#yes this is a redraw of that one page

[sunnydinthereal]

go to eep, anxiety!

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next...(Hiatus)

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[linkedin-offficial]

they have a silly relationship

[fahbev]

hello yes I have just finished reading Red Robin can you tell who my favorite character is?

Where are my Tam Fox enjoyers?

[xakuuyo]

Hehe I finish page

I line and then probs scan the full a4 and upload in nice spicy res soon dw

Close ups and context for the long hat below lol

[six-six-cicada]

guy of many forms

[drawn by a fictive. btw]

in order we have:

Normal fucking guy mode. default form in-sys

"I have decided to have an actual physical form today also I'm probably manic"

"If you even so much as look at me I will kill everyone and disable our headspace shut the fuck up and die" aka sensory overload 👍

[homoeroticvillain]

1 year redraw that i am not happy with 👍

[gendervapor14]

finally changed my banner to something a little more appropriate!!

[casawio]

ehehrmrmmmmhhghghhh ccrimemy everything (incoherent thoughts) (12 page essay) (incoherent thoughts) (poetry) (incoherent thoughts) eehehehhhrrmmmmm ccrimeogie......

[pnchinbeez]

I'm pretty sure that's just another David Tennant x sunshine character tropes

I like tall-man!Chilchuck a normal amount (´･ω･`)

[bigfatbreak]

fun fact, when mlp first came out in 2010, I had an entire comic I'd been drawing by hand with markers about my pony ocs which were guards in the royal castle. I still have the original 62 pages. fucking insane. anyway here's redraws of two of them lmao

Garden ("En") the "painted pegasus", who's mother was a zebra and who's pa was a pegasus. he was protag of the comic and YES I shipped him with princess luna WOOO LETS GOOOO

this guy was actually a background character more than anything. he was used here and there but he wasn't one of the central characters at all, he was friends with two other captains who WERE central characters. but I popped off with him so-

BEHOLD!! OLD ASS ART... FROM MY BEGINNER DAYS....

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[keykittygirl]

Macaque hesitated. "Kid, are you sure? I mean, this is pretty dangerous."

"Yes, I'm sure," MK said, his tone leaving no room for argument.

Macaque sighed, pinching the bridge of his nose. "Okay, fine. But if things go south, I'm taking you out of there. Deal?"

"Deal."

"Okay, follow me."

Without another word, Macaque led the way, with MK following close behind. (UIS chapter one by @1shcakes)

I never seen those before...

previous || next (TBA)

--

Wait... What are those thing dripping from that some sort of table...

Anyway...

Remember those comic that I did before about my perspective in UIS? Well yeah I decided to continue it and redraw the first page into two page. And those earlier paragraph are belong to @1shcakes UIS fic chapter one. He's the owner of this AU and he cook a really great story, I encourage you guys to read it, and also you can read it here

Also a reminder, since the fan comic that I make is based on my perspective before the first chapter even released, it'll be a lot of difference from the original fic, since I also make the script before the first chapter out.

Huge thanks to @noteverystarisasun for helping me out with the dialogue and stuff

Anyway have fun reading everyone and hope you all enjoy my fan comic (//v^)

[silverior968]

Redraw of some doodles I did wayyyyyy back and then never posted. Many such cases

[Image ID: Several colored sketches of human versions of TFP characters. The biggest doodle on the page features a human version of Ratchet, drawn as a 50-something year old white man with pale, lightly freckled skin and various scars, including a big one on his chest, and teal eyes, along with sideburns and a goatee. He's holding a tea mug in one hand, and gesturing with the other. The dark spots under his eyes are larger than normal, and he looks tired. His ginger and white hair is messy. His tea mug reads "world's okayest grandpa". His outfit consists of blue trousers and a loose ABBA-shirt. His speech bubble reads "Yes I do look like shit, I'm so glad you noticed. Now can we please circle back to the fact that it's 4am and your elbow is broken." The doodle on the top right of the page is the same design of him from the shoulders up, smiling with his eyes closed, and with an outfit that consists of a red and white zip-up and jacket. His hair is no longer as messy. The text next to the drawing reads "I realized I have a hard time drawing this version of him happy." The last doodle, placed on the bottom of the page, shows him and the human version of Optimus, drawn as a middle eastern man with light brown skin, also aged 50-something. His hair is long, tied into a ponytail and black and gray in color. He also has stubble and various scars, including plague scars on his right temple. He is wearing a black turtleneck. They are taking a nap together, pictured from the shoulders and up. Optimus has his arms loosely around Ratchet's shoulders, both fast asleep. Ratchet is wearing a white zip-up with a red lining. /End ID]

[sebastianseancrowart]

Did I do screen cap redraws of a show I haven’t seen? Yes, yes I did, but he’s my baby boy blue so it doesn’t matter.

Left image is the full page and you really see the difference between putting down a complete structure and essentially going in with only marker. Top right corner has Nightcrawler smiling all in marker. The eyes a little small, the mouth is too low, but my guidelines were all in marker.

Right image has a close up of the bottom left corner of the left image, showing Nightcrawler looking over his shoulder to smile at the viewer. The proportions are much better here and in the next image as I laid down the whole basic structure with a blue pencil first.

Center image is a close up of the bottom right which shows Nightcrawler from the front smiling again but with a closed mouth this time. This one the photo was taken before I finished coloring it in.

These are the screen caps and I put them in the order the pics from my sketchbook are.

[justanimaniac]

"Hey love your art! Do you take requests? Can you redraw an entire one piece page with color?"

Yes but no coloring.

"WHAT??? NO COLOR????? NO! I WANT COLOR! THAT'S NOT FAIR! You're mean >:((("

*opens tumblr and sees more than over 10 new asks with death threats and other 18+ things I can't say here*