#you don't need validation from canon or other fans

[qwainte]

WHY DID NO ONE TELL ME THAT THE QUEEN OF THE ASCENDANT GIRLIES NOW HATES THE GAME AND INSISTS ASTARION IS A HORRIBLY WRITTEN CHARACTER OMFG

[frownyalfred]

Hi. I'm not a canon purist and enjoy some fanon content very much, but I do think people in the fandom should at least familiarize themselves with the canon content and source material. It's easier to break the "rules" so to speak and experiment with canon when you know what that actually is. I've noticed a lot of fans that are only familiar with fanon criticise content that doesn't line up with what they believe to be canon but isn't. The Red Hood for example. I've seen writers who portray him as the violent criminal he is in much of the canon be completely decimated by Jason fans who only know fanon and the retconned version of Red Hood and completely deny canon even exists and refuse to even glance at the comics. Transformative works are important and playing in the sandbox is for everyone but fandom literally cannot exist without canon. Canon is important and people can do whatever they want with it but they should respect it enough to at least look at it.

Hi anon, I'm going to hold your hand as I say this, and I will say it as gently as I can: This is still a form of canon purism.

We can absolutely agree that readers shouldn't berate or abuse writers for how they choose to portray characters in fic, whether that's a more canon-faithful characterization or a popular fanon version. If readers don't like how a character is portrayed, we should encourage them to hit the back button instead.

I want to draw your attention to some of the words you used in your ask above: "should" "respect" "decimated" etc. Those are some strong words to describe how you think people need to behave, in order to exist in fandom. Of course, there is no fandom without canon source material -- I'm not denying that. But with such a wide and varied canon, the DC fandom has examples of the Red Hood you mention above, AND the "retconned" version you also reference. Both are canon, as in actually, officially, canon. WFA is canon, and that Red Hood looks very different from the Red Hood you describe.

Now, I think your issue is that you enjoy a certain version of canon, and you're frustrated that the fandom doesn't also, as trends ebb and flow, enjoy that canon as much as you do. Again, I want to acknowledge that just because a certain version is popular, it doesn't give folks the right to berate authors for writing a different version. But again, I don't think that's what we're really talking about here. From your ask's tone, I think you're suggesting that people should, in order to participate in fandom, read that older canon, that different version, or as you say, "glance at it" before enjoying or writing the fanon version.

Guess what? They actually, really, really, don't have to. It sounds like you have some issues with judging your fellow fandom members who don't read what you do or reference certain canon. But the magic of this fandom is, you can enter it at any point. We're a big pool, and if someone's entry point is the Lego Batman movie and that's it, that's still valid.

Fandom stems from canon, yes, but I almost never hear people talk about movies, or web comics, or other media when they talk about "required reading." It's always a comic. I really wish people would reflect on that before suggesting it as the one true path to being a fan.

The other thing I don't see asks like these reference ever is the reality that sometimes a fandom outstrips its canon material, and that that's an eventuality in some spaces. Fanon interpretations become popular, and people write about those specific characterizations or scenarios. They ebb and flow, like I mentioned, and some are more canon-faithful than others. Some completely reject canon, and again -- it's still fandom. It doesn't make it better or worse than a more canon-faithful fic. It's just different.

I had a couple asks about this topic a few weeks ago, and I'm assuming you haven't read those or you likely wouldn't have sent me this ask. But in them, I discuss how sometimes we need to suck it up and be unhappy that canon-faithful fics aren't as popular in a fandom at a specific time, and stop punishing fellow fans for writing and enjoying those fics. And we really need to stop shitting on them publicly on Tumblr.

Because often, what you're really saying is that you wish more people would write more canon-faithful fics, and stop writing ones about fanon topics you don't enjoy or think are accurate. And to that, I again say, there is nothing you can or should do to change that behavior from others. If you want to read it, write it, enjoy it, etc, do it yourself. Build the comic-faithful community here, write fics and promote challenges, create a discord channel and discuss your "required reading" there.

We are all writing and reading fanfiction at the end of the day. It is a great equalizer in many ways. My silly Lego Batman fic is just as valid as a canon-faithful rewrite of a certain Batman issue. One is not better than the other, or more deserving of respect. You will never get me to admit otherwise on this blog.

tl;dr: people should absolutely not berate authors who choose to write canon-faithful characterizations. however, there are layers of judgement and disdain many DC comics canon-faithful authors/readers have for their fellow fans that I think we need to examine critically in order to coexist respectfully.

[prlssprfctn]

Why is Jason Todd so victimized when every other bat has been through worse and I’m not saying this in a “ everyone moved on ” kinda way but compared to everyone else not much happened in his life he’s just a cunt which I personally love

hi, so:

i don't think it is fair or ethically correct to compare the amount of suffering batfamily went through, especially considering that all of them have a very, very different backstories, nuances and moments

i would actually argue that nothing happened in Jason's life. let's go through the short recap: depending on how you interpret the tragery of Todd family, as a very little kid Jason either witnessed his semi-normal family ruining itself or he never knew the normality of it at all. then, his father gets in jail, and Jason is left all alone with his sick, addicted mother that needs to be taken care of. at this point, he is not even ten, btw. he needs to take care of himself, of Catherine, to get money somehow, to find drugs for his mother because there is no alternative unless he wants her to die. in the search of money, it is very implied that Jason goes through the hell; surely, we all understand what it means. eventually, his mother dies. he witnesses it, holds her dead body, begging her to wake up. from there, his life on the streets start - and it is nowhere near kind. his three happy years with Bruce end up quickly, leaving him thinking that Bruce disowned him, and he is scared to be back on the streets. he finds his biological mother, and she betrays him. he dies, dies in pain and terror, betrayed. he wakes up in his own coffin, dugs himself out, breaking all his fingers. his body must have hurt immensely from all previous injuries, and yet, he crawls out. gets hit by a car and thrown on the streets again. he is catatonic, surviving on the streets for six months or so, all alone, just feeling constant pain and fear. then, Talia picks him up. eventually dips down in the Pit. his life doesn't get better from there, too. he remains unavenged, and from his point of perspective, discarded and made nothing but a bad story for future kids. his father instantly disowns him after his return, and throws batarang in his neck, slicing it, almost killing him (or killing him, actually, depending on your idea of what happened). and... and after that his life doesn't really fix itself either? you choose your next comic to rely on, but in the most of it he constantly gets jumped by his brothers, smashed around like a rag doll by Bruce, etc, etc. i would argue that it is a lot to happen to a person. especially, to a kid. because by the end of it, Jason is not even older than twenty-five, going through all of it.

fans love exploring his mental health issues, and it is very valid. especially, when comics ignore it completely or blame him for his own traumas. half of comics with Jason, also, have a classist undertone - they treat him like a dog and a rabid animal just because he was grown in the Park Row. writers victimblame him constantly for everything. so, idk about victimising, really.

i do agree that Jason's portrayal in the fanon is not always correct, though, either varying between making him some kind of rude, obnoxious idiot with only anger motivating him or a complete whump without personality which simply takes all complexity of a character from him, but then again, fanon being very different from canon is always a thing... everywhere, tbh.

he is the og brat, though. love him for it.

[psychemochanight]

Tell me some FANON facts that you don't like

I think I've already mentioned most of them, but I'll quote them again with summary explanations:

The "Happy Robin" and "Angry Robin" thing.

Especially Jason as the "Happy Robin", not because I have anything against Jason being happy as Robin, but because the fandom generally infantilizes him excessively, makes him behave like a 5-year-old instead of a 13-year-old. Plus, I do like the post-crisis Jason, more rebellious and with more personality.

Tim being an insomniac coffee addict.

Tim is the brother who falls asleep anywhere, at any time. If you're not careful, the guy has already slept for 14 hours between micro-naps and is going for more hours.

Tim being an extremely thin, delicate and shy boy.

He's so cool in canon, I just can't stan his fanon version.

Dick being the laughing stock of the batfamily.

Like, he's literally probably the most respected member (not after, ALONG with Batman), and probably one of the few whose threats would be taken seriously by everyone, but the fandom only has him as comic relief for being the most optimistic and cheerful of the family.

The thing about Alfred only letting Jason in the kitchen because he's the only one who knows how to cook.

He taught Dick to cook in his own kitchen- Dick has cooked for his family before, and he's lived alone for almost 10 years - how could he not know how to cook? If he is banned from the kitchen, it is because he climbed onto the fridge as if he were a cat, or because he is delirious with fever and refuses to rest.

Dick living in the mansion again.

You want my man to have a nervous breakdown???

That they lower the abilities of some family members in order to exalt others.

Just because Cass is better at fighting doesn't make the others useless? Plus I think it's canon that some can beat her, not all the time, but like, in sparring matches they can actually beat her sometimes too? Just because Tim is the "detective" doesn't mean everyone else is bad at it? Just because Jason is the best with guns doesn't mean the others don't have good aim?

Duke being the normal one in the family.

NO ONE is normal in that family. Not even Alfred.

When they make Dick a mediocre student.

My boy was a top student, kinda a nerd but also a athlete, don't discredit him like that.

Jason being Tim's Robin.

Tim was first a fan of Dick Grayson and then a person dude, there's no way.

Jason calling Tim's replacement 24/7.

While the relationship between Jason and Tim is not as close as the fandom presents (they usually use facts from Tim and Dick's relationship to make him act like that with Jason), Jason doesn't live in a spiral of hatred towards Tim either, maybe at first, but then things calm down quite a bit between them.

The sexualization of Dick's character.

I don't mean like in canon, I mean how people directly turn him into a whore who would have sex with anyone who offers to him. Like, no???? What's wrong with u???

I actually hate that with any character, but it happens more with him.

Bruce being too perfect that none of his kids can even surprise him.

Canonically Dick scared him more than once, and I'm sure his other kids also managed to surprise him at least. Let the guy be a human, he's not an omnipresent god.

Completely ignore Clark and Dick's uncle-nephew relationship.

I don't think I need to explain this.

That's what I can think of now, there's probably more to it, but aha-

I don't completely hate these facts, and I don't mind people using them exactly, but I don't like it when they pass them off as canon- If you like it more than canon, it's completely valid, they are fictional characters and it doesn't hurt anyone, but don't expect me to agree with you if you tell me that's the true personality of the characters, u know?

[seraphdesire]

Lady Dimitrescu being canonically a lesbian and a man-hater, only ever having women in her castle, all her maids being women, her three daughters never being exposed to men other than in the context to drink their blood. Lady Dimitrescu being great representation of lesbianism and perhaps even trauma (that's perhaps why she hates men?). Lady Dimitrescus who was just trying to live peacefully in her castle with her daughters and maids without being disturbed, doing what she needed to do in order for her and her family to survive.

Only for dudebros to come along, pronounce Alcina the hottest resident evil character all because she's extremely tall ("step on me mommy") and has big boobs? Dudebros who show exactly why we need more lesbian rep in popular video game franchises. Dudebros who are, at this point, proving exactly why the man-hating part of Lady D is valid, who are proving why she would want to get away from them and live in peace.

I can promise you, if she existed, she would NOT step on you. She would kill you and drain your blood to bathe in and drink, and NOT in the hot sexy fun kind of way. Please.

Edit to add on to this:

Okay maybe I made it a bit too wordy or something? Some people on here don't have half their brains apparently. So I'll water it down to be nice and simple for those people...

Lady D's male fans are kinda weird.

[david-talks-sw]

The OTHER type of Star Wars fan

We've already covered (through this longer post and this addendum) that research shows George wasn't that involved or interested in the derivative material of the Star Wars franchise, also known as the Expanded Universe (EU). Aside from approving a few points, he let Howard Roffman and Lucasfilm Licensing handle it.

He is the first to say that he ain't as knowledgeable about Star Wars lore as we fans are.

Thing is... he's also not as passionate as we are.

Recently, I was watching some Q&A videos of George R.R. Martin, the author of Game of Thrones... and it occurred to me:

Martin is what most Star Wars fans wish Lucas was.

Think about it.

He's a talented writer who likes to focus on morally "gray" characters and complex political plotlines,

who created a series of novels for a mature audience in which his narrative merely asks questions and lets the reader draw their own conclusions,

knows and engages in the lore behind his creation and will often respond to those lore-heavy questions, and has gone on record stating that canon is the glue that holds a story together and keeps it coherent.

Contrast that with George "continuity is for wimps" Lucas, who:

Wrote a movie franchise which is also, partially, political... but he makes it for kids, and he's explicit about how this is thematically a clear-cut story about how the conflict of "good vs evil" is really about "compassion vs greed",

with flat dialogue, boring cinematography,

and whose approach to lore and canon can be summed up in his answer to how Anakin got his scar:

"I don't know. Ask Howard [Roffman]. That’s one of those things that happens in the novels between the movies. I just put it there. He has to explain how it got there. I think Anakin got it slipping in the bathtub, but of course, he's not going to tell anybody that." - Pablo Hidalgo’s set diary, August 2003

And as a Star Wars fan, I will admit that some of his casual retcons felt disrespectful, growing up.

"Boba Fett is NOT Mandalorian?!"

I had the same reaction when I saw an interview of Kathleen Kennedy stating she was a fan of Star Wars... from a filmmaking perspective. That seemed like such a finagling cop-out for me, at the time.

"Just say you're not a real fan, God!"

And it's easy to divide it in two camps, like that. You have 1) the real fans, who will delve into deep lore, and 2) the average moviegoer, also known as the "filthy casuals."

But looking back on it... holy shit, that is actually a completely valid way of being a Star Wars fan.

Yes, Star Wars is a transmedia franchise, it's books, it's video-games, it's deep lore, it's lightsabers and Jedi and Sith and bounty hunters and Ewoks and Jabba and High Republics and Tython and Revan etc.

But before it was that, Star Wars was a filmmaking revolution. A juggernaut of innovation for the silver screen that inspired most of today's filmmakers.

So, sure, George Lucas isn't an avid lore-loving Star Wars fan like you and me. But he is a movie fan.

"I'm not that passionate about this story. I like it, it's fun and I enjoy doing it. But it's definitely not my life. I'm a bigger movie fan than I am Star Wars fan. I like making movies. At the end of nine years of making Star Wars, I was not ready to continue it. I was completely burned out on it. I was more passionate about raising my kids than making movies and especially making Star Wars. So I made other kinds of movies and TV shows and advanced the technology I needed. It's not a matter of passion. My passion is for filmmaking. I'll go and do filmmaking that is easier to do, where you can realise your ideas better. And nine years is a big part of your life, and to commit to another nine years, I didn't wanna do that right away." - EMPIRE, 1999

And you can tell this, when you watch the Star Wars films.

There are honestly so many homages and interesting filmmaking techniques, peppered throughout the six films, which only a nerd for cinema history like George would know how to implement.

C3-PO being based on the droid from Metropolis (1927) is a perfect example of this.

And that's interesting.

Because there's essentially this entire other dimension to the films, where it's not just the story unfolding, but to filmmakers it's also a series of techniques that make them go "I wonder how they did that!" or homages that make them go "OH! I know where that's from!" like we do when an comics characters appears in live-action.

Here's other examples:

CINEMA HOMAGES

All of Star Wars is absolutely littered with homages to cinema history.

I mean, you may already know this, but Flash Gordon is what George originally wanted to shoot, but the copyright holders said they only wanted Fellini to direct it (ironically, George wasn't artsy-fart enough for them). So he decided to write Star Wars instead.

As such, the inspiration from Flash Gordon is also present visually and spiritually throughout the two trilogies.

"It was like a Republic serial, a 1930s-style matinee adventure. The idea was that you came in, saw Episode IV, had missed the first three episodes, and wouldn't get to see the rest of it." - Starlog Magazine #300, 2002

The dialogue that a lot of people refer to as "campy" and "flat" is actually a mix of George being an experimental filmmaker who doesn't give much of a fuck about dialogue (and is by his own admission, not the best at it)...

"I'd be the first person to say I can't write dialogue. My dialogue is very utilitarian and is designed to move things forward. I'm not Shakespeare. It's not designed to be poetic. It's not designed to have a clever turn of phrase. [...] I just wanted to get from point A to point B. This film doesn't lend itself to that sort of thing because it's not about snappy one-liners.  I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style. It takes away from the integrity of the movie. [...] I'm aware that dialogue isn't my strength. I use it as a device. I don't particularly like dialogue which is part of the problem." - EMPIRE, 1999

... which is convenient, because it helped him simulate the dialogue of 1930s matinee serials, such as Flash Gordon.

"Let’s face it, their dialogue in that scene is pretty corny. It is presented very honestly, it isn’t tongue in cheek at all, and it’s played to the hilt. But it is consistent, not only with the rest of the movie, but with the overall Star Wars style. Most people don’t understand the style of Star Wars. They don’t get that there is an underlying motif that is very much like a 1930s Western or Saturday matinee serial. It’s in the more romantic period of making movies and adventure films. And this film is even more of a melodrama than the others." - Mythmaking: Behind the Scenes of Attack of the Clones, 2002

But beyond that, literally it's everywhere.

The scene where Palpatine ascends to being Emperor as Anakin slaughters his political rivals parallels the final scene in The Godfather, where Michael becomes the Don while his goons do the same thing.

This video compiles all the tributes beautifully. Check it out.

Even The Clone Wars has whole episodes that are direct homages to cult classics. The Zillo Beast episode is a clear reference to Godzilla, the episode The Wrong Jedi is inspired by The Wrong Man, etc.

"CINEMA VÉRITÉ" CINEMATOGRAPHY

I've already written a whole post (one of my favourites) showing how his fascination with cinéma vérité documentaries is reflected in the cinematography of all six Star Wars films, and it's part of what makes the entire franchise feel so immersive.

You can check it out here:

KUROSAWA

We've gone over how he's a big fan of Akira Kurosawa, and how big an influence Hidden Fortress was on both the Star Wars trilogies...

... but so is the mise-en-scène and the way George approaches production design. The reason Star Wars feels so "lived in" is also a lesson George learned from Kurosawa, which is that by making everything just a bit off-kilter, a bit dirtied-up and imperfect...

... and yet keeping it all consistent, in a way, you manage to make the film feel grounded and immersive, no matter how alien it is.

"[It] may sound odd in a movie like this, but credibility and realism, even in the most unrealistic situation… to sorta create that sense of realism is very important to making the story work and making you feel like you’re actually in the environment that transports you and gives you the suspension of disbelief that you need in order to enjoy a movie. [...] Kurosawa used to call it “immaculate realism” which is to make it slightly off-kilter, slightly eccentric, like things are in real life. Even if it’s a very predictable situation, give it that little funny edge that takes it away from that and makes it realistic. And I had to struggle very hard, in the Star Wars films, to make them appear to be realistic, even though they’re totally fantasy." - The Phantom Menace, Commentary Track #2, 1999

POST-PRODUCTION & VFX

Another one of the more impressive aspects of the first Star Wars was the dogfights and the trench raid of the Death Star. The camera pans with the spaceship, the dynamism of the cuts. The space battles is what made George creat ILM in the first place.

He was determined to do the opposite of what 2001: A Space Odyssey had done with that opening scene where the space ship moves into frame slooooowly...

... so he gave the team a collection of WWII dogfight footage to give them ideas.

(note: this was the same approach he would take years later with Dave Filoni, when teaching the latter how to edit and craft dogfights in The Clone Wars)

The attempt to film the trench run eventually led to the creation of the first motion control camera dolly.

Best analogy I can think of, when describing George's approach to Star Wars, is the following:

An avant-garde esoteric contemporary artist - y'know, the type who puts a blue dot on a white canvas and calls it art - creates a comic.

Why? Because he wants to make this one art installment for a gallery exhibition. After that, he intends to move on to other things.

But the comic is really good! And like, its audience quickly expands beyond just gallery visitors, no, everyone likes it.

Suddenly, the comic develops a cult following, and the entirety of comic book geek culture has zeroed-in on the artist and they're all asking him to make more art! And he makes more! And more!

Then he stops for two decades, moves on to other art projects, raises his kids. Years later, he discovers new ways of drawing, and he's like "I'm making a Prequel to the comic, y'all wanna see it?"

Everyone cries out gleefully: "Oh God, yes! Finally! Show us!"

But this motherfucker makes a manga.

Why? Because he feels like it.

And of course he does, he's just creating art, right? He discovered the graphic tablet, so he's having fun with it, because he's always innovating and pushing the envelope with his art.

And the books are fine, by manga standards. But by comic book standards, they obviously suck! The comic book audience is mad. They wanted another comic book, not a manga. Why is it in black and white? Why is read right-to-left? This comic is crap!

(And arguably, they have a point... as a savvy businessman, he's made a whole lot of money off this comic, he built a media empire out of it, and instead of giving them what they want, he made something else)

But again... this guy isn't a comic book illustrator, and has been very explicit about saying this.

He's an artist who - for a very specific project - drew a comic.

Many things can be true at once:

the fact that these creative decisions didn't always hit their mark for the average moviegoer, or fans of "Star Wars, the space fantasy movies and expanded universe" (usually the lore-loving geeks like myself)...

... and the fact that they were meticulously and carefully crafted in a way that fans of "Star Wars, the revolutionary film" (aka fans of cinema and filmmaking) can appreciate.

There's a spectrum of the fandom, and there is a spectrum in the way we can appreciate Star Wars. Which kinda reminds me of that scene in Chef (2014) where Carl goes on a rant explaining the intricacies of making his chocolate lava cake to a food critic.

It's not just undercooked chocolate. It's molten.

Conversely:

It's not just flat, campy dialogue. It's an homage to the 1930s matinee serials à la Flash Gordon.

It's not just boring cinematography. It's a reproduction of cinéma vérité documentary-style camera work which effectively grounds the film.

Having considered all this, when I hear that Tony Gilroy or Kathleen Kennedy were more fans of Star Wars from a "cinema studies" side rather than the typical pop culture one, I think it's fair enough.

First of all, because like it or not, so was George. He clearly didn't give a single crap about the offshoot comics and books and their lore, besides signing off on minor plot points. He's not a "sci-fi movie director", he's an experimental filmmaker who set some of his movies in space.

But secondly, because - aside from children - it's clear the audience he was targeting was not the fans or the critics... but these very same cinema-savvy people, who get his references and homages, and who were inspired by the new filmmaking techniques he introduced.

[burningcheese-merchant]

I notice that you give Shadowspice alot of shit because of how it's based off of shallow fujoshi stereotypes and how they would be miserable with eachother if you regarded there canon personalities (which is lowkey valid), but that makes me surprised you like burningcheese because you do remember that burning spice tore off cheesy's wings, threw her off a cliff, kept her wounded in a prison for sadisms sake and threated to destroy all she ever treasured before the queen turned the tables and have him his rightful beating.

Most burningcheese fanart I have seen depicts burning spice as hulking and towering and smiling down at golden cheese freaking as if that isn't basic straight ship stuff, I'm not going to cry about "abuser x victim" or how your a "proshipper" but a decent chunk of the Fandom portrayal of burningcheese ignores golden cheese's dominance and how powerful she is and I'm invested in how you think golden cheese will get romantic with the dude who tried to take everything from her with sadistic glee, all of that aside have a good day.

Turned out long as fuck lol my bad

Gonna start by saying I appreciate you being polite/civil. Ngl I started reading the first sentence and immediately assumed it was a ShadowSp1ce fan come to start shit or something lol. I'm glad that's not the case. As unhappy as that ship makes me, I'm really not out to get anyone who likes it. You do you, it's not my business. I mean it when I say I'd rather never speak of ShadowSp1ce again if I don't have to. I'm a happier person without it in my thoughts. Again I ask "where is the memory gun from Gravity Falls when you need it" lmao

To address your other concerns. No I did not forget what Burning Spice did to Golden Cheese lol. That's a pretty important scene in the story, I don't really have a say in the matter. But really, what he did is just what villains do. It's horrible, but not out of the ordinary for someone like that. It shouldn't be downplayed or dismissed but I also don't think it needs to be blown as far out of proportion as I've seen so many do. Video game villain. There are far worse ones than Burning Spice, who have done far worse things. Promise.

Maybe it's just my luck, but I've never really seen anyone portray BurningCheese the way you describe. Not on here, at least. I just see Burning Spice simping really hard for the golden goddess and smiling when she steps on him lol. Or them just being genuinely happy together. Plenty of angst, sure. But nothing I would really say is out of character (that I recall off the top of my head). I don't doubt that such shallow, stereotypical portrayals exist, and I lament that they do. I myself don't subscribe to that. Yes, he hurt her, but she doesn't take it (or anything he says or does) lying down. She gets up and fights back. And that's what he loves about her most of all. She fights back. To make her the meek, doe-eyed little church mouse secretary to Spice's domineering CEO or whatever the fuck in service of some puddle-deep hetero-flavored gooner shit à la 50 Shades is boring and flanderization. Burning Spice is tough but so is Golden Cheese. They are equals in every way. Let them kick each other's asses. Spice would never love a person who couldn't stand up to him anyway. Who isn't strong, physically and mentally. Which is what she is and always should be.

But my MAIN canon. The canon I operate on. The one my little fankid critters exist in. THAT romance goes like this:

As for how I ascribe romance to them... Let me start by saying that I ship them in multiple ways, through multiple lenses. I ship BurningCheese where it's a toxic one-sided crush/obsession on Spice's part (and his behavior is condemned ofc), because exploring that kind of darkness within a fictional setting is interesting to me. I ship BurningCheese where Golden Cheese gives in to despair, same as Burning Spice once did, and corrupts, and they become a villain couple (got a big fic in mind for that lol. That will be fun to write eventually). In a similar vein to that is the AU I've been playing around with on here where Spice is basically her pet serial killer and brings her severed heads and other things as tokens of affection (he is absolutely fucking deranged in this AU), and because she herself is... kind of a broken person in this story, she starts responding to these attempts to stroke her ego and win her favor, leading her down a rabbit hole of guilt and shame and denial and unhealthy attachment, where she eventually ends up as insane for him as he is for her (I know it sounds crazy, but... it's fun in a dark and disturbing way lol). I ship BurningCheese in that time travel AU (that I'm still cooking btw! That will be real fic! I'm working on it with a friend of mine!) where Golden meets Spice while he's still the Herald of Change, with all of the trials and tribulations that brings. I ship BurningCheese as a standard forbidden love affair, where she's good and he's bad and neither is willing to change for the other, but are willing to set aside those differences to be together, even if only for a time and away from prying eyes and judgment. I like them all sorts of ways, because I just like them, you know? I like how they click. How they complement and contrast with each other. They're both very alike and very different. They have a lot to give each other and a lot they can do together. And they're soulmates, that's canon, they are canon (at least in some way), whether anyone likes it or not. So I win no matter what lol

Slow burn. Very, very slow. Post-canon, after Dark Enchantress has already been defeated and order restored to the world. There's nothing left for the Beasts to really do anymore, Burning Spice included (they are not resealed in my canon, they all remain free indefinitely). They can't go out and cause chaos without their Ancients coming and curbstomping them immediately. But... Burning Spice likes that Golden Cheese does that, so he manages to forge an agreement: if she indulges him and spars with him a few times a month, he'll stay out of trouble. And she agrees, for everyone else's sake. She certainly doesn't want to be around him any longer than she has to.

They grow a little closer through these fights of theirs, albeit unwillingly on Golden's part. They bicker and banter while they exchange blows, and afterwards while they tend to their own wounds. Do you really have a choice, when you end up stuck with someone in such a way?

Burning Spice is in love with her. Always has been. But his love is selfish, toxic. He's more attached to his idea of her than the real her, because he doesn't truly know her, despite his insistance plus their soul bond. Golden Cheese hates him and considers him a menace to society, and indulges his whims purely to protect and serve the public. So long as he's focused on her, he can't hurt anyone else.

He hits on her all the time. She rebuffs him all the time. He doesn't necessarily mind; as much as he'd love it if she returned his feelings, he's content with her refusal as well. He likes her bite, her wit, her anger. And he has her, at least in some way. Has her attention. Has their battles. That's enough for him

Slow burn redemption arc on top of the romance. Really, Burning Spice's redemption is mostly an accident. Golden Cheese wasn't trying to fix him (at first) and he was never looking to be fixed. They both believed he was damned and he didn't care, and that was that. And it really was, for a while. But eventually, gradually, he started to... mellow out. Enough that he started becoming a little more approachable, in her estimation. Thus they grow closer still, which in turn makes him mellow out more.

He starts opening up a little bit, here and there. Bits and pieces about himself. His past. General personality things. She does the same in turn. She starts to recognize him as more than just a heartless monster. He starts to acknowledge things he'd otherwise leave buried forever. There's some sort of trust and understanding forming.

Spice gains a measure of clarity. Not quite remorse, but... regret? Is it regret? Is he really able to say he regrets anything about his life? Has he gotten that soft? That pathetic?

... He regrets how he treated her. That much comes to be true. And he apologizes to her. It's not much, he's no good at apologies, but he's at least sincere. It's shocking to her. She takes it to heart, despite not really forgiving him (she will not do so for a long time still). It marks a little turning point in their relationship.

She lets him into her life and world a bit more. She relaxes a bit more around him and vice versa. They're not even so strict about their scheduled duels anymore; sometimes he comes by just because he wants to see her, and she obliges. He's still an asshole but less of one. She's still begrudging but less so. It's clear something has begun to change within him. She's not sure what it is, but it's there. And it's... meaningful, at least to her. Because she never thought she'd see it

Don't want to get too deep into it because I want to talk abt it more later. But there's at least one suicide attempt by Spice bc he's gotten really depressed (more than he already was) and Golden stops him, and in doing so realizes that she's come to genuinely care about him as a person and doesn't want him gone, even despite his misdeeds. Another big turning point, especially on her part

They become genuine friends. Bit of a weird friendship, he's still a bad guy, but even so. She's honest about enjoying his company. She talks to him like she does everyone else. And he likes it. He likes that she's so casual now. That they're so used to each other now. It's pleasant

The more he spends time with her and gets to know her, the deeper in love he falls. But no longer is it that corrosive sentiment it once was. With time, it evolves into a healthy affection and respect for her. He's still smitten as always and forever, but in a more normal way lol

The more time she spends with him and gets to know him, the more she comes to see that... He's really not so bad, underneath all of his... issues. He's intelligent. Thoughtful. Creative, even (ironic). He's very handsome. He makes her laugh. He keeps her on her toes. He's not so different from her, in some ways. With all of that, and what he's willingly revealed to her about his life, she believes that... he can be fixed. He can get better. Somewhere within the dark chasm of his soul is man with some worth. There's something worth salvaging inside of him. One little ray of light, flickering in the dark. He can change, if he wants to. She truly believes that now.

So she starts making an effort to help him along. Starts pushing for him to interact with others. Do good deeds. Participate in society, in life. He tries to push back but ultimately gives in, if only to appease her. She's the only person he tolerates still, everyone else can keel over and die for all he cares. Just because he's not actively hurting anyone doesn't mean he cares about them.

But... it works, little by little. This war of attrition she wages. Of course she can't force him to change; he has to want that for himself. But she can at least show him the merit in doing so. And she does. Slowly, begrudgingly, he starts to actually talk to people. Hang around them. Do things of his own accord, not just to make her happy. He does not say so, but he's learning to enjoy and appreciate life again

That's when she falls for him. It was already in motion for a while, but it's watching him improve and become more of the man she thinks exists deep down inside that does her in for good. Of course she's embarrassed. She grapples with the moral implications. But in the end, she can't help herself. He's charmed her. He won.

They're happy together. They marry. He is gladly accepted by the GCK as their king, for they have embraced him by then. They have those two kiddos. He's forged new, genuine friendships with the other Ancients plus a few other people, and rebuilt the old ones he had with the other Beasts. He's... not a hero, no. He never will be again. But he's abandoned his evil ways. He's made peace with himself. He's been reintegrated into society. He's happy. They're happy.

No one approves of them besides Pure Vanilla. Throughout all of this, Spice has been regarded with fear, hatred and suspicion. (He doesn't really care much, to hell with what others think of him.) Though he's improved and some have relaxed around him, for many it's not enough, her friends included. They worry for her safety, for her sanity. She vouches for him, his character and their relationship. Only PV is on her side from the start; he's overjoyed for her, for him, for them. He's happy he's changed, as PV always hoped all the Beasts would. He wishes them well. He hopes for a similar happy future for himself and Shadow Milk. Everyone else comes around eventually, some sooner than others. (Smoked Cheese excluded. They will never be cool)

It's important to note that I came up with this for them because I enjoy exploring morality and redemption and forgiveness, and what that might look like for certain characters. Even if he's become a better man, does Burning Spice really deserve the happy ending he got? Does it undo anything he did? Does a man like that really deserve forgiveness?

The way Burning Spice would answer those questions is... no. No, he doesn't. He's done too much. The blood on his hands will never wash out. Golden Cheese can only forgive him for what he did to her specifically, not for what he did to the world. And he knows he isn't worthy either way. Should he ever die... well, he's certainly not going to Heaven, that's for sure. So he makes peace with it the best he can and just tries to be better. He can't change the past. All he can do is try to make it a decent present. He's not perfect, no. There are some things you'll never get back after living such a cursed life. The Herald of Change is long gone; perhaps he never truly existed in the first place. He can only be Burning Spice, with the weight of all his sins bearing down on his shoulders, and try. Try to do better. For his wife. For his children. For his comrades. For his people. There's nothing else he CAN do. He can never truly fix what he did. He has to live with that forever. But he's still managed to find happiness even with it, and that makes it bearable. And it's all thanks to her, in the end. Her and the kids. They make it all worthwhile.

I'm sorry I wrote a Bible lol. And also probably derailed at least once. I just hope I answered your questions well enough. This is ultimately how Merchant thinks Golden Cheese will get romantic with Burning Spice. The end

[notapradagurl7]

Stuck.

Black Fem! Reader x Thor

Summary: Due to a monster on almost k*lling you at work, Thor saved you and you ended up stuck on Asgard with him. You were just a mere mortal trying to find a way back to Earth but you had to adjust to Thor’s world first.

word count: 2,761k

Taglist: @mermaidchansons @megamindsecretlair @ramblingthoughtsofayoungadult @nahimjustfeelingit-writes @uzumaki-rebellion @wakandas-vibranium @mama-2001 @hearteyes-for-killmonger @emmawatsoff @episodes-ff @sweettea-and-honeybutter @siqueth @simplyzeeka @earthchica @kumkaniudaku @blowmymbackout @rawflwrs @ghostfacekill-monger @ovohanna24 @kaylaahisthebestest- @blackmissfrizzle @beenathembo @yassbishimvintage @henneseyhoe

A/N: I was deeply anxious about writing this because it has been quite some time since I last watched the Marvel movies. However, as a fan, I am determined to step out of my comfort zone with my writing. This fic is quite self-indulgent.😭

Thank you to soft-p for giving me with encouragement. Your words were like a reassuring pat on the back and a wake-up call.

P.S. Don't forget to reblog, like and comment to support your favorite writers. Enjoy! ❤️

Warnings: angst, friends-to-lovers trope, violence, reader almost gets k*lld by a monster, a worried reader, oral(fem receiving) praise, dirty talk, Thor being a big softie, doesn’t follow the canon of the movies, love confession, straight up filth.

———————

It was a regular Monday afternoon at your job as a barista in a black-owned coffee shop, the smell of coffee beans and cinnamon buns wafted through the air. You've grown tired of the smell, it was like a bug you couldn't shake off.

You weren't a fan of coffee as others were, you prefer bottled water, apple juice, hell even orange juice. Others might want orange juice over apple.

Your chocolate brown collared tee shirt had an aromatic smell of spilled coffee double espresso and cream, your khakis pooled around your thick legs. Your cap on your head, Not to mention the coffee stains on your shoes, You neatly tied your freshly done box braids in a ponytail. Your brown skin.

You greeted customers with a fake smile and the regular ‘Have a nice day’ saying to them as they left money in the tip jar, drinking coffee on their way out, the chime of the bell rang in your ears.

Another day, another dollar you said in the back of your mind.

To be honest, you have grown tired of the same routine of your normal everyday life.

Wake up, go to work, head home, go to sleep repeat. Maybe you needed some spice or excitement in your life, maybe you were overthinking things.

The television in the upper right corner of the spacious room played the news showing a clip of Thor defeating a purple monster that resembled a demon, you wondered if the beast escaped from Hades to take Thor with him.

You and Thor crossed paths at the park, engaging in chats about your interests and personal experiences. Both of you spent quality time together, frequenting diners, the park, and even your own home. As your friendship began to develop, it grew steadily and became quite strong.

You thought his life seemed cooler than yours, except for his father, Odin, praised him more highly than his brother Loki, the mischievous god. The conflict between the two brothers seemed intense. Thor and Loki lost both of their parents but as time passed they were able to get along.

You empathized with his brother as he sought validation from his parents and tried to make them happy, as it reminded you of your own past.

You were certain that Loki wouldn't want any empathy or pity from a mere mortal like you, he was somewhere in his realm thinking of world domination.

While his mother seemed to be a gentle woman, his sister Hela came dangerously close to taking out his eye during the fight. That must have hurt. Like really bad.

Sheesh, what a family he had.

You grinned and sang softly to Thor, amazed by his unwavering bravery and extraordinary combat skills. Wow, he was also incredibly attractive with a stylish haircut.

You wondered if Thor would take your application or resume for a assistant? You used to dream of being a superhero when you were a kid, having superpowers and saving the day.

Did superheroes ever pay back for the damages to cars and buildings, personal items when in every battle?

Kenya tapped your shoulder while you clocked out of your morning shift, your head turned toward her with concern, "Are you okay?"

You nodded at her, “Yeah, i’m fine, just a little tired.” you said softly, taking off your apron.

Once you walked out of the coffee shop and dusted yourself off, you looked both ways of the street before a tentacle quickly slithered around your waist, your eyes widened in shock as you were randomly pulled toward the demon, its red crimson eyes bore into your soul as its tentacle gradually moved you up and down in its tight clutch.

Thor’s narrowed at the towering purple demon holding you hostage, its tentacle brought you close to its face. “L-let me go…” you whispered, you flinched and the quiet sniffling from you broke Thor’s heart.

“Unhand her! I shall send you back to Hades where you belong and where you will stay for eternity!” Thor roared, holding his axe close, lighting bouncing off of him.

“Isn't this the feeble mortal you yearn for? Your heart desires for a connection? Aren't mere mortals and gods told to stay in their place? Such a radiant soul belongs in Hades..”The demon taunted, its deep voice sending shivers down your spine.

“You only spew lies from your wretched tongue, prepare to perish like the others..” Thor spat, swinging his axe in his hand.

You clenched your fists, trying to muster up the courage to fight back, but you were no match for the monster's strength.

What did the demon mean by that? He yearns for?

Thor threw his axe at the repulsive creature, and the axe severed the demon's arms, making it stagger backward as its arms were released. Bringing you to great heights in the air, Thor cautiously crouched down and soared towards you.

Thor finished off the beast with every punch, its desperate cries begged for mercy. Thor’s thunder zapped the demon and sent him back to Hades.

Your eyes closed shut with your arms frantically moving around your body, plummeting to your death. The wind gushing against your face with your tears falling from your eyelids. The bustling wind and light blue sky witnessing

Was this how you said goodbye to your friends, your family, your life? It couldn't be.

You suddenly stop falling when you are caught in the bridal style by Thor, your hands resting on his chiseled forearms.

The ground seemed miles away, but you felt oddly calm knowing that Thor was there to protect you. His blue eyes met yours with concern and relief, a small smile tugging at the corners of his lips.

Your box braids pooled in front of your face with your eyes fixed on Thor, “Are you alright Y/N?”he asked gently, his finger gently moving the braid from your face.

“Uh…Yeah, I'm okay. Thank you Thor for saving me..” You said softly, nodding at him while giving him a small smile.

"No harm shall come to you as long as I'm here. I won't let anything happen to you." He reassured, his words tugged at your heartstrings.

Didn't your whole life flash before your eyes?

You hopped from the heroic arms of Thor and waved goodbye to him, your eyes almost welled up in tears as you sniffed them away.

Thor lifted his axe up to the blue sky and thunder came down on the two of you, it didn't shock you or hurt you. But it was tingling over you, teleporting you to another world. It was strange.

Your eyes opened wide to the birds chirping and the towering building painted in soothing macaroon cream color with gold designs engraved in them, from the towering mountains of greenery to the people dressed in white loose robes.

Oh shit, were you really in Asgard? The New Asgard right?

Your heart skipped a beat at his words, but before you could respond, a towering man was behind Thor. It was Heimdall, the guardian of the Bifröst.

"Thor, we are thankful to have you back to Asgard," Heimdall said softly, his voice echoing through the air.

Heimdall’s fiery eyes locked with your deep brown ones, his grey locs pulled back in a low ponytail and his dark brown skin caught your attention. He was so handsome.

“Oh? You brought a mortal to Asgard your Highness?” He asked him, titling his head to the side.

“She is my friend and I accidentally brought her here..”

Heimdall nodded, “Well, surely it wasn't a mistake. It must want her here for a reason..”

Your eyes gazed upon the gods and goddesses roaming through the roads, the women were as tall as the Amazons in Themyscira, with their gold brass armor and white flowy togas. It was different here.

You bet that the women in his home would throw themselves, he was a god after all. Did Zeus’s women who sat by his throne faint at the sight of Thor?

“Thor, can I get extra clothes and take a shower?” You asked him, pursuing your lips.

“Oh! Um..i could ask Majesty for some extra clothes and I can shower where the shower is in my castle.” Thor mentioned, nodding with a nervous chuckle.

Majesty teleported to your location in the elegant castle, giving you a warm smile and greeting Thor. “Greeting Thor..” she said softly.

A goddess by the name of Majesty with her dark brown skin, her brown locs pulled back by a purple headscarf, swaying side by side, her loose toga hugged around her thick body. Her amethyst-purple eyes bore into your soul, reading you like a book.

She was so beautiful, you've never seen a goddess that looked like you in the paintings by old white dudes from years and years ago, in the books, and in the movies. It felt nice to see it up close.

“Hello there Y/N, here are some clothes for you." Majesty spoke kindly, taking the clothes from behind her back.

She handed you a small bundle of clothes, her voice soothing and comforting. "Feel free to freshen up and make yourself at home."

You thanked her gratefully, feeling a sense of relief wash over you. As you make your way towards the shower, you feel a mix of emotions. On the other hand, you couldn't shake off the feeling of being completely out of your element.

After a quick shower, you changed into the clothes that Majesty had provided. The purple loose robe was comfortable and stylish, fitting around you perfectly. As you walked back into the main room, you found Thor waiting for you with a warm smile.

"You look beautiful," he complimented, his eyes sparkling with admiration. "The clothes suit you well."

Your cheeks grew hot at his words with a flutter of excitement in your chest. Being stuck on Asgard might not be so bad after all, especially if it meant spending more time with Thor.

"So, what now?" you asked, trying to hide the nervousness in your voice. "How do I get back to Earth?"

Thor's smile faltered slightly as he scratched the back of his head. "Well, that's the thing... I'm not entirely sure. The Bifröst is not under my control, and it seems to have brought you here for a reason."

You groaned inwardly, feeling a mix of frustration and anxiety wash over you. "Great, so I'm stuck here with no way back?"

Thor's expression softened as he reached out to hold your hand. "I promise you, Y/N, I will do everything in my power to help you find a way back home."

His words brought a small smile to your face, and you couldn't help but feel comfort in his presence.

“I know you will, I trust you..”

The night arrived rather quickly in Asgard with the moonlight slanting through the huge window, your eyelids gradually opened to the spacious room. You couldn't sleep, great. The silence was rather annoying than peaceful.

Was Thor still up? You stood up from your side of the bed and strode out of the bedroom, you maneuvered your way through the wide hallways and stopped in front of his towering door in brown wood with intricate cravings, you rapped your knuckles against it.

“Come in..”

You gently nudged the door open with your head leaning in the room, “Thor? Are you still awake?”

You stepped inside the spacious room and looked for him, pondering if this was a good idea.

“Yes, I am. Don't worry..”

Thor stood before the balcony with his eyes fixed on the full moon and the ink-black sky painted with sparkly stars, his arms resting on the railing. It was centuries since he had been home, he missed his mother, his father, and his brother.

Thor felt alone but when he met you, he didn't feel so alone anymore. But it felt like anytime something happened he would lose everyone. He didn't want to lose you either.

“You're my friend Thor, I get that you're a god of thunder but I'm still gonna worry about you..” You said softly, walking toward him with a light chuckle.

Thor turned his attention toward you with his hands resting on your shoulders, “I worry about you more than you ever know…”

“I appreciate that but I can take care of myself..”

“I didn't intend to put you in danger.”

“Don't blame yourself for what occurred, things like that happen a lot when you're fighting crime or demons right?” You added, smiling a bit.

Thor lightly chuckled with a smile, he wondered how you were calm through it. You were almost hurt by a monster but you didn't die. You were stuck on Asgard for a while but you were with Thor.

There was always a silver lining to something your aunt would say, you couldn't wallow in self-pity so keep living for yourself.

“I have fallen in love with you..” Thor confessed, his eyes locked with yours.

Maybe the demon was right about one thing, his feelings for you. Those feelings were real.

Your eyes widen a bit, you can't believe what you are hearing, “I feel the same way about you too..” you admitted, your hands resting on his chest.

You always felt this way about him but you wanted to wait until the time was right to tell him.

Thor crashed his lips into yours with you reciprocating the same action, his hands moved toward your thighs as he picked you up by your thighs, your legs wrapping around his waist, your steamy make-out resumed, your moans muffled on his lips.

He laid you down on your back on the plush bed, he took off his clothes and kissed your plump lips again.

Thor flipped you on your back with his hands gently tucking your robes from your body, the wind brushed against your skin causing your nipple to go erect, his large hands squeezed your breasts, “oh..Thor..” you moaned softly.

His thick fingers gently slid between your wet folds and you gasped softly, your hips against his face movement, “Oh yes! Thor!” you screamed again, your head falling back on the pillow, your essence oozing on his tongue.

His tongue licked a wet stripe between your folds with his mouth latching around your throbbing clit, your hands gripped his blond hair tight. Waves of pleasure washed over you, his hooded eyes locked with yours.

Was this a way of worshiping Thor? Blessing him with your presence as he lapped your essence, Thor's hands roamed your body, biting and kissing every curve and crevice, as his lips trailed down your neck, littering your dark brown skin with hickeys, “You taste so good..” he groaned, kissing your lips again.

Your climax rippled through you like a tidal wave, your essence oozing into his mouth, you screamed out loudly as your legs shook in his hands, “oh fuck!” you screamed, you panted lowly.

The two of you lay side by side with your eyes locked on him, you stood up from your side of the bed gathering your clothes.

“You're mine now..” You told him, pecking his lips as you headed off toward the shower.

This day was more than perfect, maybe your life wasn't so dull after all. You were dating a god that loved you and only you.

—————

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 6. rest of post under a cut due to length and spoilers. [Post One, Post Two, Post Three, Post Four, Post Five]

User: "after [Emmrich and Rook's] argument they don’t really bring it up again, is it pretty much the case that Rook being lost in the fade made them both realise what was important so that conversation wasn’t really needed? or did they have it off-screen?" // Sylvia Feketekuty: ""is it pretty much the case that Rook being lost in the fade made them both realise what was important so that conversation wasn’t really needed? or did they have it off-screen?" I think either one is valid. There's some time skips, so I figured if you imagined your Rook and Emmrich talking about the argument, it could've happened while, say, they're traveling to the Necropolis. Flow-wise it seemed best to rely on that passage of time to smooth that part over, and get to the point where we enter the talk by the coffin. Or perhaps they're so in-sync that, like you said, Rook and Emmrich feel they can just move on. (If you bring Emmrich to Isle of the Gods he's apologetic there, and Rook picks up on it, so maybe that was enough short as it was.) (To my mind it's not a huge thing to declare one way or another, but I'd prefer this one to be player's choice)" [source, two, three, four]

User: "had a question about emmrich's last name. i know there is a banter with harding that confirms it is a commoner name, but i was interested in what his surname breaks down into meaning? I assumed volk=folk perhaps, but is there any other meaning/significance? thank you!" // Sylvia: "You pretty much have it right with "volk" = people. I liked the idea that Volkarin would sound fancy to someone speaking English (well Harding's not speaking English per se, but you know), but have its roots in something that plain. So yeah basically I got a kick out of the thought that in Nevarra, Emmrich's last name is the equivalent of Smith, or Jones, or Wilson. (The "arin" part is just because I thought together it paired well with "volk")" [source, two]

User: "With Hezenkoss, as a romanced rook, it feels like she's a bit jealous and was stuck in a one sided crush with her "friend" Was this intended? Or was she just competitive and annoyed at his popularity with everyone?" // Sylvia: "I always pictured Hezenkoss as annoyed that as they grew up, Emmrich become popular and effortlessly well-liked, while she, with her sheer brilliance, was clearly resented by jealous fools. Fools!!! (I pictured Johanna needling Emmrich over his romance mostly her going 'now there's some nice sore-spots I can press' because she has correctly anticipated his insecurities.) "become popular" Arg I meant to write BECAME. Cripes." [source, two, three] // Sylvia: "TBC I also don't want to invalidate any head-canons! My general rule is that if it's not stated outright in game, it's up for interpretation, regardless of my thoughts. La mort de l'auteur, etc." [source]

User: "I recently made an appreciation post on reddit how relatable he is for me and how it helped me with my anxiety. There were also other users agreeing and sharing their love for the character." // Sylvia: "I read your post and the others, and I'm glad meeting Emmrich touched people like that. His story was a team effort, and everyone making him knew we needed to hit this theme right. (His actor Nick Boraine deserves especial praise for nailing those lines.) I have indeed experienced what Emmrich does, and from the thread and other fan interactions, it's not an uncommon thing. If I can offer something I read a long time ago: you have the right to think about death without being in a state of absolute fear. I don't know why, but that thought helped me focus when things were rough. Maybe because it was correct: we DO have that right. Even if life and our own psyches conspire against us, it's ours." [source, two, three] // User: "I felt seen in a way I never have when Emmrich said he is terrified of dying. I've had panic attacks about it since I was old enough to understand what death is. Thank you for making so many feel seen and helping people realize its not just *them.*" // Sylvia: "I'm really glad it helped, because the conclusion I've come to is this is more common than we think, it's just not something people talk about." [source]

Sylvia: "(Full credit to the great feedback I got from the other writers and editors early on [re: Emmrich], he wouldn't be as good without them.)" [source] // Sylvia: "All credit to the team, especially the writers and editors who gave feedback that made him so much better during those early days and beyond." [source]

Sylvia: ""who came up with Davrin's "hand-to-bone combat" line?? 🤣" Haha that was Davrin's writer, John Dombrow! I'll let him know you (and other people) got a chuckle out of it!" [source]

User, on Manfred: ""I'm so curious -what about the almonds caught his fancy, and why so many?" Some things are a mystery even to me when it comes to Manfred. (Whatever his reason, I thought as a vegetarian Emmrich would probably have a lot of nuts handy which was the germ of the idea.)" // Sylvia: "Some things are a mystery even to me when it comes to Manfred. (Whatever his reason, I thought as a vegetarian Emmrich would probably have a lot of nuts handy which was the germ of the idea.)" [source]

User: "When Rook romances Emmrich, through banter we can see that Emmrich is surprised that the other companions know about the relationship, and also h says to Johanna that it's a private matter. Is it because he wants to keep things private only, is it because he is worried that Rook may not be the one true love, or is he worried about the age gap, or all these reasons and/or others?" // Sylvia: "In this particular case, I think Emmrich just wanted to be discrete because he didn't want to assume it was a serious thing, and for people to think HE thought it was serious. (Though his line to Hezenkoss is snappish specifically because he knows she's needling him, haha.)" [source]

Sylvia: Down Among the Dead Men and Luck in the Gardens "mean a lot to me, being my first published stories in a book.)" [source]

User: "Are there any other areas of Thedas that you think young Altus mages would tour? Poor Dorian looked like a fish out of water in Ferelden." // Sylvia: "Completely talking off the cuff here, but Orlais and Antiva, certainly, and some of the "better" Free Marcher states seem like good candidates. (Poor Ferelden! Always forgotten by the north.)" [source]

User: "I know you said previously that emmrich doesn't really vibe with cats or dogs But like if rook already has a dog or something (that someone is like pet sitting for them while they're kicked out of their faction and traveling with varric) would that be a deal breaker" // Sylvia: "Nah that'd be fine, they're not his favorites but he'll put up with them for Rook." [source]

Sylvia: "I have indeed seen Cushing's version of Hound of the Baskervilles, for some reason that part where he whirls around and throws the knife is embedded into my brain. What a great Holmes he made." [source]

User: "1. Where did Emmrich live in Nevarar when he was a child? 2. When do you think his birthday is? 👀 3. How did Johanna know him?" // Sylvia: "1. He lived inside the bounds of Nevarra City itself. He's always been a city boy. 2. For some reason, he feels like a January/February birthday to me. 3. They met as young students in the Mourn Watch." [source]

User: "if Emmrich didn't think it was serious when he'd always wanted one true love -apparently-, why did he embark on this relationship, especially with so much passion?" // Sylvia: "I think he thought it wouldn't be so serious at first, but then things progressed. And people want conflicting things, sometimes." [source]

User: "I really love Strife being a love interest for Emmrich! What lead to him as the choice if he isn't romanced?" // Sylvia: "The writing team discussed who felt right, and I liked that Strife was from one of the factions because it gives the feeling of your followers interacting with the wider world. And I felt Strife would provide a nice contrast with the romance with Rook. Unlike them, he's more established in his place in the world, like Emmrich is. Just felt like a different dynamic." [source, two] // User: "Strife balances Emmrich well since they are both interested in study but have gone about it differently." // Sylvia: "Agreed! (I wish I had thought to put it like that.)" [source]

User: "how are pets and animals honoured in the Necropolis and by the Mourn Watchers? The same as any other being?" // Sylvia: "Beloved animals are absolutely permitted to be buried with families. Mild Necropolis exploration spoiler: inside the passage you unlock after finding all the wisps in the belfry area, there's actually some caskets for faithful hounds interred in the crypt." [source]

User: "My question is do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" // Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "how long has Manfred been under Emmrich's care?" // Sylvia: "That's a good question, yet another thing I left a little vague in case I needed to define it concretely in the future. And since I've left, the answer is very much in my head only. But I feel it's likely to have at least been a decade. (Hezenkoss acts like she knows about Manfred, I figure she could've met him during an earlier clash. But I don't think Manfred was around when she and Emmrich were young students.)" [source, two]

User: "if Emmrich had tattoos, on what theme would they be?" // Sylvia: "Something anatomical/surgical, patterned on the MW's mystic theories of the body and death, feels appropriate to me." [source]

Sylvia: "BioWare put out an infographic about choices a few weeks ago, and "lich" was winning out. 1) When Emmrich says how he feels will change did he just mean his senses or is it on an emotional level?" He's definitely talking about his senses in that scene. On an emotional level: unknown. (I imagine it WOULD change someone because it's such a big shift, but exactly what does it do, mystically, if anything, is something I'd like to leave alone since I didn't really cover that in the game, and it feels like it'd been bigger consideration if that makes sense.) I kind of want how the lich-romance proceeds to live in players' imaginations, purely so people can tailor it to their own story. I'm afraid any writer-declaration would narrow the possibilities instead of expanding them, if that makes sense." [source, two, three, four]

Sylvia: ""I've been waiting for Nevarra for years and it was everything i could have dreamed of and MORE!" I'm very glad to hear it. The rest of the Necropolis team and I were very excited to finally get to portray even a small portion of the ancient and hallowed graves of Nevarra." [source]

User: "If I remember correctly, we only really see Emmrich use necromantic magic in-game. Are there other types of magic (elemental, healing/spirit, etc) that you think he would gravitate toward?" // Sylvia: "Hrm. He does have a bit of healing magic, mechanically in combat. It coudl work, but somehow I don't think Emmrich would ever be a high-level healer. He could maybe get the basics but it's not his great gift. Something about the gravic magic of the force mage specialty feels appropriate though." [source]

Sylvia: "I'm so glad you liked meeting and getting to know our necromancer. (Huge props to our cinematic and audio team on that garden scene, it was incredible seeing it come in finished for the first time.)" [source]

Allegra Clark: "I just wanted to say that I miss you so much and I’m so excited for whatever comes next in your career. Josephine means so much to me and I’ve fallen utterly in love with Emmrich (how dare you, he’s perfect). Thank you for trusting me with your child over a decade ago ❤️" [source] // Sylvia: "Allegra! Thank you so much! I'm so excited you've been digging our gentleman necromancer. I hope you've been seeing people ping me about their love of Josephine. I heard someone very good did her voice.. Thank YOU for embodying her so quickly and completely!" [source, two]

User: "how was Emmrich doing when Rook was trapped in the Fade?" // Sylvia: "Probably very poorly! Poor man would've been incredibly anxious and working all hours towards a solution." [source]

User: "So i asked you before what music emmrich does like but um is there any music he hates I feel like he'd die if someone took him to a death metal concert XD" // Sylvia: "I think that's a good one to pick, lol. "It's all just noise!"" [source]

User: "Did Emmrich teach (or at least attempt to teach) Manfred how to read?" // Sylvia: "I think that was beyond his skillset, beforehand; Manfred could be taught to recognize objects, but the abstraction of reading was one step too much at that point." [source]

User: "Do Mourn Watchers undergo a Harrowing?" // Sylvia: "They do! You may've missed it but there's a MWer in the Necropolis who mentions MW Harrowings if you go by them. (The MW has had to suspend theirs because chaos in the Fade.) But that's a temporary suspension, probably resolved by the time the credits roll. In general: I figure that if you're a mage who underwent a harrowing in some other circle, that stands, but that the MW would also perform harrowings for students they took in early. Also: not a silly question! It doesn't really come up with the MW except that one ambient line, and it's very easy to miss." [source, two, three]

User: "Doing a 3rd MW playthrough after not playing one for a couple of months feels like coming home again" // Sylvia: "That's some commitment to the dead! The Mourn Watch approve." [source]

User: "if two mourn watchers were to share a piece of grave dowry between them, that's grounds for a serious relationship?" // Sylvia: "You mean like each one having the half of a necklace, or having the same bit of gold made into matching rings? Or swapping jewelry? Either way, what a nice idea. It could be!" [source]

Sylvia: "Emmrichwas very much the work of the team, including some very good feedback early on from the other writers and editors." [source]

Sylvia: "The team and I were also super excited to get to explore the Necropolis. It was an honour to open up the tombs to everyone." [source]

User: "Emmerich's particular respect for trans characters was extremely enticing to me." // Sylvia: "Thanks, I'm glad he resonated. (Some trans colleagues kindly spent the time to give me some feedback on the wording of the lines, which I think made them way better.)" [source]

User: "Emmrich is so amazing" // Sylvia: "Thank you again, that is incredible to hear. (And I want to mention, only possible with the team; they helped improve the story every step.)" [source]

Sylvia: Tevinter Nights "was a fun collection to work on" [source]

User: "Does lich Emmrich feel anything when Rook kisses him or touches him?" // Sylvia: "yeah, I don't think he's "numb" so to speak, he can sense a touch (with his new powers from beyond the graaaaaave 🪦💀🌹)" [source]

User: "about Emmrich so i know he's into flowers and botany but is he into plant meanings and symbolism" // Sylvia: "I think he is - Emmrich mentions some flowers that are "famed in verse and song", I think he'd enjoy reading up on the cultural importance and symbolism layered on to them." [source]

User: "Obv the game mechanics require Rook to make the choice but would a romanced Emmrich choose to become a Lich if the choice was in his hands? Would he abandon his dream for love?" // Sylvia: "I must refuse to answer on the grounds that it's too melancholy to contemplate. ;_;" [source]

User: "On the dinner date in the Necropolis I loved how Emmrich felt philosophical, it was so relatable, especially when he talked about the connection to something finer than we are. It was magical!" // Sylvia: "I'm really pleased that last part of the dinner date, resonated with you, I was trying really hard to get a certain feeling across." [source]

User: "What month do you think Emmrich was born in? I really wanna know what my guy's zodiac sign is" // Sylvia: "I don't know anything about zodiac stuff but weirdly, I do have a range, for some reason I always thought it'd be January or February." [source]

User: "1. How does Emmrich feel about children, both in general and possibly having them? 2. Would Emmrich be into gift-giving?" // Sylvia: "1. In general, he likes kids okay, and tries to be kind, but his students are mostly older so he doesn't really chat with many. Regarding having them, if circumstances aligned so that was the case, I think he'd be excited if maybe a little overwhelmed by the thought. 2. I think so! Not overbearing about it, but he would like to show some tokens of affection at appropriate times. (There's no way he's not delighted to get gifts.)" [source, two]

User: A more recent one but thanks to Sylvia Feketekuty it was the whole arc with Emmrich and his fear of dying because it's something I often experience myself and I don't think it's ever been addressed in a video game before and it was done so well in DA:TV too." // Sylvia: "Thank you so much! It means a lot to me too, to hear that it resonated with you." [source]

Sylvia: [Emmrich] "was the work of many other devs we're toasting here too, everyone working on Emmrich and the Mourn Watch went fully in." [source]

User: "I've wanted to thank you for all your work on DA. Emmrich, Manfred, and the Necropolis kept me going through some rough months. I was delighted to learn that you wrote Josephine too. I hope to see more of your work in the future. You're an amazing writer." // Sylvia: "Thank you, Kobra! And I'm very glad that meeting Emmrich and exploring the necropolis brought you some comfort." [source]

User: "One more question, if I may-- Is there any lore you can share about how pet remains are treated in Nevarra? I think I remember skeletal horses pulling a carriage in TN. (This might have something to do with me picking up my dead rabbit's cleaned skull from a taxidermist today and having Feels)." // Sylvia: "Beloved pets and other animal companions are very often interred along with their families. (You can actually see the burial place of some hounds in the corridor that opens up once you find all the wisps in the belfry. It was such an nice touch added by the level artist and level designer.)" [source]

User: "What would you say is the most important holiday in Nevarra? Or The Necropolis and how do they celebrate it?" // Sylvia: "I have nothing canonical written down or the like. But if I had to pick one, it would be the autumn ancestral pageants. There's the obvious connection with real life celebrations around death in in the fall, and the Mourn Watch and other mortalitasi would certainly come out for that." [source]

Sylvia: "

User: A more recent one but thanks to Sylvia Feketekuty it was the whole arc with Emmrich and his fear of dying because it's something I often experience myself and I don't think it's ever been addressed in a video game before and it was done so well in DA:TV too." // Sylvia: "Thank you so much! It means a lot to me too, to hear that it resonated with you." [source]

Sylvia: [Emmrich] "was the work of many other devs we're toasting here too, everyone working on Emmrich and the Mourn Watch went fully in." [source]

User: "I've wanted to thank you for all your work on DA. Emmrich, Manfred, and the Necropolis kept me going through some rough months. I was delighted to learn that you wrote Josephine too. I hope to see more of your work in the future. You're an amazing writer." // Sylvia: "Thank you, Kobra! And I'm very glad that meeting Emmrich and exploring the necropolis brought you some comfort." [source]

User: "One more question, if I may-- Is there any lore you can share about how pet remains are treated in Nevarra? I think I remember skeletal horses pulling a carriage in TN. (This might have something to do with me picking up my dead rabbit's cleaned skull from a taxidermist today and having Feels)." // Sylvia: "Beloved pets and other animal companions are very often interred along with their families. (You can actually see the burial place of some hounds in the corridor that opens up once you find all the wisps in the belfry. It was such an nice touch added by the level artist and level designer.)" [source]

User: "What would you say is the most important holiday in Nevarra? Or The Necropolis and how do they celebrate it?" // Sylvia: "I have nothing canonical written down or the like. But if I had to pick one, it would be the autumn ancestral pageants. There's the obvious connection with real life celebrations around death in in the fall, and the Mourn Watch and other mortalitasi would certainly come out for that." [source]

Sylvia: "

User: A more recent one but thanks to Sylvia Feketekuty it was the whole arc with Emmrich and his fear of dying because it's something I often experience myself and I don't think it's ever been addressed in a video game before and it was done so well in DA:TV too." // Sylvia: "Thank you so much! It means a lot to me too, to hear that it resonated with you." [source]

Sylvia: [Emmrich] "was the work of many other devs we're toasting here too, everyone working on Emmrich and the Mourn Watch went fully in." [source]

User: "I've wanted to thank you for all your work on DA. Emmrich, Manfred, and the Necropolis kept me going through some rough months. I was delighted to learn that you wrote Josephine too. I hope to see more of your work in the future. You're an amazing writer." // Sylvia: "Thank you, Kobra! And I'm very glad that meeting Emmrich and exploring the necropolis brought you some comfort." [source]

User: "One more question, if I may-- Is there any lore you can share about how pet remains are treated in Nevarra? I think I remember skeletal horses pulling a carriage in TN. (This might have something to do with me picking up my dead rabbit's cleaned skull from a taxidermist today and having Feels)." // Sylvia: "Beloved pets and other animal companions are very often interred along with their families. (You can actually see the burial place of some hounds in the corridor that opens up once you find all the wisps in the belfry. It was such an nice touch added by the level artist and level designer.)" [source]

User: "What would you say is the most important holiday in Nevarra? Or The Necropolis and how do they celebrate it?" // Sylvia: "I have nothing canonical written down or the like. But if I had to pick one, it would be the autumn ancestral pageants. There's the obvious connection with real life celebrations around death in in the fall, and the Mourn Watch and other mortalitasi would certainly come out for that." [source]

Sylvia: "Saw another misconception I wanted to clear up - I saw someone attribute Calpernia and Samson's quests in DAI to me. Not so! Those fine quests and characters were written by Jo Berry" [source] // Jo Berry: "And you took great care of them when I went on to other things 💙" [source] // Sylvia: "It was a pleasure!" [source]

User: "Are you happy with the theme Hans Zimmer and Lorne Balfe gave for him and the Mourn Watch? For me I love hearing it, cause it truly suits him!" // Sylvia: "I loved the theme! I worked with our music director Ron Dazo to explain the character to them, and I think they all nailed it. A solid character theme needs to be able be remixed for different purposes, and this action version is also one of my favorite tracks: [link]" [source]

User: "Not so much needing a massive explanation more curiosity after a friend and I have been conspiratorial for fun: do you think that Nevarra had their own religion before the Chantry became the most common religion in the country? That they worshipped a different deity or deities?" // Sylvia: "Took me a moment to double check, but Nevarra canonically had a history of animism in the distant past with the Planasene tribes. So probably yes, though we've left the nature of the animism fuzzy." [source]

[question about a 'Veiljumper triangle language'] // Sylvia: "Oh dang, I'm sorry I don't know at all. (The reason some MW-language inscriptions have a real meaning, and some are just gibberish, is that I suggested it'd be fun to do translatable words. But by the time I brought that up, some objects with that script had already been outsourced and completed.) It could be those triangles have no real-world translation, but this is a case where my guess is as good as yours." [source, two]

User: "is 'hot undead' a thing?" // Sylvia: "haha! I must leave that to the interpretations of the viewer"

[angelsdean]

Honestly I hate that every meta post / analysis / discussion is viewed as "discourse" more often than not. And the idea that one interpretation MUST reign supreme among fandom. That we must all agree in order to get along. Or that one post is the end all be all of someone's takes. As someone who often enjoys entertaining multiple / contradictory takes and angles of interpretation it's...annoying. My opinions also evolve and fluctuate on rewatches / depending on mood / depending on fandom climate at the time / etc.

I like having discussions with friends (sometimes those discussions are public, sometimes they're not). I like trying to see their POV. Sometimes I come away seeing things differently. Sometimes I don't. Sometimes I AM more critical of other characters in the moment. Sometimes I give them more grace. Sometimes I'll make a post in a rewatch, feeling big feelings, and then come back later to amend it, with a more balanced perspective. But there have been times when I have been blocked / unfollowed for one angle or take and that ends up not even being my MAIN mode of interpretation but just something I was rotating around. idk sometimes a post is not the end all be all of what someone thinks abt a character / plot point / story arc. Sometimes we can be critical without being a capital H hater. There is room for nuance. multitudes. contradiction. We can have preferences or think something was not portrayed as well as it could have been. We can be annoyed by those things and talk abt them. I also do not need to agree with every single take my mutuals and pals have. Sometimes I heavily diverge, and that's ok! I think having different viewpoints and candid discussions is often beneficial to fandom. But these discussions are not all "discourse" or "fandom fighting." Sometimes people just have different opinions or interpretations. Sometimes what looks like "discourse" is actually just fandom friends discussing differing viewpoints.

As someone who also likes arguing a thesis and citing sources to support an argument and doing analysis and literary interpretation, I can say that even for takes I don't necessarily agree with, effective arguments can be made for that interpretation and supported by canon evidence. I think that's why "open to interpretation" often chafes at some fans. Because it means multiple interpretations CAN exist and be effectively argued. Mine and yours. There is no one singular ultimate truth in literary interpretation. Not even authorial intent. That's the beauty and fun of media analysis IMO. We can each find different meaning from the same source material and diverge. I may continue to argue for my interpretation (in the academic sense of "arguing a thesis") because that's the position I've chosen to align with, but that doesn't mean I think it's the only one you CAN have. And no, not all interpretations are created equal or are argued in good faith. Some ARE more valid than others and better argued / supported. And sometimes an interpretation is only one of many a person can have.

Overall, I don't like the idea that fandom needs to be a hive mind, and that we all MUST have the same opinions or interpretations or come away from the show feelings the same way or else it's "ruining the fandom fun." Sometimes I staunchly disagree with people, especially when takes are rooted in bad faith fanon more than anything that actually transpired on screen. I won't play nice with people that are just Making Up Some Guy to be mad and insisting I must also hate that guy, who doesn't exist. But I can and do have discussions with friends and mutuals where we interpret canon events differently! And I value those other perspectives. They challenge me to question my own viewpoint, to interrogate my takes, to check myself when I get too rooted in Only One Way of thinking. I don't want there to only be one way of interpreting. And sometimes even I will contradict myself and explore other avenues, for the fun of it.

and before THIS post gets interpreted as discourse I would like to issue the disclaimer: that this isn't directed at any individual blogger or any specific post. do not go after anyone. this is just some general thoughts and feelings I've been having about fandom for a LONG time.

[pixelchills]

Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

[stoat-party]

Fallout 4: Where is the Lone Wanderer?*

*a vague conspiracy theory which doesn’t actually answer the question at hand. We all have our own ideas of how the lore should go, and I’m sure yours is very canon-compliant and valid, but this is mine and I have support for it. Looooongpost.

First off: What do we know about the canon Wanderer?

We know they activated Project Purity (or had a companion do it) without the FEV and were inducted into the Brotherhood. We know they’ve met with MacCready (you can’t finish the game if you don’t), and he has dialogue indicating they had further contact. They also took the Brotherhood’s side at Adams Air Force Base.

We don’t know what happened with The Replicated Man, but since the canon Wanderer appears to have good karma, and info from 4 implies Zimmer’s disappearance was more recent than ten years ago, it seems likely they took the boring ending, which secures their membership in the Railroad.

Why aren’t they in Fallout 4?

The Doylist answer is that they’re highly customizable, and so they have no canon appearance, personality, gender, etc. But in-universe? Something happened.

“Accepting outsiders like yourself has proven disastrous in the past.” - Kells

“I've seen other soldiers come and go. Some were brave, some were honest... hell, some were even downright heroic.” - Danse

“Every doctor I've talked to was worthless. [] I don't need them... I need someone like you.” - MacCready

When Duncan first got sick, “someone like you” would have meant the Wanderer. This suggests (to me) that they’re not in the Capital Wasteland anymore. But they’re certainly not in the Commonwealth either.

The weird thing is that the Lone Wanderer is all over this game - they’re the namesake for a male hairstyle, a perk, a DCR song, a motorcycle brand… and the codename of Deacon’s mission to save the Railroad from certain destruction by recruiting the Sole Survivor.

Someday We’ll Find It, the Deacon Connection

Oh yeah, I’m going here. Desdemona’s terminal entries confirm it was always Deacon’s plan to get you onboard and use you to destroy the Institute. There are Railroad lookout posts near 111/Sanctuary and Red Rocket, and of course he followed you in Goodneighbor, Diamond City, and Bunker Hill (at least). His court jester vibe hides it a bit, but he’s manipulating you more than he’s manipulating Desdemona in the intro scene. And do you notice he rarely gives you a firm verbal disapproval unless you’re hurting the Railroad?

What could have caused Deacon’s interest in you, unless he’s made the connection between you and the Lone Wanderer? He’ll vouch for you if you haven’t accomplished anything yet, or even if you’re a Brotherhood member. A Pip-Boyed stranger emerges from a vault in the middle of a crisis, gaining friends, skills, items, and special abilities at a suspicious rate? Probably with the same gender and playstyle as the previous one? Heck, when he first heard the rumors, he probably thought you WERE the Lone Wanderer.

There are other indications the Railroad has been in contact with them — Desdemona mentions the Capital Wasteland as their primary destination for synths, and Deacon references Harkness’s recall code. If you refuse to pick a codename, Desdemona even assigns you “Wanderer.”

So what happened, then?

I think the answer lies with the Brotherhood, specifically in Deacon’s hatred of them. Sure, ideology is enough to hate them for, but Deacon sure seems suspiciously happy if you nuke their base of operations. (Some of) his comments on that:

“The Brotherhood... well, I met them on an op in Capital Wasteland a few years back. But now with Elder Maxson... Let's just say, not a fan.”

“That bastard Maxson really screwed them up. The Brotherhood used to be the good guys. Well, goodish.”

[Who’s Elder Maxson?] “He’s a piece of work, is what he is.”

And on his time in the Capital:

“Did I ever tell you about the time I was in Capital Wasteland? Now there's a tale.”

“Capital Wasteland. Exports: purified water, some decent tech, oh, and an insane suicidal cult that worships radiation. Thanks, guys.”

“I miss Capital Wasteland. You can actually drink the water there.”

And a few lines I’ve decided (with no evidence) directly refer to LW:

“Last partner I had wound up going... well, a little insane. I think it was all my show tune medleys.”

[After Maxson orders you to hunt Danse down] “See? This is what the Brotherhood's really about.”

And my favorite: “I’ve been looking forward to kicking the Brotherhood’s teeth in. I owe them.” This line comes before Glory is killed, so he’s not referring to that. The Brotherhood only recently arrived in force in the Commonwealth. He’s talking about something that happened in the Capital Wasteland.

So Here’s What Might Have Happened:

In early 2286, Deacon moves to the Capitol Wasteland for awhile, probably to get a face change and lay low for a bit. He contacts the Lone Wanderer, who has barely heard from the Railroad in nine years. They begin to work together.

(In context, this journal entry looks like he’s somehow gathering intel to predict when Vault 111 will open, but I can’t think of a way for him to get that information or know why it’s important, so I’m not going to believe it just yet.)

The Wanderer is still a knight, maybe a paladin. Maxson has been elder for 2-3 years and is monitoring the Institute. Meanwhile, the Lone Wanderer and Deacon are setting up infrastructure to receive escaped synths.

And then the Brotherhood finds out about one of the safehouses. With their limited understanding, they believe that the Institute is holed up there and attack. The Wanderer intentionally throws the mission — maybe disobeys orders, maybe downs a vertibird or collapses a subway tunnel, or maybe even attacks their brothers to protect the synths.

And, well-

Either they were killed, or they escaped court martial and execution by a hair’s breadth and fled the Capital, leaving Deacon to believe Maxson had them killed.

There you have it. That’s why they aren’t in Brotherhood dialogue or records. Their accomplishments couldn’t be recognized because they’re a traitor. And that’s why it’s personal for Deacon.

[madlori]

Ship dysphoria

Ok so a bit of time has gone by, and the 9-1-1 fandom is settling into a bit of an...existential crisis?

Because 90% of this fandom is built on Buddie. Buddie has always been the strongest driving force. We love our other blorbos, but it's Buddie that usually drives us feral.

Except...Buck/Tommy. OMG. It is WORKING for a lot of fans. (and JFC we cannot settle on a ship name. Tevan? Kinley? I'm gonna stick with Buck/Tommy)

A LOT of fans are having a "I'm a devoted Buddie shipper, why do I like this so much??" moment and it can almost feel like a betrayal, or that you're deserting the ship (the ship that, remember, Oliver told us to stay aboard).

And I think I can probably speak for everybody when I say that the last thing we want or need is a ship war in this fandom, something we haven't ever really had but which has torn other fandoms apart.

So I'm gonna put on my veteran-of-many-fandoms hat for a second and tell you a thing:

It's okay to ship Buck and Tommy. It's ok to do that and still ship Buddie. It's also okay to leave Buddie behind if it's not working for you anymore. It's okay to just tolerate Buck and Tommy and not really care about it, and stay focused on Buddie. You are allowed to ship however it works for you, and you are not limited to one and only one ship. If you decide you don't think Buddie will happen and you're going to cut your losses, that's okay, too. It is not a reflection on your character or something. You don't swear an oath of fealty to a ship.

We don't know how long Tommy will stick around, but Buck will still be bisexual. He may date another man. He may date a woman again. You can ship those things too.

But why is this ship hitting me so hard? I never thought I'd like Buck with another man! I'm so confused!

I get that. There are some reasons why that might be.

There is something very appealing about a ship that's canon. Some of you might never have had a canon queer ship, but the pull is strong. There's no guessing, no interpreting, no subtext-examining. It's there, it's real, you don't have to wonder if you're just overinterpreting things. Yes. Buck and Tommy kissed and are going on a date. Even if that's all it ever is, you'll never be accused of "seeing things that aren't there." Don't discount that.

Tommy, even in just 1.5 episodes, is a LOT more integrated into the firefam than any of Buck's previous girlfriends. Tim talked about not wanting him to be "siloed off" away from the main cast and that was exactly the problem with his prior girlfriends. Tommy is friends with Eddie. He knows Christopher and has hung out with him. He spent most of that loft conversation reassuring Buck that his place in Eddie's life was secure. He feels more like part of the gang than any other ones. That makes it easier to see him in Buck's life.

The mere fact of Buck's queer awakening is so monumental for so many of us that the character who helped him get there is going to naturally earn our affection immediately, and it's going to make you want that relationship to succeed, even if it's ulitmately not endgame for Buck. You want to see Buck have a good experience the first time out with a man. Of course you do.

And we just want to see Buck make out with a hot beefy firefighter. That is so valid of us.

Anyway. There is no need for a crisis. You can love Buddie with your whole heart and still be excited about this pairing, and want to see how it goes, and read fic about it. I may be writing a lil something myself.

You're good, fam.

[chaifootsteps]

wr.t. leaks (spoilers, duh!). Viv really chose the most boring and uninspired rendition of Alastor possible, and I could not be more disappointed. The signs were definitely there in Season 1, but if you wanted to you could easily dismiss as sloppy writing and one-time reactions to extraordinary events.

Like, I know no fan is *entitled* to have their particular interpretation of a character be validated, but... really? He's been reduced to the form of a one-dimensional, entitled manchild you might find as the villain of a self-insert fanfiction. Ohhhh nooo luci hurt his feefees and Rosie didn't actually make him an all powerful god, so time to storm out and whine about it. Why make a deal in the first place? Well, duh, he gleefully murdered so many people for trivial inconveniences he didn't wanna end up a tortured soul in Hell. He's basically Valentino, but, on the 'good team', and not a rapist (yet.), or Adam, or Vox, or Mammon, or Stella (frankly, you could even put Stolas in this bucket, if he weren't so unintentionally manipulative). A parody of a threatening character, incapable of creating conflict in any way that doesn't involve waving around a big stick and reminding everyone and the audience who the author blessed with magical power don't you forget it!

I've said this about pilot!fanon!Lucifer too, but, the fandom interpretations are just objectively more interesting. It's not like you can't write a story, or even a good story, about an entitled man drunk on power obsessed with his own image and getting what he thinks he's owed. But why would you 1) choose an enslaved racial minority character (!!!) to do this and 2) do it instead of multiple more compelling options given you already have multiple of this exact character on the cast?

Fanon!Alastor has emotions other than anger and insecure whining, he just can't express them because decades of crawling his way up two different hostile societies have beaten into him never expressing vulnerability. His very smile is symbol of societies like Hell ultimately victimize both the powerful abusers and their victims. Fanon!Alastor had a deal with ___ not because he's drunk on his own desire to murder but because he's vulnerable to the very same weakness and temptation he's learned to exploit in others. Fanon!Alastor has a natural dual conflict with Charlie: Alastor's connections and practical knowledge represent a way of making her dream a reality, at the cost of potentially corrupting her and having her get there in an incorrect/immoral way. And Charlie's dream presents Alastor with a pathway to more power and stability, but unbeknownst to him threatens to unwind his entire psyche in allowing himself to care about something. Fanon!Alastor, far from being image-obsessed with a need to be constantly in the limelight, is capable of being subtle, fading into the background when it benefits him.

I could go on, but I'm just tired. It hurts me that, come release, fan works which I enjoy making and reading will be expected to comply with this. I don't want to write Alastor this way. I don't want to be told I'm writing him 'wrong' for not doing it. I hope that in some way the earlier fanons are preserved and kept alive even as canon is polluted with all this slop.

It's sad and exhausting, for sure. It also doesn't help that the standom will attack you pretty viciously if you have the audacity to prefer the pilot to the actual series.

[multiplefandomsyep]

Why do you ship inhun so much? They don't get involved with romantic feelings in canon and it doesn't fit their characters, there are other ships that work better with the source material than this one. This is not hate, I just wanna know.

What do you say anon? they are canon! (in my heart) Okay, jokes aside *sips tea* behold anon! because there would be a lot of rambling answering your question hwdjhs

Now, the truth is, no character is explicitly romantically involved in the show (some of them had romantic canon relationships but they aren't anymore. And also couples in the show are not the main focus of the story), and that's why none of them would be canon, even if they make more sense than others.

For this reason Inhun in canon does not have romantic feelings involved, and this applies with the other characters of both seasons 1 and 2, everything that the characters thought or felt at certain moments is also up to the interpretation of the fans, like free will, some will see it in a romantic way and others platonic, therefore, ships really need the interpretation of the fans.

From this point on, we get the idea of ​​how In-ho is staring at Gi-hun all the time. It's true that he's fascinated and obsessed with him in a way that no other player has achieved, and while it's just an obsession, it could become something more. However, it would be a one-sided love because Gi-hun will find out who's behind the mask and he won't like it at all. This post here explains it perfectly.

And it may be close to canon that Gi-hun could have had romantic feelings for Young-il, however, here comes the tragedy, because he knows that he is married and has a wife in the hospital, he would not take the first step, everything would remain as a one-sided love for him, he would keep those feelings and that admiration for Young-il to himself.

And the same thing happens when In-ho reveals himself as the frontman, just as I already mentioned, Gi-hun would never love him again and will not forgive him when he finds out that he was behind the mask all this time, therefore In-ho would also remain with this one-sided love.

But that's where the beauty of the ship lies, they were doomed from the start, these unresolved feelings and this "sexual tension" they seem to have every time they look at each other and smile, plus the fact that they are both opposites, a yin and yang couple, being narrative foils, while the two can understand each other in a way that no one else has been able to (both participated in the games, won and got back... plus other things), and hate each other for it, this is why I ship them, at least I do.

They will never be together and the fact that they will never be together and never stood a chance is what makes them special, a toxic tragic doomed old man yaoi ofc, they will never resolve these feelings, they will be destroyed before they can become anything more, and the ones who will destroy them will be themselves, because they know they will not be able to get out of these circumstances... both of them do not know how to love properly after everything they went through. However, this does not make this "less of a ship" than others, inhun is an actual ship and it still makes sense even if it is less tragic than others.

And this way of the ship is the one that is closer to canon, but we also have AU's of them and everything you could ask for, there is so many creative people where they write the characters amazingly.

It may need more fanon interpretation than other ships (because in the end, they all need fanon interpretation), of course, but it still make sense for canon.

Hell, even the director himself could see the fanon vision and you could say he liked the ship, lol. Also netflix itself posts some things about them (it doesn't mean it will become canon at all, but basically it still gives the green light for these types of interpretations with his characters to enjoy it and create things with it).

Finally, I also wanted to say that a ship doesn't necessarily have to be canon to be able to see certain characters as a couple. In my personal opinion, I prefer my ships not to be canon. I like to gather all the crumbs/clues from canon but never ask for the whole thing. And let's face it, a ship doesn't need to become canon to be able to enjoy it and continue seeing how interesting the characters can be with and without the yaoi glasses.

Hope this really could answer your ask :D

[luna-blood]

I was debating on YouTube about Sasuke but YouTube deletes comments, especially those that have a link. It was also difficult for me to search for the publications. So I gave myself the task of collecting posts from all Sasuke fans and neutral critics of the work 'Naruto' that talk about Sasuke and his relationship with the other Naruto characters. I have also included my contributions, such as questions to other users and post responses. I hope this post helps you when you need support when you are debating in favor of Sasuke. Without anything else to say, I leave you the links:

Positive qualities of Sasuke.

Sasuke's chakra is extremely powerful, voluminous, and denser than Senjutsu chakra!

It is false that Bee could have killed Sasuke any time he wanted.

¡Sasuke has been shown to nullify mortal wounds with Raiton!

Sasuke is literally the first person to survive the Raikage's Liger Bomb.

All Sasuke received from Raikage was a small lip bleed, while Raikage lost an arm and another Kage, Gaara, had to intervene to save his leg and his life.

Orochimaru's "physical condition" has nothing to do with his ritual and Sasuke's victory.

Analysis Sasuke vs Deidara.

Sasuke killed Danzo; he did not commit suicide.

Are Itachi and Kakashi really prodigies at the level their fans believe them to be? No.

The only reason Naruto managed to hurt Kaguya was because Sasuke forced her to change dimensions more than once and she herself had changed dimensions about four times in total.

Because Sasuke haters say that Haku is simply more tragic and a better person than Sasuke; and Batman too!

What is it about Sasuke that provokes people so much, compared to all the other fictional characters (in and out of Naruto) who have done bad things? Gaara was killing people for fun in part 1, but no one ever complains about him not being punished. Zuko from ATLA burned down a village of civilians, sent a hitman after Team Avatar, and was just lucky that no civilian was injured/killed, but everyone adores him. But Sasuke is unredeemable for threatening to destroy the village?

A back and forth on why Sasuke is a much better realized character, with thematic and narrative depth, compared to Kurapika and Zuko.

Sasuke is the imperfect victim unlike the perfect victims of ATLA and Full Metal Alchemist.

Sasuke's character is too good for the Naruto universe.

Are people upset that Sasuke was going to let the Shinobi Alliance perish?

Sasuke as a feminist icon.

Sakura is a female incel.

Sakura is a narcissistic.

Sakura inserted herself because she wanted validations from people who were out of her league, that's why. She is perfect for self-insert.

The mere idea of turning over an entire manga in your head in which Sasuke hides a raging boner (at age 12) for Sakura is... repulsive. Don't you have anything better to do?

Sasuke never kissed Sakura.

The blow on the forehead is not the maximum expression of love.

Naruto Gaiden is a fucking masterpiece! It proves that Sasuke doesn't love Sakura.

Sasuke retsuden is not canon.

Sasuke retsuden is not canon, Jun Esaka herself said it and if you are a fan of Sasuke it is normal that you hate Sakura because Sasuke is unhappy with her.

Sasuke still considers Sakura inferior.

Sasuke didn't push Sakura away because of the curse of hate.

Sasuke rejected Sakura, Ino and Karin, he didn't push them away because he was afraid.

Sasuke is not in love with Karin and did not have sex in part 2 with Karin.

Why Karin's fans say she had sex with Sasuke in part 2.

What does Kakashi know about the genocide and the physical and mental torture that would lead the child victim to a fatal coma, at the hands of a family member?

Naruto is a narcissistic.

Why Naruto is the worst character.

How can anyone read the two chapter panels showing two very different worlds the characters occupy and be surprised by the way it ended? They were not going to reconcile since the world where Sasuke exists is the antithesis of the world where his former team resides.

Lee was never "good” at Taijutsu, let alone being a genius at it. The series' main theme, revolves around bonds. When the manga began, Naruto let loose Kurama (unintentionally) against Haku, breaking all Ice Mirrors that ... no Jutsu could break; and that, happened way back in the Waves Arc. How does that associate "hard-work" with Naruto's character, upon whom many poor souls project their misfortunes to feel vindicated, when two geniuses (Sasuke and Kakashi) in the near-vicinity failed? Naruto powered through this via nothing but brute force; and that isn't a precursor to hard-work. That's the exact opposite. With the beginning of the next Arc, the "if we work hard, we could beat all odds, too" trope lovers got their kicks from Sasuke's humiliation at Lee's hands (or gates?); but then they conveniently forget that Lee himself stated that what Sasuke accomplished was literally impossible for someone like him (he even emphasized on this argument). Gai even went so far as to state that even with the Sharingan's power, Sasuke should never have been able to do what he did (he literally invented his own Taijutsu maneuver from Lee's in a single day; if that's not prodigious, I don't know what is); and Gai, last I checked, is an authority on the subject of Taijutsu, not you—yes, you! Sasuke mastered Kimimaro's CS in under two hours whilst Lee survived simply because Kimimaro was dying and he literally died whilst delivering a death-blow to Gaara and Lee; so thematically, narratively, and metaphorically, Sasuke matched an adversary against whom both Gaara and Lee lost? That and Lee was outshined by Sasuke twice in a row, going so far as to undermine Lee in his own life endeavors that involved years of sweat and tears?

Shikamaru's revenge is meaningless unlike Sasuke's.

People who support Nagato but vilify Sasuke sound a lot more idiotic than they think.

In defense of Fugaku.

How does Sasuke's revolution develop?

Why didn't the narrative validate Sasuke's radical change from Konoha's Will of Fire to the Revolution?

Itachi massacred the clan out of conscience.

The difference between Kushina and Itachi is not that big.

The policies of Tobirama Senju and the Uchiha genocide.

At what point will people stop demanding Sasuke?

Tsunade was at the forefront of the Second Shinobi World War that massacred the people of Nagato, plundered their land's resources, and continued to use the land as a battlefield resulting in mass deaths, poverty, and suffering. A war that Konoha started.

Why do so many people still blame Sasuke for Sasuke's past?

Uchihas do not have mental illnesses.

Sasuke vs Readers without empathy.

Kishimoto canon vs Studio Pierrot fanservice.

The brilliant change of perspective and theme between Hebi and Taka Sasuke; and that there is no writing defect in the moment in which Sasuke stabs Karin to reach Danzō.

Tobirama never accepted the Uchiha as true allies like Hashirama did, never trusting them, something he admitted so openly that his brother had to warn him "not to continue pursuing the Uchiha." And the Uchiha weren't planning to kill innocent people, they were planning to take over the government itself.

Kishimoto is anti sasusaku and anti naruhina.

Kishimoto never wanted to write Boruto.

The real Sasuke fans.

Sasuke winking at Sakura was never happened in the manga, it was a translation error.

Sasuke didn't stalk Sakura.