#you don't understand what you are asking for. this man canonically has children and is married to someone else
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Wait, fuck, hold on-
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THEY CAN'T FUCKING BRING OUT AN ANTI-HERO ARTEMIS WHEN I'M IN THE MIDDLE OF STUDYING FOR FINALS!!
WHAT THE FUCK, DC?!? HOW AM I SUPPOSED TO FOCUS?!?
oh i am so excited holy shit. am i the only one getting slade vibes from her?? because im getting massive slade/rose wilson vibes from the single eye cover and im wondering if artemis is a plant, someone unconnected from slade who wouldn't be considered a threat, to go undercover and get close to the titans. this is also like, high-key a chance to make jade and artemis sisters and/or half-sisters in canon which would be neat. i know comics fans aren't huge on changes to the canon based on outside things but making them half sisters doesn't really change jades backstory, nor artemis'.
#i am beating back spitfire fans with a broom#you don't understand what you are asking for. this man canonically has children and is married to someone else#so you are only asking for heartbreak#also Artemis canonically has a kid with someone else#so. again. stop it. if it happens it will be SAD#which#... i mean honestly id be cool with it if it was like... a mutual breakup where they remain friends after#but i kinda want Artemis and Wally to get character development without romance involved so like#im team 'lets not do that pls'#oh holy fuck dc wait don't try to pair up roy and artemis. waid i love you i trust you pls no#this is the pain of being a fan of a female comics character lmao. immediately worried about a shoehorned romance#and don't get me wrong. i fucking LOVE YJs spitfire but this isn't that and it would be so different#and itd be real hard not to be different in a bad way#so#yeah#thats my thoughts#OH GOD FUCK IS ARTEMIS SUPPOSED TO BE FRAN?????? WALLY'S SUPERHERO/SUPERVILLAIN TEAMMATE GF THAT HE LEAVES THE TEAM FOR???#TO GO TO COLLEGE TOGETHER??????#Like. I know that Artemis took Frans place in YJ but is Artemis doing it AGAIN in CANON?? Waid no i LIKE Fran.#Shes magneto but cooler and she just wants to be normal and she was childhood bffs with Wally and she also murdered her family and grew up#with a cult mom. Fran is so central city coded. shes such a girl next door with skeletons in her closet#aughhh#dc#dc comics#kid flash#wally west#artemis crock#tigress#roy harper#speedy
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lavottino · 3 days ago
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Self-indulgent but mandatory "What if the strawhats were Italian" because it has been plaguing my mind for months.
I'm putting some context (and also some headcanons) for each drawing under the cut for anyone interested in better understanding what is going on, so expect a lot of yapping 😭
I think I will draw more Italian strawhats shenanigans in the future (I'm sorry for sidelining you like that Jinbe...), we'll see...
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1. Italy is divided into 20 regions, and I associated the 10 strawhats to 10 of those regions. The regions I chose have been mainly picked on instinct based on whatever felt right to me, so I wouldn't look too hard into it 😭
2. Tortellini are a type of stuffed pasta specifically from the Emilia-Romagna region (where I see Robin coming from) and even more specifically from the Bologna and Modena provinces; while fiorentina is typically from Florence (Tuscany) and Luffy would eat at least 10 of them a day if he could
3. Alberto Angela is a paleontologist and history and science communicator, and he runs some TV programs that mainly focus on history and science. He's well-spoken, he's educated, developing a little crush for him is basically a canon event, he's the IT Italian man if you ask me. Robin is watching Ulisse - Il piacere della scoperta, which is also the TV program that introduced me to him when I was like 9 😌
4. Table football is quite common in Italy (all my life I've called it biliardino, but apparently its name is calciobalilla? whatever ��). I don't really have a lot to say about this one, actually. I just think that a Zoro and Sanji team up would be unmatched (just like in animanga). Like 10-1 (AT BEST) kind of unmatched. If they receive a goal (which was definitely a fluke) they're going to mercilessly trash talk each other into scoring the most diabolically aggressive goal ever witnessed in the history of mankind (Chopper is scared of them) (Luffy thinks it's kinda funny) (Nami decided they won't play at the same time until they learn to chill out).
5. Paolo Fox is a famous astrologer in Italy and basically there used to be this Sunday TV program (Mezzogiorno in famiglia, they discontinued it some years ago but it's the show that Nami and Zoro are watching), where he was called in every week as a guest to rank the signs from 12th to 1st based on the luck, love, money etc. they were going to get during the following week. And whether you believed in astrology or not, you were still going to eat that shit up regardless because you just wanted to know where your sign was going to be placed.
6. Easter eggs in Italy are this big chocolate egg that contains a "surprise", which can be toys or various trinkets (bracelets, keychains, that kind of stuff). When Easter is coming, the supermarkets have full aisles of Easter eggs because there are multiple brands and multiple themes (for example, the ones specifically targeted towards children could be One Piece/Pokemon/Winx etc. themed, containing a surprise that is related to them). I like to think that Chopper would be so excited about the chocolate that he would eat it all without even looking at the surprise 😭 (it's lying somewhere on the ground, a forgotten soldier amidst the raging battle)
7. Neapolitan songs can go pretty hard when you don't have someone in your ear telling you how corny and cringe they are. Franky has a whole arsenal. If during a conversation he hears a word that reminds him of one of his songs, he will start singing it. Brook joins him whenever he hears him, and if he doesn't know the actual words to the song, he will still string together some notes with his guitar. Luffy and Usopp will join at a certain point, while the other strawhats enjoy the little show. If Franky is singing and Robin appears in his line of sight, he will switch to a romantic song and start serenading her. When this happens, Sanji joins too (not because he's trying to woo Robin, but because he will never miss a chance to serenade a woman 😌).
8. I just know Brook has en entire repertoire of love songs that he sings whenever Zoro and Sanji are fighting. In this case he is singing "Bello e impossibile" by Gianna Nannini, whose chorus goes something like "handsome, handsome and impossibile, with black eyes and your Middle Eastern taste" and then again "handsome, handsome and invincible, with black eyes and a kissable mouth/a mouth to be kissed" (it sounds more poetic in Italian I'm sorry 😭). They get mad and flustered every time. It doesn't matter if they are still dancing around each other or are already together. Brook has the time of his life.
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ckret2 · 8 months ago
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One of my favourite things about the book of Bill has to be how hard it has cemented that, for all the airs Bill likes to put on, he's actually awful at manipulating people. Like if you look at the just the show, on the surface his record isn't bad. 2 1/2 successful manipulations out of 3 shown on-screen is solid. ((That is until you examine it further and realize that the 2 successful ones were done to 12 year old children who 1. Weren't exactly in the best states of mind at the time due to severe sleep deprivation/a difficult emotional state and 2. he still had to trick via his power (the fake timer on the laptop/possessing blendin so Mabel didn't know it was him)) But now? Oh man! Ford wasn't just lucky, he joined a tradition dating back all the way to humanities beginnings! Bill has been trying to get people to do his bidding literally since people had gotten good enough at resource-gathering and tool-usage to be able to potentially build his portal! And he failed over and over and over again and he never learned shit! That would be bad enough but not only did he fail at manipulating several civilzations worth of people, they ALSO constantly thwarted him in ways beyond that! He got himself banished, trapped, and annoyed to hell and back and thats just the stuff he told us! Thats not even speaking of his latest and possibly greatest fumble, failing the convince us, the reader of the Book of Bill who is canonically a fan of Bill or at least Gravity Falls into striking a deal with him. In short, if I asked Bill to manipulate a child into eating ice cream with just his words I wouldn't trust him to get it done within my or the kids life time.
Except, Bill IS good at manipulating people. You JUST DESCRIBED several examples of him being good at manipulating people.
Identifying the most vulnerable targets, the "weakest link" most likely to cave and do what you want—like children (or elderly people with dementia, or immigrants who don't understand the language well)—is part of being good at manipulation.
Identifying and taking advantage of people in a compromised mental state when they're not thinking clearly and are more likely to do what you want is part of being good at manipulation. (He didn't try to persuade Mabel to destroy the laptop, BECAUSE HE KNEW DIPPER WAS MORE VULNERABLE. He didn't approach Dipper or Ford dressed as Blendin—BECAUSE HE KNEW MABEL WAS MORE VULNERABLE.)
Just straight up lying to people—about a situation (the timer), about a person (Blendin)—is a manipulation tactic.
Fabricating a totally artificial emergency and pressuring a target to ACT NOW to prevent disaster is a common con artist trick. (See: scammers who cold call strangers, say they're from the IRS and the stranger is behind on taxes, and demand they transfer a large amount of money from their bank RIGHT NOW or go to jail—WHICH ACTUALLY WORKS A LOT, especially because people CAN'T THINK AS CLEARLY when they're panicking.)
Disguising yourself as somebody trustworthy or somebody intimidating to trick a target into obeying you is also a common con artist trick.
Not to mention ALL the work we see into how he manipulates Ford: he makes note of Ford's social isolation and how Bill can use that to his advantage; he identifies the thing Ford wants most (respect & acknowledgment for his intellectual achievements) and weaves that into his manipulation; he uses both Ford's ego AND Ford's insecurity against him; he almost effortlessly turns Ford against the one friend who adores him, making Ford think his friend's kindest attempts to help are evidence of backstabbing; and even though ultimately it didn't work, you can't say that threatening to destroy Ford's life from inside his own body was a BAD manipulation tactic.
Plus the entire muse schtick. Fooling people into thinking you're doing something magical or supernatural is such a common manipulation tactic that there's a whole name for it: "mystical manipulation." Bill does this NON STOP with Ford, and with many of his other victims.
We see him successfully talk an entire tribe into helping him build a working redwood portal—and they only turned against him when the portal started petrifying people, unleashing monsters, and creating bottomless pits. He talked the Aztecs into sacrificing 9,000 people to build a portal that didn't even work. He talked not-Disney into making a cartoon about Bill that included UNLEASHING LIVE BEES IN THE THEATER. Who the hell would think that's a good idea!
And to top it all off, he formed multiple successful cults that were ride or die for him until the bitter end. That's like the crown jewel of being good at manipulating. Bill talked a whole town into joining his cult in under a month in spite of the fact that he kept calling them plasma bags and chugging formaldehyde. Based on the dates in the document about Silas Birchtree, people were marrying into Ciphertology at least five years after Bill's puppet disintegrated and he ditched them.
Bill was good at manipulating people!
Do you know what Bill WASN'T good at? Getting people to finish and open a portal.
Largely because portals are difficult to make, and because he can only get so far into the process before it becomes obvious that this thing will destroy the world and that's usually enough to override any other threats or promises he makes.
Yeah, he says some stupid things that should obviously give him away—like talking about setting off all the nukes. He's kinda pathetic and a bit of a dumbass sometimes. But, here's the thing about successful manipulators, con artists, and cult leaders: MOST of them are kinda pathetic dumbasses. Cult leaders are idiots. There's a cult leader who preached his followers should be on minimal vegetarian diets, had his chauffeur take him out to a big fancy steak dinner, then told his chauffeur he did that to test his faith—and the chauffeur was like well okay. Cult leaders are idiots, AND YET SUCCEED. When Bill says you can get anyone to hum along with your tune if you've got charisma? He's right—that's true in real life.
Manipulators get away with manipulation not because they tell such brilliant impeccable lies that the most clear-headed rational person in the world would believe them... but because they know to tell their lies to people who aren't clear-headed and rational, and because they know using cheap tricks and false identities and lies that the victim WANTS to be true works better than a flawless story, and because they know most people tend to give other people the benefit of the doubt that what they're saying is probably true.
So yeah, he's too cocky, he's a bit pathetic, he lost a lot, he loses at the end of the book... but that doesn't mean he's a bad manipulator. It means that being good at manipulating can only carry you so far, and Bill didn't have what it takes to carry him the rest of the way.
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offtorivendell · 2 months ago
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What you all seem to be missing is that this isn't even a topic of infertility, it's of delivery. The discussion is NEVER "can Elain get pregnant" because the problem was not "could Feyre get pregnant." The plot introduced into the series was what happens after she became pregnant and carried the baby to term, could a non Illyrian safely deliver a baby with wings which has now carried over into the discussion of Elain since it's canon that Feyre and Nesta were changed while we were not told the same of Elain. It's not a reason Elain can't be with Az but it is a valid topic of discussion within this series since the author posed it as a plotline. In the real world, most women safely choose a Caesarean section if they're dealing with delivery issues in their pregnancy so acting like delivering a winged baby has real world implications is simply you jumping on a pedestal for something to yell about. That's not to say there aren't delivery issues in the real world but this scenario is not one of them.
TW: death, infertility, pregnancy and childbirth related trauma. Also a brief mention of sexual assault.
Hi anon,
Respectfully, please stop being deliberately obtuse. Let's break this down, line by line.
What you all seem to be missing is that this isn't even a topic of infertility, it's of delivery. The discussion is NEVER "can Elain get pregnant" because the problem was not "could Feyre get pregnant."
I'm aware! I assume that you sent me this ask because I reblogged an old post of mine yesterday, so what you seem to be missing is that I've already discussed this.
Here, where I implicitly acknowledged both infertility and trauma related to pregnancy and childbirth as potential triggers in the post:
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And here, where I explicitly stated that we know you guys don't mean that Elain is unable to conceive at all - which is impossible to know, as per the text she hasn't tried. If you read what I wrote, you'd see I said that - assuming Nesta had not changed her anatomy and would not be able to in the future, or that Elriel would even conceive winged children if they wanted kids at all - Elain and Azriel together would be functionally infertile*, as any child with wings (which is not a guarantee, by the way, though as you guys treat it as a foregone conclusion I worked off that premise) would die before or during birth, killing Elain at the same time.
* Is it more correct to say they'd suffer from "impaired fecundity"? Yes! But please read a little further.
The plot introduced into the series was what happens after she became pregnant and carried the baby to term, could a non Illyrian safely deliver a baby with wings which has now carried over into the discussion of Elain since it's canon that Feyre and Nesta were changed while we were not told the same of Elain.
It's really not hard to understand that we are discussing a fictional woman's ability to successfully have a specific man's children, and that their impaired fecundity does not (or should not) impact her worthiness to be loved by that man; that it has been equated to the struggles that many real, living people have experienced with regards to conceiving, carrying their babies to term and giving birth; and that - while an oversimplification - all these issues are being lumped under the umbrella of "infertility struggles" to be concise and accessible.
That being said, let me correct you quickly. While you very carefully said that we were "not told the same of Elain," with regards to Nesta changing her anatomy, you neglected to mention that SJM actually had her choose wording that didn't explicitly exclude Elain from the change, either.
The brisk spring wind whipped her golden-brown hair across her face. “I gave it back to the Cauldron in exchange for the knowledge of how to save them.” She swallowed. “But a little remains. I think something else—someone else—stopped the Cauldron from taking all of it. And I made some changes of my own.” The Mother. The only being who would see the sacrifice Nesta had made and give a little back. Perhaps it was she who had peered out at them through the Mask. “What did you change?” Nesta rested a hand on her abdomen. “I changed myself a little, too. So none of us will have to go through this again.” - ACOSF, chapter 78
Also of note, Nesta specified she had the "knowledge" to perform the change, which suggests that even if Elain wasn't changed then, it could be done in the future.
It's not a reason Elain can't be with Az...
Literally all that ever needs to be said on the topic.
... but it is a valid topic of discussion within this series since the author posed it as a plotline.
You should have stopped after the first half of the sentence. Elain's lack of pliable bones - ie. the second half of the "Illyrian womb" discussion that posits Gwyn as the only logical love interest - is not even a medically accurate theory, so it shouldn't be entertained full stop. While SJM may have posed Illyrian womb/wing issues as an issue for Feyre and Rhys, she never suggested it would impact any couple's decision to get or stay together. In fact, Nesta and Cassian were mates while Nesta was still unable to birth winged babies, too.
In the real world, most women safely choose a Caesarean section if they're dealing with delivery issues in their pregnancy so acting like delivering a winged baby has real world implications is simply you jumping on a pedestal for something to yell about. That's not to say there aren't delivery issues in the real world but this scenario is not one of them.
Once again I'm asking you to put your thinking cap on.
Obviously we do not have to consider the delivery of winged babies in the real world, but if you cannot see how the frequent suggestion (that Elain's hypothetical inability to successfully have Azriel's children is a valid reason as to why an author would separate, or even hint at separating, a potential couple) could be hurtful and upsetting to the many people who have/are currently struggling with infertility - or who have lost their much wanted and loved babies during the course of pregnancy or childbirth - then I have to assume that you're either suffering from a catastrophic lack of empathy or, respectfully, you have a sheep or two loose in the top paddock.
As I mentioned in the post I linked above, if the fandom is (rightfully!) expected to handle the topic of Gwyn finding love after experiencing SA with grace - out of respect for real life assault survivors - then it is not wrong to expect the same degree of care in return when discussing the anatomy change in ACOSF, out of respect for those who have trauma associated with infertility, pregnancy and childbirth in real life. It's an incredibly simple act to listen in good faith, rather than jumping straight to accusing us of wanting to "yell about" something just because you are prioritising shipping discourse over being kind.
It's 2025, the "Elain doesn't have an Illyrian womb or pliable bones" theory is both medically inaccurate and hurtful, and it really needs to end here.
Please.
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flowerandblood · 11 months ago
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The Fall from the Heavens (37)
[ canon • Aemond x Strong • niece female ]
[ warnings: angst, attempted murder, descriptions of wounds and their effects, descriptions of the fight ]
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[ description: A cool distance turns into friendship and more when two children see that they can find refuge and understanding in each other. However, naïve dreams collide with the reality in which every event has consequences and what once could have been love becomes a dark, newly painful obsession. Angst, sexual tension, obsession, violence, madness, very dark Aemond. ]
The story in this series is an alternate reality from the oneshot Stay and love, leave and die, in which Aemond reads the letters his niece has sent to him over the years. They are the same characters and it shows what would have happened between them − I have changed the background story from their childhood slightly for the sake of the plot.
Characters & Series Moodboard Lady Strong Moodboard Aemond & Lady Strong Moodboard Aemond & Lady Strong Childhood
Remember to read Alys POV before this chapter: click
* English is not my first language. Please, do not repost. Enjoy! *
Next chapters: Masterlist
_____
Jace's presence in Harrenhal was making him furious – although he was staying in his chamber, offended apparently at the whole world, he was irritated by the very fact that it was unclear when he intended to return to Dragonstone. His wife noticed his sullen mood and, to his satisfaction, decided to speak with her brother. What he heard when she returned to their quarters, however, shocked him more than relieved him.
"What?" He asked, hearing that this fool intended to take Alys Rivers with him.
"He fucks her?" He sneered, raising his eyebrows in amusement. His wife sighed heavily, burying her face in her hand, exhausted.
"I don't know. He didn't refer to her as his mistress, just his relative. Which in our family, unfortunately, leaves a lot of room for interpretation, as you know, uncle." She muttered, stroking her slightly rounded belly as she walked slowly to the window. He involuntarily chuckled at her words, shaking his head.
One of the things he had treasured about her since childhood was the irony she was able to frame with her own characteristic gentleness.
"He was seeing her without your permission?" He asked lowly, looking down at his fingers. His niece sighed heavily.
"Yes."
"Are you going to leave this insult unanswered?"
"I don't have the strength for it, Aemond. Let him do what he wants. He plans to leave for Dragonstone tomorrow morning."
He hummed under his breath, spreading out comfortably in his chair, satisfied.
"Wonderful."
They both shuddered as one of the guards walked into his chamber without warning. The man bowed before them.
"What is it?" He asked coldly.
"Your Grace. We have come across the trail of Larys Strong."
He got up from his seat and nodded at the man to come closer, feeling his heart pounding like mad.
"Speak."
"Lord Strong was seen an hour's ride on horseback from Harrenhal. Someone noticed people moving around in the ruins of the old fortress at night and recognised a man limping on one leg among them." The man replied.
He pressed his lips together in contentment, thinking that the moment had arrived when he would finally be able to cut off the head of this viper and throw it to his wife at her feet.
"Assemble the troop. We leave at nightfall."
His wife watched from the sidelines as he and his commanders discussed how to plan their expedition.
He decided he would fly on Vhagar to raze Lord Strong to the ground.
"What if it's a trap? Doesn't that seem too easy to you?" She muttered uncertainly, stroking her lower abdomen in a nervous gesture with her trembling hand, looking up at him with her big eyes. He stared at her wordlessly, fastening the buckles of his leather coat, changing into his riding attire.
"I'm sure it's a trap. Nevertheless, it won't be much of one if I burn them alive." He hummed, grasping her face in his hands, placing a lingering, wet kiss on her forehead. He heard her swallow hard, stroking his shoulder.
"The fire won't reach him if he's hiding underground. Perhaps it would be better if I flew with you?"
Her suggestion made him boil with rage.
"I think you have completely lost your mind." He said coldly, his pupil narrowing dangerously in frustration.
"I will assign you my most trusted guards to look after our quarters. You are not to leave them until I return. Do you understand?" He asked drily, impatient.
She nodded her head.
His hands cupped her warm cheeks as he leaned in to place a comforting, tender kiss on her sweet lips, but he stopped in mid-motion when the door to his chamber opened.
He turned over his shoulder, frustrated, and saw Jace before his eyes. His nephew was breathing heavily, looking at him with wide eyes.
"I fly with you."
He snorted at his words, dropping his hands in a gesture of helplessness.
Gods, give me fucking patience, he thought.
"Don't make me laugh. Take your whore back where you came from, and get out of my sight." He growled, his wife lowered her gaze in horror and embarrassment. Her brother clamped his mouth shut at his words, furious.
"He wanted to kill my sister."
"Then stay with her and protect her as befits a man."
"I'm not going to stay here while you fight!" Jace exclaimed.
"So this is as always about your pride? Hm?" He hissed, dimly recalling the day he, Aegon and Luke had brought him a pig, finding it amusing that they could humiliate him so easily.
It was always about making him feel better at someone else's expense.
He walked towards him, towering over him, wanting to show him who was the rider of the greatest dragon in the world, who had the last word.
"You are our guest, nephew, and you are straining my patience. I tolerate you only for the sake of my wife and my child in her womb."
"My aunt saw a sea of blood in her dream. She thinks something is going to happen there. I want to take revenge on the man who tried to poison my little sister and her child. I ask you, uncle, to let me fly with you."
He looked at him for a moment, hesitating.
The witch's words made him feel uneasy and he didn't know what he thought about it himself.
"Aemond. Please." His wife mumbled, looking at him pleadingly, her fingers clenched on her stomach.
He licked his lips impatiently, sighed heavily and nodded.
The guard who had informed them of Lord Strong's location had shown his troop on the map where the fortress was, so he ordered his nephew to simply fly after him.
Soaring into the skies on the mighty Vhagar, he felt shivers, cold and discomfort running along his spine, some premonition and anxiety from which he was all tense and vigilant.
My aunt saw a sea of blood in her dream.
On the dragon's back they would have reached their destination faster than his soldiers, so they simply circled above them, adjusting their flight speed to maintain the effect of surprise.
After many minutes, he spotted a small, abandoned fortress, or rather its ruins, in the distance and pressed his lips together at the thought that fire couldn't do anything here – the stronghold was made of stone and they, according to his wife's words, were probably hiding underground.
They wasted no time and landed, heading inside immediately with they troop and torches – he ordered his soldiers to search thoroughly all the rooms of the fortress, himself with his nephew and his commanders descending into the underground, feeling the cold sweat on his back.
There were no signs of anyone's presence, the keep looked like it had been abandoned for years.
Something was wrong, he could feel it, and after a moment he heard the voice of one of the men behind him.
"Long live King Aegon!"
He only had time to turn around when he heard the sound of blades being drawn, one of the commanders swinging a dagger, intent on slitting his shocked nephew's throat. Jace lowered his torch, terrified, taking a few steps back.
"NO!" He shouted, furious, sliding his sword out, wanting to step in front of him and shield him, however, the other soldier stepped in his way.
"Do not protect this traitor, my Prince."
Without thinking about what he was actually doing, with one sweeping swish of his sword he decapitated the man, whose head fell with a loud thud to the ground. Not looking at his inert body, he rushed to the aid of his nephew, who drew his sword and tried to defend himself, pale and trembling with fear.
"UNCLE!" He called out in despair like a small child, trying to push one of his opponents away – there was something in his expression, in his dark eyebrows arched in terror and fear, in his bright eyes that reminded him of her.
He thought they resembled each other when he pushed him away and felt someone's dagger thrust into his back – he drew in a loud breath as he looked at his face full of disbelief, thinking he should have listened to her.
"NO!" He heard Jace shout, throwing himself towards him as he fell to his knees, his soldiers moved away, horrified, looking at him in disbelief.
"Gods, what have you done?" Shouted one of them, the other began to run away, followed by the others, throwing their torches to the ground, clearly afraid of what would befall them for what had happened.
The stab of that blade was not meant for him.
He clutched at his wound and hissed, feeling immense, burning pain, his warm blood beginning to run down his back. He heard the neighing of horses in the distance and then someone's screams as his nephew knelt beside him, trying to lift him up.
"– fuck – fuck,fuck,fuck,FUCK! –" Cursed Jace on the verge of crying, clamping his hand over his wound, trying to stop the bleeding.
He thought, breathing heavily, terrified and shocked that he would die here, abandon her even though he had promised himself he would never leave her again.
"– I want to see her face one more time –" He muttered in a trembling voice, afraid of what could come, afraid of death, afraid of what his family would do with her when he was gone.
If they believe it was Jace who killed him, that this was all a trap set for his life.
"– you'll, uncle – come on – just don't fall asleep –" Jace gasped, throwing his arm over his neck in an attempt to rise with him. He shuddered and drew in a breath as a stocky, bearded man rushed in, panting heavily, his palms in blood.
He looked at them with wide eyes as if he had seen a ghost, holding a torch in his hand.
"Good gods." He muttered.
He couldn't remember much of what happened next – he felt the man helping Jace lead him outside, all around him the screams of men being butchered like animals on the orders of the man who had come to their aid.
He felt it was getting harder and harder for him to keep his eyes open, his head was humming, warm blood running down his leg.
"– just a little more – don't fall asleep, uncle – don't fall asleep –" He heard Jace's voice as if in the distance.
He closed his eyelid, praying to the gods to protect his wife if they decided his time had come, to let her give birth to his child without pain, to let her see Essos as he had promised her.
He hissed loudly as someone picked him up and then began to pull him onto something rough – he felt someone slide him into the saddle, and then someone's figure sat behind him before rising into the sky a moment later, the crisp, chilly night breeze cooling his hot face.
"– don't fall asleep, uncle – hold on –" He heard his nephew's pleading voice and hummed sleepily under his breath, remembering her face.
When he closed his eyes, he saw her standing in front of him, terrified and flooded with tears then, when he lost his eye.
He felt a similar pain, though not in his face, and had trouble concentrating, her words seeming to him to be mere mumbles coming from afar.
"– I'm with you – you won't die – you won't die –"
He shuddered and opened his eyes, a loud hiss came from his throat as he felt a stinging, deep pain in his back. The sound he made woke up the person who was apparently lying next to him – she had risen, but in the darkness of the chamber he could not see her face, however, he immediately recognised her scent.
Vanilla.
"– Rhaenys –" He muttered, trying to lift his hand towards her, but he was unable to and it fell numbly to the bedding.
"– I am here, my beloved –" He heard her whisper beside him, her gentle, soft hand touching his hot cheek.
He sighed quietly, feeling a squeeze in his heart and throat at the thought that she was not disgusted by him, that she still loved him despite the fact that he would forever be crippled.
"– I knew you would come –" He said quietly, seeing her silhouette leaning over him as if through a mist, her puffy, moist lips placed a kiss on his forehead.
"– do you still want to marry me? –" He asked with difficulty, breathing hard, feeling that through the fever his eye were closing again, but he needed to hear it.
He needed to be sure that the great scar he would have on his face from now on and the absence of his eye did not cross him out as her future lover and husband.
Her figure froze, her thumb stroking his jaw.
"– uncle – we are married – I'm expecting your child –" She whispered in a trembling voice, gently grasping his wrist, guiding his hand to her slightly rounded lower abdomen.
He swallowed hard, furrowing his brow, and then looked at her, suddenly understanding, feeling tears burning under his eyelids, involuntarily smiling.
"– I have married you –"
"– yes, my love – I am your wife and you are my husband –" She said softly, leaning towards him, her sweet, moist lips pressed against his in a warm, tender kiss, from which his heart thumped harder in his chest.
"– you promised me that you would take me to Essos – you can't leave me now –" She mumbled out in a breaking voice, nuzzling her forehead against his, her gentle hands stroking tenderly his heated, sweaty cheek.
"– never, my sweetest – never –"
He whispered, feeling calm, and after a moment a quiet, warm darkness enveloped him.
When he woke up again, he was blinded by the brightness; he hissed and raised his hand, trying to cover his face. He heard someone get up from a chair and walk over to the bed, sitting down next to him on the sheets.
"– Aemond –" He heard his mother's voice and blinked, running his hand over his face, wondering if it was a dream. Her familiar fingers caught his wrist, squeezing it tightly, as if she needed to make sure he was really awake.
"– my son –" She muttered in a trembling voice. He lowered his hand and saw her face, pale and swollen from the tears she had clearly had to shed over his bed for days.
He could not remember what had happened and why he felt such a terrible pain in his back.
"– where am I? –" He choked out, sighing heavily, tilting his head back, feeling like his skull was about to burst.
"– in Harrenhal – you had a fever for days and were delirious –" She explained, taking his hand in hers, stroking it affectionately. "– I arrived as soon as I found out – Daemon is here too –"
He swallowed hard, memory after memory regaining his awareness of what had happened, Jace's terrified face and the blade stuck in his back.
Don't fall asleep, uncle.
He looked at her in horror, looking around.
"– where is Rhaenys? –" He asked, tense and concerned that she was not by his side, that perhaps someone was trying to hurt her while he lay in bed, unaware of anything. His mother furrowed her brow and shook her head.
"– who? –" She asked, as if she didn't understand what he meant.
He felt a cold sweat on his back at the thought that her silhouette lying by his side was merely a figment of his fever-ignited imagination.
"– my niece –" He muttered. His mother nodded, and it was only then that he realised that no one but him had called her by that name.
"– she sleeps – she stayed by your side for days and nights, but we feared it would harm both her and the baby – her brother persuaded her to rest –" She explained, stroking his hand with hers.
He closed his eyelid, feeling incredibly, wonderfully relieved at her words.
"What happened?"
His mother pressed her lips together, lowering her head.
"Your wife sent a letter to your brother-king. It appeared that Lord Strong, in consultation with your grandfather, wished to deprive Rheanyra of her two children and her dragons in one fell swoop. While Jace was to be murdered away from the fortress, your niece was to be abducted so that your grandfather could pact with you for you to join the war, but with the help of Alys Rivers she hid in her chamber."
He stared at her with wide-open eye, feeling a squeeze in his throat and discomfort in his stomach, a cold sweat running down his back.
Your niece was about to be abducted so that your grandfather could pact with you for you to join the war.
"They wanted Daemon and Rhaenyra to believe that it was you who betrayed them. That you had such a plan all along, to take revenge on her for your eye."
She whispered, looking at him with a sad, tired look.
Only after a moment did he realise that his mother's gown was black.
"Your brother-king sentenced my father to death."
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jackoshadows · 3 months ago
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"... best you have a new face as well.” He cupped her chin, turned her head this way and that, nodded. “A pretty one this time, I think. As pretty as your own." - Arya, ADwD
A recap and a lesson for fandom newbies -
We have this CANON ACCURATE fanart of Arya Stark from the incredibly talented Tonyloom with the long face, brown hair and grey eyes dressed for feast time at Winterfell as the daughter of the Warden of the North.
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A Sansa fan gets triggered by this Arya fanart because it's different from ones that Sansa stans usually like for their 'Stark sisters' fanart - where Arya is drawn dark skinned to highlight Sansa's fair complexion because Sansa is beautiful and Arya is ugly, where Arya is missing teeth, always a sword in hand, messy hair being braided by Sansa to conform to what Sansa likes etc. - and goes on an insane rant about how Arya fans don't want Arya to be ugly because of equating goodness to beauty....
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So Arya fans respond to this attack on the fan artist and point to the book text where several characters call Arya pretty and beautiful and ask why they should consider the character ugly when she is not in the text of the books.
A BNF then jumps into the discourse and reblogs the 'Arya is ugly and Arya fans have internalized misogyny' post and pretends that Arya fans are the ones starting this whole discourse on Arya's looks.
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BNF tags it as 'This is weird discourse, who cares if Arya is pretty'. Who cares if Arya is pretty? The weird, racist Sansa stan that you reblogged the post from, who got triggered by some Arya fan art and had to go on an entire rant, that's who. Who cares? Well you cared enough to reblog an 'Arya is ugly' post and point fingers at Arya fans, that's who.
And now the BNFs reblog spreads like wildfire amongst the casual fans and we have many who actually think that canon Arya is ugly and Arya fans just have internalized misogyny. This, children, is how the many wrong but popular fanon gets created.
Remember, this BNF had nothing to say about racist Arya fanart. Nothing to say about sexist posts where Arya is masculinized and her femininty stripped from her. Nothing to say about the many posts from Sansa stans/Jonsa shippers about how Jon is repulsed by Arya's ugliness and loves Sansa because she is so beautiful.
But they had to step in and make sure everyone knew that Arya is ugly and it's Arya fans who are the problem.
This is actually nothing new. The reason there is so much wrong misinformation about Arya and Daenerys, and the way this fandom has opinions about these two female characters, is because it's been crafted over decades of fandom BNF's spreading posts and meta like this through BNF blogs like Asoiafuniversity. Explained so well in this post here:
Villainizing Arya fans as 'bad fans' has long been a thing in fandom. Asoiafuniversity, which was the goto place for all things asoiaf in those days, had actual posts equating Arya fans to Walter White fans from Breaking bad who hated on his wife Skylar.
Keep in mind, this is an actual quote from a post on the most popular asoiaf blog when the fandom was very active:
The interesting thing about Arya is that unlike most of the male Bad Fan icons, she doesn’t have a wife to embody her Bad Fans’ frustrations and serve as an outlet for their ire – no Betty Draper, no Skyler White, no Carmela Soprano. Instead, she has a sister, Sansa, who winds up serving the same function. Much of Bad Fandom is a gendered phenomenon, pulling for he-man figures against shrewish wives who just don’t understand them. It’s fascinating to see how the phenomenon can alter itself to accommodate a female-female pairing while still targeting characteristics we typically gender female. The Bad Fan is nothing if not durable.
So much toxic sexism masquerading as feminism, where they equate Arya fans to the chuds who hate female characters and whose unfair target is Sansa because she is 'female'. And Arya is a 'he-man' figure....The mind boggles.
But this was the typical vile sexist garbage Bnfs were spewing about both Arya and Daenerys in the days when fandom was most active and this is where a majority of the sexist opinions about Arya and Dany comes from.
This is why these canonically wrong aspects of these characters are so widespread and entrenched in fandom thought that it doesn't matter if we use actual book quotes to show that it's the exact opposite.
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Do You Know This (non-canon) Autistic Character?
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Disclaimer - People are allowed to like fictional characters but not like the author. This does not mean we/they support JK Rowling.
Propaganda
This post which includes:
He doesn’t participate in any social meetings. He’s quite miserable during the Christmas in Harry’s third year. He patrols the corridors and the grounds instead of attending the Yule Ball. He doesn’t stay for dinner after the Order meetings. He only attends the DE meetings because he has to.
His peers at school think he’s weird. Lily’s friends from Gryffindor don’t understand why she’s friends with him. When Harry asks why the Marauders bullied him, Sirius says he was different, weird, he was an "oddball". Autistic children and teenagers are often bullied because they are perceived as not normal, awkward, weird.
He doesn’t make a normal eye contact, he stares a bit too much. It can be partly explained by Legillimency, but he stared too much even as a teenager.
There’s a difference between how he speaks as a teenager and as an adult. It doesn’t sound entirely natural, he definitely had to put effort into that. It’s partly because he doesn’t want to sound like a poor man with a northern (?) accent, but autistic struggle with fluent communication may also be a reason.
He’s quite rude. He might be just *evil*, but he may just not fully understand how cruel he actually sounds. From his point of view he’s just honest and doesn’t beat around the bush. OK, maybe he’s a little mean, but not cruel… right?
He uses sarcasm (a lot of autistics actually do), but he doesn’t really appreciate Harry’s and other people’s sass, he treats their words too seriously.
He seems a little oblivious to other people’s emotional state and seems to analyse their behavior more intellectually.
He has special interests: Dark Arts / DADA and Potions.
He has his own collection of Potions ingredients, including rare ones, collection of weird jars (I guess they may contain some Potions ingredients, but also he may like them because of visual stimming aspect) and vast collection of books at home.
His Potions ingredients must be very orderly, he knows immediately that something is missing and what it is.
He doesn’t wash his hair as often as he should. It could be partly because of his poor background (he was neglected, he wasn’t taught to take a proper care of his hair, he didn’t even have a real bathroom as a child), partly because he has no one to look nice for, partly because of the Potions fumes. Autism might make him care less about his appearance. (He does care about hygiene though. Apparently he shaves regularly and Harry would certainly notice if Snape was dirty or smelly. His sallow skin and teeth have nothing to do with hygiene, it’s a result of his poverty and malnutrition.)
He has some sensory issues. He wears the same, a little baggy robes (they flutter as he walks). He’s sensitive to light: his Potions classroom is dim (it’s in the dungeons, but he could brighten it up with magic); he makes his DADA classroom dim, even though it’s no longer in the dungeons; when Harry comes to his first Occlumency lesson, Snape waits for him in a dark room. (You know, people don’t do things like that because they’re evil, it doesn’t make sense).
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jayceofprogress · 27 days ago
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(Can I ask why you write Jayce as cis but you roleplay with trans Viktor’s? Is there any reason you see Viktor as trans but not Jayce?)
(Hello! I'm putting my response under a cut because it got long.)
So first off, you've mentioned that the main Viktors I RP with are both trans, and that's correct, but I need to point out that my RP partners have written and developed their characterizations of Viktor themselves, and I honor that in my RPs with them. It's not quite correct to say I've deliberately chosen to write a cis and trans pairing, it's just so happened to work out that way, kind of like how it does all the time in real life when cis and trans people end up in normal, healthy, loving relationships with each other; the same way cis and cis people do, and trans and trans people do.
I love trans Viktors, I love trans Jayces, I love any and all interpretations and versions of all the Arcane characters and have seen plenty of trans Jayces that I think are excellently written and add a lot to his character. I also know there's been a lot of great discourse around the fact that fanon commonly accepts Viktor as trans more readily than it does Jayce, and how that's related to harmful stereotypes around what trans men do and don't look like, which also intersects with how POC are treated differently when it comes to their transness/gender conformity or non-conformity (Jayce as a Latino man, obviously being relevant). I'll clarify that I personally disagree with the (many, many) fanon versions of Jayvik that paint Jayce as an aggressive, tough, domineering manly man, and Viktor as a wilting, hyper-feminized submissive flower. I think treating them that way absolutely does lend itself to fetishizing, racist, transphobic and colourist rhetoric that totally contradicts both characters and frankly doesn't make a whole lot of sense in either canon or fanon storytelling. My version of Jayce, like canon Jayce, is sensitive, romantic, gentle, and an absolute bottom, regardless of whether his partner is cis or trans.
So with that out of the way, onto your actual question: the version of Jayce I personally write and headcanon is cis for a few reasons.
The main one is that a lot of his characterization and the dynamic between him and Viktor is built around a pretty core imbalance of privilege and a misaligned understanding of the necessity of autonomy and self-determination. There are certain lived experiences Viktor has had that Jayce has not: growing up in extreme poverty, growing up physically disabled, growing up socially ostracized—he was excluded from the other children even within the fissures, which meant he experienced multiple layers of marginalization even for a Zaunite. Jayce experienced hardships of his own, but they weren't the same. Jayce is physically strong, able-bodied, conventionally attractive and in a flexible enough position that he's able to finagle a little of his upward mobility into the way he presents himself, getting a good education, and convincing the Kiramman family to sponsor him, which is all indicative of his relative ease in navigating Piltovan social rules.
While Jayce struggled with plenty of different things, in my interpretation he didn't personally struggle with physical disability or gender dysphoria, and that's important because when he later makes certain decisions on Viktor's behalf against his wishes related to his body and his health, it comes from a place of complete ignorance. While he deeply loves and accepts Viktor unconditionally, he fundamentally does not understand him in many ways. He had no way of appreciating Viktor's perspective based on his lived experiences as a disabled (and, in many interpretations, trans) man, because for Jayce, he'd never been in a position where his own bodily autonomy had ever been in question. It's also why, when Jayce later becomes disabled himself, it's such a significant change for him and his worldview. The concept of intent vs. impact is core to Jayce (and Viktor), and personally is one of my favorite things about the pairing.
Finally, I use they/them pronouns and don't identify with either a strictly feminine or masculine gender expression but that doesn’t mean I necessarily want to exclusively write about or from the perspective of characters that share my experiences. And what's gender-affirming to write about for one person might not be for another, and that should be respected too. If it gives you gender euphoria to write from the perspective of a person with the same or a different gender or physical attributes than yours, then you should absolutely do that.
I think the discourse is good and appropriate, but I think it can also sometimes scare people away from writing about what they want to write about because they're so focused on adhering to morality that they lose some of their ability to think critically or to accept nuance. Jayce is not perfect, and I'm not trying to write him to be perfect. Friction creates good, interesting storytelling, and that's what I like so much about Arcane as a source material. I could probably also go into the fact that demonization of cis men can be a little bit of a slippery slope into TERF ideology, but I've already written an absolute novel so I'll stop there.
I'm hoping this was asked in good faith and that I've covered it with this answer, but also, if you'd prefer not to read about a cis version of Jayce, that's cool and I would completely understand if you’d prefer to unfollow or block and to find another version that you vibe with better. ❤️
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saintsenara · 3 months ago
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hey :)
do you have any thoughts on when death eaters are given the dark mark? because the order say that voldemort wouldn't make someone who's still at school but then draco has the dark mark when he's sixteen.
thank you very much for the ask, anon!
we only know of one death eater's actual age at marking - draco malfoy, who, as you say, was sixteen - from canon, although barty crouch jr and regulus black are also heavily, heavily implied in the text to have been marked before they left hogwarts.
the point of the order's conviction in half-blood prince that voldemort doesn't care about underage death eaters is that it's completely wrong.
this is largely for narrative reasons - it separates harry, the person in the series who understands voldemort and his motivations best, out from the rest of the order, who never quite manage to wrap their heads around the dark lord's psychology, and it's another example of the classic "the adults are useless and don't listen and the child-hero is right" trope which is found in all children's literature. it also ties into the role slughorn plays in the plot of half-blood prince, as someone willing to turn a blind eye to children committing evil.
from a watsonian perspective, getting the death eaters while they're young also - obviously - greatly helps voldemort when it comes to controlling, frightening, and indoctrinating them. a sixteen-year-old new recruit is - generally - going to be much more malleable than a sixty-year-old one...
but - as i've said elsewhere, in reference to when snape was marked - there's no canonical evidence that voldemort follows any sort of set timeline when it comes to granting the mark - it's not a "reward for passing your three-month probation" sort of thing.
and nor do i think it would make sense for him to do that. instead, it's much more plausible that he marks his death eaters at his own discretion, whenever he views it as most beneficial to him for him to do so.
draco is marked at sixteen - the moment voldemort decides to use him to kill dumbledore - as a way of sending a message to lucius and narcissa. draco taking the mark emphasises how little regard voldemort holds lucius in after the cock-up in the department of mysteries, because it involves voldemort taking ownership of [and literally branding] his son. draco bearing the mark also enables voldemort to circumvent lucius and narcissa when it comes to communicating with draco, summoning draco to see him, and so on.
it's also a grooming tactic which wins draco over to what voldemort canonically intends to be a suicide mission [another punishment for lucius]. as i've said here, draco accepts the task the dark lord gives him because he wants to avenge his father's incarceration, believes that lucius being in prison makes him the man of the house with a responsibility to protect his mother and honour his family name, and sincerely thinks that voldemort's aims are the establishment of pureblood oligarchy, in which families like his will be at the top of the pile.
[he learns otherwise soon enough...]
voldemort marking draco quickly makes him feel special and like voldemort values him - something which is crucial to him being easily manipulated. making him wait is something voldemort would understand as likely to drive him to resent the dark lord and cause trouble for him.
and the need to maintain this desire to be special would clearly also be the driving factor in when voldemort marked barty crouch jr. and regulus, which almost certainly happened similarly young and similarly quickly.
but we shouldn't imagine that this would automatically be the case for other teenage recruits, or other death eaters' sons. voldemort might indeed wait until those boys leave school to mark them. but not because - as the order thinks - he cares about them having newts or being of legal age, but because he's recognised that their personalities will make them want to earn their marks in his service, and withholding the mark for a certain amount of time will keep them obedient and eager to please. or because he thinks that holding off on marking them will keep their fathers more loyal than marking them immediately.
this is undoubtedly what happens to snape, for instance.
snape is someone who canonically loathes people who don't have to work for things or who have markers of status he thinks are unearned. while i don't think he'd be upset to get the mark the second he joins the death eaters by any means, i also think that it's at its most effective as a tool voldemort can use to control him if he's made to wait and work for it.
voldemort giving him the mark as a reward for going above and beyond after a period in his service makes much more sense than voldemort giving it to him right away. and i think there's a very good case to be made from canon that the event which results in snape getting the mark is reporting the prophecy, which happens in early 1980, around two years into his career as a death eater.
similarly, peter pettigrew is someone motivated by jealousy. he wants the markers of status, and to be understood as superior both to his fellow marauders and his fellow death eaters, but he's actually at his most driven when he doesn't yet have these rewards in his possession.
as a result, i think it's extremely plausible that voldemort doesn't give him the mark until 1994 - around fourteen years [although, obviously, thirteen of those are when he's a rat and voldemort's a wisp] after he defects to the death eaters - once pettigrew has restored him to the semi-body which allows him to be moved, brought him to england, and helped him contact barty crouch jr.
[voldemort is implied to be doing something similar - dangling the possibility of the dark mark as a carrot to keep his minion loyal - with fenrir greyback in deathly hallows.]
this flexibility in the timeframe for marking also helps voldemort keep his death eaters in competition with each other. all he has to do is imply he'll mark their main rival before them unless they do something for him...
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acourtofthought · 1 year ago
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Genuine question, but why do you want Elucien together if they aren’t in love? They aren’t currently attracted to each other right now. They can’t even be in the same room.
Is it just the potential? Or promise of the mating bond or something?
Because I shipped Elucien too when they were declared mates. But by ACOFAS, I didn’t understand why suddenly SJM decided to have them not even interact. If they ever have a conversation I might jump back over to elucien, but so far-there’s nothing between them.
And we know there can be mates that aren’t good romantic pairings. Like Rhys’s parents. All signs are currently pointing to the fact that Elucien is also one of the incompatible pairs.
Idk I just don’t understand why I should keep rooting for them if there hasn’t been any development on the page? Am I missing something??
Genuine question: Why would I want to read a love story that starts with the couple already being in love? Were Claire and Jamie from Outlander in love at the start or was she in love with and married to another man? Where she married Jamie and STILL wasn't in love with him? Were Daphne and Simon in love at the start of Bridgerton? Was he not FORCED to marry her even when he didn't want to ever marry or have children? Were Elizabeth and Darcy infatuated with one another at the start of their book? You have no canon evidence that Elain isn't attracted to Lucien. The only canon evidence we have of anything is that Elain didn't want a male or a mate. Just like Nesta didn't want a mate in her book. But guess what? Those things change. Those are just hurdles for a character to overcome. By the end of her book Nesta proudly called Cassian her mate but she got into a fight with him over it at first. Yes Elain "shrinks back" from Lucien but why are you defaulting to one possible answer "she's not attracted to him"? When you look at SJMs style of writing, isn't it more likely that Elain withdraws from Lucien because he sees her too clearly and that scares her? When Feyre tells us that Elain has even Az beat for secret keeping, isn't it possible that Lucien is the one person who can see through the secrets Elain hides and it's intimidating? Because he might see that she's not as fine and content as she'd have the others believe? Something she wants them to keep believing as she's possibly worried about disappointing them? (Rhys's words). You're right, there are couples who might not be right for one another, evidenced by the example you provided with Rhys's parents. Rhys's father was cold and vicious. Does that sound like Lucien? Rhys's father immediately stole Rhys's mother away the second the bond snapped and married her that night. Does that sound like what Lucien did with Elain? Rhys's mother pleaded with his father to ban wing clipping but he refused. Has Elain asked anything of Lucien that he was unwilling to give her? I like Elucien because neither has to be anyone different if they end up together. Elain doesn't have to struggle with cruelty bothering her as she would if she ended up with a torturer. She doesn't have to hide in the shadows as she would if she ended up with Az. She would get to enjoy balls and party and socializing in a way she wouldn't if her partner was Az who prefers his alone time. She'd get to share her love of nature with someone who the author also confirms is happiest in nature. I like the thought of Elucien because it's so clearly written on the wall that they are right for one another though it's normal that Elain isn't ready to face that yet as she's still processing trauma and figuring out who she is as a fae female. Or maybe she does realize it and it's what scares her, she already suffered rejection and a broken heart from Graysen, I don't imagine she's prepared to run into someone else's arms who has the power to hurt her. My guess is SJM hasn't had them interact because the second Elain and Lucien have a real conversation, it's over for both of them. Their hearts will be gone, flying into the palms of the other. It's more exciting to read about all that in their own POVs rather than someone else's. You don't have to root for anyone you don't like. Hell, Elucien could be endgame and you still don't need to root for them. But I grow a little tired of people acting clueless as to why Elucien's still love the idea of them together and why it's really not a problem that they aren't talking right now.
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dr-spencer-reids-queen · 18 days ago
Text
Coda: Final Part
Pairing: Spencer Reid x Female!Reader
Word Count: ~1.9k
Warnings: canon violence, canon language, canon talk of death, methods of kill
Summary: When parents go missing, the only witness left behind is a ten-year-old boy with autism. The team must work with him in order to figure out who might have taken his parents. Meanwhile, Emily's world is crumbling down around her and there is nothing she can do to stop it.
Season Six Masterlist
Author’s Note: I do not own anything from Criminal Minds. All credit goes to their respective owners. If any warnings exceed the normal death/kills from the show, I will list them.
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Sammy sits down at the piano, and Spencer follows curiously.
"Sammy, would it be all right if I sat here?" He doesn't say anything but Spencer sits anyway. Sammy puts his fingers to the keys and plays a tune. "Whoa. You've been holding out on me, Sammy."
Sammy plays the exact tune but backward, and Spencer plays the same thing but in a different chord.
"I didn't know you could play, Reid."
"I can't. I never have before, but it's essentially all math. Sammy, how about you play this note," Spencer hits a high-sounding note, "for yes, and this note," he plays a lower-sounding note, "for no. Does that sound like something you could do?" Sammy hits the high note. "Yeah, exactly. Just like that. Now, Sammy, do you remember when the man came and took your parents away?" Sammy repeatedly hits the 'yes' note before smoothly sliding into an elegant-sounding tune. "Sammy, I don't understand. Does this song mean something to you?"
Sammy pauses the tune for several seconds before slowly moving his hand toward Spencer's. He grabs his hand and puts it on the piano where the low-sounding notes are whereas he takes the high-sounding ones. Sammy plays a tune and Spencer easily plays it back to him.
Meanwhile, Penelope is running the background check on Lizzie, but nothing is coming up. She has cross-referenced every current and formerly licensed fisherman, crabman, shrimpman, and everything else in between with financial records showing default loans totaling over thirty-five thousand.
One hundred and twenty-seven names.
Not all have children but seventy-six do.
Twenty-four of those have homes in foreclosure versus other debts that might not put them out onto the streets.
Twenty-four is a better number than one hundred and twenty-seven.
You have faith that the rest of the team will be able to go through those and single out the unsub. Liz feels a bit overwhelmed with this all and walks into his bedroom. You and Rossi follow, leaving Spencer and Sammy at the piano. You walk into his room and see she's holding Sammy's picture book.
"Everything alright?"
"I'm a stranger in my own brother's house. My nephew doesn't recognize me, and then I find this." She hands over the picture book to you, and you start to flip through the pages. It's like what Ms. Rogers had but it's pictures of the family instead of random objects. "Charlie told Sammy about me. I always assumed that he'd never know who I was."
"Do you mind my asking what the fight was about?" Rossi asks.
"I was the one who suspected Sammy had autism. Charlie didn't see it. He was so upset, he kicked me out."
"How did you know?"
"He was different, so I did some research. Charlie was blind to it. He refused to accept what I found."
"He was afraid. Any father would be, learning his child isn't going to have it as easy as he did."
"You sound like you talk from experience."
Rossi doesn't comment on that. You notice something about each of the pictures. It's not just a picture book of the family. It's a book of Sammy's entire life. Everything he did down to the time he did it. Wait. Time. There is a time associated with each page. Analog clock. The L isn't an L.
It's a time.
You look at Rossi once before booking it downstairs where Spencer is.
"Spencer, look at this." He stands up and you show him the picture book. "This flip book is his daily routine. Everything he does down to the time he does it. I think he's already met the unsub, and he's trying to tell us where he met him. The L isn't a person. It's a time."
Spencer immediately clicks with what you're saying. He reaches into his bag and takes out the pictures that Sammy drew while at the police station. One is of anchors, one is of the tread on Rossi's shoes, and the last one is the L drawing. Rossi and Liz make it downstairs just as Spencer lays out the pictures.
"Sammy sees his life in pictures. He's been trying to speak with us, but he only knows how to communicate through symbols. Look, it's his language. Anchors like my socks. That's the tread on your shoes."
"What does the L mean?" Liz asks.
"It's not an L. It's a time. Three o'clock. That's the time Sammy wants us to know about, the time that he met the unsub," you say.
"Where was he at three?"
You flip through the routine book. "The music store. He goes there every day after school, and he doesn't leave until the store closes at six."
Spencer looks at his watch and rewinds the time back to three. He sits next to Sammy and shows him the watch.
"Hey, Sammy. Sammy, it's almost three. Is there someplace you should be?"
Sammy taps Spencer's watch twice. "Should be store."
He gets up and walks to the front door. Liz tries to grab him but Rossi stops her before she can make contact.
"No, no, let him go." He takes out his phone and calls Hotch. "Hotch, I think we got something."
You take Sammy to the music store where Derek is. He's checking the security footage for anyone that might be out of the ordinary. Sammy breaks off from the group and explores the store as if he's never been there before.
"Morgan, we need to fast-forward to three. If I'm right, the unsub is somewhere on this tape."
Derek does it and you can see Alison and Sammy enter the store.
"Here's when Sammy gets to the store." The music playing inside the store is rock but is immediately changed to classical. "They changed the music. Why would they do that?"
"It's for Sammy. Classical might be more comforting than rock," you say.
Sammy sits at the keyboard and plays the exact tune he was playing at the house, the one that he taught Spencer.
"Sammy's been trying to tell us who took his parents all along. At three, the song plays; the same song every day at the same time because Charlie Sparks puts the CD in at two-thirty when Sammy arrives. Sammy's never late because Sammy sticks to a schedule, a routine." At three, a man is seen entering the store. "Thirty minutes later, this man arrives. A deliveryman with a routine all of his own. We need to figure out who that is because he's our unsub."
Penelope, the genius she is, easily gets the identification of the delivery man. She connects a call to everyone.
"Former fisherman turned part-time deliveryman, saddled with more debt than he and his recently removed sons could sustain, including a foreclosing house and a defaulted boat loan. Why didn't you tell me you were looking for Bill Thomas at 1024 Elmwood Avenue?"
"What about his boat?"
"Docked in the marina."
"We're closer to the house," the sheriff says.
"We'll take the boat," Derek says and hangs up. "Let's go."
When you arrive at the marina, you can see Bill through the window of his boat. He looks like he's in distress like he never thought things could get this messy. He's way out of his league and he has no idea what he's doing.
"Bill Thomas! This is the FBI!" Bill looks up and sees your team. "Give yourself up! Your boat is surrounded!" He disappears from view and sinks further in his boat where you can't see. "We don't want anyone else to get hurt, Bill. Turn yourself in!"
He doesn't listen, as per usual.
"Alright, listen up. We move in as soon as SWAT is in position," Derek says to the officers.
"What's going on in there?" Spencer asks.
"Alison is in there," you say. "Her husband is dead."
"What?"
Charlie's spirit stands outside of the boat. You know he's dead because no one makes a move to acknowledge him. Bill panics and because of that, he is killed. A gunshot rings out and your team immediately moves in without SWAT being ready. Derek and Rossi go in first to see Alison lying on the ground next to her dead husband and Bill on the other side of the boat with a gunshot to his chest.
"Ma'am. Are you hurt?" Derek asks.
"No," she whispers and cries.
Other than a few bruises and the emotional trauma, she's going to be okay. Sammy and Liz are brought out to the marina as soon as word gets back that Alison is okay. Alison breaks down in tears when she sees her son but she holds herself back from hugging him. She falls to her knees and cries, and Sammy's hand shakes. He lifts his hand and puts it on his mother's shoulder as his way to comfort her. She takes this as a sign and hugs him with her head on his stomach. It's clear to Liz that she is never going to see her brother again, and she breaks down in tears.
Emily has been trying her best to give the team her all, but she's afraid. You've been right this entire time. She is afraid of someone. She's afraid of her life. She refuses to bring anyone from her team into this because this is her fight. She can't let you get hurt because of her past. A man from her past, Ian Doyle, has been taunting her and causing her to go paranoid.
He wants her to know he's been following her, but she's done playing his game.
She sits outside of a coffee shop and watches the water splash around in a fountain. She's been sitting at the cafe for two hours expecting Ian to show up. She tenses when she feels him at her back.
"I knew you were watching me."
"What's the expression? Keeps your friends close, your enemies under surveillance?"
"I've been here for two hours. You should know better than to keep a lady waiting."
Ian walks around to face her, and she keeps her face neutral even though she's terrified to her bones.
"It seems hypocritical, seeing as I had to wait seven years."
"Hello, Ian."
Ian sits across from her. "Hello, Lauren. Oh, wait. Lauren Reynolds died in a car accident, didn't she?"
"What do you want?"
"You." She may have her expression neutral but he can see the fear in her eyes. "Oh, not today. Don't worry about that, but soon."
"I've got a Glock leveled at your crotch. What's to stop me from taking you and the little ones out right now?"
He can't help but chuckle in amusement. "You'd never make it back to your car and you know it. Tell me, does the lovely Penelope know the truth about you? Or is she too busy watching movies with Derek to care? Here you are, all alone, while Aaron sits at home with his son. Why didn't Dave and Ashley invite you to their game night? Maybe they thought you'd be on the Metro with Y/N and Dr. Reid. Oh, that one does have some quirks. She's special, too."
Emily freezes in fear and also grows angry.
"Come near my team and I will end you."
"I don't have a quarrel with them. How long that remains the case depends entirely on you. They're innocent. You are not."
"I was doing my job."
"I think you did a little more than that. You took the only thing that mattered to me, so I'm going to take the only thing that matters to you. Your life." He sets a matchbook on the table that has a four-leaf clover on it. "Honore de Balzac once said, 'Most people of action are inclined to fatalism, and most of thought believe in Providence.' Tell me, Emily Prentiss, which do you think you're going to be?"
He leaves her alone to think about his words, and she allows a single tear to fall.
"Most people of action are inclined to fatalism and most people of thought believe in providence." - Honore de Balzac
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artofkhaos404 · 5 months ago
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what are your villain!todoroki headcanons 👀
Thanks for the ask, man! I got a few...
× Sometime before Shoto decides he wants to go to UA, imagine Dabi leaving an anonymous note for him, asking to meet alone, and on the note are some details listed about Shoto's abusive childhood that no one could have possibly known unless they lived in the Todoroki household. That's a mystery Shoto can't resist solving, so he meets up with him. Dabi reveals his identity as Touya Todoroki and explains to Shoto why he's doing what he's doing- to reveal the truth of Endeavor's evil deeds to the world. Dabi offers Shoto an opportunity to help in this plot, or if nothing else, a way out of his abusive household; coming to live with his brother. Maybe Shoto has to take some time to think about it, but eventually, he makes the decision secretly run away and move in with Dabi to escape Endeavor- but nothing more. However, the more time he spends hanging around the League and hearing their own horror stories, the more time he spends bonding with his brother and experiencing new things with him he was never allowed to before, Todoroki begins to realize just how much damage has been done unto him by his parents. As time goes on, he begins to see their perspective and understand their plight intimately. He grows to hate commercialized heroism in general; because if someone as terrible as Endeavor can become a hero... what could the other greats be hiding behind their masks? And how much pain could be relieved from victims of fake heroes, such as himself and Dabi, if someone were to stop these "heroes?" Wouldn't that act be heroism; true and unadulterated? Shoto then makes the decision to join his brother in the mission that Stain began before them; to tear corrupted hero society to the ground.
× I don't think Shoto would abandon his morals completely as a villain. He would consider himself more akin to an underground hero that works with villains for a common goal. Most of he and Dabi's arguments would probably revolve around this 😅
× His villain costume would be just as simple and practical as his hero costume. I imagine the same design, but in white and black rather than the dark blue.
× Even when he's old enough to get a place of his own, Shoto decides to stay in Dabi's apartment. Growing up with so many siblings, living alone sounds more lonely than it's worth to him despite his introversion. Dabi and Shoto are both quiet types who enjoy their own spaces, but they also both value the comfort of a presence being in the other room.
× I could see Shoto taking in a stray cat, maybe one who is injured or blind or missing an ear, and bringing it back to Dabi's apartment. At first, Dabi said it was a waste of time and money and that he should throw the thing out. But after seeing how much comfort the little furball brought Shoto, he stopped complaining about it.
× Dabi would train Shoto to use his left side; insisting on helping his brother get over the fear of being like their father in order for Shoto to realize his full potential.
× Shoto would have trouble getting along with the more impulsive, violent League members such as Shigaraki- Dabi would often end up playing referee (all the while chuckling at the colorful yet painfully accurate insults Shoto would throw).
× Despite this, Shoto can be just as impulsive if you trigger him on the wrong day. Instead of becoming warmer through the series, like in canon, Shoto would become colder and more heartless as time went on. He would never hurt someone for the thrill, but if he feels you need to be brought to justice or if you step to him, he'll do what he feels like.
× And if you hurt a child and he sees it or hears about it? Might as well count yourself dead. Same goes for Dabi. They may be cruel people, but they don't stand for child abuse.
× It wasn't always this way. When they were first reunited, Shoto saw Dabi do unspeakable things- even to children. But gradually, through one another's influence, Shoto became a better villain and Dabi became a better person.
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jpeg-anachronism · 6 months ago
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Alrighty, DMC fans, I've figured it out.
Spoilers for those who haven't played DMC 5 yet.
So, we all know that Vergil is Nero's dad. This fact has plagued the DMC fans for years due to it being a loose end that's never tied up.
Who's Nero's mother and Vergil's lover? Unclear. When did this happen? Who knows. How did Vergil fall for someone in what's seemingly a certified out of character moment? Fuck off.
Except here's the thing. The fandom did not fuck off. Forsooth, they fucked on to this thing in such a quick display of background character shipping it would make the Loud House fandom blush.
Side tangent but what the fuck is this I went to look up this one ship from a children's show and I kid you not this is the first thing that came up what the fuck.
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Look, bullying is bad. But what if w-
The DMC fans took this one random background lady who stops and looks at Vergil for about three seconds in the opening cutscene of his route and went crazy with it in what was probably the fandom's shining moment.
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Suddenly it was all clear. This random ass woman was Vergil's lover, Nero's mom, and the meaning behind the lyric "temptation's pulling me" in one giant package.
And I won't lie to y'all I'm down with that.
Here's the thing, though. We never see her face, hear her name, or really know anything about her besides the fact that she's (hypothetically) Nero's mom. She's the blandest character in the game franchise since we don't know anything aside from her role in canon.
And that's when it hit me.
Capcom did this on purpose.
Let me repeat.
Capcom did this on purpose.
Think about it. At this point, the third game had already come out and fans were practically drooling over Vergil. The fifth game wouldn't be released for a while, so we didn't have peak Vergil madness in the fandom yet but the fan's feelings were clear.
This man was fucking SEXY WITH A CAPITAL C.
The ladies wanted piece of him, and Capcom knew it. Hell, they still know it. Look at the marketing. The official marketing.
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Look me in my eyes and tell me that they don't know what this man does to women.
But here's the issue. They needed him to be Nero's father.
When you create a man as perfect as Vergil, you run into a bit of a snag when picking a woman to be his canon lover. Every woman in the stratosphere is going to be tearing their hair out and shaking their fists to the heavens realizing they're not exactly like the woman he's hooked up with.
Sure, some female fans would just be happy to watch Vergil being in love, but deep down every one of them would ask the same question.
"Why couldn't Vergil have fucked me?"
Capcom thrived on Vergil simps. You remove their imaginary chances with an Imaginary character, and things get sticky.
They don't pick a lover for Vergil, the lore falls apart. They do pick a lover for Vergil, the fans fall apart. There was no way to win unless...
Unless they made the fans his lover.
Suddenly, the unpaid intern jumps up in his seat, tasting the promotion as he shouts out "we don't give her a face!"
Silence. A cough can be heard. A few of the people at the meeting start sweating.
"Don't give her a face?" One finally speaks up.
"Right!" The intern yells "No face! No voice! No personality!"
And suddenly the rest of the meeting room understands as well.
See that's the thing. The Fortuna lady is hooded on purpose. She's silent on purpose. She's given no personality on purpose.
Think about her design. We barely see any of her face except a mouth. Her weight is the most average weight one could program, and if it comes off as thinner than the player, they could easily say she's wearing a girdle or something similar under her dress. Her bust size is average, her height is average. Everything about her is painstakingly average and THAT WAS THE POINT.
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LADY FORTUNA IS US AND WE ARE LADY FORTUNA. SHE'S A SELF INSERT DESIGNED BY CAPCOM SO WE COULD IMAGINE THAT WE WERE THE ONES WHO FUCKED VERGIL. IT WAS ALL PLANNED FROM THE START AND IT FUCKING WORKED. THE SICK SON OF A BITCHES DID IT.
"But Jpeg, they did give her a face! See?"
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I sigh and pat your head.
"No, my sweet. They made this for the other fans. The ones who for whatever reason weren't attracted to Vergil. Of course they would want some form of "closure" as to what she looked like. To them her face was just another mystery to be solved. Besides, why not put this in the actual game? Why leave it as a single, oddly rendered model, banished to the depths of t-posing hell?"
Because it's not canon. That's the answer. The lady from Fortuna's canon face is our face.
"But Jpeg," fucking Oliver Twist pipes up "She's white. What about all the women of color who simp for Vergil? Wouldn't her skin color defeat the purpose?"
First of all, this is something that's hard to skirt around in the first place. No matter how much you cover up a character, you're going to need to show certain details. Look at any dating simulator protagonist.
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They can go for basic designs by making them white and brunette, two of the most common genetics, to try to maintain the self insert illusion, but the sad thing is that at the end of the day, it's just a drawing of a man that is not the player.
Except DMC gets around this because fuck those dating sims. Those are for pussies and children of divorce. Devil May Cry treats you like a 100 IQ individual as it makes it clear that if you want it to be so, the Fortuna woman can just be some random ass lady who thought Vergil's cloak looked sick.
Vergil's real lover could be a whole different lady from Fortuna. One that's any race you wish it to be. Whichever race you are, she is too.
Hell, why stop with Fortuna? Who said you have to be a nun in this universe?! By our and Capcom's, logic, you could be whoever the fuck you wanted! It doesn't matter, so long as Vergil ended up smooshing the whooshing with you! Make it whatever pops into your mind! Are you a pizza delivery girl? Another Devil Hunter? A subscriber to Vergil's Onlyfans? Who knows? Oh, wait! You do!
Lady Fortuna is not a single character, nor does she represent such.
Lady Fortuna represents us, and the power of loving a fictional man beyond rational mind.
Lady Fortuna is us.
We are Lady Fortuna.
Or maybe she's some reused asset idk man it's whatever you guys think.
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nevertheless-moving · 1 year ago
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gnashing my teeth over vetinari and vimes in this au because you know what happens when you take 'not close but the closest another human can come to understanding me' and then give a thirty year headstart to the slower guy?
Harold, its just actually understanding . It's just understanding and being understood by another human, if only for brief, precious moments.
Sure vetinari understands vimes, that's not exceptional. (Except it is, it is, already so few knew him anymore, and now in the past again, having lost everything, everything - but this fresh faced dictator to be. This man who looks into people's souls and then gives vimes a double look).
But who really gets vetinari? Who else looks at children playing with garbage and sees the arteries of a world that could, must be? Who looks at pisstained ruins and sees the schools that will be built overlayed with every grueling step it will take to get there? Who's only weapon and only constraint is his own flesh and time, too much time, never enough time? Who has a Duty to The city beyond religious, ordained by the creator of their universe, something above gods and yet far, far beneath them.
Vimes doesnt need someone to direct his life. He's never needed that. Except holy shit he does, he definitely does, he needs a whole fucking support team but hes making less than minimum wage now. Give him something, anything to believe in.
Vetinari doesn't need to be believed in . He's never needed that. But he is still a man, and whoooo booooooy it is a heady thing to be trusted so recklessly, especially by someone like him, who mistrusts everything.
take that late canon Synergy, break it apart and then put it back together with a little bit more breathing room, a wee less intense power dynamics...!
Anyway they're friends. Best friends. By default possibly, since they don't have any other ones, but still. Two friends with souls too weathered for the lives their bodies have lived, bodies which are, at least at one point, and I'm not joking, teenage guys.
...
I just think they're neat.
...
Is it homerotic? Well first we have to remember that Samuel Vimes is doing Bad. We remember that? Ok. Now, let me ask you - is vimes the type of depressed that masturbates to feel something, or the type of depressed that cannot fathom human contact without pain. Exactly. It's like the cat that's both in the box and not or whatever. Sometimes one of them will be laying on the ground staring at the sky through the ceiling and the other will come and lay down next to him and their fingers will lightly brush against eachother and it will be the singular most intimate moment of not just their lives but also the life of the assassin that was watching in confusion from the window.
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necrotic-nephilim · 7 months ago
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for the recent ask game, i’m really curious about your take on 7 + 8 :P
for the choose violence ask game!
7. what character did you begin to hate not because of canon but because how the fandom acts about them?
i'll be so honest: Jason Todd. i know there's a lot of argument of "who has the worst fans" and i think that question is flawed and impossible to answer, but i will say Jason fans irked me so deeply. because i read mostly 90s era Batfam, i admittedly didn't have a lot of exposure to Jason for a while, expect for his New-52 runs i'd read years ago. and since i never liked him based on those runs, i could not understand *what* his fans liked about him, or where they got some of their headcanons/ideas from. i've never been more baffled. it ranges from "oh i don't agree but you do you, i guess?" to "what character are you talking about i am BAFFLED". and it soured me on Jason for so long that i actually hate read *most* of his pre-Flashpoint appearances just to understand what on earth people liked about him. and now i can say, i love him dearly, but i can also say, i still don't know what character his fans are talking about sometimes. and i hate the fanon version of Jason who feels almost, Deadpool-ified? with this self-aware slapstick humor but a sad soft interior but also sassy and will kill a man it's just. it feels very hollow to me and it has made me almost tempted to block his character tag more than once over the years bc sometimes certain takes make it difficult to even like him. i just have to tune it out or yell about it for hours.
8. common fandom opinion that everyone is wrong about
i'm going to get particularly saucy with this one: that Dick Grayson has Eldest Daughter Syndrome. or more generally, that he was parentified. not a single ounce of Dick's backstory indicates him as being parentified. to be parentified you have to be a child taking care of other children either emotionally or physically because your parents are not fulfilling that role. and Dick was *never* a child at the time that another child was under Bruce's care. he has been an adult for the entirety he has known every other Batkid. and even then, the *only* one he was something you could akin to being a parent figure to was Damian, and Dick *chose* that. Dick was a grown-ass man in his late 20s who had the facilities and capacity to make the decision to be Damian's primary caretaker. he's never been parental toward any of the other Batkids, nor has Bruce ever forced upon him the role of having to raise them. did Bruce do a sort of questionable job with Dick? yeah. but i would argue Bruce did the best job with Dick of all the Batkids, and even if he was shitty with Dick, he couldn't parentify Dick bc there was no one for Dick to be parenting. and Dick wasn't parenting Bruce either. they just had a normal relationship of loving and caring for each other.
as for Eldest Daughter Syndrome i just.. i Do Not Like calling any male character "female coded" or "female rage coded" or "eldest daughter coded" because they're *not*. especially not in *this* medium. these are male characters, created by men, written by men 90% of the time, and written to be *male power fantasies*. nothing about Dick or Jason or any Batboy is female-coded bc they exist to be badass men. just because they show emotion and have complex relationships with Bruce doesn't make them suddenly women. Dick shows his anger in a very destructive, stereotypically "masculine" way. even if we strip it of gender, Dick doesn't exhibit most traits of Eldest Daughter Syndrome. he easily makes relationships with people his age, he has no issues telling Bruce no, he did not have caretaking responsibilities forced onto him by Bruce, he's not even really hyperindependent. Dick has a support system outside of the Bats, the fandom just ignores it. does Dick force caretaking responsibilities onto himself sometimes? can he be an overachiever? absolutely. but these are internal complexes that just come with making a character a superhero, it's a complex they all have. if i have to hear one more fan call him Eldest Daughter Syndrome-core or say he's a victim of parentification, i think I'll explode a little bit.
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flowerandblood · 1 year ago
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The Fall from the Heavens (26)
[ canon • Aemond x Strong • niece female ]
[ warnings: mention of sex, incest, smut, angst, swearing ]
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[ description: A cool distance turns into friendship and more when two children see that they can find refuge and understanding in each other. However, naïve dreams collide with the reality in which every event has consequences and what once could have been love becomes a dark, newly painful obsession. Angst, sexual tension, obsession, violence, madness, very dark Aemond. ]
The story in this series is an alternate reality from the oneshot Stay and love, leave and die, in which Aemond reads the letters his niece has sent to him over the years. They are the same characters and it shows what would have happened between them − I have changed the background story from their childhood slightly for the sake of the plot.
Characters & Series Moodboard Lady Strong Moodboard Aemond & Lady Strong Moodboard Aemond & Lady Strong Childhood
* English is not my first language. Please, do not repost. Enjoy! *
Next chapters: Masterlist
_____
Jace remembered perfectly the day his little sister was born. Laenor had led him into his mother's chamber that day, holding his hand, saying that she was very tired and they couldn't spend much time with her − he had insisted on seeing her because he was delighted to finally have a sibling, a brother to play with and be friends with.
His mother, the future queen, smiled softly at the sight of him, her white hair loose and in disarray, her face red from sweat and exertion.
She held out her hand to him and he hugged her, peering curiously at the infant she held clutched to her chest.
"He's so tiny." He said in disbelief, brushing the baby's finger with his own − he smiled when he saw the baby's hand clench into a small fist with its quiet purr.
"She. You have a little sister." He heard his mother's amused voice; he furrowed his brow at her words and rose, angry and disappointed.
"− wait, comrade −" Laenor called out after him, but he refused to look at her.
She was a disappointment to him.
For the first few months, he had pretended not to hear her cries or squeals from their mother's chamber − even though Rheanyra had spoken to him and encouraged him to meet her, he had refused to do so, recognising that no little girl interested him.
"It was supposed to be a boy." He muttered regretfully while playing with his large, wooden, black dragon, pretending that the stacks of books were the great hills over which he flew on Balerion. His mother smiled at his words and combed her hand through his dark curls.
"That is what the gods have decided. She may be your future wife."
Jace put down his toy, looking at her in surprise, not understanding what she meant.
"Am I going to have to kiss her?" He asked in disgust, recalling the stories Laenor sometimes read to him before bed, in which great knights freed beautiful women from the paws of monsters, only to fall in love with them later and be bestowed a kiss by them.
His mother smiled involuntarily.
"Don't think about such things until you're a grown man. No kissing for now." She giggled, pinching his cheek. He smiled lazily seeing her warm expression, the motherly love that beat from her.
That night he went to the chamber where she slept for the first time; he leaned over the cradle, glancing at her plump little figure wrapped in a white robe and a small headpiece. Her eyes opened suddenly and he was terrified that she would burst into tears − she, however, merely clutched her small feet and began to rock from side to side, looking at him curiously.
He smiled involuntarily at this sight and tickled her belly with his finger. Her squeal and loud giggle answered him, her eyes lit up in joy, her little body all the way up in euphoria. He laughed seeing this, repeating his gesture, thinking she was like a small animal, a puppy or a kitten.
He decided that at the end of the day she wasn't so bad and stopped pretending she didn't exist.
Until Luke was born he had treated her as if she were a boy, driving their mother to despair every time they both returned sodden with mud and sand after another battle with Aegon and Aemond.
He had always felt that his uncles disliked him, and even though they were of a similar age to him, he did not feel comfortable in their company − nor could he hide his jealousy at the sight of their snow-white hair, proof of who they were.
Looking at his father and mother, he could not comprehend why his hair was not that shade.
Rhaenyra explained to him that it was surely because of the Baratheon blood that also flowed through their veins, and although he was disappointed, the sight that he was not the only one, that his sister and Luke looked similar to him, comforted him.
The first time Aegon laughed sincerely at what he said occurred when he called his sister a hamster. The comparison came to his mind when she took air in her mouth and furrowed her brow − he uttered it thoughtlessly, and his uncle burst out laughing and patted him on the back.
"− gods, you're right − and those big eyes of hers −" He sneered, and although he saw that his sister lowered her gaze, embarrassed, he continued, eager to hear more words of praise from his lips.
"− she has just as much sense too −" He added, seeing his uncle throw him an amused, mocking look suggesting that he agreed with him.
He felt a squeeze in his heart when he noticed out of the corner of his eye that his sister had turned and walked away, passing through the cloisters towards their quarters without even giving him another glance.
He turned around and noticed to his surprise that he was not the only person to notice her leaving − his other uncle, Aemond, led her away with his eyes and then threw him a look full of despise, from which he felt discomfort.
He pressed his lips together at the thought that he was the heir to the throne and, unlike him, had his own dragon.
Who was he to look down on him with such superiority?
He decided to remind him of that and share that thought with his brother.
Aegon's involvement in their little joke surprised even him − his uncle thought it was an excellent idea. He argued that his younger brother was too sullen and serious for his age, that he was sapient and could use a little lesson.
As he listened to Aegon convince him that they had found a dragon for him, as he saw the hint of hope and the shy, embarrassed smile of excitement on his uncle's face, he felt for a moment that perhaps they should not do this.
However, it was too late to retreat − Luke ran deeper into the cave, and came out a moment later, leading by a rope a large pig to which they had attached self-made wooden wings early on.
"Behold! The Pink Dread!"
He saw that his uncle froze and turned pale as they burst out laughing, swallowing this humiliation with difficulty − his eyes glazed over and reddened, his gaze again blank and distant.
He knew they had broken him.
That same day he mentioned it to his sister, and her reaction angered him.
"You are cruel." She said resentfully.
Which side was she on?
"He's forever looking down on us because he has white hair. He's constantly making excuses and bragging about what he's read in those silly dusty books of his." He snorted, playing between his fingers with the gold coin their grandfather had brought him from another of his trips overseas.
He blinked when his sister simply rose from her seat and walked out, leaving him in a state of shock and displeasure − he decided, however, that these were just normal female emotions and would surely pass her until supper.
He loved his father, but he also greatly valued and respected Ser Harwin Strong. He was a stocky, tall, handsome man who could fight very well. He often spoke to him or helped him practice by sharing stories of his duels in tournaments and hunts.
He thought then that he would like to be like him one day.
He knew that he was a close confidant of his mother and often saw them together, however, his father seemed not to mind, so he considered this condition perfectly normal and did not bother.
After a few weeks, the will of their King fell upon them like a bolt from the heavens, and their mother informed them of it during one of their suppers together.
"− your grandfather and our King has decided today that, to strengthen our lineage, we will betroth your sister to your uncle, Prince Aemond − let us raise our cups for this −" She said, glancing towards her daughter, his sister smiling broadly at her words, happy.
What?
"− what do you mean? − why? −" He asked, feeling discomfort in his stomach and a cold sweat on his back.
They wanted to gift him his sister as a consolation because he didn't have a dragon of his own?
"− your grandfather wants peace to reign in the kingdom after his death − such a marriage in his eyes will strengthen our family and our bonds between each other − of course, the marriage will only happen when your sister is of the right age −" She said calmly, looking at her daughter with tenderness, taking an unruly strand of her dark hair from her face.
"− did you agree? −" He asked his little sister in disbelief, and she nodded quickly, as if it was the happiest day of her life.
"− yes − I'm very pleased − I'm fond of our uncle −" She said quickly, putting a piece of roast on her plate, describing how worried she was that she would have to marry someone much older than herself.
He stared blankly ahead, clenching his hands into fists, bitter and disappointed.
Had she really never considered him as her husband?
After all, he was her elder brother; in their lineage such marriages were obvious.
He dared not, however, defy the will of the King himself.
His resentment towards his uncle increased with each passing week seeing that, against his wishes, he was not being harsh and unpleasant to his sister − on the contrary, he seemed to have softened in her company, his face, though still pathetically proud, also expressing curiosity and affection.
He felt rage in his heart at the thought that they could really have wished to bring about this marriage.
However, the cup of bitterness overflowed the moment he saw his sister kiss him.
They were both too certain that no one could see them − he watched them from the corridor through a window overlooking the library.
His sister was standing by the bookcase, saying something to him, and he stood up and walked lazily over to her. He rose on his tiptoes and apparently reached for a book that stood too high for her. She smiled broadly as he handed it to her, her hand traveling to his shoulder.
He swallowed hard as her lips pressed against his, and as soon as she pulled away, her uncle grasped her cheeks in his hands and kissed her again, deeper and longer.
He fled to his chamber and burst into tears with rage, dropping all the objects standing on his table, disappointed and humiliated that although he was to become King in the future, someone else was taking away something that in his mind was his right.
He never wondered what kind of love he had bestowed upon her and whether it was the form of affection that usually bound married couples; he knew that he would care for her and be good to her and that was enough for him.
She was his sister and he would never hurt her.
She, however, looked only to her uncle and it was to him that she gave her heart and mind.
He didn't know what he felt when Luke slashed his face that night when their uncle stole Vhagar − horror, shame, satisfaction and relief all mingled in his mind into one.
On the one hand, he was overjoyed that he had taken back what in his mind should have been his, on the other he was embarrassed and distraught at the confirmation of his fears that had long smouldered in his mind.
It was Harwin Strong who was their father.
To his seed he owed his dark curls.
He was a bastard.
He tried to turn his thoughts away from considering what this meant for them, focusing on the fact that his sister would surely no longer want her uncle for a husband, and their paths would part.
This is exactly what happened.
Still, what he had planned did not happen, and his mother decided to change her plan and marry her off to their cousin, Lord Arryn's son, to strengthen her support in the North of the kingdom. Again, he felt a wave of disappointment, however, this time he was not so jealous − he knew that she had no love for their cousin and that he was certainly no threat to her.
"What's my little sister doing?" He asked with amusement, startling her completely, sitting bent over her desk − she quickly grabbed the parchment she had just been writing something on and tucked it under the table, looking up at him with wide eyes.
"Are you writing a letter to someone?" He sneered, raising an eyebrow, standing over her with a smile. She swallowed hard and looked down, thoughtful.
"I write poetry. But I don't want anyone to read it." She muttered, and he sighed quietly and nodded, acknowledging that he wasn't going to force her to do anything.
"Would you like to go for a walk along the beach? It's beautiful weather." He encouraged her; she, however, shook her head, no longer bestowing a single glance on him.
"No, forgive me. I'm tired."
He pressed his lips together at her rejection, which he had faced again and again since they had moved to Dragonstone.
Even though he tried to get close to her, to understand her and comfort her, she still didn't want him.
He was ashamed to speak of his feelings with his mother or stepfather, much less Luke, however, to his surprise, his closest confidant turned out to be Baela.
"I don't understand her. It seems to me that she still misses him, even though he has certainly forgotten her by now. I have heard that he is a cold, vain, self-obsessed man. He's always been that way, treating her only as an object, a consolation prize. Now that he has a dragon he doesn't need her." He said angrily − his cousin sighed heavily at his words, looking at him with understanding.
"When people part in anger and don't close a chapter, it's hard for them to move on. Perhaps she knew him in a way that is unknown to us. He's always been withdrawn into himself." She muttered disapprovingly, fiddling with the wine cup in her hand, gazing thoughtfully into the blazing fire.
He smiled at the thought that he was certain she recalled the impetuosity with which her uncle had punched her in the face with his fist that night when he lost an eye. Baela looked at him, raising her eyebrows.
"What's that look?" She asked and kicked him under the table with her foot. He giggled at her reaction and shook his head, lowering his gaze to her fingers.
"I would have been better for her. I would have really cared for her. Maybe I wouldn't have given her everything she needed, but at least with me she would have been safe." He said with a tiredness from which his companion sighed heavily. He lifted his gaze to her as her hand grasped his and squeezed it.
"I know." She replied softly.
He swallowed hard, feeling a pleasant warmth in his lower abdomen as he saw her soft, misty gaze, feeling her warm thumb stroke his palm. He grunted as he felt his manhood pulsate in his breeches at the thought that, indeed, his cousin was a very fine woman.
He had always liked her sharp tongue and confidence.
"Have you ever lain in bed with a woman?" She asked him suddenly, and he drew in the air loudly, shocked, feeling that his cheeks had certainly turned red with shame.
He didn't know what to answer.
He didn't want to humiliate himself with words that he had absolutely no experience in these matters knowing that she had a more liberated approach to these affairs.
Daemon, as her father, had expressed no dissent, so who was he to lecture her?
She sighed quietly, seeing his reaction, or rather lack thereof, and rose from her seat, turning her back to him, gripping the ties of her bodice with her hands.
"I need you to help me."
Baela was a calm and patient teacher − it seemed to him that she took great satisfaction in his lack of understanding of what she was actually doing to him as she sank down on his swollen manhood again and again with a moan of delight − her brown naked skin glistened wonderfully in the light of the blazing fire, her white curls falling over her shoulders in disarray, her full lips parted in obvious desire from which he felt his fulfilment approaching embarrassingly fast.
She made sure he didn't fill her with his seed, letting him instead come down on her abdomen with his low moan of pleasure, his length pulsating and twitching in her hand for a while longer. He licked his lower lip dry with emotion, looking at her in disbelief, a soft, shy smile on her face.
"− you're beautiful −" He whispered, and she giggled under her breath and kissed him in a way from which he felt hot in his heart.
She made him forget, at least for a moment, what was happening around them, finding in her both friend and lover, the confidante of all his secrets.
She was not jealous of his sister − on the contrary, he had the impression that she understood the source of his anger and disappointment, herself having no intention of explaining to him what she was doing and with whom.
It seemed to him that their relationship and its freedom suited them both.
Of course, they both knew that in the end they would experience a marriage that would inevitably be purely political, and they understood what that entailed.
Then their grandfather was injured on one of his expeditions, and Vaemond Velaryon challenged his younger brother's rights to the throne of Driftmark.
Knowing the truth about his parentage and at the same time refusing to accept it, he became enraged, sad and depressed at the same time − Baela's words of comfort that they would find a solution and not allow themselves to be intimidated did not reassure him.
Once again, his uncle and his family were trying to take their inheritance from them.
His return to King's Landing was a shock to him; to his disappointment, he felt like an intruder there, and it seemed to him that was exactly how he was perceived by everyone.
He felt a drop of cold sweat run down his neck, his stomach twisting with discomfort when he saw his uncle in the distance, wielding his sword as if it weighed nothing, easily defeating Criston Cole, pressing its blade against his neck.
He was tall, muscular, his long white hair, proof that he was in fact a Targaryen partly tied at the back of his head with a black ribbon, his jaw long and sharply defined, his gaze wild and cold, terrifying.
He smiled mockingly at the sight of them, playing with the hilt of his sword between his fingers as if he wanted to devour them.
He felt ashamed at the thought that he was terrified.
And then his uncle spotted their sister in the distance − his heart beat harder at the sight of their expressions.
It seemed to him that this reunion years later had caused them pain, as they both froze, breathing heavily, looking at each other as if there was no one else around.
His uncle hummed under his breath and turned away, nodding at Ser Criston, taking another swing with his sword.
Even though he hadn't cared what happened to her for so many years, even though he had humiliated her at supper by calling her Lady Strong, she had confessed in front of everyone that her place was with him.
He looked at her in disbelief, wondering what she was doing, why she had stooped to courting him when it was obvious that her uncle had neither respect nor affection for her.
After a moment, he heard his uncle's cold, trembling, deep voice.
"So it is decided, father. We will marry."
"How could our mother agree to this? How could she let her stay there?" He asked furiously, circling around his chamber in Dragonstone; Baela sighed heavily, turning her head away. She looked at him finally, hesitation in her gaze.
"I didn't tell you because I knew it would only enrage you and you wouldn't leave her alone." She said tiredly − he halted in half-step, looking at her over his shoulder, feeling his heart pounding like mad.
"You didn't tell me about what?" He asked dryly, frustrated and concerned.
Baela let out a loud breath, shaking her head. They were now betrothed, and although he thought they both seemed to have accepted their families' decisions with relief, he couldn't rejoice.
"My father told me that she had been sending him letters all these years. That the same night we arrived in the Red Keep she spent the night in his chamber."
He stared at her dully, feeling that it made him sick to his stomach, as if he were about to vomit, his face taking on an expression of disgust.
So she didn't write any poetry then, he thought with regret and pain.
"− how could she do this − expose our mother to humiliation and gossip −"
"Jace. She never stopped loving him. I think she's naive too, but you'd have to be blind not to see that she never really accepted it all. I don't know what I think about it myself." She admitted, running her hand over her face.
"You don't know what you think about it? I'll tell you. Our uncle will play with her and take advantage of her, and then he will put her up to ridicule and hand her over to us. He won't marry her." He growled angrily, burying his face in his hands, wondering how she could be so foolish, how she could believe that he had sincere intentions about her.
"The matter of succession is on a knife-edge. Perhaps our grandfather is right? A union between our mother and the Queen could really ease the situation." She muttered, clearly looking for anything comforting in the situation, which he completely failed to understand.
Had everyone around him lost their minds?
"My uncle who thinks we are bastards is supposed to alleviate the situation? He will never agree to let me sit on the throne and I am supposed to give him my sister?" He asked in disbelief; Baela tightened her lips at his words, frustrated.
"You speak of her as if she were an object. It's always been that way."
He felt an unpleasant shiver run down his spine at her words, every muscle in his body tensing like a string.
"What do you mean?" He asked coolly.
Baela sighed heavily, clearly trying not to explode and form her thoughts so as to be honest but not cruel.
"You think she was born to fulfil your whims? That the fact that you are her eldest brother gives you precedence to lie in bed with her?"
He felt himself blush with shame at her question, shocked.
Discomfort and arousal surged through his lower abdomen at the thought.
"Do you think that's what I mean? I'm just trying to…"
"Yes, Jace. I've never witnessed you ask her how she feels, what she needs. I am fond of you, but you are a selfish boy, not a man."
He felt ashamed at the thought as tears gathered under his eyelids at her words, a terrible, cold shudder shook his body, his heart began to pound like mad.
You are a selfish boy, not a man.
Her words so offended him that he stopped speaking to her despite her pleas, and then the thing he feared most happened.
The King was dead, Aegon had stolen her mother's throne and his uncle had imprisoned his sister.
They had made a mockery of them.
He had been right all along, but no one listened to him.
"Forgive me, Jace." Baela muttered, placing her hand on his shoulder. She knelt beside him, sighing heavily, laying her head on his thigh, and he involuntarily stroked her hair, feeling superiority, feeling strength.
He was going to fight for his mother's crown and bring his sister home.
In order to do so, at the behest of their mother, he flew to Winterfell to ask Cregan Stark for his support in this cause, reminding him of the oath his father had taken before her.
The North seemed to him a beautiful and wild place, so far from what he knew − the snow-covered hills, the austere fortresses of dark stone, the robes that looked only grey, black or brown around him gave him a sense of modesty and space.
Lord Stark's nature appeared to be similar to his, and the few days he had spent in his company hunting and riding horses had actually made him feel good − he felt like someone worthy with him, a true heir to the throne, not a bastard.
It was this feeling that, seeing the young Lady Snow from afar, he allowed himself to be enchanted by her charms and lay in bed with her.
Like a real man.
When he arrived back in Dragonstone he learned that Luke had just returned from Storm's End and that he had seen their sister.
"You flew after him? You flew after him knowing he could imprison you, use you as your mother's weakness? Fucking fool." Growled Daemon, shocked and horrified by his naivety, burying his face in his hands, unable to look at him.
"Daemon." Their mother rebuked him, all pale, her hand clenched on her womb. "What happened next?"
"He brought her. Someone hit her, mother, and I think she tried to take her own life. There were cut marks on her wrists." His brother muttered, and he felt his heart stop, he and Baela looked at each other quickly.
She had tried to take her own life.
Because of this bastard, his sister could be dead.
His hands clenched into fists at that thought.
"And then?" Pressed Daemon in an impatient voice.
"I told her to run away with me, but she didn't agree. She told me to tell you that she loves you and that she remains faithful to you, mother." He mumbled and he slammed his fist on the table, feeling fury and rage boiling up inside him.
"That fucking bastard purposely made her stay. He planned this, he never had any intention of marrying her!" He growled red with anger − Daemon threw him a single, drawn-out look.
"And then what? He let you just walk away? No one else saw you?" He continued, pretending not to have heard his outburst.
"N-no, I was surprised, but no. Forgive me, I had to see her, make sure that she is still alive." Luke said. Daemon sighed heavily and leaned over, placing his hands on the top of the stone table, thoughtful.
"Bring me a parchment and a quill. I need to speak with my nephew."
Baela followed him into his chamber in an attempt to calm him down.
"How can he want to pact with that fucking traitor? His brother stole my mother and his wife's throne!" He shouted in her face − his betrothed dropped her hands in a gesture of helplessness.
"Since he let them meet, maybe there is something to it. My father knows what he's doing, I trust him. I believe he will bring her home."
"You're naive. You always have been."
"And you're vain. You always have been."
He pressed his lips together at her words, feeling his heart pounding like mad, feeling like something was about to explode inside him.
"I met a woman in Winterfell who I took to my bed." He muttered finally, glancing at her out of the corner of his eye.
Part of him wanted to hurt her, and part of him wanted to be honest with her.
That was what they had promised each other.
Baela laughed at his words in disbelief and shook her head − he had a feeling he saw a shadow of regret in her gaze, but he wasn't sure if it was because of his confession or because she understood why he said it now.
"If you wish, I'll relate to you how I spent my time in your absence, but I'm not sure you'll be able to look into this guard's face afterwards." She sneered, lifting her chin high, looking at him defiantly. He felt a wave of hot shame and anger surge through his body.
"After we're married…are you going to continue this?" He asked uncertainly and she cocked her head to the side.
"If you are not faithful to me, I will not remain faithful to you. You are dear to me, but don't think I will cry for you. Certainly not like your sister cried for her uncle. Part of me has always envied her that she experienced such a deep feeling in her life even if it burned her from the inside for so many years." She said with a kind of regret from which he felt a squeeze in his stomach, but he answered nothing to her words.
He knew that they did not love each other.
They were close and felt comfortable together, but they weren't mad about each other.
He believed it just had to be this way.
He waited impatiently along with his mother and the others gathered for Daemon to return from his meeting with their uncle, simultaneously terrified and angry that they were speaking with traitors instead of fighting.
When they heard the squeal of Caraxes in the distance his mother stood up, pale, holding her hand on her womb again, as if remembering the time when she had carried her only daughter under her heart.
His other sister had died before she was even truly born.
When Daemon stepped into the main hall everyone was already waiting for him; he sighed heavily, placing his Dark Sister on the table top, folding his hands in front of him, straightening.
"Your daughter married her uncle of her own free will. My nephew has conveyed to me that his brother-cunt will relinquish the throne he stole from you if it is your daughter's children and his who become heirs to the throne or, in the event they do not conceive a son, ours − Viserys and Aegon. He demands the exclusion of Jace, Luke and Joffrey from the succession." He said dispassionately. He looked at his mother seeing that she had run out of words.
"− mother − this is −"
"− leave us − all of you −" She ordered.
"− mother − this is my inheritance − mine −" He began, but felt Baela's grip on his arm.
"− Jace − that's enough −"
He sat in his chamber thinking only of the fact that his mother was just contemplating whether or not to agree to deprive him of his inheritance, to acknowledge that he was her bastard despite the fact that he was her firstborn son, despite the fact that Laenor Velaryon had acknowledged him as his heir.
"− Jace −" Baela muttered, seeing his condition.
"− leave −" He said. He heard her sigh heavily as she approached him with a rustle of her gown, kneeling at his feet.
"− Jace − I'm on your side − I always have been − don't you see me as your companion? − your friend? − your lover? −" She asked with a pained expression that startled him. He lowered his hands and looked at her − his palm rose to her cheek, which he stroked with a tender, slow gesture.
"− you resent me − you don't see me as a man, but as a child −"
"− that is not true −"
"− I don't want your pity −"
"− Jace −"
"− you were right − I don't want to frustrate you and I understand all the accusations about me that you've made − my whole life I've been trying to be someone I'm not −" He finally replied, his betrothed's fingers grasping his hand and squeezing it.
"− that's what I mean − stop pretending − be honest with yourself −"
"− do you want me to be honest? − very well then − my mother has never asked my opinion on any important matters − Daemon treats me as if I am an imbecile and mocks me − I am both a first-born son and a bastard − my uncle wants to deprive me of everything, he wants me to be a nobody and why? − because when I was a child I gave him a pig? − god, I regret it, it was a cruel joke − I regret that he lost an eye, I regret that a dragon didn't hatch from his egg − but even if I had said that, what good would it have done − he would have laughed at me saying I am a weak cunt −" He muttered and burst out sobbing like a small child, hiding his face in his hands. Baela embraced him and cuddled his face into her oil-scented neck, stroking his hair.
"− I am grateful to you − I am grateful to you that you are honest with me − I am grateful to you that you have never lied to me −" She whispered and he wept softly, tightening his hands on the material of her gown feeling that the closeness of her body brought him solace.
"− I am grateful to you too − forgive me for not being what you deserve −" He mumbled, sniffling loudly, trying to calm the convulsions of his body and his ragged breathing.
"− I forgive you − I forgive you and ask for your forgiveness −"
When his mother came to his chamber that evening, he knew what decision she had made even before she opened her mouth.
"− Jace −" She began, and he turned his head away, panting with rage, burning tears of humiliation under his eyelids.
"− after all this − after all you've sacrificed − are you going to let them win? −"
"− how would I be a just Queen if I thought only of myself instead of the good of the kingdom? − any other solution will mean war with our own kin − is there anything else more displeasing to the gods? −" She muttered in a breaking voice in which he could clearly hear that she herself was suffering immensely.
"− you let them dictate their terms −" He said in disbelief, looking at her at last. His mother pressed her lips together at his question.
"− no − I intend to impose my own demands on them – none of them will be allowed to sit on the throne − none of them will wear the crown − they will be rulers-regents until their son, the rightful heir, is born −" She replied, forcing herself to be calm.
"− and if no son is born to them? − will you exclude me from the succession then? − your first-born son? −" He mumbled in pain, hitting his chest with his palm. Rhaenyra drew in air loudly, her eyes red from tears of pain and grief.
"− it's my fault − not yours − me and Laenor really tried, but −"
"− I don't want to hear it − I won't listen to it − why did you let me come into the world? −"
"− Jace −" She mumbled − he heard the rustling of her gown as she took a step towards him, but he held up his hand showing that he didn't want her to come near him.
"− I will leave Dragonstone to you − it belongs to me and I can give it to whomever I wish − no one will challenge your rights in this case, you will finally be able to live the life you deserve −"
"− I was meant to be King −" He hissed, and she swallowed hard.
"− as was I − but perhaps we are not meant to be − pride steps before a fall −" She said drily, her chin lifted high.
"− what does Daemon have to say in the matter? −" He asked lowly.
"− he is furious, but he will do as I command − just as you −"
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