marrying johnny was an easy choice, in that you had no choice at all.
he needed a wife and you were too old to stay at home any longer, already well past the average age other women in your town got married. the wild west wasn’t kind to young women, so it made sense to cling to the offer johnny made even if you knew his heart wasn’t in it. it was unlikely you’d find a better option in your town, no one interested was as young or as handsome.
it didn’t matter the rumours that spread about him. in fact they fell in your favour.
you barely had the chance to get to know him; told on your first night to keep house, left with his set of rules and chores to occupy you while he rode off with his tall masked friend.
it could be days, weeks even, between the morns you saw him. you didn’t ask where he went or what he did when he didn’t come back home. you didn’t care, happy to take advantage of the empty bed.
and for months, crossing paths only a handful of times, it worked for you both. you kept your horse fed and brushed, used it to travel into town for your perishables each week and made sure the space out back was kept neat for if johnny arrived back on his own mare.
it worked. you were happy. but then johnny was shot; part of a train robbery gone wrong, the sheriff had told you stiffly.
he apologised for your loss, but you could tell he didn’t mean it. he told you if you had any clue who johnny’s partner could be then it’d be wise to turn him in sooner rather than later before leaving you to organise the funeral. closed casket, he’d advised wryly, in fact just ask the undertaker to seal him in a box and pay him direct. save yourself some time.
watching johnny’s casket get lowered into the ground you couldn’t help but think about how you’d never even kissed. husband and wife, though a true sham of it behind the walls of your home. not that you’d admit it so.
you stand next to his friends, people you hadn’t gotten to meet, and watch them grieve at his funeral. the tall man, his lower face still masked, seemed beholden with his grief; shaking with anger as his wet eyes stayed firm on the casket as it was lowered to the dirt.
you once again deigned not to think of where johnny may have been staying when he wasn’t nipping back home to you or how likely his partner in crime may have also been his partner in life. you’d let johnny keep his secrets.
you take the deed to his house - now your house - and shake and cry yourself to sleep that evening. it wasn’t grief that kept you awake though, but guilt. guilt over feeling thankful for his death since it brought with it your freedom, no strings attached.
johnny’s gentle, if not disinterested, countenance towards you had been reassuring, but not a guaranteed permanence. this however, was.
you continue to keep house, visit the stores in town and generally continue on as before for months after. you don’t see his tall friend and you don’t hear from anyone else that had been present at the funeral throughout the entire time. in fact, it’s almost a year later to the day of his death when you’re disturbed in your home.
steps crunching along the dry mud out back, irregular scratching at the windowsills and knocks on the doors inside the house.
when you think you see a man in your mirror you finally go to one of johnny’s friends still living in town and ask about your late husband, if they’ve seen or heard anything, but they just look at you pityingly.
you leave before they can get a doctor involved, blame it on a bad night’s sleep and a lonely heart - the horse wouldn’t settle for the wind and it is close to the anniversary as you know - and wave them off when they offer to come to the house. instead you buy a peashooter from a condescending clerk at the hardware store and hope for the best. hope to god it’s just big rats.
but you should’ve accepted their offer.
you should’ve moved out as soon as the noises started because finally one night when you’ve been kept up for hours and frozen still by the noises and movement in your house, you shakily take the gun and drag yourself downstairs. you follow the sound to the front door and sling it open.
you gasp at the sight before you. johnny sat on his horse, wearing the same clothes as he was a year ago when he was lowered into the ground; but dirtier, dustier, and his horse’s front leg has too many bends in it to be natural, its jaw hangs too low, its eyes too cloudy.
you daren’t look at johnny’s face beneath his hat, tilted low until your shaky breaths register and he looks up with a growing grin. grim and broken and hollow. his eyes are a cold grey, no longer blue, but clear and seeing unlike his horse. he stares at you as you take in the blood staining his chest, the unnatural, sporadic twitch in his hand as he removes his hat. you gasp a second time, shudder with it, when you finally see the wound that killed him.
a hole in his temple, gaping and splitting out into minute cracks and bruises across his forehead and down his cheek. hairline fractures and ruptured blood cells reaching out like tree roots.
his smile didn’t reach as high on that side but you tried not to dwell. you didn’t understand what he had to smile about in the first place.
“johnny…?”
“in the flesh, hen. come give yer husband a kiss, eh?”
“i don’t— i don’t understand. this can’t— you died. i saw them bury you.”
“aye. ye let them bury me.”
“i didn’t— i didn’t know—”
“ah ken, ah ken. i forgive ye. or i will, if ye let me in.”
you swallow thickly. there was a heaviness to his words that suggested you’d be doing more than just letting this… man, your husband, back into your home. you know he meant more than that.
“it’s late, johnny.”
“all the more reason not to dawdle. ne’er thought you were one to waste time even if ye were skittish.” he eyes your gun, held in shaking hands but still aimed higher than the steps before you, not fully dropped yet. “ah see ye’ve gotten past that in my absence.”
“it’s late.”
johnny huffed through his nose like a bull. angry like one too.
“so ye’ve said an’ ahm well aware. hen, let me in, before dawn comes knockin’. now, c’mon.”
you frown, clear your throat even as it felt full of cotton.
“what— what did you say to me on my first morning here after we woke up together?”
he squints at you, clenching his jaw tight before letting his unnatural smile stretch back across his lips. “forgive me if mah memory’s spotty but ah think ah said ‘good morning’.”
you raise the gun and point it towards him. “me and johnny never shared a bed. he left me alone here that first full week and he took the chair downstairs when he did stay. always.”
johnny’s grin turned mean in front of you, the cracks splintering further across his face.
“i was happy to try an’ do this the nice way, but now…” he threatens, twisting to drop off his horse.
you shoot him in the chest when his feet his the ground but the bullet doesn’t stop his even pace, doesn’t even startle his horse, and you feel dread finally rise above your adrenaline and chill you to the bone.
“shouldnae a done that.”
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soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart
sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers
and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure
the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish
soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down
he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill
we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan
he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost
he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them
he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted
he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much
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i kinda don’t get people who characterize maccready as like… secretly generous, or having a heart of gold or anything. like don’t get me wrong i don’t think he’s downright malicious or anything, but the dude is absolutely a selfish jerk once you get past the charming facade. that’s the part that’s compelling!
like, he’s nice enough and open enough with the player once you get high enough affinity with him, but his reactions to player actions still point to him being a jerk overall. the sosu just happens to be in His Circle of people he can be vulnerable with. that includes you, his son, and maybe daisy. everyone else can kick rocks, the same way it was in little lamplight
he HAD to grow up with that kind of “us vs the world, every man for himself” mentality in the capitol wasteland. doing so otherwise gets you killed or taken advantage of, which is just protracted death anyways. having grown up in a place where slavers run rampant, people are all pushing each other further down just to boost themselves up and live one more day, and it’s literally impossible to make renewable food sources because the ground is so poisoned i genuinely don’t blame him for ending up a little tight fisted. the fact that he was the mayor of little lamplight just meant that he ended up being able to accept a few people as His To Protect instead of being a total lone wolf.
the way he reacts to the players open generosity isn’t just for show, he Actually Dislikes when you give stuff away without expecting anything in return. you might need that thing and now its just gone!! that person might see you as a sucker! you give an inch and they’ll take a mile! and it makes sense for his character to be like that considering everything. i don’t get why people want to change that into him just being kind of tsundere.
i understand that having your babygirl blorbo comfort character be a canonical asshole in ways that aren’t just kinda charming can be offputting, but like…. the way he treats the sosu is a very notable exception to the rest of his life & it’s a much more interesting dynamic imo. especially if you’re playing a goody two shoes martyr. but that’s just me
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