#wxs world link will be. interesting.

[ssruis]

Believe I will be sitting at ~ 40,000 for pandemonium. ruikasa if you don’t come home I’m killing someone (probably myself)

[kerizaret]

"Welcome to the land of eternal pleasure"

[pjsk-story-summaries]

Keep it Steady, Let's Aim for the Stars! Event Summary (WxS World Link)

TL;DR: Wonderlands x Showtime and the Virtual Singers encounter a strange, bustling new harbor area in the Wonderland SEKAI. While exploring, they find a map to a place called Star Island. However, a gust of wind blows the map away, only to be caught in the wings of a giant Phoenix. The group decides to chase after the Phoenix to recover the map.

While asking around the harbor for information, Rui, Rin, and Miku encounter a group of lonely zombie plushies. The rest of the plushies were scared of them due to their off-putting nature and tendency to bite as a greeting. Rui recognized himself in the way the plushies had convinced themselves that they were better on their own since nobody would understand them anyways, and vows to help them. With the help of the other Virutal Singers and his troupe, they put on a modified version of the Potato Ghost story to show the other plushies the zombies just wanted to be friends. As a reward, they learn that someone who knows about the Phoenix lives nearby.

Unfortunately, a large river blocks their path forward. Turtle plushies ferry others to the other bank, but at the moment, they're all too busy to take them. Nene and Luka come across an anxious turtle who dreams to one day ferry others across the river but is too scared to get in. Nene recognizes that fear, and with a little encouragement, tells the turtle about her own experience. She'd messed up before and was too scared to step on stage, but even so, she'd never stopped dreaming. Things are still scary, but the most important things are to find the courage to take the first step, friends to push you along, and the will to keep going. Moved by Nene's words, the turtle plushie manages to face their fear and enters the water. Thankful, they decide to take the rest of the group across the river.

Once across, they arrive at the house of Leon, a stuffed lion who's long studied the Phoenix. He tells them all about the Phoenix, as well as his dream to one day fly alongside Phoenix. He knows his dream is impossible, though. Emu, remembering how she had once felt in regards to the Wonder Stage and Phoenix Wonderland, cheers Leon up. As long as you hold your dream close and keep friends by your side, there's no problem you can't find a way to solve! Her words motivate Leon to not give up. The gang all follow him to the place Phoenix is most commonly seen.

After a bit of waiting, Phoenix flies down to greet them. Phoenix agrees to carry Leon, on the condition that they catch Phoenix flying in the sky first. Rui modifies Robonene to be able to leap high in the air, but she only has three chances and requires someone else to throw a net up. Tsukasa and Leon volunteer. The first two attempts fail, and Leon begins to doubt himself. Tsukasa, reminded of his own feelings of inadequacy, teaches Leon to turn those feelings into fuel. On the third and final attempt, though Phoenix dodges the net, Tsukasa leaps up and just barely grazes Phoenix. Though they failed their mission, Phoenix, impressed by their tenacity, promises to let Leon ride on Phoenix's back if they do manage to catch Phoenix one day. Phoenix also returns the map as a reward for their efforts.

Back at the harbor, the group inspects the map. They realize the different islands represent the shows they've done, and the various unmarked ones places they have yet to see. Tsukasa also comes to realize that the ship represents his evolving dream to "Aim for stardom, and together with my friends, we will embark on our journey of growth to many places". They try to sail towards Star Island, but the currents push them back. One day, once they've become true stars, they'll be able to sail there.

A plant bud blooms in the harbor.

Fan Translation (source: WxS translation team) / Second Focus Song (Tetrad that Illuminates the World) 3DMV / 2DMV

Opening: The Virtual Singers had called Wonderlands x Showtime (and Nenerobo) to the strange new harbor town Rin and Len had found in the SEKAI. KAITO theorizes that Tsukasa's evolving feelings may have manifested this place, but none of them know what those feelings might be. They decide to explore and learn more. Len realizes they can board the ship on the harbor, and Emu finds a strange map inside. Upon inspection, they learn there are many islands scattered about, leading to a grand one called Star Island. Suddenly, a strong gust of wind blows the map away. A grand Phoenix swoops down, and the map gets caught within the Phoenix's wings. The troupe decide to chase after the Phoenix and reclaim the map.

Rui Chapter 1: They start by talking to many plushies around the harbor town; however, none of them have seen the Phoenix. When talking to the innkeeper, Rui, Miku, and Rin learn the wide variety of plushies are visitors from the various islands. They come across a group of run down zombie plushies off on their own. The rest of the plushies are scared of them, since they have "twisted personalities" and bite when approached. The innkeeper tells the three that those zombies mean no harm; it's just how they greet people.

Rui decides to approach the zombies, letting them bite him and him biting back. The zombies don't trust Rui, however; they fear he's just pretending to be their friend to get what he wants, since everyone else is scared of them. They know they won't ever fit in with the others. Rui realizes they're just like he was back then.

Rui Chapter 2: Rui explains how he had given up on ever trying to fit in, since he thought nothing would ever change. However after meeting Tsukasa, Emu, Nene, and the others, he realized just how much he truly wanted to perform with others. He's changed since then; he even fought for his selfish wish to stay together as a troupe. Miku tells him his dream isn't selfish at all. Rui decides to help the zombies get along with the others, since he knows they don't actually want to be alone like they say they do.

He gathers the zombies, as well as the rest of his troupe, and puts on a modified version of the Potato Ghost play from "It's On! Wonder Halloween!". The show helps the other plushies realize the zombies were just trying to be friends, and that there truly isn't anything to be scared of. Rui reflects on the power of shows and how they truly can connect others. With that, the zombies reveal that someone who knows about the Phoenix lives nearby.

Nene Chapter 1: A large river blocks the path between them and the one who knows about the Phoenix. Turtle plushies often ferry others to the other side, but they're all currently busy. They split up to go try and find an available one. Nene and Luka stumble upon a shy turtle who's dream is to ferry others, but after a storm flooded the area, it's now too scared to swim. Nene understands what it feels like to be terrified, but still unable to give up dreaming. Luka urges Nene to talk to the turtle.

Nene Chapter 2: Nene approaches the other turtle, and with reassurance from Luka, explains how she dreams of being a world-renowned actor, but after she'd forgotten her lines as a kid, became too scared to stand on stage again. She's still scared of a lot of things, especially the future, but she knows it's important to find the courage to move forward anyways. (It helps to have friends alongside you to give a push). The most important thing is the courage to take the first step.

Moved by Nene's words, the turtle successfully gets into the river. They then happily swim with Nene around the bay before taking the rest of Wonderlands x Showtime to the other side of the river. Nene reflects on how the future will be scary, but as long as she keeps moving forward with courage, she'll be alright.

Emu Chapter 1: The gang arrives at the house and greet the one who knows about Phoenix, a stuffed lion named Leon. Emu explains their situation, and Leon agrees to help! He's been researching the Phoenix, who's revealed to hail from Star Island, for a long time now. Leon's dream is to fly alongside the Phoenix one day, but he knows it's impossible. Everyone around him says so. That statement reminded Emu of the time she'd felt the same, when Shosuke told her her dream to save Phoenix Wonderland's image was impossible.

Emu Chapter 2: Emu reassures Leon that it's important to have dreams, no matter how impossible they may seem. As long as you hold your dreams close, you'll find a way to make them reality! She knows what it's like to not be able to achieve your dreams, her friends gave her the courage to not give up and worked together to make them come true. It's all about working together!

Moved by Emu's words, Leon decides to ask the others to help him fly with the Phoenix. Len suggests that he tries asking to fly on the back of the Phoenix. The group all follows Leon to a place where the Phoenix is most likely to be. While leaving, Len comments on Emu's ability to make everyone smile, and how she'll be able to spread that all across the world now.

Tsukasa Chapter 1: While waiting for the Phoenix, Tsukasa realizes he and Leon have similar dreams of chasing the impossible. Suddenly, the Phoenix arrives, so Tsukasa yells for Phoenix to come down. Leon explains his dream to Phoenix, but Phoenix refuses. Tsukasa refuses to leave, however. Phoenix decides to comply, but only if they manage to catch Phoenix flying in the sky. Len suggests using a net, like the one they'd used to catch Lion Dance Robot. Rui decides to modify Robonene so that she can leap up great distances, almost as if she were flying. However, she's limited to three jumps, and she can't throw the net herself. Leon volunteers to throw the net, so Tsukasa decides to go with him.

Tsukasa Chapter 2: After a bit of practice, Leon and Tsukasa are ready to go. On their first attempt, the wind blows the net off course. On the second, Leon throws too early and the net misses. Leon apologizes and begins to doubt himself. Tsukasa knows what it's like to want something so desperately but not be close enough to grasp it, remembering back to his feelings over Rio. He knows dreams aren't things to be extinguished so easily. Take that pain, embrace it, and turn it into the fuel to chase them! No matter what happens, the others will be there for them.

Motivated once again, Nenerobo leaps with Leon and Tsukasa for the final attempt. They get close, but Phoenix dodges the net. With one last ditch effort, Tsukasa jumps out of Nenerobo's arms and just barelt touches Phoenix before falling back to the ground. Emu notices one of Phoenix's feathers stuck to his back. Phoenix flies down to great them. Though the others didn't manage to capture Phoenix, Phoenix is impressed by their tenacity. If they manage to one day catch Phoenix, Phoenix promises to let them fly on Phoenix's back. Before flying off, Phoenix returns the map as a reward for the touch. Both Tsukasa and Leon resolve to keep chasing their dreams.

Closing: The group inspects the map further, realizing some islands are marked with references to shows they'd done in the past, while others remain unmarked. KAITO guesses that the ship has gone on it's own journey towards Star Island, just like the others have been chasing stardom. Tsukasa realizes that his feelings have evolved to take the form of "Aim for stardom, and together with my friends, we will embark on our journey of growth to many places".

Emu decides to try sailing the ship to Star Island. Together with the help of the harbor's plushies, they push the ship out to the water. However, the currents keep pushing them back to the harbor. Though they can't go yet, Miku is certain they'll be able to make it someday. Tsukasa dubs the ship, "Pegasus Special Deluxe Wonder" as he asks the others to continue moving forward towards their dreams.

A plant bud blooms near the ship.

[Note: Since multiple translators worked on this event, there are variances in how the new characters are translated. Specifically, Phoenix is referred to with both he and she pronouns by other characters, and Leon is also called Rion. I avoided pronoun use for Phoenix and used the localized Leon since it looks closest to "lion". When this event runs on the EN server, I will update this with their official naming conventions.]

[vertical-sekai]

Is Wonderland Sekai the same as in canon? And how did AURORA end up forming then?

"Is Wonderland Sekai the same as in canon?"

Yes and no.

Yes, because in canon, Tsukasa's SEKAI formed when he was a child according to the VIRTUAL SINGER World Link event— but also no, because his SEKAI isn't influenced by WxS in this AU, so certain details have changed.

For example, the Miku in Tsukasa's SEKAI doesn't speak using many onomatopoeias because that was a habit she picked up from Emu. Some other things are different (particularly the plushies) because of the fact that the other members of AURORA affect Tsukasa, which in turn affects his SEKAI.

"And how did AURORA end up forming then?"

It's complicated, to say the least. I'll try to summarize the events leading up to their formation as concisely as possible (assuming I don't eat my words and end up going on a tangent again).

All four of them discovered Vivid Street individually during their time in middle school.

Tsukasa started composing tracks at home, finding inspiration in the atmosphere there shortly after RAD WEEKEND. He never actually saw the event himself, though, nor did he ever perform much on Vivid Street (he was a little, uh... distracted).

Mafuyu started performing at livehouses by herself, venting her suppressed feelings and thoughts through street music— finding safety in this town where it felt as if no one from her school or her parents could ever confront her.

Honami became a regular attendee to various livehouses in Vivid Street, similarly moved like how Mafuyu and Tsukasa were. She'd often take videos of live performances and show them to the Tenma siblings as well as Kanade (since she's still her housekeeper and they have a common interest in music). Honami is also a regular at WEEKEND GARAGE, and is good friends with An.

I think now is also a good time to share that Honami never had her falling out with Ichika and Saki like in canon because of her relationship to Tsukasa. Their common interest in street music allowed them to become better friends (even though they were always technically childhood friends, Honami was never really close to him), and knowing Tsukasa he'd quite literally chase her down and make her talk to Saki if he absolutely had to (the last thing he wants is Saki suffering any more than she has to).

Shizuku got lost one day while heading to a store and ended up in Vivid Street, witnessing one of Mafuyu's performances on the street. She was so deeply moved by this performance that she wasn't able to forget about it, even during her time in Cheerful*Days as an idol. After she quit the group years later, the sound of Mafuyu's singing was still ringing in her ears...

These events set the stage for the formation of AURORA.

Thanks for sending in an ask, by the way!

[thirstworldproblemss]

Hi!

I was swimming around the FishBen tag on tumblr and saw you recced at least one FishBen fic.... do you happen to have any more? I love them

Hello, nonny!

I love FishBen tooooo!! Sadly, there is not nearly enough Frankie x Benny content out there in the world, but I'm happy to share the (smallish) list of fics I've found for them so far. (Anyone aware of Frankie x Benny content that I've missed, please jump in with recs!! Anon and I will both love you for it!! 😘)

Anyway, on to the...

FishBen Rec List

List Notes:

Fics are Sorted by pairing then alphabetically by Title

Uses AO3 Ratings: General audiences - Teen & up - Mature - Explicit

Check your Content Settings if you're 18+ and want to be able to see mature content (Settings -> scroll down to Content You See -> Community Labels -> Mature -> show)

Links sometimes misbehave on desktop–If none of the links are working, try opening in dashboard mode (click the eye-shaped button in the far top right)

Partially cribbed from my prev Frankie x Benny (x reader) ask response

Frankie x Benny (aka. Just the FishBen)

(Why is it that FishBen tends to come almost exclusively either fluffy and/or sexy OR whumpy and full or angst? Who knows, but I love it either way!!)

== Sweet and/or Sexy ==

The Beginning (ao3) by @elvenmother [FxB, get-together fic E, 2.1k, oneshot]

Inside, Upside, & Out by @midnightartemis [FxB, get-together smut, E, 3.7k, complete?]

Put Your Name On It (ao3) by @alwaysbethewest [FxB, sweet & sexy, E, 2.3k, oneshot]

Put Yourself in My Place (ao3) by @alwaysbethewest [FxB, bodyswap smut, E, 3.1k, oneshot]

Right on Cue (ao3) by @alwaysbethewest [pre-FxB, bartender!Frankie, T, 0.4k, oneshot]

Tennessee Whiskey by @mssr-mcknickers [WxS with some FxB, cute Halloween fic, T, 1k, oneshot]

Trou de Cu (ao3) by @alwaysbethewest [FxB, silly & sweet sex shenanigans, E, 0.4k, oneshot]

You Leave a Mark by @alwaysbethewest​  [FxB, secret relationship, M, 0.4k words, oneshot]

.

fishben art  by @littledozerdraws (dancing, post-fight, pre-fight?, being cute & sweet) [ART: FxB, cute & sweet!]

—

== Angst / Whump ==

*be sure to read the warnings with these; things get pretty dark in some of 'em

Cry a Little by @wyn-n-tonic [FxB, hurt/comfort angst, M, 0.8k, oneshot]

fuckin' tell me by @waywaychuck [sort of pre-FxB, hurt/comfort, 0.9k, oneshot]

slippin' off the rails by @waywaychuck [FxB (implied WxS), whump & hurt/comfort, T, 4k, oneshot]

Though I Be The Last by @kesskirata [some FxB in amongst the team whump, E, 19k, 13ch as of Oct '22]

.

Frankie x Benny x Reader

(I know you didn't ask for this, 'nonny, but since pure FishBen is few and far between, I figured I'd add these as well, for you or anyone else who is interested)

A Helping Hand (ao3) by @dameronscopilot [Fx RxB, smutty threesome, E, 2.2k, oneshot]

Baby, how do you sleep when you lie to me?  by @everyhowlmarksthedead [FxR x B, revenge? smut, E, 2,8k, oneshot]

Better Together 'verse by @absurdthirst & @wardenparker [FxRxB, E, 53k, 5 finished oneshots in an ongoing series] Fics: Better Together, Taking Care Together, Waking Up Together, Celebrating Together, Together for Christmas

Flashback (ao3) by @green-socks [FxR xB, pining & fluff, E, 0.9k, oneshot]

Heat Wave (ao3) by @thirstworldproblemss & @astroboots [FxRxB, pining pwp, E, 2.2k oneshot in a larger series]

(hold tight) everything's fine by @raincityruckus [FxR("she")xB, pining smut, E, 5.3k, part of a poly!TF series]

Just us by @ezrasbirdie [FxR xB, plus size!reader, E, 4.5k, oneshot, au in series] 

Made with Love (ao3) by @thristworldproblemss [FxB (w/in FxRxB), silly hurt/comfort fluff, M, 1k, oneshot in a series]

Messy Pile of Affection  (ao3) by @flightlessangelwings [Fx RxB, get-together fic, E, 12k, completed fic in an ongoing series] Series Masterlist

Moonlight 'verse (ao3) by @absurdthirst & @wardenparker [FxRxB, werewolf!Frankie, E, 32k, 2 completed fics in a series] Fics: Moonlight Madness & Full Moon Fury

Not A Competiton (But I'm Winning) (ao3) by @alwaysbethewest [FxRxB, pegging smut, E, 1.2k, oneshot]

No Thinking Over the Weekend by Jazzelsaur (only on ao3) [FxR xB, get-together smut, E, 8.0k, long oneshot]

.

That's all I could remember and/or find for now. Sorry it's not bigger list, 'nonny! It's really a shame Frankie x Benny stuff isn't more popular since it's such a fun pairing. Anyway, thanks for the ask, and for giving me a chance to spread the FishBen love!! 💕

🧡 twp

—

Want more to read? Check out my other Author, Fic, & Fanwork Recs

[am4ura]

So I had this AU idea that is idk complicated but I need to share it somehow.

So basically what if the unit leaders / sekai owners were spirits linked to their Sekai, that in this case is more like a domain.

Leonii's instead of a school would be a space like zone. Mmj's instead of a stage would be a sky, kinda similar to the background in "hear me hopeful show" set. Empty Sekai would stay kind of the same. I haven't had any ideas for street or wonderland Sekai.

The Sekai owners (or Sekai spirits) have all characteristics relevant to their Sekai.

Ichika is mostly made of stars and nebulae. With her hair and parts of her body moving and flowing around. She also has hollow eyes that light up with little stars when she's happy.

Minori Is a mix of an Angel and a light being. She's mostly made of light, but has a projection of her body making her look kinda like a biblically accurate angel? She has lots of feathers around her body and a bandage covering her eyes (that are completely made of blinding lights)

Kohane is made of coloured smokes, like the ones of spray pain bottles. She can change colour and size based on her appearance. She can also turn herself into graffiti. She does that a lot to blend in and hide.

Tsukasa shares a lot of characteristics with an hippogryph, with mane and wings of light/fire. He also has hooves instead of feet. Like. A mix of a phoenix and a Pegasus.

Mafuyu (not kanade BC mafuyu is the Sekai owner) is very similar to a banshee. Ghostly and transparent appearance, covered in veils to hide herself and her suffering. She would also kinda look like a ragdoll, with parts of her body and face stitched together.

There are lots of legends about these sekais and Sekai spirits. It's said that if you're too passionate about something or too determined to reach a goal, you will get absorbed by one of these domains and eaten by the spirit. These Sekai spirits are also said to be lost kids with a big passion for something, but never managed to make it a thing.

So imagine the other members of the unit being so determined with their music, that one day they all wake up in this unknown unreal place and find basically a god just chilling there.

The Sekai spirits are all very lonely at the end and they just wanted someone to spend time with.

Ichika would at first be shy and try to not approach the rest of leoneed in fear of scaring them or be a burden, but in the end they would all try to make her smile and feel less lonely (Saki does the first steps), since it reminded them of their lost childhood friend.

Minori would immediately rush to get to know mmj. She gets captivated by all of them in a short time and would admire their beauty and their grace. At first mmj is kinda overwhelmed by this bright (eheh) presence, but they quickly start to love her. Haruka in particular, finding the way this spirit talks similar to the way one of her fans would write her letters.

Kohane would at first hide, scared of people she doesn't know, but would then slowly introduce herself only to an. An gets immediately a big liking of her, seeing in kohane the perfect partner she kept seeing in her dreams. When kohane gains more courage she shows herself to akitoya too. I also imagine this fun scene where an and kohane are talking, then akito reaches to an, kohane disappears and akito thinks an is crazy for talking alone.

Tsukasa would try to show off as the "mighty blazing Sekai spirit" but would cringefail anyways. Wxs seems unfazed by that, actually being interested in how tsukasa matches almost perfectly the description of the main character of a famous theatre show about a fantasy world.

Mafuyu hides, but not like kohane or Ichika. She wants to be alone. She accepted her fate of being forgotten and having to suffer alone. She tries to push the other members of niigo away, but they are resilient in trying to put an end to her pain (mostly kanade) because they know the same feeling. In the end mafuyu accepts their warmth.

Uhhh idk I think that's it. Sorry for the long yap, ideas kept flowing like a river. I might try to doodle something one day.

[project-sekai-facts]

Pre-broadcast station commentary

We're back! The first Project SEKAI Broadcast Station stream will be held on the 25th, with MCs Mayushi and Furirin, and guests Daichan and Ruirui. This stream is essentially just the same as wandasho channel, but allows more of the cast to MC. There's also a segment at the beginning where they look at currently popular vocaloid songs on niconico (which they already did in wxschannel) and also talk with producers about their songs in the game. This month's segment will feature Nanou (producer of Engeki and Hello/How Are You).

It's actually pretty hard to predict what events are coming up at the moment, considering they've completely shifted the event order by putting VBS first. We do know that there's the N25 world link event, so we'll be getting more information about that too (i'm assuming we'll get a commission with that event). i get the feeling it's a kanade event if anyone's on the banner since she's filling up pt 4 of the event.

the other event will be either MMJ or WxS based on the seiyuu present. A lot of people over on JP side are predicting Tsukasa lim banner for this month, but I'm doubtful of that theory even if we are due another unit lim event. Tsukasa literally just had a lim on the last lim event and is currently at 5 lims (the current max). Also most likely to be gacha on Tsukasa's next event is Rui who is also at 5 lims so I highly doubt Tsukasa lim event. Rui lim event maybe if you put Emu and Nene on the banner but I'm still concious of how many lims Rui has. (also Tsukasa needs a 3DMV which clashes with Kanade's 3DMV. I mean they are gonna have to do double 3DMV at some point due to the Minori/An double 2DMV but anyway I think Tsukasa event is unlikely).

If anyone gets a lim event it would be a Haruka MMJ event but MMJ already had their second lim event and it was a Haruka banner. Haruka did get 2 years of only lim banners though so I'm starting to think that maybe clpl doesn't really care.

Haruka is very due a lim though and is basically guaranteed to get one in the end of month event. So either it's a mixed event with Haruka lim or a MMJ event with Haruka lim, but I think the first is more likely. That would leave WxS for the other event to pair with potential Kanade 3DMV, a Rui event specifically. Still a bit uncertain though so I'll do some actual refined speculation once the events have been teased.

Also we'll be getting more info about the sanrio collab, which is heavily speculated (not sure if it's confirmed) to have a lim gacha. Might be worth saving if that's something you're interested in.

[demodraws0606]

The very weird plays in Tsukasa and Rui's last event and how they can be analysed and the weird detail that links them together

I made a post about this before but it was poorly made (and also not really a theory or analysis it was just me having brainworms) so I deleted it and I want to actually make an analysis about it. Unfortunatly this also means this post will be long as fuck which can be a positive or a negative depending on how you view it.

Warning for mentions of suicide and drowning

So Tsukasa and Rui both have plays that are kind of the focus of the event, to the point where wxs literally stop to basically explain to us the plot of them (in world they're just talking about it but like it's clear it's also meant for us the viewers to understand the plays they're doing).

And these two plays are already very interesting and...well dark on their own but they have a extremely strange similarity that I don't believe is a coincidence (because that would be insane) and also just kinda shakes the foundation on how colorpalet write these sorts of topics in general.

First I want to preface this by saying that me analysing these plays isn't some kind of fool's herrand as colorpalet has explicitely hid backstory information, future lore hints and overall just little bits of character into WxS's plays more often than not. Of course some plays are more explicit than others.

A huge exemple of this, is the first arc ender where the play they do to save Phennyland is one that obviously is meant to parallel Emu's backstory with her grandpa. It also stands as Very early foreshadowing between the parallels of Emu's grandpa and Tsukasa that Emu sees in Admist a Dream.

So yeah, from a writing standpoint, makes sense you don't want the plays you spent a lot of words describing to the audience to be useless especially considering colorpalet has a limited amount of time to explore these stories.

I also want to get this as early as possible before I get possible criticism because I know how this fandom acts towards analysis that delve into darker topics. Don't try and respond with "colorpalet wouldn't write something like that" or "this is too dark for colorpalet". Not only because I'm not insinuating that they will actually go full dark mode and depict something graphic.

But also because this is something that is already IN the text, I'm not making up darker themes here, that is something that colorpalet chose to add in WonderlandXShowtime's event stories. I'm only bringing up how odd this is for colorpalet and how it could relate to the overall story.

I'll bring this up later because this specific criticism gets very silly once you delve deeper into it but I don't want to stall the analysis any longer.

So now with this out of the way, let's get into the plays.

This is the story of the first play showed in Tsukasa's event

Of course the first thing that stands out is how much darker this play is compared to well...almost anything colorpalet addresses in stories ? This definitely shocked when I first read it, there is no usage of "disappearing" and it Actually describes the method as to which the protagonist wants to end their life which the only thing close to that we see is Kanade hinting on wanting to starve herself. But I'm gonna get into how weird this is for colorpalet later.

Extremely dark topics aside you can easily draw parallels to this story to Nene and Rui specifically already. The story is vague enough that those parallels don't hold too much water (ahaha get it) BUT it's still something that I feel is important to point out nontheless.

Nene and Rui were both unsuccesful in their dreams before the main story. Nene having given up going on stage and Rui never being able to be a director being forced to use robots for his plays.

Both were pretty jaded and well "worn out" until they met Tsukasa and Emu which would be a stand in for the protagonist of this play going through various encounters with many people and deciding to live a little longer.

(The reason I don't compare this protagonist to Tsukasa and Emu here is because I don't think they fit as well. Tsukasa's issues wasn't being unsuccesful its more so him forgetting the reasons behind his dreams and Emu's situation while similar just doesn't feel like it fits this story in particular)

So yeah this story is pretty simple so there is not much to analyse or pick apart. I could go scene by scene but then I would be distracting from the main point I want to make so I'll just be using the simple descriptions of the overall story.

NOW this one is a doozie, I didn't put the whole story that's described but I think compared to the last one this one is way more obvious as to what this could paralleling (or even foreshadowing if you want to be spicy).

I don't think this play is meant to be interpreted in only one way but the most obvious interpretation is the parallels to the disbandement arc. I think it particularly fits Rui in the disbandement considering how Katsuyuki is described but it can also work with Emurui in general as well.

Someone struggling meeting someone who brings joy in their life before they seemingly have to leave, said person being desperate for that not to happen.

I do think it's also meant to be a sort of double meaning here as if you have seen my cyberpunk deadboy analysis, the idea of someone leaving silently with the other trying to chase them down is something that just feels...idk intentional. But I don't have any evidence other than vibes here.

Now that I analysed these plays I want to get into the one common thread they have that is extremely baffling and concerning.

They both have the main character contemplating suicide by drowning.

Now you can be nitpicky and point out how the play in Rui's event doesn't explicitely say that this dude wants to drown himself but I just find it more likely mostly because of how this and the description of Katsuyuki's characters are phrased.

When Katsyuki is said to be "without the will to live"

THAT is a literal translation

Unfortunatly I'm not a japanese speaker so don't take my research with 100 pourcent certainty

However if you look at how this sentence is phrased in japanese, this translation is pretty much word for word

And also just what Hajime says doesn't feel like what someone would say to someone if they're just leaning to close to look at the ocean or just being reckless.

Anyways now that I've made my point that there is a 95 pourcent chance this is Heavily implying Katsuyuki was plannign on drowning himself the question is....

what the fuck ?

Now one time is already a big deal considering colorpalet's insitance on censoring explicit mentions of suicide and for it to be implied twice in the span of two events in a row ? And have it be specifically be by drowning both times ?????

I don't understand people just brushing this off because Colorpalet Actively chose to make the plays like this. These plays often take a large portion of the screentime, and I've showcased how they can hold story significance so such a blatant connection between them feels extremely intentional.

This is why complaints about expecting Colorpalet to get too dark and that it's unrealistic would be legitmatly silly because what's more unrealistic ?

That colorpalet has tackled this dark topic twice in a row to foreshadow or hint at possible topics that will be addressed in the future of WxS's story ? Weither it's through flashbacks or implications like 25ji OR even just symbolism.

Or that colorpalet just went and made the plays needlessly dark, for no reason ?????? Twice in a row with it being drowning both times ??????? With the same actor and both being the protagonist of the play ?????? Have those plays that take a lot of screentime being described just being completely devoid meaning ???????

I think I made my case about why the fandom's usual kneejerk reaction wouldn't make sense here, this isn't a "X character is secretly suicidal/depressed" situation.

Either way, I actually don't legitematly know what this could entail. This is clearly important enough that colorpalet is obviously shoving it in our faces but I do not know the meaning of it towards WxS's story just yet.

It could be hints at some of the members backstory (BTW by that I mean it could be hints at basically anything, it doesn't have to be explicitely 1/1 "they wanted to drown themselves") specifically Rui considering how suspicious they are at handling ms Rui but that is it's own can of wringling worms. But that could also be my fav character bias speaking tbf.

It could also just be meant to be some kind of like, message of colorpalet saying that they are willing to go darker with WxS's storyline if necessary. In a way showing that the gloves are off if they're not censoring dark topics that they usually censor.

Anyways I'm not delving further into it because otherwise i'd get into unhinged rants but honestly this subject just gives me so much brainworms because legit what the Fuck is colorpalet doing rn.

They are being so weird for literally no reason with WxS's story and I just have to sit back and watch them just drop weird shit out of nowhere.

Edit : One of my friends pointed out how one of them is a movie and one of them is a play and i realised I might've mixed those words up while writing this so yeah 😭

[naurnaville]

New WxS JP event! It's a shame that it isn't a Rui focus this time, as he's still due for a 4th focus (Pandemonium event was a mixed focus, not a unit focus), but I'm excited for any new event. In the synopsis it mentions a new theater group, which should be interesting to see. I wonder where ArcLand and Asahi went, though... Anyway, Tsukasa is also going to be given a role of an "ordinary person", which is likely going to be the focus on the event; since it's such a large contrast to his personality, it reminds me of the Dazzling Stage event, and I'm curious if he is going to have a similar conflict in this event with performing a character that's so different to his natural state as Dazzling Stage did. Of course, after the Phoenix event, we can see how much Tsukasa has grown in his acting abilities and he's able to be much more flexible than before with whatever role he is being given. However, a "three line/sentence" character mentioned in the synopsis is specific and is much less significant of a role than what Tsukasa is used to. Character development is expected here, but I wonder how it'll tie into WxS becoming a new freelance group, or if the "going around and looking at other theater groups" covers that already.

Also, the bunny plush makes a return! It's been awhile, so I'm eager to see how it will play into the event. I'm curious if this is related to how the Sekai(s) are slowly changing after the 3rd anniversary updates, but since the WxS World Link Event isn't due for some months from now, the bunny may just be reappearing for some most Tsukasa development (angst, most likely). Can't wait to read the event when it releases!

[raynecloud06]

This is just a very long and unimportant rant about Project SEKAI limited Gachas on here real quick, because I'd like to let off some steam (and see if other pjsk gacha/card addicts see this and understand the struggle, lol). Rant under the cut, feel free to scroll if you aren't interested, but...

TLDR; there are so many limited cards I wanna pull for and not enough time to save for them all, and I am in dire need of a miracle from Hatsune Miku herself.

Okay, so I've recently decided I'm going to give up impulse pulling on my main/EN account completely (I'm still pulling on JP, since I don't care as much about that account), so I can save up for the limited event cards that I really, really want to actually get when they come out.

And checking how much time we have between now and when they come to EN... I am so royally fucked.

To start, some time in November, we're supposed to have the first rerun of the Spooky Forest Gacha. I have been wanting to pull on that one for a while now, because the cards are lovely, and I really really want Little Lamb Minori especially.

However, I'll likely end up skipping that one, especially since this is gonna running either before, during, or after the Nightcord at 25 World Link, and I really want the cards for this event sooner rather than later. A; because they're beautiful and B; N25 are my second favorite unit.

Directly after that is Tsukasa4, which I'm not pulling for even though it has my favorite Tsukasa card in the whole game, because directly after that is The Best Picture Wrap, which is another event I really want the full set from, and I will never be able to pull for both.

(And I want to try and save enough crystals to spark, so I can guarantee at least one of the cards, but if I don't get any of the cards from my pulls, I'll have to pick between sparking for Nene (which I have no 4*stars for) or for Len (who doesn't have any 50% event bonus options and is better gameplay wise), which is a decision I Do Not want to have to make.)

Then, only two events after that is Next to the Unchanging Warmth, which is a colorfes (so 2x chance for 4*stars + chance to get colorfes cards) and a Mizuki focus mixed event (I love Mizuki so much, and this is definitely one of my favorite Mizuki cards in the game), so this is another event I really really want to pull from.

THEN I have to skip the VBS World Link (which I'm not too sad about) and Blacklight Lens Flare (which I am quite sad about), because during the next four to five event periods after them there are EIGHT FUCKING LIMITED GACHAS RERUNNING I WANT TO PULL FOR. EIGHT.

These limited Gachas include:

- Graceful Marriage

- Knights of White

- Photogenic Valentine

- Sweet, Cute Valentine

- What Awaits at the End of War

- Imperial Soldiers

- Wanderer's Journey

- Secret Teatime

(In vaguely that order, I think)

The fucking cherry on top of this crystal sapping sundae??? The fucking Wonderlands x Showtime World link starts four fucking events after Blacklight Lens Flare. WxS is my favorite unit, followed closely by N25, and I love the WL cards for both these units.

(I first downloaded the JP server so that I could play Blacklight Lens Flare, and every time another rerun of a limited Gacha I really wanted the cards from popped up, followed by WxS WL, I felt my hopes and dreams slowly die. At this point, they are nothing but cremated ashes.)

After the WxS WL, Toya4 comes out and is immediately followed by Rise As One, aka 3.5 anniversary, which means the colorfes typical 2x drop rate for 4*stars + the colorfes cards for Saki, Tsukasa and Emu, which I also really want and will definitely not be able to pull for while also pulling for the world link.

Thankfully, if I decide not to pull for literally anything before it (including the first ever bloomfes, the MMJ and Leo/need WL's, and others), I have 13 events to save up for the Virtual Singer/Vocaloid World Link. It's not all great, seeing as I want to get all six cards during the event since I likely won't have many more chances to get my hands on them, but it's better than everything, I suppose.

If I do manage to get them all in minimal pulls, I might even be able/willing to spare a few for the second Spooky Forest rerun, and The Divine Beasts' New Years Gacha (another one I really want all the cards from), but that's very unlikely, especially considering the Project SEKAI drop rates and how amazing their recent cards have been looking.

If you've read all the way through this, thank you for listening to me complaining about the consequences (being able to get all the cards I really want) of my own actions (impulse pulling/not saving my crystals).

[strawberrychocletysundae]

ii wrote a little ship thing for charlson! It’s much better to read it on my ao3(link in the about) because tumblr is being a fuck and won’t let it be seen so technically im posting this again. Anyway, I hope you all like it! And please be sure to leave constructive criticism if you have any!

Hm.

The smell from the flowers is so sweet, it almost caught him off guard when he walked into the shop. Gosh, hopefully his allergies won’t start up. He would hate to look like such a sneezing mess in public.

The shop reminded Wilson of a little cabin, homey and bit nostalgic with the jazz music that played through the shop’s speakers. Flowers of all sorts of beautiful arrangements filled the wooden stands. Some were even in little pots, hanging on the ceiling. As elaborate as the arrangements were, he was just trying to look for a simple flower that would light up his apartment. Maybe that pink camellia over there? Oh but the price… He’ll have to look for something cheaper. That lilac has such a wonderful magenta hue! It would look great on the kitchen table! Ok but that forget-me-not is also pretty nice too-

Argh! How indecisive can he be?! And all of this for a flower? Wilson frustratingly tapped his foot to the rhythm of the music. Those valerians are super pretty… And those daffodils would make a good combination with it- Wait can’t he just pick those from the ground? He doesn’t have to pay for something that he can get for free.

It wasn’t long until his attention turned to an interesting arrangement of roses. He wasn’t sure why, but it captivated him. Could it be how they layered onto each other? Or the lovely colors? The red circling the yellow, kissed with the tiniest hint of the ruby color. And to top it off, a single lavender rose right in the middle. He quietly eyed it; a sense of longing filled his mind.

… She would have loved this.

Lost in thought, he didn’t notice the giant blue vase heading towards him. Wilson… The vase is getting closer… Oh god, he’s too distracted… OH GOD WILSON-

The vase collided onto his back, the force sending him down on the ground. “Oh gosh, I’m really sorry!” The speaker behind the vase quickly set it down near an empty table. “I didn’t mean to bump into you!”

That voice… It’s… Familiar. “No no, it’s quite alright. I wasn’t paying attention and didn’t see you were coming” he awkwardly laughed while avoiding their gaze. Gosh this so embarrassing

“Here, let me help you up” the person offered their hand. Wilson grabbed it and was pulled back up.

“Thank you for that. Sorry for-“ he side-eyed the person. Wait. He did a massive double-take and his eyes widened. Oh my god, same face, same voice. “C-Charlie?” his voice was breathless, completely shocked at the sight before him.

“Wilson?”

“I-I-I” is this real? Could this really be his Charlie? Oh won’t someone pinch him he must be dreaming! Wilson nodded his head, his eyes on the verge of tears. “Oh, Charlie I- achoo”

Ah crap.

His sneezes became more erratic as his eyes became a waterfall. Seriously? Out of any moment in time, why did his allergies have to start now? “Achoo- Char- achoo” is he crying or just having bad allergies? Maybe both. Whatever it is, Wilson slowly became an utter sneezing mess.

Charlie handed him a box of tissues from the front counter. “Hey,” she whispered as she caressed his cheek “how bout we get away from all these flowers, ok?”

There were some small sniffles as he wiped his tears away. By now this man looked like an ugly crying cat who also had a bad pollen allergy “...ok”

🎕🎕🎕🎕🎕🎕🎕

Wilson blew his nose as Charlie leaned back on the concrete wall. She had brought him to the back of the store, where there’s no pollen but instead, the cold, foggy, grey world of the city. But it’s near the dumpster with rotting flowers so… Hopefully that won’t bother him.

“It’s been so long. How’ve you been? How’s everyone else?”

“Oh! Um…” Wilson threw away the used tissues. “Everyone’s trying to get into the swing of things. Some got their dream jobs, others are working towards it, the kids are all home-schooled by Ms. Wickerbottom when she’s off from her library, I think Willow and Wx are wandering around exploring the modern world” a smile appeared on Wilson’s face as he thought about his friends.

”And as for me, I’m working two jobs trying to save up for going back to graduate school” It definitely is tiring, especially with their long hours. But hey, it pays the bills.

“Oh really?” she clasped her hands together as she giggled “that’s great I’m so happy for all of you!”

He chuckled and began to admire his love. Stars, she’s beautiful. And her giggle? Music to his ears! He began blushing, just losing himself in her eyes. How happy he was to see her, safe and sound. After all this time…

After all this time…

How di-

“Charlie?”

“Yes honey?”

“How did you escape?” He tugged on the strings of his sweater. Hm… Nervous. “The last time I saw you it was with everyone at the portal… And you said you had to stay behind and... Yeah”

There was a moment of silence between them, the sound of cars passing by, filling the empty void. The old queen rubbed her arm, thinking about the time spent in complete isolation. No new survivors appeared. Nothing fell from the sky. Only the shadows kept her company in the vast emptiness of the Constant. “It’s a bit hard to explain”

Shit. Did he open up a big wound? “Yo-ou don’t have to ta-alk about it i-if you don’t want to” he stumbled over his words.

“No no, it’s fine” she smiled, attempting to show him no harm done. “Let’s see… Where to begin” The beginning, middle, or the end? Maybe a short summary would do. “Well, when you guys left, They managed to destroy the Gateway, so I won’t have the chance to follow suit” she fiddled with the pockets from her apron. “Literally nothing was salvageable, everything was turned into goopy nightmare fuel”

“Oh…” Stars. How hellbent where these things on keeping her behind? “Then what did you do?”

“For a while, nothing” her voice became low and quiet as she watched the clouds pass by. “When the Gateway was destroyed, my hopes immediately came crashing down. I wasn’t sure if there were even other ways of getting out. So I just sulked around the Constant” And how boring and lonely it all was. A queen without any subjects and an empty kingdom. “Then one day, I got tired and finally stood up to Them… By fighting them”

“Wh- I- CHARLIE OH MY GOD! DID YOU GET HURT?!”

“Um… yeah I kinda did. And it was pretty painful, to be honest, ha ha” ha ha. Ha ha. Awkward laughter “But! In the end, I managed to win!” She grinned triumphantly “Bet that taught ‘em a lesson or two!”

“I bet it did” he chuckled. Some of the anxiety he felt washed away. But he’s still not over the fact that his girlfriend beat the shit out of a shadow hivemind. “Then what happened?”

“Hm. That part is a bit foggy. The last thing I can remember is that I woke up back in San Francisco. And that’s all”

Wilson leaned on Charlie’s shoulder. “You’ve been through so much,” his voice, soft and whispery “and now you’re finally free. Darling, I’m so happy to see you safe and sound”

“I am too” she ran her fingers through his hair “We can finally be together without any stress of constant survival”

“Everyone can get second chances”

“Be happier”

“Safer”

“And They won’t hurt us again” she turned to Wilson and smiled “I’m sure of it”

He smiled back at her “I guess our determination really overshadowed Them, huh?”

Charlie giggled “I guess it did” she leaned down and planted a kiss on his forehead.

Wilson gently pulled her into a soft hug, nuzzling her. The old queen crouched down and nestled into it, hugging him back a bit tighter. They silently stayed in each other’s arms, not wanting to let go.

Reunited at last.

Nothing stopping them, nothing to harm them, nothing at all.

Everything is going to be okay.

[mikemortgage]

SIGGRAPH 2018 Celebrates Generations in Vancouver

VANCOUVER, British Columbia — SIGGRAPH 2018, the world’s leading annual interdisciplinary educational event showcasing the latest in computer graphics and interactive techniques, has concluded in Vancouver, BC, with over 16,500 attendees from around the world. The 45th SIGGRAPH conference took place 12–16 August at the Vancouver Convention Centre.

#SIGGRAPH2018 Celebrates Generations in Vancouver. (cc: @siggraph)

SIGGRAPH 2018 attendees hailed from the United States and 87 other countries worldwide, including Canada, China, France, Germany, Japan, Mexico, South Korea, New Zealand, and the United Kingdom. Attendees came to Vancouver to experience and interact with the latest innovations in computer graphics and interactive techniques, including the newest applications in virtual, augmented, and mixed reality, AI, and robotics. At the heart of SIGGRAPH 2018 were opportunities for all to gain hands-on experiences with new technologies; to hear experts discuss the “how-to” behind their cutting-edge film, television, game, or multimedia productions; and, to experience the merging of traditional processes with experimental, never-before-seen technologies.

During the course of the conference, close to 700 papers, courses, lectures, installations, artworks, and experiences were shared, culled from nearly 2,300 submissions from around the world. In addition, almost 1,000 speakers participated. Select sessions and events were livestreamed, generating significant social media reach with over 60K views on the ACM SIGGRAPH YouTube channel and 50K views on the SIGGRAPH Conferences Facebook page thus far.

On the conclusion of this year’s event, SIGGRAPH 2018 Conference Chair Roy C. Anthony said, “SIGGRAPH is a place where those of us in the digital arts and interactive technology arenas come to recharge our creative engines. This year’s contributors delivered incredible content sure to inspire future generations working within these fields. People attend SIGGRAPH each year because they know they’ll be offered a ‘sneak peek’ of the magic behind the curtain. SIGGRAPH is truly a global community — a network where artists, practitioners, educators, and scientists gather to infuse each other with new ideas, find stimulating sources of mentorship, and collaborate on new opportunities.”

He adds, “The enthusiasm and energy demonstrated at SIGGRAPH is second to none. I saw thousands of people openly sharing new ideas and expressing their creative energy within every square foot of the Vancouver Convention Centre. This year, I leave energized, not only by the inspiration that SIGGRAPH always delivers, but to have also been able to give back to this wonderful community, which has inspired me to be inventive and to create, as well as helped me along the way in my career. These past 18 months as Conference Chair have been a true honor for me — an experience I will never forget.”

The Exhibition played host to nearly 160 diverse companies on the show floor, each showcasing the latest in technologies, products, and services. Due to the remarkable increase in the amount of new technology that has debuted in the global computer graphics marketplace over this past year, nearly one quarter of this year’s exhibitors presented at SIGGRAPH for the first time. Major announcements from 2018 exhibitors included the release of: NVIDIA’s Quadro RTX 5000, 6000, and 8000 turing-powered GPUs; Khronos Group’s VR/AR standard API, OpenXR; Vicon’s Origin (VR suite); Chaos Group’s V-Ray Cloud; AMD’s Radeon Pro WX 8200; Sketchfab’s MASSIVE; Lenovo’s ThinkPad P1; and, StarVR’s One VR headset.

“Tourism Vancouver, as well as our hospitality and tech industries, were incredibly proud to have provided the backdrop for the thousands of business and social connections that took place during another incredible SIGGRAPH conference. We look forward to welcoming SIGGRAPH back in future years,” said Tourism Vancouver President and CEO Ty Speer.

Among this year’s highlights were the keynote, a conversation on creativity by Senior Vice President, Executive Creative Director, and Head of Industrial Light & Magic Rob Bredow; two world premiere short films, Walt Disney Animation Studios’s “Cycles” and Platige Image’s “Miazmat”; a collection of 50 original artworks from Syd Mead, renowned futurist and visionary, on display in the Production Gallery; the return of SIGGRAPH’s two-day Business Symposium; sneak peek Production Sessions on upcoming studio releases “Missing Link” (LAIKA Studios) and “Ralph Breaks the Internet: Wreck-It Ralph 2” (Walt Disney Animation Studios); and, a special session celebrating the 50-year history of the VR headset, featuring the “Father of Computer Graphics” Ivan E. Sutherland (watch via the livestream).

Attendees also enjoyed installations from around the world within the Experience Hall and the brand-new Immersive Pavilion, which featured a VR museum, Vrcade, Village, and the Computer Animation Festival VR Theater. For those who came to learn, opportunities were vast and covered the most cutting-edge technical research and applications in computer graphics and interactive techniques, including presentations on 128 technical papers.

SIGGRAPH 2018 Award Winners: Best Real-Time Graphics and Interactivity* “Democratizing MoCap: Real-Time Full-Performance Motion Capture with an iPhone X, Xsens, IKINEMA, and Unreal Engine” Cory Strassburger, Kite & Lightning *This award was determined by a six-member jury and the live audience.

Emerging Technologies Best in Show “Steerable Application-Adaptive Near-Eye Displays” Kishore Rathinavel, Praneeth Chakravarthula, and Turner Whitted, UNC Chapel Hill, NVIDIA Corporation; Kaan Aksit, Josef Spjut, Ben Boudaoud, and David Luebke, NVIDIA Corporation; and, Henry Fuchs, UNC Chapel Hill

Computer Animation Festival Electronic Theater

Best in Show – “Hybrids” by Florian Brauch, Kim Tailhades, Matthieu Pujol, Yohan Thireau, and Romain Thirion of MoPA (France)

Best Student Project – “Overrun” by Pierre Ropars, Antonin Derory, Diane Thirault, Jérémie Cottard, Matthieu Druaud, and Adrien Zumbihl of Supinfocom Rubika (France)

Jury’s Choice – “Bilby” by Liron Topaz, Pierre Perifel, and JP Sans of DreamWorks Animation (United States)

Audience Choice** – “One Small Step” by Bobby Pontillas and Andrew Chesworth of TAIKO Studios (United States)* **Vote tallied on-site after three consecutive screenings.

Best Art Paper “Augmented Fauna and Glass Mutations: A Dialogue Between Material and Technique in Glassblowing and 3D Printing” Tobias Klein, City University of Hong Kong

For more information about SIGGRAPH 2018, including official photographs from the conference, visit our virtual media office. To view select recorded sessions, please visit the SIGGRAPH 2018 website.

The 46th annual conference, SIGGRAPH 2019, will be held in Los Angeles, 28 July–1 August, at the Los Angeles Convention Center.

About ACM, ACM SIGGRAPH and SIGGRAPH 2018

ACM, the Association for Computing Machinery, is the world’s largest educational and scientific computing society, uniting educators, researchers, and professionals to inspire dialogue, share resources, and address the field’s challenges. ACM SIGGRAPH is a special interest group within ACM that serves as an interdisciplinary community for members in research, technology, and applications in computer graphics and interactive techniques. SIGGRAPH is the world’s leading annual interdisciplinary educational experience showcasing the latest in computer graphics and interactive techniques. SIGGRAPH 2018, marking the 45th annual conference hosted by ACM SIGGRAPH, took place from 12–16 August at the Vancouver Convention Centre in Vancouver, B.C.

Contacts

SIGGRAPH 2018 Dan Harary Public Relations Director + 1.310.859.1831 danharary@siggraph.org or Media Contact for Vancouver Convention Centre: Jinny Wu, Communications Manager, + 1.604.647.7353 jwu@vancouverconventioncentre.com

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