#you can send more for these two
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rheddradio · 1 year ago
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Rhedd: Cal is playing hard to get.
Rhedd: Little do they know, I'm a master at playing hard to get rid of.
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blednokrov · 2 months ago
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Pretty much all of girlpiece art I've made so far in one post (more is to come!!!)
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ash-and-starlight · 3 months ago
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they're inventing a new sport called extreme acrobatics to defend a white woman and tumblr just won gold and set a new olympic record!!!1!11 🥇congrats!
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partfae · 19 days ago
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Sauron, Galadriel, & Tolkien's Theology of Repentance - Part One
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Summary: Character meta analysis on Sauron (and Galadriel, through the lens of Sauron). Based on both Silmarillion & RoP canon. 3.5k words. Discussion of Catholic theology involved. Blanket TW for discussion of violence, manipulation, etc., because Sauron. Spoilers for S1 & S2 and the Silmarillion, of course. The tragedy of Sauron is that he gets offered so many legitimate chances at redemption and forgiveness, and he denies them every single time. But we know he wants absolution, because that’s what he sees Galadriel as: his chance to bind himself back to the light, to be Mairon again, to heal the pain that he caused and that was caused to him under Morgoth. But because he has such a warped view of himself and his actions, he dismisses genuine extensions of compassion, forgiveness, and care as simultaneously beneath him and too good for him. And yet, he still pursues redemption, but through none of the channels offered to him.
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In The Rings of Power, he’s given the explicit instruction to change for the good in the village after he’s reborn. He’s given the chance leave his past behind and work meaningfully in Númenor. He’s given the chance to redeem himself by Galadriel's offer of friendship (or love, depending on your interpretation). In the Silmarillion, he's even given the chance by Eönwë himself, and comes close to leaving Morgoth behind completely!
Let's look at this passage from Of the Rings of Power and the Third Age (emphasis mine):
When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not in the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.
This passage is clear that Eönwë is willing to pardon Sauron--he simply did not posses the power to do so. But when Sauron was told he must appeal directly Manwë, he gave up entirely and skulked back to Middle-earth. There are a few ways to read this:
1. He was not wholly repentant
Sauron simply wanted the protection of a new master in the absence of Melkor. i.e., he was rather fickle and simply wanted to be on whatever the "winning" side was. This is supported by the text literally saying that at least some of his obeisance was completely false, and that he only made a point of feeling bad about anything once his master had been chucked into the Void and his armies and strongholds were being destroyed (Thangorodrim). In this reading, perhaps Eönwë saw Sauron's treachery and referred him to Manwë knowing that it would be a test of his true intent. However, while a valid interpretation, I believe this to be the less holistic of the two.
2. He was truly repentant
Sauron did truly feel badly and "abjured all his evil deeds," but he was unwilling/unable to humble himself after being so fundamentally broken by Melkor and developing an insatiable power lust (hey, he isn't defined in the narrative by lust and pride for nothing).
Earlier in this same chapter, Tolkien wrote that Sauron could "...deceive all but the most wary." This is in the specific context of his physical shapeshifting. But, I would argue that this can also be tied to his lies. Tolkien has a specific ethic of beauty, where physical perfection is equated with moral goodness. Sauron completely inverts what is otherwise a hard and fast rule within Tolkien's writings by being the character most frequently described as "fair"--seven times to Lúthien's six, and she was the most beautiful woman to have ever lived!
(Side note: I have another post on Tolkien & beauty in the works where I'll get more into this idea)
Why does this matter? Even though this interaction with Eönwë takes place in the First Age, Sauron could at this point be in the demonic form Mirdania describes in the forge. And, I am inclined to believe that Eönwë, as the head Maiar and herald of Manwë, would be a pretty wary guy, and thus able to sense any of Sauron's trickery. I read this to mean that Eönwë looked at Sauron and saw his potential to be Mairon again, either in absence of his evil form or in spite of it.
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Because Sauron is incredibly beautiful. And even if it is a disguise of the true, depreciated form of his spiritual essence, he presented himself to Eönwë at his most beautiful. He wanted, even in his act of repentance, to make himself more favorable in Eönwë's eyes. To show up as Mairon (who was likely close friends with Eönwë before everything went down, since they are considered to be two of the most powerful Maia and would have worked closely together).
But I don't think this was all manipulation on Sauron's end. I agree with the scholars mentioned in the text who believed that Sauron was truly repentant--which is why Eönwë even bothered referring him to Manwë instead of kicking him into the Void with Melkor.
And this is the tragedy: Sauron is told exactly how to repent, and believes fundamentally that it is an impossible path for him. And yet, he still longs so intrinsically for it! He was, under Aulë, a Maia of precision, perfection, and order. Under Morgoth, he feels disordered, dis-regulated. He needs to correct the fundamental imbalance within him, so why does he flee Eönwë?
It comes back to Sauron's pride.
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If he follows through with this path of reconciliation, there is no way he can hide or pretend his actions away. If he cannot trick his fellow Maiar, he certainly cannot trick the Valar. And he cannot stand the idea of submitting himself back under their rule, especially now that he has tasted power. This is a pride wound; it is why the idea of confessing to Manwë would be humiliating to him as opposed to just upsetting/uncomfortable.
Again, the pivotal moment: he is told how to make amends for crimes and determines that he cannot do it. So he returns to Middle-earth and stews in his own self-hated and self-pity for a few years. In that time, he consciously or subconsciously latches onto Eönwë's offer--forgiveness from penance. It is the way forward. And if he cannot earn penance at Manwë's hand, he will do it on his own.
The Prodigal Son
This is where we have to talk about the Catholic roots of Tolkien's work for a moment. The scene where Sauron approaches Eönwë mirrors the biblical parable of the prodigal son. In this story, a man abandons his family, spends all his money, and falls into ruin. But when he recognizes his failings and returns to his father to get help, he is welcomed back into the family without question--in other words, he is forgiven and restored to his former position.
17 But when he [the prodigal son] came to himself he said, ��How many of my father’s hired hands have bread enough and to spare, but here I am dying of hunger! 18 I will get up and go to my father, and I will say to him, ‘Father, I have sinned against heaven and before you; 19 I am no longer worthy to be called your son; treat me like one of your hired hands.’” 20 So he set off and went to his father. But while he was still far off, his father saw him and was filled with compassion; he ran and put his arms around him and kissed him. - Luke 15:11-32, NRSV CE (emphasis mine)
The parallel is clear; Mairon, the repentant Maia, returns home with hopes of reconciliation. He is prescribed the same task that the prodigal son offered to his father: he must be bound in servitude to his father/creator in order to pay off his debts. This is a deliberate allusion from Tolkien. The story of the prodigal son models the path of reconciliation that Eönwë describes. Tolkien seems to be drawing a line in the sand with this: Sauron is unwilling to do the work required by the Valar for repentance, so he is unable to receive the grace of a warm welcome back into the fold of the Ainur. Since he did not humble himself, he has to be told to do it. And he does not want to! He wants to be loved, but he also wants his power--evidence, in a way, of how his character was fundamentally altered in his time with Morgoth.
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His pride--and his fear--cut him off from the potential of grace. He does not know for certain that Manwë would subject him to servitude (though I would argue that it's textually evident that it is a custom), but this assumption leads him to flee, which allows him to slip back into his old ways.
He wants to be Mairon (admirable) again, not Sauron (abhorrent). He wants to be accepted and loved, but not punished. He wants the benefits of reconciliation without the work he would have to do to earn it or the shame he would feel as he did. It's pride, but it's also deep shame--the flip side of his extreme ego is an implicit self-hatred, one that we can see in the subtext of how he speaks about himself and about his time with Morgoth.
Even the language Tolkien uses is heavily shame-coded, especially in a Catholic context; Mairon did not go willingly, he was "seduced." He admits to Celebrimbor that he was "tortured by a god". It becomes exceedingly clear through both text and on-screen canon that Sauron was routinely broken and abused for centuries. This has fundamentally damaged his self-perception, which is ultimately what leads him to "[fall] back into evil"--whether due to pride or shame, he hides, perhaps because he consciously or subconsciously does not believe that he deserves forgiveness, no matter how much he craves it.
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Naked in the Garden
His flight back to Middle-earth after meeting Eönwë is reminiscent of another biblical scene, where Adam and Eve, after committing the first sin, hide from God in shame and fear (emphasis mine):
7 Then the eyes of both were opened, and they knew that they were naked...9 But the Lord God called to the man, and said to him, ��Where are you?” 10 He said, “I heard the sound of you in the garden, and I was afraid, because I was naked; and I hid myself.” -Genesis 7-10, NRSV CE
The image of nakedness is, here, one of vulnerability, and Tolkien establishes that Sauron fears that which he cannot control. He needs the Rings under his power. He needs his armies and his enemies under his watchful eye. He is petrified of letting his power slip away (possibly due to never wanting to feel powerless in the hands of a Vala, fallen or not, again).
The biblical allusion here hearkens back to the fear Tolkien describes Sauron as feeling regarding his return to the Ainur. In the religious system Tolkien has established, which is likely inspired by his own religious beliefs, Sauron has sinned, and must make penance. But he is afraid of God/Manwë, and does not want to "let go" of his sin. In other words, he is not truly repentant. This reflects the Catholic sacrament of confession, which requires self-reflection and resolve to never commit the sin again.
Instead of shame driving him to contrition, it drives him to isolation.
But he still wants forgiveness. So, in his years of hiding in Middle-earth, he decides to earn it himself. His own way.
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Enter the Rings.
Sauron wants to perfect the wrong he wreaked so that he can both earn his way back into the Ainur and keep his power. But what he does not realize is that this does not work. Eönwë is clear that he must forsake his true temptation--absolute power--through penance by submission. Yet Sauron in his pride thinks he can have it all. Sauron is a very carefully controlled villain, and the only times he snaps or makes significant mistakes are when his inflated self-perception is challenged, revealing the self-loathing and/or self-pity underneath. The best example of this is when he kills Celebrimbor prematurely, and cries afterwards. Why? Because Celebrimbor was right about him, and he hates it. He hates knowing that he is nothing more than the Morgoth's shadow, because Morgoth was his master as much as he was his tormentor. As Sauron puts it, his relationship with Morgoth was often defined by pain as a test to see "whose will was the mightier":
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This image carries more shame, both in its implicit sexual connotations and in the simple power dynamic of it. Sauron, even though misguided, is rallying against Morgoth. He wants to break what Morgoth has created and build something new, something better, something apart from his old master entirely. But Celebrimbor confronts him with reality: he has not created something new, and perfect, and special, as he so wanted to--he can only act in imitation, not in generation. And when he got close with the Rings, it cost him everything. It's almost like he wants the power of a Vala, and loathes that he cannot attain it.
And this is why he becomes so singularly obsessed with Galadriel.
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She’s his foil. They both crave power and adoration, but in the end of things, she does not fold under his temptation. She turns down everything she has ever wanted for the greater good and for the sake of her own soul. Sauron looks at Galadriel and perceives that she would have succeeded at Eönwë's test because she is willing and able to humble herself. This maddens him to the point of both desiring her and desiring to break her.
She learns that she is easily tempted and becomes strong enough to handle it (through a lot of tough love from Elrond & co.). She has to learn how to do it, but she is able to.
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She grows from someone who resisted and rejected authority to someone who is trusted as an authority because of her ability to wield it wisely (see: Gil-galad allowing her to answer for him in 2x08).
In other words, she earns the trust, love, and support of her community. Sauron has to force his to comply—it is an illusion of love.
His possessive obsession with her also stems from her fairness. She was the object of her uncle Fëanor's obsessive desire for creation as well. Her hair was the inspiration of the Silmarils (see: The History of Galadriel and Celeborn; The Shibboleth of Fëanor - source with page #s here), which Morgoth desired more than anything to possess.
Sauron, wanting to spite his master, wants one better--to own that which inspired the Silmarils, to own the image of fairness (and thus of moral good) completely. This is why he wants to bind himself to her. This is why he needs her. He sees Galadriel as his mechanism of repentance, and his last triumph over Morgoth. Winning her is his salvation as much as it is proving that his will is the mightier. It is his way of dominating Morgoth. This starts, I think, as a genuine effort at proving himself to the Valar, but quickly consumes him entirely. He is overcome with the desire for revenge, just as Galadriel was at the beginning of the First Age.
And he sees this in her. Sees their similarities. Sees that she, too, is angry and lonely and so afraid of losing her power. And he leverages that to befriend her. This is where it gets ambiguous and you can read RoP as either painting the image of Sauron being earnest but completely misguided in his proposal, or you can see it as him being entirely manipulative.
I think the truth of that scene probably falls somewhere in the middle; just like when he presents himself to Eönwë, he is sincere in his desire, but only knows how to present it in an inherently contriving way. He does want to bind her to him, so he tries to only reveal to her the good aspect of that desire (and also of his desire for power, which he allows her to see because he believes that it is good and also because she understands it), and not the ugly underside of his internal struggle against Morgoth, the Valar, and himself.
And I do think, in his own way, he cared about her. Galadriel consistently shows kindness and compassion to him. In S1, they grow to know each other's minds and souls, and she considers him a close friend. He finds comfort in this, that someone could see the blackness of his heart and care for him anyway. He thought, in his isolation, that he lost that chance when he fled back to Middle-earth. And here is the very picture of the light itself telling him that she supports him, that she sees the good in him, that she wants to help him set the world to rights! Of course he is infatuated by this. Of course he also wants to use it. He is Sauron.
But Galadriel succeeds where he fails, so he stops playing nice and tries to forcibly drag her down with him. First, by baiting her with the image of the man she cared deeply for:
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Then, by reminding her of all she is losing by rejecting him:
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And she is still strong enough to say no. And not just to say no, but to shut the door completely. To look in the face of everything she has desired for centuries and turn it down, understanding that it will ruin her. Yes, she hesitates. Yes, she still wants it (wants him). But she wins the day by holding fast to the light that Sauron wishes so badly to bind himself to.
Because she has lost everything--her brother, her husband, the station as commander, the trust of her high king and best friend--and earns it back only through her resistance of her greatest temptation. It is a struggle, it is painful, it nearly kills her--but she does it. She wins the test that Sauron could not even bear to face.
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In their headlong, self-sacrificial tendencies, they are the same. Both view themselves as fundamentally stronger/better than their peers while also being deeply lonely due to their self-imposed isolation (Galadriel's laser-focused hunt for revenge, Sauron's exile in Middle-earth). But to Galadriel, the light is more important than her pride.
For Sauron, the light is his source of pride. He desires it more than anything, but condemns himself to never being able to touch it due to his rejection of Eönwë's offer. Paradoxically, he tries to grasp at it through Galadriel, the living silmaril, and succeeds only in darkening her. We learn from Gil-galad in 2x08 that his crown piercing her flesh in an act of brutal domination nearly strips her soul from her and pitches it into the unseen world. In this, Sauron is saying: If I cannot have you, I will force you to need me. I will break you into loving me.
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He says this to Celebrimbor as well. He no longer knows how to love properly. He only knows how to inflict pain until this object of his obessive desire needs him--just like how his immortal spirit was broken into submission by Morgoth. And isn't this revealing of his own sense of self? He refuses to suffer the path of light, but willingly suffers the maddening path of darkness because it is a comfortable, familiar suffering. One, he tells Celebrimbor, he even grew to enjoy (2x08). As the path of the Rings drive him madder and madder, his desire for the light (Galadriel) and the return of his power (Celebrimbor) become further disordered and corrupted until they culminate in him destroying them--and his chance at earning/owning them--entirely.
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And this is Sauron's ultimate point of no return (which we will hopefully see in S3 🤞). The razing of Eregion and slaying of Celebrimbor were acts of petty rage he committed when his pride was injured. This was the final nail in the coffin. Galadriel, in her rejection of him, ruins what he sees as his true chance for redemption.
Galadriel, now stepping into the role of Eönwë, re-opens the invitation: "Heal yourself!" (2x08). But in rage and shame and stubborn pride, he turns it down again. I believe this is where his desire to heal Middle-earth shifts fundamentally into desire to dominate Middle-earth. He always wanted to rule, but now he wants to own.
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teeny-tiny-revenge · 4 months ago
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I've been meaning to make this post for months now but hey, here is. Some of you may remember I made DVDs of OFMD a while ago. I rambled extensively about it here.
Quick refresher or in case you haven't seen them:
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They have disc menues that play Gnossienne Number 5 and have individual episode pictures. Also there's sleeves and discs labels!
Why am I telling you this (again)? Well, I happen to have all the files you need to start your own basement pirate DVD manufacturing career on a burner Google Drive. So if you too wanted to have DVDs of our beautiful show on your shelf at home, you could download the files, grab a DVD writer drive and a bunch of empty DVDs and get right to burning them. No particular skill needed because the files are done and ready to go at a click. There's also a bit of a how-to on there that I hope is helpful for those confused. Piracy ho, friends!
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bagofmice · 5 months ago
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Fan-made Demon form concept for @another-lost-mc 's OC Tenebris
Isn't it ridiculous how tiny the wings are in obey me??? like asmo's are nothing more than glorified fans- even the biggest wings [lucifer's and diavolo's] wouldn't be powerful enough to lift their owners up
time to crawl back under a rock and work on my 368 unfinished projects
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aquanutart · 24 days ago
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She is offering water to any lost travelers! However, it's so hot that the water has become tea, so she's adjusted accordingly!
#neopets#neotag#neoart#kiko#slorg#aquanutart#this was for a western themed beauty contest last year! it was very fun! :D i'm so happy we were able to be part of it!#and by 'very fun' i mean it's completely exhausting and i can only handle participating once or twice a year#but it is very exciting too! she gave tea to everyone who stopped by. she was very happy to be able to help so many visitors!#i actually forgot until i checked whether this was from one or two years ago... my sense of time as an adult is --- *waves hand vaguely*#i'm so sorry for all the messages i didn't answer. specifically to the user who sent me a really kind message out of the blue#about how they got the slugawoo avvie from my quiggle's lookup. i didn't even know you could get the avvie from his lookup#so i was very happy to find out!! and i was happy there might be more people getting the avvie from his lookup i didn't know about#and i wanted to tell them how absolutely happy it made me and my brain said ' you should respond to this right away or you won't do it'#and i thought you fool. of course i'll make sure to do something this important#and i kept thinking about it for the past year and thinking i will do it. i will do it#but when i thought about writing the words that were floating in my mind the whole time i would feel blocked#this happens all the time and i'm sorry. it really does make me so happy#and then they deleted all the neomails but thankfully i had it saved so i still was able to find their username and send a message thankyou#i'm very glad
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intotheelliwoods · 6 months ago
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Last round of Keychains are back on Etsy! <- <-
Both A and B grades! Collectively there is a bit under 30 left, looking to get the remaining little guys off my hands to good homes!
I will keep this listing up either until they all sell out, or after 2 weeks! Whatever comes first!
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iliothermia · 1 year ago
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Apologies, I wanted to make a public note that I've shut off my anons because too often lately I've gotten messages making incorrect assumptions about me and then telling me to do something I'm sure you all can guess. I guess because people know I'm Jewish, but I've been distancing myself from stressful topics to focus on my medical stuff, I don't know.
Anyway, I wanted everyone who's messaged me with personal events to know it wasn't because of them, serious personal messages especially about struggles with one's body are never a bother to me. I'm cheering everyone on and only want things to get better for them!! ♥️
People can still ask me with (***) in their message and I'll reply privately.
Seeing (another) doctor tomorrow, wish me luck
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frc-ambaradan · 1 year ago
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THAT pause. THAT smile. Thrawn in essence.
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bruhstation · 1 year ago
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thank you for the enthusiasm for the human tugs on the last post! have more of them, and a bit of insight into the things they enjoy :]
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eurekq · 4 months ago
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VETTED FUNDRAISERS
Here are the requests for aid that I received in my inbox. I checked the vetted status of all of them and to the best of my knowledge all of them are legitimate. Please consider donating if you can!! I apologize for the long post, but I wanted to share the families' messages. Highlighted in red are campaigns that are particularly low on donations.
@samerpal
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kr92,549 SEK raised of kr450,000 target
@mohammedalanqer
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€46,164 raised of €58,000 target
@salem-baker
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€27 raised of €38,000 goal
@ahmedabuomar
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€243 raised of €30,000 goal
@ahmedharara
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$50,000 goal <- NO DONATIONS AS OF YET
@mahaibrahim12
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kr44,867 NOK raised of kr1,067,200 goal
@alhabil
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€16,005 raised of €50,000 goal
@ranensblog
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€1,386 raised of €80,000 goal
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twilight-deviant · 10 months ago
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Daredevil: Born Again BTS
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lemongogo · 15 days ago
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oo u want 2 draw soo bad..
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#i hate that my ability to draw is so conditional#its soo frustrating but i dont know how to break it. this has been the one thing thats never changed.ill never be free#times like rn i just do studies but its soo fking BORINGGG euuhh...#but if i try 2 draw something for funsies i just stare at the blank canvas. literally immobile. & u know how people r like just draw#something anyways. a line. something. and its like no i cant do that oi cant even do that u underestimate my freak#i want 2attack myself from the pov of someone else#i think im having the realization tht i will never be able to do art stuff frls and its driving me crazy i think.#like im actually sick and unwell frm the thought of it.my friend commissioned me and im ab 2 send the money back#after two weeks bc i cant do it im literally frozen dude.i want 2 cry and die and explode into a million pieces#wait im back to add more.idk if anyone feels the same way but its like. i know its entirely a Me issue its a mental block issue#theres something thats not connecting in my head but its like.why is it so easy for everyone else ykwim...and thats a lie too right#like everyone else struggles w art and its not.it cant exist Without you struggling and practicing hard and trusting yourself#but in my brain im just convinced that like.i cant do this i cant do this like everyone else can do it like second nature and it freaks me#tf out#but also its the one thing i want to do more than anything else in my life and so like if i cant do it i dont know what to do.ughh.#not me freaking the fuck out rn lawl.lols.even#and on top of it i feel like i cant express myself well and i think my friend. < SOOO awesome and well meaning and NICE and legitimately#pushing me to try and believe that i can do this stuff but i feel like they wont understand the sort of like.mental block im struggling wit#like its less that i hate my art or something i dont its more like.i just feel soo physically restrained and incapable of doing it.suddenly#i cant think and i cant do anything.i have no creativity i have no ideas my mind is quite literally blank and empty
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nashvillethotchicken · 8 months ago
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Thinking about Lestat seeing Louis’s eating patterns as a waste of his gift/himself while Armand gives Louis food that he literally can not enjoy or digest just so he has something on his stomach
#if i had to give each of louis relationship a theme loustat would be shame and loumand would be enabling#which are both really bad ways of “helping” a partner with an ed#lestats shame and anger tactics only make louis more resentful and less likely to eat#while armand having the little drinks and exotic animals and the human food dont actually deal with louis problem head on-#cus at the end of the day louis is still not eating enough#and i think they really exemplifies both of their trauma and abandonment issues#both of them came up chronically food insecure#lestat was put into the role of provider at a very early age and stayed in that role until he died/was turned#so for him rejecting what lestat gives is like rejecting lestat cus he doesnt have anything else to make him “useful”#and lestats reaction to rejection is anger and control so he tries to shame and control louis into eating more/human#while armand has been abandoned by literally everyone he loves up till this point so for him its like#ok i can make people dtay if i give them what they want and what louis wants is to not feel bad about eating and so armand does that#but it still doesnt get to the root of the issue which is louis having poor coping mechanisms for his grief and other emotions#like either way you slice it. louis is not meeting his nutritional needs. he eats drinks from one guy eats a fox or some other small animal#when he should be having like two dudes at least#and then he has human food which according to anne rice makes vampires vomit up their whole stomach content so...#louis imma send you to my therapist shes great#interview with the vampire#iwtv#louis de pointe du lac#amc iwtv#lestat de lioncourt#ldpdl#iwtv 2022#armand iwtv#armand#loumand#loustat#like armand gives louis food he cant eat just so he knows theres something in louis stomach even for a short while
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punkitt-is-here · 1 year ago
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One of my design goals with Susan Taxpayer is that there should always be a smooth way to transition from one moment in the level to the next, in the room-to-room gameplay. Like, secret breakable walls that allow you to keep your momentum or adjusted platforms so that they're just low enough so that you can chargebounce onto them if you know exactly what you're doing. I want speedrunning the levels to be fun and rewarding while still making the basegame beatable by being slow and methodical. trying to cater to both types in a way. You are rewarded with extra health and coins for scouting out every single area in a level and taking your time, but if you're speedrunning, you probably don't need that, so there's always little alternative routes you can take that blast through sections at the expense of a safety net.
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