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hoonatic · 4 months ago

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emergency contact | park sunghoon x reader

prompt: weeks after your breakup, sunghoon finds out that he’s still your emergency contact. pairing: non-idol sunghoon x implied female reader genre: angst with hopeful/happy? ending; second chance romance??; exes to lovers??? word count: 2800 note: i’ve had a cute fic idea that i wanted to write forever…but this is not it. the sad demons have visited me once again. hope y’all enjoy nevertheless and any feedback is much appreciated <3

sunghoon was miserable.

it had been three weeks, five days, two hours, and thirty-two minutes since the two of you had gone no contact.

he wished he could say he was happy to be single, that he was no longer “locked down” and “whipped” as his friends had always called him. but the so-called “freedom” felt like hell since it meant losing you.

at first, he kept telling himself that time would heal the pain. “it’s natural,” he had repeated like a mantra, “she was your best friend and lover for years.” but no, this heartbreak was inhumane. his desire to see you, apologize endlessly, and spend days holding you until you could feel every ounce of his love was gnawing at his soul. if anything, it got worse by the minute.

he had tried so hard to balance work and the rest of his life, using the excuse several times that he was securing this future for your shared life with him. that one day, you’d be able to reap the rewards of his efforts and live comfortably together without stress.

but what was the use of all of that now? the future he had worked so hard to create was ripped out from his hands by no one other than himself.

you had accused him of being too busy for you. dates canceled at the last minute, a birthday forgotten, and all the texts left on read had built up to the argument that ended it all. he was always good at fighting, a little too good. he had retorted that you weren’t being supportive, and he was never one to sugarcoat his words. his tongue was sharp, and he did nothing to dull its blade.

but there wasn’t too much yelling on your part, and he thought that that hurt more. he wanted you to fight back, to stand your ground because he knew deep down that he was being the asshole. his toxic thought was that by you fighting back, this meant that you were still fighting for your relationship. but instead, you just stared with silent tears and a blank expression. seeing the indifference in eyes that had previously held so much love was a sight that would stay with him forever. so, in fear of you leaving, he ran instead.

he was a coward, leaving your shared home to run back to the apartment he had still technically owned but hadn’t lived in for more than a year. he locked himself away for a few days, but the realization that you hadn’t attempted to contact him burned more than he could put into words. you were done with him. he had hurt you, had the audacity to be the one to run, and now he had lost you.

he had even run from his job. he couldn’t stand to walk into the same building he stayed in when he forgot dates with you. his coworkers wouldn’t stop asking what happened to him, why he looked so rough. he even found an empty container that had once held lunch you made for him. but his final straw was getting promoted. his first instinct was to call you, but he remembered the sad truth before he could dial. any ounce of pride was washed away with shame in that moment. that same day, he quit without notice.

so there he was: miserable, alone, and unemployed with nothing left to run from but memories. he had spent the last week going through his phone and saving your pictures together in a locked album. he wouldn’t dare delete them, but he couldn’t stomach looking at you either.

he wished he could get drunk and sleep away the pain. he had tried, he definitely did - but that night, he dreamt of you. you were smiling at first, eyes ever full of love. you were speaking, yet he couldn’t hear you. but he could see how your words started to gradually look sadder, and slowly, tears started to fall as your grin dropped. he woke up that next morning crying with the conclusion that he would have to face this heartbreak sober.

but another day of scrolling through albums had stopped abruptly when he saw the notification that changed everything.

SOS i called emergency services from this approximate location after my watch detected a hard fall. you are receiving this message because i have you listed as my emergency contact.

sunghoon had to remind himself to breathe.

he had purchased that watch for you as a “just because” present months ago. you had complained of bad sleep and he wanted you to use it as a way to track your slumber. he hated seeing you tired. he knew that the watch had a fall detection function, but it had never been used before.

his heart was in his stomach as he went to his favorite contacts page and selected your name for the first time in weeks.

“please,” he begged, all notion of running away from you leaving his brain, “pick up please.”

but you just weren’t answering. so he tried again and again and again.

for a moment while the line attempted to connect, he wondered if this was how he had made you feel for months - desperate for a sliver of attention from him. but instead, he was desperate for a sign of life.

finally, after about two minutes of trying to reach you, his body moved of its own accord. before he knew it, his car keys were in his hands and he was out the door.

the car ride there might have been the worst part. the speed at which he drove at almost defied the laws of physics. other drivers were cursing at him but he wasn’t registering anything except the thought of your safety. he just needed to get to you.

why did he run? why didn’t he try to talk it out? if he was so afraid of losing you, why did he do the one thing that would guarantee that? he should have been there like he promised to be from the beginning. you would have been safe with him.

when he pulled up to the house you had shared for so long, he suddenly felt the world slow down. why were emergency services there? you should’ve canceled them by now.

he had to double park as the ambulance was blocking the driveway. why were they here?

the emts and police had arrived at the same time as him, which both increased his anxiety and soothed him. for one, that meant he had been quick enough. but why did you need them?

“sir, do you know–” an officer had approached him as he stumbled to the front door. all he could understand was your name. why were they asking if he knew you? of course he knew you. you, the love of his life. you, his soulmate by every meaning of the word. you were you. and you were safe.

as if sensing his distress, he felt an emt worker pull him to the side as the same officer prepared to break down the door. seeing this, sunghoon finally returned to his senses.

“w-wait! sorry, i have a key.” sunghoon’s hands were shaking. the only way that door had unlocked was by pure muscle memory because he didn’t understand what he was doing at all.

as soon as the door opened, sunghoon tried to step in. finally, he was close to you.

the officer, however, pulled him back.

“sir, you should wait here. we need to make an initial search before you can go in.”

“what, why? if she’s in there, i want to see–”

“sir, it’s just in case we find something we wouldn’t want you to see.”

all of sunghoon’s hesitation and fear went out the window at those words. his body flew automatically as he ran inside.

he screamed your name as he rushed in, ignoring the yells of the police officers who followed him in. as it had been for almost four weeks, his only thought was you. he just needed you.

he checked the ground floor first, eyes scanning the open space in less than a second as his body avoided an officer trying to grab him. sunghoon then moved to the staircase, long legs prepared to skip steps to reach you. then suddenly, he heard the voice his ears had been longing for,

“sunghoon?!”

his head shot up. there you were, finally. he saw the sadness, confusion, and fear all flash your face as you registered the emergency workers behind him. you looked exhausted and unruly, but he had never felt more in love.

he didn’t even remember climbing the steps, but suddenly he was at the top of the staircase and you were in his arms.

you could feel him trembling as he held you. you took his face into your hands to look at him, “sunghoon? what’s wrong? why are you here? is it my parents? is someone hurt?” you watched as his mouth opened but no words came out. after a few seconds, one of the officers spoke from the bottom of the steps,

“ma’am, we received an alert from your device that a hard fall had occurred.”

suddenly, you understood everything. taking sunghoon’s hand gently, you led him down the stairs, afraid he’d fall from shock. he followed you silently, but his grip tightened seemingly with every step.

that’s when you noticed your shattered watch on the third step.

you let sunghoon go and you could hear his deep breath when you did. you picked up the watch and offered it up to the officer as an explanation, “i’m sorry officer, it looks like there’s been a misunderstanding…”

the officer nodded in understanding, and dismissed the emts, “got it, ma’am. we will still need a formal report for our records since this was registered as an emergency call.” he motioned to your couch as he took out a pen and paper.

you reached for sunghoon’s hand once more and led him to sit with you. in the moment, you knew he needed you more than you would ever understand. so, as you explained to the officer, you held his trembling hand, rubbing soothing circles with your thumb.

“i was doing laundry here downstairs and had taken off my watch to prevent it from getting wet,” you recounted, “i put it on top of the basket of clothes that i took upstairs. i remember tripping a little going up the stairs - i didn’t fall, but that must’ve been when the watch fell."

"what about your phone, where is it? i'm sure your boyfriend must've tried to call you."

sunghoon slowly nodded at that, turning to look at you. you smiled sheepishly, "i left it upstairs and it was on silent while i folded the clothes. i’m so sorry for the inconvenience.”

after finishing up your statement, the remaining officer prepared to leave. as he walked out the door, he gave a soft smile to the both of you,

“glad to see it was a false alarm, ma’am. you had this gentleman quite worried - ran so fast i couldn’t even grab him!” the officer laughed, “you two have a nice day now! sorry about your watch, though!”

after he shut your door, the silence enveloped your home. you closed your eyes and breathed deeply to prepare to speak to your ex-boyfriend. but as soon as you opened them, sunghoon started to cry softly.

he hugged you tighter than he ever had, and soon enough, his face was buried in your neck. his cries were silent, but you could feel his body shaking as his tears soaked your shirt.

“sunghoon…” you started, stroking his back, “i’m sorry i worried you, honey.”

you knew you shouldn’t be calling your ex pet names, especially an ex that had run from you without properly ending the relationship. but your heart still held so much love for him that it flowed out naturally. and you knew he was crying from more than just worry, so you doubt he minded at all in the moment.

his crying slowed down as his arms took to loosely wrapping around your waist instead. he pulled away from your neck to rest his forehead on yours. from this angle, you could see his swollen eyes and red nose - a sight so rare in all the years you had dated. he was never a crier after all.

but memories of several late-night conversations rushed your mind. he always said his number one fear was your death, and now you could see he had never lied about that.

he could see your mind go elsewhere so he called your name softly, “don’t say you’re sorry. i’m so happy, these are relieved tears. and i just really, really missed you.” he croaked out. you knew he had more to say, so you just nodded, letting him go on.

“and i’m sorry, baby. for everything. i shouldn’t have run, i shouldn’t have tried to egg you on to fight me back. i shouldn’t have even fought anything you said that night. you were right. i didn’t prioritize you. in my attempt to secure you for life, i let you go instead. i’m so sorry, i never wanted to break up.” he was rambling in earnest now, afraid that no words would make you take him back.

you listened quietly as he went on for a few minutes after that, hand continuing to rub his back, “i know honey, i know.”

“baby, you need to understand that i almost died thinking you almost died today,” you could’ve laughed at how dramatically he spoke, “i couldn’t breathe right thinking that our last conversation could’ve been an argument. that you wouldn't have ever known just how deeply i love you and need you. i have so much regret for how i treated you, but if you’d give me the chance, i have all the time in the world to make it up to you…let’s go on that vacation i promised you. we can leave tomorrow if you’d like.” he smiled hopefully at you.

“hoon,” his heart soared at the use of his beloved nickname, “what do you mean? don’t you have work? can you really leave with such short notice?”

“i quit my job.”

“excuse me?”

“no job that made me work that much is worth it. i’ll find one with better work-life balance…after our vacation. if that’s what you still want of course…” he spoke more quietly, as if afraid of rejection.

you sighed. you really should be realistic with this - you two had been broken up for a few weeks at that point. you knew the love was still there, but was this a good decision?

while there was still some hesitation on your part, you couldn't help but notice how gingerly he held you. his arms were still around your waist loosely, yet there was something desperate about their hold. you knew he was holding back from hurting you - you could tell how tightly he wanted to hug you.

he was so shaken up at the idea of you being hurt that he rushed over there despite the two of you not being on speaking terms. for someone who had trouble communicating how he felt sometimes, you knew his actions spoke louder than words. he always acted brave, but there was so much he feared. and you knew losing you was always at the top of this list.

you could also feel how he was simply soaking in the sight of your face. his eyes were shy, yet determined. he wasn't going to risk missing another second of staring at you. a part of you grew conscious, but you knew he was just taking in what he had missed for weeks.

“what about…” you started and almost giggled at how he perked up, “we take it slow - another two weeks or so to talk everything out and relax? to get us to a good place again before you hold me hostage in some foreign country?”

sunghoon smiled softly, kissing your forehead. you leaned in naturally to his warmth, to his touch that you missed so much. “that sounds like a great idea, love.” he spoke, “we’ll get you a new watch too. and i’ll do all the itinerary planning and packing whenever you’re ready, okay? i love you.”

“okay. and i love you too. can’t wait to enjoy your unemployment with you for now!”

one smile and nod from you had him taking you into his arms once more, relishing in your being. he was back where he belonged. he had experienced the scariest reminder ever that he needed you, and sunghoon was never letting you go now.

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the-cat-and-the-birdie · 1 year ago

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Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

#ill repost the ending as its own post as well yay #hobie brown #spider punk #spiderpunk #miles morales #gwen stacy #jessica drew #miguel o'hara #spiderman 2099 #atsv #atsv analysis #across the spiderverse #spidergwen #spiderwoman #peter parker #peter b parker

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