#yes even in the og

[lovegrowsart]

just FYI that while i do have problems/criticisms of some elements of natla, i'm not really interested in lambasting it to the heat death of the universe because its clearly got enough haters already and i'd rather focus on the things i enjoyed about it. the things i have problems with can be improved if they get renewed and i think it does deserve to get renewed because it has a lot of heart and potential to be a good story and good adaptation (just like atla book 1 wasn't exactly a masterpiece but was given the chance to grow into itself and the characters)

[poorly-drawn-mdzs]

Started a new book series, and has been a journey...an Odyssey, if you will.

[cry-ptidd]

Beast

[artkaninchenbau]

Wanted to make an Egghead-themed sticker sheet for a looong time, and once I got to it I noticed had enough room for a few more extras after the Strawhats were done... So here's some Cross Guild chibs for you

[intotheelliwoods]

them. Take them. The sillies

[anendtopursuit]

i think i'm hilarious actually. a comedic genius. some kinda wise guy

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[starry-bi-sky]

im having more fem Danyal thoughts. But specifically I've been thinking about Dani in this au. Now, Fem Danyal is just the alt. version of Danny to my other DAG au, which means she follows that lore. that being said. Danyal and Dani already had a pretty rocky introduction in the first place, ANd if we follow canon's setup, Dani in fem!Danyal's world would be a boy rather than a girl. I'm gonna call him Ali for easier difference (my train of thought was Daniel -> Eli -> Ali). While Danny may resemble Talia more than Bruce, Danny and Damian still look very similar to each other. Their blood relation is unquestionable.

You can imagine how fem Danyal might feel, walking into her room one day after school, and finding a little boy on her bed who looks, at first glance, like the little brother she loves to death. If meeting Ellie triggered Kill Bill Sirens in Danny's head, meeting Ali bass boosted them. For a terrifying, fleeting moment, Danny thinks Damian is right there. That somehow, her clever, intelligent little brother found out she was alive and tracked her down.

She slams the door shut, completely at a loss for words. Her heart has nearly stopped a second time. Then she realizes: this boy's eyes are blue. Not green. He looks too old to be her brother. His jawline too narrow, his hair too messy. As he talks, his voice is not the same as the sparse few videos on the internet showing Damian speaking. This is not the child she helped take his first steps with, nor the child she watched utter his first words. This is not the boy whom she taught to pick up a sword; this is not her brother.

Safe to say, Ali gets a knife pulled on him much, much faster than his female counterpart did. He lives, fortunately, but their relationship is unsteady and rocky even after Ali betrays Vlad and joins Danny.

Danny is unsettled by him, not for being her clone -- although that plays a minor part -- but because every time he drifts into her peripherals, she keeps thinking it's Damian. And it spooks her half out of her mind. She gets her hopes up at the same time her heart drops, then she turns her head, and it's not Damian; it's Dani.

It's also why she won't call him 'Dani', it's one letter too close to 'Dami' and she's afraid she'll call him that if she's not careful. So when he brings it up jokingly, she immediately shoots it down; "I'll call you Eli." instead. (Ali thinks she's boring -- he thought 'danny with a y' and 'dani with an i' was funny. Frankly, so did Danny, but she's too uncomfortable with the idea of calling him Dani.)

When he asks her why, she lies and says it's to prevent confusion. When their relationship is better, "Eli" eventually becomes "Ali".

("Why Ali?" he'll ask her, with an ear pressed against her ribs while Danny coils one of his curls around her finger. She's steadily become more and more affectionate; Danny has the impeccable ability of making it seem so forced and stiff and natural at the same time.)

("Do you not like it?" She'll ask him, voice stilted and unsure. She's got her heart in her throat, but she's starting to stop seeing Damian whenever she looks down. "We can keep it Eli if you'd like.")

("No, no. I like it. Just... why Ali? Does it mean anything?")

(Danny will smooth her palm over Ali's forehead, scratching his hairline with her nails, and feel embarrassed. She'll be silent until he looks up at her, and then she clears her throat. "It means eminent; exalted; noble.")

(Ali stares at her in dead silence, long enough that she starts to grow worried. Then tears bubble up in his eyes, and for a moment Danny thinks she said something wrong. "I lied;" he croaks, "I love it.")

(She will hesitate, and then wipe the tears off with her thumbs. "Ali al Ghul," she'll mutter, "but that name is for you and I only. To the world, you're Ali Fenton." Perhaps she shouldn't be giving him her mother's last name, but he is of her blood now too.)

[plague-of-insomnia]

I don’t know why this is such a difficult concept for the fandom to grasp.

[circle-around-again]

wwoww i wonder why he's so messed up

[ba1laur]

you better not be trigun twins gnc as fuck chapter 20

[uncharted-constellations]

Miles 🩷

Anyways it’s really cool that marvel had a character who was suddenly introduced into a new timeline where they didnt previously exist and has to deal with the ramifications of that alongside the loss of their previous mentor figure and friends.

And its really on brand that they barely explored any of that with miles and made up a new white boy with some extra fanfiction style sad ritz to have that storyline instead 🤡

[autism-alley]

hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.

the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.

the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.

so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.

something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?

the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.

it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.

[aschenbroedel]

posting my response to this eah confession about dappling and the implications of destiny so i dont lose it when i want to write more later:

[my-pjo-stuff]

The day the PJO fandom stops overhyping Percy's strenght and realizes he would have died 10 times over if it weren't for the gods or other special help is the day I can die in peace.

[evelynpr]

FINISHED WATCHING MHA MOVIE 2: HEROES RISING!!! SPOILERS AHEAD IF YOU HAVENT WATCHED IT

OH MY FUCKING GOD THIS WAS SO GOOD YO HOLY FUCK I LOVE IT AAAAAAAAAAAAA

This was truly My Bakudeku Academia. Watching that final battle felt like a religious experience- as if I was watching the birth of Christ. Holy fuck if that really was the original ending, with Deku passing OFA to Kacchan, and the whole "Oh it actually stayed with Deku and Bkg got amnesia" didn't happen, this would have been a dramatically different story moving forward.

Horikoshi really loves Bakugou- like absolutely no question. The story following this kind of ending would be about him continuing OFA's legacy with the guilt of a thousand suns on his shoulders for "taking away" Izuku's dream. Izuku would have continued the hero course as an actual quirkless student. I would love to see aus of this being canon and continuing their story from there.

I'm guessing Nine here was supposed to be AFO, and he would basically be gone too. Katsuma is perfectly set up to be the next protagonist (I can already imagine him using Cell Regeneration as Super Regeneration- he could become invincible while also healing others. Incredibly amazing quirk).

NUMBER ONE COMPLAINT I HAD WAS ADDRESSED. THE REST OF THE CLASS ACTUALLY DO FEEL STRONG AND USEFUL AND EVERYTHING AS SHIT I LOVE IT AAAAAAAA

YES MY GIRL OCHAKO FINALLY HAS HER BIG MOMENT FLOATING SO MUCH DEBRIS!!! I'M SO HAPPY- EVEN JIRO, AOYAMA, SHOJI, TOKOYAMI AND MORE HAD LEGIT GOOD SCENES AND FIGHTS I'M SO FUCKING HAPPY YEEEEEAAAAAAAAHHHHHH THEY ARE SOOO COOLLLLL THEY GENUINELY GAVE IT THEIR ALL FUCK YEAHHHHH

(note. THAT WOLF GUY CALLED SHOJI UGLY- A FELLOW HETEROMORPH, CUS HE WAS PROJECTING HIS "MONSTER" ISSUES ON HIM HOW FUCKING DARE YOUUUUU)

THEY ALSO MAKE IT ACTUALLY MAKE MORE SENSE HOW THE WHOLE CLASS IS SEPARATED ON AN ISLAND TOGETHER AS A WHOLE CLASS THIS TIME TOO (and not just half like last movie). They even managed to tie it in to AFO, the LoV, and Hero Society. Like it actually feels more grounded and reasonable why the class would be here alone with supervision.

They even add hints of Touya Todoroki with him having a short battle with Endeavor, Hawks spying in the LoV, the HSPC head cameo, and other little things too. Man I loved this fucking movie I would watch it 10 more times right now.