#written for the watsons and not the holmes's so to say

[moroniccats]

Part Three (for anyone who’s still interested in my rambling): Dialogue

The dialogue in this story is completely different from all the others. There are a few points that I want to explore here:

1) The uncharacteristic speaking mannerisms (mostly already talked about in the other parts)

2) the odd vocabulary

3) the “immaturity” of the writing

Some examples:

“Susan! I believe you are a bad, treacherous woman!” Ok this one actually makes me laugh

“I’m clearing out of here. I’ve had enough of you all.” This one is less egregious but WHY IS EVERYONE ACTING LIKE GRADE SCHOOLERS??

“Dr watson agrees, so that settles it” “settled again!” We’ve literally never seen Holmes wait for Watson’s opinion like this. On matters of life and death, absolutely. But he doesn’t seek Watson’s assurance that an action is correct.

“Lookin for your gun, Master Holmes?”

“No, for my scent bottle, Steve” once again, childish banter where Holmes refers to a man he barely knows by his first name.

“Queer grammar!”

“‘These clever fellows have always a touch of madness.’ That was what I read in the inspector’s smile” Watson simply does not write out what he thinks other people are thinking in dialogue. He just doesn’t.

“I only gather that we are here to see the lady who is behind all this mischief” these characters are literally talking like they’re in a campy 80’s show. MISCHIEF??? After she broke into an old lady’s house???

“Well, I suppose I’ll have to compound a felony as usual.” This read like there’s meant to be a laugh track in the background. Compare this to Holmes’s speech from The Abbey Grange: “well, it is a great responsibility that I take upon myself, but I have given Hopkins an excellent hint, and if he can’t avail himself of it I can do no more. See here…we’ll do this in due form of the law…so long as the law does not find some other victim you are safe from me.”

“Black Steve is called in” I…..I don’t have to explain why this isn’t a description Holmes would use, right? It’s petty, racist, and childish. While I think that Holmes is very racially insensitive, being a man of his time, it mostly comes down to a strange brand of “race science” and racial profiling. I can’t imagine him thinking that a guy is harmless, as he says, and still speaking to him like this.

There are a few more examples, but my point is that not only does it seem like it was written by someone else, but someone more modern, juvenile, and inexperienced. I suspect that Doyle wanted to try appointing a younger successor.

Friend: *exists near me*

Me: DO YOU WANT TO HEAR MY THEORY ON SHERLOCK HOLMES THE ADVENTURE OF THE THREE GABLES-

Friend: *runs away screaming*

[gammija]

sherlock & co is a lot of fun but it is also, and i dont know another way to say this, the most normie fiction podcast ive listened to

[microwavablefork]

my fav part of being in the sherlock fandom is i don’t rlly ship johnlock all that much but i love sitting here and clapping my hands like a cymbal monkey at all the art

[contact-guy]

God I just love that in The Dying Detective you made it so Sherlock is struggling to convince Watson he's sick. Watson knows him so well at this point. It huuuurrtttsssss (positive)

THANK YOUUU I wanna talk about this because it ties into why I love comics so much, and why I love adapting prose into comics. It's a pretty well known idea that part of the job as a cartoonist is to be the 'actor' for your characters - to try and inhabit their heads, figure out their body language, make their expressions with your own face as you're drawing them, etc.

This brings a certain level of intuition into comic drawing that I find really magical. Sometimes I'll have something written (for original work) or there will be something in the text (for adapted work) but when it comes time to draw it, I just...can't get the character to do it. None of my drawings make sense or feel authentic. It feels like they've turned from 'real' people into flat paper dolls. I've been doing this long enough that I've learned when that happens, it means something in the text needs to change.

For Dying Detective, I started sketching it as a direct translation of the book, but something weird happened as I went:

I found I kept cropping out Watson's face. Maybe it was just that I'd drawn sad Watson too much recently and I was tired of it. But I couldn't figure out how to draw him reacting to Holmes being sick with genuine distress, the way he does in the book - not within the altered narrative I'm telling with the Sketchbook. They've known each other too long, they're in too tense of a place in their relationship, and Watson is too familiar with Holmes's tendency to make a scene.

So to experiment, I drew him looking skeptical instead.

And THAT was fun and easy, which meant it was the right direction to go. It also made the scene go from feeling like a single, sustained note of distress, to an unspoken power struggle, where the characters end in a different place from when they begin. For this specific adaptation, it was a good change to make - and it was something I only discovered through the art. All this to say that I love comics always and forever!!!

[fruitviking]

Today marks two years since I began my fic series A Grand Gift Of Silence, which features Sherlock Holmes experiencing non-verbal episodes, he and Watson in a queerplatonic partnership and using sign language to communicate, and my favourite elder sibling deaf!Mycroft Holmes.

I started this series on a whim - it wasn't intended to be a series at all, just a small one-shot fic with Holmes using sign language after exhausting himself with a very long and busy day. But that little fic sparked something profound in my brain, and before I knew it I'd written ten more stories in the space of a month!

There are twenty stories in that series now (I have hopes to make them into a book one day!). Some are tied in with the canon, most of them aren't. That first little fic was the very first Holmes fic I ever wrote. I wrote this series for me, really, because I discovered that I love exploring queerplatonic Holmes and Watson, and my own experiences with sign language inspired me.

Little did I know how much these fics would inspire others. I have received multiple comments and AO3 bookmarks saying how I've encouraged people to learn sign language, I've helped people realise they want a queerplatonic relationship, they love the stories, they love how I represent neurodivergence, autism, nonverbalism, and disability. I'll admit, I've cried while reading these responses - more than once.

I am honoured and humbled. This fandom is so wonderful, and I'm incredibly grateful to have my little corner of it to play house with my favourite characters.

Thanks for reading, always ❤️

[tremendously-crazy]

"You can't hate on an entire Sherlock Holmes adaptation just because of how they interpret Irene Norton (nee Adler)-" SHUT UP.

I will hate on an adaptation if it does the following:

makes Irene a love interest for Sherlock Holmes (whether realized or not).

First of all, Holmes is NOT attracted to women, and never experiences a smidgen of attraction towards them in the original stories. ACD could have very easily written him a love interest, but CHOSE NOT TO because it went against the idea of his character. He was never attracted towards women.

Second of all, Irene Adler isn't even Irene Adler. Her name is Irene NORTON. Do you want to know why? Because she's LITERALLY MARRIED. TO A LAWYER NAMED GODFREY NORTON. She already has a husband who she loves very much! She does not love Holmes!

Thirdly, a man can feel admiration for a woman without being attracted to her. Watson literally says in the first part of A Scandal in Bohemia that he didn't feel any emotion akin to love for Irene Adler!!

2. makes Irene into some sort of femme fatalle/sexually appealing

This implies that women can only be smarter than men if they are attractive/hot. That, in order for a woman to be successful, she has to provide something for a man.

Edit: this doesn't mean that she ISNT attractive. She is beautiful and enthralling, which is what makes the king fall for her in the first place. What I mean is when Irene becomes a SEXUALIZED character.

Doing this means she can't just be a smart woman, but that she has to be sexually attractive and mysterious, too! DOING THIS REDUCES HER INTO AN OBJECT OF DESIRE!!!

3. makes her weak/makes her get outsmarted by Holmes

Im not sure if any adaptations have actually done this. But if so. Absolutely not. She challenges Holmes's misogynistic ideals and to reform his views. Because Holmes views women as softer, weaker, and less intelligent (when they are NOT!!) And Irene helps to teach him this. Her lesson is effective!! Because Holmes stops making fun of women. And he changes his ways. Why would you make her weaker? She's SUPPOSED to beat Holmes.

If it does this or anything else I will NOT view the adaptation. You can tell a lot about the adaptors, their respect and accuracy while depicting the original stories, and how they view women, through their interpretation of Irene Norton. She is the most famous female character in the series, after all. Do her RIGHT! READ A SCANDAL IN BOHEMIA BEFORE YOU ADAPT! And if you still make these amateur mistakes, you shouldn't be adapting Sherlock Holmes at all.

[raveboy34]

Stalking John Watsons twitter and saw this and wanted to share for the people who have not seen this

HE DID THE THING!!

One of my favorite things about the original ACD Sherlock Holmes books is how much attention to detail Watson puts into everything, but ESPECIALLY with Holmes, literally on the first few days of living with Holmes, Watson was so intrigued by his flatmate to the point he wrote down everything he learned from about him. Until of course throwing it into a fire and disregarding it because he felt it was useless and still did not understand him. But still, these smalls things are usually glossed over by other medias, and although it was not mentioned in the podcast, it makes sense for him to say something about it on twitter.

The fact they wrote almost word for word what he writes in the book. I can die happy now.

This is how its written in the Original Work 👇

Cannot believe some of you are NOW realizing Watson is the cutest and most awkward man to ever walk the face of the earth ! Love him and his curiosity

[calaisreno]

Coming Soon: The Secret of Agra

A year after The Reichenbach Fall, John learns that Sherlock isn’t dead, but has now found himself in a spot of trouble. John goes after him. (Much weirder than this description suggests.)

Excerpt:

“You don’t believe me.” She’s looking at him with an almost fierce intensity, as if she can read the thoughts going through his mind. Probably, she can. People have seen through John Watson before now— people who, without asking, know why he limps. The things she’s telling him are not merely improbable; they’re impossible. ... “He was backed into a corner,” she continues, “and took the only way he saw to escape. I’m only saying this now because he’s found himself in another corner. He needs help.” John rubs his left hand on his trousers, a self-soothing motion that doesn’t lessen the anger and sorrow making his heart ache. He takes a deep breath, blows it out. “Fine. Let’s suppose you believe it’s true: Sherlock Holmes survived the fall and has been… what, fleeing from his enemies? For months he’s been somewhere, not dead. If you want me to believe this fairy tale, I’m going to need some proof.” “I saw him in Geneva.” She looks at him steadily, unsmiling. Either she’s a very good actress or she believes that whoever she saw was Sherlock. Maybe both. “And you want me to simply take your word for it?” She sighs, not in exasperation but frustration, and frowns pensively. “He spoke with a friend of mine.” Swiping her phone open, she scrolls a bit, and then turns it so he can see. “Security footage.” He watches the clip twice more, then hands back her phone. Sherlock is alive. John's mind is filled with a buzzing static. For a moment his vision fades. Steady. There will be time to think about it later. Now he needs to ask questions.

Note: Mary is a character in this, but her part is short and there is no romantic relationship.

This is a "down the rabbit hole" story, a London Below, a wonderland, an impossible place where missing people find themselves.

It's also a love story about our two heroes trying to find one another, realising things about themselves and each other.

I've written plenty of AUs before; you might find this one a bit different. There will be no "it's all a dream" ending.

It's a mystery: Clues, easter eggs, breadcrumbs.

@keirgreeneyes @lisbeth-kk @totallysilvergirl @helloliriels

@redmondcollege @raina-at @7-percent @lhrinchelsea

@peanitbear @ghostofnuggetspast @a-victorian-girl

@meetinginsamarra @fullyouthwerewolf @kettykika78

@chriscalledmesweetie @discordantwords @mydogwatson

Thank you for reblogging! 💕

[moroniccats]

Shit that I’ve written in my Granada Holmes journal while half asleep:

“I’M SORRY MR. BRETT, WHAT WAS THAT FACE?”

“Bro, can’t a woman like tea?”

“ *shocked monkey noise* “

“Sherlock Holmes lounging like an anime girl”

“Holmes stop being jealous of a rock.”

“No one wants to hear your life story.”

“Doggy to the rescue!”

“Watson, stop writing fanfiction about your roommate.”

“Sherlock Holmes, you whiny little bitch.”

“Holmes is a dramatic lil bitch, as he should be.”

“Grass Sherlock” (I still don’t remember what this means)

“I think stalkers are less scary when they wear top hats.”

“PLEASE NO MORE NAKED PEOPLE I HAD ENOUGH WITH THE BBC SHOW”

“Holmes be taking off his gloves like he’s about to use corruption.”

“Intense chase boat”

And now presenting: Me Wanting To Murder Sherlock Holmes (Lovingly)

“Stop being a sarcastic prick, Holmes!”

“STOP BEING A LITTLE PRICK OH MY GOD”

“BE NICE TO WATSON YOU SWINE”

“Holmes, take your sass, and put it in your pocket.”

“WHAT DID I SAY ABOUT THE SASS?”

“YOU BETTER BE NICE TO WATSON YOU ASS”

“HOLMES YOU BITCH THERE WERE SO MANY OBNOXIOUS THINGS YOU JUST DID.”

“HOLMES I AM GOING TO STRANGLE YOU”

“SHERLOCK HOLMES FOR GOD’S SAKE IF I STRANGLE YOU THERE WILL BE NO ONE TO INVESTIGATE YOUR MURDER”

“WHAT DID YOU JUST SAY TO MRS HUDSON???? HOLMES IF YOU DON’T SAY JK RIGHT NOW…”

“SHERLOCK HOLMES I SWEAR TO GOD I WILL JUMP THROUGH THAT SCREEN AND BEAT YOUR ASS”

[meetinginsamarra]

Fanfics I Really Liked in December 2024

So. Since I keep a list of what I´ve read anyway (there´s always a list), I will rec all the fics I´ve wholly enjoyed on a monthly basis. Old and new, canon or AU, big or small authors, long or short but nearly always Johnlock (-ish).

++++

A Small Request by thetimemoves @thetimemoves

We have an agreement, my brother and I, ever since that day. Mycroft asks Sherlock to make a list.

How the list came to life and an emotional good brother Mycroft!

The Cavern by elwinglyre @elwinglyre

Sherlock is not into making magic. He doesn’t believe in it. He does, however, believe in making rock and roll history. His best chance is to join John Watson’s band, the Magic Makers. They begin at the Cavern. There he learns to believe in more than magic with a little help from his friends.

The AU is set in Liverpool during the early 60s—when homosexuality is a crime. Lots of music and references to the time and the Beatles!

The Ashes on the Ground by 221Beloved @221beloved

What happens after? After the fire has burnt down and left nothing but ashes? Roughly two and a half years after what happened at Smith's hospital, things have settled. But have they really? Or is it all still hovering. And what if someone whirls up the ashes again? An old acquaintance. Can something new arise from cold ashes? Something stronger?

Summary says it all. Go read!

Nocturne by SilentAuror @silentauroriamthereal

When Sherlock is injured at a crime, an avalanche of suppressed trauma opens up. John ends up moving into his bedroom to ward off the nightmares, hoping against hope that this arrangement can last indefinitely. This is a story of nights spent together, trauma recovery, and John finally learning some truths long hidden.

Very beautifully written slowburn getting together hurt/comfort!!!

This Year by DiscordantWords @discordantwords

Last year, Sherlock Holmes showed up at the Landmark with a fake moustache and a bad French accent and threw John's entire life into disarray with two words: "Not dead." This year, there are more surprises in store.

Estranged John and Sherlock meet at the Yard's New Year's party. It starts awfully but happy ending ahead!

Prince with a Thousand Enemies by DiscordantWords

There's a rabbit in the nursery. John isn't getting any texts.

Starting with a rabbit that Sherlock sent to John and Mary, several truths are discovered leading to a happy end.

[milquetoast27]

The Emotional Reticence of Holmes and Watson

Sherlock Holmes and John Watson, two shy Victorian men, maneuver their vulnerable feelings of affection for one another in an expertly flawed and human manner crafted by Arthur Conan Doyle. First and foremost, I am examining their use of "my dear Watson" (91 times in the canon) and "my dear Holmes" (14 times).

The first time Holmes ever uses "my dear Watson" in the canon, it's actually in a rather sarcastic tone.

"What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." (SIGN)

Note: for The Great Game, this absolutely isn't the first time Holmes has used this phrase, but from the narrative perspective, it is absolutely the first time Conan Doyle put this phrase to paper, which is more relevant to this examination.

Holmes uses this phrase with a touch of exasperation, which even in itself holds some love within it as he encourages his friend to utilise his own beloved methods. And even in this first instance, while Holmes's tone indicates some displeasure, the personal address ensures that it isn't a genuine blow. But the intimacy of "my dear" is quite daunting, isn't it? so Holmes utilises the veil of sarcasm to break the barrier, in the spirit of "look, I've said it now. Now I may go and say it as much as I want."

Oh, and he does. The frequency of 'my dear Watson' slowly builds through the canon and peaks through FINA, HOUN and EMPT. It isn't surprising, considering they hold some of the most critical points in their relationship.

• "My dear Watson, you were born to be a man of action." (HOUN) • "Not for the world, my dear Watson. I am perfectly satisfied with your company if you will tolerate mine." (HOUN) • "Then these are your instructions, and I beg, my dear Watson, that you will obey them to the letter." (FINA) • "My dear Watson, I owe you a thousand apologies. I had no idea that you would be so affected." (EMPT)

It is evident, that it is after this barrier is broken in SIGN, that Holmes feels comfortable to use this address in such a sincere manner. In fact, it is apparent that it is in particularly emotional circumstances that Holmes is more likely to call for Watson through any means at all.

So, how about Watson?

His use of "my dear Holmes" is almost exclusively out of shock or surprise whenever his 'Johnson' claims anything particularly outré. Again, while Watson is in disbelief, and most probably doubtful of Holmes's claims, the personal address softens this blow to say that no real harm is done between them.

• "My dear Holmes," said I, "this is too much." (SCAN) • "My dear Holmes!" "Oh, yes, I did." (SPEC)

The first real instance of Watson using this phrase sincerely is in FINA.

"You are afraid of something?" I asked. "Well, I am." "Of what?" "Of air-guns." "My dear Holmes, what do you mean?"

Holmes is acting more than out of the ordinary to put Watson in some kind of concern and this question comes no doubt more from worry than simple surprise. He even asks again, "but what does it all mean?" which highlights his wish to be by Holmes's side, even in danger.

The first and only instance of a good-hearted affectionate address comes to Holmes in HOUN. However, interestingly, it is only through the written word, in Watson's letters to Holmes from Dartmoor.

• Congratulate me, my dear Holmes, and tell me that I have not disappointed you as an agent. • Such are the adventures of last night, and you must acknowledge, my dear Holmes, that I have done you very well in the matter of a report.

Watson's method of breaking the barrier is to send it remotely through his pen, which is, after all, much less daunting than saying it directly. It is absolutely worth noting that Watson has also used this language when specifically wishing for praise - it shows us that he feels the closest to Holmes when he is able to follow his own methods.

Conan Doyle shows us the ways insecurities and pressures can collaborate with our most earnest and deepest affections. Holmes and Watson aren't perfect beings, but navigate through their web of reticence and inner desires to find an unspoken but profound dialogue between them.

[a-forbidden-detective]

Until their dying day

Written for @flashfictionfridayofficial with the prompt FFF291 - stuff of legends and @fluffbruary Feb 7 using hand as the prompt. Thank you once again for these prompts. Also, with my head canon in mind I’d like to tackle Ron Kamonohashi’s ancestor, Sherlock Holmes.

—

Fandom(s): Kamonohashi Ron kindan no suiri / Sir ACD’s Sherlock Holmes

Characters: Ron Kamonohashi, Totomaru “Toto” Isshiki, Sherlock Holmes, Dr. John Watson

Pairings: RonToto, Johnlock

Word count: 1099

“AHHH! Now I must clean up my dad’s messes. Imagine, Toto, having a father like him leaving dirt on his trail?”

“You have been going on about that all day long…” But Toto shut up his mouth at once when he saw Ron looked admiringly at the picture of his father. Next to it was a rare photo of his parents together, which he alternately paid attention to.

“May I?” Curious, Toto pointed at the picture Ron next to Ron’s head. The forbidden detective was smiling at his newly christened lover.

After the two had a lay-in caused by the gruelling events of the Plateau Auberge incident, Toto went back shortly to his flat in Asakusa to get some fresh clothes, reported to Amamiya and returned to Ron’s place immediately. It made him anxious leaving Ron alone even though he knew that the younger man could cope with it better than Lily-san, Mia and Sakai.

Toto traced the two figures entwined on the picture frame.

“Your life is so extraordinary, Ron. You have these two great people who have cared for you…” He let out a sigh, he and Ron were ready to die together.

“I love the way you think about me… I truly cherish it,” Ron sat behind Toto, encircled his arms around the police officer and went to tell the story of his parents and the ancestor he wanted to emulate, who was the stuff of legends in the family.

“Come to think of it. Milo mentioned that I reminded him of your ancestor’s trusty companion. Who could that be? Do you know him?”

Ron looked at Toto, slowly got up and walked toward the shelves where one of the boxes contained several photographs.

He handed him an old picture of a man in a British uniform. The man sported a slight moustache with blonde hair underneath the helm. His eyes could be blue with the looks of it. He seemed to be a very handsome man.

“It was him why half of the reason my ancestor could and would never leave London. The other was the cases. His name was John Watson, an army doctor for Her Majesty, the Queen Victoria,” Ron said with a naughty smile on his lips.

“Huh? What do you mean? Were your ancestor and this man more than acquaintances?” Toto was surprised.

“Yes.” Ron responded with pride, his eyes were glowing. “You could say they were my ‘real’ great-great-great grandparents!”

“How long has it been going on?” Sherlock lighted up his pipe, white hair threatened to overwhelm his once dark brown hair. Across him was his partner, Dr. John Watson glaring at him, there was also sadness etched on his face, tears threatened to fall. The consulting detective was holding a telegram.

“You are gravely mistaken, my dear doctor. There’s no more understanding between us. The child I left behind only longs to see his father,” the detective was looking at the luggage in the living room. John Watson was going to leave him. If he did not play his cards well, he would do so permanently.

“I only wish for your honesty, Holmes. To me,” the doctor bent his head. “Only to me. After all that we’ve been through. After all the lost three years I have wasted for you.” Frustrated, he believed this was the last straw. The three years in which the doctor thought that his partner had died broke him apart. He likened himself to those bereaved wives who lost their husbands in the wars. As a former soldier, he beat himself up for being pathetic.

On the table there was an ukiyo-e painting of a woman clad in cobalt blue kimono with white plum blossoms all over it. Her face was hidden on the spectator by her fan. It was sent to the flat a few weeks ago. Next to it was a picture of a healthy beautiful boy smiling seated on a wooden floor. Not even two years old. His hair stood up and his cheeks were round like a bun. One could see that he was loved and adored by his family. Below was a note in English, “Yori-kun says Dada for the first time, Chiyo,” with two shaped hearts drawn on it.

“Are they the reason you left for a few months this year?”

Holmes nodded. He took another puff from his pipe but he smoked it too fast that he experienced a tongue bite. There was a burning sensation on his tongue.

“I understand that you deem it as a betrayal, but she is the closest thing I had when I was far away from you,” the detective said. His eyes pleaded, praying that the doctor somehow would understand.

“You didn’t have to go anywhere, Sherlock! You could have asked for my help! But you told me there were assassins following me ready to kill me if you established your connection to me again after your fall at the Reichenbach,” John put his hand on his face suppressing his anger, the need to hit someone or something.

“Now there is nothing we can do. You have your son. And I…” trailed John, who did not know what to say.

Holmes put down his pipe, walked to him, and without saying a word placed his arms around his partner.

“I understand that you hate me. But I never forgot you, John, during the three years of my absence. I always thought of you, asked Mycroft about you, told him to fast-track the process and eliminate the problem as soon as possible so I could come back to you,” the detective assured his best friend one more time.

The doctor shook his head, slowly pushed Sherlock back and said, “No, you could have told me everything. But you have many secrets and I am not even privy to them! Am I an outsider to you?!”

The question rattled Holmes as he had never seen his partner so angry like this.

“No! No, John!” Sherlock put down his hands. He knew when he was beaten.

“I can’t do this. Please give me time. I have to sort this out first.”

With heavy footsteps, the doctor took his luggage and headed to the door.

Upon hearing the door slammed, Sherlock sat on the floor and closed his eyes.

“They got back together again, didn’t they?” Toto held Ron’s face. He was seated on the forbidden detective’s lap. How did it happen?

“Of course! Until the army doctor’s dying day!” Ron replied.

“Thank god!”

And the two laughed together as they held hands.

~fin~

[topsyturvy-turtely]

turtely's OTP challenge

read day 23 "The Beekeeper and The Book Author" on ao3!

(prompt: being old together)

summary: Beautiful. Quiet. Nice.

Gen, 360 Words, Retirement. John Watson's blog, Fluff.

✨imagine this little baby but 40 years older✨

or read it on tumblr:

✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑

Dear readers,

This will be my very last blog entry. I don’t even know if you young people still read ‘blog entries’ – this is for the people who have followed my blog from years ago, really. Maybe this will be a nice surprise for you.

Here is a little update on our life: Sherlock and I married in the year of 2024. It was a beautiful ceremony, small but meaningful. Not many people – neither of us ever really was a ‘people person’.

We continued our detective work until Sherlock turned 67 years old. I don’t really know how we managed with little Rosie, but we did. She turned out to be one of the most intelligent scientists in Britain and both of us are extremely proud of her.

After Sherlock finally retired we moved to a cottage in the countryside. It is beautiful here. Quiet. Nice. Words, the young Sherlock Holmes would have despised. Let me tell you now, that this man has the softest and biggest heart, you could imagine. He always has had it, he just didn’t show – to protect himself, I believe.

I am getting side tracked… Sherlock is a beekeeper now. He loves bees as if they were his own children. Puts all his research into bees as well. Even sells honey, my old boy. I am proud of him. Really, I am.

Skdico ,kjdkojoaoooooooooppposipoi

I apologise, I got distracted by a white haired and bearded (oh, yes he wears a beard now – I quite like it…) cat purring into my ear. He told me to mention my books. So, I will because otherwise this gorgeous lfjklalaaaa

Where were we? Oh, yes my books. What is there to say? I turned my blog into a book. Book series, really. You can buy the books on Amazon – just search for “Sherlock Holmes Books” and they will be suggested. It’s funny, they sell as if Sir Arthur Conan Doyle had written them himself. Which of course, he didn’t, they are all written by ordinary old me, Dr. John Watson.

So this is us. Retired consulting detective and doctor, now beekeeper and book author.

It is beautiful. Quiet. Nice.

✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑✒︎✑

comment on ao3!

tags under the cut :)

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[noonewilleverknowistealkneecaps]

Do you have any fav soviet Holmes episodes in particular?

*sweats heavily*

Ookay

If i have to choose, i definitely would look into the earlier episodes, as they are better. I mean, i barely remember what the latest episodes were about, and I’ve been rewatching the last month.

Well, i really like two parts of the series: the first episode, with mottled ribbon case, as the meet of Sherlock and Watson is played out remarkably good, and Baskerville episodes.

The latter… they just stand out to me due to the beautiful fusion of music/vibe/editing. Soviet Sherlock just… managed to show the Baskerville case in a r e a l l y beautiful way. On the verge of supernatural, magical, mysterious and dangerous, the story slowly lures you in with how different it is from any other part of the series… it is almost like a fairytale…… and it’s so freaking romantic, by all means im enthralled by Baskerville eps the most.

Shortly on the vibes:

UGHHH I REMEMBERED, THE COLOURS, THE CREEPY ATMOSPHERE - watson and sherlock really had to kiss in the middle of the haunted mires. Really would’ve elevated the plot. You know.

I mean, they also have more characters there, the ones which are really to remember, incredibly lovable - take Sir Henry at least. Their friendship with Watson. Them getting drunk in the castle.

Soviet Baskerville is some really well written fanfic. i say.

Anyway listen to this soundtrack for yourself and CHECK THE EPS ON YT

[ilfishio]

My take on DCMK sexualities

The straightest show for gays to ever exist. Since half of the characters stuck with their childhood crush, almost no one got to explore dating and sexuality. So hear me out

Shinichi – was defensive about Holmes and Watson being not gay, but close friends. Warmed up to queer people after getting to know a few (the person in Moonlight Sonata Murder, fruityass Kaito Kid, etc). He's chill now

Ran – dare I say she never really thought about being with anyone but Shinichi, not to mention with a girl. Though I'm sure some girls have hit on her after seeing how cool she is in karate

Heiji – if this show came out now he would be THE chaotic bisexual, let's be real. His crush on Kudo would be one of the selling points of the show (along with some kaishin ship rivalry, yk how it is). Had a dream about kissing Kudo at least once and woke up confused, but laughed it off eventually

Kazuha – straight friend that everyone had in middle school, moving on

Kaito – the type of man to act fruitier than the actual gay people for no reason. "Bi wife energy" was written about him

Aoko – mom who says "I also wanted to kiss a girl in highschool, it's normal" when her kid comes out. Has an identity crisis after and learns that it is in fact not normal and she had a massive crush on Akako

Hakuba – is he gay or European? Yes

Akako – pretty girl privilege queen who gets a lot of men without being attracted to them, then thinks that she has a crush on Kaito before learning that it's just how respect feels like. Becomes a cool lesbian aunt in her 30s

Sonoko – an obsessed with boys girl from your highschool who casually comes out as a bisexual because "why not, if she's cool" and leaves you IN SHOCK

I have thoughts about others as well, so let me know in the comments if you're interested in someone in particular

[mwagneto]

okay phew. my thoughts on watson episode 1. might put a readmore coz it'll probably get long. anyway um

so 💥 IN MY OPINION 💥 it was not good but it wasn't bad either it's the exact perfect mid i usually get with american episodic tv especially one trying to adapt something from england. not even a complaint btw i would've been shocked if it was good. i do think they needed a much stronger pilot but it was like... fine? like i had a good time with it overall and then sometimes i went HRHRGH WHAT. but anyway let's go category by category otherwise this'll be even more incoherent than it already is. so yeah cut incoming this is gonna be long as hell i was right

1) characters

watson: i elaborated on this topic in an earlier post but to sum it up, i think watson's personhood, by nature of being the pov character in the novels, revolves so strongly around holmes that it's an incredibly difficult task to define who he is without holmes, and especially to portray it. so far nothing this watson has said or done made me go "he wouldn't fucking say that" but at the same time nothing's made me go "he WOULD fucking say that" either. no actually him immediately jumping into a waterfall without any hesitation coz he saw holmes go in was extremely in character he would fucking do that. but like that just comes back to the whole issue of like, that's in character for him bc it's about holmes. but the rest? like who even is he? esp here where he can't even be defined by his position in his society or his era or his city because he's in modern day americatown instead of victorian england. so like overall i like the guy but as soon as the scene isn't about holmes he stops being watson and just becomes generic medical show leading man. i'm very curious to see if they can manage to make me feel like i really am watching dr john watson instead of just a random guy. but again outside of not really being watson i like him he seems fun

adam and stephens: i don't know why the showrunners would fuck themselves like this like why are you making your job so much harder by having 1 guy play 2 guys. edit ok apparently it's literally coz the showrunner wanted something challenging. well i hate it. also i don't think the twin thing works on any front it just makes me very uncomfortable to watch a guy trying his absolute hardest to pretend to be two separate people. it sucks. hopefully their plots will be interesting at least. calling it now there's gonna be a plot where they switch places

ingrid: i like her she's really hot imean interesting but her energy is so millenial i feel like she's gonna drop an umm that just happened! any second now. but that's not the character's or the actor's fault it's just a vibe i get

sasha: i had to look up her name on wikipedia icl but i only know the other people's names because every time a name was mentioned i rewound and paused and said OK THATS [insert name]. DONT FORGET. she just didnt get a proper namedrop ig. anyway i have 0 thoughts abt her other than her first line being about her accent which then proceeded to completely disappear in her 3rd line and then come and go as it pleased for the rest of the episode was really funny. the adoption thing is interesting tho let's see where they go with that

mary: mary-s (maries?) tend to be very strangely written bc every time they're included the writer wants to do a subversion of the generic irrelevant wife from the victorian era stories so she's usually a plot relevant badass which like. i don't think that's necessary. like you don't have to be doing all that. like i don't mind i'm usually neutral abt any given mary i just think it's annoying that they all default to that instead of doing literally anything interesting. so it's a relief that i actually like this mary coz even though she's still the usual plot relevant badass, it's not accompanied by her being watson's epic cool girlfriend she gets to be her own person. like as far as i can tell they're not gonna get back together #i ❤️ divorce. she's even bisexual!! sweep

shinwell: whyyyyy does he talk like that omg. please. also guy from the east end is a criminal duuuuude thats crazy however do they come up with these. sucks so bad. i'm gonna like him out of spite but he's such a bad character what are we doing

moriarty: what can i fucking say man. why is he here. also the acting was so bad??? like wh??? ???? why was it this bad. i guess you could blame the script but like, second takes exist yknow. you can do another one if the first take sucks. are you aware. anyway i hate it when moriarty is a big bad but we'll get into that in a later section... can't say much abt his character he was only in 1 scene. usually i'm a huge fan of colourblind casting but i don't get making him a poc if you're gonna make him the horrible evil mastermind but hey at least he's not a black woman killing orphans for money like in enola. still don't know why they did that. getting off topic anyway why did he also get hit with the yankify beam. does anyone remember england. sherlock holmes was there

2) the plot

the episode's plot: it was... fine? like it was stupid as hell but it's a medical drama so whatever. patient needs mouse bites to live. this vexes me. etc. i do think the whole today☝️ we're 🧑‍🤝‍🧑 NOT ❌ doctors ⚕️ we're 😎 detectives 🕵️ was kinda cringe but it's like the entire premise of the show so it's very much a megszoksz vagy megszöksz situation. how do you say that in english. my way or the highway. take it or leave it. you get what i mean

the overarching plot: i mean obviously this was one episode so i can't reflect on the entire thing but i CAN look at the setups and think about them. it's nice that a major part of this show seems to be watson coping with the absence of holmes. i think they should focus on it slightly more, like acd watson's life was essentially over and pointless post reichenbach and i don't think they fully emphasise the severity of that but we only have one episode so we'll see. i am very very annoyed that moriarty is a presence at all in this show and especially that they didn't even have enough faith either in the audience or their own material to wait a bit before revealing him. episode one bam he's there and he's immediately named. it sucks. we do not need him. hold my hand. look me in the eye. it's ok to write a holmes adaptation where moriarty doesn't keep coming back from the dead. it's ok to have a different villain. or just regular ass criminals that aren't masterminds. it's fine. it's ok. you can just have moran if you're desperate. in fact you SHOULD have moran we're literally post final problem pre empty house this is moran's main time in the spotlight. but whatever what's done is done. i just think what's done is dumb as hell

3) the technical stuff that reviewers love talking about to make themselves sound smarter

the dialogue: chief. it's not good. like it's not outstandingly bad but there were some lines that made me go 😬 and some of them are just. so bad. eugh. like i alluded to in ingrid's section, if a script feels like it could smoothly fit an mcu style quip without it feeling out of place, maybe reconsider the lines you're writing.

the lighting/colours: i actually really like this, i think it gives the show a very distinctive look. i do think it's weird how ambient all the lighting is in this hospital but it's a lot nicer than the horrible white and blue you'd normally get, plus as a serial surgery haver i would much prefer to have this to the inhumane buzzing leds. not to mention i'm eastern european so compared to our hospitals, this place is like a spaceship.

cinnamon topography: i just watched brilliant minds last week which had some of the most beautiful shots i have ever seen and easily the most beautiful shots i've ever seen in an episodic medical drama which is unfortunate for this show because it's also very competent in this field but my standards are all the way up. but yea overall the shots range from generic-good to pretty good so no complaints there. i really liked the shot of watson and mary talking with the garage pillar separating them, and the overhead shot of a board that says WE LIE in big red letters made me laugh really hard

4) miscellaneous

my cat just crawled into my lap while i was trying to spell meschallenios everyone shut up. ok she was there for an hour and then left so back to it

acd story references: i always think these are fun and very satisfying to clock, and by god there were a lot of them in just this one ep. my episode was like 240p so i couldn't really observe the background details (to be remedied once i get my paws on 1080p) but even then there was a ton of stuff to go duuude 🫵 at. the 1881 robot (year study in scarlet is set in) which was then immediately revealed to be called clyde (elementary turtle) was really funny like why are we referencemaxxing. like i mentioned in the john watson post, i hope they won't overly rely on them, but it was fun to pay a little extra attention to everything to see if there was a reference hidden anywhere

5) overall

my general faith in this is. very little. a lot of people have a lot of goodwill for this show, both because of elementary (which i haven't seen sorry) and because of morris chestnut (who i didn't know before this but i'm very much the kinda person who prefers to not even know the names of actors) but neither of those have any impact on my opinion or my trust in the show, nor do i think it should. even if elementary was my favourite show, i'd still expect watson to win me over just by itself. i'm also very worried about some comments the showrunner made, especially the one abt adler being holmes's lover (what?? 💀) none of which inspire confidence but again that's not part of the show either and if the show itself is good, i don't care what the showrunner thinks.

but is the show itself good? i mean, it's not bad and i never expected it to be good. i'm a huge fan of holmes adaptations and have seen way too many of them (pretty much every single one that's not unwatchably bad, and then some) so i'm always hyped when there's a new one. i don't hate this by any means, i'm glad it exists and it was a fun way to spend 2 hours watching something that's 40 minutes long and then an entire day writing a review of it.

like i said at the beginning of this unnecessarily long post, it's perfectly mid with some tentative swings in both positive and negative directions which is probably why i was able to write this much about it. if it was good i would've just said IT SLAPS YAYY YIPPIE and if it was bad i would've said "holy shit this is the worst thing i have ever seen" and that would've been it but instead here we are. hope you're glad you spent the past 7 hours reading this instead of war and peace. thank you for coming and hopefully my review of episode 2 will be a more managable size coz lowkey what the hell am i doing lol. goodbye