#yeah I am very normal about all that actually

[reignpage]

Finders Keepers

Summary: in which alien!reader crash lands right in front of Gojo and your story with him begins Word Count: 1k (just trialing a new concept so it's a quick opening) Warnings: a little cursing, allusions to experimentation and alien warfare, reader is naked but not in a sexual manner

“I can’t believe aliens actually exist,” Satoru mutters to himself. 

This has been an incredibly wild evening. 

When he stepped out of his apartment to throw the bins out, he hadn’t expected to see a blinding flash of light zoom past him and explode in the parking lot. Thank goodness for his infinity, otherwise he would not have fared as well as the minivan you landed on. 

Yes. 

You.

The woman who came straight from the sky and fell on top of a car, missing him by just two metres.

At first, he thought it was a curse; these things get pretty weird sometimes, after all. But using his Six Eyes, he could tell you were different. Sure, you looked like any other person, with arms and legs and a head. But you had a unique aura to you, positively otherworldly. 

If he was any other kind of man, he would have just left you there and pretended nothing happened — ignorance is bliss and whatnot — but what kind of Honoured One would he be if he didn’t do his duty and helped you out?

So, he slides down the massive crater you made (boy is that going to be a pain for maintenance to clean up) and carefully cradles your naked body in his arms, carefully so as to not touch bits and pieces no gentleman has a business looking at. Why are you naked anyways? 

Sensing people making their way down the stairs to inspect the commotion, he teleports back into his apartment quick as a flash before anyone could think to look through their windows. 

He throws a blanket at you and leaves you on the sofa as he paces the length of his living room and ponders what to do. On one hand, he could call the police and leave it up to them to deal with you. The government would know best about how to deal about falling space women, right? But then, don’t all the sci-fi movies talk about inhumane experimentation, weaponizing alien technology, and Area 51? 

That wouldn’t be a very nice thing to do, at all. 

And on the other hand, he could just take care of you himself. He has the means to, that’s for sure. You really don’t look any different from everyone else — surely, you need the same things he does: food, water, shelter and warmth.

Right?

Just as he’s about to pick up the phone to call his doctor friend, you begin rousing from sleep. Your eyes flutter open and they’re a normal colour, which freaks him out more if he’s going to be perfectly honest. 

“Uh,” Satoru scratches the back of his neck, shuffling on his feet a little, “hey? I’m Gojo Satoru. You can just call me Satoru, though. If you want, or can, I guess.”

You tilt your head, scanning his body, and you open your mouth. What comes out is definitely an alien language. Or maybe he needs to travel more. But he certainly does not comprehend a single thing that you say. 

Clearing his throat, he tries to smile comfortingly. “Okay, so I didn’t understand what you said. Sorry. But uh, do you need anything? Like, do you know where you are? Yeah, you definitely don’t know what I’m saying either, do you?”

You tilt your head again. 

“What is wrong with me? Seriously. What was I thinking bringing you home? You may have fallen from the sky but I’m the one that clearly hit my head. I really am an idiot.”

Glancing around the room, you don’t look any bit as frazzled and panicked as he is. Actually, you’re as cool as a cucumber, and there isn’t a hint of shame or embarrassment on your face when you push yourself off the sofa, blanket sliding down your body. 

“Woah! Woah!”

Satoru presses his hands to his eyes and leaves them there for a second or two before realising that does absolutely nothing and when he pulls them down, he doesn’t flinch when you’re standing before him, inquisitive eyes meeting his. 

His infinity is on and he’s ready to subdue you if you prove to be a threat, but so far, he’s simply letting you reorient yourself, getting used to your surroundings and giving you the opportunity to decide he’s not a bad guy. 

That being said, however, he’s still deciding whether to keep you or not. He doesn’t want you to be poked and prodded — that wouldn’t be a very cool welcome to planet Earth and he doesn’t need you to go around telling your alien friends humans suck, though they do. But he also doesn’t know if that’s the best decision. 

You could be a danger to jujitsu society, to his students, to the world. What if, right at this very moment, you’re leaking deadly radiation? And what if his infinity can’t keep it out? Can’t keep you out?

Gosh, there are so many things that could go wrong. 

It’s entirely possible too that you’re a blood sucking monster intent on wringing him dry for all he’s worth. Maybe you’re not even an alien. Maybe you’re a special kind of curse, the kind that can bypass his Six Eyes, though he’s fairly confident that’s not the case (there’s no one stronger than him, after all). 

What if this is Kenjaku all over again?

Yeah, on second thought, he should definitely call the police. Or Ijichi, or the Prime Minister of Japan, or whoever will believe him when he says there’s a naked, alien lady in his home, and no, he’s not a pervert playing out some sick fantasy.

But just as he’s lifting his phone, you lift your hand the same time he does and cover your eyes. 

Then you say his name in perfect Japanese with a sweet, soft voice, not a hint of hesitation or unsteadiness. You smile, eyes still obscured, and he feels himself mirroring your gleeful expression. 

“That’s right. I’m Satoru. It’s nice to meet you.”

He decides, there and then, to hell with radiation, alien armies, and the deadly risk you pose to everything he knows or cares about. The military, conspiracy theorists, and scientists be damned.

He’s going to keep you. 

[chaos-in-bright-pink-hair-dye]

Day 5 of killjoys week - Hopeful lies

An easy plan, really

quickly in, quickly out

grab the child and be five feet high before they notice you're gone

So why do my hands tremble when I count the beads around my wrist

again and again and again

trying to send a prayer to a god I don't believe in

Why do I hug my brothers tighter than usual

seeing broken hope in their eyes

and I know the same is in mine

they smile but their lips drip poison and blood

and I

I smile back

because everything is gonna be fine

we are always fine

always

But why do I feel a clawed hand on my shoulder

grip I shake off

instead white walls outstretching their piercing embrace

air leaving my lungs and turning into fog in front of my face

So I strap the holster to my thigh

and grin to root fear in Saturn's heart

because killjoys never die

and we have destiny covering our backs

[rolandkaros]

forever hilarious to me that tennis is promoted as this prestigious highbrow big-brain sport when most tennis fans these days are like. yeah this is my favorite player. yeah i don't know why they're like that. yes they are stupid. no i will not choose somebody else.

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[nabaath-areng]

Sometimes I think to myself "actually maybe I'm exaggerating the terror I felt from being stalked", but then I remember that the person in question followed me and waited for me outside my school every day, tracked me down on every website I'd spent even the slightest time on, left physical letters in my mailbox, sent creepy as hell novel length messages on a near daily basis on FB. And then when I was living abroad and I answered the phone I told the caller to text me cause I couldn't hear, after which I had to read "I was saying that you would probably be VERY scared if you knew who's calling... hehe" with my own damn fucking eyes...

And then I'm like yknow what nevermind!!!! the fact that I'm still terrified of being perceived and seen in public not just IRL but also FFXIV might be understandable actually!!!

[batsplat]

“og 4 aliens very particular vibe in being ‘three distinct flavours of socially awkward loner and also valentino rossi’” LMAO I WAS JUST THINKING THIS!!!!!! That he has the funniest possible 3 foils in that era bc like…those three guys could not be less his vibe ~personality wise if they tried. And actually tbf I do think they WERE trying a lot of the time. Feeling very curious if you think there’s anything to the idea of how Marc was the first alien-era rival he had who was more on his level all around? Like early days Marc was kind of just 😀😀😀 all the time but I do think he can be v charming and is clearly extroverted as hell (tho like…notably also a loner but like…not by choice??). Like idk where im going w this but the contrast is interesting to me. IDK

to some extent! I'm not sure I'd necessarily call marc an extrovert, you can be charismatic and cheerful without being an extrovert - but also this is splitting hairs. the og four aliens are one guy who's on the 'roughly as extroverted as you can possibly get as a professional athlete' end of the spectrum and three guys who are on the 'roughly as introverted as you can possibly get as a professional athlete' end. now, tbh, I don't think valentino massively minded this. he's extroverted but crucially he's also got enough charm going for him that he could get his rivals to chat with him if he was so inclined. he had an increasingly friendly relationship with dani, there's real genuine warmth in how both of them talk about each other - ultimately dani might have been quite sullen and withdrawn in general, especially in his early years, but he got on well with valentino. casey and valentino had perfectly decent interpersonal chemistry, they got on well, and tbh they were still warm with each in-person long past the point where that relationship had rhetorically soured. with jorge... I mean, okay, no chemistry there, but that was also very much valentino's choice. I do not fundamentally doubt valentino's ability to charm twenty year old jorge lorenzo. I think just because they were DIFFERENT characters, that doesn't necessarily mean they weren't valentino's *type* personality-wise, like he does seem to be happy enough to be the chatty one who draws them out of their shells in that scenario. unless competitive necessity requires otherwise!! but as marc discovered, somewhat higher levels of extroversion does not protect you if that's the case

I will say I know you do put alien-era as a caveat, but it is still important to point out that marc is very much not the first valentino rival who doesn't fall in the introverted loner camp. valentino had a rival who matched his vibe!! who he had a real proper off-track friendship with, who he went on holidays with, who he had a warm relationship with for substantially longer than the marc/valentino honeymoon lasted. I think you can see the early marc era as a bit of a return to the friendlier vibes of the early noughties, but crucially it is a return. the early noughties was the last gasp before the sport came to be completely dominated by a bunch of young prodigies who had been moulded into perfect athletes and had less chance to grow into people outside of the sport - valentino is already part of that camp in everything but temperament, cf the contrast with biaggi. in the early noughties, he was surrounded by a bunch of older riders who varied dramatically in disposition... biaggi was the guy everyone had issues with, capirossi was always fond of valentino, kr jr he got on well with, he played a mentoring role for in hayden's rookie season... and of course, most importantly, the friendship with sete - now there's an obscenely friendly rivalry right until the very moment when it isn't. 2013-14 is a bit of a return to that more congenial climate, but at the end of the day that lot were still less likely to socialise than riders were back in the day. they just didn't have the time lol

so yeah, I mean. valentino clearly did take to marc on a personal level, and marc is definitely closer to valentino on the introversion/extroversion spectrum than the three other aliens are. though that is also... not difficult. there is something quite funny about how 2006-07 went from valentino's pov. the engine regs changed, valentino literally blinked and suddenly all his opps were toddlers. went from goofing off with capirossi on the sepang 2006 podium to running a daycare centre overnight. and marc is part of that! it's also a massive change in that suddenly, valentino was surrounded by rivals who had been influenced by watching him ride as they grew up and were all really, really, really weird about him. marc with his little bike collection, jorge with his dabbling in pseudoscientific schools of psychology, casey and his championship-winning shirt, dani... well, tbf, I do actually think dani was pretty normal about valentino - probably because he'd known him the longest. had gotten drunk with valentino in the days when the bloke was just an idol and not a god. which is an underrated reason why the dani/valentino relationship never got so weird imo, one that goes beyond competitive calculus - dani was the most capable of interacting with valentino as just another guy. with all three of marc/jorge/casey, that idolisation dynamic does contribute significantly to the interpersonal turmoil

but that's a topic for another day! in conclusion, marc defo the dispositionally cheeriest foil of the alien lot, albeit somewhat by default, and WAS part of the reason why motogp got a bit of a mood lift in that 2013-14 period after what had just been a dire few years vibes-wise. mediocre racing, devastation caused by the financial crisis, tragedy... motogp was feeling quite lifeless in 2011-12 in particular, and those years do have a bit of a drab energy to them. in that sense, what followed was a bit of a reversion to the mean until the vibes completely went off the cliff. have they ever recovered? who can say

[puppppppppy]

i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend

my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.

but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)

on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.

and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(

you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth

and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!

[claitea]

oh yeah i played a little more isat today and i have to say i just ADORE how the dialogue is written. specifically the way the party can say and do things that upset another, but its treated as just a normal thing that happens and it has no bearing on the story or anything. like i just saw siffrin, bonnie and isabeau make fun of a wilting plant which turned out to be mirabelle's and she became dejected about it, or odile worrying she didn't react well enough to bonnie's snacks even though they were fine. literally one of the first things that happens is siffrin upsetting mirabelle bc they didn't show enough enthusiasm about the sleepover. the characters feel so Human bc they make little mistakes that genuinely upset someone even to each other and i can't think of any other thing i'm into that does it like that. if that makes sense

[nonsensechemicals]

crying whenever i talk about Cookie9 because all my friends have these interesting and unique theories on them while i take everything too literally and they all just stare at me like “dude… uuugh we r TIRED” <-they dont actually say this they are very kind to me but i can Feel It

[arolesbianism]

Sometimes I just look at Isabeau and just know that if isat came out and I got into it when I was like 16 he would be my favorite character and I would've gone absolutely buck wild over this man and feel like he was laser targeting me. But alas Odile has a grip of steel on me rn due to her virtue of being a middle aged woman

[seaofreverie]

We should normalize bringing these sort of "small talk ideas" cards to meetings with other people so that it's possible to avoid the awkwardness of not knowing what to talk about to kick things off or if it's considered normal to talk about this specific thing and AUGHGHFCG all this stuff.

[dewgongs]

ughh why do i have to have njghtmares about them

[ratatatastic]

[kaustic]

i think anyone who met me anytime between like april of 2022 until jan of 2023 should forget everything they know about me actually

[flovverworks]

thought again how overwhelmingly lonely akira would become after everything while time does its healing. u go from having a twenty-something ppl around u at all times to being alone. no one to knock on ur door in the morning, no ppl going in & out, no chaos of sudden fights. even in the (more likely) case where akira forgets its like. this haunting feeling of having forgotten something u shouldnt have. guy who goes to every social gathering ever to have that chaotic energetic experience of having so many ppl around again

[bmpmp3]

Getting into stuff that has a lot of pre-announced release dates is really good for me like vocal synthesizer products and new love live etc franchise music releases....I'll be lying in bed at like 2 AM with ur usual 20-something's fear and existentialism over time and the future and then I'll remember a piece of singing software or a new song related to cartoon characters I like is gonna come out like next month and I'm like 😌