#you always know when they leave

[hoarding-stories]

I mean, it's not an Ame and Eursulon exit if they don't burn some bridges before they leave

[sarasade]

One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".

Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.

That's the TL;DR version of this post. 

ANYWAY here is the long version

Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".

One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.

Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.

It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.

This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.

People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.

I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.

Anyway if you want to read more:

- about the false info around BL fandom fujoshi.info

-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos

-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.

-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa

- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.

-Great podcast about Danmei and censorship with Liang Ge

[bertoyana]

Erik, what are you doing?

X-MEN: DAYS OF THE FUTURE PAST (2014)

[the-great-horse-cocktail]

Alternate timeline where Stanley doesn’t accidentally ruin Ford’s project but he still doesn’t get into Geek Life University bc some kid showed up with a baking soda volcano

[homielander]

shiv's motivations for voting to pass the gojo deal are so layered and i don't think they should be dismissed in favour of any one interpretation. shiv desperately grabbed on to a lifeline for her relationship with tom. shiv was the deciding vote and she couldn't bear to hold the crown only for a moment just to place it atop her brother's head. shiv knew she would have more influence as wife of CEO rather than sister of CEO. shiv absolutely hated seeing kendall crystallize into logan before her eyes, especially when he made roman bleed ("and if we did kill him we get to go to bed") -- succession has always been about siblings so of course she tried to free her brothers before her child. shiv still thinks she can raise her child with all the material benefits of being the daughter of waystar CEO while doing better by her, whatever that means. and all of those things are true

[starry-bi-sky]

Who is the more well-adjusted twin; Damian, or Danyal? Why, it's Damian, of course!

And I have an explanation for this! But first I wanna preface this that this is just me like, rambling about this thought I have and it's not an attack on the trope as a whole. I love the Danyal Al Ghul au which is why i'm so deeply passionate about it, because I think it has a lot of potential to be explored. It's no secret that I've mentioned before that I think Danny's psychological development tends to get overlooked and underutilized in DAG aus, and the impact that growing up in an assassin league often goes ignored. This is just me further expanding on that.

Now lets set the stage! This is specifically for Danny who is adopted by the Fentons later down in life. Lets go twin au. At 10 years old, Damian goes to the Wayne Family, Danny is adopted by the Fentons (regardless of their affiliation with the League). By 14 years old, who ends up the better adjusted, more socially aware, spiritually in-tune with themselves, sibling? Why, Damian is! Why is that?

Because he has the actual support he needs compared to Danny. And I'm not talking about good or bad parents Fentons, because either way my opinion doesn't change. Damian would end up the better off twin, because, frankly, his family knows his background. They know he grew up in the League, they know what the League's teachings are, and they know he's a born and raised assassin. Knowing this, they can then help tackle and dismantle the teachings and lessons he has been given and ingrained into by the League. They may be a dysfunctional family, but they're functional enough to at least actively help deprogram all of the League's teachings that have been ingrained in Damian throughout his childhood.

Can't say the same for Danny.

Lets say Fentons here don't know his background -- and even if they do, the results may just stay the same if they play their cards wrong, -- Danny's now just been thrown into the deep end of a pool and is essentially being told sink or swim. Regardless of how he got there -- undercover, faked death, etc -- he has no proper support. He knows the League is meant to be secret, he's not gonna speak on it for various reasons. Whether it be some still lingering loyalty, fear of harm, or whatever. Whatever the reason is, he does not have a proper support system in the Fentons, no matter how nice they are. They can only tackle the surface level stuff and whatever Danny allows them to see -- if Danny ever lets them see it at all. For what do assassins do when they don't want to be caught? They hide. Sometimes in plain sight.

"But Jazz--" Jazz is a child. She is 2 years older than Danyal and no better at giving him a proper support system than the two adult Fenton parents, even with parentification. We don't know when she got into psychology or how long she'd been studying it by the time Danny's 14. We just know she's really into it. Even then, Jazz is not a licensed or reliable therapist, or even an experienced or implied good therapist, and should not be used as one either. It's a disservice to her character to reduce her down to 'supporting female emotional crutch'. Besides, therapy only works on people who want to get better. Danny, who'd be hiding who he really is, has very little incentive to want to, or to even think something is wrong with his way of thinking, even with exposure to the outside world.

When people's beliefs are outright challenged, they tend to double down on them, and Jazz canonically has a habit of psychoanalyzing her family and declaring what she thinks is the problem -- regardless of whether or not she's right about it. Jazz would get into psychology, try and psychoanalyze Danny, and all it would do is cause him to clam up, shut into himself further, and throw up even more walls so that she can't figure out that he has been lying this whole time. It would do more harm than good, and would actively hinder any progress he'd make in trying to open up to them. Roads and good intentions and all that.

That being said, I think Danny's development and dismantling of the League's teachings would be slower than Damian's. Much slower. Because he would be the one having to pick apart everything and figure out what is right, what is wrong, what he wants to keep, and what he wants to toss. Everything he unlearns would be stuff he has to unlearn himself. If he even gets to that point at all -- depending on his experiences, he very well could not change at all, or change very little. The League acts as a purge for humanity, meant to reign in their hubris and retain balance, they just also happen to be assassins for hire. Danny's time spent in Amity Park could as well strengthen his belief in their teachings just as much as it could weaken it, especially if it goes as canon and he gets bullied.

Regardless, being tossed to a civilian family as someone who is very much not a civilian, without any support, would be actively detrimental to Danny's overall mental health and development. Especially to strangers like the Fentons. Damian was closed off and standoffish even with blood family, and it took him time to open up to them -- Danny, with the Fentons, would be even more so. He doesn't know them, he doesn't trust them, he has no rhyme or reason to open up to them, and since the Fentons don't actually know him, they can't help him the way he needs. Once "Danny Fenton" is made, he has even less reason to open up. So long as Danyal allows it, they will only ever know Danny, and they'll never know Danyal.

TL:DR the Fentons aren't the better family option just because they're civilians, and actually that makes them the worser option between the two because they can't give Danny the proper support he needs. You can lead a horse to water, but you can't make it drink.

[littlelightfish]

Something I loved from the anime adaptation on episode 5:

They made a summary about Mick's and Kuro's characters and relationship from what they saw in this two panels on the few seconds this scene taked place.

Just this. Kuro and Mick both surprised on the first. Kuro looking at Mick like he's worried about something, and Mick eating bread in silence, looking in distrust at the guy.

The anime makes it so rich on subtle expressions, I'm in love here. They're just on the background of the scene. But what they do says really a lot about them.

When the guy first comes to scene, Mick looks a bit confused but nothing else. "Who tf this guy?" They're not planing on paying him any mind.

When he sits besides him, he gets uncomfortable, you can see it on his face he doesn't want to sit beside a stranger. He wants to get up and change places. "What's with this guy? What does he want? Why is he so close?" Kuro notices this and looks at him. He saw him flinch (off camera because guy is covering him). Mick is scared of this guy.

Mickbell is a naturally untrusty person because of his backstory. He gets uncomfortable when new people starts acting friends because "well that can't mean good, can it?" Kuro knows this because they share a life together and proceeds to try and calm him the best he can in this situation.

Kuro puts his hands on Mick's back. He already has them there when the camera changes angles. "I got you. I'm here. Nothing is going to happen to you. Calm down." Mick now looks confused at the guy, but it's still clear he's very uncomfortable there. He leans towards Kuro a bit "I feel safer by your side and this guy is wierd".

In seconds, as soon as he sees him grab food from their table, he changes his mood. He jumps in surprise at the audacity. He's now annoyed and pissed. That's their food! How dares he... But he isn't the one to say anything, and from this alone you could tell he's quite introverted outside of their friends group (or that he didn't pay for the food idk). Kuro keeps his hands in there, knowing he's nervous.

Mick just looks at him eat, annoyed, maybe angry, and silent. He isn't probably paying any mind to what this guy is saying. He is stealing food. He should go get food somewhere else. Kuro seems to think something alike, but he is a bit surprised this guy has the balls to steal food so openly (he isn't paying atention either ot he doesn't understand)

He thinks a lot of thinks but says none, eating in silence. Kuro is staring with no good intentions behind those eyes. Only murder. Food robber. Mick disturber. Deserves death.

[the-moon-ate-my-stardust]

Okay literally no one asked but as a former Hobbit movie hater who has since experienced character growth, I feel compelled to share my thoughts on the movies on my gay little blog.

Listen. There are legit reasons to be critical of these movies. They were made on a rushed timeline, at time where CGI overuse was the thing and there are definitely unnecessary moments. But despite those issues, these movies still have a lot of heart and character and some really wonderful acting! To compare them to LOTR, is unfair I think because LOTR was such an unimaginable success and I truly believe no other movie franchise can do what those movies did. To expect the Hobbit movies to be the same caliber considering the behind the scenes drama and massive difference in timeline is just not it.

Truly I think that the Hobbit could have been much more than it was and it’s sad to see the amazing moments and realize that we could have had movies that were maybe closer to the level of LOTR, but that doesn’t take away from all of the great things that the movies gave us! Despite what he may be like irl, Martin Freeman was a great young Bilbo, Richard Armitage was insanely good as Thorin (despite the change in age) and the other dwarf actors brought a great sense of loyalty, brotherhood and shared loss to their roles. The music is still dope as hell and there are some beautiful shots despite all the CGI.

This is way too long and I’ve not said anything that hasn’t been said before but honestly, I’m so glad that I stopped hating on these movies and have seen the special things about them. Nothing will ever compare to LOTR, but that doesn’t make these movies bad. They’re fun, they’re emotional, they have great characterization and it’s super valid to enjoy them.

Final gay thoughts because I’m obligated, but I struggle with people who argue against Bagginshield with the whole “why does everyone have to make everything gay?” thing. Because Hollywood is so deeply homophobic that we see so little genuine queer representation, so forgive us for enjoying the chemistry we find and making it our own since our society gives us breadcrumbs. If you’re not into Bagginshield, totally legit and fine, but don’t hate on other people (especially queer people) trying to find some romantic love in media that we enjoy. Also no one can convince me that Richard Armitage wasn’t at least somewhat intentionally putting his queer energy into this role, I will die on this hill.

Anyway, TL;DR there’s no shame in liking or loving the Hobbit movies despite their faults and there are lots of things to appreciate and enjoy and I for one, am glad to leave my LOTR purist hater days behind me

[ninyard]

just thought about aaron going to class for the first time after the trial. like it finishes on a friday and he has to walk into a biology class on monday and act like nothing happened, and act like they haven’t all been talking about him and his brother all week, like they haven’t all been debating whether or not their classmate is a cold blooded murderer or not. did he silence the room when he walked in? did anybody even know what to say?

[i-dreamed-i-had-a-son]

There is a brutal contrast in how Megatron and Optimus's stories end. Optimus nobly surrenders his spark, along with the Matrix of Leadership, having been sent off by his dear and trusted friends after giving them a fond farewell. He has accomplished his life's greatest goal; now he is able to rest. He dies willingly, at peace, bringing hope and giving life to the next generation by restoring the Allspark.

Megatron had already been killed, and was told that he can never join that very Allspark. Having been enslaved, and only released because of Optimus's actions, he is now reanimated, inhabiting his own corpse. His only remaining ally, who has constantly betrayed him, does not understand him. He flies off, alone, having lost all his forces and failed in his mission, and realizing that his life's greatest purpose was misguided. He is left, we can only assume, to live a hellish and hopeless life--a shell, consumed by the past.

And he did not tell Optimus goodbye. He knows that Optimus will leave him behind, will obtain the heaven he can never enter. He gives him the parting gift of his repentance, to acknowledge this. But in his refusal to say farewell, there is an echo of his own wretched endurance. He does not get to rest. Megatron will remain, eternally alone--eternally waiting for a reunion that will never come.

[ratatatastic]

Vanha Kauppahalli date: en full, a 2 minute 50 second masterpiece...

Primetime Panthers | 11.6.24 (x)

[beastbeneathemoonlight]

Man I just gotta say big shoutout to fanfic writers literally the goddamn backbone of fandoms, this is your friendly reminder to give fanfic's on ao3 kudoses and comments, like if you rereading something TELL THE AUTHOR THAT HOWL INTO THE COMMENTS FOR ALL I CARE

[dennisboobs]

7x10 // How Mac Got Fat

↳ Charlie & Dennis + getting high together

[peachsayshi]

GUYS. what if fuck buddy sukuna catches you out one night, but instead of being with your friends you're on a date 👀 I think he would play it off, would definitely interrupt and make your date feel like he's about this big 🤏 in comparison. but his jealousy doesn't even show in that moment, it's only when you come over to his place next time around does he mention with the slightest pout: "why don't you ever get dolled up to see me?"

[dailyloopdeloop]

DAY 75: onehat

[literaila]

do you ever think reader would storm out of the house after a fight between her & satoru? (referring to ur keeping secrets fic.) i feel like part of her wouldn’t bc she’s also thinking about the kids and she just can’t leave them, but she also seems a lot more grounded than satoru in general. i think the other part of her would also need a minute to step out for a bit bc i just know satoru drives her to insanity. i don’t knoww, satoru’s reaction to her storming out just infects my brain, but i know she couldn’t do that to megumi and tsumiki </3 i’m such a sucker for your hurt/comfort fics

“where are you going?”

“not sure,” satoru says, barely mumbling. “i didn’t ask.”

“you didn’t ask?”

he looks at you, just a glimmer of teasing in his eyes. but the rest of him is apprehensive—he knows what you’re thinking.

he always does.

but he looks back down, shoving shirts into a suitcase in the worst possible way.

“does it matter?” he asks, dryly. “it’s just another work trip.”

“how long are you going to be gone?”

“however long it takes to—“

“can i come with you?”

satoru pauses, and his eyes trail to you.

to you, where you’re standing in the doorway. you only know he’s leaving because of the suitcase, you only know that you can’t deal with him being gone again because of that feeling.

it’s reminiscent of packing your own bag at fifteen. of never returning home.

“you want to come?” satoru’s voice is too smooth, too unserious. “you hate planes. and what about work? you want to take your students too?”

“how long are you going to be gone?”

satoru sighs. he finally relents, walking over to you. his smile is a little irritated, tired. “it won’t take long,” he says, rubbing your shoulders. “you’ll get the bed all to yourself.”

“this is the fourth trip in the last three months.”

he tilts his head. “it’s the same amount as always.”

“it’s—“ you stop.

it’s different.

and your heart is racing, because you’re used to this feeling.

really, satoru has taken regular work trips for as long as you’ve known him. his passport is well used, his suitcase replaced almost once a year.

but it’s different.

because it used to be you, satoru, and the kids. it used to be you and the kids waiting at the door, talking about him behind his back, going to the airport to pick him up.

and even if you missed him, you knew that tsumiki missed him just as much. you knew that megumi was waiting for him to come back just the same—getting restless without someone there to mess with constantly.

it used to be you and the kids, when satoru was gone.

but now…

megumi is at school all week—and even when he comes home, it’s only to keep you happy. so that he can take a break from jujutsu, and sleeping in a dorm right next to yuji’s.

and tsumiki—

you stop thinking about that almost immediately.

it’s just not worth it.

when satoru leaves, you’re all alone.

“i wish you could come. you know how the higher ups are about—“

“why don’t you tell them no?”

satoru is wearing his blindfold, so you can’t see his eyes. but you see it as he leans back, looking at you curiously. “what?”

“tell them no. they’re scared of you, aren’t they? they’re not going to make you—“

“what other special grade sorcerer are they going to send?” he asks, shaking his head. “i hate them too, but if they need me—“

“i need you.”

satoru stops. you want to see his eyes—you want him to stay here.

you don’t want to walk around the house and chat with ghosts. you don’t want to be the only one left behind—the only one who has nothing else.

what about you? what’s supposed to happen to you when satoru leaves you behind?

he’s done it before, and he’ll do it again.

“what?”

“i don’t understand why you have to go,” you say, and you’re angry now. “i’m tired of your work trips, and i hate that you don’t even care, and i hate being in the house all alone—“

“what? what do you mean i don’t care?”

you pull away from him. just to do it first. “you don’t even try to get someone else to do it, you just leave—“

“why are you blaming me? i didn’t ask for this.”

“because you’re always gone! and i’m always alone, and you haven’t even asked me how i feel about it—“

“it’s not like i enjoy doing it,” he says, frowning. “i don’t like leaving you or the kids, it’s just work—“

“i think you do enjoy it,” you spit. and you know that you shouldn’t but, “you like being the only one that they can call. being the strongest. that’s why you haven’t told them no, that’s why—“

“what?”

“is it fun to leave the house? to escape for a week or two while i’m here to take care of everything?”

satoru scoffs. “are you kidding?”

“what? you can admit it. go on and leave. you’ve done it before, satoru.”

his jaw clenches. “if you don’t like being here,” he says, so soft—but you can feel it. the impending blow. “then go somewhere else.”

immediately, your body flinches back. you fall inwards, wanting nothing more than to fall back against him.

but it’s too late.

“i can’t help that im the strongest, i don’t enjoy leaving you—but ill do it because it’s my job. if you hate being alone, then find something else. go see megumi, or nanami, or—“

you take a step back, almost stumbling into the wall.

“you’re putting words in my mouth and i—“

but you don’t hear the rest of that sentence.

and maybe this is your fault. you shouldn’t have picked a fight, you shouldn’t have even said anything.

satoru isn’t to blame for your loneliness. he isn’t to blame for anything.

you turn around. and you walk out the door with shaking hands.

go somewhere else, he said.

and you will.