#yes i thought this in the shower

[everythingwasnormalhere]

i could keep writing any of the many wips i have but on the other hand...

bunny fake dating + horror au anyone? :3

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[mblue-art]

BAD SANSUARY // [14] tears for owl-bones's event !

"...Killer, it just looks like I have running mascara."

"it's such a look though."

messy kisses and post-nuzzles

[errorkey]

wait i feel like i Need to say something re: the kantbison bondage scene in ep3 part 4

i've been seeing a Lot of people be like "yeah no that scene was really off-putting idk ://"... i think that was the point?

neither of them are actually in the moment. kant is very clearly not enjoying himself At All, and bison is inebriated (and drugged???) past the point of real comprehension.

but that's the thing – that scene isn't about the two of them having sex. it's about them trying to desperately get their hands on what they really want.

the show's established that kant isn't into this stuff in the least (as seen post-fadel's confrontation at the tattoo parlor), but he's willing to suffer through it, to grit his teeth and bear through the quite literal pain. he's willing to do anything, as long as he'll finally be able to get the evidence he needs to be free of these things forever.

on the other hand, we've seen bison state over and over how much he's wanted to do all of this, how he's never been able to find someone to actually hold power over. and now bison – younger brother, "never allowed to make a real decision of his own for even a day in his life" bison – is finally, finally able to take control over someone's life; something that's meaningful, something that matters.

that's exactly why i'd argue that the entire scene isn't meant to be "hot" or "appealing," but rather unsettling and weird (especially with the constant cuts to fadel digging(?) mysteriously in a field, but that's a whole other thing).

TLDR; kantbison's first time may have been passion and lust incarnate, but this one is so far removed from that. because, this time, neither of them actually care about the sex more than about what it means – a means to an end for kant, and a first glimpse at unadulterated power for bison.

[cardinalgoldenbrow]

On the perils of swapping between Operator & Drifter...

An alarm clock goes off at oh dark thirty, like it does every night. Drifter smashes it off. "Ordis, why do we even have that alarm?!"

"That is the Operator's reminder to start another Forma in the Foundry."

Drifter pulls the covers back up. "The kid's sleep schedule is fucked."

A week later, the Operator takes back over, ready to run Elite Sanctuary Onslaught/Hydron until their backlog of kuva weapons are fully leveled. "Wait a minute...why don't I have more built forma?!"

Ordis helpfully informs the Operator, "The Drifter ignores your alarm."

The Operator considers that and says, "It's alright. They're old and need their beauty sleep."

[kacievvbbbb]

Okay so I’ve spent the last couple days on Twitter (@kacievvbbbb if you wanna join me 👀) just fucking yapping about my new found obsession with the idea that Mihawk not only reads but is an active and well loved contributor to the pirate smut genre all across the blues. And I just needed to bring this to tumble to get more thoughts on it.

Here are mine;

- he obviously writes under a pseudonym would be funny if it was an anagram of like Worlds Strongest Swordsman or something.

- he writes essentially y/n fanfiction but he is always the reader.

- he is heavily perfectionist about his detailing of things like bodice ripping and that has lead to many a fun night for Shanks as he discreetly tries to rest just how exactly a bodice ripping would look and feel. Or if this sex position is even plausible.

-this one was a combined effort between @Dior and myself but he writes all the lovers as much more of an active participant in sex than the pillow princess himself actually is and this is because he thinks he is putting in exactly the same amount of work into sex as Shanks is which is laughable.

-Benn features heavily in alot of these RHP smut books. Benn

-He mostly writes RHP smut but he will branch out to other pirates like Crocodile maybe Doffy 👀. This gives Shanks heart palpitations when he finds out all this smut has been written by Mihawk.

- Mihawk almost kills both himself and Shanks by drowning the first time he finds out that Shanks knows about his little hobby.

- Shanks regularly requests they try something from the book and Mihawk has to stomp down the urge to throttle him. But again Mihawk’s reader is a much active participant in sex than he is and he is not a fan of all this work he has to put in even though he enjoys the results. Shanks is highly amused.

- Shanks for the first time in his life becaomes an avid reader with a habit and this confuses everyone that doesn’t know what he is reading and suffers Benn greatly who does.

- Shanks is lowkey very into the stories where the “reader” has sex with other men. He starts setting plans in motion.

- Mihawk also collects a lot of pirate smut a lot of it is about himself as well and this is his equivalent to jerking off. His next favorite people to read about are of course Shanks, Cricodile he is ashamed of just how much Doflamingo smut he owns. Lowkey maybe some King smut too.

- a contribution from someone on Twitter tha I live is that he also grades said smut about himslef and then sends the notes to the authors.

- he pseudonym is well known and well lived in the community.

-this is infact where more than half of his riches comes from.

- yes he also does read marine porn. He steers clear of anything that even remotely mentions garp tho. His favorite marine to red about is Sengoku I don’t fucking know 😭. I can just imagine him seating in warlord meetings shipping Sengoku with random fucking marines and pirates as he is trying to talk about very serious business

- he sure write the well known and well loved “the red haired emperor & me” series which is published in Morgan’s magazine or whatever and Shanks always seeks him out no matter where he is and fucks him good and hard everytime a new chapter goes out.

- he continues to do this while at Cross Guild Buggy and Crocodile are non the wiser. His crocodile descriptions start to get more detailed a clown pops up every now and again in his writing Shanks might be on the verge of a heart attack.

- shanks is a little too invested in the situation some (Benn) would say.

[ziezii]

jetko au where zuko was (uninformed at all, just the councils thought this would be good for him) introduced to his new personal bodyguard

the dude who accused him of being a fire-bender and the same dude who the gaang had told him had died

[shower-phantom-ideas]

Yall imagine Danny getting help from Batman and tells him about how hes on the run (it was a joke in passing smh) and how he has no home (it was ment to be funny man) then all of a sudden Bruce way shows up on a totally casual stroll in his neighbourhood. “Oh look a child who is in need laaa dee daa let me help you poor random child who I have no idea who you are.” As if Danny is an idiot. He isnt fooled in the slightest. He knows when something is up. Batman clearly is using Bruce Wayne to help kids off the street.

Danny is staying at Wayne manner and notices how no one really talks about the bats. Or tif they do Bruce gets this look then quickly changes the subject. Hes putting so much effort into it too. And at first Danny hardly noticed. Now it’s obvious theres a connection. At first he thought Bruce Wayne hated batman with how often he refused to comment or gave his kids a glare when they mentioned the big bad bat. But now it’s clearly something else. Danny got a chance to talk to the commissioner alone and then it clicked. Danny had asked whats Mr.Waynes beef with Batman and the commissioner seemed so confused. Quickly telling Danny about how the two have worked together. How Bruce has even helped the bat with information or a distraction from time to time. Why would Danny think that he hated him???

And BAM Danny had it. Bruce Wayne is dating THE Batman!!! Holy shit it makes so much sense. Danny would often find batgear around the house. Bruce probably got targeted a bunch and thats probably how they met.

Now hes trying so hard to be supported of his clearly closeted father figure. He also gets why it’s not public info too. Paints a huge target on Bruce. Plus his many many kids. Must be hard for them. What a crazy life they live. Jason would probably be so jealous of their literal fairytale romance.

Danny tells Bruce that he is supported by him and that his secret is safe until hes ready to tell anyone else. Bruce niw thinking Danny knows hes batman shows up no mask and Danny goes nuts. “You can’t out yourself in danger to protect him bruce!!! You are just some himbo man!!! He wouldnt want this!!!” Thinking Bruce is going to try and fight in Batmans place.

Then Danny walks up and places a hand on bruces should (he has to reach lmao shorty). “I will go. I will keep everyone safe. You can count in me” transforms snd flys off to defeat the big bad. Leaving a fully stunned and confused bruce.

[marilynshamu]

These are the same shoulders.

[amnenome]

my current hyperfixation is the odyssey which is SO funny because for basically thousands of years people have been engaging in fandom about it. like current fic writers and fanartists etc are engaging in this material in the exact same way as people like james joyce, dante, margaret atwood. its cool that this story is a shared thread throughout human history. but it also sucks because to fill that fanfic desire I have to read classic lit instead of just browse ao3

[occasionallyprosie]

Thinking about the Hero's Spirit

Okay, so, when Time left the Adult Timeline... he took the hero's spirit with him. There was no hero's spirit to reincarnate when Ganondorf re-emerged and (as of the goddesses flooding the world) no other spirit born that could become the bearer of the Triforce of Courage.

Until Wind. Wind, whose spirit is its own spirit, came and becomes the embodiment of courage unlike any other hero. He forges his own spirit into one unbreakable, restores the Triforce, and defeats Ganondorf at the age of twelve.

But his hero's spirit is stubborn in a way everyone else's is not. He doesn't need the goddess to bless him with reincarnation, he wasn't even born with the Triforce of Courage (due to the fragmentation) he restored it and out of sheer will became the one to bear it and he knows it. So out of sheer will and stubbornness, he reincarnates.

Enter Spirit. Spirit, who is a hero in every right, but he doesn't follow the beaten path because Wind's hero spirit doesn't do that. He chooses to be an engineer instead of a hero or a knight.

But then the timelines merge, and suddenly, there's two hero's spirits? What? Well, obviously First's goes to Warriors, but where does Wind's go?

Linkle. Linkle, because their spirit doesn't follow the beaten path, it makes its own path, it sails through the waves rather than with it, it forces the winds to yield to its call and its power, the limits of death does not bind it, the expectations of ghosts of the past does not force its hand.

First's, Sky's, and every other hero's, their spirit is one of tenacity, one of pain and suffering, one that can take every hit and still stand and fight. They share a spirit of determination, one of courage, one that is unbreakable because it will stand in the way and be the immovable object that will always be there to hold back the darkness.

But Wind's spirit? Wind's, Spirit's, Linkle's, their spirit is also one of determination, but theirs is one born of choice, theirs is a spirit of free will, of stubbornness and a need to stand their ground. They were not forged by pain like the others, but by love (for Aryll, for Phantom/ST!Zelda). They take every hit, but they don’t stand because they can and they must, they don’t get back up because they have this undying need to endure and to persevere, they get back up because of their loved ones and the people they protect. They are the unstoppable force that drives darkness back.

Don’t get me wrong, the original Hero's Spirit is still stubborn, those heroes are still an unstoppable force, they are still seeking to protect the people they love, but if you have a hero hated by all, a hero who has nobody they should logically be trying to protect? They would still fight because that's what's right, that's what their heart is like, the whole world could hate them and they'd still protect it because 'the people in that world deserve to be saved'. The Adult Timeline's spirit is much of the same, they are similar in spirit, but there are differences.

The original spirit is a forest, one that will never truly be destroyed because something will always survive and that something will regrow and restore the forest that once stood.

The second spirit is a river, carving its path through mountains and valleys, overcoming insurmountable odds and creating great canyons. Nothing can stop them for good.

[viperwhispered]

I don't know about you, but I find shared baths deeply intimate. Mostly cause first you have to be very comfortable with the person you're bathing with and there's an intense feeling of safety that you boundaries will be respected.

Apply this to Jamil who is arguably the most paranoid man in all of TWST. Imagine he and his s/o are getting serious and Jamil is finally starting to really open up. It's also the stage where things are getting steamier, so to speak.

As both a sign of trust and a way to get used to each others naked bodies, the couple starts bathing together. The physical vulnerability of it since their both nude is further amplified since they have to wash/touch each other. That in itself requires a lot of trust.

Just imagine this: gently applying shampoo into Jamil's silky hair while he rants about his day, slowly revealing more about his past and insecurities. Then they switch and now the reader is the one opening up about their struggles while Jamil massages the soap onto their back. Kissing any scars they might have, talking about the most random things, playing with the water, and just enjoying this moment between Jamil and his beloved. Jamil is just so busy that he relishes being able to just enjoy their presence close to him.

There's also a strong desexualizing element. Jamil and the reader likely grew up with a notion that nudity is embarrassing and should only happen with a sexual partner. While this statement is technically true, they aren't in a sexual situation. They're trusting each other to respect their boundaries in such a way that the way they view each other goes from "potential sex object" to "a body that so happens to belong to my dearest".

Which further adds to my hot take of the "If evil why hot" route with OB!Jamil being pre-relationship.

Also, fun concept: washing away blot.

Imagine they're at the very end of the overblot Jamil boss fight. The phantom is defeated but there's still some blot left. So the reader pushes him into the river created by Kalim and holds him there as the water washes away the blot. When he starts calming down, they gently start rubing the blot off. Slowly trekking their fingers through his hair as the snakes dissappear. By the end they're left with an exhausted sulky wet Jamil. The reader then kisses his forehead as they wrap a towel around him.

Aww there definitely is a lot of potential for sweetness with stuff like this. I mean, having someone wash your hair, cleaning up together… It really can feel so intimate and vulnerable.

Now, I feel like I should add the caveat that I'm Finnish, so I'm fairly used to seeing other people's bodies in the sauna, for example, and the whole concept of nudity = sex is not quite so strong for me, personally. (Though personally I'm not likely to go to a mixed sauna, especially with strangers, but still.) So my perspective for the nudity aspect may be a little bit different, though I do definitely agree with these scenarios being intimate and potentially vulnerable. Like, you really do need to let your guard down to let someone see you bared like that, no hiding behind your clothes (or status) or anything else. Just, people, together.

Which definitely ties into that whole opening up for each other. We always tend to say that people are equal in the sauna, and it (perhaps surprisingly) is a good place for those deep, intimate conversations. So I can definitely see that same vibe for this bathing together, too.

Also just, the thought of squeezing into the tub together, trying to figure out how to adjust everyone's limbs and bodies so that you're both comfortable in there (and covered by water enough to actually get to enjoy it). One of you wrapping your arms around the other, holding them close, it's just… So sweet, and intimate, and also you kind of have to be “normal” about it to make it work (I don't really have the words for these vibes, just, yes it's intimate and vulnerable but at the same time you kinda just have to treat it as a normal thing if it's gonna work).

Just eugh I love this concept so much.

(Also now I'm definitely wondering how the twst guys would feel about sauna, perhaps even with the whole “run off naked to the lake to cool off a bit and then go enjoy some more heat” extra shebang.)

Oof that washing off blot, though… Oh it's going straight for my heart 😭 Just the whole I'm still here for you, I'm here taking care of you, let's wash away what happened (both literally and figuratively). Oh boy what a concept ripe for being picked apart.

(Also for some reason it's making me think of like washing off bodies for funerals, but in this particular case more in the sense of washing off the old self / what happened, something to allow rebirth or something. Or like, this could've destroyed him, but didn't. Idk, there's just so much one could do with this. Maybe it's just the talk of being washed in a river specifically that's making me think of like Lemminkäinen’s mother and all sorts of stuff.)

[lunasdestiny]

AND ANOTHER THING ABOUT WOOLY!!!!

Spoilers below cut.

So according to the secret tapes from 1 & 2, Hameln is using the show to teach kids to not listen to parents and other stuff that genuinely shouldn't be taught to kids.

Meanwhile Wooly is actively discouraging that. Always saying we should ask an adult or how doing certain things seem dangerous in both games. The opposite of what the show is supposed to do in Hameln's eyes.

Here is my theory:

I think he was brought in by Hameln to be her friend/co star (maybe watch her like some theorize). Who knows maybe he was a fan of OG Amanda and got the opportunity to be part of the new show. But like Sam, they didn't tell him the truth about their intentions. So once he was on the show he probably thought it was all gonna be fun and innocent until shit started going down but it was too late to leave. Like, he clearly doesn't like what's happening either. Maybe Hameln told him that his job was to make her happy.

Another thing I noticed is that in the first demo and in 1, he is trying to warn you about something. Also "we don't have much time" "do you trust me?" "whatever you do, dont-". What does he mean?? What exactly is he trying to warn us about??

In the demo he even tells us to destroy the tapes...ring any bells??

It's what Joanne and Kate were also trying to do. In 2, If you get the ending where Joanne DOES destroy one with a hammer you see a light escape from it. In the secret ending she says someone came to her and told her the only way to see her brother again is to destroy the tapes. Which leads me to believe that souls of children ARE trapped inside the tapes. Which is what Wooly in the

[total-drama-brainrot]

Just thought up a really good basis for a Gweather fic, but it's almost 7am and really need to get some sleep.

Making a note here for future me: Make an outline for this idea. You know the one.

[yo-ye]

SatoSugu are soulmates while ItaFushi are fated to be

[sunshine-of-my-shoulder]

Milgram has gone woke 😱

HERuka

YuNONBINARY

FEMta

Muu

SHE/HERdou

MSPECahiru

Kazui

ASPECmane

BIkoto

YUzuRIha Kotoko

Es

Jackalope