#you can get a kind of magical thinking apparently

[achaotichuman]

ACOTAR Rant

Have y'all missed these? I have. The rambling juice machine is running again apparently.

Okay, so I just saw a post @an6elic-d3vil made about the scene in Frozen where Elsa freezes Anna's heart reminding them of Tamlin's outburst in the study in ACOMAF, and it triggered a very very long rant about this. You can find the original post here, I didn't want to hijack it with my senseless rambling.

Also, side note, I think I've gone into some detail about what I'm going on about here before. I don't think I've ever made a full explanation of my line of thinking. But just to preface, if I get a singular comment or reblog calling me an abuse apologist, a victim blamer or a misogynist, you will not be acknowledged and you will be blocked.

Anyway, onto the rant.

Honestly, this is the best example of what happened between Tamlin and Feyre. No one blames Elsa for harming Anna, despite her finally accessing full power, no one would expect her to have full control over them, she had lived in fear of them her entire life. She saw herself as a monster who could hurt or potentially kill Anna, and when eventually pushed to her absolute breaking point, she exploded. Anna wasn't at fault either, but later on, it's clear she recognized that Elsa wasn't in full control, and that what she had done was not an example of her true character but a reaction she had no control over.

It's the same situation with Feyre, minus how Anna handled the situation, Tamlin had just gotten back the full extent of his powers, whilst still under immense stress. He canonically did not want the High lord's magic, and viewed himself as a monster who could hurt or potentially kill those around him. He lived in fear of himself, and when eventually pushed to his absolute breaking point, he exploded. It was a natural reaction that he had no control over whatsoever. Feyre was not at fault for it either, but unlike Anna, Feyre actively went out of her way to attribute this outburst to Tamlin's true character, when it was obviously a reaction that he actively regretted.

Tamlin then tried to reign in his magic, despite still being under immense stress, and having to deal with power that was out of control. He tried to be better, but unlike Anna with Elsa, who tried to help Elsa, Feyre sabotaged his attempts and purposefully pushed him to the point that he would lose control of his magic, and then put herself in harms way so that she could ruin his reputation.

When you look at it how it is and not through the eyes of Feyre's biased POV, what Feyre did to Tamlin when she returned to the Spring Court, is far more sinister.

Was Feyre being harmed by Tamlin's outburst of magic the first time her fault? No, of course not.

Was Feyre being harmed by Tamlin's outburst of magic the second time, when she manipulated him into having an attack, and then went out of her way to ensure he harmed her so that she could ruin his reputation and therefore destabilize the Court, her fault? HMMMMM....

Not to mention that throughout that scene, at least from my shitty memory, Tamlin was aware that he was slowly reaching his breaking point, and telling, practically pleading with Feyre, to stop, so that he didn't hurt her by accident.

Hmm, an orchestrated pattern of behavior, in this case preying on your partner's fear and high-functioning anxiety that is driven by their intense trauma, that centers around forcing a reaction out of them so that you can maintain power and control over how other people perceive them for your own personal gain? Sounds a lot like...

On a side note, I'm also kind of done with the continued rhetoric that Feyre should have 'just gone after Tamlin' and left the rest of the Spring Court alone. Because, honest to God, explain to me why she is justified in abusing Tamlin.

"He locked her up." She was attempting to follow him onto dangerous territory, despite being untrained, in a new body, and having a history of running into dangerous situations and winding up needing to saved. Even when it came to Amarantha, Feyre DIED. She has never succeeded once in protecting herself on her own when in a highly dangerous situation, she always ended up needing someone beside her or to rescue her.

"He was controlling her." He had a few sentries ensure that she would not be in harm's way. They had Amarantha's big boss coming at them and Feyre just killed one of his biggest assets, you don't think that Tamlin wouldn't be smart enough to know that Hybern would have his eyes set on Feyre?

Should Tamlin have helped Feyre in training her new powers? Yes. Did his fear of losing Feyre again blind him to what she actually needed? Also yes. But I implore you to refer to the Elsa and Anna example above. Now, that's a little bit different, Elsa was the one locking herself away, but the principle remains. Elsa controlled Anna in not allowing her to marry Hans, hiding information that caused the entire plot of the movie, and wound up harming Anna significantly because of this. But the important thing to note is that, Elsa didn't know any better. How could she have known that Anna would be able to handle this information when it literally almost killed them as kids? Plus, no one would ever say Elsa wasn't entirely correct in telling Anna she could not marry Hans, she did know better in that regard. Why would Tamlin want to involve Feyre in more magic, when she literally died a few months ago after getting too involved with Fae? And why would Tamlin not know better than Feyre when it came to her following him on a dangerous mission, he has been in these situations before, and knows more about them.

Feyre was traumatized and needed a space that Tamlin could not give her, but Tamlin needed a space that Feyre couldn't give him either. They didn't help each other, they weren't physically able to, and neither were in a mental state in which they could successfully care for the other. And that is neither of their fault. But I again ask you, why is that a reason that Feyre should be allowed to abuse Tamlin as 'punishment'?

I have absolutely strayed from the original point I wanted to make, but I'm sort of glad I did. I've never considered Elsa and Anna as a possible example of Feyre and Tamlin's relationship and yet, it's almost a perfect reflection. Trauma will change the way people think, and when panicked people lose their rationale. Tamlin should have done things differently, and later on, when he saw how his actions led to Feyre ending up in the Night Court, he actively tried to be better.

If any of you have anything to add, please do. I think there is also something to be said about the power imbalance between Feyre and Tamlin, but I think it's also similar to that of Elsa and Anna, where Elsa is Queen and Anna is the Princess.

Also, obviously, Feyre's fucked up perception of Tamlin is driven by SJM trying to break up Feylin to make Feysand happen, so a lot of things that Tamlin does are just... very random? They happen not because, Tamlin as a character would do that, but because SJM is trying to make Tamlin a horrible person. Which she is failing to do, because all of these things happen off screen, e.i killing the sentries who were on duty when Morrigan kidnapped Feyre, giving Lucien a black eyes and a split lip, etc. We don't see the very random acts of cruelty on screen, and if we do see acts of cruelty, they tend to be for a good reason. For example, the wraiths that had nothing to give for the Tithe, and Tamlin being like "Well you give something, or you're gonna be hunted down." This happens because, one- everyone has to do it, no exceptions are ever made, and two- what each person has is calculated and their taxes are all equal to the amount they have, which is extremely fair tbh.

So, yeah, this is my very long post of why Feyre is actually a really shitty character and what she did to Tamlin and the Spring Court was not a #girlyboss move, but actually a "You abused your ex for funzies" move.

[fickleminder]

the matchmaker

Happy birthday Barney woooooo 💜

- You’re a matchmaker who works mostly with nobles, seeing as they’re the ones still rooted in traditions and such. Personally you believe in marrying for love, but this pays the bills so…

- You’re damn good at your job too. You know how to read your clients; you can suss out what kind of demons they really are underneath whatever front they put on for you. You can tell which personality traits are likely to work well together, and if you’ve had a hand in helping lesser demons from bad families escape to safer and more comfortable lives, they would never tell.

- One day this little demon no more than several centuries old walks into your office asking for a marriage partner.

- “Not for me, for my big brother!” He clarifies while you’re mentally cursing the noble families who still follow child bride practices.

- Said big brother barges in not two seconds later apologizing for his rudeness and trying unsuccessfully to stop his sibling from spilling his entire life story.

- You recognize Mephistopheles immediately. Not only is his family well-known in your network, but you’ve done business with many of his associates and one of his underlings had interviewed you for an article before.

- Apparently he’s under pressure from his family to marry, despite not being open to the idea at this time. You know how messy noble politics can be, so you don’t pry and instead get him started on the process. At the very least, you can match him with someone he won’t completely detest. Best case scenario, he finds an accomplice to fake a relationship with.

- (After a preliminary screening, it seems like Mephisto’s ideal partner is Lord Diavolo himself, but rumor has it he’s already infatuated with one of his students, so he’s off the table. Not that you’d go anywhere near the prince, especially with that butler of his constantly by his side.)

- You soon discover that Mephisto is one tough customer. He finds fault in every single match you send his way, even when you suggest that he pick someone just for show. He insists that even a fake partner has to check all his boxes, but you suspect he’s being overly selective on purpose to delay any potential marriages.

- But he’s never rude about it either. His matches tell you about how he’s always the perfect gentlemen on their dates, how he’s polite even when turning them down at the end of the day. He’s essentially wasting everybody’s time, going through the process for the sake of it while trying to change his family’s mind, but he’s still paying you for your efforts despite everything, so you continue to do your job.

- You tweak Mephisto’s matches with every feedback he gives you, and you start to wonder if there’s anyone he’d be willing take a chance on, even if it’s to play pretend and get his family off his back.

- His little brother tries to help out. The little demon often visits you behind Mephisto’s back, telling you stories and sharing every tidbit of information he can think of to better help you help his brother find happiness. He doesn’t quite understand why Mephisto doesn’t want a partner (he’s used to fairytales with happily ever afters), but he’s determined to make sure his older brother gets his happy ending too.

- One day one of your old clients visits you out of the blue, looking much healthier than when you first found her taking shelter in your office building. She warns you that there’s been unsavory characters loitering in the area recently. She recognizes some of them from her old circles and warns you to be careful.

- You’re no stranger to this. There’s a reason nobles have entourages of bodyguards with them wherever they go, and working so closely with them has put more than one target on your back over the centuries. You always make sure to keep magical wards in the area to warn you when demons with malicious intent have entered the premises, and stash a few teleportation talismans for a quick getaway if needed.

- It’s during one of the days Mephisto’s brother drops by to chat with you that your wards go off. You don’t hesitate to grab the little demon before activating your talismans, teleporting both of you to safety. You don’t reappear in front of your house, no; you don’t know if your own home has been compromised, so you told the frightened demon in your arms to picture the safest place he could think of—

- You land in a puddle of mud in the middle of a nondescript field, barely managing to catch him before he gets all dirtied as well. There’s a stable nearby, and the guards stationed there immediately notice your arrival and surround the two of you.

- Things happen quickly after that. Mephisto’s brother vouches for you even as he’s crying for his sibling, and after verifying your identity and giving a brief rundown of what happened, the two of you are escorted to the family manor.

- Mephisto finds you within the hour, throwing decorum out the window and bursting through the main doors to rush to you and his brother. Poor kid wouldn’t let go of him for the longest time, while you stand quietly in one corner to let them have their moment, not wanting to track mud over the pristine marble floor more than you already have.

- “You kept him safe…” Mephisto acknowledges you with an indescribable look in his eyes and, to your surprise, grabs you in a hug as well, muddied clothes be damned. “Thank you.”

- He promises to personally fund and oversee the repairs, your office having been thoroughly thrashed by the attempted kidnappers when they had trespassed in search of his brother. They’d been stalking him for weeks and knew he often snuck away from his bodyguards to see you, and they thought it’d be a golden opportunity to ransom him for a hefty amount of Grimm.

- Mephisto also prepares a security detail for you, despite you insisting you’re not high profile enough to warrant one. He decides that so long as you’ll be working closely with his family, he’ll make sure you’re protected too.

- Business goes on as usual after that. Mephisto still meets with you to go through his matches, still turns everyone down at the end of the day, but somehow you get the feeling he’s already made up his mind. Sometimes he doesn’t even look at the documents you give him before rejecting the candidate, which kind of annoys you given how much work you’d put in—

- And then his brother tells you that their parents already backed off the marriage idea weeks ago. Whatever phase they were in had passed, and now they were focused on the next big thing in noble society.

- …Oh. Well then.

- The next time Mephisto meets you in your office, you bring up the subject of payment for your services. He confirms that your fee is scheduled to be deposited into your account at the end of the month as usual, but you suggest he takes you out for dinner instead.

- Mephisto pulls at his tie and looks away, only mumbling something about picking you up at 6 before marching out of your office with steam coming out of his ears.

[clos-posts]

Okay so, hear me out:

I've been on a bit of a Merlin fanfic hyperfocuse and came across another "I'm Emrys" where Merlin has to perform magic for Arthur to believe him, in front of the entire round table council, and I had a thought.

So, we all know that Merlin is magic itself, spells that seemed powerful to other sorcerers are not that powerful to Merlin and my hc is that these spells barely make his eyes turn gold, like maybe a flicker so fast the average person will miss it.

So I imagine Merlin saying he's Emrys and Arthur being all 'well then prove it' and Merlin makes a fireball (cliche I know but bear with me). Now Arthur has seen this spell and though he has a merger knowledge of magic, knows that it's quite a powerful spell and that most sorcerers eyes are practically a blinding gold, but Merlins eyes don't change. That and Merlin doesn't even speak and therefore didn't cast a spell.

Arthur, thinking that some other sorcerer helped Merlin with his self-sacrificing, kind-hearted, not wanting anyone to die personality, appear as if Merlin is this 'Emrys' and in a patience but patronizing tone tells Merlin that's is honorable to try and protect this Emrys, but his eyes didn't even change colour and therefore can not be a sorcerer.

Merlin, in a very Merlin way, huffs and proceeds to say something like 'Well duh, that was a very simple spell. Doesn't even require that much magic to perform' and the entire room goes silent.

(meanwhile Guise blood pressure has skyrocketed and is on the verge of either killing Merlin himself or having a heart attack. He hasn't decided yet.)

Arthur, absolutely baffled (and a little turn on at the casual display of apparently immense power), asks: 'What will make your eyes gold then? If you even are a sorcerer?'

Merlin, never one to back down from a challenge and already too deep into this, shrugs and says 'We would need to be outside'

And that's how the whole council ends up on the training grounds opposite Merlin waiting in anticipation as to what he will do.

There's silence so thick that no one dares break until Merlin starts to chant. At first nothing happens and Arthur is relieved (and a little disappointed), but then clouds start to gather, think dark clouds above them, and Merlin starts to get louder. Thunder claps across the sky and there electricity in the air making Arthur's hair stand on end and a shiver works its way down his spine. He looks at Merlin and though it's subtle at first, his eyes are glowing gold.

The tension builds and builds and with one final shout from Merlin, his eyes, a brilliant gold, as lightning falls all around him, clashing to the ground destroying the train field in its wake.

Arthur can do nothing but stare. Breath caught, heart hammer, and a sudden hot arousal catching him off guard. He can do nothing but stare at Merlin, his loyal manservant, standing amidst the lighting with his head thrown back and a look of contentment on his face, as if performing magic of this magnitude is comfortable, relaxing, an everyday occurrence.

When Merlins eyes meet Arthur's, there's a, small, sad smile on his lips, and then quicker then it had started the lightning stops and the clouds disappear, and the only thing that can be heard is the birds beginning to sing again.

Arthur can't think of anything to say and stupidly say 'you destroyed the training grounds'. Merlin at this point blushes, stammers out an apology before waving his hand with a few muttered words and the training field is in perfect condition once again.

Arthur and the entire council are baffled.

Then, before anyone could say anything, Arthur blurts out a command for Merlin to go to Arthur's chambers and he does. Without question. Just a shrug, and walks off. Arthur is wheeling. This powerful sorcerer, who just showed them a feat that no mortal man will ever replicate just listens to his command with nothing but a shrug!

Anyway, once Arthur has calmed the council somewhat he makes his way to his chambers. Once he enters Merlin is speaking so fast it's hard to keep up, something about coins, destiny and then shockingly how Arthur is the only person that can kill him if he uses Excalibur. What. The. Fuck.

Arthur: I'm not going to kill you Merlin!! Why would I kill you?!?

Merlin: Well, I mean, umm, I'm a sorcerer? Emery's? The strongest warlock to ever walk the Earth?

Arthur: I'm not going to kill you Merlin. However! If you do not take me to bed and absolutely ravish me in the next 10 minutes, I may have to resort to drastic measures!

Merlin, absolutely gobsmacked, face red: Wh- what measures..?

Arthur, absolutely confident, turned on beyond belief, practically gagging for it: I'll start begging.

And before he knows it Merlin pounces, and the rest is history.

That was not meant to be as long as it was... 😂

BUT!! If someone who writes fics could take this and write a fully fleshed version on this and then tag me in it I would be forever grateful. ADHD and dyslexia does not make a good writer for me unfortunately 🥲🥲🥲

OH! One last thing! I have a hc that cold iron had a natural negative field which repels energy which is why those that have learned magic have it cut off when chained in cold iron. They can't draw upon their magic from the energy around them. However, with Merlin being magic it's a little different for him.

So, I had this image of a knight, without prompting thinking he's doing what the king would want, walks up to Merlin at some point during his light show and slaps cold iron shackles on him. But, instead of the magic stopping, Merlins eyes grow brighter and bright, and the shackles start to shake and groan, because whilst cold iron does repel energy, it's a little hard to do that from both sides and can't take the pressure. At some point the shackles start to glow as the negative properties of the iron are being overwhelmed and forced into itself. Merlin looks down, looks back at the now terrified knight and says: You should probably duck. And no soon has the knight hit the ground the shackles explode, for lack of a better word. No harm done to Merlin tho.

[that1notetaker]

Okay so in the books, Jack IS in fact. An alien. A whole ass alien. I like to play with that concept with canon modern Jack because he sometimes, in my head, he does weird stuff. Weird, even for a spirit. And he see's sandy or some of the guardians who, also are aliens, and goes 'yeah that normal. that's about right' and the others are like What the Fuck are you guys talking about? I mean Jack basically got reverse lived by the moon, which again, is a spaceship in the books. All I'm saying is that being Jack frost has to be very funny. Jack has SO much time to think. He's such an aloof guy. A funny guy. WRONG. MY GUY IS A NERD AND SPENDS MOST OF THE TIME STUCK IN THE LIBRARY READING ABOUT THE THINGS HE WISHES HE COULD EXPERIENCE FOR HIMSELF!! AND NOW HE CAN INTERACT FOR BRIEF PERIODS OF TIME WITH PEOPLE! Why? Because apparently the power of belief that kids have with Santa is KINDA SIMILAR to the belief that people have when it comes to famous people. It's like people think they're some otherworldy being or something. People think about famous people like they're Some Other Thing, and that's exactly what JACK is. So IT WORKS. Anyway so Jack starts popping around places for fun, it's his thing. Thing is--okay. Okay so. So the way I see it, there has to be a reason why no one can tell Jack is there--I mean, his powers are perfectly visible. He could make some snow/ice/frost fancy show of power or something and boom. But there has to be a reason why that doesn't work. The way I see it, our brains would have to--kind of bypass the magic and hijack (lol) the mental train onto the next, closer train of association thought. Something happens? Oh, must be for X reason! Okay. The brain explains it, and Jack gets shoved into the background. Cool. But in modern times? In modern times, we see something shiny, some fancy show of ice and snow and we think 'OH. SOMEONE IS DOING A TRICK. A SHOW. A SOMETHING. OH MAN THESE 3D GENERATED STUFF IS REALLY COOL GUYS WHERE'S THE MUSIC'. So basically--our modern, 2024 year of our lord chains of thought become something that Jack can...wear a suit into. He can go 'oh, so the people DO believe there's someone doing all this. Not Jack Frost...BUT. But maybe I could invent A NEW Jack Frost. The alter ego. AND IT WORKS. IT actually works. It's a loophole! whoo! In essence: He exists as long as he becomes the 'idea' plausible of being perceived. Anyway yeah that's. yeah, there you go, thoughts. In no particular order. I hope it made sense

Something something AU in which Jack can be seen but ONLY as his street performer persona (named jack frost obv). Somehow he gained a reputation by appearing in the most random locations at the most random times, bypassing security and hijacking public events to put on a cool show. (Sort of like the Step it up movies, remember those?) No one knows how he does it, just that he does. People have theories. He denies none of them.

North: You have believers? Jack: Even better. Jack: I have a sponsor.

[wheredidhiseyebrowsgo]

Any Stefek fic that is based off the movie Dirty Dancing? A friend of mine said she read a few but I can not find any! Thank you!!!

Nobody puts Sterek in a corner!

Awkward Dancing by StaciNadia

(1/1 I 1,193 I Teen)

Love and dancing come together at Argent's Resort.

I Can't Live Without Your Love by Val_Brown

(1/1 I 4,898 I Not Rated)

Derek stared out the car window as the green trees of the Oregon Coast highway rolled past. Every summer since he could remember they would head to a resort just outside of Bandon, Oregon. This was the last summer before he began college. The last summer before he had to start his future. He was going to make the most of it.

I Carried a Watermelon for Werewolf Equal Rights by alphasnark

(1/6 I 5,359 I Teen)

A Dirty Dancing AU.

feel the magic between you and I by stilinskisparkles

(1/1 I 11,432 I Mature)

“See?” Derek holds his arms out, “Everything’s working out great for you, and I still have no dance partner,” he turns to Erica, “Face it, no one is as good as you.”

“We still have one more,” she sing songs.

Derek peers over to the list, flinches when he sees Stiles’ name, “No.”

“You haven’t even seen me dance, and you’re already dismissing me?” Stiles sails into the room, tossing his bag in the corner as he does so and doing a dramatic spin to face them. “I got moves.”

Hot, sweet and wild by kishmet

(2/? I 14,665 I Mature)

When his father had announced the trip to the Argents' resort, Stiles had envisioned long days spent lounging on the beach with his laptop. He'd never imagined rigorous training sessions with the world's hottest, strictest dance coach.

Nobody puts Stiles in a corner by Stephaninnie

(7/7 I 39,565 I Mature)

Dirty Dancing AU where Stiles is Baby and Derek is Johnny and some things have changed but most things have stayed the same.

Certain Kind of Fool by saraubs

(1/1 I 36,530 I Mature)

Derek, who has been dragged against his will to the same resort his family visits every summer, is determined to spend the next two and a half months sequestered in his room. His only friend, his sister Laura, is preoccupied with her newly-bonded mate, and doesn't seem to care about anything but making him happy.

When Derek meets Stiles Stilinski, a sharp-tongued waiter, he thinks that this summer might not be a complete waste of time. There are only two problems: First, Stiles is human. Second, he doesn't believe in mates.

Dirty Dealing by lookslikenico, winglesswarrior

(13/? I 47,100 I Teen)

Stiles had a plan for his final summer before college. He was going to intern at the Sheriff's station, get ahead on the plans for the rest of his life. Unfortunately, his dad had some hazy idea of him having 'one last summer' as a lazy teenager. Now, he's stuck cooling his heels and feeling very out of place at some stuck up country club, where he feel he has more in common with the staff than the other members. Of course, that could be because the staff include his new 'how have we never met before' best friend Scott and the 'it should be physically impossible for someone to be that perfect' new crush, Derek. Who apparently hates him - but not enough that he won't swallow his pride and put up with Stiles' presence when he's needed to help get Erica out of trouble...

I May Be Naive But I'm Not Stupid by FelOllie

(18/? I 73,472 I Explicit)

Stiles Stilinski is the young, naïve high school graduate who's headed off to Columbia University (with every intention of going on to Columbia Law) because that's what his parents expect of him. Even though, really, all he wants to do is take after his father and become a cop.

Derek Hale is the sexy, mysterious, just-this-side-of-standoffish-and-rude dance instructor. He and his partner, Lydia Martin, work the summers at the playing-at-posh mountain resort teaching the over-privileged adults and their spoiled kids how to do the merengue.

The summer proves to be exactly what Stiles needs to finally learn how to take control of his life.

But, what happens when it's over?

[spookyeagling]

I do suspect I know a lot more about people than they might like me to by way of simple deduction and I do feel it when Elementary Sherlock is like "ugh what a drag it is to be able to figure shit out its a shame im not allowed to do heroin about it anymore"

[valkyurii]

it’s funny how things have gone full circle with malenia. she was so hated when the game first came out, but then people grew to like her. then the dlc came out and now people hate her again lmao

[lesbiansanemi]

I am so fucking sick of living with my roommate and his fuck ass boyfriend. Also watching my roommate burn every single one of his (already rather minimal, I might add) bridges for this guy is also kind of painful but also his relationship with me is one of said bridges so I'm almost past the point of even feeling bad for him lmao

[22degreehalo]

The most bewildering like deeply ideological and not at all real-world realistic applicable I ever see expressed in fandom and which throws me for a loop every single time is like...

‘It’s bad when the Chosen One or Royal Heir (or whatever) has some kind of actual physical or magical superiority over normal people because it means that they really do deserve their position :/ and undermines any message the story might tell that oppression is Bad :/’

Like. Am I wrong or is this just. Actual uncritical might makes right thinking...???

A person having magical powers does not grant them a moral right to rule over others. Nor the same with fighting ability or general physical fitness or whatever. People are every bit as equally valuable and meaningful regardless of how ‘fit’ they are.

Like am I wrong or are the non-magical people in these scenarios basically just the in-world equivalent of disabled people. And so... obviously it should go without saying that these people aren’t necessarily incapable of having a say in the running of the kingdom or whatever. Like. There is just no logical reason why that should be the case.

And yet over and over I see this assumption made, that ‘hero has special magic’ somehow DOES imply, inevitably, that societal castes are right and good. That the only way to actually tell a story where people all have equal value is to make them all equally physically or magically capable (i.e., make nobody disabled).

IDK maybe it’s just me but it makes perfect sense that in a world where some people have special powers, they’d tend to oppress those who don’t. And that it would be harder for those who don’t to succeed or be able to triumph as heroes. Isn’t... isn’t that just literally how oppression works, IRL...?!

[iamthedukeofurl]

Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:

Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens

Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens

Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".

[whereisthedamndaddymanual]

I might be the one pretending to be insane.

Actually I am sanely showing that true brilliance IS insane.

Excuse me. My story about the restaurant is true and it's gonna fuck with her how I said it with such conviction.

That's fucking easy. It's the dead ass truth that's why.

Now I have hunted to her plenty to examine things but she is subconsciously avoiding it.

[corkinavoid]

DPxDC Summoning Failed Successfully

Imagine a warehouse. Imagine a bunch of cultists in dark robes with all the candles, daggers, ancient books, and chanting. Now add Danny.

Only not as the summoned being, no. As a sacrifice.

He is sitting down, tied to a chair, in the middle of the summoning circle, looking as bored and deadpan as he can possibly be. The cultists are chanting, and he frowns, listening to their chants for a moment.

"Hey, is that Latin?" He questions, but to no avail, "You know you're not actually using those words correctly, right?"

"Keep quiet, child!" One of the cultists snaps. Danny leans back in his chair and shrugs.

"I'm just saying, you ain't summoning shit with wrong grammar," he huffs, seemingly absolutely nonchalant about the whole thing. Oracle, who is watching the whole ordeal through the surveillance cameras, raises her eyebrows. Red Robin and Robin are already en route to the building the cultists chose for their extracurricular activities, but now she almost wants to watch this a bit longer.

Gothamites are pretty used to all kinds of shitshows, but this boy is from out of town. She checked him through facial recognition. Daniel Fenton, a transfer student from Amity Park, Illinois.

A few more cultists stop chanting and turn to Danny.

"Do you know Latin?" One of them asks, and the boy makes a half-nod, making a thoughtful face.

"Not fluently, but, like, it's a dead language, I felt kinda obligated to learn it. Just for the meme, you know?" He chuckles.

The cultists, judging by their confused silence, don't know. Barbara doesn't know what he's talking about, either. But she is almost curious now, so she taps Robin's and RR's comm lines:

"RR, Robin, when you arrive, don't jump into the scene," she asks.

"Understood," Tim answers immediately, but Damian, of course, demands explanations:

"Is there an obstacle?"

"Not really," Barbara humms, "The sacrifice is in the process of de-escalating the situation."

She can almost hear the questioning silence over the comm, but, thankfully, no one argues. Meanwhile, one of the cultists pipes up, voice full of doubt:

"So, you can... like, proofread our incantation?"

"Yeah, sure," Danny nods, apparently fine with being sacrificed, "Who you're trying to summon anyway?"

"Satan," that same cultist answers, and Danny laughs approvingly.

"Classic," he nods and smiles, "I'll give you this. The circle is mostly alright, so you don't need an incantation to summon the fucker, I have him on speed dial." And with that, he leans forward, screaming towards the floor: "Ey, Satan!"

Barbara must say the act was actually convincing, but he went a little overboard with it now. She reaches to tell both Robins to get in, but suddenly, a loud, booming voice reverberates through the building.

"The fuck do you want, kid?"

Cultists fall to their knees - it doesn't seem like an act of worship, more like their knees bucking. The whole circle dimly lights up in red, smoke raising from it.

"Do you see this shit, Oracle?" Red Robin questions, and she mhm's at him, not sure what else to say. If this is still an act or a trick, she must say it's a very good one. Although somehow she suspects it's not a trick. She's seen enough magic in her life to tell the difference.

"Do you want to come to Earth, be gay and do crimes?" Danny asks, almost mockingly.

"Fuck off."

The red light flickers and disappears, and Danny looks back up to cultists, grinning cheerfully.

"Welp, looks like he doesn't wanna," the kid concludes and stands up from his chair. Barbara hadn't seen when or how he got out of his bindings.

The cultists just watch him walk out of the circle in bewilderment.

"Pursue?" Robin's voice comes over the comms, and Barbara thinks for a moment.

"I get a feeling like that's a bad idea," Tim mutters over his line.

Barbara agrees.

[ckret2]

So a while ago some friends were talking about fans who claim the Same Coin theory is canon. And I made the mistake of saying:

Do you know who also has tons in common with Bill? Mabel. Yet nobody claims Bill reincarnated as Mabel. …wait now I want a "same coin but it's Mabel" AU. Funniest Bill reincarnation option. The all-seeing arsonist is making macaroni glitter art. The omnipotent tyrant is crying because a unicorn called her a bad person.

And then I overthought it for two months.

So—AU where after death, Bill's soul shoots 13 years into the past and reincarnates as Mabel. I'll call it ✨ Sparkly Coin AU ✨

Don't leave yet. Lemme show you why it works. Behold the eerie amount of parallels in their personalities, dialogue, behavior, mannerisms, tastes...

I could have kept going but my attention span ran out. All right, we all on board now? Convinced we could segue from one personality into the other? Great. Now here's why you should be interested: the juicy post-Weirdmageddon angst potential.

As long as a small fringe of the fandom still thinks Weirdmageddon is Mabel's fault, why not amp that up x100 and have some fun with it?

Is everyone sold now? Great. Let's get into the details. I've got 8 more pieces of art under the read more.

So the AU starts the instant Bill dies. Thanks to invoking his deal with the Axolotl—one way to absolve his crime, a different form, a different time—the Axolotl gives him a new shape and shoots him thirteen years into the past. Apparently, the Axolotl thought it would be very funny to stick Bill in the family that defeated him.

Which probably made for a jarring transition.

(It's fine, she's like 10 minutes old, she probably can't even tell who she's looking at. Not being able to tell who she was looking at is what got her into this situation ayyyy)

When Dipper & Mabel come back from Gravity Falls complaining about this triangular jerk Bill, their parents mention that Dipper's name was nearly Bill. See, after they knew they were going to have a boy, one night their mom dreamed about a visitor—some kind of magic pink salamander??—calling her child "BILL." Then at the next sonogram they found out they were having twins, the girl must've been hidden at a weird angle the first time, and they wanted matching names, so they thought, Bill and Bell. But they didn't really like Bell; but eventually they stumbled on Mabel, so to keep the names matching they switched from Bill to Mason. Isn't that the darnedest thing?

(Of course, Mabel and Dipper assume Bill harassed their parents to try to trick them into naming a kid after him. To be a jerk.)

When Bill meets Mabel, he's unaware that she's his future self—Bill's notably bad at doing things like, say, double-checking to see whether he's going to die anytime soon—but like... he can tell something's up.

Naturally, before visiting Gravity Falls, there were echoes of who Mabel used to be—but nothing anyone would be able to identify without context. All her Bill-ish quirks either smoothed out with time (see: how between second grade and fourth grade Mabel went from being the "freak" to the popular girl in class), or else they were accepted by her family as Mabel-ish quirks.

After they meet (and kill) Bill, they have the context to understand some of Mabel's behaviors... and unfortunately, some of Mabel's latent Bill-ness starts surfacing after she's been directly exposed to her prior incarnation.

The part of the Pines family familiar with Bill thinks the worst case scenario is that maybe Bill's survived and is slowly possessing Mabel; but far more likely, they think this is just some weird way of trying to subconsciously process last summer. Mabel doesn't think she's being weird, you guys are being weird, stop giving her weird looks. They get attacked by one triangle and now she can't wear yellow or pick up macrame as a hobby??

(It's not all red flags and uncomfortable triangle imagery, though. When Stan asks her what she'd like as a gift for some important event, she shyly admits that she thinks she's starting to outgrow her plastic gem jewelry and maybe she's old enough to get her first piece of real gold jewelry, if that's not too expensive? And Stan's never been so proud of her. Thirteen years old and already thinking about buying gold!)

But of course, the real fun starts when Mabel finds out.

That's the face of a girl who's just discovered that she tortured her great uncle. Now imagine running into the brother she possessed.

But I've already spent a million words and thirteen images on this post. If enough folks are interested in the AU maybe I'll expand on it later. Let me know what y'all think.

[lovelyyandereaddictionpoint]

Finding Out About the Prefect Club | Yandere Twisted Wonderland

Throughout you time in Twisted Wonderland, you are identified to be the first for a lot of things. The first non-magical person brought by the mirror, the first to witness and help end overblots on campus, the first to initiate the idea of teamwork (according to Crowley). It wouldn’t be a surprise that you are also one of the first students in NRC to continue being nice even when your fellow students are unruly and conniving. Such kindness in the midst of such a terribly misbehaved student body is sure to stand out and attract some attention. And while you surely have the dormleaders and their friends eating out of your hands, too bad the whole school practically is too:

Riddle Rosehearts

Finds out about it after attempting to return something to you

In a shared class you seemed to have left behind decorated pencil of yours in favor of chasing Grim

While debating if he should return it to you immediately or take a detour to his room

Another student has swiped it before him

He’s about to berate them 

Scold them for their behavior but he stops 

They are….sniffing it…intensely

He’s kind of jealous

Then he watches them sigh and put a glove on their hand before carefully putting it in a bag

He carefully follows after the student who slinks around until he’s in a hidden catacomb of the school

It’s filled with students in masks in their ceremonial garbs

“I’ve recovered a remnant!”

The cheers hurt his ears 

But he stays for the whole ceremony as they carry on normally

“And this picture is when they tripped on the trash those heathens left.”

“Disgraceful! We should hex them!”

“But they look so cute on the floor like that~”

“I know right~?”

Riddle decides that he should attend the next meeting as well 

So he swipes the pin and covertly keeps it in his chest pocket

“Some one  has to monitor them…it’s only right it’d be a dorm leader such as I.”

He’ll never admit he’s happy someone is bold enough to invade your privacy for him

If you ever find out he'll just expose them to you

Leona Kingscholar

Hears about it while pretending to nap somewhere

It angers him that the members of the dorm are slacking 

But he doesn’t interrupt because of his curiosity

“--omeone recovered one of the prefects jackets!”

“Seriously?! Are they letting just anyone touch it?”

“No way! Apparently their putting it on display in the—”

He finds a way to sneak in on one of the ceremony 

Stifling his laughter when the students all dance to a recording of your off-tune singing

“Do they really think they stand a chance at getting my herbivore?”

He’s so amused 

So amused that when they excitedly recount how you brushed up against some of them 

He knows he can do so much better

“Oi (Y/n).”

“Yes?”

“C’mere.”

“Uh Leona? Why are you hugging me?”

“You said you’d help your friends in need right? I need a pillow, so quit struggling.”

Idia Shroud 

Practically takes over the club

Probably a distributor that eventually is exalted as the (Y/n) expert

Sharing just a wink of the info, pictures, and souvenirs he gets from you

“Hahhaha you have so much to learn about the prefect before you even come close to my level.”

“Please! Sensei, teach us!”

“Only you hold the greatest gems from the beloved prefect!”

“That’s right!”

It’s like those discord chats that are just about everyone gushing about an anime or game

He may even attend physically with a mask of course as he gushes about the latest quirk he discovered of yours

Of course he’s not going to share everything 

But it’s nice to share your interest

And know that you’re not alone

“We can’t forever silence the over-touchy interlopers (Y/n) will only favor them more. Do not forget their compassionate actions towards each of us. In turn there are plenty of ways to punish them!”

“Yeah!”

He also has the prime sources to hear about anyone trying to make a move on you that he can’t directly monitor 

“Looks like Ortho is paying this student a…little visit.”

[pyrrhiccomedy]

A DM’s Fair Play Guide To Plot Twists

I love running a game with a lot of surprises. The challenge to pulling this off well is that, unless you’re playing a one on one game, your players outnumber you: and between them, they have a good chance of figuring out what’s going to happen, no matter how sneaky and clever you are.

The first way of dealing with this - which I’ll just call the bullshit way - is to not give your players the information they need to solve the mystery. Don’t let them find out about the secret society until it’s too late. Don’t give them any reason to suspect that their NPC ally is planning to kill them. Don’t let them find the murder weapon, don’t let them locate the witnesses, don’t give them the chance to skip to the end of their investigation.

This sucks, and if you run your games like this, you’re going to piss off your players. Because it isn’t fair.

In mystery literature, a “fair play mystery” is one where the reader is given all of the information they need in order to figure out the solution before the Big Reveal. It’s what makes the reveal good: that GASP, the “oh shit, the knife! the knife from the party! that was hers! I forgot!”

Pulling off a twist in a fair play game is an incredible feeling. Your players will think you’re a genius (or an absolute dick bastard, which is just as good) and they’ll respect it more when they land in hot water that they plausibly could have avoided. So how do you run a fair play game without your players figuring out the twists ahead of time, given that you’re definitely not smarter than all of your players put together?

By fucking with their expectations.

Here are some things that I keep in mind, to keep my players guessing. And it’s important, with all of this, that if your players see through something, let them have it. They should figure out a lot of things on their own! But if you’re regularly seeding your stories with all of this stuff, eventually your players will miss something. Those are somethings you can build on. The same way that a low level enemy who gets away once can keep coming back again and again until they become an important antagonist, a misapprehension your party proves to have a blindspot for can grow and develop until they get smacked with a breathtaking twist. 

What’s a twist if not the sudden overturning of an assumption you never thought to question?

1: Make your powerful friendly NPCs know a lot...but not as much as the players think they do.

Player characters often end up with powerful allies. It would be very convenient for the party if those allies always had accurate information. Make sure they don’t always enjoy that convenience.

It’s a balancing act: you want your powerful NPCs to be powerful. You want this alliance to be meaningful and beneficial to your players. But give your NPC an Achilles heel of some kind, when it comes to the information at their disposal. The Noble General commands powerful forces and knows the lay of the enemy’s land well...but that doesn’t mean he knows what every squadron and scouting party is up to. The Political Mastermind may know the ins and outs of the court, and have keen insight into the motivations of others: but he has an enemy who pisses him off so much that he loses all objectivity around her. The Powerful Wizard can call upon great magic to aid the party: but his divinations aren’t as accurate as he thinks they are, and he’s prone to finding, in his signs and omens, what he wants to see, more than what’s actually there.

Most of the time, their information should be good! That will make it more likely that your players will trust them the one time when it isn’t.

2. Let (apparently) less powerful NPCs sometimes know more than the players think they do. 

Most NPCs aren’t the Noble General or the Powerful Wizard. Most NPCs are Daves, designed to get the players from place to place. Most of those Daves know about as much as you’d expect them to. But some Daves have plans of their own.

You don’t always have to signpost with big blinking lights which of your NPCs are ‘important,’ and which ones are ‘unimportant.’ Sneak in a crafty Dave from time to time. That assistant they talk to, every time they go to see the prince? That bitch knows everything, and she’s almost ready to make her move. 

3: There is no such thing as a completely reliable witness. 

If the players only get information from one person, that information should be flawed in at least one, potentially small, but important way. Smart players will seek a second opinion, or at least allow for the possibility that their information may be incomplete. But even smart players get out over their skis sometimes.

4: Let your NPCs be aware of the power of a first impression. 

If an NPC gives a strong first impression of being a particular kind of person, it’s because they’re comfortable giving that impression. That might be because it’s who they are. But maybe not.

One of the first characters the PCs met in a VtM campaign I ran was Gawaine. Gawaine was a good old pine-scented man’s man, with salt and pepper stubble and a blue Ford truck. He listened to AC/DC, and talked about the war. He was affable and honest and willing to lend a hand. You already know Gawaine. Everybody knows a Gawaine. Gawaines are trustworthy, salt of the earth types. You don’t necessarily think to question a Gawaine.

That’s exactly why Gawaine was such a useful persona for Krystiyan, the Tzimisce Voivode, a cruel and alien sculptor of flesh who “never left his haven.” There were plenty of clues that they were the same person, but that campaign was in its endgame before the players put them all together.

5: Sometimes, dangerous and villainous NPCs should be helpful and cooperative. 

Not even necessarily because they’re manipulating the players, or even deceiving them about their true natures, but because their interests and the players’ interests genuinely align...for the moment. 

One of the easiest levers in your players’ brains to exploit is the expectation that people who help you are your friends. Even if your players know, consciously, that they shouldn’t trust this person, most of the time they kind of can’t help it, if the NPC is genuinely helpful to them and at least a little charismatic. 

6: Sometimes, good and valuable NPCs should be unhelpful and uncooperative. 

No matter how mature your players are, there’s a natural tendency to react to uncooperative NPCs with a reflexive, “Hey, fuck you! We’re the protagonists! This guy is an asshole!” so from time to time have a helpful, honest, good-aligned NPC have a wholly justified but as-yet-unknown-to-the-party reason to flatly refuse to deal with them.

7: Every NPC should have a secret. 

Not necessarily a bad secret. Were it to be revealed, it might even make the party like them more! But for their own reasons, the NPC does not want their secret to come out, and they will lie to the party to protect it. Players go crazy when they realize they’re being lied to, and often jump to some wild assumptions about your NPC’s motivations. I’ve had an NPC lie about the opening hours of a shop, and had the PCs assume that they were black market dealers for the villain when the dude just wanted to be able to close early so he could go smoke weed in the park.

8. As a DM, it’s polite to remind your players of the common knowledge their characters would possess...even when it doesn’t reflect the truth.

We all know it’s tedious when the DM calls for a roll when you’re just asking for common knowledge. I shouldn’t have to make a roll to know the dumb space word for plastic in a Star Wars game. I shouldn’t have to make a roll to know who the Holy Roman Emperor is in a game about medieval vampires. The DM should supply common knowledge for free, whenever it comes up.

That doesn’t mean common knowledge is true.

This is different from just lying to your players, because you don’t put the weight of DM word-of-God behind it. It’s not “You would know this guy is a Ventrue, based on XYZ.” It’s “it would be a common assumption that this guy is a Ventrue, based on XYZ.” He might not be a Ventrue. It might in fact be extremely important that he is not a Ventrue. But if it is commonly assumed that he’s a Ventrue, that is - word for word - something you can share with your players. If they don’t look any deeper than common knowledge, that’s on them.

9. Obviously untrustworthy NPCs provide great air coverage for less obviously untrustworthy NPCs.

The obviously untrustworthy NPC might or might not be planning to betray the party. But if you introduce two untrustworthy NPCs in the same storyline, and one of them seems normal and cool and has a genuine plot-related reason to be there, and the other one is Jaffar, Jaffar’s gonna get clocked, but Susan over there will probably slip under the radar, and might even get tapped to help out with the whole Jaffar situation. They might get Susan’s number, by the end of the session. Susan might become an ‘ally.’ Susan might even get romanced by a party member. Play your cards right, and Jaffar might just end up a footnote in the introduction of Susan, Scourge of Worlds and most hated NPC in the entire campaign.

10. Your villains should always have a secret plan B.

Your villain isn’t stupid, right? And your villain probably isn’t so arrogant that it is inconceivable to them that their plan might fail. They’ve been planning this ritual for ten thousand years, after all. It’s always possible that some plucky band of heroes could show up at the last minute and murder your high priest, or steal your amulet, or seduce your second in command. So what does your villain have in his back pocket to make the players go, “Oh, shit - he planned for this!”

This may mean that there is a whole separate plot happening, running alongside the main story. This is great, because when weird things happen, the players have to figure out whether this is part of Plot A or Plot B, and working out who did what and why gets a lot more interesting. If they end up foiling Plot A, great - your villain was also secretly behind Plot B the whole time, and will transfer all of his resources over to that. 

Sometimes your players will figure out that Plots A and B were both the same plot the whole time, with the same villain at the head, and they’ll feel like the smartest people on the planet, and it will be their favorite moment of the entire game. That’s great! You gave them that!

Sometimes, they won’t. And when the villain of Plot A, apparently defeated, starts laughing and reveals that he was also the mastermind behind Plot B, which is now too late to be stopped, that will probably be your favorite moment of the entire game.

[specshroom]

A Mischievous Fairy

˚˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˚˖′.⊹ ࣪ ˖˚·˖*.⊹

When a humble farmer decided to live on the outskirts of town right next to the forest he did not expect to make friends with a small temperamental creature from the forest.

It was a pretty good deal you had going on, you help his plants grow with fairy magic and he gives you a safe warm place to sleep and home cooked meals. Most days are spent with you doing your best to annoy the poor farmer as he tries to remind himself that you're the reason his produce sells for such high prices.

You fly around his head making little jingle noises and he tries to ignore you and go on with his work. You steal little things like spoons, screwdrivers, pencils and put them in places he can't reach like on top of the cabinets and shelves. When you get mad at him you grow weeds in his crops until he apologizes or gives you a gift to your liking. Despite this the farmer has grown to truly enjoy your company...for the most part.

His loneliness is getting to him and he's tried to have company over but it's kind of hard to explain to guests why there's a little, scantily clad fairy staring daggers at them the whole time. It definitely ruins the mood as he tries to convince them you won't bite (you will and you have).

One day the farmer comes home from town looking more excited than usual. You plop yourself on his head as he walks around his little cottage.

As he sorts through all the items he bought you get impatient and decide he's not paying enough attention to you. You fly right in front of his face and pose for him, showing off the new outfit you made out of flower petals in his garden.

"Not right now, Tiny."

The farmer rolls his eyes and gently shoos you away with his hand, focusing back onto his apparently very interesting haul from the market. The very rude gesture gets you all fired up and you're in his face again this time with your hands on your hips and an angry expression. The farmer sighs and gently cradles your tiny body in his hands.

"Look, I'm busy. Alright?"

He walks over to the windowsill and gently plops you down onto the little pincushion he set aside for you. You sit there with your arms crossed, glaring at him as he puts away his items.

While you're sulking you notice a little bottle of purple liquid poking out of the farmers front pocket. You quietly flutter over and sneakily inch the tiny thing out of his pocket.

"Hey!"

The farmer tries to stop you but you're much faster than him and fly up, out of his reach. The glass bottle is a little bigger than you're torso and when you inspect it the label says "Growth serum"

You let out quite a dramatic gasp and look down at the farmer, betrayal written all over your face.

"Now Tiny, don't jump to conclu-"

The farmer starts but is interrupted by a very angry fairy yelling things he doesn't understand right in his face. All he can hear is jingles but he's sure he's getting severely cussed at. He understands why, you helped this man grow his crops bigger and better than ever and now you think he wants to replace you for some stupid, probably overpriced serum?

You angrily throw the bottle to the ground and the farmer dives down to clumsily catch it before it smashes onto the floor.

As you feel tears fall down your hot cheeks, you flutter back to your windowsill and sit with your head between your knees.

"Hey, don't cry now."

The farmer sheepishly leans against the windowsill next to you.

"I promise, it's not for the plants. You already help me out so much with that and I appreciate it a lot. I don't need anything else."

You peak your head out from your arms and look at him skeptically.

He holds his hand out to you and you hesitantly flutter onto his palm, enjoying the warmth of his touch despite the cold wetness of your cheeks.

"Truth is, it's lonely for me out here... and I know you get lonely too."

You scoff at him. Obviously, the whole reason you were upset in the first place was because he was ignoring you.

"I uh... I got this for you. So we could....uh well only if you want to, I mean... I don't know."

You stare at him dumbfounded as he fumbles his words, you've never seen the farmer like this before.

You shoot up to hug his cheek, jingling in excitement. You give him tiny kisses and he laughs at the ticklish feeling. You float to the counter in front of him and bounce on your heels waiting for him.

"Alright, alright."

He chuckles at your stark change in mood and uncaps the tiny bottle of magic liquid. You brace yourself as he carefully lets one single drop fall onto your little head.

Nothing happens for a moment but before you could feel disappointed the world blurs and you're suddenly face to face with your farmer.

He stares down at where you sit on his counter, now perfectly human sized. Your cute dress didn't survive the quick transition but you don't seem to mind as you jump the poor farmer.

You grab his face and kiss him deeply. Finally feeling his lips on yours makes your wings flutter and your heart sing as you lock your legs around him to pull his body closer.

"Alright, slow down."

He says through kisses and huffed laughs as you kiss all over his face and neck.

"Now why don't you let me show you how much I appreciate you."

He mumbles in a sultry tone, bringing his hands down to grip your ass and grind your hips into him.

He laughs at the way your wings violently flutter and takes that as eager agreement.

˚˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˖′.⊹ ࣪ ˖˚·˖*.⊹ ࣪ ˖˚·˚˖′.⊹ ࣪ ˖˚·˖*.⊹