#also my new sketchbook is an actual coloured pencil one instead of mixed media so

[homoeroticvillain]

1 year redraw that i am not happy with 👍

[acetechne]

I really love your art! While both mediums that you used are amazing I am fascinated by your traditional art! I was wondering what supplies do you use? I think you watercolour for colouring instead of gouache since it looks much thinner but I could be wrong.

Hi there! I’m so glad you like it :D

I’ve been neglecting traditional art a lot since I’ve moved all around the country in the past three years, so some pieces might look vastly different than others because I have access to different spaces and materials at different times. Tbh, I reaLLLY would like to get some gouache, it’s just that I have been living out of a suitcase while I was in school and wasn’t able to get any ;;

The Secret

GENERALLY however........... my secret is that I’ve been using the same watercolour palette I’ve had since high school :’ ) and I dont know what brand it is because the transparent lid literally fell off and vanished ages ago, it was something that my art teacher had picked out.

(As you can see, my yellow is almost completely gone which is a Huge Problem because I use yellow as a base for a lot of things Especially skin tones. It’s great to have other colours, but a lot of art i do relies on just mixing the three primary colours.)

Most watercolour art I do is using this palette, like this or this or this. Since I brought it with me while I was studying in Toronto, nearly all of the art I’ve done in the past three years with some exceptions has been done with this old boi. I wish I knew what it was because I’m going to have to replace it eventually... I’m back home now so if the art stores here still carry it, I can investigate.

(THIS GOT LONG SO I HAVE SOME MORE SUPPLIES AND RELATED THOUGHTS UNDER THE CUT) (feel free to ask for clarification on anything) (And if you ever need watercolour tips I cannot recommend Watercolour by Shibasaki enough, the man is a god, LISTEN to when he says to use a Big Brush he Means it)

Pricier Stuff

The great thing about watercolour is it’s a cheap and highly accessible medium. If you want strong pigments that last for years, by all means please get something a little pricier. I use a Sakura Koi field set for painting outside or in cafes, like this, this or this or even doing comics like this. Although its great for small paintings, a lot of stuff I do with these tends to turn out a bit washed out because I’m Afraid of using too much pigment which I have to get over. Also, Daniel Smith gives you rich, buttery colours and you don’t need very many tubes to get a gorgeous range of colours and you can even get a “dot card” which is like a little paper palette with a few smears of paint on it for a more affordable price. My tubes have been in storage until just a few weeks ago, so I don’t really have many examples of using them... but I think I used them here. (I even had some dried up paint on my palette when i got back and used it for this and look how rich and vibrant that blue is after sitting dried up in storage for three years).

The Secret... Part Two

However like i said, the brilliant thing about watercolour is its affordability and accessibility. Whether you prefer tubes or pans, you’ll probably find something in your price range thats easy to use and gets you the results you want as long as you practice. I have a set of Staedtler student watercolour tubes I haven’t used much yet that I picked up on a student sale ages ago (art stores, especially ones near art schools, sometimes have discounts for students of all ages at the start of the school year). But you know, if you just want to add a pop of colour to a page in your sketchbook and you’re not too worried about something fading, use that old crayola set from kindergarten! I mean it! If you have one around, dig it up and play with it. This is Crayola, and so is this and this and this! Kids paint works a little differently than other paints (and it fades like HELL if you leave it in the sun, so dont hang it on your wall too long), but it’s great for confidence boosting and livening up your sketches (or drawing attention away from sketches you dont want people looking at lol)

PAPER!!!!!!!!!!

You can get away with using dollar store paints to make good watercolour. You can’t get away with using copy paper. If you have to spend money somewhere, spend it on good paper.

Great news: Canson XL Mixed Media sketchbooks are cheap, come in all different sizes, AND THEY ARE AWESOME!!!! There are haters out there (including Quatsch, who much prefers the Strathmore Soft Covered Art Journal). The paper crinkles because it’s not as durable as Actual watercolour paper, but its fantastic for practicing and putting a light wash on other types of drawings. I love it.

Other stuff I use

- INK: Most of my inking has been done with Staedtler Fineliners. These are good quality pens, especially for technical drawing, because you can paint over them no problem, they dont get mutilated by erasing, and they draw crisp straight lines. However, they don’t angle or turn corners super naturally like a Fabercastell might, even if they are more durable and leave stronger marks. I only just started using Sakura Microns (which I’ve coveted for a long time) and as long as you are gentle with them, I think they’re the best of both worlds.

- TEXTURE: You’ll notice a lot of my art has pencil crayon (CoLoReD PEnCiLs, sorry Americans) on top because i like to beef up the colour and detail. You can use pretty much any kind for this, but I use Laurentians which sadly are no longer produced even though they were THE staple, default pencil crayon brand for Decades in Canadian schools. If you’re lucky enough to find any, hold on to them!

- WHITE: Uniball signo white gel pen babyyyyyyyy

- BRUSHES: I don’t... know, i got my acrylic brushes from high school and I just pick up a watercolour brush or four whenever I feel the need, you can’t really go wrong here. I use waterbrushes for travel which are good as long as you keep them clean (because stagnant water Will go mouldy so don’t leave it in there)

- OTHER: When I get tea from a take out place I sometimes save a paper cup or two and wash them out after i finish, they’re handy for water. I also use glass jars for pesto that I’ve cleaned out because the lids make them easier to sneak into school xD Use one for clean water and one for dirty water P L ea Se

GO FORTH AND CREATE!!!!!!!! Especially now that there’s more hours of sunlight, it’s night to sit outside or in a window and do some painting.

[thisstableground]

Hello! I wanna start drawing again and I'm really fond of your style, I was wondering, do you have any drawing tips? ❤️

okay sorry this took a couple days to reply to because i wanted to think about it, but i think my main advice is to divide up your artistic time into practice and art. this drawfee video on how to practice effectively explains it really well (this section is at around 13 minutes, i haven’t watched the rest of it yet bc it’s a long vid but i bet there’s other good advice in there too): practice is input, drawing is output. practice is learning new information about things you don't know how to do – you're not making a final piece. 

practice is things like:

experimenting with different ways of holding the pen/pencil. holding a pen/pencil for drawing is different than how you'd hold it for writing – you want to hold it higher up, and use looser arm movements. different angles will give different effects (see here). holding a pen for a tablet is different to both a traditional pencil and a writing grip. if you have a tablet that picks up on palm contact, try getting a drawing glove so that you don't have to hold your hand at an unnatural angle. draw different lines and shapes and get used to the different effects you can make.

experimenting with different ways of moving your hand. a general rule to follow here is the bigger the shape, the more of your arm you should use to draw it. a lot of people draw primarily with just their fingers or wrists moving because they feel more control there, which is great for fine detail work but doesn't translate well to bigger sweeping shapes, and thats where you end up with wobbly lines or having to draw several scratchy lines instead of one smooth curve. if you want more confident lines you need to draw from the elbow, or the shoulder. it takes some getting used to but it's definitely worth it for keeping your drawings lively instead of stiff, and your wrist will also feel less strain.

learning to draw basic 3 dimensional shapes. boxes, cylinders, spheres. just draw a whole lot of them from different angles.

learning how to break down a complex form into basic shapes. a good way to do this is tracing – tracing has a bad rap as being stealing, but as long as you're not uploading a traced image and passing it off as your own it's a great way to train your eye to understand how forms work together, particularly for something complex like anatomy. draw over an image and break it down into basic shapes. then try to copy those shapes onto your own paper without tracing. do it over and over until you're better at it. (this method of redrawing is called iterative drawing, it's a great practice technique). 

theres broader practice and then narrow. having a mix of both is good: quick sketching a whole figure some days, other days really focusing in on like “this is how a nose work”. go with what feels right in the moment.

and then the output, the actual drawing, is when all this practice pays off - these are your pieces that you work on to show people, or the things that you want to make, this is where you chase your creativity and passion. keeping them separate really helps to stop your art feeling like a chore and keeps you from overworking your full pieces (incorporating too much practice into your creative art); it also stops you stagnating or becoming frustrated with your lack of improvement (not practicing enough).

you don't have to be super strict with yourself about when to do which thing; you'll probably go through phases of doing a lot of practice, and then phases of doing a lot of drawing.  if you're really struggling with one thing, that's often a sign that you need to do more of the other to balance things out.

other advice:

learn to be bad at art. this is good during practice with things like timed figure drawing or whatever where you just don't have time to make it good, but it's also good in drawing/creating: just letting yourself make “bad” or silly or quick things for the fun of it or to get an idea out. nothing has to be perfect and the earlier you learn to be bad at art the quicker you'll get good at art, and the more you'll enjoy it too

to expand on that, while tablet drawing is great, i've found that i improve a lot more rapidly  when i do at least some of my practice a) on paper but also b) in pen or marker or paint, anything non-erasable. the ability to undo and erase infinitely in digital art is great for full pieces but doing your practices in pen means you're forced to be lot less precious and so you learn quicker how to be more decisive and confident with your lines because whatever you put there, you’re stuck with it.

if you're stuck, try something completely out of your comfort zone. use different materials, restrict yourself to a specific colour palette, ask for prompts, set a timer. sometimes there's just too much choice about what to do and it can be paralysing: giving yourself a totally arbitrary restriction can actually push you to be more creative and to get out of a rut (recommending more drawfee here, their random shapes challenge videos are a really good example of this)

you don't have to find your style. it'll find you. it's good to observe what you like about other people's art and try to consciously think about it, it can be really good to ty and mimic those elements yourself during your practice, but for your actual drawings you don't need to think about your style because as your ability improves it will come out naturally.

this applies mostly to traditional, but try to have your paper tilted slightly rather than flat on the desk – i prop my hardback sketchbooks up on a book. if you have your paper flat then you're more likely to get a little bit of a perspective distortion from top to bottom, especially if you're working from a reference, because you're looking at the paper from a different angle than you're looking at the reference so it can look fine when you're drawing but then when you look at it head-on it's just a little off. it also makes it easier to not hunch up over it and get a backache.

FLIP THAT CANVAS. i don't know why this works but its a time-honoured artist technique for making sure that there's reasonable symmetry especially for drawing people: draw your picture out, then flip it. you'll be able to see a lot clearer where the proportions are off. make changes, flip it again, keep doing that. it's harder with traditional media to do this but if you have some tracing paper you can turn that over, or just take a photo of your work and flip that.

a little frustration can be good if it’s motivating you, but if it's so much that you're tearing up your drawings or wanting to quit, you either need to change up your approach for a while or you need to take a bit of a break. i  know people say you have to draw every day and if that works for you then do that, but personally, i don’t: i go through phases of drawing all the time then not at all for a few weeks, and that works better for me than forcing myself to work on it every day and i often come back to it a lot better because i’ve given all the practice time to actually sink in. breaks are an important part of learning, whether its hour or a day or a week of just walking the fuck away from the sketchbook and doing something else.

stretch your arms and wrists often, especially if you're drawing for several hours. here's the routine i use, it’s only ten minutes but it makes a big difference. and if you've overdone it and your hand or wrist or back is hurting, don't push through it. drawing is surprisingly physical and i’ve fucked my hands up real bad several times not listening to a slight ache and having it turn into full on RSI

i hope some of that helps! there are a lot more specifics i could get into about a million different things but the overall gist of this is that you should be aware of all the different options you have and can dabble in, and try to find a balance of learning and creating that allows you to improve without sucking all the joy out of it.