#yes i also write

[kuro-is-doodlin]

Still alive, a silly lil fic

[spoiler for in stars and time after the cut, up to the end of act 4]

Loop 1020

You can barely move anymore... Barely speak. Your throat is sore, sharp, you feel a hundred needles constantly piercing into your flesh. Your body hurts, shakes like it's about to fall apart every time you try to walk, and when you do, you usually collapse within a few minutes. You've been stuck in that clearing for, how long?... you can't.. remember.. but if you had to guess, you'd say you haven't got up on your feet in around a week.

You haven't made them happy, in a long, looong time.

You can't.

They don't believe your smile anymore, your act, but you can't blame them.. Have you looked at yourself recently? There's no way anyone would believe you're fine, because you're not....

You're not.

YOU'RE NOT! YOU WANT TO GET OUT OF HERE!!

YOU CAN'T TAKE IT ANY LONGER !!....

...

You breathe. Try to, at least. It doesn't work as well as before but... It does the trick, It... calms you down, a little.. Just enough.. To keep going...      

…

You can't make them happy anymore, they can't become stronger.. So what? This script didn't work anyway... And all you can do now is worry them, every time they see you... They ask what is wrong, why you're so tired when, "yesterday", you looked fine as usual...Why you speak even less...

It’s pathetic. You've become quite the bad actor, Siffrin.

[beepboopappreciation]

Is this anything

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[corkinavoid]

DPxDC Unhinged Feral Boyfriends

The whole Batfam is under the assumption that Damian is the feral child. The assassin, the wild one, the demon brat that bites and stabs. Jason usually takes the second place, what with guns, heads in the duffelbag, and being a crime lord.

But Tim? Come on, even Duke is more feral than him. Tim is a nerd, and he keeps to his own devices most of the time, and, sure, sometimes he is plenty unhinged. But he's okay. Seventh place on the unofficial List of Feral Bats.

He's got a boyfriend lately, have you heard? Tim hadn't brought him to the manor for dinner yet, but each and every Bat and Bird have already seen the guy - in person or through the surveillance cameras or background checks, doesn't matter. Either way, Daniel Fenton is quite literally a ray of sunshine.

They look very cute together.

That is, until one day, they witness Danny and Tim rip Joker's ribcage out of his chest.

Nothing could have prepared them for it. It was just another patrol, just another night of fighting crime, nothing out of the ordinary. Sure, Joker was on the loose, but so far, no one has tracked the Clown down or seen any of his goons.

But then, Red Robin's tracker went offline. The Bats started searching for him immediately - his last recorded location, his trackers, his route, everything. But when they managed to find him...

Well.

They didn't only find him in that warehouse.

They found Joker, choking on the ground and clawing at his own neck, like trying to force some air inside his lungs. Over him, Danny was squatting on the ground, his eyes thoughtful and not worried in the slightest, tapping on his chin. And, just a step behind him, Red Robin is holding a fucking ribcage in his hands, studying it with calm curiosity.

"Should we put it back now?" Tim asks, relaxed and easy, like they are speaking about whether they should or should not get another box of cereal in a store.

Danny shrugs, "I mean, if you want to. It's not like he's gonna die in the next ten or so minutes, you've got time."

And then, as Batman makes the slightest of noises, Danny's head snaps to him, and the boy smiles, cheerful and bright. Like the ray of sunshine he is.

"Hi, Bats!" Then he blinks and looks down to Joker, who is already frothing at the mouth, "Oh, don't worry about him, he won't die. Red's just putting a tracker in his manibrium."

"I figured it'd be easier to find him next time if he can't get the tracker out," Tim nods, unbothered, as he is tinkering with the ribcage in his hands before passing it back to Danny, "Okay, done. Put it back."

Danny takes the ribcage and presses it to Joker's chest. And, before they know it, the bones sink inside the man, like a hand in a bowl of sand.

Danny wipes his hands on his jeans and stands. Tim smiles at the Bats, none of whom know what to say and where to start.

The next day, Joker is back at Arkham with a tracker in his sternum, Danny is invited to dinner in the manor, and Tim takes the first place of the Feral List, with a note 'never leave unattended when Danny is nearby'.

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[ruby-red-inky-blue]

hello, sexiest man alive committee? yes I'd love to nominate Lou Wilson and Brian Murphy for attempting to speed-write an actual in-universe 300-word essay in 5 minutes of real time as Fabian and Riz posing as Fabian with complete earnest and a 120 percent commitment. both this effort and the incredibly smooth hand-off in the middle of it was maybe the most attractive thing i've ever seen a man do

yes it's a dungeons and dragons show. don't put me on hold. hello

[lucabyte]

monologue

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[weirdsociology]

hey writers we have to talk.

if you've read any romance or fanfic in the past twenty years (i know you have), you know that there are a certain number of scents associated with hot dudes. you can probably recite the list of Things Men in Fic smell like in your sleep: leather, black pepper, pine, sandalwood, "something uniquely him", clean sweat, and if the character has ever fucking been within 50 yards of a firearm, something called "cordite".

here's the thing.

NO ONE SMELLS LIKE CORDITE.

cordite was a highly specific type of smokeless gunpowder developed in the 1890s by england specifically and used mostly in wwi.

if your good-smelling guy is not (a) english (b) using a very specific type of british rifle (c) dying in a trench in flanders, he does not smell like cordite. technically even if he does meet all those conditions he still doesn't smell like cordite because he smells like trenchfoot.

the point is, cordite is so far from universal that no one but the most hardcore gun nerds give a single shit about it. making your Sexy Hero smell like cordite is like naming a cassette-only bootleg live recording from the 1970s as your favorite grateful dead album. everyone at the party hates you immediately and knows you're doing it for clout. also, it's just factually... wrong. please stop. i know everyone else is doing it, but you can do the right thing here, i believe in you.

so what do people who are using guns smell like?

well if your story is set before the late 1880s, the smell of a fired gun is black powder, which, unfortunately, smells like seventeen flatulent cows have been shoved in a tire factory. trust me, you do not want your Hot Dude to smell like black powder. it's b a d.

if your story is set after the late 1880s, guns are using some variety of modern 'smokeless' powder - which speaking broadly doesn't really have a ton of scent when used. it does have some, but it's sort of non-descript: the best way i can describe it is the sweet, ozone, hot-plate smell of popping your car hood with a warm engine.

people who use guns a lot don't smell like fired guns all the time anyway, so while those scents might work in a fight scene, they're not realistic all the time. but there are some things that your Sexy Shootist will smell like basically 24/7 and that's metal and gun oil. metal you can go and sniff (i recommend non-stainless steel), but if you want a reference, most gun oils have a sharp, organic smell that's not dissimilar to canola oil but muskier and with a tang overtop. it's not unlikely leather is in the mix as well due to routine handling of leather equipment and gear. modern gear also tends to have a certain smell although it varies by production country and storage conditions - lots of opportunities there.

in conclusion: gunslingers and hired killers and military folks can be sexy and smell great on page, but i am begging you not to say "cordite" when you mean "gunpowder" ever again. we can do this. we are writers and therefore pedants. i believe in us!

[bluerosefox]

Mama Bat

There was a baby in the Batcave.

There was a baby in the Batcave.

There was a glowing, white haired, Lazarus green eyed baby floating in the freaking Batcave!

A baby that was currently wearing a superhero themed footy pajamas and making tiny circles in the air as they coo and make spit bubbles.

A baby Cass had found while on patrol... in Hong Kong before suddenly and somehow appearing in Gotham. In the Batcave.

Along with them, sitting innocently on the batcomputer chair was a baby bag (themed after Black Bat somehow) full of everything a baby needed a glowing green sticky note with purple handwriting on it.

'Cassandra Cain-Wayne

Take care of our little Ghostling. Everything will make sense in due time.

P.S Daniel enjoys the stars.

-CW'

By the time Bruce finished reading the note aloud, Cass had manged to get a hold of the baby who was making happy noises and patting her cheek.

And a second later a blinding light overtook the baby and once the light was gone, the baby now had black hair and bright blue eyes.

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[wardingshout]

Zelda goes mushroom girl

[biggest-gaudiest-patronuses]

woke up and someone spilled vanilla extract all over my dash, so as punishment you strange little beasties are getting all the VANILLA FACTS i know:

vanilla is the 2nd most expensive spice in the world (2nd to saffron)

which is why more than 99% of what we call "vanilla extract" is actually vanillin (vanilla's dominant flavor compound) and is not extracted from real vanilla.

luckily, even professionals struggle to tell the difference when it comes to things like baked goods. but there is a distinct difference in non-heat treated products like vanilla ice cream. real vanilla has a more complex, individualized flavor profile.

why is vanilla so expensive? because it is a ridiculously delicate & demanding crop. complete primadonna.

vanilla beans come from vanilla orchids. these crazy flowers bloom for A SINGLE DAY and have to be HAND-POLLINATED in a process that is exhausting, delicate, and requires specialist knowledge passed down over generations.

then, if you're lucky, you get vanilla beans.

which then require months of further specialized treatment.

the entire process takes about a year and can go wrong at any stage

vanilla has been cultivated for over 800 years (possibly much longer). the first known cultivators are the Totonac, an indigenous people of Mexico.

the Aztecs used it as a sweetener to balance out the bitter taste of cocoa. it was popular in a drink called xocolatl--the precursor to modern hot chocolate!

it is only pollinated by a very specific orchid bee!!!

which is why no fruit could be grown outside of Mexico until the 1800s

Edmond Albius, born into slavery, invented the pollination method we still use today--launching a global industry when he was just 12 years old.

today, the majority of the world's vanilla is grown in Madagascar

if you want real vanilla, read the labels carefully--it's harder to find than you think!

in conclusion, those tiny black specks you see in fancy vanilla ice cream? those are vanilla bean seeds! itty bitty orchid seeds!!! they are delicious and also a PRISSY BITCH!

(src)

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[feralforbeanix]

Manfred Von Karma did not burn Phoenix's letters to Miles.

Like, I'm not even saying this to defend Manfred's character (though the fanbase does get a little crazy with what he actually did and didn't do) I'm saying this because that's not canon. I'm not sure it was even possible in canon.

Phoenix didn't write letters to Germany. He didn't know Miles was in Germany, let alone Von Karma's address. He didn't even know who Von Karma was until Edgeworth told him about Manfred in Turnabout Goodbyes.

In the game canon, Miles just stopped showing up to school one day. All Phoenix seemed to know was that he transferred schools suddenly. He didn't know why or where to. Remember, Phoenix didn't even hear about DL-6 until Turnabout Sisters when Maya mentioned her family's involvement.

Even in the anime canon (I haven't watched the anime in a while so I might be off about this) where Phoenix and Miles get a chance to properly say goodbye, Phoenix still doesn't have a direct means of contacting him. His best way of doing so was dedicating a song through the radio using Signal Samurai codenames and hoping Miles would hear it.

Phoenix mentions trying to contact him several times when explaining their relationship to Maya, but this was after finding out Miles was this "Demon Attorney". Miles would have to be at least 20 at this point in time, living back in California with at least a few trials under his belt. With how young he reached success, it's not impossible Miles was living on his own at the time. Even if he wasn't, I doubt Manfred was going through this grown adult's mail.

No, what the game seems to be implying is that Miles ignored Phoenix. (Maya even says, "I guess he didn't want to hear from his old friends.") And I don't think this was out of hatred or anything, I think Miles just wanted to forget his past entirely because even the good memories of his childhood would be bittersweet at best.

And to be honest that makes it even more tragic to me. Why do we need Manfred to intercept their connection when Miles' trauma and guilt complex is already doing that?

I like to think Miles knew Phoenix would be asking questions if he ever responded to those initial attempts at contact. Questions he of course doesn't want to answer because they'd at best open old wounds or at worst risk his childhood friend finding out he might have committed patricide.

I also like to think he knew Phoenix of all people would stubbornly try to find the answers Miles wouldn't willingly give because he literally mentions Phoenix always being "single minded in his work" and "always seeing things through to the end". If anyone was going to press and bring those uncomfortable and painful memories out in the open for the sake of "helping him", it would be Phoenix Wright.

Why do we need Manfred to take away all that complexity and tragedy? That is such a waste!