#yes there will be fiddlestan

[lovemesomeagnst]

Gravity Falls x Carmen Sandiego AU where Stan is an international super thief and Ford is trying to catch him.

More of the au under the cut!!

The CSxGF au (Carmen Sandiego x Gravity Falls) is an alternate universe in modern setting where the characters follow a similar/inspired plot and trope of Carmen Sandiego. It is basically the characters of Gravity Falls, but with the theme of Carmen Sandiego hehe. Definitely took some elements from that show ofc.

Characters and their roles:

Stanley Pines - (Carmen Sandiego)

Ford Pines - (Chase Devineaux)

Fiddleford McGucket - (Julia Argent)

more to come later obviously!!

Slight Background:

Stanley still got kicked out at seventeen and lived on the streets for a while before he got selected and offered a place in VILE. He was already good at theft and all that but his skills improved greatly at VILE. Later when he realised the organisation went beyond just theft to more diabolical things he listened to his moral compass and left. He’s not so homeless anymore cause he sorta stole money from VILE before he left. Sought quick refuge with Shermie’s family first for a few days to get a plan going. Somehow managed to have his nephew offer to hack for him. Ran into Carla later, then recruited Dan when they were making a pit stop at Oregon. Later established a home base at Gravity Falls. Much like Carmen who got her name inspired by a brand, Stan’s alias is named after his car, El Diablo. Wears his signature maroon red coat.

For Ford, everything happens as it does, Stanley gets kicked out and Ford goes to Backupsmore and so on with his life. However, Ford hears about Stanley stealing and being a wanted thief across the globe eventually. Feeling like he has a responsibility to bring Stanley down he attempts to join the Police Force. ACME notices him before he does and recruits him easily due to his intellect and skills. He later calls up Fiddleford and convinces ACME to hire him too.

Cue shenanigans of them trying to catch Stan and fumbling every time.

(Also some angst with plot that I’m cooking but will reveal later)

Also Big Thank You to @skamb3ll for helping me with ideas hehe I love u so much!!

Part one | Part two | Part three | Part four

[mroddmod]

the power goes out during a storm and stan is left to rethink a few things

[seafoamheart]

College Fiddlestan !!

AU by @golden-berry <3

[what-am-i-doing-in-this-fandom]

vampires age in your halloween au? (vampire old man gucket is fun! just curious about the logistics)

old wolf stanley.. so awesome. tail betrays him by wagging when hes trying to pretend hes not a sap

Vampires don't usually age by getting grey hair and wrinkles, but Fidds hurries his aging process by using the memory gun!!

Stan helps him outta the habit, but it still takes it's toll, y'know?

And, I totally love the idea of Old Stan not being able to hide his fondness because he just can't stop wagging his tail when he's with the people he loves 🙏 So cute 🥹

Previous!!

Next!!

First!!

[mulletstanleys]

old men shenanigans, past lover memories

[mrdespondency]

quick fiddlestan doodle

[scurvyboy]

stan pines indulges in self after care

really epic extra image:

[scruncheduppaper]

i cant take it anymore i cant do maths anymore

[thora-otg-xp]

some fem fidauthor and mystery trio for the new years

[scikeyuri]

[mary-james-world-of-shames]

Everyone know oavement on TikTok? Yeah. Love them. Have this comic I made late at night half trying to be sweet and the other half trying to make my sibling laugh.

[madbard]

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[flower-zombiee]

okay going through the tags i've learned that apparently there's some fiddlestan vs. fiddauthor beef so I wanted to make my stance perfectly clear

[what-am-i-doing-in-this-fandom]

MOREE because I actually can't stop, guys help

Anyways yeah the portal thing still happened in this universe 🙏 now they can live together for 30 years fixing it! Hooray!!

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[gamzee-simp492]

I’m gonna add onto my last post about transmasc!Dipper in relativity falls because the idea won’t get out of my head. Also yes you’re free to do art or fanfics of this, it’s not exclusive to me to use. But I DO wanna be tagged in any posts of it, just to see where my idea was taken /nf

NONE OF THESE ARE NECESSARY, ITS JUST MY TAKE ON THE IDEA!! YOU CAN CHANGE, ADD, OR EXCLUDE ANY IF YOU WRITE OR DRAW THIS!

So - only for reference purposes - I’m thinking the deadname would probably be something that also starts with a “May” sound. Maybe Mavis or something like that so that’s how Mabel would get away with being called “Grauntie May” cause “May” is the shared part of the name. And - of course - his chosen name would be Mason.

The RF! Version of bill ((different people have different versions of bill here, so whatever that is)) would call him Dipper, and it would also be his nickname from childhood with Mabel before transitioning. Also in my take on it, the Bill from this AU could be that smile dog Mabel saw from the Smile Dip. And then maybe Bill would be seen in that scene with Relativity Falls.

His journals would have the star birthmark and he’d call himself M. in the book. I also think the whole thing with Pacifica being McGucket would work and he’d address her in the book as Paz or just P.

Some ideas I have for lost pages of the journal would be him talking about his gender and the dysphoria, a few about Pacifica ((pre-portal doomed (as in unrequited) FiddAuthor swap)) and how she helped him transition secretly cause I’d imagine those around him wouldn’t be supportive. Like how Stanford’s parents weren’t very nice to him.

Dipper’s equivalent of that project Stanley broke in high school would probably be something equally simple looking but also equally as ground-breaking. Maybe something that’s sensitive to air quality and Mabel’s yarn ruined it? I need more ideas for that-

They’d have another sibling that’s the relativity falls equivalent of Mabel and Dipper’s grandparents, who then have Stan and Ford’s parents, and then Stan and Ford. Name ideas? I don’t have any lmao

That page on the Dream Hipster ((the one who makes a whole nightmare just for a pun)) would have to do with maybe not being the STAR of the family, or something to do with light or stars maybe? I’d love to see ideas for this.

Aaand that’s all I have. I’d love to see more ideas! And maybe an AU ref sheet? I’m lazy and don’t wanna make it ;-; /nf