#you dont have to read it of course

[xxplastic-cubexx]

your movie charles art gives me cuteness aggression

obsessed with getting these asks back to back and yet they both hold some truth i think ...... thank you very much everyone ....

[faunandfloraas]

[fatehbaz]

patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.

this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.

the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.

so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.

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ok, found some

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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.

Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.

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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?

Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]

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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.

Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]

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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.

Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.

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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).

Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.

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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].

Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]

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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.

Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]

[recent-rose]

yknowwww there is something... deeply uncomfortable about the way mel never speaks directly to viktor in the 'build hextech weapons' scene. she really only speaks to jayce. plenty of people have pointed this out already but like the one scene they actually share a meaningful interaction and she treats him like he's beneath her. all this after jayce has emphasized how important viktor is, that hextech is theirs, together. she unequivocally ices him out, there's no other way to interpret this scene. the way it's shot too - from viktor's perspective, looking up at her, as though to reinforce the same belief in him. like he doesn't even bother expecting respect from her - or anyone from the upper echelon of piltover. he's fully accustomed to being dehumanized by everyone around him at this point. sometimes even by jayce, despite the trust they clearly have in each other.

then of course after this scene is viktor experimenting on himself. it's pretty clear that he has internalized his own dehumanization. crazy.

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[2deadboys]

one day Charles says something about still being 16. and of course Crystal has to look at him and say all breathy serious

"how long have you been 16?"

and you can hear the audible thud of Edwin putting down his book to give her a look of Disgust.

And she just gives him a look back like 'ah yes, but you knew what i was referencing...'

meanwhile Charles who only kind of paid attention to the twilight movies (when he and edwin watched them once) is looking confused like "since 1989??? when i died?? Crystal you know this"

[marsti]

i am not joking when i say trolls have gotten shittier at what they do. successful trolling and flamebait is a lost art. nowadays they just send you an ask like "it's really problematic that you did XYZ" expecting you to get angry and defensive. and thats because most people have honestly really failed to adapt to this kind of trolling? it keeps working, they keep doing it.

if an anon criticizes you all like "im a lesbian and-" or "im a trans man and-" or "im a poc and-" or whatever thats your queue to disregard everything they say. because you cant verify that. you have to internalize that it's in your best interest to treat all annoying anons as being sent by the same white middle class american cishet guy named kyle, and he just has a lot of free time and no friends.

"but what if it's not kyle! what if theyre actually a lesbian/trans man/poc/&c?" well theyre not looking for open discussion, if they were they wouldnt send an anon ask. so it literally doesnt matter, treat them as if theyre kyle anyway. and remember youre not a public figure youre literally just blogging, you dont need to be "held accountable" for anything.

and same goes for "thoughts on [controversial topic]?" and "why did you do [accusation]?" type anon asks. thats kyle again, hes just gotten bored with claiming every marginalized identity under the sun. if they wanna prove theyre not kyle all they gotta do is uncheck that box.

[dukeofthomas]

I can't find it now but there's a post about suspension of disbelief and how it's broken when the story starts trying to excuse it. "character gets knocked unconscious for hours but there's no further issues from this" okay 👍 "and actually this makes perfect sense because of this and that" um no it doesn't why are you lying to me. like i am willing to ignore the holes and the discrepancies!! all you need to do is let me and not bring unnecessary attention to it!!!

and all that is my issue with the whole robin child soldier argument. like i am willing to ignore it i am willing to engage with the fantasy literally all you need to do is NOT try to convince me that Actually It's Fine Because They Want To Do It or whatever. like literally just shut up about it and i can engage with the fantasy!!

[normal-person-i-promise]

slurred teases and sweet kisses

arataka reigen/female reader

tw for drinking, bars, intoxication

You roll your eyes as he takes another sip of his drink, his mouth set in smug grin as he swirls the liquid in his glass and watches as the ice clinks against the walls of his cup. With each sip he takes, his face gets more flushed, his words get more slurred.

Arataka has an embarrassingly low tolerance to alcohol, and you're witnessing it firsthand. He's feeling it too; that urge to kiss you is a lot stronger than usual...

★ ★ ★

...Should he invite you? You're just his employee after all, and the both of you would be alone in the bar...

Arataka glances at you for a moment, looking up from the newspaper he was reading at his desk. He's not actually reading it, of course — he can barely concentrate on breathing when you're in the room with him. You're just so... Distracting, he can't help it.

The slow rise and fall of your chest, the motion of your hand as you tuck a strand of your hair behind your ear, the way your eyes would flit between him and the window — Arataka could watch you for hours and not grow bored.

If Arataka invites you to just... Go to that bar he used to be a usual at, then the two of you would be alone. Like a date, which it— it isn't, of course— that would be crazy! There's no way you'd want to date Arataka, of all people, it just doesn't make sense for you to like him!

You think of him as an employer, a friend, maybe a close one, but just that! Nothing more, nothing less!

Arataka exhales sharply through his nose, flipping the page to look like he's reading the paper. He can feel the grain of the grey newspaper between his fingertips as he rubs his finger absentmindedly on the edge, pick up that faint scent of printed paper in the air.

You risk a glance at him, and your eyes shimmer with the evening sun's light as you study his features: his disinterested gaze, his relaxed posture, his incurious expression. He's... Mesmering to look at in this state, this boredom, especially since he's so expressive usually.

He also looks rather attractive, but that doesn't really matter.

You can see him stiffen, trying to ignore how hot he feels with your eyes roaming all over his body, but... Not that he doesn't enjoy it, of course — Arataka adores when you study him, just like how he studies you. You've noticed a lot of things about him by now; the way he'd adjust his grip on the newspaper, the way his eyes skim over the text, the way he leans back in his chair, his posture relaxed; bored.

You quickly avert your gaze, and Arataka feels a pang of sadness at the loss of your attention.

You, yourself, are not doing much. You're just... Sitting quietly at the little couch in the corner of the room, waiting patiently for the customers to come in. You're staring out the window, watching as the pedestrians on the streets walk along back to their homes or to the restaurants and bars, watching the way the trees sway in the light breeze, some of their vibrant green leaves falling off the sharp brown branches.

It's your job, after all — the job Arataka is paying you for — to be whatever customer service is needed when he's too busy exorcising the client's spirits or helping talk through their worries.

You take a slow, deep breath, inhaling that familiar scent of salt and incense, of sweat and cologne.

Arataka doesn't need you, not really. He just wants an excuse to see your face day after day after day, hear your darling little voice call his name when you need help.

He likes it most during that little frame of time when Mob has left to go back home, but you're still in the office — alone — with him, simply coexisting in eachother's presence. This is the time that he'd talk to you, joke with you, spend time with you — but just because he enjoys talking to you for every second of the day you're with him doesn't mean that he isn't content in settling into a comfortable silence with you. He likes... Coexisting with you, whether you're on your phone or looking out the window, whether he's reading the newspaper or watching the little TV in the corner of the room.

It's... Nice, in a way, to have someone care about you just as much as you care about him.

"The sky's pretty nice, isn't it?" You say to Arataka, tapping on the glass with your finger and bringing his attention to it.

It is rather pretty; golds and oranges are strewn across the sky like an artist's first experimental brush strokes on their canvas, the colours shifting with every minute that passes as the sun goes lower and lower on the horizon. The clouds are rimmed gold — a delicate, thin outline to show its form, shimmering and soft as the light bounces off it.

It's not sunset yet, no, but — oh, how that golden light spills into the room, how it makes Arataka's eyes sparkle—

"Yeah, it is pretty."

His words are simple, but it's evident that he's fighting himself to keep his tone disinterested. He doesn't want to show interest in you: he'd look like a fool. He doesn't want to look like a fool in front of the girl he likes.

You clear your throat (you always do that when you need to distract yourself from your thoughts, Arataka's noted), and you settle back in your seat. He grins, an opportunity to tease you coming to his mind, the words already beginning to brew.

"You what looks nicer, though?" He asks, his tone playful as he looks you up and down, feeling pleasant shivers run down your spine. It feels so... Good, to be the object of his attention, to be the subject of his praise.

"What?" You ask, crossing your legs as you lean back in your chair. You're grinning pridefully, knowing that he'll most definitely say you're prettier.

Arataka's thin smile widens noticeably, his eyes narrowing in delight.

"Me, of course."

You roll your eyes, though it's clear you mean nothing malicious by it. "Oh, please, Arataka," you say, your tone teasing, "you're full of yourself. You're a lot uglier than the sky."

A lie. To set off any suspicions that you like him.

He just grins wider, settling into his seat like a proud king.

Even though it's nothing more than light, playful banter, every second Arataka spends with you feels like a moment in heaven — your voice the angel's songs, your hair their shining halos. You never refuse any of his silly little jokes, always laugh at those half-wit puns he makes, and it... It sends waves of butterflies to his stomach, knowing that you enjoy being around him, knowing that you like being his friend.

And vice versa — every second you spend with Arataka is such fun, such enjoyment, that you lose track of time and go back home hours later than intended. He's just so... Fun to talk to, what with his witty replies and clever jokes, his carefully placed puns and playfully sharp remarks. He's such a joker, always able to make you laugh, and he likes it. He likes hearing your laugh. He likes it a lot.

The newspaper crinkles loudly as Arataka folds it, placing it on the desk. Struggling to keep his expression neutral and his voice level, he asks you a simple question.

"Wanna go out for drinks later?" Grinning, now, "I'll pay."

Please say yes. Please, please say yes.

You hum in thought as if you don't know your answer already. Your voice is light; playful, and Arataka can hear the grin plastered on your face when you reply.

"I don't know... I don't drink."

You don't, that bit is true: you've tried, and failed, to enjoy alcohol and intoxication. It's just so... Sour, and overwhelming, and it feels so horrible the next day.

Arataka lets out an exasperated groan, but the both of you know it's fake.

"Come on— please?"

He leans on the desk, his whole upper body resting on the wood, trying to get as close to you as he can to you without getting up. His eyes almost seem to sparkle as he smiles wide, trying as hard as he can to convince you, knowing you can't say no to that god forsaken smile. "Pretty please? It's my birthday!"

He's almost pleading as he tilts his head innocently, his cheeks resting comfortably in his hands, his elbows planted on the desk. "You don't wanna upset the birthday boy, do you?"

You sigh, though you aren't annoyed. You can't say no, the both of you know that — especially since it's his birthday. And, unbeknownst to you, it's the first birthday Arataka will be spending with a friend in a long, long time. He's ecstatic, Especially since it's you.

Even if it's just one friend, and even if that friend is a girl he really likes is his employee, it's still counted, right?

You... Are a friend, right?

Because the way your pretty little lips would curl into a grin whenever you'd tease him, the way your words would cause him to erupt into fits of laughter, the way you always enjoyed the little games of banter the two of you often shared certainly made it seem so.

You roll your eyes at his display.

"Fine, fine, okay. I'll go celebrate your birthday with you or whatever."

Arataka has to hide his excitement, struggling to keep himself from smiling ear to ear, struggling to ignore how his heart flutters, struggling to ignore that familiar feeling of butterflies in his stomach.

He always feels this way when he's with you though, so he's gotten pretty good at ignoring it.

"When do you say we should go?"

Arataka tilts his head more heavily to the side as he asks you that question, his eyes roaming around the room as he thinks. You watch as he shifts in his chair, trying in vain to get comfortable in the god awful position he's sitting in.

His grin widens. "Now?"

Flitting your eyes to the clock and reading the time quickly, you answer him, your voice level; though there's a slight undertone — barely even there — of a playful, almost accusational chide. You're just buying time to annoy him, giving him pointless excuses.

"It's still ten minutes to closing."

Arataka sighs in dramatised exasperation, putting such an emphasis on the rolling of his eyes that it makes you scoff in playful annoyance. It makes his heart flutter, knowing that you're entertained by him. God, how he loves that voice of yours... How he loves you...

Spinning his hand so fast that it's a blur, he stops abruptly, pointing to himself as he grins proudly. "I'm the boss, here. I can close this place any time I want."

He gets his elbows off the desk, kicking his feet onto the wood as you hum in response to his words. Nodding as you speak, you agree with him. "Good point, good point."

Arataka and you clean up the office a little, sweeping the corners here and dusting the chair over there. The two of you are in a comfortable silence, content enough with the fact that you're in each other's presence.

As you clean, Arataka can't help but notice — he always notices — all those little things you do: the way you place one foot in front of the other to the beat of the song stuck in your head; the way you hum softly to yourself, quiet enough to think he can't hear; the way your eyes would catch glimpses of his every so often.

More often than not, he'd get lost in all your little habits. It's just... The minor ways you'd entertain yourself as you clean, the manner in which you would tuck your hair behind your ear, the way you'd roll your sleeves up before doing anything, is so... Cute, you're so cute...

It's not long before the place is as good as new, and Arataka is switching the lights off and taking the keys to the door.

"After you, m'lady," he says in an unnecessarily posh voice, bowing slightly as he opens the door for you. You nod, thanking him as you step out, bathed the hot summer night air — it's humid, the air thick with moisture as you breathe in the scent of moist pavement and soaked leaves from the rain that had happened a few hours earlier.

The more you walk, the more you can hear the bustling of the shopkeepers in their kitchens and behind their counters, pick up the buzz of the neon signs just beginning to flicker on, listen to the indistinct chatter of the night life starting to settle into the bars and night clubs. Though it's faint, it's most definitely there, and it's getting louder and louder with each minute that passes.

The walk to the bar isn't quiet; it's never quiet when the two of you walk together. The air is always filled with friendly conversation, laughter and giggles peppered in here and there, occasional glimpses at his soft, pink lips...

Arataka is taking in every little thing about you, from the way your smile would form to the tapping of your shoes on the pavement. You're... Perfect, you.

He tries his best to match your pace, making sure that his footfalls are in tandem with yours, making sure that you both are walking as one.

If someone was looking on at the two of you, they'd think you were a couple.

A few minutes later, Arataka is pushing open the door of the Happy Trails bar, gesturing for you to enter. The floor is sticky, the air thick with the sharp smell of alcohol and sweaty office workers. The lights are dim; warm, inviting, as you take a seat after Arataka pulls one out for you.

"So what'll you have?" He asks, flashing you the most charming grin he can muster. He settles into his seat, getting more comfortable: unbuttoning his suit jacket, loosening that pink tie on his neck, undoing the top buttons of his immaculate white dress shirt. God, he's so hot—

It's hard to keep from staring, but you manage.

You shrug. "Just soda."

Arataka nods, not questioning it as he calls the bartender over and ordering for both you and him: an iced cola for you, and a lemon sour — extra sour — for him. He always orders that, and, based on the few times you've gone out drinking with him, you don't think he drinks anything else.

He settles into his seat, and you struggle to get your voice to pierce through the indistinct conversations of the other patrons.

"So, Arataka," you nearly shout, your tone playful, "how do you feel now that you're 28?"

He hums in thought, bringing a fist to his chin as he thinks about his answer.

He shrugs.

"So-so, but—" he pauses for dramatic effect, the shadow of a grin ghosting on his lips —"I'm feeling a whole lot better since you're here to help me into my old age."

You laugh slightly at his little joke. Arataka's dopey little grin widens with pride, having made you giggle yet again.

Your drinks arrive a little after this, and you can't help but notice the bartender giving you an accusational side eye as he slides the both of you your glasses, seeming to doubt the fact that you and Arataka aren't dating.

"Oh, come now, Arataka—" his heart flutters at the sound of your voice saying his name —"you're not that old." Your grin widens, your tone teasing. "You look a lot older, though."

He lets out an offended half laugh, shoving your shoulder playfully in mock offence. "How mean!" He cries, trying in vain to make his voice sound offended.

It's quiet as you sip your cola slowly, and you're not blind to the way Arataka's eyes follow your tongue as it darts out to get whatever droplets of your drink missed your mouth.

...God, how he wants to taste that sharp, teasing mouth of yours, feel every crevice and crease of your lips as they press into his... How he wants to run his hands through your soft hair as he combs it out of the way of your perfect face, how he wants whisper sweet nothings into your ear as you fall asleep in his arms...

"You should... Really watch that tongue of yours," he warns playfully, his words beginning to slur, fighting to ignore his thoughts. He's barely even had a sip of his drink, and he already looks like he's about to pass out.

He wags a wobbly finger in your face like a mother reprimanding her child. "I might get tired of you and fire you."

You roll your eyes, scoffing.

"Oh, Arataka," you tease, leaning in close — close enough to smell the scent of his expensive cologne, close enough to smell the alcohol on his breath, close enough to feel just how hot he is. He grits his teeth, struggling not to close the distance between the two of you as you speak lowly, quietly: for his ears only.

"We both know you like me too much."

And he— he blushes, oh, and he pushes you away with the tip of his unsteady finger to your forehead. You swallow the slight hurt you feel as Arataka replies, his response clumsy as always — more so now that he's drunk. "And we... Both know you like me too much to let yourself... Get fired."

You roll your eyes as he takes another sip of his drink, his mouth set in smug grin as he swirls the liquid in his glass and watches as the ice clinks against the walls of his cup. With each sip he takes, his face gets more flushed, his words get more slurred.

Arataka has an embarrassingly low tolerance to alcohol, and you're witnessing it firsthand. He's feeling it too; that urge to kiss you is a lot stronger than usual...

And though the motion is wobbly, unbalanced, now it's his turn to lean in close. He almost falls on you.

His grin is wide, and though it's lopsided from the alcohol, it still manages to be annoyingly smug, and... Wonderfully endearing, too, like he's trying to make you happy regardless of how his vision blurs and his head pounds. "I'm... Doing you a favour for not... Firing you, you know."

You scoff mockingly at his words, drinking your soda as you grin. "Please, Arataka"— another rush of butterflies to his stomach —"I know I'm far too important to you to just... Get rid of."

You're grinning smugly now, leaning in closer to his face. Your noses are almost touching, and you can almost taste his lips now — the sweetness of alcohol mixing with the sharp mint of his mouthwash, his saliva thick as Arataka swallows. You're not blind to how his unfocused eyes fall down to your mouth for a moment, licking his lips like he's looking at a freshly cooked meal, ready for devouring.

"Ah, but you need to... To remember," he says, leaning away from you, gripping the table in tight hands to stop himself from falling off his barstool. He squints as he talks, trying hard to form the words. "I could totally just do it right now. Nothing's... Stopping me."

You sigh, smiling, rolling your eyes but staying quiet.

Arataka downs the remainder of his drink in one swift gulp, slamming the cup down onto the wooden bar table with a loud thud.

He doesn't order another one, thankfully, because at the rate he's getting drunk, he's bound to pass out or vomit anytime soon. His cheeks are an almost bright red, his eyes half-lidded and glossed over, unfocused as he stares at you; when he breathes, you can smell the alcohol on his breath.

"Hey, Arataka."

You sip your soda, licking the glass a little to see how he reacts get the drops that missed your mouth. Arataka watches your tongue, almost hungrily so, his gaze unblinking and his breathing shallow.

You want to try and get as many secrets as you can get out of a drunk Arataka, just to have something to either a) tease him about, or b) blackmail him with.

"What do you think about me?" You ask, grinning.

Arataka shifts in his seat, thinking hard about his answer, and doing it for a suspiciously long time. A plan to avoid your question brews, half-finished in his mind.

He gives you a lopsided grin, leaning in with a shaky, unsteady motion, before abruptly jerking away and pressing his hands to his mouth as if he's trying to prevent himself from vomiting. As he hunches over on himself, your face immediately shifts to one of concern, your brows furrowing and your grin disappearing.

"...Arataka? You okay...?" You ask gently, rubbing his back. You've seen him vomit aggressively after taking so much as a sip of alcohol, and you're definitely preparing to wipe bile from the corners of his mouth.

It's quiet for a moment, save for the clinking of glass and the chatter of overlapping conversation.

"I... Eugh." He wipes his mouth with the back of his hand, grimacing as he feels his head pound — and that plan, that drunk one that sober Arataka would definitely not approve of, starts forming more clearly in his mind.

You grow more worried the more you watch, his movements shaky, his words all blending together. He thinks he's doing a pretty good job at looking like he's going to vomit — and since you're acting so worried about him, then he'd wager that his plan is working.

"Arataka, are you okay?" You ask again, your voice firmer, though still retaining that soft, quiet worry. You rub what you hope are soothing circles on his back, and you can see him visibly relax, letting out a long sigh.

"'M fine," he mumbles, swatting your hand away, his eyes struggling to open.

It's working, it's working! Keep going, Arataka!

Just as you're about to speak again, Arataka opens his mouth, faking a retch, and you panic. He falls — definitely not accidentally — straight into your lap, and it takes a moment to register that no vomit has come from his mouth before you hit him playfully on his forehead. His heart skips a beat when you don't push him off, merely just hitting him.

"Ow!" He exclaims, his grin crooked as he struggles to fake a grimace of pain, rubbing the spot you hit him.

"Even when you're drunk, you still manage to annoy me," you grumble, though the amused smile on your face gives away what you're feeling.

You ruffle his hair a little, tangling your fingers in between the delicate golden strands — and he lets out a sigh at your touch, closing his eyes in contentment. Your heart beats faster as you look at him: his flushed cheeks and content, closed eyes, his relaxed body resting in your lap — god, you have to fight yourself not to plant a kiss on his low, pointed nose.

Arataka pries open his eyes when you stop combing through his hair with your fingers.

"What... Can I say," he says slowly, looking at you with a gaze that can only be described as one of a lover's: sweet, tender, and affectionate. "I love... Seeing your smile."

Your heart flutters.

The two of you stay in this position for a while, a position a lot like a couples'. Neither of you complain — if anything, the both of you enjoy it — and it's not long before Arataka's eyes slowly shut, his breathing slowing as he starts to fall asleep in your lap.

You feel butterflies in your stomach when you gaze upon his calm expression: his eyes closed firmly shut, his kissable lips curved in a slight smile, his face relaxed.

The bar is almost empty now, save for three or four people having a conversation at one of the tables in the corner. You can pick up their mumbling: they're talking about the two of you, how Arataka didn't vomit yet, how he used to be a usual at this bar, how he never brought any girls with him until today, and what a surprise that he managed to pull such a pretty one.

"Happy birthday, Arataka," you say — and, smiling, you push those golden bangs out of the way with a hand and plant a firm, chaste kiss on his forehead. It's a kiss you've wanted to give him for a long time, but also one you're forced to keep short, just in case you're overstepping boundaries.

Arataka's eyes snap open and widen considerably, his face flushing even more than you thought was possible. He's speechless for a moment as he brings a shaky hand up to feel where your lips touched him, his heart beating a million times a minute, his breathing quick and shallow.

He just... Stares at you, starry eyed, for a minute, his mouth slightly agape.

He snaps back to reality.

"Again," he says impatiently, his tone demanding as he brings his hand down to rest, clasped with the other, in his lap. "As... The birthday boy, this is... Is my birthday gift from you. Kiss... Me, again."

You smile, letting out a slight chuckle at his slurred demand.

"You're sure you won't regret it tomorrow...?" You ask slowly, playfully, as you rake your fingers through his soft, blonde hair. You know he most definitely will.

Arataka shakes his head vigorously in your lap, though stops immediately when he starts to feel his head pound, wincing.

You just watch him for a moment, combing gentle fingers through his hair, smiling in amusement at his impatience. He whines when you don't do what he asked for yet, just staring at him, and he repeats his demand.

"Kiss me. Right... Here," he mumbles, tapping a shaky finger to his forehead.

You oblige, pressing a gentle kiss to his skin, pushing his bangs aside. He sighs, closing his eyes. And when you pull away, "Again," he says almost immediately.

You happily oblige, kissing him there once more.

He stops for a moment, breathing shakily, before getting up from your lap abruptly and wrapping his arms around you tightly. In the process of doing this, his unsteady movements cause the both of you to fall onto the bar stools beside you, so that Arataka is lying down comfortably on top of you; your noses almost touching, your lips just inches away from each other. He's so... Drunk, and so, so cute...

The bartender gives you a stern look, and you flash him an apologetic smile.

Arataka's eyes, half-lidded, fall down to your mouth, and he brings an unsteady hand to cradle your chin as he runs a shaky thumb over your bottom lip.

"...Can I...?" Arataka asks in a low, mumbly slur, his eyes unblinking as he stares at your lips.

You heart races as you nod, and it's barely a moment before he's pressing his lips tightly to yours, shifting and moving them until they're slotted comfortably against each other. His eyes flutter shut as he gets comfortable lying on top of you, getting more accustomed to the soft cloth of your clothes as he runs a hand down your side, getting more used to the soft strands of your hair that he's been itching to run his fingers through.

Arataka tastes... Sour, mostly from the drink he had a few moments ago. There's the faint, sharp tang of the alcohol, too; a sweet, distinct flavour, a rich undertone to the myriad of tastes you manage to sample as his lips shift against yours.

His lips are cracked, chapped, and dry, but you couldn't care less as he tangles a hand in your hair, the other holding your head in place as he tilts his own head to press his lips even more into yours. He grunts, seemingly not satisfied, and pushes his lips onto yours until the kiss is almost bruising.

Your face is flushed when you break the kiss. Though it's short, sweet, and chaste, it's clear that Arataka wants more. You both do.

Just as he's leaning in to kiss you again, the bartender taps your shoulder, glaring at you sharply and jabbing a thumb in the direction of the door. You blurt out a mumbled apology, scrambling to get up, Arataka nearly falling. As promised, he slips the bartender about one and a half times more money than owed.

You both wordlessly exit the bar, and as you walk, Arataka stumbles behind you. He's unsteady; his path is a winding zigzag in comparison to yours, struggling to keep to a straight line and nearly falling onto the road multiple times — and as a way to counter this, you wrap your arm securely around his waist. Arataka responds by leaning his weight onto you, and you both continue on without much issue or argument.

It's much later in the night now; the cars on the road are whizzing past the two of you, the shops all closed with their shutters pulled down over the windows.

The air is heavy with humidity, and you can feel Arataka's sweat from where he presses himself against you. Arataka himself smells of that familiar sharp, sour smell of sweat; the faint scent of salt; and that sweet, sweet cologne he wears. The fabric of the suit is soft as you grip him tightly, every step he takes making him sway more and more until it's clear he's going to either vomit or pass out.

A few moments later, he calls your name in a mumbly, shaky voice, before hurriedly pushing you off him as he staggers to the drain. Before you know what's going on, you're at his side as he vomits a sickly green bile.

You pat his back reassuringly, now only registering that he's vomiting.

Wiping his mouth with the back of his hand, Arataka grins at you, though his eyes are struggling to open and his smile is lopsided.

"We're staying... At your house, right?" He mumbles, though he stumbles slightly, and alarm flashes across his face as he swings his hands about to get balanced before he manages to stand straight again. He widens the skewed grin in his face, trying his absolute best to look charming, and failing. It's still adorable, though.

You snicker, nodding in response.

"Let's go, Arataka."

You slide your arm around his waist, and he leans nearly all his bodyweight on you as the two of you walk to your flat.

The walk is quiet as Arataka struggles not to vomit again, barely being able to stay awake to avoid falling unconscious in your arms — it would be a shame if you held him tenderly and he wasn't there to experience it. Nobody's on the streets, so it's just the two of you, save for a car that comes every so often.

The only sound you can hear is the steady tap, tap, tapping of your shoes on the pavement, followed by the much more unsteady beat of Arataka's shiny black dress shoes as he walks beside you.

Neither of you say anything when you walk, neither of you speak when you unlock your front door, neither of you argue when you lead him to your bedroom.

You set him down on the bed slowly, slipping off his grey coat and undoing his necktie. The whole time you're doing this, Arataka's just... Watching you. His eyes, fixed on you, are glassed over, unfocused — but full of so, so much love.

He doesn't say a word as he gets comfortable in your bed, and when he holds you in his arms, falling asleep, it's silent.

★ ★ ★

thanks for reading!!

second chapter !!

[ruinatlantis]

Honestly, thank god for the tumblr version of humans are weird/space orcs/whatever. I love the stories I read on here about discovery and interaction between different species and how cool space is. Every time I try to go to reddit (into the r/HFY one, which is supposed to be the same thing), all I get usually is stories of human's deadly military in space.

[wanderingwriter87]

okay okay which one of y'all finally put garashir on julian's memory alpha page

[theokusgallery]

Hiiii I saw you say you have Notes on your Remus and Janus designs 👀👀?

Could we see/hear some tidbits?

FOR SURE !! Here's what the original doodles for their designs look like, first off, (I know you didn't ask for Virgil but I did these three at the same time)

When I drew this I had just finished an exam and had to wait another hour until I could leave the classroom, so I wrote down enough notes that I had to flip the page instead:

Virgil:

- Virgil has light brown hair that he dyes black (badly). It is essential that the dye job look like shit. It looks artificial, his roots are showing, there's patches where the color didn't take, etc etc.

- He also has blue eyes, which I decided on mostly because it makes it even more clear that his hair isn't naturally black.

- He wears earrings, but his ears aren't actually pierced — they're fake little little clip-on things.

- He wears black nail polish at all times, but it's always chipped because he gets the cheapest stuff he can get his hands on.

- His hair (especially his bangs) get very long at times because he gets too socially anxious to go to the hairdresser. Back in middle school, he used to have Janus cut them for him (Remus could have done a better job but trusting him with scissors would have been a mistake). Now he mostly cuts it off by himself — it looks about as good as his dye job.

- Virgil's purple hoodie is a leftover from Remus' fashion design endeavors that Remus thought didn't look weird enough.

Janus:

- He has naturally strawberry blonde hair. The length is very important to him — he started growing it towards the end of middle school. (He allows Remus to experiment with hairdos sometimes as long as he doesn't cut anything off. I need to draw that sometime)

- I'm not entirely settled on his eye color. I know at least one of his eyes is a very pretty brown, but I have half a mind to give him a yellow glass eye for his left side — I'm not sure it'd make any logistic sense for his situation, though

- He got his ears actually pierced when he was 16.

- He also may or may not have a forked tongue. Not sure how I'd ever be able to show that off — but if he does have one, then Remus definitely was the one to encourage him to do it.

- His fashion style was definitely influenced by being around Remus (who may have used him as a mannequin/dummy because he's small.) so much. Remus also attempted to make clothes for him, but Janus is very fancy and picky, so he doesn't wear those clothes very often (though he might accessorize with stuff Remus made for him occasionally).

Remus:

- He has naturally very dark hair. He uses temporary/surface level dyes a lot, but if he's using permanent or semi-permanent dyes, he's usually limiting himself to the grey streak — it's kind of a sample strand, since it's already bleached. He 100% copied his hairstyle from Roman's.

- He (and Roman, of course) has greenish blue eyes.

- Janus paid for him to get his ears (and eyebrows) professionally pierced because otherwise he was just going to do it himself with a sewing needle.

- He has a lot of very shitty stick-and-poke tattoos he made/makes on himself. They're almost always hidden by his outfits.

- Speaking of which, Remus makes most of his outfits costumes himself. The quality of the work may vary, but they are always way too over-the-top for casual wear, because he stands out anyway, so... in for a penny, right. (As I said in the tags of a post: he is very creative and has no shame or social anxiety at all, so he had his whole aesthetic ("overdramatic green") figured out by the time he was 13)

- He also has SH scars, but, again — they're hidden by his outfits 99% of the time. He's a slut who never shows an inch of skin

[obscenicon]

i love how desperate some of yall are to call trans ppl you dont like retarded degenerates who need to be eradicated from the gene pool. and over homestuck of all things. but of course you cant say all of that so you just call them neurally degraded instead

[synthshenanigans]

the Identity lacking knowledge of its identity

[fun alt repeating thing above & neat alt versions below]

[kindaorangey]

hold on wait. wait. regime change between when show!armand leaves delhi, and when he's turned into a vampire. god. i'm thinking about his speech to madeleine, his "what will you do when there is nothing left of your era?". if he tried to visit the village he came from during his time with marius, he will likely have witnessed exactly that. within his mortal life. armand believes he is uniquely suited to endure immortal life, to adapt and survive no matter what. he might have seen the fall of the lodi dynasty while he was in his 20s; maybe that's why. but god. how devastating. his village might even have been destroyed in the fall of the lodi dynasty. what do you do if you are taken from your home and when you finally have the freedom and strength to return to it, it is unrecognisable to you. fuck.

[xxplastic-cubexx]

BIRTHDAY HAUL courtesy of a very lovely friend of mine 🥺

bonus goofy pics of a bday snack i had earlier with my favorite menace …..