#you can get a kind of magical thinking apparently

[internetgiraffekid1673]

I'm now racking my brain for book scenes that would pass a reverse bechdel test, just for fun. It is genuinely so funny to me that I'm having to make the same exceptions I usually make in reverse, lol. Dexter in particular gets more focus in the books, but his best friends are Raven and his sister, so that doesn't help much lmao.

I can think of a few that come close off the top of my head. The first is in Dexter's end-of-summer short story that takes place just before the school year.

The Charmings are at a big family reunion and they all segregate by gender for a family scavenger hunt. The girls get a list of places to lock themselves up in where they have to wait for rescue, while the boys all get a list of family heirlooms to hunt down. Each heirloom is guarded by something dangerous, but saving the princess will give you something helpful to defeat it.

No girls are mentioned explicitly by name except for an off-handed comment about Grandma Alluring and most of them are only vaguely referenced i.e. "save a princess if you find her, but BACK TO THE QUEST!"

(Neither Darling nor Dexter plays by the rules of course. Darling saves herself (with a little accidental help from Kitty), and ends out retrieveing a magic sword out of a swimming pool while fighting the razor eel guarding it. She then rehides the sword in a much safer and easier spot and helps her 7 year old cousin find it, so that he can get some of the attention he's been lacking (poor kid is named Good Enough because his parents ran out of adjectives.

Dexter trips and falls into a broom closet where he gets attacked and imprisoned by a changeling that was NOT part of the game. No, apparently his cousin Charity really wanted some alone time away from the Charming Insanity TM to read some books, so she summoned a malevolent and dangerous magical being to impersonate her. She was immediately imprisoned, but since she hasn't run out of books yet, she's not too fussed, and she figures she'll only start screaming when she gets bored. Dexter breaks himself out and defeats the changeling using his Aunt Arachne's magical crochet hook, and then sends Darling to rescue Charity).

Dexter also has a short conversation about being a wallflower with a half-ogre manservant Gordon (where Gordon offhandedly mentions his mother and father) in this, and a good-natured wrestling match with Daring at the beginning (where Dexter yells "oh no, she's going to fall" to trick Daring off his game, which works). I think between these moments, we've got a full scene.

The next would be in A Semi-Charming Kind of Life, which is in the Next Top Villain series by Suzanne Selfors.

There are many scenes in this book where Darling impersonates Dexter via wearing his full body jousting armor and pretending to have a flu so s/he can't talk (Dexter actually does have the flu and is safely sleeping in his dorm during these scenes. He has no idea she's doing this).

As such, while Darling is technically present for all the jousting classes, she doesn't actively participate in the conversation and everybody thinks there are no girls around. Since all of these scenes are almost exclusively about jousting techniques and tournament talk, I think they count, even if Darling isn't paying particularly close attention to the guys' small talk since she's busy trying not to expose herself.

The final one I can think of off the top of my head is a very miniscule moment---more of a microscene---in Once Upon a Pet.

During the story about how Hopper got his pet dragonfly, he spends a lot of time with his roommate Sparrow Hood. While most of this is spent in typical Hopper fashiom---obsessing over Briar---the presence of a fire-breathing dragonfly distracts him from girls for a fair bit. They spend decent time brainstorming a name for him (Briar ends out naming him Drake), and Hopper also monologues at Drake---in frog form---about how he's not uncivilized enough to eat him, even if he is hungry.

Well! That was a fun little experiment! The fact that I have to have such extensive book knowledge and I'm STILL nitpicking does prove your point, and your point about how funny/kinda cool Mattel is for this is a good one (especially because it is 10 times worse over in Monster High. Love you Mattel). But I will say if you'd like to see more stuff about the dudes where they get to actually do things and be more developed, go read the books!

Who am I kidding, I only ever EAH post for one reason. Even if you don't care about the guys, go read the books! They're great! Maybe if I get enough of you on this train someone'll finally write fanfic with book canon!

in love with how eah would fail a reverse bechdel test if it existed. there's like six guy characters and i cannot for the life of me recall an episode with them that didn't involve any of the girls. the thronecoming day bookball game? they were losing badly and got their asses saved by cerise. dragon games? not a single guy got drafted onto a team. not even daring, the only one who has a confirmed dragon riding license. true hearts day? ashlynn was given comfort by her friends but the writers didn't even have a single scene of hunter being consoled by his friends. this is mattel keeping fifth wave feminism alive

[spookyeagling]

I do suspect I know a lot more about people than they might like me to by way of simple deduction and I do feel it when Elementary Sherlock is like "ugh what a drag it is to be able to figure shit out its a shame im not allowed to do heroin about it anymore"

[valkyurii]

it’s funny how things have gone full circle with malenia. she was so hated when the game first came out, but then people grew to like her. then the dlc came out and now people hate her again lmao

[lesbiansanemi]

I am so fucking sick of living with my roommate and his fuck ass boyfriend. Also watching my roommate burn every single one of his (already rather minimal, I might add) bridges for this guy is also kind of painful but also his relationship with me is one of said bridges so I'm almost past the point of even feeling bad for him lmao

[pochapal]

had a migraine all day then sat in the shower for almost an hour rotating life is strange thoughts in my mind and now the headache's gone and i'm also mad

[22degreehalo]

The most bewildering like deeply ideological and not at all real-world realistic applicable I ever see expressed in fandom and which throws me for a loop every single time is like...

‘It’s bad when the Chosen One or Royal Heir (or whatever) has some kind of actual physical or magical superiority over normal people because it means that they really do deserve their position :/ and undermines any message the story might tell that oppression is Bad :/’

Like. Am I wrong or is this just. Actual uncritical might makes right thinking...???

A person having magical powers does not grant them a moral right to rule over others. Nor the same with fighting ability or general physical fitness or whatever. People are every bit as equally valuable and meaningful regardless of how ‘fit’ they are.

Like am I wrong or are the non-magical people in these scenarios basically just the in-world equivalent of disabled people. And so... obviously it should go without saying that these people aren’t necessarily incapable of having a say in the running of the kingdom or whatever. Like. There is just no logical reason why that should be the case.

And yet over and over I see this assumption made, that ‘hero has special magic’ somehow DOES imply, inevitably, that societal castes are right and good. That the only way to actually tell a story where people all have equal value is to make them all equally physically or magically capable (i.e., make nobody disabled).

IDK maybe it’s just me but it makes perfect sense that in a world where some people have special powers, they’d tend to oppress those who don’t. And that it would be harder for those who don’t to succeed or be able to triumph as heroes. Isn’t... isn’t that just literally how oppression works, IRL...?!

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[creatingblackcharacters]

“It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture

I grew up knowing it as Ebonics; I didn’t hear 'AAVE' until I was an adult. Apparently it’s used derogatorily- I did not know. But when Robert Williams coined the term in the 70s, its meaning was:

“…the linguistic and paralinguistic features which on a concentric continuum represents the communicative compentence of the West African, Caribbean, and United States idioms, patois, argots, ideolects, and social forces of black people…Ebonics derives its form from ebony (black) and phonics (sound, study of sound) and refers to the study of the language of black people in all its cultural uniqueness.”

Familiar Examples include but are not limited to:

The History

It was unbelievably difficult to find a solely Black perspective on the subject. I’m gonna need everyone to let Black linguists talk, it’s literally their job. Anyway, I need y’all to actually WATCH this video. Don’t skip it thinking I’ll summarize. Watch it. Actually listen. That’s part of the problem to begin with, is not listening. Even if you have to read this lesson later, so be it.

One of the points emphasized in this video was that AAVE was formed of the need to communicate, and specifically to communicate in a way that hid what we were saying and thinking from antagonistic white society.

“…“the disguise language used by enslaved Africans to conceal their conversations from their white slave masters to the lyrics of today’s rap music, [the magical power of] the word has been shaped by a time when, as observed by Harlem newspaper writer Earl Conrad, ‘it was necessary for the Negro to speak and sing and even think in a kind of code.’””

Because it was in a form that white people could not understand, as well as already existing racist biases against the humanity and intelligence of Black people, naturally it was assumed that our way of communicating was ignorant and ‘false’. Even acknowledging it as a valid language was seen as abhorrent, by nonblack and certain Black people.

“For decades, linguists and other educators, pointing to the logic and science of language, have tried to convince people that Black English exists, that isn’t just a politically correct label for a poor version of English but is a valid system of language, with its own consistent grammar. In 1996, with the unanimous support of linguists, the Oakland School Board voted to recognize AAVE, or the more politicized term “Ebonics” (a portmanteau of “Ebony” and “phonics”), as a community language for African American students, a decision which might have opened up much needed additional funding for education. Instead it resulted in intense public backlash and derision due to the still widespread, incorrect belief that Black English was an inferior, uneducated form of English associated with illiteracy, poverty, and crime. It’s hard for a language to get ahead when it keeps getting put down. Some linguists, such as John Russell Rickford, have noted how even sympathetic linguistic research, which has derived a lot of benefit and understanding from Black English grammar, can unknowingly focus on data that represents African American communities negatively, giving “the impression that black speech was the lingo of criminals, dope pushers, teenage hoodlums, and various and sundry hustlers, who spoke only in ‘muthafuckas’ and ‘pussy-copping raps.’” The term “Ebonics” even now is used mockingly by some as a byword for broken English.”"

(Some of) The Rules

AAVE is a full dialect with grammar and social rules. But the ones most people are familiar with include:

Th becoming D (“dats”)

Double Negative (“I ain’t see nobody”)

Habitual Be (“It’s cuz he be on that phone”)

Possessive s absence (“I’m going to my grandaddy house”)

Question word order (“who that is with the ice cream and cake?”)

Zero copula (“who that?”)

"Why do you talk like that" Would you rather I code switch?

“Code switching, or adjusting one’s normal behavior to fit into an environment, has long been a strategy for BlPOC individuals to navigate interracial interactions successfully. Code switching often occurs in spaces where negative stereotypes of Black individuals run counter to what are considered appropriate or professional behaviors and norms in a specific environment, and regularly happen in work settings.”

In this context, you might recognize it better as “using your white people voice”.

Some Black Americans, for varying reasons including internalized antiblackness and a desire for assimilation, hate AAVE! Some people will hate that you don’t use AAVE! Never assume we’re all on the same page about its use! My own mother used to be big on speaking ‘proper English’.

Regional Differences

The same way regional differences affect standard pronunciation, it’ll affect the AAVE used. Culture in the area as well will affect the words that come from it. So someone Black using a phrase in Philadelphia might not automatically know what someone Black from Compton is saying.

Someone did their dissertation on this topic, and while I’m going to link the summary for yall to give it a shot, Imma be honest- I do not understand this. I tried. It’s interesting how something that comes so innately, once written out like this is like WHAT. But the research has been done!

Easier examples include:

"Aaron earned an iron urn"- Baltimore

GloRilla and "Mursic"- Memphis

A lot of AAVE from New York City is popularized; so you might hear words from anywhere that originated from Harlem or Queens, or New York Ballroom culture

Tonal Languages

One major source of misunderstanding AAVE is people not understanding tonality. AAVE is often tonal, similar to many African languages, languages in general- meaning that unless you hear it or are innately familiar with how it’s spoken, you might not know HOW I’m saying something and therefore will not understand what I’m trying to convey. Given the history, this was on purpose!

Black language- Black culture in general, really- is often conveyed orally. Everything we say and do is not going to be written down for someone else to study. Doesn’t mean we weren’t saying or doing it. If you want to understand, you have to listen!

“Linguist Margaret G. Lee notes how black speech and verbal expressions have often been found crossing over into mainstream prestige speech, such as in the news, when journalists talk about politicians “dissing” each other, or the New York Times puts out punchy headlines like “Grifters Gonna Grift”. These many borrowings have occurred across major historical eras of African American linguistic creativity. Now-common terms like “you’re the man,” “brother,” “cool,” and “high five” extend from the period of slavery to civil rights, from the Jazz Age to hip-hop: the poetry of the people. This phenomenon reflects how central language and the oral tradition are to the black experience.”

Some examples:

1) "You Good" can mean, depending on how it is said and the context in which it is spoken:

Are you okay?

Do we have a problem?

You’re okay.

You don’t want these problems so chill.

Do you have enough money/resource?

It’s fine! Don’t worry about it.

2) This was an interesting experience, watching the misunderstanding of AAVE occur live. It’s the realization that people read this as “This is something Bugs Bunny would wear” versus “Bugs Bunny would wear the fuck outta that outfit”. But if you didn’t know that, if you aren’t familiar with the tonality of AAVE, of course you’d think the first one is what it meant! And it's not wrong-wrong - he would wear it, but that's not necessarily all it meant.

3) “Chill-ay” versus “Chile”. Yeah, we didn’t forget that. This is often why AAVE is used to sound “aggressive” on the internet- if you perceive (however subconsciously) how Black people speak is aggressive, then when you decide to emulate my speech in your moment of aggression, it is because you think my Blackness will make you seem more intimidating! You find Blackness… intimidating. Same reason you think it makes you funnier than if you were to deliver the same joke using your own dialect. It means the jokes not funny; my language is what’s funny.

Black American Sign Language

We even communicate differently in sign language; there’s an entire history and culture behind the Black deaf experience.

“In April 2020, Nakia Smith, aka Charmay, created a TikTok account introducing five generations of her Black Deaf family and how they communicate in Black ASL. As a social media influencer of Black ASL content, Charmay made a series of educational and informative videos on the history and practice of Black ASL. Charmay’s video went viral, landing in a New York Times article, Black, Deaf and Extremely Online, and Blavity: TikToker Has Gone Viral For Putting The Culture On To Black American Sign Language. Additionally, Netflix requested Charmay to explain the difference between Black ASL and ASL.”

Everyone doesn’t speak AAVE!

If your Black character is not Black American, and has never once been connected with Black American culture or people, they are probably NOT going to speak AAVE! They’re going to speak whatever dialect THEY have! And that doesn’t make it any less “Black” of them!

Different dialects and languages across the diaspora include but are certainly not limited to:

Black British English

Haitian Creole

Gullah

Jamaican and Caribbean Patois

Everyone Owes Rihanna an Apology

Y’all remember the song Work. I know you do. It was mainstream’s love and joy when this song dropped to be overtly racist about it, Black Americans included. Everyone claimed it was ‘gibberish’, that she was just mimicking language on a song and ‘it would be popular’.

Meanwhile, it was her singing in her native island patois! The people who spoke her language understood it! Anybody who actually tried to understand it, understood it! Another popular song, Sean Paul’s Temperature, is also in patois! And I thought we loved that song!

So next time Black people speak and you find yourself thinking- ‘wow, this makes no sense’, I want you to think to yourself: ‘does it make no sense, or do I just lack the context/knowledge/language to understand it?’

NOW THAT WE’VE HAD SOME EXPLANATION BEHIND THE LANGUAGE!

Writing AAVE

Me personally, I admit I don’t like it being used in stories where it is clear the author doesn’t understand the dialect, or where it’s clear the only person who speaks it is the “Black character who OMG DID I TELL YOU THEY WERE BLACK”. I’d rather it be the regular Queen’s English. We speak that too. I’m not going to decry your fanfiction or your regular modern-day original story as “bad” if you choose to use whatever language your region commonly uses. We know how to speak it. We will be okay. Using AAVE is not going to sell me that this character is “Black” if the rest of the character writing is still bad.

If it means that much to you, because it is important to the character, then you as the writer need to commit to learning proper AAVE! This isn’t going to be a “look up every turn of phrase on google” or “ask Ice what every single thing means”. You’re going to have to do what everyone who learns a language does- immerse yourself in it! If you can’t be bothered to learn my language, I’m going to know that when I read your work.

Obviously if there’s a context where the Black people involved do not know how to speak a language, it is perfectly fine to show that, as long as you are showing that it’s not due to some innate stupidity or other stereotype that this person cannot communicate the same way others communicate around them.

“The N Word”

I know someone’s thinking it, so let’s address it. There’s a translation for this word in damn near every language that’s ever come across Black people. So don’t go “oh we don’t have that word in my language-” I bet money you do.

Yes, it could be used in historical context- the ‘hard -er’. Yes, it could be used in social context- the ‘-a’. It follows the tonality rules I discussed earlier; that is, the way it’s used and who is using it makes ALL the difference in how it will be received.

Everyone is not on the same page about the use of this word within our community. Some Black people think it should never be used, period, even by us! Some Black people think that it should be reclaimed and use it as such! The only thing we’re on the same page about is that YOU should not be using it.

I say this to say to nonblack writers: put the pen down.

My stance is, if you can’t understand AAVE, you CERTAINLY aren’t going to be able to incorporate the social use of this word. Period. If you scared of the potential smoke incurred if you fuck it up- and if we see it, you will catch it- don’t bother. Trying to “write realistically” does not cut it. You should be doing everything in your power to understand and write a great Black character in all ways before ever thinking this is something you should do. In fact, if you're that thirsty to use this word, you have some other things you need to consider.

In the historical context, just watch yourself. If you’re gonna drop that word, you need to be damn well-researched on every other aspect of Black life and oppression in whatever era you’re writing. Just dropping this word to say “life is racist” shows a lazy lack of understanding of antiblackness. You don’t even have to drop the whole word. A “ni-” at the end of the sentence is enough for me to know exactly where we’re going! But if you not gone do the rest of the work… you know what they say about stupid games.

The Fundamental Disrespect

If you watched the prior videos (and you should have) and paid attention up to this point, you have already heard the struggles that both AAVE as a dialect and those that speak it go through.

There’s a societal connotation of stupidity, aggression, and silliness behind the way I speak. None of those things are true, and it’s hard to be told that even the way you communicate with others is bad.

But the other reason it’s so hard is because we spend our lives hearing that those are the connotations… when WE speak it. It is not the language- it’s ME that makes it so! And that gets into the other part of this lesson, something that AAVE is oft victim to.

This part is a little scarier for me to write, because people don’t like it when you talk about Black Americans as a separate entity from the US of A as it is known. I’m gonna put on my political hat for a second, but I promise this ties into my overall point so stick with me!

Stolen Cultural Hegemony

The reality is that the United States of America has forced a cultural hegemony upon the planet (amongst other forms). Yes. That is due to the capitalism, colonialism, imperialism and damn near just about every other -ism at the US government and military’s disposal. I am not saying that part somehow changes, of course not. That’s just facts. There are people far smarter than I (Edward Said, take the wheel) who could explain this far better. But I’m only here to explain this one point.

What DOESN’T get acknowledged is how much of what is deemed American pop culture across the world is both 1) stolen 2) Black culture! We do not have equivalent political power despite what our hypervisibility would suggest, but our social currency is raw diamond- so naturally, it has to be plundered! The white American dollar might mean far more than my life, but it’ll pay for my creations- even more so when I’m not involved!

The issue is that if your society says that I am less than, how can you justify how you covet everything I create? If I’m supposed to be so much less than you, why do you seek my language, my fashion, my music, my body? Why do you feel entitled to my creation, but you think you should have it… Without me?

Sit on that one for a second!

Appropriation of AAVE

Let's refer back to that chart at the beginning. How many of these have you seen or even used before? How long did it take for you to know it was AAVE? Don’t get me started on the influence of AAVE in queer spaces!

Of course I’m going to get started. Ballroom culture, created by Black and Latino people in New York City in the 80s (Paris is Burning, anyone?), has spawned so much popular “gay” lingo, and it’s not even just “gay”- it’s of color! Black English in particular is the source of many of the words that queer people use now in casual conversation, brought into the ballrooms, normalized, and then proliferated with other communities.

I can always tell when a new phrase from AAVE has hit nonblack audiences because it’ll suddenly be in every sentence I see, often butchered. Remember that historical context- of having to speak in code. Have you ever considered why AAVE is always evolving? Why we have to find new ways to communicate with each other? Have you considered that when people are constantly taking and misplacing your words, they may lose meaning or value, and so you have to come up with something else?

Appropriation of Black Music

Jazz, swing, the blues, disco, rock and roll, pop, even rap and hiphop have all been subject to appropriation- intentional or not. Far more intentional than you might want to believe. And it all comes back to money!

White audiences in the 1900s loved Black music- as long as they didn’t know Black people were singing it! Often, songs would be completely lifted and given to white bands to re-record. When Frankie Lymon first came on stage to perform, some of the audience was stunned! Even you know Itty Bitty Pretty One!

A more modern-day example: not to pick on the K-Poppies, but unfortunately it’s a low hanging branch example.

What K-Pop groups are doing now is heavily influenced what Black pop, rap, and R&B artists were doing from the late 90s to this very day. Part of the reason I enjoy K-Pop is because it reminds me of the stuff I used to listen to growing up. How many times have you heard someone think a Korean rapper in a K-Pop group is “fine”, but “don’t like” rap otherwise? Or will listen to K-Pop groups, but have very few to no one Black of the same sound on their playlists?

Examples:

Rover by Kai (2023) vs Swalla by Jason Derulo (2017)- Idk how popular Kai is outside of EXO, but I do know that some influence was had. And I like the song, btw! I prefer the music video! It’s just not the first time it’s been done!

Sweet Juice by Purple Kiss (2023) vs Say It Right by Nelly Furtado on a Timbaland beat (2006)

Taemin and Michael Jackson, period. Taemin having a song called The Rizzness. How did ��rizz’ get to him? How did he know? More relevantly, how did the people who wrote his music know? How did something that started with Black people in Baltimore get all the way to Taemin in South Korea without influence?

I’ll use another example, so it doesn’t feel like I’m picking on K-Pop. I’m currently listening to CĂN NHÀ TRANH MÁI LÁ (Vietnamese, if you couldn’t tell) and as much of a banger as it is, with its own amazing cultural spin on the delivery… it is CLEARLY influenced by Black American rap. He nicknamed himself Vietgunna. Yall.

A non-American musical example: Afrobeats has taken the music industry by storm… How many of those people who enjoy an afrobeat from a nonblack artist will enjoy it from Wizkid or TEMS?

Those polls, where they ask how many Black artists you listen to… try paying attention to see just how much of your music takes inspiration from Black creators, but there’s a non-equivalent amount of Black artists that you support!

Political Bastardization of Powerful Black Colloquialisms

The appropriation of Black English isn’t always for entertainment. Sometimes, it’s a purposeful, malicious tactic to demean the words, and therefore the intent behind them.

“Woke”

“Michael Harriot, columnist at TheGrio and author of the upcoming book, Black AF History: The Unwhitewashed Story of America, explains that this kind of insidious takeover and flipping of Black vernacular to anti-Black pejorative has numerous parallels in America’s past and runs all the way up to present day. “When you look at the long arc of history and America’s reaction to the request for Black liberation – every time Black people try to use a phrase or coin a phrase that symbolizes our desire for liberation, it will eventually become a cuss word to white people,” Harriot says in an interview with [Legal Defense Fund]. It’s perhaps this very context — Black people’s awareness of their history and their power to resist injustice — that made woke so ripe for the pernicious mutation it has now undergone. Indeed, the forced transformation of the colloquialism echoes how countless other Black ideas and intellectual contributions have been maligned. “When people during the civil rights movement began saying ‘Black power,’ all of a sudden it became a term that people equated with communism and anti-white sentiment — and then it eventually gave birth to ‘white power,’” Harriot tells LDF. “The ‘1619 Project’ [which centers the ramifications of slavery and the contributions of Black people in American history] has become an insult. ‘Black Lives Matter’ became an ‘anti-white sentiment’ that was banned in school and spawned ‘all lives matter’ and ‘blue lives matter.’”

#SayHerName

This discourse is happening again, it happens like every six months on here, and it’s one of the things on here that fills me with a hatred that I struggle with every single time. It is hard, I literally feel that hatred in the pit of my chest right now as I type this.

Kimberle Crenshaw (Black woman and the originator of the legal term ‘intersectionality’), the Center for Intersectionality and Social Policy Studies, and African American Policy Forum coined the hashtag in 2014. TWENTY FOURTEEN.

It was meant to highlight the violent deaths of Black women and girls at the hands of police, which happens at a high rate like Black men and boys, but often goes far less acknowledged. By appropriating the hashtag, you are actively choosing to speak over the very names and deaths of Black women and girls we don’t know, because we are NOT SAYING THEM, and therefore are allowing those deaths to continue as though they do not matter.

I’m going to stop before I get more upset. But know what violence you’re contributing to in your negligence.

How to Avoid Cultural Appropriation while Showing Appreciation

Everything is obviously not appropriation. It is possible for people to appreciate, replicate, and take influence without being disrespectful! It happens! And because it is possible, is why it’s so infuriating that it does not.

It’s frustrating that when something is on me, it’s ghetto, ugly, ignorant. But when it’s on the right stick thin pale girl, it’s chic, it’s fashionable, it’s new. So if it’s not the language, and it’s not the fashion or music you don’t like… It must be… Me. I am somehow not worthy of respect for the very culture I create.

Can you imagine being told that? That you are not worthy of being… you?

If you are worried about cultural appropriation, both in your writing and in your life, the easiest way to avoid that is to:

1) acknowledge and support the culture that created what you’re saying or doing and

2) actually treat them like human beings instead of zoo animals or a species to study. Show respect! It’s not hard!

This is my body, my language, my creation. It’s not just to entertain you! It’s my life! I talk like this because this is how I speak, not because I want to get Tiktok cool points. If I’m around people who treat the way I talk like childish babble, it makes me feel stupid and disrespected. We can see that, and we can read it in your writing.

And yes, you may be saying “well none of that is unique to AAVE, that’s how other languages work!” Okay then go speak those languages then lmao. But if you’re absolutely determined to understand and utilize mine, then you need to treat it with respect and not like the Gen Z slang babble (or worse- the threat) y’all treat it as. It’s a form of antiblackness that is so normalized that we don’t even think about it… but now that you’ve read this lesson, you can start! You can start taking the time to actively dedicate a thought to what you’re saying and doing and where it came from. You can take the time to notice when something isn’t right- and maybe even choose to speak up, because it’s the thought that counts, but the action that delivers.

[whereisthedamndaddymanual]

I might be the one pretending to be insane.

Actually I am sanely showing that true brilliance IS insane.

Excuse me. My story about the restaurant is true and it's gonna fuck with her how I said it with such conviction.

That's fucking easy. It's the dead ass truth that's why.

Now I have hunted to her plenty to examine things but she is subconsciously avoiding it.

[corkinavoid]

DPxDC Summoning Failed Successfully

Imagine a warehouse. Imagine a bunch of cultists in dark robes with all the candles, daggers, ancient books, and chanting. Now add Danny.

Only not as the summoned being, no. As a sacrifice.

He is sitting down, tied to a chair, in the middle of the summoning circle, looking as bored and deadpan as he can possibly be. The cultists are chanting, and he frowns, listening to their chants for a moment.

"Hey, is that Latin?" He questions, but to no avail, "You know you're not actually using those words correctly, right?"

"Keep quiet, child!" One of the cultists snaps. Danny leans back in his chair and shrugs.

"I'm just saying, you ain't summoning shit with wrong grammar," he huffs, seemingly absolutely nonchalant about the whole thing. Oracle, who is watching the whole ordeal through the surveillance cameras, raises her eyebrows. Red Robin and Robin are already en route to the building the cultists chose for their extracurricular activities, but now she almost wants to watch this a bit longer.

Gothamites are pretty used to all kinds of shitshows, but this boy is from out of town. She checked him through facial recognition. Daniel Fenton, a transfer student from Amity Park, Illinois.

A few more cultists stop chanting and turn to Danny.

"Do you know Latin?" One of them asks, and the boy makes a half-nod, making a thoughtful face.

"Not fluently, but, like, it's a dead language, I felt kinda obligated to learn it. Just for the meme, you know?" He chuckles.

The cultists, judging by their confused silence, don't know. Barbara doesn't know what he's talking about, either. But she is almost curious now, so she taps Robin's and RR's comm lines:

"RR, Robin, when you arrive, don't jump into the scene," she asks.

"Understood," Tim answers immediately, but Damian, of course, demands explanations:

"Is there an obstacle?"

"Not really," Barbara humms, "The sacrifice is in the process of de-escalating the situation."

She can almost hear the questioning silence over the comm, but, thankfully, no one argues. Meanwhile, one of the cultists pipes up, voice full of doubt:

"So, you can... like, proofread our incantation?"

"Yeah, sure," Danny nods, apparently fine with being sacrificed, "Who you're trying to summon anyway?"

"Satan," that same cultist answers, and Danny laughs approvingly.

"Classic," he nods and smiles, "I'll give you this. The circle is mostly alright, so you don't need an incantation to summon the fucker, I have him on speed dial." And with that, he leans forward, screaming towards the floor: "Ey, Satan!"

Barbara must say the act was actually convincing, but he went a little overboard with it now. She reaches to tell both Robins to get in, but suddenly, a loud, booming voice reverberates through the building.

"The fuck do you want, kid?"

Cultists fall to their knees - it doesn't seem like an act of worship, more like their knees bucking. The whole circle dimly lights up in red, smoke raising from it.

"Do you see this shit, Oracle?" Red Robin questions, and she mhm's at him, not sure what else to say. If this is still an act or a trick, she must say it's a very good one. Although somehow she suspects it's not a trick. She's seen enough magic in her life to tell the difference.

"Do you want to come to Earth, be gay and do crimes?" Danny asks, almost mockingly.

"Fuck off."

The red light flickers and disappears, and Danny looks back up to cultists, grinning cheerfully.

"Welp, looks like he doesn't wanna," the kid concludes and stands up from his chair. Barbara hadn't seen when or how he got out of his bindings.

The cultists just watch him walk out of the circle in bewilderment.

"Pursue?" Robin's voice comes over the comms, and Barbara thinks for a moment.

"I get a feeling like that's a bad idea," Tim mutters over his line.

Barbara agrees.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[smokesandsonatas]

I just want to see the Octavinelle trio get surprised, tongue-tied and amused because the reader is cunning.

Characters: Azul, Jade, and Floyd.

Warnings: None, just the old contract signing the Octavinelle way. First person pov. Mostly in Azul's pov. Tension (?).

Not beta read.

Shrimp Cocktail.

Apparently, it does not take a lot to amuse the Octavinelle trio. Or the story where you took a deal with Azul and it went unexpectedly.

They should learn not to underestimate Shrimpy.

Azul had always underestimated you. In his eyes, you were a mere human—a dimwitted fish floundering in the waters of Night Raven College. You lacked the cunning and intelligence of Jade, who could manipulate any situation with a few well-placed words, and you weren’t a lazy smartass like Floyd, who could memorize an entire book but discard it just as easily if he found it dull and boring. With your easy-going nature, you seemed like the perfect prey.

Well, you are the perfect prey.

Here you are, sitting in Azul’s office at the Mostro Lounge, the twins flanking you in chairs beside you. Floyd lounged with a lazy grin, manspreading on the sofa, while Jade sat, poised like a gentleman, a smirk barely concealed behind his gloved hand. Grim had been left behind at the ramshackle dorm, leaving you alone in the scammer's den. Azul could barely contain his amusement—you had just fallen into his trap, one he fully intended to exploit. You sat quietly in front of him, your face poised with a neutral expression. To Azul and the twins, you looked kind, naive—perhaps even a little stupid. They think you are an airhead. Their excitement was barely contained. They got you right where they wanted you to be. Here in Mostro Lounge, with no one but them watching over you like predators waiting to pounce and choke their prey.

"You're here for the favor of us providing Grim with food three times a day, seven days a week, for the duration of your absence with Professor Trein as the school's official photographer at an event outside Night Raven College," Azul began, his voice dripping with the saccharine politeness he used to mask his true intentions. "In exchange, you agreed that you will work for fourteen days, regular shifts, without any compensation for Mostro Lounge. I expect you to fully commit to your duties."

You nodded, hands neatly placed on your lap, a small smile on your lips. "Yes, that’s exactly it."

Jade’s grin widened slightly. You were so naive, so predictable. Pathetic, really—but there was something endearing about your earnestness. Everyone in Octavinelle liked this about you—how you walked into traps with your eyes wide open, never realizing until it was too late. You really are a shrimp, through and through. No sense of survival, no sense of fear.

Jade could feel his twin looking earnestly in you, their expression one of amusement.

You will never survive in the ocean.

"Very well then, Prefect," Azul continued, practically trembling with excitement as he handed you a golden scroll, a quill magically appearing in his gloved hand. "Sign this contract, and the favor you ask shall be yours."

You took the pen, hovering it just above the dotted line. Azul’s eyes gleamed with anticipation—just a few more minutes—seconds, and you’d be bound by his terms, forced into two weeks of unpaid labor. The satisfaction was almost too much to bear. You would be working without compensation, and Azul could even charge you for any drinks or food you will consume during your shifts!

Azul had also noticed that whenever you work, customers come flocking in! Is it because you're the famed Ramshackle dormleader? He can only suspect so. He might also have you gather more customers—all for free, technically, you are working free to him anyway.

Azul raised an eyebrow when he saw you set the pen down and lean back, that small smile on your lips widening into something sharper, more calculating.

Azul frowned.

"Azul," you began, your voice light and casual, but with an edge that made the room’s atmosphere shift. The twins noticed it too. Jade’s eyes narrowed slightly yet the smirk remains in his lips, and Floyd’s grin widened a little more as they both watched you closely—their eyes glued to you as a clear sign of their newfound interest.

Azul blinked, thrown off by your sudden change in demeanor. "Is something wrong, Prefect?"

"Not at all," you replied smoothly. "I’ve just been thinking about our arrangement. Fourteen days of unpaid work for three meals a day for Grim. It sounds like a fair trade, but then I realized something interesting."

Azul’s hand twitched slightly as he tried to maintain his composure. The contract is perfect in his eyes, all will favour him, how could it not be perfect? "And what might that be?"

You leaned forward slightly, eyes gleaming with a mischievous light. "Well, the contract is almost perfect. Almost. But there’s one tiny detail that caught my attention—the meals for Grim. You’ve agreed to provide them three times a day, seven days a week, but the contract doesn’t specify the quality of those meals, does it?"

Azul’s smirk faltered, it is common sense that Grim will be given tuna in cans, isn't it? "The meals will be adequate, and his favourite tuna—"

"Ah, ‘adequate,’" you interrupted, your tone almost playful. "That could mean anything, really. Some stale bread, leftover scraps—technically, that would fulfill the contract, wouldn’t it?" You giggle, a sound so sweet it almost had the twins—in their fascination, to stand up and hover behind you. You heard a thud, no doubt it was the twins. Jade’s eyes narrowed, yet his smirk remains, replaced by a look of intrigued and amusement. Floyd sat up straight, fully intending to be by your side yet his uniform was immediately yanked down by Jade, stopping him from interfering. Floyd almost let out a hiss at his twin, though eventually he relents.

"But here’s where things get interesting," you continued, voice dropping to a near sweet tone that Azul use. "If Grim receives such ‘adequate’ meals, he might not be satisfied. A can of tuna alone won't cut it, he needs meat. A properly cooked, healthy meat seeing as he is a carnivore. He could get hungry, irritated—perhaps even cause trouble." You pout—a gesture which distracted Azul for a second as his eyes fell on your lips—appearing as meek as possible, "And as his caretaker, his henchman, I’d be worried. Distracted. And a distracted worker is an inefficient worker."

You locked your eyes against Azul's blue ones.

Azul’s eyes widened as he began to see where you were leading him. He blinked in intrigued and a mix of irritation and amusement.

"And," you pressed on, now leaning on the table, merely inches away from Azul's face. "if Grim were to get sick or cause problems because of poor nutrition, it wouldn’t just be a problem for me." You roll the scroll and use it to poke Azul's chest. "It would be a problem for Mostro Lounge. After all, you’re responsible for providing his meals, for almost a week at that. Any disruption he causes would reflect poorly on your business, wouldn’t it?"

Azul’s mind raced as he tried to find a loophole, but you had him cornered. Refusing your amendment meant sticking to a contract that could end up causing more trouble than it was worth. Agreeing to it, however, would mean committing to a higher standard of care for Grim, cutting into his profits. Twenty-one cans of tuna is not a big expense for him, but if you're to insist on nutritious meals... Well, that would cost him much more than what he intended to provide for your gremlin of a cat.

A simple overlooked in his part really, perhaps it is his fault for thinking you're one of those anemones that will blindly agree to anything without reading the fine print.

Finally, Azul forced a smile. "What do you propose, Prefect?"

You smiled sweetly, as if this were all a friendly discussion. "I propose that the meals provided for Grim meet a specific standard. Balanced, nutritious, and satisfying. A mix of tuna and properly cooked meat. A steak even. That way, Grim stays in good condition, I stay focused on my task outside of Night Raven College, and Mostro Lounge continues to run smoothly." You smiled at Azul as you lean at the table—mere inches away from his face, the octomerman can practically inhale your scent, have you always smelled this good?

"I also propose that I won't do overtime during my shifts for fourteen days, though I will not get paid, I would love it if my meals and drinks are free of charge—all within the time of my shift, of course."

You smiled sweetly at Azul—the way you don't break eye contact. It's exhilarating. It's making him sweat under his dorm uniform. "It’s in everyone’s best interest, don’t you think?"

Azul hesitated. This was not the agreement he had envisioned. His meticulously designed scheme had been dismantled by your shrewd maneuvering. We're you secretly a trickster? Appearing naive and helpless yet you are the one who catches people in your trap of being a false prey.

With a begrudging sigh, he conceded, "Very well, I’ll agree to the contract your propose. The meals provided for Grim will meet the specified standards, and you shall have the favours you asked during the course of your shift at Mostro Lounge."

You picked up the pen again, a triumphant glint in your eyes as you prepared to finalize the deal. A sweet, sweet, smile on your lips. "Thank you, Azul. I’m so glad we could come to an agreement."

As you signed the contract, Azul's sense of triumph morphed into a tumult of frustration and begrudging admiration. It's disgusting, your body language appeals to him—he knows it appeals to the twins too, given how Floyd is laughing right now, with Jade snickering beside him. You're one of the first—if not the first who had successfully turned the tables on him. It is not even a heavy contract, just an agreement for food and yet, Azul concedes to your demands. Though he suppose it is not bad, since he will see you everyday for almost two weeks. What had seemed like a one-sided victory for him had morphed into a more balanced exchange. You had come into his office alone, seemingly naive, and yet you had outmaneuvered him with words that unsettled him deeply, yet amused him greatly—jellyfishes swimming on his stomach. Perhaps during that time for your compensation he will invite you to his office so he can give you a proper assessment.

Heh, not bad at all.

Jade and Floyd had their mismatched eyes glued on your form, as you stand. Admiring the sway of your hips as you walk outside the room where nobody ever comes out as victorious as you are. You, a small shrimp, had greatly amused the twins. Unfortunately for you, Floyd hates being bored and Jade loves unpredictability—both qualities you tickled the moment you succesfully negotiated a deal with none-other-than Azul Ashengrotto.

As you left the room, Floyd let out a low, almost purring chuckle—how dare you Shrimpy? His blood is now pumping in excitement because of you. "Hehe, Shrimpy’s got some real bite, huh? This is gonna be interesting."

Jade’s gaze followed you with a newfound intensity. "Indeed. The prefect is far more dangerous than they appear. Heh, perhaps they relish the game, much like we do."

Azul was left staring at the contract, his frustration intertwined with a growing, unsettling admiration. You weren’t the dimwitted fish he had thought you were. No, you were a tempest—a captivating, unpredictable force in the waters of Octavinelle. The way you had twisted the terms of the agreement had left him both disturbed and intrigued. Your brilliance was both unsettling and exhilarating, making him realize that you were a much more dangerous fish than he had ever anticipated.

A shiver of something dark and obsessive crept into his thoughts. You had managed to turn a simple negotiation into a display of strategic dominance, leaving him with a dangerous mix of respect and a growing, unsettling fascination. The twins are no better, Jade glues you into his memory, the way you answer casually—it is attractive. Floyd is well, Floyd. He might visit you later and compliment you for outsmarting Azul!

Hehe, who would've thought you are a predator in your own right? Perhaps the shrimp cocktail is a dish best served cold after all.

[lovelyyandereaddictionpoint]

Finding Out About the Prefect Club | Yandere Twisted Wonderland

Throughout you time in Twisted Wonderland, you are identified to be the first for a lot of things. The first non-magical person brought by the mirror, the first to witness and help end overblots on campus, the first to initiate the idea of teamwork (according to Crowley). It wouldn’t be a surprise that you are also one of the first students in NRC to continue being nice even when your fellow students are unruly and conniving. Such kindness in the midst of such a terribly misbehaved student body is sure to stand out and attract some attention. And while you surely have the dormleaders and their friends eating out of your hands, too bad the whole school practically is too:

Riddle Rosehearts

Finds out about it after attempting to return something to you

In a shared class you seemed to have left behind decorated pencil of yours in favor of chasing Grim

While debating if he should return it to you immediately or take a detour to his room

Another student has swiped it before him

He’s about to berate them 

Scold them for their behavior but he stops 

They are….sniffing it…intensely

He’s kind of jealous

Then he watches them sigh and put a glove on their hand before carefully putting it in a bag

He carefully follows after the student who slinks around until he’s in a hidden catacomb of the school

It’s filled with students in masks in their ceremonial garbs

“I’ve recovered a remnant!”

The cheers hurt his ears 

But he stays for the whole ceremony as they carry on normally

“And this picture is when they tripped on the trash those heathens left.”

“Disgraceful! We should hex them!”

“But they look so cute on the floor like that~”

“I know right~?”

Riddle decides that he should attend the next meeting as well 

So he swipes the pin and covertly keeps it in his chest pocket

“Some one  has to monitor them…it’s only right it’d be a dorm leader such as I.”

He’ll never admit he’s happy someone is bold enough to invade your privacy for him

If you ever find out he'll just expose them to you

Leona Kingscholar

Hears about it while pretending to nap somewhere

It angers him that the members of the dorm are slacking 

But he doesn’t interrupt because of his curiosity

“--omeone recovered one of the prefects jackets!”

“Seriously?! Are they letting just anyone touch it?”

“No way! Apparently their putting it on display in the—”

He finds a way to sneak in on one of the ceremony 

Stifling his laughter when the students all dance to a recording of your off-tune singing

“Do they really think they stand a chance at getting my herbivore?”

He’s so amused 

So amused that when they excitedly recount how you brushed up against some of them 

He knows he can do so much better

“Oi (Y/n).”

“Yes?”

“C’mere.”

“Uh Leona? Why are you hugging me?”

“You said you’d help your friends in need right? I need a pillow, so quit struggling.”

Idia Shroud 

Practically takes over the club

Probably a distributor that eventually is exalted as the (Y/n) expert

Sharing just a wink of the info, pictures, and souvenirs he gets from you

“Hahhaha you have so much to learn about the prefect before you even come close to my level.”

“Please! Sensei, teach us!”

“Only you hold the greatest gems from the beloved prefect!”

“That’s right!”

It’s like those discord chats that are just about everyone gushing about an anime or game

He may even attend physically with a mask of course as he gushes about the latest quirk he discovered of yours

Of course he’s not going to share everything 

But it’s nice to share your interest

And know that you’re not alone

“We can’t forever silence the over-touchy interlopers (Y/n) will only favor them more. Do not forget their compassionate actions towards each of us. In turn there are plenty of ways to punish them!”

“Yeah!”

He also has the prime sources to hear about anyone trying to make a move on you that he can’t directly monitor 

“Looks like Ortho is paying this student a…little visit.”

[pyrrhiccomedy]

A DM’s Fair Play Guide To Plot Twists

I love running a game with a lot of surprises. The challenge to pulling this off well is that, unless you’re playing a one on one game, your players outnumber you: and between them, they have a good chance of figuring out what’s going to happen, no matter how sneaky and clever you are.

The first way of dealing with this - which I’ll just call the bullshit way - is to not give your players the information they need to solve the mystery. Don’t let them find out about the secret society until it’s too late. Don’t give them any reason to suspect that their NPC ally is planning to kill them. Don’t let them find the murder weapon, don’t let them locate the witnesses, don’t give them the chance to skip to the end of their investigation.

This sucks, and if you run your games like this, you’re going to piss off your players. Because it isn’t fair.

In mystery literature, a “fair play mystery” is one where the reader is given all of the information they need in order to figure out the solution before the Big Reveal. It’s what makes the reveal good: that GASP, the “oh shit, the knife! the knife from the party! that was hers! I forgot!”

Pulling off a twist in a fair play game is an incredible feeling. Your players will think you’re a genius (or an absolute dick bastard, which is just as good) and they’ll respect it more when they land in hot water that they plausibly could have avoided. So how do you run a fair play game without your players figuring out the twists ahead of time, given that you’re definitely not smarter than all of your players put together?

By fucking with their expectations.

Here are some things that I keep in mind, to keep my players guessing. And it’s important, with all of this, that if your players see through something, let them have it. They should figure out a lot of things on their own! But if you’re regularly seeding your stories with all of this stuff, eventually your players will miss something. Those are somethings you can build on. The same way that a low level enemy who gets away once can keep coming back again and again until they become an important antagonist, a misapprehension your party proves to have a blindspot for can grow and develop until they get smacked with a breathtaking twist. 

What’s a twist if not the sudden overturning of an assumption you never thought to question?

1: Make your powerful friendly NPCs know a lot...but not as much as the players think they do.

Player characters often end up with powerful allies. It would be very convenient for the party if those allies always had accurate information. Make sure they don’t always enjoy that convenience.

It’s a balancing act: you want your powerful NPCs to be powerful. You want this alliance to be meaningful and beneficial to your players. But give your NPC an Achilles heel of some kind, when it comes to the information at their disposal. The Noble General commands powerful forces and knows the lay of the enemy’s land well...but that doesn’t mean he knows what every squadron and scouting party is up to. The Political Mastermind may know the ins and outs of the court, and have keen insight into the motivations of others: but he has an enemy who pisses him off so much that he loses all objectivity around her. The Powerful Wizard can call upon great magic to aid the party: but his divinations aren’t as accurate as he thinks they are, and he’s prone to finding, in his signs and omens, what he wants to see, more than what’s actually there.

Most of the time, their information should be good! That will make it more likely that your players will trust them the one time when it isn’t.

2. Let (apparently) less powerful NPCs sometimes know more than the players think they do. 

Most NPCs aren’t the Noble General or the Powerful Wizard. Most NPCs are Daves, designed to get the players from place to place. Most of those Daves know about as much as you’d expect them to. But some Daves have plans of their own.

You don’t always have to signpost with big blinking lights which of your NPCs are ‘important,’ and which ones are ‘unimportant.’ Sneak in a crafty Dave from time to time. That assistant they talk to, every time they go to see the prince? That bitch knows everything, and she’s almost ready to make her move. 

3: There is no such thing as a completely reliable witness. 

If the players only get information from one person, that information should be flawed in at least one, potentially small, but important way. Smart players will seek a second opinion, or at least allow for the possibility that their information may be incomplete. But even smart players get out over their skis sometimes.

4: Let your NPCs be aware of the power of a first impression. 

If an NPC gives a strong first impression of being a particular kind of person, it’s because they’re comfortable giving that impression. That might be because it’s who they are. But maybe not.

One of the first characters the PCs met in a VtM campaign I ran was Gawaine. Gawaine was a good old pine-scented man’s man, with salt and pepper stubble and a blue Ford truck. He listened to AC/DC, and talked about the war. He was affable and honest and willing to lend a hand. You already know Gawaine. Everybody knows a Gawaine. Gawaines are trustworthy, salt of the earth types. You don’t necessarily think to question a Gawaine.

That’s exactly why Gawaine was such a useful persona for Krystiyan, the Tzimisce Voivode, a cruel and alien sculptor of flesh who “never left his haven.” There were plenty of clues that they were the same person, but that campaign was in its endgame before the players put them all together.

5: Sometimes, dangerous and villainous NPCs should be helpful and cooperative. 

Not even necessarily because they’re manipulating the players, or even deceiving them about their true natures, but because their interests and the players’ interests genuinely align...for the moment. 

One of the easiest levers in your players’ brains to exploit is the expectation that people who help you are your friends. Even if your players know, consciously, that they shouldn’t trust this person, most of the time they kind of can’t help it, if the NPC is genuinely helpful to them and at least a little charismatic. 

6: Sometimes, good and valuable NPCs should be unhelpful and uncooperative. 

No matter how mature your players are, there’s a natural tendency to react to uncooperative NPCs with a reflexive, “Hey, fuck you! We’re the protagonists! This guy is an asshole!” so from time to time have a helpful, honest, good-aligned NPC have a wholly justified but as-yet-unknown-to-the-party reason to flatly refuse to deal with them.

7: Every NPC should have a secret. 

Not necessarily a bad secret. Were it to be revealed, it might even make the party like them more! But for their own reasons, the NPC does not want their secret to come out, and they will lie to the party to protect it. Players go crazy when they realize they’re being lied to, and often jump to some wild assumptions about your NPC’s motivations. I’ve had an NPC lie about the opening hours of a shop, and had the PCs assume that they were black market dealers for the villain when the dude just wanted to be able to close early so he could go smoke weed in the park.

8. As a DM, it’s polite to remind your players of the common knowledge their characters would possess...even when it doesn’t reflect the truth.

We all know it’s tedious when the DM calls for a roll when you’re just asking for common knowledge. I shouldn’t have to make a roll to know the dumb space word for plastic in a Star Wars game. I shouldn’t have to make a roll to know who the Holy Roman Emperor is in a game about medieval vampires. The DM should supply common knowledge for free, whenever it comes up.

That doesn’t mean common knowledge is true.

This is different from just lying to your players, because you don’t put the weight of DM word-of-God behind it. It’s not “You would know this guy is a Ventrue, based on XYZ.” It’s “it would be a common assumption that this guy is a Ventrue, based on XYZ.” He might not be a Ventrue. It might in fact be extremely important that he is not a Ventrue. But if it is commonly assumed that he’s a Ventrue, that is - word for word - something you can share with your players. If they don’t look any deeper than common knowledge, that’s on them.

9. Obviously untrustworthy NPCs provide great air coverage for less obviously untrustworthy NPCs.

The obviously untrustworthy NPC might or might not be planning to betray the party. But if you introduce two untrustworthy NPCs in the same storyline, and one of them seems normal and cool and has a genuine plot-related reason to be there, and the other one is Jaffar, Jaffar’s gonna get clocked, but Susan over there will probably slip under the radar, and might even get tapped to help out with the whole Jaffar situation. They might get Susan’s number, by the end of the session. Susan might become an ‘ally.’ Susan might even get romanced by a party member. Play your cards right, and Jaffar might just end up a footnote in the introduction of Susan, Scourge of Worlds and most hated NPC in the entire campaign.

10. Your villains should always have a secret plan B.

Your villain isn’t stupid, right? And your villain probably isn’t so arrogant that it is inconceivable to them that their plan might fail. They’ve been planning this ritual for ten thousand years, after all. It’s always possible that some plucky band of heroes could show up at the last minute and murder your high priest, or steal your amulet, or seduce your second in command. So what does your villain have in his back pocket to make the players go, “Oh, shit - he planned for this!”

This may mean that there is a whole separate plot happening, running alongside the main story. This is great, because when weird things happen, the players have to figure out whether this is part of Plot A or Plot B, and working out who did what and why gets a lot more interesting. If they end up foiling Plot A, great - your villain was also secretly behind Plot B the whole time, and will transfer all of his resources over to that. 

Sometimes your players will figure out that Plots A and B were both the same plot the whole time, with the same villain at the head, and they’ll feel like the smartest people on the planet, and it will be their favorite moment of the entire game. That’s great! You gave them that!

Sometimes, they won’t. And when the villain of Plot A, apparently defeated, starts laughing and reveals that he was also the mastermind behind Plot B, which is now too late to be stopped, that will probably be your favorite moment of the entire game.

[specshroom]

A Mischievous Fairy

˚˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˚˖′.⊹ ࣪ ˖˚·˖*.⊹

When a humble farmer decided to live on the outskirts of town right next to the forest he did not expect to make friends with a small temperamental creature from the forest.

It was a pretty good deal you had going on, you help his plants grow with fairy magic and he gives you a safe warm place to sleep and home cooked meals. Most days are spent with you doing your best to annoy the poor farmer as he tries to remind himself that you're the reason his produce sells for such high prices.

You fly around his head making little jingle noises and he tries to ignore you and go on with his work. You steal little things like spoons, screwdrivers, pencils and put them in places he can't reach like on top of the cabinets and shelves. When you get mad at him you grow weeds in his crops until he apologizes or gives you a gift to your liking. Despite this the farmer has grown to truly enjoy your company...for the most part.

His loneliness is getting to him and he's tried to have company over but it's kind of hard to explain to guests why there's a little, scantily clad fairy staring daggers at them the whole time. It definitely ruins the mood as he tries to convince them you won't bite (you will and you have).

One day the farmer comes home from town looking more excited than usual. You plop yourself on his head as he walks around his little cottage.

As he sorts through all the items he bought you get impatient and decide he's not paying enough attention to you. You fly right in front of his face and pose for him, showing off the new outfit you made out of flower petals in his garden.

"Not right now, Tiny."

The farmer rolls his eyes and gently shoos you away with his hand, focusing back onto his apparently very interesting haul from the market. The very rude gesture gets you all fired up and you're in his face again this time with your hands on your hips and an angry expression. The farmer sighs and gently cradles your tiny body in his hands.

"Look, I'm busy. Alright?"

He walks over to the windowsill and gently plops you down onto the little pincushion he set aside for you. You sit there with your arms crossed, glaring at him as he puts away his items.

While you're sulking you notice a little bottle of purple liquid poking out of the farmers front pocket. You quietly flutter over and sneakily inch the tiny thing out of his pocket.

"Hey!"

The farmer tries to stop you but you're much faster than him and fly up, out of his reach. The glass bottle is a little bigger than you're torso and when you inspect it the label says "Growth serum"

You let out quite a dramatic gasp and look down at the farmer, betrayal written all over your face.

"Now Tiny, don't jump to conclu-"

The farmer starts but is interrupted by a very angry fairy yelling things he doesn't understand right in his face. All he can hear is jingles but he's sure he's getting severely cussed at. He understands why, you helped this man grow his crops bigger and better than ever and now you think he wants to replace you for some stupid, probably overpriced serum?

You angrily throw the bottle to the ground and the farmer dives down to clumsily catch it before it smashes onto the floor.

As you feel tears fall down your hot cheeks, you flutter back to your windowsill and sit with your head between your knees.

"Hey, don't cry now."

The farmer sheepishly leans against the windowsill next to you.

"I promise, it's not for the plants. You already help me out so much with that and I appreciate it a lot. I don't need anything else."

You peak your head out from your arms and look at him skeptically.

He holds his hand out to you and you hesitantly flutter onto his palm, enjoying the warmth of his touch despite the cold wetness of your cheeks.

"Truth is, it's lonely for me out here... and I know you get lonely too."

You scoff at him. Obviously, the whole reason you were upset in the first place was because he was ignoring you.

"I uh... I got this for you. So we could....uh well only if you want to, I mean... I don't know."

You stare at him dumbfounded as he fumbles his words, you've never seen the farmer like this before.

You shoot up to hug his cheek, jingling in excitement. You give him tiny kisses and he laughs at the ticklish feeling. You float to the counter in front of him and bounce on your heels waiting for him.

"Alright, alright."

He chuckles at your stark change in mood and uncaps the tiny bottle of magic liquid. You brace yourself as he carefully lets one single drop fall onto your little head.

Nothing happens for a moment but before you could feel disappointed the world blurs and you're suddenly face to face with your farmer.

He stares down at where you sit on his counter, now perfectly human sized. Your cute dress didn't survive the quick transition but you don't seem to mind as you jump the poor farmer.

You grab his face and kiss him deeply. Finally feeling his lips on yours makes your wings flutter and your heart sing as you lock your legs around him to pull his body closer.

"Alright, slow down."

He says through kisses and huffed laughs as you kiss all over his face and neck.

"Now why don't you let me show you how much I appreciate you."

He mumbles in a sultry tone, bringing his hands down to grip your ass and grind your hips into him.

He laughs at the way your wings violently flutter and takes that as eager agreement.

˚˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˚˖′.⊹ ࣪ ˖˚·˖*.⊹

[clos-posts]

Okay so, hear me out:

I've been on a bit of a Merlin fanfic hyperfocuse and came across another "I'm Emrys" where Merlin has to perform magic for Arthur to believe him, in front of the entire round table council, and I had a thought.

So, we all know that Merlin is magic itself, spells that seemed powerful to other sorcerers are not that powerful to Merlin and my hc is that these spells barely make his eyes turn gold, like maybe a flicker so fast the average person will miss it.

So I imagine Merlin saying he's Emrys and Arthur being all 'well then prove it' and Merlin makes a fireball (cliche I know but bear with me). Now Arthur has seen this spell and though he has a merger knowledge of magic, knows that it's quite a powerful spell and that most sorcerers eyes are practically a blinding gold, but Merlins eyes don't change. That and Merlin doesn't even speak and therefore didn't cast a spell.

Arthur, thinking that some other sorcerer helped Merlin with his self-sacrificing, kind-hearted, not wanting anyone to die personality, appear as if Merlin is this 'Emrys' and in a patience but patronizing tone tells Merlin that's is honorable to try and protect this Emrys, but his eyes didn't even change colour and therefore can not be a sorcerer.

Merlin, in a very Merlin way, huffs and proceeds to say something like 'Well duh, that was a very simple spell. Doesn't even require that much magic to perform' and the entire room goes silent.

(meanwhile Guise blood pressure has skyrocketed and is on the verge of either killing Merlin himself or having a heart attack. He hasn't decided yet.)

Arthur, absolutely baffled (and a little turn on at the casual display of apparently immense power), asks: 'What will make your eyes gold then? If you even are a sorcerer?'

Merlin, never one to back down from a challenge and already too deep into this, shrugs and says 'We would need to be outside'

And that's how the whole council ends up on the training grounds opposite Merlin waiting in anticipation as to what he will do.

There's silence so thick that no one dares break until Merlin starts to chant. At first nothing happens and Arthur is relieved (and a little disappointed), but then clouds start to gather, think dark clouds above them, and Merlin starts to get louder. Thunder claps across the sky and there electricity in the air making Arthur's hair stand on end and a shiver works its way down his spine. He looks at Merlin and though it's subtle at first, his eyes are glowing gold.

The tension builds and builds and with one final shout from Merlin, his eyes, a brilliant gold, as lightning falls all around him, clashing to the ground destroying the train field in its wake.

Arthur can do nothing but stare. Breath caught, heart hammer, and a sudden hot arousal catching him off guard. He can do nothing but stare at Merlin, his loyal manservant, standing amidst the lighting with his head thrown back and a look of contentment on his face, as if performing magic of this magnitude is comfortable, relaxing, an everyday occurrence.

When Merlins eyes meet Arthur's, there's a, small, sad smile on his lips, and then quicker then it had started the lightning stops and the clouds disappear, and the only thing that can be heard is the birds beginning to sing again.

Arthur can't think of anything to say and stupidly say 'you destroyed the training grounds'. Merlin at this point blushes, stammers out an apology before waving his hand with a few muttered words and the training field is in perfect condition once again.

Arthur and the entire council are baffled.

Then, before anyone could say anything, Arthur blurts out a command for Merlin to go to Arthur's chambers and he does. Without question. Just a shrug, and walks off. Arthur is wheeling. This powerful sorcerer, who just showed them a feat that no mortal man will ever replicate just listens to his command with nothing but a shrug!

Anyway, once Arthur has calmed the council somewhat he makes his way to his chambers. Once he enters Merlin is speaking so fast it's hard to keep up, something about coins, destiny and then shockingly how Arthur is the only person that can kill him if he uses Excalibur. What. The. Fuck.

Arthur: I'm not going to kill you Merlin!! Why would I kill you?!?

Merlin: Well, I mean, umm, I'm a sorcerer? Emery's? The strongest warlock to ever walk the Earth?

Arthur: I'm not going to kill you Merlin. However! If you do not take me to bed and absolutely ravish me in the next 10 minutes, I may have to resort to drastic measures!

Merlin, absolutely gobsmacked, face red: Wh- what measures..?

Arthur, absolutely confident, turned on beyond belief, practically gagging for it: I'll start begging.

And before he knows it Merlin pounces, and the rest is history.

That was not meant to be as long as it was... 😂

BUT!! If someone who writes fics could take this and write a fully fleshed version on this and then tag me in it I would be forever grateful. ADHD and dyslexia does not make a good writer for me unfortunately 🥲🥲🥲

OH! One last thing! I have a hc that cold iron had a natural negative field which repels energy which is why those that have learned magic have it cut off when chained in cold iron. They can't draw upon their magic from the energy around them. However, with Merlin being magic it's a little different for him.

So, I had this image of a knight, without prompting thinking he's doing what the king would want, walks up to Merlin at some point during his light show and slaps cold iron shackles on him. But, instead of the magic stopping, Merlins eyes grow brighter and bright, and the shackles start to shake and groan, because whilst cold iron does repel energy, it's a little hard to do that from both sides and can't take the pressure. At some point the shackles start to glow as the negative properties of the iron are being overwhelmed and forced into itself. Merlin looks down, looks back at the now terrified knight and says: You should probably duck. And no soon has the knight hit the ground the shackles explode, for lack of a better word. No harm done to Merlin tho.