#yeah fuck it i'll tag this

[corioliseffect]

new curse dropped: having fic ideas but i refuse to write rpf/don't think i even could

[lin-lizzie]

also can i just say that this one panel of shin and rui kinda makes me want to jokingly ship them lmfaoooo

no reason at all. i just think its funny also i love rui also the fact that prior he was kinda panicking taking over shin's place i mean like ok if i'm not shipping it im at LEAST just thinking "lmao rui crushing on shin" because again. FUNNY. to me at least. also yes i lied this is my reason other than that panel of him falling on shin lmoa

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[ripplefields]

miserable fucking creature

[raptorrobot]

there's a certain character archetype where a lot of people woobify them to the 'they're soooo pathetic' extreme, and other people fight back with the 'the're literally not pathetic at all think about all the insane things they did' and like. did you know that both things can be true at the same time actually

those characters are so deeply pathetic in the way that they'll do anything for just a smidge of validation. those characters will upend every sense of themself and any aspect of their life to maintain the hope that they have a purpose. those characters will fight and kill and scream bloody murder for a chance to feel loved

characters that are dangerous can still be pathetic. a wounded predator still has teeth and claws y'know

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[geiba]

GUESS WHO'S SICK AND MADE A SHITPOST

i am dedicated to always giving minimum effort. do i like the shading? no. will i do it better? also no <3 anyway hope ya like the shitpost (image reference below)

i found this on pinterest and like. big ruikasa energy, this is exactly the type of shit these two would pull. whether you ship them or not they for sure lose braincells in proximity to each other. i do have like, potentially 3 actually serious good quality fanarts knocking around in my empty cranium (make that + one (1) crack(ish) fanfic idea (romcom style), to tease it a little it's an idiot triangle basically. just one big hilarious misunderstanding really. also it's akitoya, plus tsukasa because the dynamic of akito and tsukasa as kinda in-laws is fucking hilarious to me, imagine the sheer fucking despair of akito realizing that the annoying guy from school is now his semi brother in law. peak shit ) but we'll see about actually making those.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[qourmet]

Like a Kept Dog...

[revvethasmythh]

Reminded again, as I periodically am, that there's a fair number of people in the fandom that think of Nott the Brave and Veth Brenatto as two different characters, and not fundamentally the same woman. In the absolute literal sense, this is false: Nott the Brave, returned to the body of her choice and using her real name once again, is absolutely precisely the same person she was before Caleb cast Transmogrification on her. This is, incidentally, one of her main sources of angst towards the end of the campaign! A part of Nott must have both feared (and, in some ways, hoped) that when she was changed back into a halfling, she would also be a different person. That the person she became traveling with the Nein would be an easy identity to shed, which she may have hoped for because it would be easier to fit herself back into her home life with Yeza and Luc--and because it would be easier to say goodbye to the Nein if that were the case. And she feared it because she liked this person she became, no matter how transgressive society would label her for it. And she loved the Nein and didn't want those feelings to be altered.

But she didn't change. Veth Brenatto is Nott the Brave and Nott the Brave is Veth Brenatto. This was always the point. That's why it's an anagram. It's just that when she's Veth Brenatto again, she is much more focused on the why of what she's doing. Why am I still with the Nein? Why am I still adventuring? Why do I have this reticence to return home to my family? Why don't I long for that quiet, domestic life the way I once did? Her emotional journey becomes intensely personal, sometimes subtly/quietly told, and wholly about what kind of future she wants for herself and how her choice could affect those around her. Her two families become anchor points pulling her in different directions and she has to deal with that. Which is a different story than what she was telling when she was still Nott the Brave. Nott's story was much simpler--I am a goblin and I hate it and I would like to be a halfling again. I would like to be able to be with my family again. It's straightforward and it's achieved! But that's not where it ends, because she still needs to figure out a real, functional future for herself once her goal has been achieved.

All this to say, I think when people say they prefer Nott over Veth, it's important to remember that you are reacting to a certain story arc for the character, not an entirely different character. It may also pay to ask yourselves why you think they're so different. Was "Nott" funnier than "Veth" to you? Does her ability to serve as comic relief fundamentally change whether you like her or not? Did you appreciate "Nott's" themes more than "Veth's"? Or did you even notice the themes being explored in Veth's later game at all?

[horatiocomehome]

has anyone else seen that one twitter meme

[Gif made here]

[front-facing-pokemon]

[clownowo]

a little bit obsessed with this guy

[rouxbye]

ok like I guess I can post on tumblr sometimes maybe. Behold

oc posting bc She is very gorgeous to me.... say hello to Winifred, my current d&d pc :3

as of posting we're only like 2 sessions into the campaign but she's existed for like over two years..... She's my beautiful wife. Oh my god there's so many tags I'm so sorry

[charlesemersonwinchesteriii]

happy hodgvingdays <3

[djevelbl]

Alright! So! Kaboodle has been haunting my head like a cool little ghost roomie for a wee bit now /pos and I just,,,, look my blog is alllll about incoherently screaming into the void that is the internet about whatever is haunting my head this time, it was inevitable that bnuuy girliepop would get her own post ok? If nothing else, then it's surprising it hasn't happened before--

(like with Branzy's post from a while back, this is a character analysis of, y'know, THE CHARACTER??? so yeah! This is about the bunny girl killing ppl on LifeSteal and not whoever the hell talks behind the mic! I don't feel like I should have to say this, but I've seen ppl be dumbasses over LS!Kab AND actual Kaboodle too. so. don't be an idiot over this — you're encouraged to scroll on if you don't care to read it! This applies to any other names I throw around, like always — happy reading!)

So to preface whatever word vomit I'm about to commit, lemme bring it all out already: my knowledge of LifeSteal Season Six (the one that features Kaboodle) is basically One (1) whole recent stream, and maybe three videos all set on the very beginning of the season — don't expect this to be accurate, but I'll do my very best based on what I've got on hand.

With that out of the way, I'll proceed to yank bnuuy girliepop by the hair and into my microscope:

It's no secret that Kaboodle has a bit of a problem with trusting people, even to the point where she called whatever happened with ash "betrayal," when most of us wouldn't consider it that — she was taken advantage of (from what I understand of her POV to the situation), sure, but they were never teammates, they were never friends in the server; she's been having a big problem with trust and how she uses it, mostly because she's very extroverted and people-oriented — less in the sense that she knows how to read people and the little signs within their voices, and more in the sense that she thrives around people. She's insecure over her own survival abilities and her PVP prowess, and as such has taken to leaning on others to cover up her blindspots — she's been leaning on those surrounding her like her life depends on it because, to a certain extent, it does: if you don't know how to fight, you find someone who does and attach yourself to them, learn their tactics, grow alongside them so you can stand on your own; Kaboodle is still not yet there, she's just now realizing she has to stop trusting people just because they were chill with her once.

But she thrives within a group, she's extroverted and is fed energy through chatter and socializing ��� that type of person will intrinsically have it harder to detach their feelings from being projected onto other people (reason why she considers the ashswag incident a betrayal, even though I'm pretty sure there wasn't any precedent for trust to be placed on him) and as such will simply have it harder to keep to themselves; we can see this so clearly in how she interacts with others: she doesn't move even an inch, no flinch and no instinct to run away even as Clown launches into the air and he fakes an attack on her with the Mace. She follows ManePear around as they sneak close to PrinceZam and baconnwaffles0 to eavesdrop on their conversation, and barely fights back as she gets killed a half hour or so after with no indication of why he would do that. She calls Zam her "frenemy" and while that word includes enemy in its spelling, it also includes friend.

She still hasn't quite let go of Squiddo's betrayal, and while I'm not informed on what that situation is, I can say one thing about it: Squiddo learned from last season that they shouldn't blindly trust whoever she calls a friend outside of LifeSteal, I'm sure (the temporary ban they got for helping Wemmbu with... I think it was his orbital cannon??? Plus his support of the 4Cvit and Reddoons team-up over his support of Squiddo; these things would do that to you), so she doesn't — they allow herself to be friends and have teammates, allies, so on, but they're not above taking sides if that means she gets out on top (their betrayal of 4Cvit leaves this being very clear to the audience — she's done playing around, they're here to survive and win it; as much as one wins LifeSteal, of course) and this is a lesson all bright-eyed and bushy-tailed new LifeStealers have to learn if they want to come back next season: whatever you and someone else had outside of LifeSteal stays outside of LifeSteal — once you're inside, your relationships are inherently different. There's no way about it.

Clown understands this — he's willing to partner up with friends and foes so long as it benefits him, and he's not above getting dirty if that's what it takes; he trusts people as far as he can throw them, and he fucking hates knockback on his weapons. Kaboodle is not exempt from this rule, regardless of whatever relationship they shared before LifeSteal Season Six — she can't quite wrap her head around this notion, especially obvious on her video about her first experience on the server: one of the first things she did in that thing was showing the audience a chart she made on how much she trusts people on the server, and in that chart she singled out Clown by saying that there's nothing that would make her distrust him because they're friends! They know each other! She knows him better than most do!

But he's not the guy she knows — he's most of that man, sure, but she's never experienced first hand how Clown is on the server.

What I find interesting, is that one stream I watched — technically I watched two: Kaboodle's Confrontation stream from the 5th, and Clown's POV of the same conversation; I didn't watch the whole Clown VOD, but it got pointed out to me (everyone thank clownscasino for this) that Clown was scared — to me he seemed more nervous than scared, but the point still stands on this whole thing: Clown was uneasy over meeting Kaboodle to discuss... Whatever it is she wanted to speak about; he wasn't indifferent, curious, bored — he was specifically uneasy over the concept. The conversation hung over his head like a thunderstorm cloud, never leaving and never lessening — he was affected by the idea and sure, it was because he thought she would try to kill him, but doesn't that say a lot about him?

He cares. In the absence of somebody to stay by his side, he's come to care for a familiar face.

... Did you know Branzy had been Clown's teammate consistently for three seasons in a row? (more or less — I'm new to this thing, cut me some slack) that's an incredible number, considering how polarizing and dividing LifeSteal can easily become for its players — they've all bounced around teams and allies like a twink at a fraternity party, yet Branzy had always remained by Clown's side; similarly, Clown stuck by Branzy's. They didn't help each other frequently — mostly because by the end of their runtime Branzy wasn't logging in all that much — but they sure as all hell stayed loyal to one another; there's a reason their duo is so popular, regardless of whether you wanna mash their character together like two Barbies or not: even within the massacre and bloodshed of LifeSteal, the violence and backstabbing and betrayal, the Funhouse Duo/Clownzy have always stood by each other.

Season Six is the first time that Clown doesn't have his bestie of all besties/his work bf around to lean back on — he's left on his own, and while he can certainly survive and even thrive on his own, it just isn't the same; there's no more friendly face he can pick out from the crowd, no more loving person to care for and fret over. He's always been alone, at the end of the day, but it hasn't stung half as much as it does now.

All of this is to say: Clown is an introvert telling Kaboodle to just "not trust people", while Kabs is an extrovert who can't help how she gets attached to people — they're an interesting duo to watch as they discuss, because while Kaboodle says that she's gonna start being more careful around people, not trusting others etc. etc., she still stays put as she watches Clown come down on her, Mace in hand. She still tells him that she trusts him as he's telling her "well you shouldn't!" She still follows ManePear around and gives him iron when she's asked, based on the momentary truce they held, a precarious thing entirely dictated by his hand and not hers.

I get what Clown is saying when he tells her to "not trust anyone — not even me", as he's the veteran between them and the one who has the most knowledge, he understands how the server operates and what the point of it all is, the atmosphere bred within its code and how it spreads like a disease amongst its players, yet it just circles back to being annoying — it reminds me of that conversation Woogie (I think) and Kaboodle had on her video about her first day(s?), where Woogie was undermining her experience, ideas and beliefs, and the only difference is the amount of misplaced loyalty Kaboodle has for (LS!)Clown; she trusts him without him having to do anything, and that's something that goes down wrong with him, obviously: he advises her to keep her cards to her chest, where somebody with less mercy (less love for her, less unwilling care, less desire to see her thrive on her own terms and by her own merit) would've let her get herself killed with that big heart of hers that's in need of affection and attention.

She's so excited as she recounts her last week to a listening Clown, immediately sighing with great relief as he explains he wasn't helping ManePear when he was hunting her, she says "I love Batman" as Clown exclaims he would be Batman and while I don't think cc!Kabs is quick-on-the-uptake enough to have a surface vs deeper meaning line thrown in the middle of Killerbunnies banter that's not necessarily fully in character, I reserve the right to believe whatever the fuck I wish, actually.

He humours her, lets her ramble and asks about what happened to her eye, he follows along with her DC comparisons and takes the time to explain to her what actually happened between him and ManePear.

He says he doesn't trust anyone, but doesn't love require some trust? What a hypocritical Clown, you turned out to be. I hope, if it comes down to it, you show her she matters more to you than those self imposed rules of yours, as I'm sure she'll show you you matter more to her then those rules you try to teach her