#and basically blames her for the failure and such as a result and acts like its all an act when she is mad on the students behalf and shit

[thetimelordbatgirl]

Ngl youtube videos suddenly got me slowly turning into a Justin Russo hater.

[0wldn0]

I'm shocked no one's brought up megsy in relation to your earthspark stunticons au. Like since the stunticons seem to be laying low on Cybertron until they reunited with breakdown how do they adapt to after being whole again?

Like I can't imagine their relationship with Megatron is positive, but at the same time I can't see them just jumping into serving under just any of the other decepticons.

I LOVE THIS ASK TYSMMM I'm so hyped to talk about stuff like this about their story 💥Long answer ahead!!

So, in the past, wayy back when Megatron is still a Con and contact with Earth was not made, the four Stunticons don't really interact with him that much. It is mostly Motormaster who communicates with him. The others either just stay back and don't speak unless spoken to, or they don't even stay in the room while MM is talking with Megatron at all. This is because Megatron doesn't really see any point in talking with them all individually when Motormaster is their leader and he can just tell her what he needs to, she will explain everything to the rest of the Stunticons in her own words anyway. Megatron barely ever acknowledges the existence of the other Stunticons than Motormaster. They mean nothing to him, they are only means to an end.

This unwillingness to acknowledge the Stunticons as their own individuals and blaming Motormaster for every single thing gone wrong starts to weigh on all of them as time goes on, Motormaster especially. She goes through hell because of him. Every single mistake, no matter how big or small, results in meetings with Megatron that are just stressful at best, downright abusive at worst. As this goes on, Motormaster, who did try her best to be mindful of her team's issues at the beginning, also starts to ignore them and basically tells them all to "suck it up", slowly starting to mirror Megatron's treatment of her. As you can guess this just leads for the whole team to deteriorate. The weak support system that they managed to build among each other breaks and they all become distant with one another, while also fearing Motormaster. The breaking point in their story happens when they're already at their lowest. Autobots have caught onto the fact that Menasor is becoming less and less functional. It doesn't strike that much fear anymore because its movements and actions are not coordinated. It acts like a mindless beast almost. The only thing that makes it a danger is the fact that its HUGE and also is just attacking anything and everything it sees. But even then those are not a big troubles for the Autobots anymore because they've noticed by now that the Stunticons are not well. Megatron did not acknowledge them individually, but the Autobots do, and unfortunately now they have also picked up on their issues. They use the knowledge they have of each of the Stunticons against them and manage to get each member to overreact and malfunction, basically managing to break Menasor from the inside. This failure is such a hard blow on them already but it gets worse once Megatron explodes at Motormaster for it, and then even worse when Motormaster explodes at the rest of them for it in return. This results in a huge argument between all of them, the Stunticons finally saying something back to Motormaster, but it doesn't end well. In the end, they all split up and basically run away to their own ways.

The kicker is that, when they all come back together and become a team again, they learn from Motormaster that Megatron switched sides to the Autobots. And of course that's outrageous for them!! Not only did Megatron cause all these problems for all of them, but now he abandons them and their cause too?? This is just evil. To be fair though, the four Stunticons at first are hesitant to even fight anymore. But at the end of their conversation, they agree that they still believe in the Decepticon values, and they want to keep fighting for their planet, their home. And if they have to face Megatron, then so be it. ((Motormaster is the only one among them that's actively trying to get revenge from Megatron. The others just agree for her to be the leader again and let her guide them. They're aware of her extreme anger and spite but it is not directed towards them anymore so they don't mind it too much. And if you ask them, it's not like Megatron doesn't deserve it anyway.)) When they're broken up again, with Breakdown being stuck on Earth and the rest of them being stuck on Cybertron, the rest of them decide to abandon their home for now, no matter how much it pains them to do so. Finding Breakdown becomes their first priority. While the events of Earthspark happen, they're on a ship somewhere in the space, looking for Earth, and Breakdown. When they finally reunite, instead of going back home, Motormaster wants to stay just so they ((mostly she)) can get their revenge against Megatron. The Stunticons agree with her. They don't really join Starscream or any of the other Decepticons and team-up with them. They're here to do their own thing and deal with their own problems. Unfortunately for Megatron, and the rest of the Autobots/Terrans, this time when they combine into Menasor, it doesn't scream like a mindless beast, nor does it start attacking randomly. Instead it just stands there and stares directly at Megatron. And that stare is enough to let him know that this Menasor is the one he was trying to create in the first place, and this is not going to be an easy fight.

[justacasualidiot]

Splatfest things people need to hear:

• Please. I am BEGGING you. Put. That. Damn. Aerospray RG down and stop being so damn annoying because playing that way takes the fun out of the game. (The sprinting up to opposite spawn and spamming Booyah Bomb and instead of in a combat situation actually fighting and possibly helping your team more, just running away to spam Booyah Bomb. After. Booyah. Bomb.)

• Roller players that are acting similar to the Aerospray RG’s as described above, please also stop. It’s so annoying and takes the fun out of the game.

• Yeah, if your team loses it’s sad and yeah the Splatfests are kinda rigged depending on how many people are on your team. But you don’t need to be incredibly hateful towards the winning team. I get it, I’m mad that Fyre has won basically no Splatfests and they haven’t let her snap like Marina did in Splatoon 2 after a losing streak of three, but please. You don’t have to make it the end of the world and blame everyone on the winning team for “ruining your life”. Also don’t send death threats. Why.

• Whether you win or lose you did your best. You tried and fought for your team. You aren’t a failure just because you were a few points away from winning.

• YOU ARE ALLOWED TO BE MAD, SAD, DISAPPOINTED ETC BY THE SPLATFEST RESULTS. YOU JUST HAVE TO NOT TAKE IT OUT ON OTHER PEOPLE. (yes I brought up this point a second time, people need to hear it)

• You don’t have to feel guilty about “betraying” your favorite idol by joining another’s team.

• Just have fun, it’s a festival after all!

• It’s okay to take breaks and play different games or go to Salmon Run or Side Order, you aren’t stuck doing only Splatfest stuff!

•That said, REMEMBER TO EAT FOOD AND DRINK WATER. I HAVE MADE THE MISTAKE OF PLAYING A SPLATFEST ALL DAY AND FORGETTING TO EAT AND DRINK. DO NOT DO THAT.

[thevehszlegacy]

OC: Araa Cadera

Full Name: Cadera'raa / Araa Cadera

Prefers/Core Name: Araa

Gender: Doesn't care to put a name to it, any pronouns

Faction: Eternal Alliance

Rank: Second-in-Command

Aliases: General & other similar nicknames

In-Game Class: Bounty Hunter - Powertech/Commando

Primary Role: DPS/Tank

Primary Spec(s): Advanced Prototype/Shield Tech/Gunnery

Physical + Mental

Species: Chiss/Human

Height: 5'7" (170cm)

Hair Color: Dark blue

Eye Color: Bright red

Notable Features:

-Black and/or red makeup to contrast skin. -Heavy Mandalorian armor. -Hair usually shaved, or at least buzzed very short. -Large build: muscular and broad.

Scars: Slash wound across face, barely missing eye.

Strengths:

-Physically strong. -Performs well under pressure. -Good leader. -Adept in multiple forms of combat & weapons.

Weaknesses:

-Holds a grudge. -Older brother Atten is like her other half; she falters if he's put in danger. -Can seem gruff and unapproachable. -Relies a lot on translators; has a very hard time learning anything outside of Basic.

Fears: Failure.

Disabilities/Disorders: ADHD

Relationships

Romantic/Sexual Orientation: Aro, pan

Status: Single, wants queerplatonic partner however

Parents: Torian Cadera & Ar'eonis'terrinxx

Siblings: Atten Cadera (older brother), Anaehr Cadera (younger brother)

Miscellaneous

Usual Attire: Heavy Mandalorian armor, painted orange. It makes them appear bigger than they actually are.

Weapon of Choice: Assault cannon

Home: Odessen, later Odessa

Place of Birth: Odessen, Alliance base

Favorite Color: Traffic cone orange

History

Born not even a year after older brother Atten, the two grew up to develop a close bond as they were raised together.

Araa proved to be the "muscle" between the two even when they were just toddlers, breaking into things they shouldn't have while Atten figured how to do it in the first place. This trait would follow them into adulthood, with Araa taking charge of the military side of the Alliance while Atten kept it all together and acted as its face and voice of leadership.

They had a little brother born when Araa was nearly eleven, and unfortunately that age gap made it hard for either of them to connect with Anaehr. This would go on to cause issues as Anaehr got older and grew jealous of the other two; it would be Araa to get into a verbal fight with him that sent him to find work away from Odessen.

When their mother retired, though it was Atten to gain the actual title of Commander, they both knew they were equals and one couldn't perform all the work required of Commander without the other. Araa supports the decision to steer the Alliance more toward neutrality, standing loyally at her brother's side even as he's the one who ends up with the blame on his shoulders due to being the "voice" between their decisions.

Araa, as a result, works with the Alliance's military to ensure it does its work properly and doesn't find itself dragged back into Republic or Imperial conflicts. For the most part, she finds that having it aid with rebuilding efforts becomes a good use for their forces. They have it nip at opposing factions to keep them in their own spaces, watches hyperspace routes, and uses more force when necessary when the Empire, Republic, or Hutts or overreach.

Unfortunately, Araa wasn't aware of Anaehr's eventual treachery that results in the deaths of their parents until Atten's frantic comm after the fact. She wholly supports him in disowning him from Clan Cadera, and in banning him from the Alliance - though can't help but feel guilty. Maybe if they'd tried a little harder, maybe if they hadn't treated him as an outcast, then maybe Anaehr wouldn't have become... Well. She's knows it's too late to think of the "what ifs" now, but can't really help it, either.

And when the Republic and Empire both get sick of the Alliance being a thorn in their sides? Araa is the one to suggest looking for a new planet, and contacting their only remaining ally of Zakuul for any help it can spare.

And Araa, one step ahead of Atten, is the first to set foot on their new planet that the Alliance would come to call home, lightyears away from known space that would come to lose records of it for thousands of years to come.

[hey-a-clown]

Some dumb lore about OCs

The Cain family mostly the children (From oldest-youngest)

Zyrian (40's-50's)-Lillian(late 40's)-Oliver(mid 30's)-Nathan(mid 30's)-Azua(early 30's)-Lucy(17 years old)-Yuki(11 year's old)

Parents: Yureka Crypt Cain (Dad), Autumn Cain the ll (Mom)

TW- Metions of gore/force cannibals and child abuse

In a family of nine, the parents are members of a cult that subjected their children to aggressive obligations. As a result, Zyrian and Oliver's faces were severely disfigured, and Lillian's lower face plus half was also severely mangled. (luckily she was still alive and was healed by Nathan) The majority of the other kids also endure hardship.

Yuki's eye is taken out by force at a age 7, so she just has a missing eye socket.

Lucy arm was purposely rip off

Azua had her wings ripped off as a quote-on-quote "punishment".

She was numb to pain, which made the cult leaders pissed off, meaning the poor girl was used in most of the rituals as a dummy example.

Yuki was deemed a mistake by her peers, which is basically unplanned yet heavily praised alongside Zyrian for doing most of the unhinged things like doing blood sacrifices or eating still-alive victims.

Lucy got held done due to not wanting to kill an old friend at 9 years old, which resulted in losing a limb with Lillian rushing into the scene to help her younger sister with the bleeding while for her punishment was to eat the sever arm.

The cult's adherents made the children eat human flesh under duress, turning them all into cannibals (with the exception of Lillian), and using them to attach a creature to each of them that contained a torturous conveying itself, they assigned them to go hunting for other living people, Kidnapping people, or even bringing people to join the cult.

This is where Zyrian met Ami in the process falling in love with her, and they ended up getting married to one another desperately. He made sure to keep her safe at all cost because he didn't want to risk her safety, but we all know what happens...

But even the tiniest of mistakes would lead to brutal beatings that cause black out's or broken bones. Of course, this made all the siblings feel pressure to be perfect no matter what cause no wants to deal with the consequences of failure.

Some of the children allowed the mass murder to spiral out of control by either eating the majority of the members or torturing them to death. Yes, their demise was protracted and agonizing, but...

Aftermaths:

They were finally liberated after many years of suffering, but most of them made wrong decisions in the aftermath of the horrifying previous terrors, resulting in Lucy going insane and attacking Yuki and Nathan. Her younger sister and older brother both have marks on their skin. Like superimposed ghosts, this cause Zyrian to make his own cult.

Able to overcome this trauma, but it resulted in disputes between Zyrian and Azua, mainly due to insanity acting out, her blaming him about how its his own fault for getting them in the cult in the past & is repeating what their god awful parents did. Fights have erupted in the siblings' home. Lillian was always the one who sought to prevent the arguments, only causing more out lash to happen.

If anyone has questions about the lore I'm more than happy to try and explain

[blacklodgemusictx]

Deep Breath

“You never forget your first.” 

There’s a reason for that.  We waste our best love on our first… a relationship doomed by its very definition to failure.  Like the first time doing many things, we don’t know enough to be afraid.

My philosophy regarding first love, or at least the first love that results in the first marriage, is: get ready.  It will fail.  My first marriage failed.  My current husband’s first marriage failed.  My Mother is on marriage two, Baby Cousin: two, my Aunt is on Three.  My father finished three… and ran out of idiots he could con into marrying him.

The agency I work for deals in personal statistics: birth, marriage, death.  I can tell you marriages: 5, 6, 7… are not uncommon—serial believers in The One… Or at least The Current One.

When conversing with a friend years ago, I gave my philosophy out off-handed and immediately tried to backpedal as she was a newlywed – not even a full year under her belt yet.  “Oh, I’m sorry.  Uhhh, I’m sure that won’t be you…”  She smiles sadly.  “We’re getting divorced.”  My theory holds.

You don’t know what to be afraid of, but you also don’t see what you want – could be as simple as not wanting it to end with another person’s hands around your throat… like mine did.  You know that love feels incredible.  First love?  Bottle it, and you’d be a billionaire.  Heart galloping, pupils constrict, “A stolen look/Turning into a gaze.”  To be at the center of another person’s regard is the most intoxicating feeling imaginable.  I guess that’s why I’ve latched on so hard to Jesse Daniel Edwards’ “Everything Makes You Sick” from his brilliant recently released, “Violensia.”

The line that hooked me is: “Was all the time we spent in my bedroom/Just chemical relays In my mind?”  Reward, desire, addiction, euphoria.

Short answer:  Yes.

Lust propagates the species.  Love holds the tribal unit together.

“I want it to feel like this forever.”  ‘He’ said this to me.  And it didn’t.  It can’t.  And there’s nothing to blame for that.  Chemicals stop working.  Too much of a good thing is never enough.  But it has to be or the human race would never get past the disappointment.

“And to every broken heart that came before,” Jesse sings.  Because this – heartbreak – is nothing new.  But it’s new to you.  It’s new when it’s the first time -- regard is withdrawn, ripped away.  Their eyes don’t look at you anymore.  “A stolen kiss/That dies unreturned…”  There is no pain like the first time in every sense of those words.

I’ve listened to this song dozens of times at this point.  I’ve taken it upon myself to input lyrics for Musixmatch (that eventually cross-references and ends up in Spotify.)  It’s like getting elected to public office just to fix that pothole by your house… I just really, really like lyrics.  There was nothing like lying in bed, “new” old vinyl in hand, poring over lyrics and liner notes as a teen (even then, I was a generation too young, but latched on to vinyl when my counterparts were embracing the new fad of CDs).  I’m delighted this experience has made a comeback in recent years.

What I’ve learned doing – lyric cataloging – is to listen to everything, not just lyrics.  The critical thing in this song – just as crucial as the heart-rending refrain “I’m gonna be just fine/Everything makes you sick in time” is the deep breath, almost gasp after each chorus.

Everything makes you sick.

What did we just spend years hearing? “Meh, you gotta die of something.”  What weren’t we allowed to do?  Breathe.  A deep breath was likened to the ragged breath of the reaper assigned to unprotected sex of the 80s.  We spent two years Lysol-ing our groceries, wondering if a deep breath would put us in the hospital, on a ventilator, or… six feet under.  Over a million people in the United States alone paid for the most basic human act of survival with their lives.

We breathe, we love… we fear… We are human.

“Everything makes me sick/Oh it all just makes me sick/And there’s no cure”

The only cure for the human condition is death (what did Jim Morrison croon? No one here gets out alive). So while we are here, while we do this: love, fear, hurt, hope, bleed, gain, lose… Deep breath.  Hold on.  While you fall, you have a moment of weightlessness that feels like flying. 

Everyone dies of something.

Take a chance.

Tell them you love them.  Feel it. 

There will be a dash between two years on your headstone.  That dash is your breath.

Breathe deep.

[dee-diary]

"The life of the dead is placed in the memory of the living." Marcus Tullius Cicero

Pieces of a Woman

“A mother's grief is as timeless as her love.” - Joanne Cacciatore. This quote acknowledges that when a mother faces the loss of her child, the grief she experiences is equally enduring. “Pieces of a Woman” is more than simply a movie; it's an emotional journey that explores the terrible effects of losing a child. Following this horrific tragedy, the woman and her partner struggle with immense grief, dissatisfaction, and emotional suffering. This blog will explore the impact of the movie in the perspective on an Occupational therapy student.

The movie follows the journey of a woman called Martha and her partner, a couple who were eagerly anticipating the birth of their first child. On the night Martha got into labour, the planned midwife was unavailable as she was assisting another woman in labour around the same time. The delayed arrival of the replacement midwife is a crucial factor in the unfolding tragedy, as it led to a prolonged labour process. Thereafter the delayed reaction of the midwife to call for emergency medical team when complications arose. Despite her efforts, they were unable to save the baby, resulting in a heartbreaking loss for the couple. “How can I give this pain to someone else?” something Martha kept uttering throughout the movie. For the remainder of the movie, we watch as Martha handles interpersonal relationships, legal disputes, and rollercoaster of emotions while going through the grieving process.

Grief is the experience of coping with loss (Professional, n.d.). “Grief is like the ocean; it comes on in waves ebbing and flowing. Sometimes the water is calm, and sometimes it is overwhelming. All we can do is learn to swim." -Unknown. As the viewers, we are taken through Martha’s journey of grief which included different stages. A Swiss psychiatrist called Kubler-Ross introduced the five-stage grief model.

Kübler-Ross five-stage grief model.

In the Denial stage,Martha, and her partner’s refusal to accept the emergency medical team intervention can be seen as a form of denial, as they held to their lifeless newborn with the belief that everything will turn out fine. After the traumatic loss of their child both Martha and her partner experienced intense anger. In this anger stage, Martha’s partner would have random anger bursts at his colleagues at work. Martha directed her anger to her midwife whom she blamed for the tragedy. Due to their shared frustration over the loss and their failure to safeguard their newborn, this harmed their relationship. Martha's desperate legal pursuits, involving consulting lawyers and experts, serve as a form of bargaining as she seeks closure to make sense of this tragedy.

For majority of the movie, we witnessed Martha be in the depression stage where she experiences profound sadness, emotional withdrawal, and a sense of hopelessness. In addition, her struggle to engage in basic daily activities living (ADL), including work. Furthermore, impacted her relationship with her partner who she pushed away after rejecting every support from family and suggestion for therapy. The movie doesn't directly show Martha in the acceptance stage, but there are signs that Martha is slowly accepting her loss as she goes through the court case and confronts her midwife on the stand. By the end of the movie, it seems Martha is trying to find a way to move on with her life.

As an Occupational therapist student, I observed her struggle with the loss and symptoms of Post traumatic stress disorder (PTSD), hindered her ability to engage in her ADLs and role duties. PTSD is a mental health condition that can develop in individuals who have experienced or witnessed a traumatic event (Pitman et al., 2012). This was observed as she presented with impaired sleeping patterns, social participation. Simple acts like getting out of bed, going to work, or even maintaining relationships became very difficult tasks for her. All these symptoms impacted on her occupational performance.

However, with Martha's partner, the occupational barriers presented differently. His role as a provider and support system for Martha was disturbed by her emotional withdrawal and his own struggle to cope with the loss. His inability to fully understand and connect with Martha led to misunderstandings and obstacles in their bond, making it difficult for them both to work together on fulfilling their project of moving to a new town.

This movie has shown how occupational therapy could have been a valuable resource in promoting the characters' well-being and recovery, addressing these occupational barriers to promote occupational performance. Martha and refusing therapy and assistance from her surroundings played a factor in why her grieve process took long. A therapist would have played a pivotal role in helping Martha regain her self-care skills, rebuild her daily routines, and gradually reintegrate into her roles and responsibilities. For Martha’s partner, he would have benefited from occupational therapy to help with better communication and coping strategies to navigate the emotional toll of their shared loss.

This movie serves as a reminder that, as future occupational therapists, our work goes much beyond physical rehabilitation. We serve as advocates for mental health, agents of empathy, and coordinators of fulfilling work.

References: Barone, J. E., & Ivy, M. E. (2004). Resident work Hours: The Five Stages of Grief. Academic Medicine, 79(5), 379–380. https://doi.org/10.1097/00001888-200405000-00002

Professional, C. C. M. (n.d.). Grief. Cleveland Clinic. https://my.clevelandclinic.org/health/diseases/24787-grief

Wortman, C. B., & Silver, R. C. (1989). The myths of coping with loss. PubMed, 57(3), 349–357. https://doi.org/10.1037/0022-006x.57.3.349

Pitman, R. K., Rasmusson, A. M., Koenen, K. C., Shin, L. M., Orr, S. P., Gilbertson, M. W., Milad, M. R., & Liberzon, I. (2012). Biological studies of post-traumatic stress disorder. Nature Reviews Neuroscience, 13(11), 769–787. https://doi.org/10.1038/nrn3339

[riotouseaterofflesh]

I can't even figure out where people get the idea she is selfish, other than her literally calling herself that on the clifftop during what amounts to an elaborate suicidal ideation - and, like, someone reading that and taking it at face value is such a fundamental failure of the most basic kind of compassion and critical thought that I would use someone’s acceptance of such a thing as proof that they should never be trusted with anything but the most menial and thoughtless tasks.

The only other thing I can imagine is the fact that she’s 19 and doesn’t appear to have a job so Joyce is taking the entire burden on herself (what she says in the Wednesday argument seems to imply David does not contribute to any mortgage payments despite being named on the mortgage statement). But even that’s actually based on an assumption that ultimately doesn’t bear out - not only are we actually given no information about where Chloe gets her spending money, there are these huge time skips ingame that line up exactly with the times Max is in class or having lunch, while (IIRC) in Episode 2 Chloe doesn’t even text Max between dropping her off and the ending cutscene which can easily be interpreted as her being busy at work.

But even if she were unemployed, keep in mind Arcadia Bay is a dying small town and there might not be enough opportunities, or at least nothing full-time, or Chloe might just happen to be between jobs. Being a NEET after being expelled for reasons related to abuse at home is not exactly a wilful act of selfishness.

Then again, if she were gainfully employed, and spending her “disposable” income on tattoos, weed, gas and photocopies of missing person posters instead of contributing to the mortgage... it’s David’s name on the mortgage. It’s clearly implied that Joyce added him after William died to avoid a foreclosure in 2008, after which David apparently did not contribute either and just spent his money on cars and guns and cameras. I do not blame anyone for not paying into a house for the sake of someone who had already taken other actions to preserve it, which actions had resulted in that house ceasing to be a home.

There really isn’t any good faith way to read LiS as a whole and come out with an interpretation of Chloe as an uncritically selfish mooch.

One of the criticisms about Chloe's character I disagree with most is that she was selfish the entire game until having a sudden change of heart on the cliff.

Chloe can be selfish. It's a character trait that comes out in some of the choices, like answering Kate's call or how she guilt trips Max if you don't agree with her. Yet, Chloe is nowhere near one of the most selfish characters in media.

Her main motivation through the entire game is finding Rachel. She puts herself in harms way time and time again to figure out if the girl she loves is okay. Even after it's reveled that Rachel was with Frank and it's put into question how well Chloe knew her, it doesn't slow down the search at all.

If she's not looking for Rachel she's spending time with Max pushing her to be a more confident version of herself. She's highly supportive of Max's artistic dreams and pushes her to find who she is.

With that in mind it's weird to me that Chloe is written off as entirely selfish. She can be at times, but at the end of the day she shows again and again how much she cares for people. She's always had it in her to sacrifice herself for the town, or at least Max and/or Rachel.

[linkspooky]

THE TOP THREE HEROES ARE ALL FAILURES

In the sense that Enjdeavor, Hawks, and Jeanist all embody the failures of the hero system. The first clear sign that all three people who were set to inherit All Might’s Legacy would fail in doing so, is that none of them really understood what kind of hero was in the first place. 

Endeavor only ever saw All Might’s Strength, and thought All Might’s genuine desire to save people was just him playing to the crowd. Hawks thought Endeavor’s desire to surpass All Might was heroic, and what made him a better hero because he didn’t give up when everybody else said it was hopeless, but we the audience know Endeavor gave up early and took it out on his family instead. Best Jeanist thinks what’s most important of all isn’t saving people but rather “The Image” of Heroes to the public. Except, the only reason All Might was a hero obsessed with image is because he wanted even those he could not reach to be able to live in peace and save themselves. 

The top three heroes are all lacking in what All Might had, in that none of them actually believe that Heroes should save people. Enji believes in strength above all else, Hawks in sacrificing one’s self for the faceless masses, and Best Jeanist in the image of heroes to the public. 

It’s really showing that the option of “Saving Dabi” did not even occur to them once, despite the fact that they are completely willing to give a helping hand to the man who made Dabi.

The current number one, two and three heroes are all obsessed with All Might’s Legacy, however all of them are failures to All Might’s Legacy as well because they don’t understand the underlying ideal of heroes saving people. All three of them represent the failures of hero society, which is why they aren’t shown being overly concerned at hero society’s victims. Even when it’s revealed that one of hero society’s greatest villains Dabi, was actually one of hero society’s greatest victims too, created by one of their own, their beliefs barely change.

1. Enji Todoroki 

Enji was never concerned with saving others being the job of a hero. His one and only focus was just to be the strongest. He even has a shallow view of All Might’s ideals and goals because of this. He thinks the reason that All Might won number one was because 1) his all powerful strength and 2) his popularity with people. 

Enji never once mentions that All Might became the hero he was, because his number one priority in every situation was to save as many people as he could. Because, Enji doesn’t view it as the job of heroes to save others. 

Toshinori worked so hard because he genuinely wanted to be the shining light for others. He didn’t become the number one hero because it was his own personal dream, but rather because it was others needed of him. All Might isn’t a perfect hero either, but there’s still a difference between someone who wanted the number one spot because he genuinely thought it would save the most people, and someone who wanted the number one spot because he wanted to be the strongest.

Even after Endeavor’s supposed revelation where he saw Shoto being gentle with flames, rather than forceful and violence, Enji became the exact same kind of hero he was before. 

Think of the way Enji fought Shigaraki, burning him alive. He made several attempts to kill him during their fight, even though the rule is heroes absolutely must not kill, that’s what makes them different from villains. Heroes prioritize the safety of people, and saving civilians, except for Endeavor apparently. Endeavor as a hero is the exact same kind of hero he was before, and the flaw with that is if he had fought Dabi the same way he had fought Shigaraki.

He would have burned his own son alive. Enji isn’t even concerned in the least with saving people, even when the person most in need of saving is his own son. He sees villains as an absolute evil for him to punch and beat up in order to prove his own strength. The only way Enji knows how to be a hero is violently taking down crime and no one has ever challenged this, even though it’s the exact attitude that led Toya to his death.

Enji, only ever taught Dabi how to turn up the heat, because Enji wasn’t actually that concerned with his son’s well being. Toya was only worth something to him when he was strong, so Enji only ever taught Toya how to be the strongest hero and nothing else that a father should teach his son. Even now, Enji doesn’t let go of this idea of his that he has to be the number one hero, and being the strongest hero will solve all of his problems. 

Endeavor has used playing hero again and again as an excuse to run away. Now that Hawks is giving him another chance to be hero, he’s enabling him to run away again. 

It’s incredible how still even after the reveal, it’s always Toya who has to pay for the consequences of Endeavor’s mistakes. Toya is left alone to burn to death and spends the rest of his life covered in burns forgotten by his father, and it’s Endeavor who gets the unconditional support and love Toya needed as a child offered to him, just because he happened to be a hero. If he was a villain he would have just been locked up.

Endeavor is framed as the hero who does not give up, and yet, he very easily runs away and lets Toya take the blame for the majority of his actions. If Toya had been able to carry his dream he would not have abused Shoto. If Toya had not died that day he would not have doubled down even harder on Shoto. Toya’s the reason they could not come together as a family. It’s never Endeavor’s actions, it’s always, somehow, Toya who is blamed, and Toya who is burned as the consequence of Endeavor’s actions. Now, Toya is the one who needs to be stopped when Enji is just as guilty. 

I’m not saying that Enji should not be given a chance to get better, but why is the good side of Enji’s actions expressed over and over again and not Toya’s? Toya is trying to reform all of society. Toya is trying to hold his dad accountable for abusing him and neglecting him to the point that he died. That’s murder. Someone who lets their children die because they couldn’t be bothered to supervise them can be charged with involuntary manslaughter in a court of law. Enji has killed too, but rather than admit to his own flaws it’s must easier to cast Toya s the villain that needs to be stopped and himself as the hero that needs everyone’s support. 

Toya deserves the same chance that Enji got. 

2. Hawks

Hawks only saw self sacrifice in All Might’s actions. He saw someone harming himself over and over again for the sake of others, and that’s probably why he admired Enji’s pursuit of strength more because it was the opposite of him. 

If Enji is the extreme result of the attitude that villains can’t be saved, only stopped by putting themselves down with violence, then Hawks is the extreme result of self sacrifice. Hawks seems like the ideal hero on paper, he would do anything, and give up any part of himself to save a faceless stranger just like All Might. However, Hawks also has decided that he has the right to sacrifice others as well.

Hawks is self-destructive. That’s the extreme end of self sacrifice. However, unlike All Might who took the burden entirely on himself, Hawks will choose others to sacrifice as well. If Hawks sees himself as a tool for the greater good he will extend that to others as well. If Hawks sees himself as a bad victim who turned his back on their parents, he extends that to others as well. 

So basically, Hawks’ number one problem is with himself. He can’t reconcile his past. He feels guilty for being abused by his parents. He feels guilty for not forgiving the same abusive parents. He puts everything he has into being a hero, and yet, he doesn’t feel like he himself is a hero. Hawks’ only way he knows to feel good about himself is to continuously sacrifice himself for the sake of others. 

Because he learned when he was young the only way to be good was by sacrificing himself to protect others. He only received the help he needs because he showed he was “one of the good victims” but deep down internally he feels like he’s the bad one, for not being able to do anything for his mother, for not reaching out to her. 

Hawks can’t see himself as a victim and it messes with the way he sees other victims as well. He divides them into good and bad, and then tells himself that he’ll offer to help the good ones, the ones willing to improve. Hawks’ represents Hero Society’s own willingness to throw the bad victims to the dogs. 

It’s specifically Hawks who Twice calls this out on. So we have a number one hero who thinks the only way to deal with villains is to violently suppress them, and the number two hero that thinks the only people who deserve to be saved is the ones he deems as “Good” or “Trying to be better.” 

It’s all because Hawks has this really self destructive idea of what kindness is. That kindness is somehow destroying yourself for the sake of others, that it’s being overly forgiving and not holding any resentment at all. 

It’s like how Deku acts like forgiving his father is a kind act. However, at the same time implying that holding onto resentment would be an unkind one.

Even though the reason Natsuo won’t forgive is because Toya is dead, and Enji never showed any apparent remorse for it, and didn’t try to fix anything. Even though one son died because of Enji’s training, and then Enji just decided to train the one remaining son he had left a thousand times harder. Natsuo is attempting to hold his father accountable for his actions, but Deku acts like blanket forgiveness would be the kind thing to do.

Even though Deku himself is willing to overlook all of Enji’s past abuse of Shoto, and his murder of Toya, but at the same time stresses how unforgivable Toya and Shigaraki are. 

Deku just saves people in a self destructive way. He breaks his bones to save others, thus mirroring Hawks who just saves people without genuinely thinking through who needs to be saved. They save people, because that’s the way they hurt themselves to prove how useful they are. However, neither of them actually goes through the trouble of thinking who genuinely needs saving, and that’s why they’re able to carry such a false double standard. Enji needs help because he’s trying to be better, whereas Toya’s not trying to be better. Ignoring the fact that you know, Enji tries to be better by just, forgetting everything he did in the past and sweeping his past actions under the rug, whereas Toya is still suffering from the scars of Enji’s abuse, permanently on his body. 

However, between Twice a person willing to die to protect his friends and act of complete selflessness, and Enji who can’t even bring himself to think that maybe he should try to save the son he let burn to death on a mountain peak which one do you think was trying to be better? Enji who spent ten years, even after Toya had already died to his training, training up Shoto instead even harsher. Enji who referred to Toya as “a failure” and “almost perfect” when talking to Shoto about his death. 

“I’m going to help anyone trying to be better” is just an arbitrary line that Hawks draws.

That’s even the critique that Twice levelled at Hawks. Hawks doesn’t care because he never actually tried to see the good sides of the other people, but Toga was someone who comfotred Twice and understood him. Toga was someone who made the league feel like home. Hawks labels Twice as the only good one, because he just didn’t bother to see what was good about the other villains. Yet, at the same time he strains himself to see the good in Endeavor, to the point where he constantly apologizes for Endeavor’s actions and sweeps them under the rug. Endeavor is a good man who is just misunderstood in Hawks’ eyes, who just went wrong somewhere, but Hawks can’t ever offer up the same sympathy to the worst victims of society. Who lash out and hurt other people in the same way that Endeavor did, except Endeavor’s is excusable and there’s isn’t because...??? 

 Hawks is in denial, because he refuses to look at the good sides of the villains. Twice didn’t choose to accept his offer of help, so obviously he didn’t want to be better, therefore Hawks is perfectly justified in putting him down. Notice though how Hawks mentioned prison time for Jin, but not for Enji (neglecting a child to the point where they burn to death is... still a crime). 

Hawks is still in denial about himself. He thinks he’s offering people a helping hand. However, from Jin’s perspective we see how manipulative he is. Hawks didn’t offer Jin a hand, he held him at gunpoint and told him to surrender and betray his friends. Hawks is just lying to himself, because he didn’t go out of his way to save Jin, he ruthlessly manipulated him, and then betrayed him. He’s not framed as a hero trying desperately to save a villain, but rather a friend betraying another friend who trusted him. Because, Hawks does not just sacrifice himself. He’s the extreme result of self sacrifice. Self sacrifice turns into self destruction. Self denial. Hawks sacrifices other people. He forces himself to dirty his hands, because he believes this is the only way he can be a hero. He’s too weak individually, so he has to manipulate, pull strings, and even kill in order to achieve the results he thinks will save the most people. However, by doing that he ignores the suffering of the victims right in front of them.

Not only that, but he ignores what contradicts his simple black and white narrative. Enji was trying to be better so he deserves help and support, Twice didn’t want to be better so Hawks revoked his offer of support away. 

He’s willing to give support to a man who abused his family for no good reason, and who continues to evade any consequences or legal punishment for his actions, but then insists that Jin who was pushed to his actions by poverty and not wanting to starve to death just did not want to be better. He’s like, so unaware of what the problem actually is with society, he can’t possibly think why Enji leaving his own son to burn to death might have left his son a bit miffed. Enji is just a person who made a few missteps along the way but genuinely wants to be good, Dabi is just a selfish person who doesn’t want to be better, so says Hawks. 

Nevermind how hard Toya tried to be a hero, and how he never gave up on earning his father’s love. Nevermind how hard Twice tried to be helpful to other, and how much he loved the people around him he was willing to sacrifice his life. Twice’s last action was to save his two closest friends. Enji’s actions are always just to beat up villains to prove how strong he is. Enji is never concerned with anyone. Hawks does want to save people, but he never thinks about the people who need to be saved.

Therefore, heroes are always good. Even when heroes do bad things, Hawks contrives some way to not hold them responsible for it ever. Well, Enji isn’t like that now. Well, we don’t need to announce that Enji was an abuser, because that will just upset the public. 

The actions of Enji are apologized for over and over again. Because rather than holding him accountable for his actions. Instead of pushing him to actually fix his mistakes, it’s better to keep sweeping the problem under the rug. Because, as is repeated again and again heroes don’t save people. When a hero fails to save someone, rather than trying to fix that mistake it’s easier to blame the person who didn’t get saved. 

Even if it was your own son that you left to burn to death. That is somehow miraculously alive.  That has given you a second chance to save the person you should have saved that day by just, showing up, and actually acting like a father for once. 

Enji will just choose his job over and over again. Because heroes don’t actually have a responsibility to save people. Being hero is just a job. Enji, Hawks, Jeanist they consider it a profession, not a responsibility. Which is why all three of them are willing to blame Dabi for his own actions, but not Endeavor for his. Which, just proves Dabi right. 

Heroes aren’t actually concerned with saving people. Heroes don’t think about who is most in need of saving, and who the real victims are. Heroes just protect their own. 

Enji, Hawks and Dabi are all murderers. They have all killed someone in pursuit of their goal. Not only did Enji murder a child by neglect, he also tried to kill Shigaraki several times over, and even tried to murder Pop Step in vigilantes. Hawks killed Twice in pursuit of a goal. 

However, Hawks and Enji need to be supported, whereas Toya needs to be stopped. Because they are heroes, and Dabi is a villain. But sure, watch Dabi continually burn his own body over and over again and push himself to the very limit so he can achieve a society where another hero will never get away with abusing his family like Enji did his, and say that he doesn’t want to be good. Watch Toya burn himself over and over again as a child just trying to be a hero because he thinks it’s the only way to earn his father’s love, because he genuinely looked up to his father and wanted to be just like him, and insist that Toya just stopped trying to be better, that he was just a jealous child, that he was never good. 

Jeanist isn’t a fully developed character so I’m not going to talk about him as much, but he represents the attitude that heroes “only pretend to save people” because they fuss ove image, rather than doing the actual work of helping victims.

The thing is someone who is genuinely trying to be better would listen to Dabi’s words, to Shigaraki’s words. However, Jeanist, Hawks, Enji all think of themselves as the hero, therefore they assume they are good and that their actions are good. 

Whenever someone contradicts this, they just flat out ignore any criticism. Heroes don’t save people. Heroes just protect their own image as heroes, because they assume that’s what is necessary for peace. Even now, Hawks and Jeanist aren’t focused on the innocent people suffering from the victim break outs, but rather taking down the man out to ruin their reputations. 

They pretend to see those they haven’t protected. Even when that person is Endeavor’s own son, his pain gets swept under the rug, because the image of Endeavor as a shining hero is far more important than the responsibility he has to help his own son, that’s in pain and need to saving. 

[dutchdread]

Bruh, we don't want to hear about your negative views about cleriths. Cloud loves Aerith and he always has. He lives in her church because he loves her. He thought of Aerith a lot in OG , On the Way to A Smile, and AC. He went to live in her church. Why tf would he go live in her church if it wasn't for Aerith? There are millions of places he could've gone but he chose the church. You don't have to believe our way of thinking if you don't want to, but don't tag clerith in your posts.

Thanks for your question. I think it's important to have these conversations so we can clear up these misunderstandings. Clouds motivations have been well documented so it's unfortunate that large swaths of the fandom seemingly are still in the dark about something that has been known for quite a long time, and I blame lack of communication. Before I answer your question though I'd like to address the style of it, since I find it amusing that in response to my article concerning productive conversation styles you not only used one of the styles I described, but even the same exact argument. This is a nice confirmation for me that I am right on the money. In my article, I said that the "dishonest inquiry" is the Clerith conversation style of choice. The example I gave was as follows:

The dishonest inquiry: “Why don’t you admit that Clouds actions in AC show that he doesn’t love Tifa?”

You mirrored this approach by saying "Why tf would he go live in her church if it wasn't for Aerith?". The defining characteristic of the dishonest inquiry is that the question isn't asked with the goal of seeking clarification, but as an offensive tactic meant to attack the others position, you're not trying to evaluate your position, you're trying to get others to re-evaluate their position under the guise of a question. If we look at the rest of your post we can see the indicators I described for someone who has reached the last stage of the debate style. "Cloud loves Aerith and he always has. He lives in her church because he loves her". As I noted in my article:

If assertions are backed up, they are backed up with other assertions designed to dissuade rebuttals, rather than investigating veracity.

This "argument" had no actual arguments, it was a meaningless assertion. Stating that you are correct in an attempt to avoid having to actual show that you're correct. "Cloud loves Aerith and he always has. He lives in her church because he loves her": This is what you're trying to prove, you can't state what you're trying to prove as your starting premise.

If you're honestly interested in learning more about FFVII then leave out the baseless assertions, they literally just waste peoples time and makes them less willing to engage with you.

If I had to rephrase your question in a way that's more inviting for a productive discussion it would be something like this:

"Why do you believe Cloud chose Aeriths Church as his hiding place in AC? He thinks about Aerith a lot, what do you think the reason is for that if it's not love?".

The answer to this is pretty simple of course, it's been restated several times, this is not something that is some grand mystery, it's not even an aspect of FFVII that's particularly ambiguous. The reason he stays in Aeriths church is the same reason he's seen lingering at Zacks "grave", it's guilt. As stated in the 10th anniversary ultimania, and several other times:

when Cloud contracts Geostigma he disappears. Behind these actions lies feelings of guilt towards his past failure to protect people who were important to him

While this is an element of the story that has been explicitly confirmed through ultimanias and quotes, this is not an element of the story that was ever in any way unclear, its a direct continuation of Clouds character arc in FFVII. Infact, Clouds mental health issues are the central part of the fake persona storyarc, and is arguably the core of the story. The rough order of events shown in FFVII, on the way to a smile, and Advent children (and also CC) concerning Clouds mental health is as follows. 1: Cloud as a boy want to protect Tifa. 2: Cloud fails to protect Tifa. 3: Cloud and townspeople blame Cloud for Tifas injuries. 4: Cloud internalizes this and beats himself up over his failure to protect Tifa. He develops a fear of failure. 5: Cloud starts acting up, starts wanting to prove himself, and decides to join Soldier to impress Tifa. 6: Cloud fails to get into Soldier, develops an inferiority complex. 7: Cloud is too ashamed of his failure to face Tifa. 8: Cloud fails to save his mother. 9: Cloud fails to save Nibleheim. 10: Cloud fails to save Tifa, again. 11: Cloud fails to save Zack. 12: Cloud develops a soldier alter ego that is everything that he isn't, as a defense mechanism. He hides from his own weakness. 13: Even as a soldier, Cloud fails to save Aerith. 14: Cloud regains his memories in the lifestream, and discovers he did fulfill his promise to come save Tifa. Here we basically end FFVII, and go into on the way to a smile. At this point Cloud has overcome the alien parasite messing with his mind by establishing a stronger sense of who he is. However, now that he's lost his fake soldier defense mechanism he's forced to deal with the past. His past failures haven't been fixed, he doesn't suddenly think he's a great person now, he simply can no longer use his fake persona to hide from his own weakness, and is forced to confront it. 15: Cloud still blames his own weakness for the deaths of Aerith and Zack, he thinks that he needs to atone for his sins, and thinks that the only way to do this is through living* 16: Cloud starts living with Tifa and experiences happiness and peace for the first time in his adult life.** 17: Cloud develops cherophobia and survivors guilt. He feels ashamed for being alive and happy while Aerith and Zack are dead because of him.*** 18: Clouds mental health deteriorates because of these feelings.**** 19: Cloud finds Denzel and sees him as a way to atone, having found a pathway to redemption, Clouds situation improves.***** 20: Cloud is unable to save Denzel from geostigma, and contracts it himself. 21: Clouds mental health worsens again, he failed again, he is unable to save Denzel, he is even unable to save himself, he won't be able to atone for his sins through living. He potentially brought an infectious disease into the house and as a result of his actions Tifa and Marlene will now lose him. 22: Depressed and ashamed, Cloud runs away. He thinks Tifa and Marlene are better off without him, he doesn't want them to see him waste away and die, he feels like he doesn't deserve to be happy and should instead die alone, Etc. Classic depression. (Some quotes concerning the *** are at the bottom of the article)

As for why he thinks about Aerith and Zack a lot, and hangs around the places that are connected with them, what else do you expect? Of course he's thinking about them, they're the people he failed, they're DEAD because of him. Cloud is a caring man, he beats himself up over it, of course he'd be thinking about them. And where else would a man wallowing in guilt and self-pity go than to those places? But the important thing to remember is that none of this is supposed to be seen as romantic. It's supposed to be viewed as sad and negative. Every internal character arc has something to overcome and this is what Cloud has to overcome in Advent children.****** Tifa to Cloud: "have we lost to our memories?" Cloud to Sephiroth: "Stay where you belong, in my memories" A well written story has internal and external obstacles to overcome, and ties the two together. In the case of advent children, the return of Sephiroth is the physical representation of Clouds internal character arc, which is that he should stop living in the past, and should move on. The past here isn't a positive thing he wants to get back to, Clouds past has always been a thing he's ran away from, but then is forced to accept. The past in Clouds case is a bad thing, his failures, and is something he should stop dwelling on. If you've ever seen the lion king, this resembles the scene where Rafiki hits Simba with a stick. "What does it matter, it's in the past", "yeah but it still hurts", "Oh Yes, the past can hurt, but the way I see it you can either run from it, or learn from it".

When Cloud returned to his normal self, he stopped running from the past, but as a result, he started dwelling in it. That's what he's doing in Aeriths church; dwelling in misery.

If we juxtapose Aeriths church with the 7th heaven, we can start to see where peoples misunderstandings are taking place. When some people look at the events of ACC they think that 7th heaven is a place of sadness, which Cloud leaves to be happy at Aeriths church, the place of happiness. The "have we lost to our memories" is then seen as a confirmation of this and that the memory, which they think corresponds to Aerith, is better than life with Tifa. This character arc then concludes with Cloud being happy by finally leaving Tifa behind, and riding off in the sun-set in search of Aerith at the end of the movie. But this interpretation falls apart as soon as you apply context to it, both narratively, and factually, it doesn't fit with with developer quotes, as well as the fundamental story themes of FFVII. 1: If 7th Heaven/Tifa is a place of sadness, then why has Cloud been consistently quoted to experience happiness there? 2: If 7th Heaven/Tifa is a place of sadness, and Cloud leaves at the end of the movie, then why has it been stated to be his promised land, aka, his land of supreme happiness (the reason it's literally called 7th heaven), and why is he stated to return there? ******* 3: If Clouds "memories" are positive, why is the plotarc resolved by Cloud telling the villain to "stay there"? 4: If Cloud is happy at the church, why is he living in self-deprecating squalor? 5: If Cloud loved Aerith and thought Denzel was sent to him by her, why did he abandon him? 6: Do you really think SE would write a story about a "hero" whose main emotional hurdle concerning the past comes down to. "I am sick of the girl I am with, I prefer the one that is dead, so I will get over the past by letting go of the girl I am with, as well as my adoptive children, to go chase the dead girl"? 7: Don't you think this would do Tifas character a tremendous disservice and do you think SE would be that preferential in their treatment? I could go on, but I think the point is clear. While the "Aeriths church is a happy place" interpretation is semi-coherent when looked at in isolation, it becomes exceedingly bizarre as soon as you place it in context. As I am fond of saying, this is not a matter of personal interpretation, it's a matter of lying to yourself vs not lying to yourself. I also suspect that this is the reason why SE changed the ending to advent Children, because people were misinterpreting it in this bizarre way, so they made it more in your face. In context, the following interpretation is much more fitting. Aeriths church is a place of sadness that Cloud runs to because of his guilt and depression. The "memories" line refers to Cloud dwelling on his past mistakes, as evidenced by his constant quotes about needing forgiveness. The character arc of moving on from the past is then resolved when he forgives himself, and as a result, defeats sephiroth, the metaphorical demon of his past. This allows him to return to his place of joy, his promised land, the 7th heaven, with a more positive outlook on the past. Instead of tarnishing Aerith and Zacks memories by wallowing in the past he instead moves on from it, thereby allowing it to become beautiful, which is represented by him planting Aeriths flowers on Zacks grave, and placing Zacks sword in the church. Instead of Zacks grave being the place where Zack died, it is now the place where a hero was born. Cloud has moved on, he has let his mistakes go, and has learned to come to terms with himself. I think it's hard to argue that this version of events is much less shallow, and much more meaningful than the story of a lovesick guy who abandons his partner and adoptive kids to go chase after a dead girl, but that's just me, what's more important is that it's the only version of events that's corroborated by the evidence. Thanks for the question. __________________________________________________

Corroborating quotes (not comprehensive)

* from case of Tifa: "“I’m going to live. I think that’s the only way I can be forgiven. All sorts of things…"

** Nojima in AC prologue: "“Cloud never had a candid personality to begin with, and although he started living with Tifa and even started working, he obtained a peaceful livinghe’s never experienced before, and this conversely made him anxious. And in the midst of this he contracts Geostigma himself, and rather than being able to protect the people dear to him, he instead was forced to face his own death, and so ran away.” (among other quotes)

*** 10th anniversary ultimania: "when Cloud contracts Geostigma he disappears. Behind these actions lies feelings of guilt towards his past failure to protect people who were important to him"

Aeriths 10th anniversary profile : Aerith still lives on in the hearts of her friends who saved the planet. And in particular to Cloud, as a symbol of his failure to having being unable protect those dear to him, she was a major factor in causing him to close himself off. -Aerith’s 10th anniversay profile.

And more, really this is reiterated constantly.

**** From case of Tifa: "During that time, it was Marlene who noticed a change in Cloud. She told Tifa how Cloud would sometimes space out and not listen to her.

Transporting mail around the world meant he was traveling around his past too. She knew that Cloud was in great pain because he couldn’t protect Aerith. Cloud was trying to overcome that and live on. But, going back to the place where he parted from Aerith might mean that his sorrow and regret was going to tear his heart again.

It was night, and they had closed the bar. Cloud was drinking alcohol even though he rarely did. He drained his glass. Tifa thought about it before going over and filling his glass.

***** From case of Tifa: "Tifa wondered if they became a real family after Denzel appeared. Cloud was clearly taking less jobs. At night, he would always make sure he had time to spend with the children. The silly little conversations he had with Tifa were also back."

****** Reunion files, page 58: "As long as Cloud blames himself for Aerith’s death, he won’t be able to move on with his life. One of the first ideas we had for Advent Children was to have Cloud overcome and resolve that immense feeling of guilt. For Cloud, no one other than Aerith can solve that problem for him."

- Takahiro Sakurai pg. 15 reunion files: After Cloud was told, “Which is it? A memory or us?: by Tifa, he tells Sephiroth, “Stay where you belong. In my memories,” just before he defeats him. I think Cloud finally becomes free at this moment. Deep down, Cloud knew that he shouldn’t be so hard on himself, but at the same time he couldn’t let go of those feelings of guilt for what happened to Aerith and Zack, or the thought that he could never forgive himself for it. But then his companions made him feel better by telling him to let go. ******* "The place where he awakens—- That is Cloud’s Promised Land As he sleeps, Cloud hears two voices. The voices of two people very dear to him, who are no longer with him. Playfully and kindly, they give him a message: he doesn’t belong here yet. When he awakes, there was his friends. There were the children, freed from their fatal illness. Tifa and Marlene, and Denzel asking for Cloud to heal his Geostigma— his family were waiting. Engulfed in celebration, he realizes where he is meant to live."

"Aerith lends her power to the people suffering from Geostigma in Edge, and personally provides for Cloud’s recovery. Geostigma is cured. Cloud returns to Tifa and the children."

-  FFVII 10th Anniversary Ultimania Complete Timeline

[effei-s]

What shatter-me Warner would do.

The fastest character assassination I’ve ever seen.

Here’s the thing: Warner from original trilogy had character arch. More important: he was a character.

He was mean, villainous, cold, cruel murderer, with daddy who basically bought him regency (like come on, if it wasn’t for Anderson no one would even think about giving him that position; n for nepotism), but he also was deeply traumatized and abused his whole life and had little to none normal human interactions. I loved that fact that the only good thing he did (killing Fletcher because he was abusing his family) resolved into a complete catastrophe (Anderson killing children and wife) because Warner didn’t think it through. He tried to do the right thing and failed miserably, because he was more concerned with making a spectacle for Juliette. And after that he still had the audacity to paint himself as a hero who saved poor family from terrible tyrant in Ignite me.

I didn’t expect him to act and think like a human being. He didn’t need to act like a normal human. Warner gas lighting Juliette in the first third of ignite me is Warner’s thing to do. Him yelling and throwing tantrums and making scenes in Unravel me is Warner’s thing to do. Him forcing Juliette to do things she doesn’t want and traumatizing her in the process in Shatter me is Warner’s thing to do. Him wanting to torture Adam to death is Warner’s thing to want.

There’s a few reasons for this:

a) he doesn’t know how to communicate with people other than giving them orders or making threats;

b) he truly believes that he’s in the right here (he doesn’t see himself as a bad guy in Juliette story, more like a knight on a white horse);

c) he’s physically unable to be honest with himself and always has someone to blame for his own mistakes and failures;

d) he’s ‘results justify the means’ kind of guy.

Changes for good, with trauma that deep, when you basically don’t have a moral compass, don’t happen over night.

Was his ignite-me arch made sloppy? Yes. Everything was too info-dumpy and too convenient (Juliette forgetting that Warner was going to torture Adam to death; Juliette feeling that she’s the one who needs to apologize; Leila’s entire character used only for a sob story; Adam turned into a douchebag so Warner would look a more suitable love interest, etc). But it still was an arch. And the finale of ignite me was so open I really could imagine that, little by little, in the future, he will start to trust people more and really gonna help Juliette and co to make the world a better place. And his redemption arch wasn’t finished in the slightest, and I would even say that it was only the beginning of it, but it was implied that things will get better from there (the most important part of that being him genuinely wanting to make things right with Adam and James; he’s the one who makes the first step and initiate the bond).

So what went wrong in new three books? Ehm… everything, to be honest. Instead of developing a character that was already there, she decided to give him a new personality. Actually it can be said about every single one of characters, but Warner just happened to be the biggest victim of them all.

Let’s look at Restore me.

Okay, we have his pov, and I never thought I would say it but… Warner is kinda dumb. He’s supposed to be this military strategy genius, someone who knows how RE works from within and… it turns out that he just as clueless as Juliette. More than this, we never actually see him do ANYTHING except fucking Juliette. And for some reasons he never helps Juliette with her work??? There’s so much paperwork and instead of helping her to sort though it he’s… just not there???

Those stupid long monologues about how she’s capable to do anything mean nothing if he doesn’t actually help (as we can see at the end of restore me, when Juliette gets captured).

That fact that he doesn’t immediately check if Castle’s words are true? And instead of helping Juliette with Haider (telling everything he knows about him and his family, preparing her for the dinner) he fucks her??? This is a dumb bitch shit. And maybe you didn’t noticed but Shatter-me Warner wasn’t a dumb bitch.

After all, there’s a simple reason I never wanted the job of supreme commander myself—

I never wanted the responsibility.

It’s a tremendous amount of work with far less freedom than one might expect; worse, it’s a position that requires a great deal of people skills. The kind of people skills that include both killing and charming a person at a moment’s notice. Two things I detest.

Remember shatter-me Warner who wanted power because power meant that he could have control over his life? Remember shatter-me Warner who wanted to work with Juliette as a team to change the world? Yeah that’s him now.

No personal ambitions allowed when you’re a walking dildo, I guess.

Off the topic, but Mafi really enjoys making Juliette stupid as fuck:

“Oh, yes, of course,” she says, remembering. “I’ve gotten a bunch of letters about that. I didn’t realize it was such a big deal.”

Let's continue.

Hurting Haider would be enough to start a world war.

Warner says and then Juliette threatens Haider, a foreign official on a diplomatic mission, and instead of being even a little bit worried and think about possible consequences, Warner thinks this:

But I can only smile at her. I want to scoop her up and carry her away. Take her somewhere quiet and lose myself in her.

Okay, I guess it’s official, there’s sperm inside of his head instead of brain cells. I can’t find any other explanation for this clownery.

Shatter-me Warner would… Shatter-me Warner won’t be in this situation in the first place.

Someone tries to kill Juliette and Warner does… nothing about it. He never goes to check the body of the assassin himself. He thinks that Nazeera hides something and he still allows her to go around and doesn’t even interrogate her when Juliette says that Nazeera was there at the moment of the attack. He doesn’t find it even a little bit suspicious? That guy who had tremendous trust issues in the original trilogy? Remember him? Yeah, that guy. Shatter-me Warner would lock Nazeera and Haider up and demanded answers. Shatter-me Warner would be angry as fuck, and would try to kill Kenji with his bare hands, because Kenji was stupid enough to leave Juliette alone. Shatter-me Warner wouldn’t stop until he had answers (and the head of a person who wanted to kill Juliette on a plate).

New Warner is too busy feeling sorry for himself to actually do anything about it. And after one chapter it’s completely forgotten, like that fact that someone tried to kill her is not important at all.

And then Castle enters the picture with his stupid and sloppy info-dumping (I guess Mafi never heard of ‘show don’t tell’ rule). And says this:

“She can’t lead this resistance,” he says, squinting at something in the distance. “She’s too young. Too inexperienced. Too angry. You know that, don’t you?”

and if that wasn’t enough he also says this:

“It should’ve been you,” Castle says. “I always secretly hoped—from the day you showed up at Omega Point—that it would’ve been you. That you would join us. And lead us.” He shakes his head. “You were born for this. You would’ve managed it all beautifully.”

AND HE’S STILL ALIVE AFTER?

This is a fucking treason right there. And Warner A-OKAY with this.

Shatter-me Warner would strangle him right there. Or better yet, he would go along with this until he has 100% evidences of Castle’s betrayal and then he would kill him. Or he would kill him simply because Castle was withholding important information and earlier in books he put Juliette in a great danger by sending her to Anderson without telling her the truth (unravel me).

But not this Warner. New Warner is far more concerned with fucking Juliette then helping her or looking for a way out of this situation (because now he has dick instead of a brain).

After my father’s revelation, my thirst for information became suddenly insatiable. I needed to know more—who these people were, where they’d come from, how much we’d known—

WHERE AND WHEN DID WARNER IN PREVIOUS BOOKS DISPLAY THIS?

When I say that Mafi simply forgot her own characters this is what I mean. Warner from original trilogy didn’t give a flying fuck about them. He thought that they were weak and stupid.

I will lose her.

And it will kill me.

He said this shit and after he nearly had a panic attack because he imagined her dating someone else? Oh, come on, how more pathetic can he get?

There are words for this kind of behavior: toxic codependency.

Oh wait wait! I know! This is not Warner! This is Edward Cullen disguised as Warner! The mystery is solved!

Oh, he fucks her again. Apparently it’s the only thing he’s good at. What a character! The layers! The complexity!

And then Lena came into the picture.

Until that moment I was more or less okay with Warner. Yes, I was very confused, but I was ready to give Mafi benefit of the doubt. He lost his father and was dealing with grieve. We all can act out of character in the face of a tragedy or drastic changes.

“Why do you keep pressing this? Who cares if I’ve been with other women? They meant nothing to me—”

And there I felt in my guts, I’m not gonna like what next to come.

Haider was exhibiting suicidal tendencies. Self-harming. And I got really scared. I called Warner because I knew Haider would listen to him.” She shakes her head. “Warner didn’t say a word. He just got on a plane. And he stayed with us for a couple of weeks. I don’t know what he said to Haider,” she says. “I don’t know what he did or how he got him through it, but”—she looks off into the distance, shrugs—“it’s hard to forget something like that.

Oh, so Warner's words about how he never had any real interactions with anyone before Juliette were bullshit. About how he doesn’t understand people were also bullshit. About how Juliette was the first person who was not afraid to speak with him freely were also bullshit. Because all of the sudden he can help someone heavily depressed. Someone with suicide tendencies? Someone who harms himself? And now he has an ex-girlfriend who’s ready to beat the fuck out of him and calls him mean words (she clearly doesn’t fear him)?

Now his entire character in the first trilogy doesn’t make any sense. And his excuses don’t make any sense.

Bravo, Mafi! Bravo! This was the fastest character assassination I’ve ever seen.

She says that Lena was in love with him—really in love with him—but that Warner broke her heart, that he never treated her with any real affection and she’s hated him for it.

Oh, so he’s not only stupid and absolutely useless, he’s a fuckboy. And if there’s one thing I HATE, it’s fuckboys.

There’s a big-big-big difference between someone who has one-night-stands and THIS SHIT:

“You’re upset, I understand. But it’s not my fault you feel this way. I don’t love you. I never have. And I never led you to believe I did.”

“She and I,” he says, “it was—we were nothing. It was a relationship of convenience and basic companionship. It meant nothing to me. Truly,” he says, “you have to know—if I never said anything about her it was only because I never thought about her long enough to even consider mentioning it.”

“It wasn’t like that. It wasn’t two years of anything serious. It wasn’t even two years of continuous communication.” He sighs. “She lives in Europe, love. We saw each other briefly and infrequently. It was purely physical. It wasn’t a real relationship—”

So he despised her but used her for sex? WOW. Cool. He can go and trip over a fucking knife or fall out of the window for all I care.

“Everything in my life was different before I met you,” he says. “I was lost and all alone. I never cared for anyone. I never wanted to get close to anyone. I’ve never—you were the first person to ever—”

And how exactly he was able to help Haider with his self-harm then??? If he didn’t CaRe for anyone before Juliette?

This was the moment when Warner from original trilogy died in agony.

Okay, let’s see real quick what we have in Defy Me:

He thinks about escape but never really does anything to escape;

(anderson is the one who opens his cell;

he stands in front of a guy who murdered his mother and doesn’t even think about her, yeah I can see how important she was for him;

/again, shatter-me Warner would probably demanded answers, but not walking dildo, walking dildo cares only about Juliette. his excuse in ignite me 'i did it all for my mom' doesn't make any sense now, because he actually doesn't give a flying fuck about her/

he gets captures one minute after he “kills” Anderson;

nazeera is the one who gets him out of there;

super soldier taught his whole life how to survive, everyone. useless as fuck)

He doesn’t know anything about jewelry.

(super ooc, i know what Mafi was trying to do here: she tried ‘sherlock holmes doesn’t know that earth revolves around the sun’ thing Arthur Conan Doyle did, but the problem is WARNER IS A FASHIONISTA, or he was).

He wants to get married because…???

He sees a woman who tried to kill Juliette and he’s a-okay with staying at her place, because she said that it was actually a message (???).

Castle is still alive.

Nazeera who knew all this time about Anderson and was working for him is also alive and well.

Oh and he doesn’t care about Anderson being alive and being a real threat to Juliette (fucking her is more important for him, as usual).

His complete disregard for Juliette’s safety only makes me hate him more with every new book.

Imagine me.

First and foremost: don’t call imagine-me Warner shatter-me Warner. Don’t insult shatter-me Warner like that. With shatter-me Warner Anderson would have to try very hard to get to Juliette. It would be ‘Warner made 100 back-up plans, but Anderson knew him too well and created 101 plan and that’s how he managed to win’ kind of situations.

But walking dildo is too busy feeling sorry for himself (as usual), he just sits by her bed FOR TWO FUCKING DAYS, doing absolutely NOTHING to make sure she’ll be safe.

Nooira says that Juliette should be killed and she’s still alive for some reason.

He’s entire persona is that he’s rude to people (but not bbc’s sherlock holmes kind of rude, when he’s unbearable dick but he’s actually smart and really gets shit done, so we can tolerate him). He’s just rude.

He doesn't care about Adam or James's wellbeing (remember Ignite me Warner who really wanted a family? Yeah that's him now).

But he has gruppies now, because he’s hot and everyone in the sanctuary wants to fuck him.

Oh and he proposed to Juliette. HE PROPOSED. THEY ENGAGED! DO YOU HEAR ME??? THEY GONNA BE MARRIED! HE PROPOSED TO HER! AND SHE SAID YES! THEY GONNA MERRY!

Because god fucking forbid we forget about it.

(mafi really thinks that her readers have the mental capacity of a golden fish, huh?)

I lost count how many times walking dildo implies that he's gonna kill himself if Juliette is not with him (disgusting).

Then our walking dildo cures Juliette by the power of petting (it’s not power of love, lads and gents; you want to see love go watch defenders on netflix; mafi already copypasted elektra’s arch from that show into imagine-me Juliette, you can do yourself a favor and see how this trope can be executed without borderline on sexual assault petting scene).

18-old girl marries a fucking sociopath believing he’s actually a good person.

(we all know how shit like this ends, people like that don't change; and this 'he's different with me cuz i'm very special and i'm gonna teach him the right way' it's really harmful message considering that the audience of those books are mostly teenage girls).

Trust me, there's nothing revolutionary in this trope, it's tale as old as time.

Here's the thing, good written character always defined by connection to other people: friend, lovers, enemies, family, foes, acquaintances, even some random strangers. It's the easiest way to establish what kind of person they are.

Walking dildo doesn't have any of that because all of his "character" revolves around Juliette. He's not a person anymore. By the end of Imagine me he doesn't have friends (his relationships with Kenji or Haider non-existent), no family connections (no talks with Adam or James), even enemies or foes or even people that don't like him (because everyone wants to fuck him, because being hot is his only character trait).

His only family and friend is Juliette. And you know what? It's fucking boring, overdone and lazy as fuck. And insulting to the character he once was.

No redemption arch, no character arch at all.

Happy end.

[imasimpforshanks]

Hello! For the Alphabet Request, could I get the angst Alphabet with Sanji or the fluff alphabet with Zoro, thank you so much! :)

Angst Alphabet - Sanji

a/n: thank you for requesting! I chose the angst alphabet but I kinda regret it now because omg ANGST IS SO HARD IT HURTS TO THINK ABOUT!!! but anywaysssss I hope you enjoy <3

A-Accident (would they blame themselves if you died in an accident?)

Easiest answer ever. Yes. Sanji would take all the blame upon himself regardless of it really was his fault or not. Even if he wasn’t present at the time of the accident, he’d still blame himself and say it was his fault for not being there for you or being prepared for anything. He’d never forgive himself.

B-Break up (How would they break up with you?)

It’s impossible to even imagine this man breaking up with you, ever. Seriously. He’s so passionate, and once he’s in love, he’s in love. There is no going back. BUT, I suppose, on the outrageously slim chance that he did break up with you, he would do it in the kindest way. You wouldn’t even realize you’ve been broken up with.

C-Crying (how would they make you cry?)

If he were to make you cry, it would be entirely accidental. In fact, even then I can only picture Sanji making you cry tears of happiness. If he were to be the cause of your tears (one’s that aren’t tears of joy) he would beat himself up. He can’t stand seeing those he loves cry or upset in any manner.

D-Death (how would they react to your death?)

Denial would be the first emotion he expresses. It’s not possible, right? You can’t be dead. You’re not dead… because if you really were dead, it means he’s lost the light of his life. He’d be practically inconsolable for a very long time. Nothing would be able to bring back his usual liveliness. Cooking loses its appeal – I mean there’s no point if you won’t be the one enjoying his food. The Straw Hats are unable to do anything to bring back some of that fire. They get so desperate that Zoro even intentionally tries to cause a ruckus, but Sanji doesn’t react at all.

E-Emotion (what is one emotion they would try to hide the most and how would they do it?)

His insecurities are the one thing he would never dear show to others. Not only would it result in endless remarks from Zoro, but, he doesn’t want to have to deal with the pitiful comments – ‘you’re not useless’, ‘you are wanted and needed here’, ‘we all love you’. Sure, he understands people are just trying to help and be reassuring but it just makes him feel worse. So, instead Sanji deals with this the only way he knows how: bottling it all up and putting on a façade.

F-Fight (do you two ever fight? How big are the fights? What do you fight about? Etc.)

Fighting with you is something he hates doing. He never allows anything to get to that point. Sanji can’t risk losing you over a fight (no matter how big or small). Instead, he will apologize immediately, completely agreeing with everything you are saying. However, if it’s something he feels really strongly about (i.e your safety) he will sit you down and communicate calmly.

G-Guilt (what is the biggest thing they feel guilty about?)

The events of Whole Cake Island continue to eat him up. He knows he did it for the sake of the crew and the safety of the Baratie, but Sanji can’t seem to forget the way he disrespected his captain and hurt the people he loved the most (and the one’s that loved him too). The part that really makes him messes with him is that fact that Luffy forgave him instantly. To be honest, he wasn’t expecting Luffy to stay mad or hold a grudge, because well… that’s just not what he does. Even so, Sanji’s conscience is constantly telling him that he doesn’t deserve to be on the future pirate kings crew despite apologizing and being forgiven.

H-Heartbreak (what would cause them pain in the relationship? How would they deal during a break-up?)

Being away from you for long periods of time is one of the biggest causes of pain in the relationship for Sanji. He misses you like crazy and often finds himself distracted while thinking of you.

During the early stages of a break-up Sanji is likely to be a bit more reserved, choosing to keep to himself a little more. His usual enthusiasm lacks a little bit of oomph. Sometimes, late at night, when everyone else is asleep, he makes his way to the kitchen where he sits in the dark, cigarette in hand and quietly cries to himself.

I-Injured (how would they react if you are badly injured?)

He would be FURIOUS. Not at you of course. At whoever the hell thought it was okay to hurt the love of his life. He would be in god mode and rampage to find the son of a bitch that would ever dear to lay a hand on his partner.

J-Jealousy (what do they do if they are jealous?)

Death glares are a staple in the Sanji jealousy inventory. He’ll glare at anyone who seems to be taking too much of your attention. He also becomes a lot more clingy, using any and every excuse possible to be near you at all times. It can become a bit much at times, so if you tell him to reign it in a little, he’ll try his best.

There is one person that he refuses to let you spend any time with. Unsurprisingly, that is Zoro. He gets extremely jealous if you pay even the most minimal amount of attention to Zoro mumbling lots of “Stupid mosshead, why the hell are you spending time with him anyway?”

K-Kill (would they kill for revenge?)

Something deep inside me wants to say yes. But, he is far too kind-hearted to take away someone’s life. It is a possibility though, if the other person was to kill his s/o, or anyone else on the crew. However, for the most part, Sanji would just beat the person/people black and blue until they can’t walk, talk, or eat anymore. Basically, he won’t kill them, but they would wish they were dead after he’s finished with them.

L-Loss (what is their greatest loss?)

When he was a child, he lost his mother. She was the only person in his family that truly loved and cared for him (okay his sister did too, to an extent). His mother believed in his dreams and passions. She treated Sanji like a true human being. Losing her was devasting and made him feel more alone than he had ever felt before.

M-Mistake (what is the worst mistake they ever made with you?)

It’s very rare for Sanji to ever make any kind of mistake with you. He remembers every date, anniversary, achievement and milestone regardless of its importance. He doesn’t speak rudely to you, lash out at you or direct any sort of violence towards you.

So, the worst thing he’s probably done is accuse you of liking Zoro more than you liked him, because you would train and workout with him. It wasn’t that it was a serious or harsh accusation, it was just that this was a conversation the two of you have had time and time again.

N-Nightmares (how often do they have them? What are they about? How do they deal with it?

Sanji occasionally finds himself waking up in a sweat, breathing heavily. He doesn’t have nightmares too often, but when he does, they are horrifyingly vivid. It’s as if he is a starving boy again fighting for his life. OR it’s as if he’s that lonely good-for-nothing screw up of a child, locked away in a cell. It’s frightening just how realistic these nightmares feel and to bring himself back to reality all he does is find you. He needs to hold you, look at you, smell your scent, hear your quiet snores… anything. You are his safe place, a sign that everything is alright.

O-Outrage (how and why would they get mad at you?)

He wouldn’t get mad at you. It’s extremely unlikely (though not impossible). The only possible instances that could happen is if you were to disrespect his passion and talent for food. But lets be real… why on earth would you even do that in the first place.

P-Past (what has happened in your relationship that changed the way you saw each other?)

Whole Cake Island was a real game changer. So much was revealed about Sanji that he never wanted anyone to know. He was terrified you would think differently of him knowing that he was a ‘failure’ (note: you didn’t think of him differently at all). However, the part that really put a strain on your relationship was how you thought he had betrayed not only yourself, but the crew too. It really was a whole rollercoaster of emotions, but in the end the two of you were able to work through it, coming out stronger.

Q-Quality (what is their most dangerous/toxic quality?)

This man is quick to anger. Even though his reactions are usually harmless, what’s to stop him from one day completely just blowing up and doing, or saying, something to hurt those he cares about.

R-Rejection (how would they react to you rejecting their confession (or the other way around))

Of course, he would be upset if you rejected his confession, because a beautiful individual has just turned him down, but honestly, he’d just continue treating you as he always. has

S-Scars (battle or self-inflicted)

There are definitely no scars - battle-related or self-inflicted - on his body (that we know of). However, mental scars are a different story. He has plenty of those from his childhood, as do a large proportion of one piece characters.

T-Trust (have they ever broken your trust?)

Never in his life would Sanji do something to break your trust. The closest it came was the incident on Zou and Whole Cake Island, it certainly looked as if he had betrayed you and broken your trust entirely, only for you to find out it was the complete opposite.

Many people think Sanji is the type of individual to cheat in a relationship. While I can see where they are coming from with this opinion, I strongly disagree. This may be an unpopular opinion, I’m not too sure, but, Sanji would never be disloyal in a relationship. Treating women properly is such a big part of his personality to the point where it is practically embedded into his muscle memory – he acts on instinct. So of course there will be times where he’s paying a little extra attention to some lady but there is no ulterior meaning to his actions – its simply his firm belief that all women deserve to be treated and doted on as the queens they are. Additionally, during the Dressrosa arc Sanji truly believed he was in a ‘relationship’ with Viola and as soon as he knew that he was trying his absolute hardest to pay attention to Viola and only Viola. His mind did wonder off to Nami and Robin but he would scold himself for that (and feel free to correct me on this if im remembering incorrectly – it’s honestly quite possible that I’ve made this up entirely LMAO it’s been a while since I’ve read and watched the dressrosa arc).

So, let me sum up again: No. Sanji has never done anything that has broken your trust.

(my apologies I really went off for a second there I’m SO sorry).

U-Urge (how badly do they want to see you after you guys separated?)

Oh boy, he’s practically incapable of going five minutes without seeing you. He misses you so much it’s crazy. Your presence is so soothing for him, so he gets really antsy and anxious in your absence.

V-Vicious (what do they do when they lash out on you?)

I seriously can’t see him lashing out at you at all. He would never physically lash out at you but, there may possibly be potential for him to say something harsh in the heat of the moment. It literally wouldn’t even be because of anything you’d done in particular. It’d just be a build-up of things and then you happen to be the closest person and the next person to say something, and it tips him over the edge, so he snaps. He apologizes as soon as the words leave his mouth.

W-Weak (what makes them feel weak how do they try to avoid it?)

Sanji hates, and I mean hates being unable to help those that he cares about. It’s one of the few things that makes him feel weak. He has a kind heart and is always wanting to protect those he loves, so he does everything in his power to be ready to move in an instant. He remains aware of his surroundings, and is always on guard so that he can defend and strike when the situation calls for it.

X-X-ray (what do they hate and show it most obviously?)

The most obvious object of Sanji’s hatred is Zoro, however, I wouldn’t say it’s hatred. It’s a classic rivalry that is thankfully not rooted in any true ill will.

One other thing Sanji has absolutely no tolerance for is the inappropriate or rude treatment towards women, and food. On many occasions Sanji has actually physically and verbally fought others over their treatment of women and food.

Y-Yearn (what is one thing that they want but can’t have?)

I know this is meant to be serious and super angsty but, my mind automatically went to the clear-clear devil fruit LMAO. Its canon that the clear-clear fruit is something Sanji wants but can’t have because it’s currently in use by another person. (to make up for this not angsty idea I’ll do another one).

Growing up all Sanji ever wanted was a family that loves him and treats him kindly. Sure, he had his mother (before she passed away), and to an extent he had his sister, but he never truly experienced a loving family growing up. However, the moment he met Zeff & the Baratie gang and then the Straw Hat Pirates he learnt something important: Family isn’t always blood.

Z-Zero (what do they do/say in your dying moments?)

He tears up. A lot. He’s so conflicted between wanting to spend your final moments with you but also not being able to handle that pain. Ultimately, he decides to endure, holding your hand tightly and whispering everything he’s ever wanted to say - all his dreams about your future together and how he saw that playing out etc.

[trulyhumblenarcissist]

Abourt Rei Himura and BNHA Chapter 301

Now that I've read the official release of chapter 301 I can finally try to gather my thoughts. I think this time the particular rendition of dialogues and inflections provided by Caleb Cook is more crisp and clear than usual, especially in throwing "shade" upon Endeavor as a father figure. But let's do things in order...

Title: THE WRONG WAY TO PUT OUT A FIRE - a simple, but stark message that doesn't leave space for ambiguity. There was a fire, an imminent tragedy that could and should have been avoided, but whoever tried to fix it, did it all wrong and now we have to deal with a huge arson.

CARLESS HANDLING OF FIRE, on the other hand, doesn't quite cut it for me, because it seems like everything was caused by a foolish mistake. "I was carless and now I'm in a pinch"- type of situation, while it's perfectly clear that Endeavor and Rei decided purposefully which "strategy" to use with Touya. A BAD one to say it lightly. Rei's contribution and complicity is debatable, of course, and I'll touch on this later.

Let me get this clear though: I'm not trying in any way to critique the hard work of unofficial translators. I can't say anything relevant because I'm not a translator in the first place (I can barely understand English and my native language on a good day) and also because I am so grateful for everything they do in order to give us really good material FREE OF CHARGE basically a second after the release in Japan. I'm just interested about the different shades of subtext we can catch if we read the story through multiple filters. Every translation is unique because it carries the personal spin of the author even if the bias should be inexistent or ideally undetectable...

However, back to the chapter

REI'S CAGE

The first scene opens on a luxurious classic Japanese villa, with Enji, Rei and her parents discussing the motivation behind Enji's proposal. Or at least we initially think that's what's going on... Because in reality Rei's family couldn't care less about the motivation. Everything these people see is a wealthy, famous guy the next number one hero ready to take their daughter in marriage. I guess the Himuras are pretty broke, thight on cash, their old prestige is definitely gone and all they can do to save themselves from shame and poverty is "to sell" their only remaining asset.

During the whole ordeal, Rei is standing still, silent, cold as ice. She knows she doesn't really have a choice. How mortifying and sad is this? An adult, capable woman has no agency whatsoever, she is used again and again and she stoically accepts this treatment from every single dominant figure in her life until she can't be stoic anymore. I really hope Horikoshi's going to give her a much more proactive role in saving her family and it seems the narrative wants us to expect this type of character development.

I'd like to point out 2 panels in particular:

First one

In this scene the Todorokis are back from their trip to the doc, who clearly said they shouldn't try to conceive a child with a perfect quirk mix because it is dangerous (and morally questionable too). Rei understands this fact and tries to dissuade Enji, but he doesn't listen, because he's projecting all his pent-up resentment and frustration onto Touya. He knows how it feels to crush against an unbreakable wall, since he can't surpass All might and his son can't too. He had to learn this truth the hard way, so Touya needs to do the same. Enji is purposefully throwing upon his son years of failures, self consciousness and despair, just because the boy has to get it into his thick skull that he is a dud, just like his father. This is not a hopeless dad making a mistake bona fide, this is a broken man trying to destroy his self reflection by proxy, annihilating everything Touya is, swiping the kid's identity under the rug. He describes his son's dreams and sadness as something birthed from stubbornness. He is auto-convincing himself however (because Endeavor is not stupid). A little bit later he's basically saying: "Touya let's play make believe! We can go on like everything I had engulfed in your psyche never existed, you're a failed attempt so you don't exist. Your needs and wants are silly and useless, nothing worth dealing with now that I can't make you my prodigy. Why don't you go play with the other failures so that I don't have to look at myself while taking actually care of you. I don't want to see you, because it's too painful, because you're a remainder of my own inadequacy."

Note: If you want to read an incredibly well done analysis about Endeavor's motives and psyche, you can get it on @thyandrawrites , she's dwelt on everything extensively and way better than me.

I really want to talk about Rei though. In the panel I showed above, her expression is a bit tricky to analyse. At first she is very vocal about her position. She doesn't want to put Touya through useless suffering, especially since they have a scientific reason not to. They have no guarantee of success with other children, besides, they could possibly have to deal with other health related issues. However, all it takes to convince her in the end is Enji's half assed attempt at the "It's for Touya's sake" shtick. Is it really? Why doesn't she question her husband anymore?

Well... I think before Natsuo, she was probably hoping Touya would let go "naturally", with time and growth, maybe by taking interest in his other siblings. Rei said she wanted to have more children because in her mind they would have supported and loved each other. Maybe she was naive enough to think that a big family full of kids few years apart from each other was all Touya needed to distract himself from his purposes... BUT and here is the point I want to get across: She was deluding herself too, much like Enji. The ugly truth, in my opinion, is that Rei is a person prone to protect herself by going with everything other people want, especially if said people are capable of hurting her. Yes, she was hurt time and time again, but what would have happened if she really tried to stop Enji?

What I am trying to say is that Rei is the kind of person who endures to survive. She holds a "captive" mentality in which, by indulging her captor's desires, she can continue living with less possibile damage. If I stay still and silent, if I don't make a scene, I can go on, I can hold onto the few things I have that actually make me happy.

Let's think about it... Enji was so obsessed with his psychotic, power-hungry quest that he would have probably disown Rei. She would have been thrown away for a more compliant woman with an ice quirk, or something similar, this resulting in her probably losing everything, the respect and love of her family (the Himuras) and also her own children. Because we know Endeavor can definitely hold a grudge and is vendicative.

So, clarifying, Rei doesn't put up a fight because she is scared for herself in a way... She is scared to be hurt in the worst possible way (by losing her little bit of serenity), so her strategy is to endure and to keep up a facade of control and purpose.

Rei, ironically just like Touya and other characters in mha, doesn't really get what unconditional love is. Her family loves her until she can be useful to the Himura name and status, her husband loves her for her quirk. Her children, however, love her for who she is and she wants to stay with them... Only to be forced to leave them later anyway.

The few times Rei actually smiles are when she is with her babies. She is a deeply loving mother in her core, but her declining mental health makes her a very lacking caregiver.

This panel, in my opinion, shows the point of no return for Rei. She can't keep the glacial facade forever...

After Natsuo's turn to be deemed a failure, Endeavor is crazier than ever, because All Might is as popular and loved as ever and he hasn't make any progress into his eugenetic games. The last two images of Rei are very telling. She is exhausted, but she knows what her husband wants from her this time too. She looks like a lifeless doll and honestly I can easily see Shouto's conception as... Non consensual and I will stop here.

Then Shouto is born, the last, perfect specimen... And Rei isn't doing much for Touya, we can see she's apparently blind towards her eldest son's distress already after Natsuo's birth... But why?

Because she is actively avoiding to face the Touya's problems too.

If Touya is still suffering, is still feeling stressed and worthless, then everything Rei has endured, everything she pretended not to feel for the sake of her family has been completely useless. What Rei cannot look at is her own parental failure, is the concrete proof that while protecting herself and her peace she did not protect her children too, because the two interests were never really aligned, even if she really believed so. She never had a functional family to preserve in the first place and everything she accepted to do was all for the sake of a false sense of belonging.

However is too easy to say she should've rebelled against Enji and dumped his sorry ass. Abuse traps you and your abuser too in a cage tricky to escape.

What I imagine will happen next chapter is one of two things:

Enji stops Touya by using brute force, probably also saying something really scarring to reinforce the notion that Shouto is the only child he cares about.

Rei stops Touya by using her quirk. This act could be considered by Touya another confirmation that even his mother actually does something by her own accord only when Shouto's safety is at risk

Necessary conclusions

I don't blame Rei for her actions too much. She is a victim turned abuser by circumstances, but more importantly she's actually taken mesures to prevent herself from hurting her children again. She's trying to heal for her family's sake, really this time. Ten years spent dealing with guilt and having actual therapy seem a good plan to me. And now she's the one ready to snap Enji back to reality.

Enji, on the other hand, is trying too. It's too little too late, but if he stops avoiding reality and hardly works on understanding his family's point of view I don't think he is completely unredeemable. I don't see him surviving his last confrontation with Touya, thought... But I could be totally wrong.

Obviously everything I've said it's my personal analysis on Rei's character, as I interpret her actions and words, so feel free to contradict me and/or to add anything you might see fit.

[a-master-procrastinator]

Long ass post about the Eternal family not being a copy-paste from ATLA (aka I like the memes but my god can you please stop)

Because some people truly think that Vaylin is off-brand Azula, Arcann is Zuko and so on.

It's. Called. A. Trope. (I mean how often do we come across abusive manipulative fathers in media? Mothers who couldn't much to change anything? Children, desperately looking for their parent's approval no matter what?)

Of course, you have to consider the fact that the writing of ATLA is simply better than of KotFE/ET, so this might have been one of the reasons why people say that.

Spoilers for Avatar: The Last Airbender, Knights of the Fallen Empire and Knights of the Eternal Throne expansions!

Okay, so here's my unprofessional, maybe biased, not super deep take.

(not going to mention that all of them are members of royal, ruling family, kinda obvious)

What roles do they play in their stories? Well, both Valkorion and Ozai are main antagonists, but their presence throughout the story is very different. Ozai is rarely shown in first two seasons, we don't even see his face until season 3. He doesn't have a direct connection to the protagonist, they only meet at the very end of the show, and Ozai's role is to pose a threat to the world, while Aang's is to save it. Valkorion, on the other hand, is constantly on the screen, interacting with the main character, challenging their viewpoint and influencing them directly. His end goal is similar to Ozai's (destroy everything and be the only ruler of the his nation), but with one major difference - he's trapped in Outlander's mind, so to achieve his goal Valkorion attempts to take control of the main character. Their interactions play important role in the story, and we spend a lot of time with Valkorion.

In addition to that, their relationship with children are also not exactly the same. It seems like Azula is Ozai's favorite and Zuko is a failure in his eyes until he meets his expectations, and the same goes with Vaylin, Arcann and Valkorion, right? Well, partially. Indeed, Valkorion and Ozai's treat their sons in similar ways (are disappointed in them until they meet their expectation by doing something that goes against their morals), but when it comes to Vaylin and Azula, it's not that easy. See, Valkorion claims that Vaylin was always his favorite creation (even though we know it's actually his empire), and he certainly seems to take pride in her potential in the Force. But her power is the very reason he's afraid of his own daughter, and in this fear Valkorion literally locks Vaylin away and allows to put her through physical and mental torture just to make sure she won't become a threat, won't overpower him. Maybe he thought of her better than of Arcann, but she wasn't his favored child for sure. I don't want to say that Azula hasn't experienced abuse from Ozai, but for the most part he clearly favored her over Zuko. He has never shown fear of Azula's power and abilities (or at least I haven't noticed), quite the opposite - allowed her to do a lot, as long as she brings results.

I could also mention their slightly different characterization (mostly that we get more characterization of Valkorion, get to learn his motivations, views, philosophy and all that, also he's portrayed as more nuanced, even if he not really is) and role in their respective governments (ozai is one of many Fire Lords and arguably not the greatest, while Valkorion is a god to citizens of Zakuul, their only Immortal Emperor), but those are details, and I think you get the point.

What's similar: role of the main antagonist, manipulative and abusive father, goal of destruction of everything that isn't their nation/empire, relationship with disgraced son.

What's different: presence in the overall narrative, relationship with the main character, relationship with daughter, role in their societies.

Senya and Ursa are even less similar. Yes, they both are mothers who love their children, but have to leave them, but these are probably the only things they have in common. Just as with Ozai and Valkorion's presence throughout the story, Ursa is only shown in flashbacks (for obvious reasons), and Senya is one of major characters in KotFE and (a bit less major) in KotET. Ursa leaves because she has to kill Azulon in order to save Zuko, and later isn't present in the story (I'm aware that her fate is told in comics, but we aren't talking about it). Senya leaves because when she tries to take children with her, they refuse, and she understands that she can't force them to, nor she can help them to break free from Valkorion's manipulations. For a long time she's absent from Arcann ad Vaylin's lives, but at the time of game events she attempts to save her children and stop the madness and destruction they've caused, and it isn't a small part of the story.

I also want to add that their relationship with Ozai and Valkorion are also different, but can't say much about Ursa. I heard that she didn't choose this marriage and suffered emotional (and maybe physical???) abuse from Ozai. I can say with confidence, though, that Senya genuinely loved Valkorion, and strangely enough, he seems to at very least respect her. But, of course, this wasn't the best marriage either.

Plus, we see more of Senya's relationship with Vaylin than Arcann or Thexan, but with Ursa we see her more with Zuko than Azula. Just a detail to remember.

(also Senya is simply a better character but that besides the point, moving on. in this house we stand Senya)

What's similar: role of loving and caring mother, abandoning their family at some point.

What's different: presence in the overall narrative, relationship with husband, characterization in general.

Boy, where do I even begin. Vaylin and Azula are similar in that they are both extremely powerful (one is firebending prodigy, the other is potentially stronger than Valkorion), both are cruel "craaaaazy" (i hate that cliché), both are younger sisters, have serious mother issues (seemingly more so than father issues), both go through betrayal of people they could always rely on, which eventually leads to their downfall. But when I took a look at their personal arcs, it became clear that they aren't the same (unfortunately, Vaylin's arc is very rushed and underdeveloped, but we'll have to go with what we have and my personal view, sorry).

There's a really good video about writing corruption and madness, and I'm going to base my thoughts on it. To summarise it: a good corruption arc should have 4 components:

- the character has a specific goal (or a goal and subgoals);

- in pursuit of said goal they become the cause of a significant event that brings serious consequences;

- as the result of these consequences, character abandons their morals, ideals or a code in pursuit of goal;

- character either will not achieve their goal or will succeed, but it won't be enough to satisfy them.

And then the author brings Azula's arc as one of the best examples of compelling story of corruption (so basically, she represents it perfectly). In short, Azula's main goals are perfection and control, and subgoals help achieve the main ones. In pursuit of these goals, Azula causes Mai and Ty Lee to betray her (by pushing them too far to do something they wouldn't do), which then causes her to become paranoid, which makes her to attempt controlling everything and everyone around her, *breathes* which makes her lose control over herself and ....

Now, I thought if Vaylin's arc could fit into a corruption one, and next part will be based a lot on my assumptions and personal view of her character (plus rushed writing doesn't help), but I think yes (or at least mostly). The difference is in goals, ideals and details.

While the story strongly makes us think that Vaylin's goal is freedom (or control over her life and everything around her) or power and destruction, I think it's actually self-determination (which was said by Tenebrae in 6.2) and feeling safe. Let me explain (and here I thought this would be a short comparison). Sure, when Valkorion caged Vaylin on Nathema, he took choices and control over her life from his daughter. But let's not forget whom Vaylin blames for this (even more than Valkorion): her own mother, and I think this details tell us that the most important thing that Vaylin lost on Nathema is feeling safe. Then, after Arcann brought her home, I assume Vaylin still didn't feel safe enough under Valkorion's rule, still too afraid that he'd simply send her back to that hellish place.

It's when Valkorion is struck down Vaylin finally has a feeling of personal safety, even if she isn't the one on the throne. Why? Because back on Nathema there were two people who haven't turned on her - Arcann and Thexan (yes, this is also a huge assumption, bc the game states that only Thexan visited her, but it doesn't make much sense).

I've always noticed (and I'm not alone in this) that her behavior in Fallen Empire is different from the way she acted in Eternal Throne. Most likely bc of rushed writing, but I see a character driven reason here. In first of these expansions, Vaylin is the second person in power on Zakuul, and with Arcann being in charge, person she can trust more than any other living being, she feels safe - she can test her power, and now Valkorion won't prevent it, she can do pretty much everything she wishes, and the most Arcann will do about this is mildly complain (without blaming her). Really would be nice if we got to see any normal hobbies of Vaylin (like wasn't there something about books or art?), but I digress. She might have some questions about Arcann's tactics, but they get along just fine. The important thing to note is Vaylin not seeking to hunt the Outlander personally, to rule or conquer the rest of the galaxy, or trying to achieve absolute freedom or power. She's kinda there.

This, however, changes when Arcann doesn't allow Vaylin to kill Senya. Their relationship was getting somewhat worse towards the end of KotFE, but this is a turning event Vaylin caused by attempting to strike her mother. By saving the person Vaylin blames for all the trauma from sending her to Nathema, Arcann threatened her feeling of safety. And now Vaylin starts to believing that to achieve safety she now needs to kill people who hurt her (that's why she's so determined to find Senya and Arcann), take the throne and hunt down Outlander (she was manipulated by SCORPIO to these subgoals).

(The following is the weakest, I'll admit, but I hope I can at least express what I see). So, in trying to achieve goals she didn't want before Vaylin loses in self-determination, being either driven by overwhelming anger or manipulated by others (SCORPIO or Commander on Odessen), desperately trying to accomplish anything, or even goes against her morals (like by erasing GEMINI's free will protocols, when earlier she agreed that freedom to choose is important; or breaking the deal on Odessen). All of these result in her downfall.

But even this isn't the end. The key difference between arcs of Azula Vaylin lies in it's resolution, or that Vaylin have a chance to overcome corruption in the main narrative (and Azula doesn't. again, not including comics here, sorry). After death, Vaylin is again controlled by Valkorion in Outlander's mind. First time physically (she can't resist it), second time mentally. This is where Vaylin has to choose - kill brother who betrayed her and Commander who killed her, or go against Valkorion, person responsible for almost all of her pain and trauma. She has t choose by herself, and I think it's a good start.

Now, before 6.2 we all thought Vaylin was dead for good, but that story update hinted at possibility of her coming back to life. What I like to think is that now that she dealt with people responsible for her trauma (helped defeat Valkorion and actually for once listened to Senya), Vaylin can now have a different life, finding herself with support of someone she doesn't hold a grudge against and who treats her well (Satele, I mean).

I'm so sorry for going into details, but I needed this long explanation to present the point (and I suck at explanations). As said before, this is my version of her arc, and most likely wrong interpretation, but even with personal freedom of choice, Vaylin character differs from Azula a lot.

Need I mention that Vaylin relationship with Arcann and Valkorion are drastically different from those between Azula, Zuko and Ozai?

(Also a little detail - with royal family of Fire Nation, Azula is the golden child, while with Tiralls it's actually Thexan, not Vaylin).

What's similar: role of extremely powerful, emotionally damaged daughter with little to no regard towards others, close people betraying them, resulting in their downfall.

What's different: characterization, role in the narrative, relationship with father and brother.

Arcann and Zuko is the most difficult part, but I still believe that calling Arcann just a cheap copy of Zuko is incorrect.

So, they fall into role of less successful son, always getting disapproval from father, being in shadow of more talented sibling, both obsessed with capturing the main character but ending up helping them end the war after going through a redemption arc with help of caring family member. Even both have scars on left side of face. Yeah, seems similar. I still think they are different characters.

Let's start with their relationships with family. In Valkorion section I said that his attitude towards Arcann is similar to that of Ozai towards Zuko, so not going to spend too much time here. However, there's slight difference - Zuko didn't kill his father even he had a perfect opportunity (bc it wasn't his goal), Arcann did (bc it was one of his goals), which says something about their characterizations.

Zuko and Ursa were shown to have a good mother-son relationship, and it played a role in Zuko's character. With Arcann and Senya, we don't really know (not much was shown in expansions). We know Arcann didn't hate his mother, but possibly didn't have warm memories of her either. The reason is most likely, like Senya said, her children wanted nothing to do with her (which is a bit untrue about Vaylin, but okay) and leaned more towards Valkorion. We need to remember that on Zakuul Valkorion isn't just one of many great leaders, he's the greatest, and seen as a god by most citizens, so safe to assume the same would apply to his children as well.

Zuko and Azula's siblingship (i'm out of words) is a bit similar to Arcann and Vaylin's in way of brother knowing that his sister isn't good, but still caring about them (even if not showing). At least it's what I saw. What's different is how Azula treats Zuko, compared to how Vaylin treats Arcann. I think Azula showed compassion or concern for Zuko maybe twice, but I'm not entirely convinced that it was 100% sincere. Vaylin, on the other hand, seems to trust and care about Arcann (with bits of sass and questioning his life choices), and switching to complete opposite after him saving Senya. Also, I don't she ever called Arcann a failure in their father's eyes.

Now I want to say that their roles in stories aren't the same either. Sure, both are introduced to us as antagonists, but in reality, Zuko was never a true antagonist (we get to learn this somewhere mid-season 1), when Arcann remains the main antagonist for whole of KotFE. Zuko didn't start a war and didn't participate in conquest of other nations too much, his main goal was to capture the Avatar so to restore his honor (and deserve his father's forgiveness). Honestly, I think it's safe to say the Zuko is one of two main protagonists of ATLA. Why does Arcann want to capture the Outlander? Solely because his father's spirit still lives inside this person's mind, and the best solution to keep Valkorion away from the galaxy is not letting the Outlander free (hence the carbonite freezing). And Arcann doesn't want or need Valkorion's forgiveness when he attempts to kill him (or kills him, depending on your choice. anyway, his action directly leads to Valkorion's "death"). And right after that he becomes a ruler of Zakuul and begins the conquest of Republic, Sith Empire and everything he can reach (the reasoning behind this is still unclear to me though; maybe because he was raised with ruling Zakuul in mind and he didn't anything else, idk). Point is, he's responsible for war and main's character imprisonment, which makes him the main antagonist of KotFE. They have it the opposite ways - Zuko starts as disgraced prince, supported by a little group of people, and in the end he's recognized and appreciated by his nation, and Arcann starts as respected by his empire, later becoming less and less loved, until some groups start rebelling his rule, and in the end he doesn't get to rule Zakuul again.

This leads me to their morals. See, Zuko didn't have the worst morals in Fire Nation, even more, he expressed care for loyals soldiers of his nation before getting punished by Ozai. During first season (and about a half of second one) his views on other nations are what he was taught before. However, these views are challenged by travelling in Earth Kingdom, witnessing people suffering from war Fire Nation started and hating its people (you already know all of this), and with this he comes through final stage of redemption when he's back home. Unfortunately, Arcann doesn't go through this, and he's shown to be more ruthless.

Alright, when it comes to their redemption arcs, well let's say they are different (both in quality and the way they go through it), I'm just a bit tired of long explanations at this point. Zuko's arc is one of the best ever put on television, and Arcann's... well, it definitely has potential, but is criminally underdeveloped (there are other people who will explain it better than I ever could).

What's similar: role of disgraced son, living in shadow of their sibling, serious injuries on the left side of face (though with different meanings), obsession with capturing the main character, having a redemption arc.

What's different: role in the narrative, role in their society, characterization, relationship with sister and mother, different end goals (before redemption), paths to redemption.

[bestworstcase]

What are your opinions on the whole Rapunzel-Varian drama in S1 post Queen For A Day, especially with the whole "Rapunzel should've checked on Varian after the snowstorm" or whose fault it was for their conflict?

tbh… if i had to pick one single representative example of the tts fandom’s general inability to handle nuance in fictional conflict, it’d be the QFAD discourse™

because! while this isn’t to rag on anyone, if you pick a random person with an opinion on this question, chances are they will fall into one of two camps. either: 1) corona’s treatment of varian was horrifically unjust and everyone involved except him is a terrible person, or 2) rapunzel did what she had to do and varian’s anger is irrational, unfounded, and fundamentally unfair.

people in camp #1 tend to believe that rapunzel was simply being selfish and acting like a sulky child when she failed to check up on varian after the storm. people in camp #2 tend to point out that rapunzel was traumatized by the events of QFAD too, and believe that this justifies her failure to check up on varian.

but the thing is imo the conflict in QFAD + the rest of s1 is just as complex and messy as the argument cassandra and rapunzel have in RATGT, in that there is no One True Right Answer and no person who is one hundred percent “at fault.” the question of blame is… honestly sort of beside the point if you ask me. to break this down:

#1: rapunzel is a sheltered teenager with minimal social skills dealing with a national emergency halfway through her first unsupervised couple days on the job.

the girl has had like eight months tops of training for the monumental task of ruling a country. she grew up in a situation where the only choice available to her was how she would wile away her free time inside her tower; gothel exerted total control over every other facet of her life. and while she has a little more wiggle room now that she’s out of the tower, she is still basically living her life with all the big, consequential choices made for her.

QFAD was intended to be her first taste of true authority, while still being ultimately inconsequential. if all had gone according to plan, corona would have ticked along more or less on autopilot—just as frederic left it—while rapunzel got in a little practice making judgment calls about minor, unimportant things, like mediating small interpersonal disputes between her subjects.

nobody expected, and rapunzel was absolutely not prepared for, a legitimate national crisis to explode in her face out of nowhere. this was supposed to be pedaling by herself for the first time with training wheels and what she got instead is careening down the freeway on a motorbike at 95mph with zero warning. it is a miracle that she held things together as well as she did.

#2: varian is a child with an emotionally distant, unsupportive father who sets him up for failure.

he’s smart but he’s also fourteen. he has little if any formal training in alchemy, he’s figuring stuff out by trial and error, and he has zero adult supervision. his efforts have caused significant levels of destruction twice in only a few months—the exploding boilers in WTH, and his invention going haywire (with a little help from st. croix) in GE—and it’s implied that this is a fairly regular occurrence with him.

and yet quirin does nothing. he shouts at varian, shuts him down, and at several points orders him point blank to stop messing with alchemy… but he makes no effort to connect with his son or understand where he’s coming from; he doesn’t try to impose reasonable restrictions (like “don’t mess with volatile chemicals unless i’m there to help”) that would allow varian to pursue his passion while minimizing the danger; and he doesn’t create an environment where varian feels able to turn to his father for help. and then with the black rocks, he lets varian come along to see the king, but refuses to explain why he “lied” (/spoke in code) to the king, destroying any credibility he had in varian’s eyes and making varian panicky and desperate because it seemed like no one else cared.

so the end result is that varian feels like he has no choice but to sneak around behind quirin’s back. he can’t rely on his dad for help if anything goes wrong, but the situation is so dire that doing nothing also isn’t an option. he tries his best to be careful (before quirin barges in on him, varian is attempting to put just one drop of the amber serum on the rock) but even if quirin hadn’t startled him, a terrible accident was bound to happen sooner or later, and the responsibility for that lays just as much if not more on quirin’s shoulders—the adult in this situation—as on varian’s. the kid is FOURTEEN.

(i think a neat argument could be made for varian as a deconstruction of the teen/YA fantasy trope of the hyper-competent teenager with absentee parents whose absence allows the teen to get on with the important work of the high-stakes fantasy plot; but that’s a whole different post)

#3: rapunzel did the right thing, but lost control over the situation due to lack of experience.

it would have been wrong to abandon everybody in corona to run off into the blizzard with varian, and frankly it wouldn’t have helped quirin anyway. he was already encased in amber by the time varian got back to old corona, and rapunzel couldn’t have done anything in the moment had she been with varian then. the only benefit to her presence would have been to comfort varian—which is not a small thing, obviously, but it’s not in any way a reasonable exchange for the hundreds or thousands of lives that would have been lost if she left corona completely without a leader in the middle of a crisis. so broadly speaking, staying in corona was the right call.

however.

rapunzel was not in control during that scene in the palace. varian bursts in, panicking, explains his situation and begs for her help—and rapunzel just says, basically, “i can’t help you, there’s an emergency.” then nigel comes in and reinforces that, which makes varian freak out; he grabs rapunzel and shakes her, nigel signals for the guards in response, and varian gets dragged out of the palace while rapunzel pleads with the guards not to hurt him.

(sidebar: the hate nigel gets for describing varian as “attacking” rapunzel is unfounded. varian grabs her and shakes her roughly back and forth and that is, in fact, assault. nigel is not wrong to describe it as such.)

anyway, notice two the things that DON’T happen here:

1) rapunzel doesn’t offer up any alternative solutions. a more experienced or better prepared leader could have responded to varian’s plea with a plan of action, like: i need to stay in corona to oversee the evacuation, so we can’t leave right this minute, but cassandra will take you to ask xavier for advice right now and the minute it’s safe to leave we’ll go together to help your father. or whatever—the point is to engage proactively with varian’s problem, make him feel heard, and give him something productive to do so he isn’t just sitting around fretting in the palace or struggling back home by himself in the middle of a blizzard.

2) raps doesn’t challenge nigel’s decision when he summons the guards to throw varian out of the palace, which is something she absolutely could have done. she could have said no, i can’t go to old corona right this minute to help him, but we are not throwing him out into the storm again, he stays here with me. this is, again, a sign of her inexperience; she’s not used to being an authority, she’s never been in a situation like this before, and she’s under a ton of pressure—so when an older adult whom she sees as an authority (he’s her father’s advisor!) makes a judgment call, it probably doesn’t even occur to her that she can challenge it.

this is why i say that rapunzel lost control over the situation—because even though she made the Right Decision, she got a kind of awful outcome, ie varian being tossed out into the blizzard to struggle home by himself to deal with his problem without any support, and rapunzel inadvertently breaking her promise from earlier.

#4: rapunzel doesn’t immediately go to check on varian after the storm because she’s traumatized, busy, and trusts her father.

painter’s block is all about how the trauma rapunzel feels as a direct result of her decisions during the storm destroys her ability to choose anything. she feels so debilitated by the fear that she will make the wrong choice—because she worries that she chose wrong when she allowed varian to be sent away—that she can’t do anything at all, let alone find the emotional strength to go to old corona and confront her mistakes. and while she tries to process and move past this trauma, mrs sugarby exploits it in an attempt to force her to free zhan tiri.

the next episode, not in the mood, involves rapunzel being put under enormous pressure to entertain an irascible ally of corona’s while he and her father negotiate a trade deal with the threat of a war breaking out if they fail. NITM is a silly episode, but it has the highest non-magical stakes of any episode in the entire series. this isn’t an event rapunzel could have reasonably skipped out on for the sake of one person, no matter how much she cares. she’s slammed. she’s still being forced to prioritize just like she was in QFAD.

and in the third episode after QFAD, rapunzel is tormented by nightmares about varian and what happened to his father, so she presses frederic for information about the rocks and varian’s safety. and frederic assures her that everything is fine. he lies to her face about the rocks having been removed, and rapunzel has no reason to doubt him, so she relaxes… until varian contacts her directly, and she immediately jumps to help him.

#5: at the same time, varian has been forced into hiding because frederic is attempting to cover up the rock problem.

what happens to varian after QFAD is plainly unfair and unjust. his father is trapped in amber, the rocks have completely destroyed old corona, most of the villagers have presumably moved to the new land frederic set aside for them, and frederic’s secret police are crawling all over the village trying to suppress information about the rocks (and fred’s role in creating them). the blame for this lies squarely at frederic’s feet, and varian is right to be angry.

i believe that varian interprets rapunzel’s absence as a sign that she’s complicit in what frederic is doing, making his anger at her justified as well. he doesn’t have access to the information we do about why rapunzel doesn’t seek varian out immediately—he doesn’t see how distraught and shattered she is after the storm, or the high-stakes political nonsense she has to deal with, and he certainly doesn’t see her trying to pursue the matter of the rocks and varian’s safety with her father and being flatly lied to to convince her to stay put in corona. all he knows is that rapunzel kicked him out and now she’s ignoring him and her father’s agents keep chasing him away from his home, and he draws the conclusion that makes the most sense to him, ie rapunzel must be okay with all of this because otherwise she would be here.

and once he has that idea in his head, the fact that rapunzel immediately jumps to help him when he contacts her isn’t enough to dislodge it. he’s a scared, lonely fourteen year old boy looking at this situation through a purely interpersonal lens while rapunzel is an overwhelmed eighteen year old doing the best she can while juggling about a million things at once and putting varian low on her priority list because she’s been told by a trusted source that varian is fine.

they both make mistakes, they’re both missing important contextual information, and neither of them handles this situation in the best possible way. but neither of them is “at fault” in the sense of being purely in the wrong, and—imo—frederic and quirin hold the lion’s share of the blame here, because they had all the information, and they refused and refused and refused to deal with the black rock problem until it overwhelmed them both. varian and rapunzel are both just kids scrambling to deal with something that should not be their problem to solve, and both of them fuck up! (and even then—the best fred and quirin could’ve done was just be honest and upfront about what the problem was. neither of them had the means to fix anything, and neither of them was responsible for the very unfortunate timing of the blizzard. so it’s not as clear cut as everything bad in s1 happens because fred and quirin stuck their heads in the sand. a lot of it honestly was just sheer bad luck.)

a n y w a y, i think by s3 and after a lot of introspection, varian has figured a lot of this out, and that’s why he’s so quick to let go of his lingering grudge against rapunzel. he’s realized that at the end of the day, rapunzel was just as unprepared and lost in that situation as he was, that she’s not responsible for (and wasn’t complicit in) her father’s decisions, etc, etc.

[dee-diary]

"Mental health in an unequal world"

“Mental health is known as the Cinderella of Health care”. The comparison between Cinderella’s story and mental health draws attention to a persistent gap in treatment. With mental health services being overlooked compared to physical health just as Cinderella was overlooked and mistreated by her stepmother and step sisters. This comparison is accurate since mental disorders in societies are not given significant consideration. This blog will critically analyze the factors contributing to why mental health treatment is not considered a priority and its impact on individuals and the society.

According to WHO, Mental health is basic human right and a state of well-being that enables people to cope with the stresses of life, realize their abilities, learn well and work well, and contribute to their community. Mental health conditions and substance use are highly prevalent in South Africa and contribute significantly to the burden of disease in the country. Globally, it is estimated that 1 in every 8 people are living with a mental health condition, with anxiety and depressive disorders emerging as the most common (IHME, 2022).

Stigma, prejudice, and discrimination against people with mental illness is still a very big problem in society resulting in people avoiding or delaying seeking treatment due to concerns about being treated differently or fears of losing their jobs and livelihood.

According to research there are different types of stigma that is experienced. (As seen as above). Research by Corrigan (2002) reports that people with mental illness are less likely to benefit than others from the services of the of the healthcare system. The Life Esidimeni tragedy brings to light both the appalling status of the healthcare system when it comes to mental health cases and the deadly effects of incompetence https://en.wikipedia.org/wiki/Life_Esidimeni_scandal

A commonly held stereotype is that people with a mental illness are responsible for their condition. Weiner (1995) distinguishes between onset and offset responsibility, stating onset responsibility involves blame for contracting a disorder due to voluntary act, while offset responsibility reflects failure to resolve health conditions.

Furthermore, the media and everyday language perpetuate stigma, stereotypes surrounding mental health conditions, reinforcing negative stereotypes, and marginalizing those facing challenges.

In South Africa, mental healthcare services are primarily concentrated in secondary hospitals and specialist services, with limited resources available at other levels of care, especially at the community levels. (Lund & Flisher, 2003). Lund and Flisher (2003) suggests that between 75% and 95% of people with mental disorders in low-and middle-income countries like South Africa are unable to access mental health services. And those that do have access are not necessarily receiving sufficient or appropriate care. Rural populations are neglected, and mental healthcare services are centralized in urban hospitals with unequal distribution. The problem is made worse by the lack of qualified workers and the poor infrastructure in all the provinces. (Subramaniam et al., 2021b).

South Africa faces inequity in psychiatrists, with 80% working in private healthcare systems. Most resources are allocated to specialist psychiatric hospitals, accounting for 45% of the total mental health budget. District hospitals account for 11.7% and larger hospitals account for 39.9% of the total cost of inpatient and outpatient mental health services while primary healthcare services receive only 8%. Only 5% of the budget is set out for mental health services, despite the Department of Health's efforts over the previous 20 years to improve mental health treatment. The gap in mental health treatment is a result of this underfunding (Lund and Flisher 2003).

Just as Cinderella underwent a transformation from a life of hardship to one of recognition and celebration, so too we must advocate for a transformation in the perception and treatment of mental health. Mental health does not play a supporting role in the big story of our lives or exist in the background. It is the main character, directing our actions, deciding what to do, and determining our futures. Embracing this truth and reality will help to ensure that mental health receives the attention it needs. Because when we do this, we not only improve the quality of each person's life, but also the experience of all people, enabling each of us to fully live out our unique stories.

References

Burgess, R. (2016). Policy, power, stigma and silence: Exploring the complexities of a primary mental health care model in a rural South African setting. Transcultural Psychiatry, 53(6), 719–742. https://doi.org/10.1177/1363461516679056

Corrigan, P. W., & Watson, A. C. (2002). The paradox of self-stigma and mental illness. Clinical Psychology-science and Practice, 9(1), 35–53. https://doi.org/10.1093/clipsy.9.1.35

Corrigan, P. W., Morris, S. B., Michaels, P. J., Rafacz, J. D., & Rüsch, N. (2012). Challenging the Public Stigma of Mental Illness: A Meta-Analysis of Outcome Studies. Psychiatric Services, 63(10), 963–973. https://doi.org/10.1176/appi.ps.201100529

Subramaniam, M., Verma, S., & Chong, S. A. (2021). Mental health in an unequal world. Indian Journal of Medical Research, 154(4), 545. https://doi.org/10.4103/ijmr.ijmr_2972_21

World Health Organization: WHO. (2022). Mental health. www.who.int. https://www.who.int/news-room/fact-sheets/detail/mental-health-strengthening-our-response