#writing tone

[ahb-writes]

Writing Problem: The Conflict Is Inconsequential, Flash-in-the-Pan

Problem: The Conflict Is Inconsequential, Flash-in-the-Pan

Solution: Many authors struggle to contrive meaningful conflict such that it either shapes or speaks critically to the trajectory of the characters it touches. Conflict is not a consequence or a corollary of scheme or impulse; conflict should develop as the story develops and grow as the character dynamics grow.

Explore character through conflict by reinforcing their goals and their perceptions (of reality), as well as the plausibility of maintaining either. Use conflict to reveal blind spots, biases, or fears. Conflict doesn't narrow the possibility of who characters are, or what the story might convey; conflict opens characters (or readers) to new methodologies, new stakes, and possibly new goals, as a result of enduring or overcoming the fracas in question. Conflict adds depth.

Writing Resources:

Conflict Thesaurus (One Stop for Writers)

Need Compelling Conflict? Choose A Variety of Kinds (Writer's Helping Writers)

How to Draw Readers in Through a Character's Choices (Writers Helping Writers)

Exactly How to Create and Control Tone (September C. Fawkes; ahbwrites)

Are Your Conflicts Significant? (September C. Fawkes)

Tension vs. Conflict (Hint: They Aren't the Same Thing) (September C. Fawkes)

How to Write a Dystopian Story: Our Gide (Jericho Writers)

Plot Conflict: Striking True Adversity in Stories (Now Novel)

How to Use Central Conflict and Drama to Drive Your Novel (Now Novel)

❯ ❯ Adapted from the writing masterpost series: 19 Things That Are Wrong With Your Novel (and How to Fix Them)

[ancientroyalblood]

Writing Across Genres: Blending Styles and Themes

When writers dare to venture into multiple genres within a single story, they open doors to creative freedom, unique storytelling experiences, and new ways to captivate readers. Writing across genres isn’t just about combining elements from two distinct categories, like romance and mystery, or science fiction and horror. It’s about weaving together themes, moods, and stylistic choices to form a…

[thepedanticbohemian]

A nice chart on tone and mood and knowing the difference.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[weepingwillows-sweethibiscustea]

I’m currently thinking about an AU where the Justice League confuse Danny for Jason.

Like, they know Batman’s second Robin met an unfortunate end, & now his newest partner is the ghost of an upbeat, scrawny, teenage boy.

Excuse them, for thinking the ghost being Batman’s dead son was more believable then Batman somehow having picked up not just another stray, but a dead one. How did he even do that?

Bonus points if Jason is very much so resurrected already, but none of the bats told the justice league because apparently Gotham’s newest crime lord, who’s 6’ whatever & built like a brick shithouse, isn’t obviously the same malnourished little kid that used to say “Robin gives me magic!” & literally died. Who knew?

[sinisternoodles101]

stupid sunny!!!! you can’t smoke…

[ghostbsuter]

"Elle—" Danny turns around, finally taking his eyes off of the paperwork he's been reading while they were floating through the castle.

Only that wasn't Ellie behind him.

Definitely a teenager, older than his sister, whistling while looking around.

"Who are you? Where is Ellie?"

Pausing as he noticed Danny's stare at him, Kon grins. "Superboy, Dani and are in the same Clone Club, she needed someone to cover for her."

"Ah."

"But damn she didn't tell me you were loaded."

[clockwayswrites]

5 Times the JL Learned Batman was Married and the 1 Time They Met the Spouse.

One. Two.

J’onn floated down the hallway of the Watchtower, keeping pace with Batman. The mission had been without injury or death thanks only to the man that J’onn followed.

“May I ask a question?”

Batman gave a noise of soft agreement as they entered the room where the device would be kept for further study. They would need a way to disable such things if Batman and his skills were not there for future battles.

“The question is likely both cultural and personal,” J’onn clarified.

There was a pause from Batman as he settled the device and then a nod. “Go ahead.”

J’onn dipped his head in appreciation. Batman was often one that J’onn went to when he wished to better understand the humanity he found himself surrounded by. Of all the human members, of which there were not actually many, J’onn trusted Batman the most to give him a clear and honest answer.

“There was something that I noticed when you took off your gauntlet in aim to use the HUD to disable the device. On your forth finger, starting with the thumb, there was a black band embedded into your skin. What is the purpose of this?”

Batman’s lips twitched into what J’onn was coming to understand as Batman’s version of a smile.

“It is a mark made of ink that has been embedded into the skin with a needle. Mine was done with a machine, but the practice is thousands of years old. It is called a tattoo. Black is traditional, though the ink come in many colors. The finger it is on is called the ring finger. Thumb, index or pointer, middle, ring, pinkie,” Batman said, pointing to each finger as he spoke the word.

J’onn tilted his head curiously.

Batman gave him the time to think.

“Does the mark have any association to the rings of marriage that people wear? It is, after all, encircling your ring finger.”

“They’re called wedding rings and it does,” Batman admitted. “A ring would be dangerous for me to wear while acting as Batman. The wrong hit to my finger would risk breaking bone or tearing ligament. The tattoo is a way for me to have that physical reminder of the bond without the risk of an actual ring.”

“I see. Thank you for explaining,” J’onn said. As Batman turned to leave the room, J’onn asked, “Are the others aware of your marriage?”

Batman hesitated uncharacteristically. “Only one other in the League.”

“Then I will keep the matter to myself.”

“Thank you,” Batman said with a little nod before he swept out of the room.

[rumisgf]

PASSENGER PRINCESS - connie springer x black!reader

summary: your... best friend takes you on your weekly late nights drives. but, this night is different: both of you are aware of the tension between y'all even though neither of you address it- until tonight. warnings: marijuana usage, best friends to lovers, eventual smut, yk car sex, french kissing

you just had got off work, and today really wore you out. it was the usual: your manager was getting on your nerves, there was this lady who tried to argue with you over the counter, and you had to train probably the most incompetent teen who had just got hired. all you knew is you need a blunt and a nap.

as you're laying on your bed ready to kick your clothes off, your phone buzzes. a text from connie, probably the only person you have patience for right now. it reads 'you home?' to which he knows you are, he found out when you get off work (because he listens, of course. totally didn't do his own research before you even told him directly). the minute you text back he's calling your phone, and you roll your eyes a bit 'cause you already know he wants to bother you now.

"hello, sir?" you can hear him smack his lips.

"man, you not even tired! i'm 'bout to head out anyway, just wanted to see what you was doin' right now."

"what, you trynna pick me up?"

"don't ask dumbass questions, you want me to pull up or not?"

you smile to yourself, and get up to change out your work clothes. "mmm... yea. c'mon."

"bet." *click*

soon enough, you see his car pull up from your apartment window and make your way out the door. as you walk down the stairs, you can't help but grin to yourself. no matter how bad of a mood you're in you would never miss an opportunity to chill with his fine as- you mean, the only tolerable dude you know.

you open the car door, the smell of weed hitting your nose. "yooo!" connie greets you with a smile, and a wood in hand. he already had started to roll up before you even made it to the car.

"nigga, what did i tell you 'bout smoking outside here?! if i get in trouble, it is not gonna be my fault!"

"you'on wanna hotbox?" he asks obviously, making you roll your eyes as you buckle in your seatbelt.

he starts the car up and places one hand on the wheel, ready to find an empty parking lot. he notices how you stare outside the window, hand resting on your cheek. "work piss you off?" you simply reply with, "why?" and he says "you not talkin' like usual and actin' all bothered."

he was right, work did piss you off. but for some reason, he was making you especially nervous today. "ion know, just my manager was on dick today. and i had to train this lil' boy he was pissing me off too. i know he a kid but damn, this why i ain't wanna be a trainer in the first place. i already work overtime most of the week i don't be having the energy for that shit, y'know? he keep giving me all these things to do like my schedule not already tight and i'm busting my ass just to still not get promoted yet." it was nice to get stuff of your chest like this because it really calmed you down. better yet, he knew how to calm you down. he knows how to listen while making sure you're still having a good time.

he eventually pulls up to a gas station. "well, don't let that shit bother you. you probably gon get promoted anyway cause you actually do your job. besides, if that don't happen, i been telling you to quit anyway." getting out the car, he pulls his hoodie over his head and comes to open your car door. "now c'mon." "i don't want noth-"

"i said c'mon, mama, i'm getting you snacks! and i want some too i'm not leavin' you in here."

having no argument, you get out and walk with him inside. since it is late, you're the only ones in there and there's only one cashier in sight. the mid aged lady smiles at the two of you as she notices the door bell ring. you both grab a drink of choice from the freezer and make your way to the counter. he sees your eyes dart to a bag of chips, and he picks it up to place it down before you grab his hand. "you don't have to, con." he ignores you, sliding it to the cashier to scan. "oh, stop it, you act like i haven't payed for your hair before."

"your total is $12.59"

he pulls a 20 out his pocket, handing it to her a taking his change. as you both leave, she says "by the way, you two are such an adorable couple!" but, before you can correct her, connie replies

"thank you, ma'am!"

now, you're both sat in the car laughing at the interaction that just happened. "thank you? for real?" you say through giggling. connie simply shrugs, "i ain't wanna make her feel bad!" in your mind, you began to question his response still. why didn't he say no? "i mean shit, you don't look bad so." he stops, furrowing his eyebrows and side eyeing you. "oh, if i was ugly you woulda had a issue?" you look to the side as he pretends to start to be offended. "well, yeah duh." he laughs in response, you following after. "alright, dude."

eventually, he pulls into a random parking lot. you see a bench and a sign, so you assume this is just some park in the area. luckily, no one's here anyway. connie's hand finds the back of your headboard as backs up into a spot. "found this spot like yesterday, nobody really around at night. plus it's chill, i wanna talk to you and ion wanna be bothered seeing other people around."

you can't help but focus on his jawline as he looks back, barely paying attention to the words coming out his mouth. "you even listenin' to me?" he snaps you back into reality. you turn back in your seat as you smack your lips and he chuckles, settling back into his seat. he picks up from where he started, rolling a blunt for the both of you. once he finishes he pulls out a lighter from his glove department, bringing it to his mouth. your eyes pay good attention to his eyes glancing down at the wood, his fingers, his mouth as he inhales, and the way he looks at you after he puffs out smoke.. god he looked fine.

"damn, you gon' take it?" he asks before you even get the chance to zone out completely. you mutter "my fault" before taking it and bringing it to your own mouth. now, its his turn to examine your movements. you don't even notice him eyeing you: the way your acrylics look as you hold it, your makeup still looking nice after a full day of work, your closed lids, the way you're slightly titling your head back... fine as fuck he thinks to himself. he takes off his hoodie as his body warms up. when you look back at him, you see his toned arms in the moonlight and your face begins to heat up. "you feel better, ma?" you nod in response, attempting to contain yourself. however, he can't help but examine you and you begin to notice. "so, what you wanna talk abt?"

he uncharacteristically fiddles with his thumb and looks down. "well shit..." you take another hit, still making eye contact with him. "after that thing just happened it kind of reminded me even more," he takes a pause. he puts his hand out, and you pass the blunt to him before he continues. he brings it to his lips, slowly inhaling. then as he exhales,

"what if we was a couple?"

you take a second, nearly being took out your high that barely started coming over you. "oh.. uhm-"

"not like that, just what if, y'know?" he quickly interjects to save himself from possible rejection. "yeah of course....well, ion know like i said you not ugly." you end up shrugging. sure, you guys are friends, but it would be a complete lie to say you haven't thought about it yourself. you had just never planned on voicing it. "well, what do that mean?"

"i don't know, you not ugly. if we talking hypothetically you my type i guess." you explain, avoiding saying how you actually feel. "i guess is crazyyy." he leans back in his seat, throwing one of arms behind his head as he takes another hit. "so, i'm yo type?"

you feel yourself start to smile. "now what do you mean, sir?" he simply laughs. "i think you pretty too, y/n." his statement catches you offguard, and you find yourself speechless. he only laughs more and looks straight at you, now half-lidded with red hued eyes. "you ain't notice me starin' at you for how many times you been in my car? and you the only girl i really be having in my car, you basically my passenger princess."

the name passenger princess makes you feel warm in a place that you are not willing to acknowledge. "...well, i been starin' at you too. surprised you ain't notice" he's quiet for a second, then looks down at his lap with a smirk. "i did." you smack his arm and he's now in a fit of laughter as he relishes in your embarrassment. after a minute, he smiles at his eyes cant help but focus on your lips. "what?"

he takes a minute to think over the choices he's about to make. and after some thinking, he comes to a conclusion. "...c'mere, mama."

you stare at him for a second, questioning if this is a good idea. but, the way his arms look after removing his hoodie and the way he's manspreading is definitely blinding your judgement. so, you find yourself climbing in his lap just slightly raised up enough so you're not actually sitting on him. but, his hand wraps around your waist and makes you sit down. "aw c'mon, why you bein so shy? it's just me." and he's right. this isn't even the first time you've been this close to him or sat on his lap. your friendship has very little... boundaries. or better yet, you two have a closer platonic relationship than others.

he stares back at you as he raises the blunt in his hand to your lips. you take a hit, blowing smoke directly in his face. you both smile and laugh softly, connie biting his bottom lip. "you so goddamn fine, i swear."

all you respond with a soft giggle as you lean closer into his chest. he wraps an arm around your shoulders and holds eye contact. finally, you both slowly lean in, closing the distance between your faces. his lips instantly catch yours and set a steady pace. he tastes like soda and indica, but right now that is so delicious to you. subconsciously, you slowly move your hips on his laps in rhythm with the movement of your lips on his. he lowly grunts and pulls away. "woah, what you trynna do?" he mumbles, eyeing your body on top of his. "shit, i been holding in a lot, con... i'm on what you on."

his eyes find your thighs, then comes back up to your red, lazy eyes. "you sure, ma?" you bite your lip, "yeah... you want to?" a soft chuckle leaves his lips and he leans back in, centimeters away from your lips. "i been wantin' to do so much to you, y/n, i wanna make you mine.."

his lips crash onto yours and his hands immediately find your ass, massaging the plush skin hidden by your leggings. your tongue finds it way into his mouth and he matches you, tongues dancing with each other. you can feel his boner from under you, and you hope he can't feel you throbbing on top of him. he pulls away again, and tugs at the hem of your leggings.

"can i move these, baby?" he asks. you nod, and he pulls them down to your knees. you shimmy them off knowing you're better off without them restricting your ankles. in return, he scoots you back and he unzips his pants, pulling them down to reveal his stiff hard dick under his boxers. nearly drooling, you eagerly move back up and kiss him again. you grind your hips on his lap once more, moaning into his lips at the feeling. his hand go to guide you and kneed on your ass. he groans into the kiss, you making him harder than he already was.

then, you pull away. he takes a second to look down and notices the wet spot forming on his boxers. he smirks to himself, "damn, baby you that wet?" you look away, still grinding on him. he laughs to himself at your reaction then slides his hand down, pulling your underwear to the side. this thumb finds your clit and you gasp at the sudden contact. he rubs slowly, eyes glued down. he pays attentions to the way your hips begin to buck upward at his touch. then, he slowly slides two fingers into your entrance. "o-oh fuck-!" you moan out. looking back up to you, he licks his lips and focuses on you. "like that, mama?"

you hum in response, eyes closing with pleasure. grinning, he curls his fingers and earns a louder moan sliding out your lips like butter. the sound of you and your wetness as he plays with you is music to his ears. "c-connie..." as you moan out for him, he perks up teasingly. "hm, baby?" you open your mouth to speak, and cut yourself off with another moan. "i- fuck.. i need you"

"need what, babygirl?"

you whine, knowing he's making you say it. "..need you t' fuck me, bae.."

with that, he slips his fingers out of you, bringing them to his mouth and keeping eye contact as he licks them clean. while he does this he lets you pull him out his boxers, dick springing out. you already had a feeling, but he's big. you stroke him slowly, taking notice of how he squirmed in your touch. "fuck, y/n.." his hips buck upward and his lids close for a second, slightly throwing his head back. you end up throwing off your underwear, leaving you in only your hoodie you left the house in.

"take yo time, okay?" he says softly as you lift up. you nod, and finally begin to sink down onto him. he bites his lips as he feels your slick coating him as you slide his dick into you. your hands grip his shoulders as you sit all the way down, feeling every inch of him. you both moan at the feeling. after a few seconds, you start moving up and down on him. your head falls into the crook of his neck, moaning onto his skin and sending chills down his spine. "f-fuck...baby.."

his hands find your hips, following your movements. "damn baby, just like that.. ride that shit.." you pick up the pace and your grip on him tightens. he now goes to grips your ass, helping move you up and down on all his length. "fuck-! 's so big.." you're whining and moaning into his shoulder, working yourself on him.

connie starts to move his hips in unison with you. "yeah, you like that shit? he starts grinning, looking at your face buried into him. "mhm.. love this dick.." your slick is staining his boxers even more as it drips down while you coat his dick in arousal. "i know, mama, this pussy takin' me so well... you wet f' me." he smacks your ass, earning a small gasp out of you. "look at me, ma."

you lift your head and he smiles at you, admiring your current state. "sexy as fuck.." he moves to massage your hips before pecking your lips. "love you, princess." your heart flutters, as well as your pussy, and your lips form a small smile. "love you, pa" you circle your hips on him and he hums with satisfaction, curses falling out his mouth. "yeah, just like that.. so fuckin' good.."

you ride him with intent, doing it like you had always did in your fantasies. "you feel so good.." you moan, your hole gripping him tighter. "fuck.. i know, ma, i know. takin' this dick so well."

a knot begins to form in your stomach and your eyes squint again as you look back at him. "baby, 'm gonna cum.." you moan, now moving up and down faster. in response, he begins fucking up into you at the same pace.

"mhm c'mon, nut all on this dick." your moans grow in volume and you become putty in his hands. "fuckfuckfuck!" you cry out as your eyes close shut, and you're slamming your ass down on him as you chase your high. he moans as he watches you, holding you tighter. "yeah, there you go mama..." soon, you begin writhing on him as you cream on top of him, painting his dick white. you can feel the strings of your own cum as he continues to thrust into you, reaching his own orgasm. "c-connie! fuck!"

"'m close baby, 'm close, i know." his breathes are frantic and his head is thrown back. "holy fuck, baby.. shit-!" he pulls out as he jerks himself, releasing himself on your ass. you both lay on each other, out of breath as you come down. he looks at you, a smile growing on his face. "don't you go fuckin' somebody else like that, you mine now."

you smile back tiredly, leaning in to kiss him. this kiss is slow, and loving. you pull away, "and you mine."

© rumisgf

[tacticalprincess]

pervy!könig being absolutely crazy about reader sunbathing/tanning. no thoughts. that’s it.

anon #2: i saw a tiktok about like guys loving tanlines and i feel like that is SO pervy!konig like i know he has a thing for them

pervy!könig who blushes when you catch him hovering over you, smiling with your eyes closed while you teasingly complain about him blocking the sun. he can’t tear his gaze away from the sight of your soft body glistening under the bright rays of light, your little bikini clinging to your curves while his own pants begin to cling to the one he has filling up in his boxers. you’re blissfully unaware of his perverse gaze, eyes closed in content as you soak up the sun, ignorant to the fact that könig is trying to imprint the image into his memory to jerk off to later. which is why when he asks to reapply your sunscreen for you, you don’t think much of it… and he promises the hard thing nudging your ass is just the bottle in his pocket, häschen.

if you’re someone who gets tanlines, he doesn’t know what to do with himself around you until they go away. eyes constantly honed in on the temporary outline of your bikini straps that are exposed through your strapless top, disappearing into your cleavage. it’s art — the way the tanned skin dips into a lighter shade, it’s like your body is teasing him, taunting him with what he can’t see. and his mouth waters when he pictures how cute you must look without any clothes on, your breasts and pussy highlighted so prettily, stroking his cock to the image until his vision goes blurry, the silky material of your bathing suit bottoms wrapped in his fist. he tries not to be greedy when he thumbs at the outline on your shoulder during conversation, hoping you’ll take pity on his yearning gaze and let him see underneath.

[ahb-writes]

Writing Problem: The Story Is Tonally Confused

Problem: The Story Is Tonally Confused

Solution: What is the novel's general attitude, particularly given the story's descriptive specificity, the characters' emotional latitude, and the atmospheric dynamic of the feelings a specific scene is written to elicit? Tone is an interrelated mix of narrative forms and attributes. Identifying, organizing, and manipulating tone means establishing and controlling these attributes. But a word of caution is often warranted: Mixing and matching and glibly contrasting tone doesn't always come across as clever, to the reader, as the writer might imagine. Consistency and relevance are important.

Authors must know the difference between recognizing a scene's tone and sustaining it such that its rhythm lends the appropriate heft. Word choice matters. Character mood matters. Point of view matters. Scene structure matters. And in the end, disruptions matter, too.

Writing Resources:

How Do You Build a Novel's Tone? (Now Novel)

Suspense Writing: Examples and Devices for Tenser Stories (Now Novel)

Feeling Overwhelmed by Plot Points (Writing Questions Answered)

How to Fix Characters Who Are Too Similar (Writing Questions Answered)

Working Comedy and Romance Into Drama (Writing Questions Answered)

Selecting the Right Sentence Structure for the Right Emotion (September C. Fawkes)

Exactly How to Create and Control Tone (September C. Fawkes; ahbwrites)

❯ ❯ Adapted from the writing masterpost series: 19 Things That Are Wrong With Your Novel (and How to Fix Them)

[ghostwise]

If you haven't played DAO, now would be the perfect time. It stands so beautifully on its own. The character origins are incredibly well-crafted. The worldbuilding feels vibrant and genuine. It was intended as a spiritual successor to Baldur's Gate. It has incredible DLC, including a companion-centric AU where your Warden died at the start of the game. You can release demons, kill people, and dump corpses into Chantry wells.

[byoldervine]

Writing Tips - Character Tone VS Narrative Tone

Sometimes characters will do things that they believe are good or bad, but the narrative tone tells you otherwise. It can be hard for some people to separate the character’s feelings and actions with what the writer is personally agrees with, so let’s look into how we can make that happen - which also works as a media literacy guide of what to look for when theorising - and only theorising - if a writer does or doesn’t agree with a character;

1. Tonal dissonance. If a character’s mood doesn’t pass the scene’s vibe check, chances are that the character is about to do something the narrative isn’t framing as a good thing. Say Character A is telling Character B a secret they learned from Character C. B’s response might be to be confused or concerned about the situation and ask why A would tell them. Mixing in other bad vibes, such as the weather or setting or lighting of the scene, can additionally make the audience question whether the action was right - and bonus points if they also have the offending character acting poorly in other ways or getting called out for previous wrongdoings in the same scene

2. Karma’s a writer. Actions have consequences both in and out of your story, and using them to reward or punish choices your characters make can indicate whether or not they were the right thing to do. Expand on that through character interactions if you want more nuance

3. Hide away. A character hiding their actions for whatever reason can indicate that, even subconsciously, they’re aware that it wasn’t something others would approve of. Make them sweat, have them struggle to keep it secret. Let it lead to more wrong moves in future to cover up for the original issue, such as one lie covering for another lie. Let it become more trouble than it’s worth until they have to accept that they messed up, even if a bit of stress was the only karma they get for it in the end

4. Pick a theme. Between overarching themes and individual character themes, you can potentially come up with some pretty good long term lessons; if the character acts against the themes and the lesson they’re going to amount to, punish them for straying in a way that’s appropriate and proportional to the act, then work it into some sort of lesson for the character to learn. For example, if the theme is nature vs nurture and you want the lesson to be being true to yourself rather than what others make you into, a character acting on nurtured traits rather than natural traits might be punished through pressures to conform and the act getting amped up as further conflicts between the two sides of themselves present

5. Recruit a mouthpiece. Which character would be the most likely to call out the offending party’s BS? See if you can come to a scenario where they’d do so - albeit making sure it all stays natural and in-character. Maybe they go about it in a way that doesn’t even hit the mark, but at least it’s been said so your audience has had it addressed. Remember; don’t just insert X random character and have them be uncharacteristically analytical, have it be someone who would already do that and word it in a way that fits their character voice. Above all the interaction needs to feel natural rather than forced

[jaewritesfic]

Everlasting Trio DP x DC Nobody Knows Au Pt 6

Part 5

Warning for very brief flashback implying vivisection

It is highly amusing to float to Red Robin's rooftop and see up close how intensely vigilant he's being. He looks like if a pigeon took off halfway across the city he'd fucking notice, but the ghost standing next to him and trying not to snicker goes undetected.

Poor guy. He really seems like the type to drive himself up a wall over a mystery - he's certainly been driving himself up a wall over Danny.

Danny has to force himself not to tickle the back of the guy's neck just to watch him flail.

He likes Red Robin, he really does. He didn't set out to torture the poor guy - Red did that all by himself, all Danny has been trying to do is help. 

They can't pursue him the way they have been and expect him not to try and get some entertainment out of it. It tempers the annoyance, making their obsession with finding him a game.

Danny considers the box in Red's lap.

He's been doing the same thing with each box they leave him from the beginning: grab box, open pocket dimension, yeet.

Not even Bat trackers can transmit from an entirely different plane of existence, it would seem.

And the thing Danny has discovered about having died when an entirely different plane of existence opened on top of him and merged with his DNA?

He is a pocket dimension, in a way. 

In other words, no need to expend energy to tear the fabric of reality to deposit his loot - all he needs to do is phase things into himself.

So Red will definitely notice when the box disappears from his lap and seemingly blinks out of existence, but at least he won't be seeing any neon green tears in reality open up in front of him.

That seems like a good deal to Danny.

He steps forward and reaches for the box-

NA NA NA NA NA NANA

Danny and Red Robin both curse and flail as the Ghostbusters theme rings out across the rooftop.

Red Robin nearly falls out of his lawn chair launching himself away from the sudden sound, almost dropping the lockbox in the process.

Danny frantically searches his pockets for his goddamn phone, pulls it out, has the fear of God struck into him at the idea of hanging up on Sam Manson and thus shoves it into his chest to go to voicemail somewhere where nobody can hear it ring.

In the dead silence that follows, Danny finds himself in something like a startled cowboy standoff where only one of the participants is actually visible.

Red Robin stands with feet braced shoulder width apart, lockbox in one hand and bo staff in the other. He is visibly bewildered and ready to throw hands.

He's staring at the space a little to the left of Danny's head, so at least he hadn't dropped his invisibility in panic.

Welp. No use trying to change plans now.

Danny lunges forward and grabs the lockbox, relishing in the squawk of shock and indignance Red Robin makes as it abruptly leaves his hand and blinks out of sight.

He doesn't anticipate how fast Red Robin will recover or move.

A hand wraps tightly around his wrist and jerks him back in an impressive estimation of where Danny might be occupying space.

Danny almost goes ghost right there. Not because he wants to, but because for a moment there are restraints around his wrists and ectoplasm on the table and bright lights and sharp blades and pain-

He swallows the growl that wants to well up in his throat as he turns and looks at Red Robin, teeth feeling a little too large and sharp in his mouth before he forces himself to calm down.

Red is staring him straight in the eyes despite Danny being able to see he's still invisible. Red’s hand looks to be wrapped around nothing.

“You're not going anywhere,” Red Robin says, voice low and slightly feral with the high of perceived victory. That, paired with the crooked smirk on his lips is kind of, uh- well. Hoo boy, that's all Danny has to say about that.

Well, he does have one other thing to say.

“Bet.”

The way Red Robin's face falls in disbelief when Danny phases out of his grip is nothing short of glorious. Danny's already floating off the roof and out of grabbing distance before Red finishes buffering.

“Are you fucking kidding me?!”

Danny cackles, tossing him a salute he can't even see.

“Better luck next time, Angry Bird!”

“Son of a bitch!”

Masterpost

[bulbabutt]

midnight trauma dump off, who can make the other one more uncomfortable faster

its not leo.

(got a sideblog for this shit now)

[lastflowerofyourhouse]

something i like about nona's family is that they're so like, almost a perfect little nuclear family, and then just. not.

like. pyrrha is "the person who works for her" but also the one who makes breakfast and does the dishes. she's a woman quite literally posessing the body of a cis man and really leaning into the look, honorarily trans in both directions, working construction and shaving in the mornings and braiding nona's hair before school.

and then there's camilla, her...nagging wife? troublemaking older child? roomate who she barely gets along with? the fact that palamedes shares this role is doubly weird. he's a man literally posessing the body of a cis woman, and they're both pyrrha's nagging wife/problem child/roomate. i don't personally believe that anything explicitly or overtly sexual was happening between her and either of them, but i completely understand where people who think that are coming from. and it's fucking weird (affetionate?).

even nona occupies a weird place in this dynamic. like. pyrrha is definitely a parent to her but camilla, who takes a much more active role in her daily life, is...idk. nona has a crush on her and wants to marry her and adopt dogs. camilla's feelings for nona are more parental or older-sisterly, in that she cares for her and wants to protect her, and if her feelings are more complicated than that, it's because of the obvious aspects of the situation which make her extremely sad and apprehensive of the future. her affection for nona seems relatively simple.

and then there's palamedes, who is in theory another parental figure (see: camilla's "i'll talk to your mother later" face, or pyrrha's "you're going to make someone a really irritating wife one day, sextus"), but in nona's view of things he seems like something more along the lines of an older sibling, or perhaps a cool uncle, which is funny because pyrrha arguably treats him more like a spouse than she does camilla.

it's all just so fucking weird and jumbled up on itself. pyrrha will kiss camilla on the head and say "i'll be home for dinner, dear," and then turn around and call both her and nona "daddy's own treasures" (don't get me started). she'll kiss palamedes and camilla both on the mouth and tell them she loves them. she'll tell them she didn't love them well, or even wholesomely, and she won't explain what she means by wholesome.

alecto calls her "mother and father." alecto tells her she should've given into her urges and eaten them.

palamedes and camilla are second cousins and queerplatonic and married and the same person and by the start of the book the lines between them are already dissolving.

nona is so so young and she's so so old and she's not so much younger than camilla and she's older than pyrrha can even comprehend and some days she needs help getting her shirt over her head.

and most importantly they all love each other. it's a weird and confused and unhealthy love. it's a love full of tension and annoyance and fear. it's a love that wants very badly to fit a category and can't. but it's love it's love it's love and even when it's over even when it has nowhere left to go it's not gone it can't be gone. it's over it's done you can't take loved away.