#you don't got any more to say?

[too-scared-to-tell-my-therapist]

Thursday, 1 February, 2024

we just got back our PreACT and PSAT scores. I did well.

[poorly-drawn-mdzs]

I'm back in the Tigers cage again.

(You too can join in on throwing a Rat Of A Man into a Tiger cage by reading Tiger Tiger)

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[nekrosmos]

Price had to shave. Entirely.

It was for a minor surgery; one of his last op had left him with a small piece of shrapnel stuck under the skin of his jaw, which hadn’t been noticed right away, preventing the wound from healing properly. Sure, he could have only shaved the sides and kept a mustache, but he figured now was the time to do a full shave, even if he really, really hated the idea.

He didn’t tell anyone about the surgery, but Nikolai sure noticed his foul mood the few days before it. A few probing questions here and there, but John absolutely refused to elaborate, so Nik let it go.

And then the day came. They were busy getting ready, Price in the bathroom while Nik was getting dressed in their bedroom, hips moving to a song the speaker on his nightstand was blaring. That was why he didn’t hear the beard clipper buzzing, and that was why he almost fell back in surprise when he was greeted by a face he had not seen in well over 10 years when he turned around.

"Нифига себе John, give me a warning next time. What is this for?"

Price avoided eye contact, focused on getting inside his shirt and grumbling an answer Nikolai almost struggled to understand.

"S'nothing, got a small surgery later today, had to shave. Don't make a big deal out of it Nik."

A glance to the side of John's face and Nikolai noticed the wound, raising an eyebrow at this. He didn't like the fact that John had hidden a surgery from him at all, the captain's stubbornness often a point of contention throughout their relationship, but Nikolai had to admit that the sight of his lover's freshly shaved face was quite the distraction.

The initial shock now gone, a wide smile appeared on Nik’s face as he moved towards John, his arms wrapping themselves around his shape while John grumbled some more, trying to escape his partner’s embrace until Nik firmly locked his chin between his hand and lifted John’s face, finally taking in the full sight of a fully shaved John Price. 

“Aaaah, like when we were boys.” Nik said, smile still as wide, eyes tenderly staring at his lover while a thumb ran across John’s cheek.

“I look fucking twelve, Nik. Do you know how long it took me to shut the sergeants up last time Farah told them about my time without a beard? Three. Fucking. Months. They kept asking for pictures, tried to bribe Laswell a few times, too. I am never going to hear the end of it.” 

A hearty laugh escaped Nikolai’s lips, amused and endeared by John’s reaction. 

“You can always threaten them with hand-to-hand combat training with me if they give you any trouble.” 

Whatever complaints came out of John after this, Nikolai didn’t hear, as he was busy kissing the bare skin of John’s jaw and chin, big hands grabbing the side of his face and keeping him in place as he did so. It was like going back in time, flashbacks of their time together as younger men coming back to him, missions in the desert watching John’s face redden because he was too proud to wear a hat, memories of time spent together in bars, Price getting so drunk that Nik had to carry him back to the barracks, all those times Nik had stared at him with longing in his heart that he thought would never be fulfilled, only to now have him all for himself, all these years later. 

“I think we are going to be late, John.” was all Nik said before gently pushing John against their bed, lips immediately meeting his bare skin once more, kissing and teasing while John slowly relaxed under him, each kiss breaking his guard down, bit by bit. 

It would take John a long time to regrow his beard to what it was, and Nikolai was going to enjoy every single second of it.

[bixels]

This Twitter MLP human redesign drama is a mess, leave me the fuck out of it.

[jayktoralldaylong]

"MelJayVik can't work because both Jayce and Viktor are too possessive to share."

And it just might be the stupidest argument I've ever heard to be honest.

But I think what pisses me off the most is that I only see this argument being used for MelJayVik, and that is so interesting considering I adore a lot of Poly ships and I have never seen such an argument before.

Interesting isn't it.

So what's the problem? Is it because Mel is a woman? (I doubt it. Alucard X Trevor X Sypha is a popular ship).

So it's because she's black isn't it? 🙂

"That's not true. We love our Queen Mel."

Ah but you've all unanimously decided that she's not Queen enough to work in even a platonic relationship with Jayce and Viktor. 😌 Don't give me that queen shit until you treat her like the queen she actually is.

I swear y'all jump through hoops to keep them apart. If it isn't pushing the agenda that Mel and Viktor hate each other (which they don't. Having a disagreement does not mean loathing. What's wrong with you? 💀 You guys did the same thing with Jayce and the bridge scene after season one), then it's pushing the agenda that Viktor and Jayce don't share.

MIND YOU, while they are both OBSESSED with each other, Jayce kept trying to pull Viktor into the world of popularity and fame. He wanted Viktor to expand and have fun. And the second Viktor realised he was being too clingy his first instinct is always to pull away and push Jayce towards others. Don't give me shit about them not sharing. Their problem isn't that they want to own each other, it's that they think the other wants nothing to do with them. Stop pushing your fantasies on Jayce and Viktor. It annoys me.

[rafumeika]

What Mahito did: Manipulate Junpei into being his friend and then killed him in front of Yuji, laughed about Yuji's desperation to save him, killed Nanami, got Nobara into a coma, destroyed one of Todo's hands

Yuji with Mahito at the end:

What Sukuna did: Threaten to kill Yuji's friend multiple times, ripped Yuji's heart out of his chest and then tricked him into making a Binding Vow that he would have to forget in order to bring him back to life, laughed at Yuji when he desperately begged him to try and save Junpei, told him over and over again that his mere existence would bring destruction simply by being his vessel, destroyed Shibuya and killed countless of innocent people, ditched Yuji to make Megumi his new vessel, then sinked Megumi's soul as deep as he could in darkness in order to keep control of his body, killed Tsumiki, killed Gojo, killed Kashimo, killed Higuruma, killed Choso, almost killed Yuta and pushed him into using Kenjaku's CT to get into Gojo's body, kept praising literally everyone else but Yuji (while still trying to kill them), who he kept talking shit about instead, got pissed when Yuji showed pity and told him that he would kill every single person still left alive that Yuji cared about before finally killing him

Yuji with Sukuna at the end:

[liauditore]

[asmr boyfriend voice] woof woof bark bark

[batsplat]

this is how i think the valentino/casey rivalry plays out in their minds

[muirmarie]

honestly the funniest thing is coming across ppl who are like "bones is so mean to spock 😡😡😡" like spock doesn't go out of his way to be just as big a cunt to mccoy??? it's their LOVE LANGUAGE!!! some of y'all didn't grow up watching tv shows with old broads and old queen-coded men being as cunty as possible to each other OUT OF LOVE. spock spends half his shift on the bridge coming up with mean things to say to his dr the moment mccoy flounce onto the bridge to flirt with jim (affectionate) and spock (derogatory and bloody, there will be no survivors except for them, THEY'RE having a BLAST).

listen when the cards are down they will be thoughtful and worried and touch each other SO gently and fight over who gets to die for each other. all of that is the floor they're standing on. they KNOW that. but GOSH in the meantime they're BOTH having an absolute blast bullying the shit out of each other, bless <3

[elvisqueso]

Pochontas (1995)

wiggins meta under the cut

here's the thing: ratcliffe is constantly being explained as a representation of the forces of greed and racism and colonialism/imperialism (arguably this can translate to capitalism as well), but what about wiggins? what is his role? he most obviously plays the role of the Fool, and provides a character for ratcliffe to have consistent dialogue with. but what does he represent?

i have a theory that wiggins is meant to represent the ethnic english, the culture of the english, and the willing servitude of the english to the evils of imperialism/greed/racism in exchange for a sense of superiority and security. wiggins is, paradoxically, both above and below the settlers in terms of status. he's a servant, but he serves the highest ranking man there. he's a yes-man, but he's also brutally truthful (spelling out for the audience ratcliffe's motivations and the immorality of the settler's presence and actions).

wiggins is also a caricature of the english to a T: he resembles many a self-styled stereotype of the typical englishman in english comedies. he's prim, a bit fussy, obsessed with gardening, a bit oblivious and silly and somewhat incessantly cheery. he's drawn, also, like an english caricature. his teeth and upturned nose in particular stand out to me.

the line "and he came so highly recommended" from each of these characters is so fascinating because of this because it highlights the mutual consent of these two allegorical characters to be involved with each other and subscribe to a master-servant dynamic, wherein ratcliffe has invested in wiggins to be useful and efficient, and wiggins has invested in ratcliffe to provide security both financially and socially. ratcliffe find's wiggins's personality (the cultural quirks of the english) trite and unnecessary. wiggins found ratcliffe's extremity to ultimately be outside of his own best interests once it could no longer protect him (ratcliffe being no longer able to provide the status and security once he was put in chains).

we can't be sure if wiggins has truly learned a lesson, however. he remains in America with some of the other settlers instead of returning to his homeland. we don't know what he intends to do there, or why he's made this choice. perhaps he's going to try turning over a new leaf and assimilate to a new society. perhaps he's going to try and influence his way into a similar position as before. in any case, we know wiggins's core motive is always going to be self-preservation. what that looks like without ratcliffe and the protections of aggressive imperialism, we simply don't know.

[leemonleee]

I like how the game visualises how Moroha Mode actively causes Aba harm, not only by having her health bar decrease but also by having her just straight-up bleed whenever she successfully lands a hit in +r.

[heavenhellandhumanity]

So I watched the Dallas Cowboys Cheerleaders documentary on Netflix (when I was a teen, the DCC reality TV show was my not so guilty pleasure) and I liked it. It reminded me why I liked the reality TV show.

But if you wanted to convince me that the cheerleaders shouldn't be paid more because it was a privilege to be a DCC, then maybe you shouldn't have highlighted the constant work, the need to be on all the time, the impact on your personal life, to have your body remain a constant weight throughout the year, the possibility of receiving death threats/harassment, as well the likely need for expensive life-changing surgeries. And, most importantly to the organisation, just how much money and publicity the cheerleaders bring in.

[xheksprostate]

Hey so I did actually make a little primer for any of you interested in learning about hockey :) It covers the basic rules and pretty much goes in order of the bare minimum you'd need to know to understand what's going on. It does not include propaganda for convincing you to watch hockey. There's a final section I'll keep expanding on that's just personal enjoyment, and maybe I'll put propaganda there, but the actual meat focused on explaining how to watch the game is all completed and hopefully actually useful :)!