#written for the watsons and not the holmes's so to say

[gammija]

sherlock & co is a lot of fun but it is also, and i dont know another way to say this, the most normie fiction podcast ive listened to

[c0gito]

my fav part of being in the sherlock fandom is i don’t rlly ship johnlock all that much but i love sitting here and clapping my hands like a cymbal monkey at all the art

[contact-guy]

God I just love that in The Dying Detective you made it so Sherlock is struggling to convince Watson he's sick. Watson knows him so well at this point. It huuuurrtttsssss (positive)

THANK YOUUU I wanna talk about this because it ties into why I love comics so much, and why I love adapting prose into comics. It's a pretty well known idea that part of the job as a cartoonist is to be the 'actor' for your characters - to try and inhabit their heads, figure out their body language, make their expressions with your own face as you're drawing them, etc.

This brings a certain level of intuition into comic drawing that I find really magical. Sometimes I'll have something written (for original work) or there will be something in the text (for adapted work) but when it comes time to draw it, I just...can't get the character to do it. None of my drawings make sense or feel authentic. It feels like they've turned from 'real' people into flat paper dolls. I've been doing this long enough that I've learned when that happens, it means something in the text needs to change.

For Dying Detective, I started sketching it as a direct translation of the book, but something weird happened as I went:

I found I kept cropping out Watson's face. Maybe it was just that I'd drawn sad Watson too much recently and I was tired of it. But I couldn't figure out how to draw him reacting to Holmes being sick with genuine distress, the way he does in the book - not within the altered narrative I'm telling with the Sketchbook. They've known each other too long, they're in too tense of a place in their relationship, and Watson is too familiar with Holmes's tendency to make a scene.

So to experiment, I drew him looking skeptical instead.

And THAT was fun and easy, which meant it was the right direction to go. It also made the scene go from feeling like a single, sustained note of distress, to an unspoken power struggle, where the characters end in a different place from when they begin. For this specific adaptation, it was a good change to make - and it was something I only discovered through the art. All this to say that I love comics always and forever!!!

[tremendously-crazy]

"You can't hate on an entire Sherlock Holmes adaptation just because of how they interpret Irene Norton (nee Adler)-" SHUT UP.

I will hate on an adaptation if it does the following:

makes Irene a love interest for Sherlock Holmes (whether realized or not).

First of all, Holmes is NOT attracted to women, and never experiences a smidgen of attraction towards them in the original stories. ACD could have very easily written him a love interest, but CHOSE NOT TO because it went against the idea of his character. He was never attracted towards women.

Second of all, Irene Adler isn't even Irene Adler. Her name is Irene NORTON. Do you want to know why? Because she's LITERALLY MARRIED. TO A LAWYER NAMED GODFREY NORTON. She already has a husband who she loves very much! She does not love Holmes!

Thirdly, a man can feel admiration for a woman without being attracted to her. Watson literally says in the first part of A Scandal in Bohemia that he didn't feel any emotion akin to love for Irene Adler!!

2. makes Irene into some sort of femme fatalle/sexually appealing

This implies that women can only be smarter than men if they are attractive/hot. That, in order for a woman to be successful, she has to provide something for a man.

Edit: this doesn't mean that she ISNT attractive. She is beautiful and enthralling, which is what makes the king fall for her in the first place. What I mean is when Irene becomes a SEXUALIZED character.

Doing this means she can't just be a smart woman, but that she has to be sexually attractive and mysterious, too! DOING THIS REDUCES HER INTO AN OBJECT OF DESIRE!!!

3. makes her weak/makes her get outsmarted by Holmes

Im not sure if any adaptations have actually done this. But if so. Absolutely not. She challenges Holmes's misogynistic ideals and to reform his views. Because Holmes views women as softer, weaker, and less intelligent (when they are NOT!!) And Irene helps to teach him this. Her lesson is effective!! Because Holmes stops making fun of women. And he changes his ways. Why would you make her weaker? She's SUPPOSED to beat Holmes.

If it does this or anything else I will NOT view the adaptation. You can tell a lot about the adaptors, their respect and accuracy while depicting the original stories, and how they view women, through their interpretation of Irene Norton. She is the most famous female character in the series, after all. Do her RIGHT! READ A SCANDAL IN BOHEMIA BEFORE YOU ADAPT! And if you still make these amateur mistakes, you shouldn't be adapting Sherlock Holmes at all.

[raveboy34]

Stalking John Watsons twitter and saw this and wanted to share for the people who have not seen this

HE DID THE THING!!

One of my favorite things about the original ACD Sherlock Holmes books is how much attention to detail Watson puts into everything, but ESPECIALLY with Holmes, literally on the first few days of living with Holmes, Watson was so intrigued by his flatmate to the point he wrote down everything he learned from about him. Until of course throwing it into a fire and disregarding it because he felt it was useless and still did not understand him. But still, these smalls things are usually glossed over by other medias, and although it was not mentioned in the podcast, it makes sense for him to say something about it on twitter.

The fact they wrote almost word for word what he writes in the book. I can die happy now.

This is how its written in the Original Work 👇

Cannot believe some of you are NOW realizing Watson is the cutest and most awkward man to ever walk the face of the earth ! Love him and his curiosity

[julienbakerstreet]

I’ll never get over what an iconic choice it was to make A Scandal In Bohemia the first Sherlock Holmes short story. A Study In Scarlet and The Sign of The Four had already made Holmes a popular character, but he didn’t truly explode in popularity and become the cultural phenomenon we know and love today until after he started appearing in short stories in The Strand. And for the very first story, Doyle chose to write about a woman outsmarting Holmes. Holmes being a misogynist, underestimating a woman, and learning from it.

It’s such a contrast to the two previous books. In A Study In Scarlet, the only woman who is relevant to the mystery (Lucy Ferrier) serves as motivation for the killer. In the flashback passage, she’s depicted in relation to the men in her life. In The Sign of the Four, Mary Morstan takes a more active role in the mystery, seeking out Holmes and accompanying him and Watson through much of the investigation. She’s a woman who works to support herself and Holmes even praises her intelligence. Yet so much of her relevance to the story (beyond being the daughter of a man involved in a mystery) is Watson’s feelings for her. Additionally, she fits so neatly into the damsel in distress archetype that Doyle references it in-text:

“It is a romance!” cried Mrs. Forrester. “An injured lady, half a million in treasure, a black cannibal, and a wooden-legged ruffian. They take the place of the conventional dragon or wicked earl.” "And two knight-errants to the rescue," added Miss Morstan.

Irene Adler is different. She’s an opera singer at a time when female performers were stigmatized as scandalous. She supports herself independently. She’s described as a “spinster” and an “adventuress” (used as another word for mistress). She had an affair with a King and then goes on to marry a man for no plot reason other than she wants to. She’s familiar with male costume and uses it to “take advantage of the freedom which it gives”— freedom which Victorian women were not normally afforded. She’s a contralto with a deeper voice (it’s worth noting that the most common operatic contralto roles are female villains and women playing men). In sum, she has a lot of traits that would read as unconventional to a Victorian audience. Unlike Mary Morstan and Lucy Ferrier, she doesn’t really embody the ideals of a chaste, refined, and benevolent Victorian woman.

The King of Bohemia describes her as jealous and out to ruin him, but it’s revealed that she isn’t interested in him and only keeps the photo to protect herself from him. Holmes is fascinated by her in a way that a lot of readers construe as romantic, but the text explicitly tells us that his interest in her is platonic. She earns Holmes’s respect and admiration as an equal. While she’s presented as an antagonist when the King of Bohemia first describes her, Holmes ultimately views her as a sympathetic person and the King as a rich asshole trying to control her.

Doyle could have easily written the story so that once Holmes switches his sympathies, he helps Irene and her husband get away from the King. It would have been a better look for Holmes not to get outfoxed by a woman and act (as he does in other stories) as a valiant gentleman always willing to assist a woman being mistreated. But instead, Doyle chose to show Holmes as a flawed character who lets his prejudices cloud his judgment and is beaten at his own game by a woman in his very first Holmes short story.

Furthermore, Irene comes out on top using her intellect, rather than falling into the trope of a woman using seduction to beat a man. She’s also better than Holmes at disguise- something he is very skilled at and prides himself on. The story literally ends with Watson writing “The best plans of Mr. Sherlock Holmes were beaten by a woman's wit. He used to make merry over the cleverness of women, but I have not heard him do it of late.” I find it very interesting that the story starts off with Watson saying how emotions would cloud Holmes’ judgment as a reasoner and ends by showing us how his biases hurt his ability to reason.

Irene exhibits dramatically more agency than Lucy or Mary. She drives the mystery rather than being an element of it. One of the reasons female Sherlockians have historically been inclined to identify with Irene Adler is because while male readers get to identify and project onto Sherlock Holmes, female readers gravitated towards the idea of a woman besting Holmes (in part because of his misogyny), earning his respect as an equal, and making Holmes stop being quite so misogynistic.

One of my adaptation pet peeves with Irene Adler is when “the woman” is used as a negative epithet. In A Scandal In Bohemia, Watson specifically says that it is an honorable title that Holmes uses with respect. Although she’s frequently adapted as a villain/antihero, as James Edward Holroyd wrote, “One may fairly claim that the only dubious and questionable aspect of the adventure was the conduct of the three men principally concerned!”

The overarching theme of The Adventures of Sherlock Holmes is righting social injustices. Of the twelve stories in The Adventures, six of them deal with women in varying degrees of trouble because of men who have power over them (SCAN, IDEN, TWIS, SPEC, NOBL, COPP). Three deal with Holmes clearing people of false allegations (BOSC, BLUE, BERY). Many cases also deal with the theme of rich men acting entitled and getting comeuppance (SCAN, REDH, NOBL; and to a lesser extent TWIS, and SPEC). A Scandal in Bohemia combines these themes. Irene is falsely accused of being jealous and trying to ruin the king. The king has used his resources to harass her repeatedly:

“Five attempts have been made. Twice burglars in my pay ransacked her house. Once we diverted her luggage when she travelled. Twice she has been waylaid."

The King of Bohemia is presented as rude, arrogant, and entitled, with Holmes flat-out telling him that Irene Adler is on a higher level than him, despite being of a lower social standing.

A Scandal in Bohemia is also unconventional in the fact that it’s not really a traditional mystery where Holmes is hired to help solve a crime. It was an odd choice for Doyle to reintroduce his detective to readers in this story on so many levels, and I think that’s why it tends to be one of the most popular Holmes stories. It shows Holmes as human and flawed, a man who can recognize his blindspots and grow from them. But of course, the enduring popularity of SCAN is primarily due to Irene Adler herself. Sherlockian spaces have traditionally been male-dominated, with the Baker Street Irregulars only allowing women to join in 1991, 100 years after the publication of SCAN. Although Irene only made one appearance in canon, she captured the hearts and imaginations of so many Holmes fans, and gave female fans assurance that they have an equal claim to everything that Holmes embodies.

[analysisn3rd]

Sherlock Holmes is autistic. I will tell you why.

Although I feel like this is something that’s talked about a lot in the Sherlock Holmes fandom, I wanted to write about it just because I like talking about it; Sherlock Holmes is autistic. There’s a lot of things, clues, pieces of evidence, whatever you want to call it, present in the ACD canon to prove this and I will present it to you.

Autistic stereotypes and how Holmes fits into them and doesn’t simultaneously

There are many autistic traits that are considered stereotypical, but the one I mean here is the “cold, emotionless, non-empathetic, calculating machine” autistic stereotype, which Holmes does fit into, but he also doesn’t. Despite the use of this very description in several of the short stories, Holmes doesn’t fit this description quite well. It may be what people see on the surface, it may be what people are first faced with when they meet Holmes, but it’s not the truth, or, more accurately, it’s not the complete truth.

As I’ve written before in one of my analyses about Holmes, he doesn’t lack empathy. He’s quite empathetic, and he cares a lot about people (specifically Watson, Mrs Hudson and his clients), but he shows it in a different manner than others normally would. He shows it by listening to people and believing their stories and caring about them, not just for the thrill of the case or the mystery behind it. There have been several cases where everything was mostly resolved, he didn’t need to dig deeper than he had and the answer was not as unclear as it normally is, but Holmes didn’t leave it be until his client got the closure they needed. There have been other cases where he didn’t think that it was going to be an important affair, but, because he understands what his client might be feeling, he heard them out and helped them to the best of his ability. With Watson, there have been several examples of him showing that he cares about him and that he truly values him, and the same goes to Mrs Hudson.

Holmes also isn’t emotionless; he tends to express emotions in different ways than “normal” people would, but that doesn’t mean that he doesn’t possess them. He also reacts differently from “normal” in some situations, like how, during one of the more grim cases, he was able to take his mind completely off of it and talk, rather animatedly, about one of the topics that he was researching (which is probably to do with his research subjects being his special interests, something that’ll be talked about below)

Saying that Holmes is a “calculating deduction machine” isn’t necessarily incorrect, but I think that it takes away from his humanity quite a lot. The reason why he’s so good at deduction (well. It’s not really deduction, it’s induction, but that’s a discussion for another day) is because of his pattern-recognition ability and high attention to detail, both of which are things that are quite common within autistic people due to the way that their brains process information; something that’s called ‘bottom-up’ processing, where the details are processed before the big picture.

I will now talk about certain autistic traits and aspects of being autistic and how this is found within the Holmes canon.

Special Interests

A great portion of autistic people have specific, sometimes called rigid, interests that are also called special interests. Holmes has several of these and they’re mentioned quite a lot within the series.

The most evident one is deduction in of itself and mysteries. As we’ve seen several times within the series, when Holmes doesn’t have a case, or anything that he finds engaging like another special interest of his, he feels awful, to put it in simpler terms, and he experiences what Watson calls his “black moods”. 

Some of his other special interests are chemistry, especially when it involves forensics, which is something that he’s seen doing quite a lot and spending hours upon hours carrying out experiments to see if his hypothesis was correct or not, much like what he was doing when he initially met Watson in ‘Study in Scarlet’. 

Music is another one, which is something that he’s quite knowledgeable about, and he likes to engage with this particular interest by attending concerts with Watson and by playing the violin, where he either plays melodies to reflect his thoughts and feelings or composed symphonies that he and/or Watson enjoy.

Another is bees (and nature to an extent), which is something that he’s very interested in, considering how he took up bee-keeping during his retirement and how he’s written several monographs about it.

Aside from his special interests, he’s also had various hyperfixations throughout the stories, which he’d write monographs about as well.

Social differences

It’s very obvious how Holmes interacts with people differently compared to other characters, and the ways in which his social interactions differ is very similar to that of autistic people. 

One of the ways in which this presents is how blunt Holmes is. He’s very truthful and he doesn’t realise that what he’s saying, which he mostly means in a very literal, very genuine way, could be taken in another way. An example of this is this quote, which is from ‘The Hound of Baskerville’: “It may be that you are not yourself luminous, but you are a conductor of light. Some people without possessing genius have a remarkable power of stimulating it”. This, amongst several other compliments from Holmes, tend to sound backhanded and they’re mostly read as him being snarky or simply mean to whoever he was saying them to, but I think that he just meant it in a very literal way.

Another way that his social differences present is how he doesn’t quite understand other people, especially women, where he tells Watson quite often that he’s the one who understands and appeals to the “fairer sex” from the both of them. His not really understanding people also shows up in how he’s never really having a friend before Watson or Victor Trevor; he’s never really understood anyone aside from them and I don’t think that anyone, aside from them, tried to understand Holmes back. I also think it’s evident that he doesn’t understand social norms by how he chooses not to comply with them. Holmes is a very logical person and if something doesn’t make sense to him, he simply wouldn’t do it and would probably deem it stupid.

Another thing that I don’t think is a social difference as much as it’s a difference in how Holmes sees the world is how he has a really strong sense of justice. His sense of morality is interesting, to say the least and I’ve discussed it before in one of my analyses of him, and his sense of justice kind of ties into it. Regardless of what he views as “right” and “wrong”, he will strongly defend what he believes and he wouldn’t let anything that he thinks is “wrong” slide. As I’ve written earlier, some cases had a fairly clear resolution and he could’ve just let them go, but it’s because he cares about his client and because he absolutely cannot let injustices simply pass without the persecutor getting punished, he solves the case until it’s completely resolved.

Masking

Generally speaking, Holmes doesn’t mask, and I think it’s mainly because he doesn’t really see a point in doing so; he doesn’t do it often, and the only instance of him masking is the beginning of ‘A Study in Scarlet’, when he and Watson hadn’t known one another quite well yet. He would hide parts of himself, he wouldn’t try to talk about any of his interests at all (to the point that Watson didn’t even know what he did for work until months after knowing him) and he made sure to be very neat and organised with everything, which is something that he most likely struggles with. However, once Watson found out about everything, he didn’t really bother masking again. 

Holmes’ struggles in relation to his autism

There are several things that autistic people struggle with (including communication, which I already discussed above) that Holmes also struggles with.

One of which is how he struggles with eating. I think that’s mainly because he doesn’t exactly feel hunger cues as most people would; he doesn’t exactly realise that he’s hungry until his stomach is cramping from the lack of food or he’s on the verge of passing out, which I think is a very believable conclusion considering how often he forgets to eat and Watson has to coax and/or remind him to do so. Another thing that Watson really helped him with is his injuries. I think it’s very likely that he doesn’t feel pain normally, which is something that happens to some autistic people, where they either feel it too much or too little; the latter is what Holmes struggles with. He doesn’t really notice injuries that he gets on cases because he doesn’t really feel the pain. This is most likely why he has several scars and acid burns on his hands when Watson first met him.

Another thing that I think he struggles with is executive dysfunction, especially when it comes to chores like cleaning his space and laundry, which is something that I recall Watson complaining about Holmes not doing in the beginning of one of the short stories. It’s possible that he has his own system when it comes to his organisation, but it was said in ‘Study in Scarlet’ that he was a very neat man, so I think it’s more reasonable to think that it’s just something that he always wants to start but could never really get to doing it due to executive dysfunction.

It’s also possible that Holmes struggles with sensory issues regarding his hair touching his face, which is why he always has it gelled back, and that he has them regarding facial hair, which is why he’s always described as clean-shaven (though I know that both of these could be due to other reasons as well).

I think that cocaine was Holmes’ way of self-medication. He needed something to help him through feelings of overwhelm and under-stimulation from the lack of cases, so he used it. It served as a distraction to him from his overwhelm and scarcity of mental stimulation that’s enough to keep him satisfied.

Similarly, I think that his habit of smoking was a way to keep his hands busy instead of stimming.

Due to all of the aforementioned reasons, I think that Sherlock Holmes is autistic.

[milquetoast27]

The Emotional Reticence of Holmes and Watson

Sherlock Holmes and John Watson, two shy Victorian men, maneuver their vulnerable feelings of affection for one another in an expertly flawed and human manner crafted by Arthur Conan Doyle. First and foremost, I am examining their use of "my dear Watson" (91 times in the canon) and "my dear Holmes" (14 times).

The first time Holmes ever uses "my dear Watson" in the canon, it's actually in a rather sarcastic tone.

"What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." (SIGN)

Note: for The Great Game, this absolutely isn't the first time Holmes has used this phrase, but from the narrative perspective, it is absolutely the first time Conan Doyle put this phrase to paper, which is more relevant to this examination.

Holmes uses this phrase with a touch of exasperation, which even in itself holds some love within it as he encourages his friend to utilise his own beloved methods. And even in this first instance, while Holmes's tone indicates some displeasure, the personal address ensures that it isn't a genuine blow. But the intimacy of "my dear" is quite daunting, isn't it? so Holmes utilises the veil of sarcasm to break the barrier, in the spirit of "look, I've said it now. Now I may go and say it as much as I want."

Oh, and he does. The frequency of 'my dear Watson' slowly builds through the canon and peaks through FINA, HOUN and EMPT. It isn't surprising, considering they hold some of the most critical points in their relationship.

• "My dear Watson, you were born to be a man of action." (HOUN) • "Not for the world, my dear Watson. I am perfectly satisfied with your company if you will tolerate mine." (HOUN) • "Then these are your instructions, and I beg, my dear Watson, that you will obey them to the letter." (FINA) • "My dear Watson, I owe you a thousand apologies. I had no idea that you would be so affected." (EMPT)

It is evident, that it is after this barrier is broken in SIGN, that Holmes feels comfortable to use this address in such a sincere manner. In fact, it is apparent that it is in particularly emotional circumstances that Holmes is more likely to call for Watson through any means at all.

So, how about Watson?

His use of "my dear Holmes" is almost exclusively out of shock or surprise whenever his 'Johnson' claims anything particularly outré. Again, while Watson is in disbelief, and most probably doubtful of Holmes's claims, the personal address softens this blow to say that no real harm is done between them.

• "My dear Holmes," said I, "this is too much." (SCAN) • "My dear Holmes!" "Oh, yes, I did." (SPEC)

The first real instance of Watson using this phrase sincerely is in FINA.

"You are afraid of something?" I asked. "Well, I am." "Of what?" "Of air-guns." "My dear Holmes, what do you mean?"

Holmes is acting more than out of the ordinary to put Watson in some kind of concern and this question comes no doubt more from worry than simple surprise. He even asks again, "but what does it all mean?" which highlights his wish to be by Holmes's side, even in danger.

The first and only instance of a good-hearted affectionate address comes to Holmes in HOUN. However, interestingly, it is only through the written word, in Watson's letters to Holmes from Dartmoor.

• Congratulate me, my dear Holmes, and tell me that I have not disappointed you as an agent. • Such are the adventures of last night, and you must acknowledge, my dear Holmes, that I have done you very well in the matter of a report.

Watson's method of breaking the barrier is to send it remotely through his pen, which is, after all, much less daunting than saying it directly. It is absolutely worth noting that Watson has also used this language when specifically wishing for praise - it shows us that he feels the closest to Holmes when he is able to follow his own methods.

Conan Doyle shows us the ways insecurities and pressures can collaborate with our most earnest and deepest affections. Holmes and Watson aren't perfect beings, but navigate through their web of reticence and inner desires to find an unspoken but profound dialogue between them.

[rovermcfly]

you know it may have started as me just putting on the old shipping goggles, but the more poirot books I read the more convinced I am that poirot is canonically in love with hastings and intentionally written that way. I think there really is intentional gaycoding happening, and I think a lot of things that get glossed over are actually intended to be meaningful. the gaycoding I think is fairly obvious when you read, and a lot of it is also shrouded in the "foreigner" thing, but those two frequently go hand-in-hand in literature anyway. but I think especially the being in love with hastings thing is so easily dismissed but I don't think actually requires making any leaps in interpretation, I believe that is the intended text.

I'm trying to imagine myself as an author, growing up surrounded by artists, starting to write books in the 20s. And I decide, maybe not immediately but fairly soon, that my main character is the kind of gay man I have encountered a couple of times now, or perhaps a combination of a few. A dandy, always dramatic, a francophone who dials up the foreignness for show, an impossibly vain man, an eternal bachelor who lives with another man, an eternal bachelor whose other half left him for a heterosexual marriage, an eternal bachelor whose heart is irreparably broken in a world where he can't be openly gay and the inability to show his feelings has left him lonely and sad.

I think it IS hugely significant that poirot says hastings' absence, even just for 1 1/2 years, has left him a lonely old man, that he says he wanted to go to south america to live near hastings, that hastings is the only one he told about the chocolate box, that he cannot help but embrace and kiss hastings, that he seeks the physical contact with hastings constantly either in the form of hugs or adjusting ties or brushing down each other's clothes, that in hastings' absence he becomes depressed and spends the whole time thinking about him and what he'd say or do if he was there, that he canonically reads sherlock holmes and thinks it's the most brilliant writing in the world because watson reminds him of hastings, that he gets distraught over the idea of hastings getting hurt, that he'd risk his own life for hastings, that he kills, once, for hastings.

when I read some of the poirot stories, there is no doubt in my mind that I am reading about a gay man, who loved this one man more than anyone. he can't hide that he's different and can't always hide his feelings, but he convinces the world that these are quirks, part of his foreignness, just eccentricity. and I believe fully that that is the man who was put on that page in the first place.

[topsyturvy-turtely]

turtely's OTP challenge

read day 23 "The Beekeeper and The Book Author" on ao3!

(prompt: being old together)

summary: Beautiful. Quiet. Nice.

Gen, 360 Words, Retirement. John Watson's blog, Fluff.

✨imagine this little baby but 40 years older✨

or read it on tumblr:

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Dear readers,

This will be my very last blog entry. I don’t even know if you young people still read ‘blog entries’ – this is for the people who have followed my blog from years ago, really. Maybe this will be a nice surprise for you.

Here is a little update on our life: Sherlock and I married in the year of 2024. It was a beautiful ceremony, small but meaningful. Not many people – neither of us ever really was a ‘people person’.

We continued our detective work until Sherlock turned 67 years old. I don’t really know how we managed with little Rosie, but we did. She turned out to be one of the most intelligent scientists in Britain and both of us are extremely proud of her.

After Sherlock finally retired we moved to a cottage in the countryside. It is beautiful here. Quiet. Nice. Words, the young Sherlock Holmes would have despised. Let me tell you now, that this man has the softest and biggest heart, you could imagine. He always has had it, he just didn’t show – to protect himself, I believe.

I am getting side tracked… Sherlock is a beekeeper now. He loves bees as if they were his own children. Puts all his research into bees as well. Even sells honey, my old boy. I am proud of him. Really, I am.

Skdico ,kjdkojoaoooooooooppposipoi

I apologise, I got distracted by a white haired and bearded (oh, yes he wears a beard now – I quite like it…) cat purring into my ear. He told me to mention my books. So, I will because otherwise this gorgeous lfjklalaaaa

Where were we? Oh, yes my books. What is there to say? I turned my blog into a book. Book series, really. You can buy the books on Amazon – just search for “Sherlock Holmes Books” and they will be suggested. It’s funny, they sell as if Sir Arthur Conan Doyle had written them himself. Which of course, he didn’t, they are all written by ordinary old me, Dr. John Watson.

So this is us. Retired consulting detective and doctor, now beekeeper and book author.

It is beautiful. Quiet. Nice.

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comment on ao3!

tags under the cut :)

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[noonewilleverknowistealkneecaps]

Do you have any fav soviet Holmes episodes in particular?

*sweats heavily*

Ookay

If i have to choose, i definitely would look into the earlier episodes, as they are better. I mean, i barely remember what the latest episodes were about, and I’ve been rewatching the last month.

Well, i really like two parts of the series: the first episode, with mottled ribbon case, as the meet of Sherlock and Watson is played out remarkably good, and Baskerville episodes.

The latter… they just stand out to me due to the beautiful fusion of music/vibe/editing. Soviet Sherlock just… managed to show the Baskerville case in a r e a l l y beautiful way. On the verge of supernatural, magical, mysterious and dangerous, the story slowly lures you in with how different it is from any other part of the series… it is almost like a fairytale…… and it’s so freaking romantic, by all means im enthralled by Baskerville eps the most.

Shortly on the vibes:

UGHHH I REMEMBERED, THE COLOURS, THE CREEPY ATMOSPHERE - watson and sherlock really had to kiss in the middle of the haunted mires. Really would’ve elevated the plot. You know.

I mean, they also have more characters there, the ones which are really to remember, incredibly lovable - take Sir Henry at least. Their friendship with Watson. Them getting drunk in the castle.

Soviet Baskerville is some really well written fanfic. i say.

Anyway listen to this soundtrack for yourself and CHECK THE EPS ON YT

[lumilescense]

Why Sherlock Holmes's Introduction Scene is Important to his Autism Coding

Ive made several sherlock holmes posts now so obviously i now have to talk about autism-

Im not an expert in autism for starters but i did discuss this with many people and it was one of the clearest scenes i remembered when judging Sherlock adaptations. I would dare to say Holmes's introduction is one of the most important scenes to his autism-coding, and that when adaptations fail to realize its importance, it also tends to reflect on how they code Holmes.

We hear about Holmes before we see him. The description of him is more than a bit negative and uncomfortable at this time, with Stamford being overcautious and warning Watson about Holmes's tempers. While i cant read this now without the pop culture knowledge of Holmes, I suppose it was to build up tension as to what sort of strange scientist he would be.

Yet when we meet Holmes, hes doing some chemical work. When he spots Watson and Stamford, he immediately runs over to them and excitedly shows them that hes made a chemical that detects hemoglobin. He only briefly brings up Watson's military career, just the barest hint to intrigue us.

He then starts rambling excitedly and passionately about how his chemicals work. He goes into the effect they have on his job, and criminal justice as a whole. Him infodumping about his passions is a fantastic introduction by the way, but some people skip it or place more focus on extending his deductions of Watsons life. This introduction does a lot to show how overall passionate he is about his work, and that it is what he cares to be speaking on (this is one of the rare times we see him out of case mode).

I think its worth it to note that while the scene is written with hints of Watson being overwhelmed, he seems willing to go along with whatever Holmes is saying. Basically, while he finds Holmes's demeanor odd, he still tries to engage positively and follow what Holmes is saying.

They also exchange things each other should know as roommates, both relatively cheerful and relaxed about it. Watsons behavior is what i consider also important for his characterization, but i am here to talk about Holmes (oh just you wait watson-)

The thing is, this introduction is one of the most humanizing depictions of Holmes. While he is talking about crime, this shows early on he has interests related to it that arent just "deduction." It is also a very active conversation from him! He infodumps incredibly excitedly, projecting more than he seems to normally, interrupting Watson several times, and forgoing social convention.

This can be seen in direct contrast to how Stamford introduces him, showing the humanity and passion behind what he described. It gives us an even broader view of Holmes from the get go.

Holmes's introduction codes him as autistic by showing what he looks like when *excited*

The fact the first thing we get to see of this character is his overwhelming care and passion for his work is not only important to his character, it should be the basis for his autism coding. He is excited! He gets overwhelmed with how he likes his work! He forgets not everyone else knows what he does! He wants to show, share, and explain it to everyone in good humor!

To me, that is something ive experienced with every autistic person ive known, and the details of it are so, so instrumental

[meetinginsamarra]

Fanfics I really liked in October 2023

So. Since I keep a list of what I´ve read anyway (there´s always a list), I will rec all the fics I´ve wholly enjoyed on a monthly basis. Old and new, canon or AU, big or small authors, long or short but nearly always Johnlock (-ish).

Naked by sussexbound @sussexbound

Sherlock walks around in the flat fully nude and John has to deal with this. Somehow. But he will manage. LOL

Closeted by sussexbound

Sherlock and John get stuck in a wardrobe and have to figure out how to spend the night in there until they get rescued. John proposes to play a game. Such a lovely fic!

Also, there is the great (I'll call it comic) series, published by @anotherwellkeptsecret here on tumblr.

In Confidence by emmadelosnardos @lameraextranjera

"Reason for referral: Patient was admitted to dual diagnosis unit for detox on 27.5.2002." This is written from the POV of the doctor in the rehab clinic as you would find in the patient records. Unusual and interesting style and sickfic/recoveryfic.

L'amour Toujours by stopthat

Sherlock and John must go undercover—as two men in love—to find out who has been killing the church's queer community. They find out more than they had hoped for. (About themselves..) Ahhh, the great "fake relationship for a case" trope!

The Unfinished Letters by SilentAuror @silentauroriamthereal

A fire at Baker Street leads John to read something he was never intended to see: a notebook of half-written, unfinished letters Sherlock wrote during his time away... Lovely and sweet fic!

Anomaly by Calais_Reno @calaisreno

"John Watson, time traveller, meets Sherlock Holmes, an apparent anomaly." Says the summary and I immediately clicked. Did not regret!!

[weast-of-eden]

it seems like some people actually liked my last fic rec, so here's another one, guys! this time i tried finding some fics that were a little different, like AUs, different POVs, rarepairs, WIPs, etc. again, these are pretty all set in canonverse (ACD or Granada) or victorian era unless specified otherwise. so without further ado, here is:

Eden’s ACD/Granada Unique Fic Recommendations

And With Him Disaster by eggshellseas (@/maxwelljacobfriedman on tumblr) 14k | Rated E Summary: John Watson is being stalked by a vampire. Notes: not-your-mother's vampire au, that's for sure. definitely read the tags before getting into this but man, this fic is so, so good. features not only vampire!holmes but also dark!holmes and it's a ride from beginning to end. ugh i want to talk more about this fic but i can't spoil anything!!

Into darkness then without a candle by Solshine (@/thehumantrampoline on tumblr) 10k | Rated T Summary: At first, Moriarty is just a disguise, like all the rest in his wardrobe; a helpful alias to bring Holmes closer to the evils he duels. And then the disguise wins at the Reichenbach Falls. AU inspired by the stage play, “The Secret of Sherlock Holmes." Notes: i can't even get into this. I CAN'T EVEN GET INTO THISSSS. there are no words. if there were, the word would be: UGH. this is such a unique fic and watson really pulls through in this. I CAN'T EVEN GET INTO THIS RIGHT NOW.

Back to Edinburgh by mightymads 4k | Rated T Summary: The Jezail bullet in Watson’s leg causes him so much pain that he is on the verge of despair. London doctors deem it impossible to extract the bullet without inevitable nerve damage. Holmes finds a surgeon in Edinburgh, who agrees to help. It is none other than Professor Joseph Bell. Notes: Dr. Bell says 'gay rights'! also Scottish Watson for the win! this is such a beautiful story, Watson really gets to take the center stage while Holmes gets to worry for his well-being. oh how the tables have turned. plus lots of ACD's personal life mixed with Watson's own, which I think makes this such a unique fic. it's just really nice to read. *chef's kiss*

The Red Notebook by Garonne 10k | Rated T Summary: Holmes is dead, or seems to be. Watson starts to write, and Mycroft starts to read. Holmes/Watson slash set during the Hiatus. Mycroft's POV. Notes: i LOVE Mycroft POVs, and this is one of my favorites. also i love fics that depict watson's stories as completely false, like Moriarty is not real and 'The Final Problem' was just john's way of coping. STELLAR FIC.

Some Power of Selection by wordybirdy 12k | Rated E Summary: John Watson is a struggling doctor in recent practice on London's Upper Wimpole Street. One dreary Wednesday, an urgent telegram summons him to 221B Baker Street, where he meets a sombre and initially taciturn gentleman by the name of Sherlock Holmes. Sparks immediately fly – but not of the positive, life-affirming variety... Notes: enemies to lovers AU for the win! Stamford is such a knob in this one, truly. but that's okay, our heroes figure themselves out anyways. great banter in this one, if you like rom-coms then this is the fic for you!

One Page Is Missing by PlaidAdder 2k | Rated T Summary: "From this point onward I will follow the course of events by transcribing my own letters to Mr. Sherlock Holmes which lie before me on the table. One page is missing, but otherwise they are exactly as written and show my feelings and suspicions of the moment more accurately than my memory, clear as it is upon these tragic events, can possibly do." --The Hound of the Baskervilles, Chapter 8 **** This is the missing page. Notes: ok first of all you should read all of PlaidAdder’s Missing Pages series, it’s so beautifully written. this is the first of the series and the premise is so interesting and mysterious! this fic is for any fans of HOUN (me) or enjoyers of jealous Holmes (also me)

On the Orbits of Asteroids by Sheila_Snow 22k | Rated E Summary: Watson has a secret from his past that he's kept from Holmes, but the past has a tendency to come back and haunt you. Notes: Watson/Moriarty fic. yes you read that correctly and YES it's crazy good. there's still holmes/watson but it's angsty and– i can't even get into it, you just gotta read for yourself. also feat. Moran who is currently questioning his sexuality (yeah watson will do that to you mate)

The Better Part of Valour by rachelindeed 7k | Rated T Summary: Mr Melas considers himself a coward, but more than one man's courage comes with complicated cracks. Notes: for any fans of 'The Greek Interpreter' (aka ME) this fic is the coolest ever. POV from Melas, who is smart, witty, and very observant. you get to meet Paul Kratides when he's not in the middle of being tortured, plus the ANGSTIEST background story about Watson's war injury. Oof. But I literally love this fic guys pwease read it

☆The Adventure of the Purloined Heart by ladyblahblah (@/hungrylikethewolfie on tumblr) 15k | Rated M Summary: A gruesome murder unveils secrets kept buried for years. Some feelings can only be hidden for so long. Notes: This fic checks every single box for me. HOLY SHIT. It's got murder, mystery, intrigue; it's got pining, secrets, and unrequited (?) love. I think the reason I'm so unwell about this fic is because it's a WIP that ends on a doozy of a cliffhanger. if god loves me he will let this fic be finished one day. IT'S SO GOOD GUYS PLEASE READ THIS FIC. in my ao3 history is says 'visited 12 times in the past month.' what is wrong with me

i hope someone out there enjoys these! also i was going to tag the authors whose tumblrs i knew, but then i chickened out, so... sue me i guess?

also if there’s any AUs, tropes, or somesuch fics you wish existed but can’t find, feel free to ask me!! maybe i’ve read something you’re looking for :)

[holmesxwatson]

James Lovegrove’s Sherlock Holmes books

James Lovegrove has written a ton of Sherlock Holmes books over the years (all Victorian era/canon era). I recently came across his latest series on the Hoopla app while I was browsing audiobooks that were available and the cover art totally roped me in. I ended up reading all three books in the newest series, all the Cthulu casebooks and a few in his earliest series. As far as I can tell, his books seem to be split into three different series based on the structure of the subtitles and the different cover art. I enjoyed all the books I read by Lovegrove for different reasons, but as I've already established in my other book rec posts, I mostly only care about the Holmes/Watson dynamic. So listed below are Lovegrove's Sherlock series in chronological order, which also happens to be, in my opinion, the order from least to best Holmes & Watson dynamics •ᴗ•

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The New Adventures of Sherlock Holmes by Titan Books Series, 2013-2018

I honestly just realized while researching links for this post that Lovegrove's books in this series are part of a bigger series with multiple authors (lol me), so I'm not going to list all the titles here, but they've been published from 2011-2023 and Lovegrove has written six of the 21 books. The other authors in the series are Guy Adams, George Mann, Cavan Scott, Mark A. Latham, Nick Kyme, Philip Purser-Hallard, and Tim Major. I read the first two Lovegrove books in this series last after reading his other SH series and the stories were pretty solid. One of them was a WWI-era story, which is a time period that I love to read about. The only thing I will say is that the Holmes & Watson vibe is a little too I'm-smarter-than-you-do-keep-up for my taste, which is why I took a break after reading the first two. But I wouldn't be against dipping back into this series at some point in the future and also checking out what the other authors have to offer.

Goodreads series page (x)

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The Cthulu Casebooks, 2016-2023

There are four books in the Cthulu Casebooks series and the framing device is that James Lovegrove himself is a descendant of H.P. Lovecraft, which is how he comes into possession of Watson's secret writings on his and Sherlock's real adventures going up against Cthulu and other eldritch horrors. These books are not just a romp through a mashup of literary worlds, there are very real stakes and things get dark. I really liked these books, I'm not really a Lovecraft fan at all, but I have read some of his works and of course I'm aware of all the elements from his works that have transcended their stories and are really a part of general fantasy/horror fan knowledge. My best friend is a huge Lovecraft fan and we read these together, so they were able to tell me how precise the Lovecraftian elements were -- they were precise -- so Lovecraft fan approved. The framing device was my favorite thing, especially the author's note at the end of book three, which was a very bone-chilling way to end the book (that I was listening to on audio in my dark house at night -- oops).

Sherlock Holmes and the Shadwell Shadows

Sherlock Holmes and the Miskatonic Monstrosities

Sherlock Holmes and the Sussex Sea-Devils

Sherlock Holmes and the Highgate Horrors

Goodreads series page (x)

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James Lovegrove's Sherlock Holmes, 2019-2021

This was my favorite series out of the Lovegrove set and also the first that I read. I felt like the Holmes & Watson dynamic was especially great -- and for me that means: they felt more like equals, there was just the right amount of bickering, and they cared deeply about each other. While I was reading these I took some short notes to help me remember what was special about each book, here they are below next to the titles. I would say that the covers and titles make the series seem like it might have fantasy elements, but it's more like they are debunking their clients outlandish theories before getting stuck in on the actual case.

Sherlock Holmes & the Christmas Demon (has a Three Garridebs-esque scene; Holmes dresses up as Santa!)

Sherlock Holmes & The Beast of the Stapletons (a continuation of HOUN complete with a short estrangement of Holmes & Watson)

Sherlock Holmes & The Three Winter Terrors (the dedication at the beginning of the book is to Jeremy Brett ❤)

Goodreads pages (x) (x) (x)

Here’s my goodreads shelf with all kinds of Sherlock Holmes books that I’ve read or am hoping to read. Let me know if you have any recs! And check my pinned post for other book recs posts!

[calaisreno]

20 Questions for Fic Writers

I was tagged by @7-percent, @totallysilvergirl and @gaylilsherlock. Thank you!

1. How many works do you have on AO3? 

147. I’ve been here nearly 6 years, some years more prolific than others. 

2. What's your total A03 word count?

Right now, just shy of 2M: 1,937,496, to be exact

3. What fandoms do you write for?

BBC Sherlock and ACD Sherlock

4. What are your top five fics by kudos?

Synchronicity Date Night A Chronic Condition The Wedding Gift Blank Slate Wooing Sherlock Holmes has recently moved up and is close enough to nudge its way to number 5.

5. Do you respond to comments? Why or why not?

Always, even if it’s just to say thank you. I appreciate comments, often feel humbled by the compliments people give. It just feels right to respond. (Maybe if I were getting hundreds of comments a day, I would have to rethink that.)

6. What's the fic you wrote with the angstiest ending?

Either Below Zero or The New Gardener. Both have MCD, but sort of a soft landing. Also Learning the Heart and The Real You, but those also have endings that mitigate the angst, a bit.

7. What's the fic you wrote with the happiest ending?

I write a lot of happy endings; it’s my preferred resolution.  My choice: The Short Tragic Death of John Watson. John does NOT die, but there’s a very cheesy happy ending that made many readers scream.

8. Do you get hate on fics?

No. A couple rude comments, but no intentional hatred.

9. Do you write smut?

Not much. I don’t write PWP, but include a sex scene where the plot seems to need it. I'm not opposed; it's just not my usual.

10. Do you write crossovers?

I’ve written two GO/Sherlock stories: Limbo and Hell and Back. I’ve written stories that borrow from other fandoms, but are not exactly crossovers. The closest to a crossover would be Serendipity, which borrows plot from the movie. I’ve borrowed from movie and book universes to make an original story (Eye of the Storm, A Chamber to be Haunted, Do No Harm), and I’ve borrowed premises (The Real You)

11. Have you ever had a fic stolen?

Not to my knowledge.

12. Have you ever had a fic translated?

About 60 of my fics have been translated, most of them into Russian, a couple into Chinese, on into Spanish. 

13. Have you ever co-written a fic before?

No. 

14. What's your all-time favourite ship?

Sherlock Holmes/John Watson

15. What's the WIP you want to finish but doubt you ever will?

The Secret of Agra: a post-Reichenbach fic that I started in 2020. It has been through several transformations. I rarely give up permanently on a story, though. A few have grown into something new that I ended up posting. I expect I'll finish this when inspiration strikes me.

16. What are your writing strengths?

The things readers most often compliment me on: 

Character voice and emotions.  

World building. 

Versatility: historical fiction, case fics, science fiction, fantasy, rom-coms, etc.

Making readers cry.

17. What are your writing weaknesses?

Action scenes. In Greek tragedy you simply have a character enter and describe the murder that’s just occurred offstage. In fanfiction, that’s a nope. And you have to think out every move, make the scene visual. I admire writers who make this seem effortless. (That's you, @discordantwords !!!) Description: finding non-cliche ways to describe things/people without making it weird and overly fussy.  Being too minimal: I am not a wordy writer; minimalism was how I was taught, but sometimes I need to be wordier.

18. Thoughts on writing dialogue in another language for a fic?

I’ve done bits of this, but only in languages I’ve studied. I have a degree in Latin, and have used that in couple stories: A Demon's Tale, Accidental Magic. 

19. First fandom you wrote for?

The first and only fandom I’ve posted in is Sherlock Holmes (ACD and BBC). I don’t have any plans to move. I used to write original fiction, but have found fanfiction so much more rewarding.

20. Favourite fic you've ever written?

This is hard to answer. Last Envoy is the story I’m most proud of.  I write the stories I want to read, and I do re-read a number of them, some more than others. My favorite fic written in 2023 is The Traveller.

Has everybody been tagged? How about @mydogwatson @lisbeth-kk @discordantwords @copperplatebeech @keirgreeneyes @meetinginsamarra @bertytravelsfar @jrow @thegildedbee @helloliriels @gregorovitchworld ???