happen (kinda funny also that he was branded a track terrorist from day 1 😭) and why they struck it in the mid 2010s?

okay so I'm gonna be lazy here and start out by just including what I put in the marc race recs post:

phillip island 2011 was the worst incident, and marc was criticised by motogp riders too, including valentino and casey. that one was like... it was just straight up dangerous and also incredibly stupid, I mean you're trying to get an extra lap in at the end of fp1 and are putting yourself and other riders in serious danger (definitely a case where you can argue that the penalty didn't go far enough and a race ban would have been warranted). marc can sometimes be pretty bullish in response to criticism while still going away and kinda realising what he'd done was a bad idea, quietly adjusting his behaviour... examples include this, where he had his team appeal the penalty, as well as of course 2018 argentina, where he talked down the 'mistakes' he'd made and said he'd done more wrong in the aleix than the valentino incident (which may be true, but it's the rhetorical equivalent of saying it's better to go up to someone's home and throw bricks through the windows than it is to set it on fire) - he is fairly good at learning from his mistakes, even when he doesn't always fully admit to them

that being said, of course he did continue getting himself involved in a fair bit of controversy during 2012. but it's worth pointing out that the penalty points system wasn't just a case of 'oh this kid is so bad, we've got to do something' - it was also a case of 'yeah this is being handled in a super inconsistent manner, actually'. like, there were times people felt marc should be penalised more, yes, but other times where they felt it was too much... it was just a bit all over the place. luckily, inconsistent stewarding is a problem they've managed to fix in the intervening twelve years, so we never hear about that stuff any more. let's just give a quick summary of the four biggest 2012 flashpoints:

qatar: marc runs luthi off-track in a deliberate and pretty dangerous way and gets a slap on the cooldown lap for his troubles, plus a reprimand from race direction

catalunya: towards the end of a race in which marc made several questionable moves, pol espargaro attempted to overtake marc who had just saved a fall - marc cuts across the track to rejoin the racing line and ends up colliding with pol. he was initially given a controversial penalty in the form of a minute added to his final time, before that was rescinded (which was unsuccessfully appealed by pol's team). see here for valentino and casey's reactions

motegi: marc 'torpedoed' kallio in saturday morning practise, riding into his side while kallio was on the racing line headed into a turn and causing kallio to highside... which he was not penalised for. some responses to the incident below

valencia: marc attempted to overtake corsi in friday practise, causing him to crash. this time, race direction handed out a back-of-the-grid penalty

it's a subtle distinction but an important one so I'll just stress it again: the stated aim of the penalty points wasn't to hold back aggressive riders like marc but to attempt to reduce inconsistency, which had been exposed in part due to how differently these marc incidents were handled. what marc did was create several high profile controversies, in each case prompting some level of frustration with how race direction handled the whole thing. obviously, there were other non-marc-related stewarding controversies, but it is inarguable that he was a significant factor in causing a revamp of the system

by the way, here's valentino's criticism of marc after the valencia incident:

here's a quick explanation of how the penalty points worked:

and, you know, for what it's worth marc did calm down in motogp... he certainly became better at operating in the grey area of the rules, approaching his racing in a manner his competitors didn't always appreciate but was certainly a lot harder to penalise. though there were also incidents that of course people felt marc should be penalised for - say after jerez 2013, jorge did kinda go 'okay but surely you can at least give a few penalty points for this, isn't this what they're for'. but it's not like there was unanimous agreement on that, see the immediate responses of some of the riders:

(bradley smith saying that jorge's last serious race was motegi 2005 - the one he got the race ban for - is a bit of an insane stance to take and doesn't really match up to reality, but it did make me laugh so that's something. of course the general point that during the alien era most of them were avoiding doing much actual racing isn't exactly wrong but. still)

not to make this a riding standards post, but this is the underlying tension when you're trying to decide how to regulate the sport... jerez was the first serious test that system faced - and it's one where race direction ended up calling it a pure racing incident. which is a tough call! I talked about it a bit in the sete post and what his stance was on the jerez 2005 incident, where he feels like this isn't a contact sport and shouldn't be adjudicated as such. it's a fundamental philosophical difference that became very relevant again when marc showed up fresh from his controversial moto2 campaign and woke up the entire class with his own particular brand of racing. from a write-up of the jerez 2013 race:

(motegi 2008 not motegi 2010, which is something I remember because casey's pass also allowed valentino to immediately swoop on through. should be noted that casey may have apologised but he did not give the position back to dani lol. also motegi 2010 is pretty memorable if we're talking about hard racing. fair to say that valentino demonstrated he did not share the approach of his fellow aliens when battling jorge)

and more on the shift marc brought about:

this is the thing, right - a big part of understanding that time period is concerning yourself with what came just before. the general feeling (unsurprisingly not shared by casey, jorge or dani) was that the series desperately needed some new life breathed into it, that the racing had become stale and sterile and far too predictable... there were several factors that contributed to this, from the beloathed 800cc bikes that were only replaced in 2012, to the approach of those three aliens and how adept they'd become at racking up wins by dominating out front, to how valentino (generally considered the most 'exciting' racer of the lot) had taken himself out of the competitive picture... I mean, in all honesty the racing is still not great in 2013 compared to the rossi heyday (it had gotten better by the very end of the 2010s), but of course there's a lot more energy to it than the years before. which meant the sport as a whole was in a tricky place where they both had to be seen to be constraining marc, stopping him from being an active danger to himself and others, while also kind of... letting him loose. a little bit of controversy is hardly a bad thing, after all - love him or hate him, everyone had a take, and that's the kind of thing that's obviously healthy for a sport

marc did get two penalty points that year for ignoring yellow flags in silverstone and crashing in the same place as cal crutchlow had just gone down:

(for obvious reasons, 'ignoring yellow flags' is extremely dangerous, but there's no reason to believe he wasn't being honest here)

he was also given another penalty point for the contact that caused dani's crash in aragon, taking him perilously close to that back-of-the-grid penalty:

and that was basically their position - it's a warning. broadly they wanted him to not completely revamp his approach, but just apply a little more discretion, exercise his judgement. a little more caution, a little more restraint. it's still fundamentally a different philosophy of racing than the one that had been espoused for several years by the other aliens save for valentino - but marc could get to a place where he was engaging in hard racing that generally toed the line without crossing it. a little more detail on the aragon incident and marc's approach to racing in the context of the time period from this write-up:

this is the issue, right, marc was riding on just the right line of acceptable that race direction would not have in any way been justified in slapping out race bans - though you can certainly argue that in some cases, you could have handed out more penalty points, which would then have meant he would have faced more 'real' consequences. in any case, they couldn't actually 'teach him a lesson', because he'd already more or less learned it... if the lesson is 'hard racing and contact is fine, just don't overdo it'. which of course, not everyone would agree with. the odd memorable exception aside, throughout marc's premier class career he's been very aware of that line, and has taken care to avoid bringing the wrath of race direction upon himself too severely

the penalty points thing and sepang 2015... well, first of all let's quickly bring in what the actual ruling was:

honestly, I imagine that if they didn't have a penalty points system, they would've figured out a different way to penalise him, and might have slapped him with a back-of-the-grid penalty anyway. not in a 'oh the fim had it out for valentino rossi!!!!' way, more that they did need to be seen doing something. the penalty points felt like a fairly elegant way of giving a penalty that wasn't that harsh and wasn't making any judgement calls over whether valentino deliberately kicked marc, while also in an indirect way ensuring that valentino would suffer consequences. and yes, it is a nice bit of dramatic irony - but the piece says it, the penalty "had to be severe enough for rossi to feel truly punished". the penalty points happened to be the tool they had available and perhaps with a different set of rules, valentino would have been handed a slightly different flavour of punishment. but really, this is more 'fun historical coincidence' than something that massively changed the events that played out

of course, it was a controversial decision that few people felt 100% comfortable with. on the one hand, if you believe that valentino kicked marc, then you probably would have wanted him to be disqualified - three measly penalty points does not feel enough in that situation. on the other, if you believe that valentino engaged aggressively with marc but without deliberately trying to make him crash, then a back-of-the-grid penalty that essentially decided the outcome of the championship before the final race even started is a tough pill to swallow. (of course there's also a position somewhere in between where valentino didn't literally kick marc but did attempt to run him off track, which would make the penalty 'about right'.) of course, the championship standings should ideally not determine what sort of penalties are being handed out - but equally, it's something that did limit the intrigue going into the race, and over something that felt quite arbitrary. the other penalty point he'd gotten to rack up the four total was about a qualifying incident in misano - which either feels like a silly thing to determine the ultimate outcome of the championship, or instead is a demonstration of how the cumulative nature of the points system is supposed to work. but yes, it did get a lot of criticism in the aftermath, with concerns over whether future title fights could end up being defanged as an indirect consequence of relatively minor incidents earlier in the season

and of course, the penalty points were eventually scrapped in early 2017. here's a bit more on that decision:

basically, sepang 2015 was a contributing factor to broader changes in how motogp was regulated, which down the line had the knock-on effect of getting rid of that penalty system entirely. rightly or wrongly, race direction felt like they had better tools available to penalise riders and this system was now redundant. anyway [insert another lazy gag about how the switch to a stewards panel has completely failed in eliminating controversy from stewarding] [insert pithy closing line] [press post]

[is-the-owl-video-cute]

i think the most annoying part of dog food discourse is how many people will act as though proplan/hill’s/Royal canin diets aren’t extremely and prohibitively expensive and that THAT is the reason so many people look into healthy alternatives.

People complain about corn being in the first five ingredients on most of those feeds because, regardless of other factors here, that is not an expensive ingredient. But it makes up a large chunk of the dry food. So the dry food should be fairly affordable, right?

Oh… with tax you’re spending about $100 for one 45lb bag of food where the third ingredient is wheat and the fourth and fifth ingredients are corn.

Oh… well! It’s slightly cheaper! But the second ingredient is rice, third is wheat, fourth is corn, and then fifth is poultry byproduct. None of those are very expensive so this just must be the low end cost of dog food unfortunately. The vets recommend it so surely that means prices aren’t inflated, right?

Oh? This one has similar ingredients with the only real difference being no corn? And it’s half the price?? Well surely that’s just a fluke.

Oh. Oh no.

This one even has CORN in it and it’s $20 cheaper?? Wow!

Like listen at some point I don’t care if your dog food has the ichor of the gods in it, I’m not spending $100 every five days if there are cheaper options with just as many “good” ingredients in it. If you think I’m a dog abuser because I can’t afford this overpriced garbage, that’s too bad. I don’t care. My dogs are perfectly healthy with the food I give them. Great weight and great coat. People giving dog food recommendations that aren’t those top three hyper-expensive dog foods aren’t trying to epic own those dastardly vets half the time, but I really don’t blame the ones who do lose trust in vets when the only heartworm protection they recommend lately are expensive triple-action brands like Simparica Trio that costs $120+ as opposed to the other heartworm protections that are only about $40-$60 on average, which is still cheaper even if you add on a $20-$40 flea and tick protection separately, and only recommend dog food that costs $85+ a bag even if your dog doesn’t have specialized dietary needs.

Those top three foods are GREAT at making competent prescription diets, I don’t deny that. I do still have to criticize the pricing of those prescription diets though because I have spoken to DOZENS of people who had to pull their pets off of a prescription diet and struggle to find something comparable because they couldn’t afford the food, and that’s terrible! These are not poor companies! Purina, Royal Canin, and Hill’s can ABSOLUTELY afford to lower their prices to make their food accessible to people who need it for their animals but they don’t. They probably never will. Because at the core they are run by greedy corporations. It doesn’t matter how many good nutritionists are on board if the company is run by people who put profits over customers and make the food impossible for people to afford.

[deadbeandrop]

i can for sure imagine lumpus as being Old and it even feels more "right" to me but it also frustrates me a little bit while trying to figure stuff out... a few ramblings about this under the cut

there's genuinely just no way for me to make it work with stuff like him being childhood friends at camp with slinkman without making them AND jane (!) the same/similar old age... which i Could very well do! but i'd probably cap it at like 50 and i already have important dates organized and even designs made according to the timeline i already had, so it'd kind of overhaul... everything. i think it'd leave me with some stuff that actually makes more sense, and even more that makes less sense... but. i'd have to write things out and think about them. and the thing is that i can probably see slinkman being in his late 40's as well, but jane, on the other hand, not so much... and their history together is important to things to me too! so it's like i'm being tugged in a few directions and if i were to alter something at this point in time it would likely end in a sacrifice. so i would make lumpus a bit older if i could but all of this is the most important thing to me...

so, its really itching my brain right now just due to the Shape of my thoughts, which isn't a good way to go about things, but its sort of become apart of my process and i have to sort of just... deal with it. (most of the time it helps me decide on things and overall has me more satisfied with it, but at other times, it's really not based on anything and ends in situations like this...)

in a way, there's almost like two different versions of things i could go with:

1. lumpus and slinkman meet as adults, with lumpus being a good deal older than him, and lumpus is stuck working the job because nothing else will take him + weird power trip + he comes from a line of scoutmasters.

i can see myself thinking about this version of events too cus i do think it's perfectly solid on its own and fits the more casual tone of the actual show. i might even like how this one is "shaped" a bit more. if i wanted, i could have this be how i view the show's canon timeline (which would include a lot more of the episodes than i personally do) so i can at least have/explore those ideas somewhere as well...

(additionally, chris had some alternative ideas for how dead bean drop could still work with that, and i can imagine playing with that to some degree)

but then there's 2. my version of things in my own version of the show, where lumpus and slinkman (and jane!) attend camp as kids, and there isn't anything like lumpus' family history of scoutmasters.

i think this in itself sort of lends everything to be very character driven, where things like history over time and the characters' general psychology and motivation contribute to themes and more complexity in the stories that wouldn't work as well with the base source material. in my version of everything, i am aiming a bit higher than the average person, after all, to imagine something that's more than only building off of the source material. the main difference of what drives them all back to camp ends up more tied up in those sorts of things, where lumpus is mostly here of his own volition despite hating everything (+ the weird power trip stuff). there's a lot more there to dig into which is more interesting and fun to me personally, and his relationship and close with slinkman i feel almost hinges on this sort of set-up because of how everything ends up tying together, as discussed here. for what i'm doing, it all simply hits harder with the emotional backing if i have it like this, and because of how things are already set up, that means i do still have to make some decisions like the topic of today's post where lumpus is a bit younger than i'd imagine him to be as well

while the first option is perfectly suitable for the actual show, a lot of the elements just don't work for what i'm trying to accomplish, and that's okay. i gotta be okay with that! and to allow myself to do More than one thing if i want, because "canon" is being made subjective and malleable here anyway. we are all just playing around and i'm allowed to play around in multiple ways if i want to as well

end the end, i don't think i even use any lore from episodes like the bean tree in the first place, but, it is sort of crazy when you think about it that its equally as canon that we went from "teenagers at camp 15 years ago" in dead bean drop to slinkman implying lumpus is like way older in the bean tree, but i guess there's really something for everyone here depending on how you want to go about it

[madowperle]

[copiawife]

i aced my history of fashion final!!

[thenotoriousscuttlecliff]

Funny seeing fans talk about shows like Next Generation having longer seasons meant there was more room for character development while everyone who actually wrote for that show has spoken endlessly about how frustrating it was that they could barely do any character development no matter how many episodes they had. They had to really push just to be allowed to deal with the fallout of Picard being assimilated.

[thetimelordbatgirl]

Ngl youtube videos suddenly got me slowly turning into a Justin Russo hater.