#yet still functional

[thicctails]

WHOOO! LET'S GO GANG WE'VE GOT MORE HALF DEAD TRAUMATIZED KIDS!!

[solarpunkani]

Late night wishful thinking but like

I think planting funky things around retention ponds should be more normalized!!

Like okay I get it retention ponds are meant to hold the runoff water from parking lots and drive throughs and the like so they aren’t exactly the cleanest water around. But like!!! Maybe this is different in other areas, but the only plants I ever see grow around retention ponds are cattails!! Which, like, are fine and great and dandy lets go cattails, but like

Where’s the whimsy?? Where are the flowers?? If I’ve got to see retention ponds whenever I go to a store or drive down the highway or pick up food for my mom, at least bring in some flowers!!

And it’ll benefit so much! A wider variety of plants can make it a more welcoming home to wildlife! Maybe the plants will filter some of the runoff stuff and the water can then be nicer for even more wildlife! Maybe the flowers can be a nice food source for butterflies and bees on their journeys and day trips!! And humans like seeing things be pretty!

Maybe its easier said than done! Maybe most places already do this and its just my city or state that doesn’t really I’d be willing to believe that! But lets get some color in these goddamn retention ponds!!

Swamp milkweed! Aquatic milkweed! Pickerelweed! Water lilies! Irises! Cardinalflower! Fuck it, put some goddamn duckweed in there!! Get some color in those things or so help me!!

[kingofattolia]

Honestly I cannot overstate how much seeing Hayden as TCW Anakin changed EVERYTHING. Matt Lanter's Anakin is a frat dude. He wears a backwards baseball hat and says vaguely offensive things without realizing, while being a fundamentally chill and outgoing guy at heart. Hayden's Anakin is... not that. His voice. His expressions. His physical presence. It's off somehow. It's just left of normal. It's completely unremarkable and yet deeply uncanny for reasons you can't quite describe. TCW Anakin was always a flatter, blander portrayal, but I don't think I realized until now what exactly was missing: the serial killer energy. The inarticulable conviction that SOMETHING unhinged is going on behind those eyes.

[getyinyusedtoit]

"speak normally"

[asoftwrongness]

instagram | prints

[wispurring-moss]

whatever might be wrong with me at any given moment—mentally, physically, emotionally, spiritually—these two can fix me, i believe this to be true with my whole entire heart,, <'3 TwT9''

[ganondoodle]

(idk if anyone wants to keep hearing my opinions on totk book stuff but-)

apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this

i dont think theres anything they can do or say that wont make be believe they either

are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all

something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)

given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??

are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )

(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)

[humming-fly]

I'M SO GLAD YOU LIKE MALEVOLENT seminal head roommate media

Thank you I am having a good time I've lovingly added it to my tally of media containing body-sharing idiots who I am emotionally attached to

(I actually don't give too much of a shit about kayn but he helps fill out the roster)

[puffpawstries]

Hanichi but Ichimatsu has a partner who vibes are 'Eats like a broke college student' And drinks 2 liter soda straight from the bottle.

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[astorkes]

concept for my oc, Somni🍓

[i-dreamed-i-had-a-son]

I'm sorry I can't take your call right now, I'm becoming unhinged about Transformers again,,,

[moeblob]

In case anyone who follows me forgot or did not know. Good lord I love Saizo and bless him for finally getting an alt and also bless him for being the only reasonable adult once again (in the paralogues). This man suffers so much from the people around him and the fact even his alt isn't a vacation but more stress is really funny to me (and bad for him, sorry buddy).

Saizo Dislikers please leave it at the door I don't wanna hear it. I've read enough rude tags on my art of him to last me a life time. o7

[shalomniscient]

sevchino req!!! wanna see protective arle to the children please,,,,,,father in action raahhhh

you and me BOTH anon 🥺🥺🥺 ......................

protective || sevchino

cw. none (?)

notes. yeah i like bullying pantalone (and not in a fun way like a bully rahu). sue me. also super self indulgent with no consistent pov dshjjdfhk

"My, my. What's a little girl like you doing in a place like this, hm?"

Estelle hugs the little bear closer to her chest. Her father had told her to stay in the office, but she was taking so long, and it was starting to get lonely...

She lifts her eyes up from the ground to look at the man crouched before her. He has long, dark hair that reminds her of her father's with how soft it looks. He has a polite smile on his face, but it doesn't reach his eyes. And his eyes—something about them made her nervous.

"I'm here with my father," she answers quietly, squeezing her toy. "I was supposed to stay in the office, but..."

The man clicks his tongue. "Tsk. Poor little thing, did your father leave you behind?"

Estelle bites her lip. Should she answer him? Father always told her not to speak with strangers, but it's been so long, and she wants to go home. She knows she'd begged her father to let her tag along, but now, all she wants to do is go home to her mother and Noé.

So she nods, looking back down at the ground. The man sighs, and rises back to his full height. He's tall, towering over her, and the way the lights backlight his form makes Estelle reflexively take a step back. He looks down at her down the bridge of his nose, the silver rim of his glasses glinting.

"Then how about I help you find her, hm?" he asks. "I think I know exactly who your father is."

Despite her apprehension, Estelle brightens. "Really?"

"Really," he nods. His white cloak parts, and he extends a gloved hand to her. But before he can take her smaller hand in his own, an arc of pure, blistering flame snakes around the girls feet, creating a protective, blazing wall. But around the girl, the fires cool, warm and comforting instead of threatening.

Footsteps echo like thunder down the hall, and the man tucks his hand back into his cloak, those dangerous eyes turning sharp, and a venomous grin creeping onto his face.

"We meet again, Knave," he sneers. Estelle turns, and standing behind her, expression twisted into a level of fury she's never seen before, is her father. A blood-red wing pulses over her left shoulder, flickering and shifting in the light. In her father's hand is a mean-looking red scythe, radiating a furious, hungry aura.

"Stay away from my daughter, Regrator," Arlecchino snarls, practically vibrating with rage. She keeps her eyes trained on the other Harbinger as she kneels down, and Estelle runs into her waiting arm. Pantalone watches it all with a deceptively placid smile.

"You know," he hums, "she has her eyes."

Arlecchino glares at him with enough fury to kill a normal man. But as much as she loathes the waste of breath before her, he is still a Harbinger, and Harbingers have always been far from normal.

"Do not speak of my wife," she says lowly, dangerously, cradling Estelle against her chest. Estelle tucks her head beneath her father's chin, one small hand winding tight in her father's jacket and the other clutching her bear plushie. The little thing's fur is slightly singed. Then, her father's gaze shifts from the man and to her, and her eyes soften. "Are you alright, starshine?"

Estelle nods, snuggling closer against her father's warmth. Arlecchino presses a soft kiss to her forehead, then turns back to Pantalone. She dispels her scythe, but it does not make her any less deadly. She considers, briefly, ripping the man before her to shreds; but Estelle takes priority, and she'd hate for her daughter to have to witness such violence, so she turns on her heel and walks away instead.

She will ensure the Regrator understands that her family is off limits in other ways.

[wiremotherofficial]

hmmm

[sparring-spirals]

There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.

(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)

Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.

And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.

And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-

Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.

And then the fog clears, and they are a human.

(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.

Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)

Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.

Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.

Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.

"There is no loyalty with this blood." And after all- only living people bleed.