#year of the metal rat | Explore Tumblr posts and blogs

silkentine · 10 months ago

Text

Me when they are the sisters ever: 😭😭😭 They came out soooo freaking well. I won’t lie, they took me a thousand years to finish but through the constant support from all of my buds (and my latent bisexuality), we made it 😤

Hopefully you guys know the deal by now: design choices, easter eggs, and (NEW!) closeup shots below the read more. ⬇️

I wanted Ace to have a very down-to-earth vibe and looked at Aussie beach-girls, coastal cowgirls, and vaqueras for reference. (IDK, I’ve just always envisioned Ace as part-Australian🌺 and Mexican 🏴‍☠️) Her clothing choices are mostly natural or utilitarian materials like the painted wooden beads on her top, her woven fabric and leather belts, and her denim jumpsuit. I gave her bikini top a zen-garden kind of feel because I read the first Ace’s Story Novel and I loved how idyllic and peaceful they made Sixis Island sound so I wanted to invoke that in some way.

Speaking of her painted wooden beads, they hang off the back of her top and represent her connection to Sabo and Luffy. They watch her back once she sets sail. She only wears one red glass bead earring because the other one got ripped out of her ear when a child, leaving her earlobe torn (don’t think about it too much 😢). Also, YES! she does wear a hibiscus flower just like Rouge (because I hate you and I want to make you cry, muhwahahahaha).

Also, I really wanted her to have super textured curly hair that licks behind her like flames. I am always considering whether or not a character should have long hair or not because I don’t want it to be a hindrance if they’re in a fight (or if they ARE a fighter with long hair, how to they avoid an enemy making use of that?). Ace is, of course, a Logia-type Devil Fruit User so I think she wouldn’t have trouble with people grabbing it LOL I get the feeling that she doesn’t take very good care of it even though it looks amazing. Like you’d think it would be soft and bouncy just by looking at it but if you ever get the chance to run your fingers through it, it’s a total rat’s nest and there’s sand and food all up in it. She still falls asleep while eating 😂 but she tries her best to only do it around people she can trust (woman moment 😔).

Honestly, her design is not that different from Ace’s canon look. It feels really vital to Ace’s character to have a lot of skin showing. And he’s always hanging all over himself with his hips all cocked like the weight of the world is too much to stand up straight. It is certainly not my OWN preference to make her an absolute smoke show. That’s just the character, okay? (I’m partially lying and the proof is that I turned the emblem on Ace’s hat strap into a sternum tattoo for no other reason than that it is sexy af.)

Here are some closeups of Ace:

Now for Sabo, I’ve made her very girly. I tried putting her in pants or something more militant but she told me that she’d wear the big poofy sleeves and hiked-up ruffled skirt. I think Sabo has always had a strong grasp on his fashion sense and individual flair and I truly believe that his personal style is one of the major influences for the rest of the Revolutionary Army resulting in the very flashy, queer, steampunk aesthetic (aside from Dragon’s plain-ass cloak). So of course I had to implement her nonconformist look when reimagining her as a woman and dress her up to the nines.

I’ve given her very ornate jewelry that is there to tell a story, even if she herself doesn’t know it. I like to think she picks up stuff from her travels that resonate with her, such as a damaged set of earrings with one stone missing or red cup-shaped shells featuring three nestled pearls. Another accessory that cannot go unmentioned is her dragon claw hat pin that keeps her top hat resting on top of her hair (and is definitely used as a weapon when the situation simply doesn’t call for trusty metal pipe). She also has a veil that obscures her prominent facial scar. I imagine she’s not very keen on the reminder of the incident from her childhood that took away her memories. I also kept her chipped toothed because 1) it’s fucking adorable and 2) is a visual reminder that she no longer aligns herself with the nobility who would have gotten such a thing fixed. She is so poised in almost every outward facet of her life from her dignified role as the Chief of Staff to the elegant materials in her clothing that it can be easy to forget she was also a rough and tumble forest dweller. Every time Koala remembers this, he lets out the biggest sigh.

Her hair is inspired by Gibson Girls and Elizabeth Swann from the first Pirates of the Caribbean movie. I wanted it to be fussy and tidy but fall apart when she’s in moments of distress. For example, when she remembers her sisters, her hair starts to look like Ace’s flaming mane. I’m so in love with her, I think she looks like an adorable little porcelain doll that would fuck you up. I made an effort to keep her eyes a little bit manic. I get lost in her steely black orbs (and also Ace’s warm brown ones, but we’re talking about Sabo rn).

Here are her close-ups:

Plot notes for this AU:

For this series of character designs, I wanted the expressions and outfits to be aligned with the canon plot but I don’t know if I have the heart to kill fem!Ace in my AU. I’m too attached and ASL has suffered enough!!!!! But Ace’s death is also a major defining moment for Luffy so it feels disingenuous to completely avoid it. Also a huge aspect of Sabo’s character is carrying on Ace’s will and I have so many thoughts about how the Dressrosa Colosseum scene would play out if they were all women. Oh well, I’ll cross that tragic bridge when I get to it. I’m definitely going to draw some Modern AU Girl Piece ASL though. They deserve to hang out with no stakes 😭 They are sisters!!!

Check out the tag “girl piece” on my blog for my other One Piece genderbends! 🥰

7K notes · View notes

criminalamnesia · 1 year ago

Note

Simon x Reader whose already work with TF 141 for a pretty long time. And one day, there's a traitor around the base, leaking their information. All of the proof are leading to reader but reader always deny it! And they interrogated reader, and reader always deny it! And he's (with other 141 members, of course, but it mostly him) do their torture methods to get information out of reader. They keep doing it until someday, the real traitor finally captured!

And make the reader traumatized, pls. Like, she would have trust issues, trauma, and others. She wouldn't forgive them, tho.

ooooo the angst. had to sit on this one for a few days before I wrote something, but here goes nothing.

ALL PARTS CAN BE FOUND HERE

when you blink open your eyes, the room is dimly lit. it’s silent save for the sounds of your labored breathing.

you must’ve passed out. one second johnny— a man you’d known for years—was slicing into your skin with a knife. the next, you’re staring into an empty room.

your hands jerk up involuntarily. still bound. the rope holding them to the arms of the chair have rubbed them raw. the skin is bright red and bloody. it makes you grit your teeth.

you look down at your lap, taking inventory of the parts of your body you can see. large gashes break up the fabric of your tac pants. the blood surrounding the deep wounds is dry and crusty.

one of the cuts looks like it’s getting infected. you swear you can see bone.

you’d taken this kind of suffering before. been capture by enemies, held and tortured and pushed to the brink of death. this was different. this was being done by your team. men you’d bled with. cried with. laughed with.

one you’d even slept with. the same one you loved. the one you called yours.

the door to the room swung open, hitting the wall with a metal thud. your head slowly lifts, eyes squinting to see him. by his stature, you know it’s simon.

he doesn’t bother shutting the door behind him. instead, he walks towards you slowly. as he comes closer, can make out his eyes in the sea of dark paint he smears around them. the same paint you’d helped him apply a time or two.

“back for more?” you say, and it’s meant to sound sarcastic, but all it sounds like is pitiful. your voice cracks, and pain seeps into your tone.

the first rule they’d taught you about scenarios like this was to never let the enemy know it’s working. never let them know that they’re hurting you— that they’re slowly wearing down your defenses.

well, you’d just broken that rule, and you hadn’t even meant to.

you didn’t know how long you’d been tied up, subjected to torture by men you had once called your family. all because a fucking liar whispered your name into their ears. all because they fucking believed it.

apparently the years meant nothing to them. to him, least of all, considering he’d done more damage to you than the rest of them.

simon comes to a stop in front of you. his hands are empty by his sides, but that’s not reassuring. there’s a table full of weapons off to the side. he would have his pick of the litter.

“ready to talk yet?” he says, and his voice is gruff. his tone is hollow. he’s speaking to you the same way he’d spoken to countless enemies. it makes you sick.

“fuck you, simon,” you spit out.

the betrayal of john, gaz, and johnny had hurt. but simon’s betrayal? that was enough to almost put you in the ground.

you’d stopped pleading with them the second they tied you to the chair. now, you were angry. furious. rage filled your veins, and if you weren’t beaten to all hell, you’d find a way out of these fucking restraints and strangle the man in front of you to death.

the man you loved. you’d thought you meant something to him, but apparently not— because who tortures someone they love?

“if you talk,” he ignores your outburst. “it’ll be easier. quick.”

“fuck. you.” you enunciate the words, your jaw impossibly tight as you grit your teeth. “im not the fucking rat.”

“all the evidence,” he starts as he disappears from your vision. you know he’s going to pick his weapon of the hour. you force yourself not to shudder.

“points to you.”

“take that bullshit evidence and shove it up your ass, riley,” you seethe, ropes pulling taut as you lean forward in the chair.

he’s back in your line of sight now, brandishing a large knife.

“you’re only making it harder on yourself, love,” he tuts, and then he’s swinging the knife down, right onto one of your fingers.

you scream as the blade cuts right through skin and bone. your teeth dig into your lip, drawing blood as you refuse to give him more of a reaction. it fucking hurts, but you’ll be damned if you let yourself cry.

“feel like talking now?” he asks, watching as half of your left pinky finger falls to the floor.

“or should we take off another?”

you look up at him, hoping he can see the hatred in your eyes as you speak your next words. “you could take the fucking hand off and I’d still have nothing to tell you.”

“let’s see how true that is then, eh?” he replies, and raises the knife again. he’s about to swing, when someone comes running into the room.

“ghost!”

it’s johnny. he’s obviously winded as he stops beside simon, dropping his hands to his knees as he struggles for breath.

“what, mactavish? im busy.”

“they’re—” he gasps. “they’re not— the— rat.” he says between breaths.

the room goes impossibly still. so quiet you swear you could hear the men’s heartbeats (or maybe that pounding in your ears was your own).

“you sure?” simon’s voice is softer as he lowers the knife and turns to johnny. the younger man nods, his eyes trained on you. you can see the regret in them, the sorrow.

“it’s fucking shepard.”

it’s not funny, but at the news, you burst into laughter. the men stare at you in confusion, but you can’t stop.

you’re laughing so hard you’re crying, and they’re just standing there.

“are you alrigh’?” johnny’s asking as he moves towards you. he’s fully recovered his breath now, and he drops to a crouch to be eye level with you.

you don’t answer— you can’t. you keep laughing. distantly, you hear the knife simon was holding clatter to the ground. can just make out the sound of more footsteps out in the hallway, coming towards the room.

you pass out.

when you wake up again, you’re in the infirmary. your eyes open slowly, adjusting to the bright fluorescent lights.

“easy, love,” a voice to your right drawls.

your eyes are fully open now. you look down at yourself, noticing the lack of bindings. noticing the iv taped to your arm, the stitched cuts, the black and blue bruises, the missing fingernails and missing finger.

the person sitting next to you clears his throat. that’s when you look up and meet the eyes of your captain.

your captain. the man who was supposed to lead you, to keep you safe. what a fucking joke. he’d started the damn witch hunt.

“how d’you feel?” he asks, his words soft, like he’s trying not to scare off a timid animal.

you stare at him for a beat. then two. then you’re moving, pulling the iv from your arm and shakily pushing yourself up in the bed. price is telling you to stop, reaching out to push you back down, but you slap at his hands.

“get the fuck off me!” you shout, and that takes him aback. he stops, frozen, as he watches you shift in the bed. you throw your legs over the side of it and prepare yourself to stand.

“you really shouldn’t—” he begins after he’s regained his senses, but you pay him no mind. you place your feet on the ground and start to stand. your legs wobble, almost give out, but you’re able to stand. barely.

“shut up,” you growl, stumbling forward and towards the exit. he’s moving to cut you off, and you slide him a gaze that’s sharper than a knife. “and leave me the fuck alone.”

he halts again. he seems almost scared of you— but that can’t be right. even on your best days, he would still beat you in hand-to-hand combat.

he’s not scared of your threats or your frail body. he’s scared of what he’s done to you.

just then, johnny and gaz come through the infirmary doors.

“cap, y’alright? we heard yellin’—” johnny begins, but his mouth snaps shut at the sight of you out of bed.

you’re heaving from your spot next to the bed. your legs are shaking violently, threatening to give out any second. you feel nauseous and numb.

“let’s get you back into bed,” gaz says, and he starts towards you, but you stop him as your gaze snaps to his.

“don’t come any fucking closer. any of you.”

“bonnie,” johnny murmurs. he sounds miserable, but you don’t care. don’t give a fuck about how any of them feel.

“don’t. im leaving,” you grunt out, moving a foot forward slowly. you’d be damned if you fell in front of them.

“you can’t, love. you’re in no shape to be walking.” john says, and you snarl.

“and whose fault is that?”

the men stay silent as they watch you slowly shuffle towards the foot of the bed. you’re bracing yourself to walk on your own when simon walks in.

“get back in bed,” his tone is blunt. you ignore him.

you remove your hand from the bed, move to take a step forward without support, and you begin to crumple to the floor.

simon moves forward, quick as a cat, and catches you. he lifts you into his arms bridal style, and you’re screaming hysterically. your limbs are flailing the best they can in such a battered state. you’re in fight-or-flight mode, your body betraying your desire to put up a steely front.

your palms slap against simon’s upper body and his masked face. he gives no reaction. he doesn’t say anything. the others are watching the exchange silently. the room is buzzing with tension.

“get off me!” you screech, landing a slap to simon’s cheek. “let me— let me go! let me go!” you’re gasping for breath, tears streaming down your cheeks. you’re panicking. your heart feels like it’s going to beat out of your chest.

“put me down! get— get— off me! stop—” you sob.

the doctor rushes into the room then, yelling at the men for allowing you out of bed. you can’t make out what she’s saying over the rush of blood in your ears. you feel light-headed. you can’t breathe.

“put them down, now!” the doctor yells at simon. “they’re having a panic attack— I thought I told you four to stay away from them? they’re too vulnerable right now—” the doctor is chastising them as simon places you back in the bed.

spots are dancing in your vision. you don’t even feel it when the doctor sticks another needle into your arm. the words being exchanged above your head are muffled. it’s like you’re underwater.

john’s face comes into view, then johnny’s, then gaz’s. as your eyes start to close, you notice the only face you don’t see again is simon’s.

when you wake up again, it’s been two weeks.

the doctor had put you into a medically induced coma to allow your more serious wounds time to heal, without risking another episode. unbeknownst to you, the members of your team had stayed by your bedside almost the entire time— minus simon. he hadn’t come within ten feet of the infirmary since the day of your panic attack.

there’s fresh flowers on the bedside table. a steady beeping of the heart monitor. a fuzzy feeling in your head.

it feels like a dream, all of it does. none of it feels real as you settle into your body again. but then the hurt starts, and you remember the truth.

your family betrayed you. your lover betrayed you. they locked you up and tortured you. they didn’t believe you.

when the doctor came to your side to check your iv, she smiled.

“how’re you feeling?”

you look up at her, and it takes a moment for you to speak.

“don’t,” you begin. your mouth feels like it’s full of cotton. “don’t let them…in here. don’t…wanna see them.”

the doctor nods in understanding, and she doesn’t say anything else to you. she turns and walks out of the room.

the door clicks shut behind her. she lets out a sigh before turning around to face the three men.

“they don’t want to see you.” she tells them, and their expressions drop. they don’t protest, and like wounded puppies, they walk off.

no one else comes to check on you for a few hours.

you’re in and out of consciousness— can’t tell what’s real and what’s a dream. flashes of your torture come back to you. flashes of a smile. of a scarred face. of hands on your hips and—

you crack your eyes open, and the room is dark. the only light is the blinking of some of the machines. it illuminates the room enough to allow you to see a large, dark figure slip from the room. the door clicks shut so quietly it’s almost imperceptible.

that’s when you notice fresh flowers on the bedside table.

your eyes start to droop once more, and you chalk up whatever you just saw to a dream, while simon exhales heavily on the other side of the infirmary door.

————————————————

authors note:

I hope this alright! it’s one in the morning (and I’m half asleep writing this) so I apologize for the errors that are most likely present, and the sense this most likely lacks. I feel like I could write a whole book about this idea, but im cutting myself off to sleep lol.

thank you for the ask, I hope I did your idea justice. 🫶

10K notes · View notes

hurtspideyparker · 8 months ago

Text

If Civil War didn't end in divorce and everyone lived together Part 2

Read Part 1 and Part 3

Tony: Why is Underoos mopping the ceiling?

Sam: Told him since he's sticky that's his chore

Bucky: It's only fair he helps out around the house

Tony: Hm. Makes sense

Vision cooked dinner:

Peter: *pushing around food to make it look eaten*

Natasha: *surreptitiously spitting into napkin*

Steve: *taking small bites with tons of water*

Bucky: *just stares at full plate*

Tony: Well this is disgusting, I'm ordering pizza

Sam: C'mon man stop moping around, you gotta get yourself a girl

Bucky: Ok.

Sam: Ok? Okayyyyy! I know-

Bucky: Give me your phone

Sam: Oh you got a number in mind already hotshot? *hands phone over*

Bucky: *ring* Hi Sarah ;)

Sam: BOY-

Peter: Ned thought you would seperate your colours from your lights but he also thought you'd be homophobic so I don't pay him much mind cuz clearly I'm more of a superhero expert than him but he does have a 2% better average than me in history so like maybe you do hand wash your clothes and that's why I asked what underwear you wear because-

Steve: *listening intently with apprehension and alarm*

Natasha: I can't believe you found the one person on Earth who talks more nonsense than you

Tony: I know right, it's incredibly unnerving. I'm planning on adopting him

Peter: Mr. Stark I have to tell you something. I think Vision is a... *whispers* pervert

Tony: Um, why?

Peter: He keeps floating through my room without knocking! He saw me changing, he saw my nipples !

Tony: Well if anyone's a predator here it would be you. I mean showing your nipples to a 2 year old? Deplorable.

Peter:

Peter: Oh god, I'm the pervert...

Bucky: Y'know animosity isn't good between teammates. I think we should spend more time together

Sam: Am I being punked right now? Where's the camera

Bucky: I'm serious. I think it would be healthy for us to bond

Sam: Okay fine I'll bite... what did you have in mind

Bucky: Wanna go for a run?

Sam: *slams door in Bucky's face*

*staring at Bucky's sparkly clean metal arm*

Bucky: Dishwasher?

Peter: Dishwasher :)

(later that day)

Bucky: I've decided to let the child live

Peter: YoU wHaT?!

Thwip

Tony: Who took my coffee cup, It was right here

Thwip

Bruce: Um, has someone seen my book? I just had it

Thwip

Steve: I could've sworn I was holding a pen a moment ago

*giggling from the ceiling*

Tony: Young man I will take those webshooters away if you use them for shenanigans and rascality

Peter, muffled: Mr. Hawkeye told me to!

Clint: Oh so you're just gonna rat me out like that?

Peter: Sor- OOF

*falls out of ceiling vent*

Sam: You're in my spot

Bucky: There are no spots, it's a common area

Sam: Well that's my spot

Bucky: Did you buy the chair??

Sam: No, but everyone knows that's where I sit. Right Steve?

Steve: Oops I forgot something in my car, be right back *leaves*

Sam: Still my spot

Bucky: Still not

Sam: *sits on him*

Bucky: WHAT IS WRONG WITH YOU ALL THE COUCHES ARE FREE-

Sam: IT'S MY SPOT YOU CAN'T TAKE A MAN'S FAVOURITE CHAIR-

BUCKY: YOU HAVE ISSUES GET OFF ME-

(one hour later)

Steve: Hey so turns out I don't have a car! Isn't that funn...

Sam & Bucky: *Squeezed awkwardly on the chair together*

Steve: I think I left something in my car

Steve: Leave the bedroom door open when you have Vision in there

Wanda: UGH you're so protective

Tony: Teenagers, am I right? Caught Pete reassembling my particle accelerator at midnight because he needed to neutralize a miniature nuclear bomb he nabbed off some guy he neglected to tell me was trying to kill him

Steve:

Steve: Wanda y'know what do whatever you want

Wanda: Really?

Steve: Yes just keep being normal. At least I can read about our issues in a parenting book

Thor: Ah, new warriors I see! Good to make all your acquaintance. But why are you so grumpy my friend?

Bucky: *glaring*

Peter: He's always like that. It's um, P- P- PMS? Wait -

Natasha: Yes it's PMS

Wanda: He's got it bad

Steve: *genuinely concerned* Bucky you didn't tell me something was wrong. What can I do to help?

Bucky:

Bucky: I like chocolate

Wanda: Welcome to the first annual girls night! This place reeks of men, so I thought we needed some women time

Pepper: Why is Vision here?

Wanda: I get sad when he's gone

Natasha: Why is Pietro here?

Pietro: Slay queens

Wanda: Moral support I think

Maria: Why is Peter here?

Wanda: He looked really upset when I said he wasn't included and I felt bad

Wanda: Anyways... yay girls! Who wants me to paint their nails?

Peter: ME ME ME

Steve: Pancakes or waffles?

Natasha: Pancakes

Steve: Good because I don't have a waffle maker

Natasha: Then why would you ask-

Steve: It's important for your voice to be heard, as team leader I value your opinion

*2 minutes later*

Steve: Good morning Clint, pancakes or waffles?

Clint: Waffles

Steve: Oh no.

Some of these were based on requests (ex. more Sam & Bucky, dad Steve w/ Wanda) so if you have certain dynamics you enjoy let me know !

5K notes · View notes

cozy2000 · 2 years ago

Text

i just remembered how there was this pizza place i went to regularly when i lived near houston, and i never really went to the restroom of the place so after going there for like two years regularly i went to the restroom for the first time and saw this

a taxidermied massive rat glued to what was previously a shelf for a private toll phone with an engraved metal plate bolted to the wall behind him that said REST IN PEACE "WOODY" NOVEMBER 29TH 2000. and thats not some random date i picked that is the day of my birth. i just kinda stood there thinking about how this rat died the same day i was born. i was like nine years old i couldnt quite concieve it yet and it didnt help that a south park pinball machine was blaring at max volume directly behind me as i just looked at this massive rat

8K notes · View notes

bogleech · 10 months ago

Text

Metal Slug 3 was my first Metal Slug game and this remains what all four of these characters look like to me.

LIES from RATS (the bad kind)

I'm so correct, I went looking for even more examples only to discover that someone else went viral and spawned memes for the same opinion four years ago on twitter

Well too bad it's my turn on tumblr what the fuck is THAT art now

2K notes · View notes

anaktoria-of-the-moon · 16 days ago

Text

At work plagued by thoughts of a mech bigger than you can imagine.

She starts like most of them do, a Titan excavator rig modestly sized for their line: maybe a house or thereabouts, a big house. (Doesn’t matter why she signed up - perhaps a breadwinner, a lone mother or eldest sister, a daughter of aging parents nobody else will take; doesn’t matter what site they sent her to, Earth or Enceladus or Venus or Europa. She’s there, and she lets them strap her in and adapt her for the piloting interface and pump her full of protein ooze and electrolytes and hyperstimulant cocktails as obediently as the next laborer.)

Upgrades come, from big house to bigger, with shovels like hillsides and treads like highways. Still she remains in the cockpit, out only for one day every six months to say hello to her burgeoning family, who have moved nearby to make it easy on her, to meet the baby nephews and nieces whose names she doesn’t yet know.

War comes. The facility hunkers down. It just makes sense to retrofit their biggest digger with shields, to expand her arsenal a little more, give her a better engine, pour all their leftover resources into making her a great guardian, and she rises to the occasion, shielding them from orbital rays, absorbing the energy and taking the pain of it up into her own engines. When the corporate rats who own the site finally turn tail and run the workers and their families band together and do the needful repairs themselves. Her nieces and nephews grow up learning engineering by the light of oil lamps from stolen Old Era textbooks and jailbroken datapads. She hardly ever now glimpses their faces with her own two eyes from within her steel shell but it is a worthy sacrifice to her, to them, for both parties know she is still there, still with them, embracing them in a great steel hug and watching through a thousand glass-lensed eyes.

Years pass. The brightest of her nieces works out how to modify the nutrition cocktail going into her cockpit so she will never age, never die, never fall sick. Somewhere in there all the metal and ceramic encloses her ever-sleeping body like a lotus flower around the benevolent, immortal form of a bodhisattva.

The outpost survives the war, somehow. Refugees hear of the little town on the colony that could, guarded by a goddess the size of a temple, and flock there. It makes sense to add to her control, among her array of sensors and actuators, the new city’s power generation and delivery system, its wall defenses, its waste management, its communications mains. Nowhere is anything safer than with her.

With all these new additions come techs and custodians to keep her in good care. They build modest crew cabins nestled amongst her treads (now rusty from disuse) so they can be close to her, the better to help her.

Slowly more and more falls under her purview, new cabins, then mezzanines and stairways and platforms between them; each generation has their own superstitions that they add to those of the last before them, so paintings crop up on her metal panels now, in nooks and crannies, often crude symbols that promise good oil changes or swift code updates, or simply depictions of their goddess, of the war she survived. Still she watches.

Her nieces and nephews are all dead now, and their nieces and nephews look on through rheumed eyes as the city attains new heights, heralded everywhere on every planet that still lives as an oasis of peace and prosperity. Still she watches.

A new company comes, enticed by the stories. They want to buy her. Buy her! The people scoff. As if you could just buy a person! - A person? asks the representative from Acher Spaceways, perplexed. - We heard she was your goddess.

She is both, of course, the goddess who lives, the goddess who is one hundred percent flesh and one hundred percent machine.

Acher doesn’t like this. They send machines - zero percent flesh, entirely drones - screaming down from the stars for a more insistent negotiation, one phrased in metal slugs and incendiary fire.

So your goddess rises up to meet them.

It is over in a short day. The drones lie in pieces; Acher, from orbit, licks their wounds, and the goddess rebukes them with a single laser blast, modified from her very first mining waymaker photonic drill.

The blast is precise and surgical. It tears apart the whole platform, spinning central axis to annular habitat space, which supernovas into a blossom of shining proof in the night sky at which the citizens below cheer.

But the pieces are falling, and soon they will pepper the surface below with molten debris, kick up dust into the atmosphere and make it all but unbreathable. The people could leave, the goddess advises them through short-wave radio bursts. They could use her emergency shuttles to escape gravity before it is too late, or they could go underground and salvage her rarest and most precious resources to survive until the surface is safe again.

Here is the thing - every pilot is augmented, and most augments are for the benefit of the plainly physical, for strength and speed and stamina and sharpness of perception. When her people augmented her, they augmented something else entirely. With every new module, every sensor upgrade, every painted symbol and hidden shrine, they gave her a superhuman capacity not for stamina or speed or strength, but for love.

It is her love that saved them, so they must save her back.

For two days they work tirelessly, the whole city, while above them the shattered pieces of Acher Spaceways looms ever closer. When they are done the treads are gone, the cabins dismantled, only the little drawings carefully preserved under coats of abrasion- and heat-resistant paint. And under her, their city, their Haven, lie rockets, ten of them, repurposed from the old all-ore crucibles, fit to move an asteroid.

She’s out there somewhere by Orion now, they say, the fourth jewel in his belt. And she has only grown: from three thousand then to three hundred million. Creatures from all over come to pay her their respects, or to visit lovers, or to live there themselves. There is always room in a body that is ever expanding, like the cosmos itself. Over all of them, she watches, eternal.

Among all the stories they tell of her, they repeat this one the most - how she tore apart a whole space station for the sake of her people, knowing she would die if she failed, for how can a whole city hope to flee? She guards them, and in turn they do not abandon her. They are two halves of the same whole, they say reverently, love manifest - the people and their city; this pilot, this great machine. This Haven.

#original fic #mecha #mechs #mechposting #mech pilot #empty spaces #dual hypostasis #microfiction

613 notes · View notes

sophiethewitch1 · 7 months ago

Text

What We Want - Chpt. 8 - Jason Fucking Todd

In Which A Romantic Breaks The Universe

(Yandere!batboys x f!reader) 18+ MDNI!

SUMMARY

Another lonely birthday, another empty year. You miss your family. You're late for your bills and rent, and even then, you got robbed last Tuesday.

Still, you buy yourself a cupcake, because you need it. I mean, hey. What's dessert for if not to get over cheating boyfriends and dead relatives?

As you blow out the candle, watching the clock switch from 11:59 pm to midnight of the next day, you make a wish.

And because the world doesn't like to make much sense, it comes true. Your life is suddenly flipped on a dime, and you're stuck trying to catch up with it. Fantasy becomes reality. You're a Wayne now, apparently. Or you used to be. You're loved, you're rich, you're talented and powerful.

Well, sort of. Careful what you wish for, right?

(TRIGGER WARNINGS AND MASTERLIST HERE)

PREV - NEXT

Well, look on the bright side of things. You’re not crying right now. That’s nice. You’re not an intern anymore. That’s nice. You struggle to think of anything else. Oh yeah, you’re rich! That’s also nice. You’re not dead. Nice.

This is kind of pathetic. You just feel bummed after having to break up with George a second time. And getting smacked right in the face by him. Which you know, anybody would be, you think. You don’t think a single soul has ever known the George Lancaster Break-Up Special more than once. And you didn’t think anyone would be stupid enough to fall for that asshole more than once.

You couldn’t fake a brave face anymore, you just didn’t have the energy for it.

…And let’s not forget almost dying via Joker goon. Not even the man himself, just a random lackey. You think of how he literally disappeared in front of your eyes, and decide you are going to stop thinking. It’s doing you no good anyway.

Instead, you just start walking. Letting your feet and your intimate knowledge of Gotham’s streets, even in this area you don’t often frequent, guide you. You find yourself at the train station. With little consideration, you buy a ticket to the southern part of the city. The bad side of town, the docks, where your apartment used to be.

You feel like a little rat scurrying back into the sewers as you hop on the subway, tucking yourself in between people who don’t recognise you, probably because of your general dishevelment.

Shoulders knocking against strangers, you feel the most at home since this whole disaster started. You stare across the train car, watching a baby babble to its mother. It catches your eye, gives you a big toothless smile, and some snot dribbles into it’s mouth. The mother notices and cleans the baby up with a tissue. When she catches you staring, you give a very awkward but friendly smile, and she smiles back.

A tiny weight lifts off your shoulders. Surrounded by the chaos of Gotham, as the subway exits the tunnels and heads up onto the sky rails, you find yourself warm by the rays of sun through the clouds. The view is beautiful, as it always is. Usually, you’d be looking at your phone, too busy to enjoy the sights. But it really is beautiful.

It’s only when you hear the announcer calling out that you realise you did this for a reason, and dart out of your seat and through the narrowly closing doors. The metal closes behind you with a small hiss. The Docks station, for most people, would be one of the better Gotham train stations. Newly built, and with all the tourist money it was clean. Well, clean as it could get. You’d read some article about the bacteria the rats were carrying being not found anywhere else on earth, and you’d decided to stop reading articles.

Anyway, for you, even the shining marble of the station was a sad sight. Because you only ever came here on your very worst days.

This seemed like one of them.

The familiar streets flit past you, barely something you’re even cognisant of. This part of the city was mostly new, the concrete fresh under your feet instead of littered with potholes. Still, it wasn’t at the centre of the blast radius, so it hadn’t been totally demolished.

No, that was just up ahead. And like everything else in this weird new world, you immediately noticed something different. Where your family had died was… still there, for some reason.

With confusion, exhaustion, and no small bit of despair, you stop in the middle of the pathway outside the remnants of what used to be an old diner and was now just a pile of rocks. Some very charred rocks. Looking at the wreckage, you raise your brows. Its crumbling form is still under construction after all these years. The yellow caution tape is only a deterrence to you because you don’t want to end up on the gossip reels for a second time today. Looking around, you find yourself further confused. Lots of other parts of the pier had been redeveloped, but this piece of the puzzle still lay bare.

It didn’t, in your home, your world. It had been replaced with high-rise apartments, and since they were so close to the water, so pretty and new, you had no hope of affording them. It probably wouldn’t be very good for your mental health even if you could. Still, you’d taken many walks past the street. Enjoyed the little bit of dirty white concrete that had survived. You and your siblings had signed your names into it, and you’d stroked the sidewalk like the weirdo you were many times.

Like you did today. And today, for some reason, the rest of it was here. Untouched. A remnant of the disaster. As you run your thumb along the sharp edge of Julie’s J, you find yourself once again lost in your memories. They were like honey traps to you these days.

The mum-and-pops diner had been run by your uncle. It’d been in the family for three generations, and he was incorrigibly proud of it. You’d all had your birthday parties there, because it was free and you were poor. It wasn’t like your uncle would let you pay for the food anyway, it was just one of the few times Mum could stand the generosity. She didn’t like it when you had disappointing birthdays, and no matter how much you tried to fake your happiness, she could always see to your core. Eventually, you and your siblings all gave up on trying.

You were late. You were often late, but this time it was… it was the difference between life and death. If you’d been a few blocks further, a little bit earlier, you’d probably be dead too. Or at least have some serious hearing loss instead of just suffering mild tinnitus.

You had felt more than seen the destruction. The earth had rumbled, and a deafening roar had swept through the streets. You remember falling to your knees, the worry about being late morphing to worry for your best clothes to a true terror when you realised where the blast had come from.

When you realised your family was in the epicentre.

You sometimes wish you were on time that day. That you’d gotten to see them all, even if you went with them. It didn’t sound so bad, really. At least you wouldn’t be alone. Hmm, you should probably stop thinking like that. Or maybe go to a therapist about it.

Not that you could afford it. Oh, right. Rich now. That was really taking some getting used to.

You wonder if people who won the lottery felt the same way. Probably not, because the rest of the world reflected the changes the person felt. They’d have to go pick up the check, go to the bank, and if they let their family and friends know, deal with the consequences of that.

You’d just woken up rich. No time to adjust, your new life was here and it was demanding your attention very loudly. And soup-ly, unfortunately. After a few minutes of staring blankly at the rubble, you look towards your left, where you know the Memorial awaits you. It’s in the centre of the new shopping district, built on top of the bombed parts of Gotham. It sits right next to the water, the cold breeze a comfort that you’d turned to on more than one occasion.

You’d feel bad if you didn’t change your clothes. You told Grayson you would, and you already felt bad enough about... everything to do with him. You suppose he was your brother. Your ex-brother. Ex-step-brother. The ex-step-brother of a woman who you weren’t.

Really, he was just a stranger. It seemed he didn’t feel that way, though.

You start the walk towards the shopping district, and into the first clothes store you see. The prices on the tags would usually make you flinch, but well, it doesn’t matter anymore. Nothing seems to matter. Your survival is now guaranteed, might as well wear some clothes that feel nice on your skin.

You walk out of that store looking like you just robbed it. Even the clerk had given you a weird look but accepted the black card tucked in your phone without much complaint. It’s an improvement if a small one.

Once you’re done, like a moth to a flame, you drift towards the Memorial centre. You’re following all the steps you used to in the past, but somehow, it all feels a bit alien. The world looks a little different, a little uncomfortable. Your shoes are worn in, and yet they still feel too tight.

Uncanny valley. You feel unwelcomed here, unwanted. Like the very earth can tell that there’s something wrong in this scene, some intruder. You ignore the feeling as best you can.

The Memorial is just as unfamiliar as the diner was, maybe even more. You know that your mother was a Wayne before she died. You know that. But still seeing your family’s framed photos, right alongside Jason's is so shocking you nearly jump. It takes a moment of wide-eyed staring before you can manage to get past that. When you do, for some reason you still go back to your old habits. You walk by them, the bouquets and to where their names used to be in thin letters.

You count with your fingers, finding the fifty-second line.

A man’s name replaces the spot where your mother’s is. The little grooves the oil in your fingers had left behind were gone, and instead was sharp stone like when the monument was first erected. It cuts at your fingers. It no longer welcomes your touch.

James Whitaker. That’s the name of the man who took their spot.

You can already feel a rising obsession with the random dead man. If you were going to psycho-analyse yourself, you’d recognise that you didn’t feel that the images of the Waynes you’d created were no longer real, no longer safe to your escapist mindset. You’d realise, that this was all pretty unhealthy, and you really, really needed therapy.

Instead, you give the guy your condolences and start reading the other plinths. They seem largely the same. It’s not like you hadn’t read all of these towers of stone at one point or another, your eyes glazing over the many, many names. So much devastation, all in one moment.

And still, this was not even a tenth of all the lives the Joker had taken. You kinda wanna go take a kick at one of the Bat signals littered around the city. Maybe that’d make you less… broiling with incompetent rage.

Again, maybe you should just go to therapy. You should call Jeanine about that or something.

Eventually, you circle back to your family and Jason’s shrines. You know, back then you’d been jealous that Jason Todd had been so well mourned. You’d wished your family had gotten the same treatment.

Now, you… felt jealous again. Possessive, over their memory, their image. You didn’t really like that random strangers that never knew them… knew them. That Sam always got As in English and Art class but would sometimes skip math and would hide in the bathrooms to do so. That Chasey had struggled with going to school because of her anxiety but kept going because she had a friend going through the exact same thing. That Julie was the ace of her school’s soccer team, and that she’d almost gotten them to nationals even in the presence of all the super-rich schools in Gotham. That your Mum was a great cook but genuinely hated doing it, but for some reason, baking was her favourite thing even as she had never made a proper macaron.

They didn’t know them. They knew their faces and a facsimile of them, but they didn’t know them. It reminded you of the people at the orphanage. Nice, but not kind. They’d had their own lives, they didn’t want some bratty, demented teenager who was going down and planning on taking everyone with her.

You really couldn’t be happy, could you? Maybe you didn’t know what you wanted. What you want now. What you’d wanted for a while, actually.

Ugh. You close your eyes and let out a deep, soul-shaking sigh. It takes a moment for you to shore up the willpower to open them again. Come on, flower shop, finish your weird little ritual then you can go home and hide for the next millenia.

The walk there is the same as always, if a little more morose. It’s in a good spot, near the church just a block away and the memorial on its other side, as well as less sombre atmospheres down near the pier. Well, as little sombre as Gotham can manage.

You feel like you blink and you’re there. Too quickly, you find a rainbow of blooms in front of you, the scent of the blossoms washing over you. When you walk into the flower shop, the bell at the door rings the same as it always does. On autopilot, you walk over to the small, cheaper buds. Your hand clenches around the crinkly wrapping paper, a bundle of posies in your hand. You go to the counter with your prize in hand.

Larissa, the counter worker, smiles at you. Your breath hitches. It’s a working smile, not one of the real, toothy ones she used to give you.

“Oh wow, I thought all the posies had sold out. Lucky you!”

You think of something to say, but the moment passes and you don’t. She rings you up, tells you the price, and when you pay, asks sweetly if you want a receipt.

She doesn’t say your name. Doesn’t acknowledge how you come here every week and buy this same handful of flowers. She doesn’t ask about your job or the weather. She doesn’t cheerfully tell you about how her apprenticeship is going, or about the next sweet thing her partner has done. No, she just stares at you, growing more uncomfortable the longer it takes for you to answer.

She doesn’t even seem to recognise this other version of you. It feels like another string that tied you down to the earth has been snipped. You have an image in your head of a child losing a balloon, desperately grasping at the air. You’re going to float up into the atmosphere, and then you’re going to pop.

You can see the foil glinting in the sun’s light, so, so clearly.

You squeeze your eyes shut, “Yes, a receipt, please.”

Taking it blindly, you barely flutter your eyes open as you walk out of the shop. She didn’t know you, didn’t remember you. That doesn’t matter, you tell yourself. You hadn’t really known her. It doesn’t matter. There’s no real difference, it doesn’t matter.

It’s okay, it’s okay, it never really mattered. You keep telling yourself this as you walk back over to the memorial. As you lay your flowers down with the others, the little posies are dwarfed by the other donations. It didn’t matter. You didn’t know her. None of this matters. Their flowers don’t matter.

You don’t matter. You hit that errant thought with a mental fly swatter.

Exhausted, you sit down next to the monument. You used to be able to lay your head on the stone, able to feel your family in the warmth it had absorbed in the sun. Now you just sort of, awkwardly reached out to the small bit of uncovered plinth at the side. You have to stick your hand through a wreath to do so.

It’s not warm. You wonder if your family are sad. And then you wonder if you’re an idiot for attributing feelings to a literal rock.

After a while, you get up. Cross your arms. You stare at your family's portraits, eyes moving over their smiles. One by one. You recognise some of the photographs, those are your favourites. A smile cracks across your face when you see the picture of when Chasey lost her two front teeth. She still grins cheekily at the camera, uncaring for any changes to her appearance, as all kids shouldn’t.

Your shoulders fall just the slightest bit when you see the picture of Jason Todd. It’s one of his older pictures. Probably seventeen or something. He’d always been a lovely boy when he was younger. And he still was up till he died but you’d always thought you’d seen something start to change in him. That sparkle of innocence, dulled, just the slightest.

And then he’d died. And you’d wondered if maybe he’d felt it was coming.

You certainly hadn’t. It had been like a hurricane tearing through your life. You’d ended up on the other side completely abandoned, the only friend who’d bothered to keep seeing you being one who’d learnt to dodge train ticket costs like a damn ninja. And you’d had to decide whether you could keep doing this, whether you even wanted to.

You were an obsessive creature by nurture. It had been all you could do to hang onto the Waynes, pretend they would love and care for you even if they’d have never even noticed you in real life. You weren’t sure that was strength or simple human survival. Dying was scary. Of course, you were scared of dying.

Your whole family had died. So, you told yourself, that Jason Fucking Todd would be sad if you killed yourself, and somehow, you had made it all these years.

And now here you were, and the Waynes did notice you in real life. You were important to them. You didn’t want to be, but you were. And again, you have to ask yourself, what would Jason Todd ask of you? What would he want you to do now, in this impossible situation you’ve found yourself in?

You stare at the picture. Stare at the way the sun hits his dark hair and blue eyes. Stare very, very hard. Like he might crawl out and give you a detailed list of what to do. You’d really like a detailed list. Or any guidance at all. Maybe you could go hit up a seance or something.

Your head falls forward into your sun-warmed palms. This is so stupid. No answers are going to fall from the sky, you need to find them yourself. And you’re not going to find them here.

Someone walks up beside you to the old memorial, and you quickly tuck yourself back into an acceptable image. Fold in all the rough edges you can. A tall and well-built man, with a face mask, sunglasses and a trucker hat, he looks like he could be a celebrity or something. Someone important, much more than you.

And you weren’t, not technically, at least. The universe had done the equivalent of a shelving error, and now here you goddamn were.

He does an odd pose next to you, something military-esque, where he clasps his hands together and bows his head. With a quick flick of your eyes you confirm, yes, his feet are equal with his shoulders. It’s obvious that he’s paying his respects so you do your best not to judge him too hard.

And then he speaks to you.

“I’m sorry.”

You look up, startled and confused.

“For your loss,” the deep voice finishes, jerking his head toward the pictures in front of the two of you.

“Wha- oh uh, um,” you blink and then realise that this person has recognised you, which would make sense since you are literally in one of the photos in front of you, and manage to pull your fading conscious mind back together for a moment more.

“Thank you, uh-” you stare at him a moment longer, “You too?”

Almost worse than that time you told the barista who gave you your coffee you hoped she enjoyed hers too, but not quite. Well, you know, he’d probably lost someone here too. You don’t know why he’d be here otherwise unless he wanted an autograph or something. The thought almost makes you laugh.

He snorts at your words. You don’t know what to make of that.

He looks back down at the pictures and flowers. You think he does, at least, from the slight shifting of his head. He’s kind of mysterious. Pair that with the deep voice, the muscular and tall physique, and you’re an odd mix of attracted and socially anxious. Not that you’re not always socially anxious, but this guy feels… strong. Dumb again, you can see his biceps from here but…

You just can’t quite shake it off. Strong. Strong.

“They didn’t deserve it, none of them did,” he speaks again, and you wonder what the fuck he’s going on about at all.

You admit, you sound a little bitter when you mutter, “Well, that’s obvious.”

He lets out a bark of laughter, and you see his eyes flash to you from under his sunglasses. A shade of blue. There’s another odd pause, and then he turns to you. You don’t know why he’s looking at you. He crosses his arms, and seems to size you up.

“What are you doing here?” he asks you like he knows you.

Your brow furrows. Okay, kind of losing any hotness points here. Bothering someone who was grieving could’ve been seen as rude from the very start, but you’d just thought he was weird. Now, you thought he was weird and rude.

“…Paying my respects. Obviously,” you gesture downwards, “My mother, my siblings, and…”

Well, how would you describe the relationship between you and Jason Todd now? He was still just a stranger to you and-

“With who, that guy?”

Now, it isn’t often that you’re stunned into silence, but at the moment you can’t find it in you to do anything but stare and gape. Frankly, you’re astonished! You’ve never met anyone who spoke so rudely of the dead, and well, he couldn’t have picked a worse person to do it in front of.

“Excuse me?” your voice can’t seem to convey even half of your offence, even as you sound like you’re about ready to bite a second person for today. The man pauses like you’ve surprised him, which- what the fuck is going on? Why do you feel like an alien crash-landed on Earth these days?

“No, I just meant-” he huffs, shakes his head, and continues, his voice now offended too, “What the fuck am I saying? Yes, I did mean that. That little twerp was a naive idiot who was manipulated by the people he believed in most.”

You stare, absolutely speechless, as the stranger goes on a damn-fucking-near crazed rant about one of the people most important to you. Never met? Sure. Dead as hell? Absolutely. But still, he was one of your lifelines. Your candlelight in the dark, guiding your way even when you felt completely lost. And now he’s calling him a naive idiot? You can practically feel the steam coming out of your ears.

“He changed nothing, made no difference in the end-”

“Nothing?!” you practically shriek, finally able to find your voice just to use it to shout, “He changed… so much! He donated millions of dollars, did heaps of charity work, was practically a treasure to our city… He made multiple homeless shelters, an orphanage, helped rehabilitate criminals and countless other things.”

Your fists are clenched tight enough that they shake. You hide them behind your back, but you still feel like he can probably see them. Your emotions are simmering too close to the surface, bubbling over and onto the floor. About to burn his sneakers to ash.

“You seem like you care a lot,” he says, sounding reserved.

“Of course, I care.”

“…It’s just, you didn’t seem the type, on the TV,” he keeps talking, poking at you for some god-awful reason, and you bark out a harsh laugh.

“Maybe people need to stop making so many fucking assumptions, then? It certainly hasn’t gotten you anywhere,” you throw your hands up, damn sick of all the constant fucking surveillance you’re under. You can see why this version of you lost her mind. You’re near about to as well.

He stares at you for a moment longer, and you start feeling too uncomfortable. It’s a stupid and useless protectiveness that has you staying. Like he’ll somehow try and harm the shrine to your people. It’s happened before, Joker fanboys defacing it and such. This guy could be one of those bastards.

And yet… somehow you feel…

“I’ll keep that in mind,” he finally says.

“Good, you do that.”

“But in the end, nothing’s really changed. Joker’s still out and about, as you well know.”

You physically flinch like you’ve been slapped. For a good minute there, all you can do is stare at him in disbelief. You raise one shaking fist, and lift one trembling finger, pointing. The man looks in the direction you’ve pointed, and when he doesn’t see anything, turns back to you. His sunglasses reflect the grey afternoon sun.

“Go,” you order, voice shaking just like the rest of you.

He just keeps staring at you. You wish he’d take off those dumb fucking glasses, so you could see this asshole’s face. Etch it into your mind. He doesn’t move, doesn’t say anything, doesn’t take any action. He simply waits for you to… Well, you don’t know what you’ll do. You haven’t known what you’d do since you left Dick behind two hours ago.

“You need to go,” you say again, and again, he doesn’t fucking move, “You… there’s… you have no right.”

You can hear the buzz of the city around you, the wind rushing by. His clothes rustle in the wind. Your voice sounds too loud in your ears, but he won’t just… he won’t leave. You don’t want this stranger here, watching you. Judging you. It’s all…

“Jason didn’t do anything wrong,” you say, and you think to yourself, desperately, ‘I didn’t do anything wrong.’

There’s a slight shift in the stranger’s posture. His shoulders tensed.

You think you’ve offended him.

“The Joker… That’s nobody's fault but the government for not just sucking it up and giving him the death penalty, or Batman’s for not doing it himself a long time ago. They’re all fucking useless, but they’re the ones who are supposed to be dealing with this!” you continue, your words growing more heated. It’s only the already looming threat of an assault case that keeps you from shoving the guy. Not like you’d be able to move him an inch, of course, he was huge.

You’re sure it would feel good, though.

“It was never some random teenager's responsibility, and it wasn't mine either,” you say, but find yourself pausing for a moment when you hear the end of your sentence. It doesn’t matter. It’s not like it wasn’t obvious anyway.

You’d tied yourself and Jason up together in your head. To you, you were both two sides of the same coin. One foot in the grave. You’ve got one foot in the grave…

“Jason Todd was a good person, and he made the world a better place.”

You look down at the portrait of the boy, his toothy smile twisting at your heart. None of this was fair. None of this had ever been fair. Why was this guy acting like anybody here had ever been able to do anything about it? Like Jason should’ve been smarter, and avoided a fucking bomb blast?

It was stupid. This was stupid, and you were over it. You were tired.

“And I miss him.”

It’s quiet after you say that.

“I don’t know how you can think it’s fair to act like his death was pointless when… of course it was, all of this was pointless,” you say, throwing your hands wide and gesturing to the entire memorial. “This was a tragedy, but Jason was a victim. And I’m sick of people like you who think they can decide whether someone else’s life was lived right. It’s not your damn right.”

“Now… fuck off!” you announce, and to your shock, he does. He fucks right off. The man gives you one last lingering look, and then turns and leaves without another word. Not like you needed them.

You huff out a shocked breath, and then turn back to the memorial.

The framed faces of your loved ones stare back at you, and for all you know it’s stupid, you can’t help but feel embarrassed for the display. You know your mother would’ve scolded you for your language, at least.

“Sorry,” you say, and you’re unfortunately reminded of that irritating man again. Likely that won’t be the first time he pops up again in your head. He seemed well, insane. Which wasn’t that odd in Gotham but… god, you just couldn’t seem to let it go.

It pissed you off to high heaven. His rudeness was something you’d usually be able to shrug off, especially from some random stranger, but, but, but-! Argh, damn it all. And it wasn’t like that was the first time you had had that sort of conversation, but it was certainly the first time someone had been so bold as to bring it up in front of your dead mother’s smiling face.

Earlier today had snuffed out the fire in you, but that encounter had been the spark to reignite it. More than that, actually. It had made you so damn pissed, made your blood boil in a way you just couldn’t ignore, to the point that you wanted to prove him wrong.

Jason Todd had mattered and had made a difference and change in Gotham. He had made a change in you. You put your hands on your hips, stare down at the flowers, and make a decision.

You’re going to fix your goddamn life. For Jason Fucking Todd.

Your body feels like shit, your brain feels like it’s stuffed with cotton wool, and yet this is the greatest opportunity you’ve ever been given. You have a chance to save yourself, and save your friends, and fix all the tiny little problems in Gotham that you’ve suffered through since childhood. Surely just throwing enough money at all your problems would fix some of them.

You were rich. If you couldn’t fix your life with millions of dollars available, then you had no chance.

And yeah, you don’t know what you’re doing. You know you can’t really change what happened. Back then or even just a few days ago. But you hate that. You hate it so much. You hate how weak you are in the face of loss. How both then and now, there’s nothing you can really do. And maybe if just out of spite, towards that asshat, Batman, Joker and everyone else, you want to make a change.

You want to be able to do something about it. You want it, so fucking bad.

First order of business?

…You want more flowers.

MASTERLIST - NEXT

#Series:WWW #yandere batfam #batfam x reader #yandere dc #yandere batfamily #yandere x reader #dick grayson x reader #nightwing x reader #jason todd x reader #red hood x reader #tim drake x reader #red robin x reader #damian wayne x reader #robin x reader

806 notes · View notes