#writing suspicion

[askyourwritergrandma]

Can you give me some advice on how to write suspicion please? I'm working on a murder mystery where the main character knows that the killer is someone in their family, but I'm having a bit of trouble writing distrust and suspicion.

Hello!

The easiest way to convey distrust and suspicion is to have your narrator assign unsavory motivation to actions taken by the other person in the scene. At least if you're writing in 1st or 3rd person limited.

So say they're making tea in the kitchen and Family Member says something about what a shame it is that Murder Victim died. Your narrator can then be like oh a shame they died or a shame they were found so quickly? A shame that they're creating such a mess with their death? A shame that everyone is focusing on how they died and not how you feel about how they died? Just in the narrator head.

Conversations with people that the narrator deems likely to have been murderer are either going to be very, very sympathetic to the point that its over the top ("I just wish murder victim had gotten to say goodbye" / "You're so thoughtful and kind!") because your narrator is uncomfortable but they don't want to seem suspicious around a murderer. OR they will be distracted and terse: ("I just wish murder victim had gotten to say goodbye." / "He said goodbye enough in his life, what difference does one more time matter?") because narrator thinks this might be a murderer and they're nervous but also fed up with the lying.

You can intersperse this with moments of complete normality where the narrator is interacting with family members and just kind of being like, no, this person can't have killed anyone. Look at them they have lace doilies for their drink coasters. They don't have the stomach for it.

But these moments of heightened suspicion where the narrator is assigning motivations to the family members need to be moments where there's relatively nothing interesting going on. it's easy to walk in on someone spatchcocking a chicken and think "oh my god they could absolutely have decapitated Mr. Frankenfurter" but real suspicion is watching your Meemaw make oatmeal and deciding she was a stone-cold killer who hung a man upside down by the ankles until he suffocated under his own weight.

I hope this helped, but if it didn't or it doesn't fit your story feel free to send another ask or message!

[yeyinde]

my body sleeps on your boredom

SUGAR DADDY!PRICE X READER

18+ | sugar daddy/baby relationship. age gap. (implied) mafia au. dom!Price. (slight) dubcon breeding. breeding kink one so insane you can hear Mormons applauding in the distance. contraceptive control. implied financial control. rough sex. infidelity*. dad!John Price. cheating (not between reader and John). Old Money Rich.

What you have with Price is entirely transactional.

His job—the nuances of which he keeps out of the bedroom, the bed—eats up the bulk of his time, and you—pretty little tchotchke that warms his sheets, keeping him cradled between soft thighs, head nestled on the enticing swell of your chest (weary heads and all, you suppose); a homecoming he can sink his stress into—lap up the scraps.

It's an arrangement that works for both of you, really.

Your rent is paid. Closet bursting with clothing. Always tripping over more shoes than you know what to do with. Food in the fridge. Financial worries are swallowed down quickly when they arise (along with a whiskey-tinged glob of spit when he grips your throat and tells you to open wide). He takes care of you. And you—

You take care of him, too.

a simple creature, really: he just wants dinner on the table when he comes over (home), a pretty thing to stare at while he eats, humming around a mouthful as you prattle on about your day (non-negotiable—his appetite is archaic, oppressive: the man grunts around a piece of meat his woman cooked for him as her bare feet slide teasingly up and down his leg, and she fills the stifling silence with inane chatter), and at the end of the obligatory meal, he gets to vent his frustrations out on the wet, warm embrace of your cunt as it squeezes his bare cock (also non-negotiable).

It's an effortless synchronicity.

When you need money, you send a picture of yourself in lingerie he bought above a coy pretty please, daddy to soften the grump up, and after a few exchanges of him lamenting the unnecessary purchase (a part of you, wishful, idealistic, clings to the idea that maybe he just wants an excuse to talk to you, to let you lap at more of his time than think he can afford to give), he relents. The money is sent to your account. You walk out of the department store with an ache in your belly that no amount of expensive wine or truffle could ever hope of filling and bags dangling on the crook of your finger, and he gets to thicken in his trousers over the idea of spending his money on a pretty little thing he can bury his cock inside of whenever the mood strikes. A patriarchal sort of preening. Masculine ego stroke. The role of a dutiful provider all wrapped up nice under the hum of ownership, sex.

(Then he really gets his money's worth when he bends you over the settee. Bought and paid for.)

And you're fine with it. It works. It makes sense because this is the only way that the two of you, together, do.

He's older than you are (salt peppers his hairline; wisps of smoke slither out of the tips of wry, umbre curls. No laugh lines, but his eyes crinkle when he smiles). He has a career. A good one. The second bottle of Violet Sapphire he bought on a whim for you after you whined about running out of the first (a gift—sales lady said you'd like it, sweetheart) isn't cheap. Neither are the handbags. The Tuscan leather shoes. The teardrop pearls. A good man, too. Upstanding citizen, and all that—

(the thin line of pale, creamy skin against ripened peach: a married man. a crayon shoved in the pocket of his trousers: a father.

blood under his nails. ghosts in his eyes. the smell of gunfire and madness clinging to his skin: a monster, too.)

—and you barely finished community college. Scraped by with a degree you're almost entirely certain he paid for, too. But you get to float around a meaningless job doing empty, vapid things to fill your days when he isn't around. 

(An ornament doesn't serve a purpose if it isn't being gawked at.)

An imbalance, you suppose. Or a ballad: the timeless tale of a stupid, greedy girl sinking her teeth into a grown man's wallet like a dog with a bone. In his hand, the leash. A tug. Be good.

And you are.

You let him slide inside of you as many times as he wants, and pretend the burnished seaglass staring down at you isn't filled with longing. Kneel on your satin cushion at his feet as he stretches out on his throne, and guides your pretty, empty head to his cock. Good girl.

Always.

Even when you shouldn't be. Even when he's gone for long periods of time. don't wait up, peppering the air as he goes. Nothing but an empty bed. Rumpled sheets. The scent of sex and tobacco. Leather and motor oil. Smoke. Sage and stale sweat on your pillowcase. An ache between your thighs. The tattoo of his teeth seared into your skin. An envelope full of cash (just in case). The card he left behind (anythin' you want).

Little tchotchke put back on the shelf. Tucked away so the reason for that pale strip of skin and the broken crayon in his pocket won't ever see you. A dirty secret. Another skeleton in an overstuffed closet.

Predictable, really.

You know your place in his world even if he doesn't say it.

(until he does—)

Just not in so many words—a paradox considering how much he loves to boss you around, growling commands under his breath (on your knees, open up, suck my cock, pretty girl, want me bad, mm, missed my cock inside your cunt, didn't you? show me how much)—in fact, they don't even come from him.

It comes from the pharmacist when you duck inside to pick up your prescription for birth control, and instead of handing it over, he just shakes his head.

"You don't have any refills for this month."

He's gone for two months.

MayoClinic warns that this is the estimated window needed for the hormones to dissolve from your system. The risk of a pregnancy after this, it reads, is likely.

You ponder that in a penthouse suite, sitting pretty amongst shredded wrapping paper. A Dior Turtleneck Sweater wrapped around your throat instead of his hands. An apology—according to the embroidered card, the tight, messy pen strokes mention something about an unexpected business trip.

The return address on the box is in Liverpool.

It's listed for sale on Zillow. The asking price is just over a million dollars. A family home on a vast plot, it reads. Six bedrooms—five in the main home and an additional inside a detached coach house. A gated driveway. A secluded courtyard with a suntrap. Something called a self-contained annex seems to be the main focal point of the sale. It has five reception rooms and a sprawling garden.

Perfect for a family, it adds.

You thumb the alpaca wool on your knit sweater, and wonder if this is the leash being cut—

Or pulled tighter.

He doesn't bring it up.

And so, neither do you.

It sits like an oafish, gaudy elephant in the background as he walks into the apartment, fingers digging into his tie. Ignored. Dismissed. He grunts when the knot loosens. Shoulders falling lax. Calmed without the clench of something around his neck.

You place his plate on the table when he wanders closer, offering one of those simpering 50s era housewife smiles when his big, bearish hand swallows up your waist. The scent of char and gunsmoke clings to his collar when he leans in, pressing a kiss to your temple. Acrid. Metallic. Beneath it, you catch stale sweat. Animalic. Unwashed man, leather.

And nothing else.

There's old, greasy sweat on his nose. His hair is slicker than usual. Darker. Blood under his nails. Smoke between his teeth when he hums, offering a low, rasping missed you, sweetheart that scratches along your skin.

He didn't shower before he came to see you.

You hide the notion of it behind your teeth, letting it grace your smile with something that feels less plastic, rigid. More real. Artless. Clumsy. Like the dress he sent ahead of himself and the matching pair of designer heels that still sit inside their box. You'd never wear shoes in the house, but John Price isn't a man who does things in halves.

(a purse sits on the settee: a complete set.)

His eyes are dark—pelagic: the ocean at night; all dark, no stars, moonless—and when he looks at you (in the clothes he bought, in the penthouse he owns, cooking the dinner he wanted), something ripples across the surface. A frisson. Underwater quake. Deep and dark, and darkly possessive. Hungry. 

You like the look on him right now. Maybe even more than anything else he'd ever bought for you, done to you, because Price is, above all else, fundamentally human.

He has rules. Expectations. It's rare he's ever driven by instinct beyond anger—that thrilling thing you'd only ever glimpsed when he peeled back the curtain, tearing the skin he wore with you kneeling at his feet and growled into the phone at whoever stroke his ire. He's controlled chaos. Gruff and uncompromisable.

But the look on his face right now splits that staunch control down the middle until it falls, shattering into pieces at his feet.

He growls m’hungry, sweetheart, and you barely have a second to push the risotto aside before he lifts you onto the table, barely sparing a minute to swipe his hand across the surface, sending dishware and untouched food tumbling to the ground with that same little growl he gave to the man on the phone who disturbed him from the comfort of keeping his cock warmed on your tongue all day long. 

You're laid over the jacket he'd thrown down—rich with gunsmoke, tobacco, and something sharp and metallic—legs squeezed together, ankles tossed over his right shoulder.

It's messy. Artless. All animal despite the cocoon of finery bracketed around you.

Plates shake from the jarring force of his thrusts. Cups tip, spilling your glass of Roumier across the table. Something shatters when it hits the ground. But he doesn't stop. Doesn't even notice the chaos happening around him—as if the world ceases to exist beyond the sight of you taking his cock like a good girl. Spread out for his leisure. His pleasure.

He certainly looks like a hellish king as he stands above you. Towering. Terrifying. One hand wrapped around your throat, keeping you still as he slides his gaze from the tilt of your thighs to the tears puddling in the corner of your eyes as he stretches you open with the thick of him. The other looped under your knees, holding firm. Fingers digging into your flesh. Tight. Rutting like a beast.

There's sweat on his brow. His chest heaves. The hand around your throat slides down your collarbones in a damp spill of heat that makes your toes curl above his shoulder. Rough. Sticky with sweat. With you from when he pried your cunt open on three thick, scarred fingers, grunting at the sloppy mess he found between your thighs. Always so fuckin' wet for him.

It wasn't enough, but you think he likes that. Indulges in something archaic, sinister, when he catches the wince on your face as his too-big cock notches against your too-tight hole. Forcing himself inside with a grunt that sometimes sounds like a laugh when you whimper. When you cry and claw at the sheets and beg for mercy—just a minute to adjust, a second to get used to the burning stretch. The poignant ache when he slides down to the root—so deep, you sometimes think you can taste him in your throat.

He gives no quarter then, and he doesn't now.

Price likes fucking you rough. Edging on painful, bordering on too much. It's the juxtaposition, you think, from the way he treats you like a spoiled little princess who has daddy wrapped around her finger to the dressed up little whore he lays out on a table, bends over a settee, and brands your throat with the clench of his paw as he pounds into you like a beast. A little mean, a little cruel—just enough to balance out the rasp in his voice when he hands you his credit card and says buy whatever you want, sweetheart.

(and miss you, sweetheart—when he's tired and alone and already four glasses of whiskey deep; voice ground down to ash from the cigars he burned through. As soft as a man like him could ever get. Can't stop thinkin' about you, sweetheart. Need to see you, sweetheart. Need your pussy. Your cunt. Your mouth. That tight little ass. Want to fuck your throat until you can't speak for days, sweetheart.

(Want to push m'self so deep inside of you that you forget yourself, love. Forget who you are without my cock inside of you. Can't—can't live without me—)

Ash and soot. The next morning, another ten grand sits in your account. A knife slides cleanly, neatly, into your guts when the accompanying text says for listenin' to the nonsense of a drunk old man. don't take it to heart.)

Balance, maybe.

the thin strip of skin on his finger. the broken crayon in his pocket.

Maybe tonight was supposed to be the end. A clean break.

It makes you wonder if she found out about the tchotchke he keeps in his closet. The pretty little thing he begs to stay when he's drunk and alone, and then rips into pieces the next morning when money is promptly deposited into your account. A cruel-edged don't forget yourself, sweetheart.

But he's snarling as he peaks, grunting above you as sweat drips down his brow, heaving. Panting. Lips twisted up into a snarl. Eyes furious. Mad. His hand is a brand over your mound, possessive as he holds you in his palm, feels the way his cock splits you apart. Owned.

Bought and paid for.

Another grunt, and his thumb dips down to rub at your clit, barking at you to come—come on my cock, sweetheart, need to feel it—until you howl, clenching up so tight around him that it rips a molten, liquid purr from his chest. A throaty moan that breaks you into pieces. Tears the veneer of flesh and bone from your consciousness until your body liquifies, spilling out over the table, mingling with the Chambolle Musigny Amoureuses soaking into your back. Wrapped tight around him, as he batters into you without any finesse. Clumsy ruts. Sloppy. Animal. And then—

His cock swells. Throbs.

Over the roar in your ears, you hear him groan low in his throat, deep and brutal; the rumbling of a well-fed bear burying its dinner in the dirt. It sounds like mine now. Like ain't you, mm, sweetheart? gonna keep you nice and full. got all those rooms to fill, don't we—

wishful thinking.

But he comes inside of you. Bare. Raw. Your hands untangle from around his wrist, palm still wrapped around your throat, and drop down to your belly.

Price sees it and groans—

"that's it, sweetheart—"

(ain't gonna be empty for long.)

He's always had this little fantasy of knocking you up.

Used to growl in your ear about how badly he wanted to see you swell with his babies. Little broodmare he'd keep chained to his bed like a queen. Giving him five sons and five daughters because he could never seem to make up his mind on what he wanted—only that it was a lot.

(An improbable thing, really—he might yank on the leash, but you easily talked him down to four; two boys and two girls.)

He comes back (home) some days with fire in his eyes and sets on you like a man possessed, starved. Smothering you into the mattress with the thick of his body, grunting into your ear about knocking you up. Getting you fat and needy with his babies until you forget what it felt like not to be nursing, to be pregnant.

A terrifying concept. Something that made you rush a little faster to pick up your contraceptives, comparing the pill in your palm to pictures online just to make sure they were the same. And maybe at some point, it just became a game.

He'd press you into sheets and fuck you all day long, making you keep count. Each time he came inside of you was another baby to this empty house. A crazy thing, really. Midlife crisis, perhaps.

But you indulged.

Let him press his hairy, thick chest against yours as he folded your knees up to your ears and pounded inside of your aching, messy cunt, gasping out a tally into his sweat-slicked jaw. Laughed as he kept your legs bent and your hips tilted up, eyes riveted to the split of your sore, aching cunt. Growling an awful amalgamation of primal, masculine satisfaction at the sight of him spilling out of you and in anger at the fuckin' waste.

("gonna plug you up next time," he seethed, two fingers buried inside your bruised hole to stem the flood. "Wastin' it all, sweetheart.")

But that was before.

When he'd shower before he came to see you. Sometimes waiting days after he landed before he was back in your bed, grunting around the idea of another trip you wanted him to take you on, pretending to think about it despite the tickets to Egypt already booked. When he'd play house with you. I Love Lucy on the television, dinner in the oven. His hand curled over your nape as you bobbed your head up and down his cock. A dutiful wife taking care of her overworked husband.

Making babies in the dead of night. When he'd grunt say it, sweetheart into your ear, and you'd beg him to give you another one. Tears in your eyes, lachrymal, as you tried to convince your husband that the baby you put to bed in the empty room needs a sibling.

His hand on the leash, but your voice in his ear—paper soft—pleading don't make our child grow up as an only child, John.

(two weeks in Portofino booked. First class. Luxury resort. A Wolf & Badger swimsuit laying on your bed, one with a gold zipper on the front that he wears out by the sixth day and has to run to town to buy you a new one.)

But that was before. When it was just a rich, dangerous man's fantasy. When you had birth control to keep the unrepentant baby fever he had just a dream. Never a possibility. Never a reality.

MayoClinic says the possibility of conception is high.

The period tracker you glimpse on his phone one evening warns that you have two days before it comes.

When you swallow around the idea of it, half dizzy, half sick (six bedrooms), he rests his hand over your nape, tugging on the leash. His eyes are dark again. Midnight blue, almost black. Hadal.

He keeps them fixed on you. A ravenous black hole. Calmly closing the app as if nothing was wrong, as if he didn’t have your cycle locked into his phone. Rough, calloused thumb brushing over the soft patch of skin beneath your ear. Steady and soothing. Like calming a skittish mare. 

Unflinching. Unbothered. Entirely unconcerned when he kicks his foot over the line of what's expected, what you want, and fucks you again that night, bare. Raw. Groaning when he comes. Huffing into your ear about how he'll take such good care of you—both of you.

And when he tucks a pillow under your hips, you drag your hand down to your wet, swollen cunt in a clumsy, enticing attempt to keep him inside of you until he fills the empty space with the thick split of his scarred knuckles.

A performance, you think, when he groans like you gutted him. Bought and paid for. 

That's all this is.

But he doesn’t book a trip for this performance.

And he's gone when you wake (business, he says, in a messily scrawled note left on the end table), but there's a gift bag on the dining room table, sitting next to the stain you left when he pulled out of you. Dried come. Slick. Tinged slightly pink because he was rough with you last night. Hurried. 

The black box inside is an apology for hurting you even though you know he likes it when his come is a little pink as it leaks out of you. When you wince when you sit, and have to press a icepack against your sore, swollen cunt.

(it doesn't surprise you to find a pack already left out for you. coffee in a pot. breakfast warm on the stove.)

But the next thing he left is the real gift.

Divorce papers—already signed by him, the gold band he never let you see on top—sits on a stamped envelope, awaiting another signature. It just has to be mailed out. When you sift through them, the cause for the divorce is irreconcilable differences.

Balm to the shame is the little fact that he hasn't lived with his wife for the last year. The date of separation coincides neatly with that drunken phone call when he told you he wanted to bury himself so deep inside of you that you couldn't breathe without him saying you could. 

Domineering. Grossly possessive. 

He has you already, but that's not enough. 

It'll never be enough.

("wanna—mm, wanna give you everything, sweetheart. and I want everything, too. every part of you. wanna change your fuckin' name to mine—")

You tap your nail against the page labeled custody agreement, not even a little surprised that this docket has everything outlined, itemised. The table of contents says you'll find the prenup on page fifty-six and the proposed split of assets on page sixty-seven. It's thorough and every bit as intimidating and uncompromising as the man is wont to be. 

He's serious.

And John wants his kid. Non-negotiable.

That, too, doesn't really surprise you. Even when you were playing house, he'd always been a rather doting father—

("I don't want them to just have a sibling," he'd growl, firm and immutable, adding (intractable as always): "I want them to have a fuckin' team.”)

The address he gives for his primary residence, however, does give you pause. Liverpool. Chestnut Avenue, Moor Park. Six bedrooms. A guesthouse. 

The envelope is filled out, too. All it needs is to be tucked inside and mailed out. 

Already separated, his lawyer says, neat and tidy, like everything else in the pages. This was the most inevitable course of action, and my client, John Price, is ready to move on with his new life. 

Ready to move on. You scrape your tongue against your teeth, hand settling over your belly as you think about that. It's just—

He's always been a rather obstinate man. Stubborn. Once he gets his head around an idea, very little can change his mind. You'd seen it countless times before, but never this cold. Callous. 

Dismissive. 

Not to you, anyway. Not that you can remember. It's always been silk sheets, gifts from stores that would deny you entrance based on your credit score alone. A new wardrobe. A new place to stay. And that's—

That's kind of odd, you think. Maybe. 

He cut your lease the day after you dragged him home from the bar, back when he was just a bad choice after a terrible night out. Had the locks changed. A new lease in your hands—in his name—and a key under the mat beside a housewarming gift. An expensive espresso machine that would be a little too bourgeois in Starbucks. A penthouse that overlooks the ocean. Members only. 

There's a valet. A gym. A swimming pool. He joked one night that you'd feel right at home with the sauna it housed. Jus’ like a lodge, mm. 

You're not sure how he knew. It's one of those things that he just does. Like your name. The real one you grew up hearing before you moved to the city and changed it to fit in. How many siblings you have. Your parents. Their birthdays. A gift always sent out in your name, arriving just on time. 

All of your old things were donated. You didn't need them anymore—not when he ordered a whole new wardrobe from Loro Piana for you. Handed you his card and told you to fill the house up with whatever would make you happy. 

(Fitting, you suppose, since you barely have to think about anything except how to make him happy.)

He turned in your resignation less than three hours after you fell asleep on your lumpy mattress, worn out after a night of drinking. A night of him. More animal than man. Too tired to kick him out before you passed out under the weight of him still burying you into the mattress, hips flexing as he fucked you again for the third time. 

(the fourth, fifth while you were still sleeping. waking up to the sixth: him inside of you, a slow grind as he rocks in and out; he's bigger than you. too big. with your thighs wrapped snug around his hips, the top of your head barely clips the ledge of his shoulder. he wrapped an arm around your upper back, the other reaching out, gripping the pillows above you. panting into the thick bed of curls covering his chest as he threads his hand over your crown and presses you tighter against him. groaning into your ear. ducking his head down to rasp out how badly he wants to feel your messy little pussy squeeze him tight—

before he leaves, he hooks two thick fingers inside, and fucks his come into you. makes you come on his cum-soaked fingers before he wanders off with a small smile, the scent of tobacco and sex pungent in the air.)

And the ring—

You thought he never wore it because of some misguided sense of propriety. Decorum. The Madonna—a thin strip of pale skin, waterlilies and cashmere, a crayon in his pocket; tabloids dressing her up as a modern day Diana; a divot between his brow that grows and grows and—

and the Whore—

A penthouse. Dior sunglasses. Cucinelli heels. Colombo jackets. Loro Piana outfits that cost more than your parents make in a year. His credit cards left on your bedside table. Trips in a snap of a finger. Luxury a phone call away. 

(his voice pitched low. a smoldering rasp. stay, sweetheart, don't go. don't leave—)

—the divot melting into a brooding, heated stare. Desire drenched across his brow; want so thick, so palpable, you can feel his need throbbing between your legs. Dissolving into ash after, when he loops an arm under your body, cradling you close to his sweat-slicked chest as he leans against the headboard, smoking a cigar. Basking in the scent of sex. Satiety. Your finger curling around a thick whorl of damp, coarse hair. Content. 

It’s selfishness. Teeth digging into the man, refusing to let go. But beyond that, you know you’re good for him. 

Better for him, you think, and jog the papers on the table, right above that ugly little stain, to neaten up the pile. 

It takes five minutes to slip them inside the sleeve, peel the adhesive off of the sticky tab, and walk them down to the mailbox just outside of the lobby. Five minutes to initiate a divorce. 

If you had any qualms about falling into bed with a married man—not that he really gave you much room to think about it since he never showed up with his ring, just the mark of her around his neck like a noose; a constant guessing game—it’s put to rest when the metal flap snaps shut. 

Shame feels like an elephant. Something in the background. Ignorable. 

And besides—

(you place your hand over your belly and hum)

—you have other things to think about, to worry over, than a crumbling marriage.

He must have gotten the notice that you mailed the documents because a text comes later that night. Simple. Succinct. 

Good girl. 

The elephant slinks away into the moonless night as you pull open the catalogue of engagement rings he left on his bedside table, and circle a few that catch your eye. 

All of them sapphire. The same blue as the broken crayon in his pocket.

(The period tracker on his phone chimes a few weeks later.

You don't even bother peeking over his shoulder to know you're late.

You have more things to worry about, after all. Like moving to Liverpool next week when his divorce is finalised, and planning a wedding for the spring.)

[scribble-dee-vee]

Seeing a bunch of writing posts lately like “it’s okay if you only wrote a couple hundred words today :))”

As someone with a full time job, diverse hobbies, and a commitment to proper rest/self care, I would amend that. It’s okay if you don’t write anything at all on MOST DAYS OF YOUR LIFE. You’re still a writer if you’re passionate about creating stories and putting words on paper when time allows. Life is busy and full of possibility, and that’s beautiful, actually. Kill the hypercapitalist productivity demon in your head.

[atalienart]

✧*:･ﾟArt summary 2024

2014-2017 | 2018 | 2019 | 2020 | 2021

[beastsovrevelation]

Captured Angel

Michael Langdon x F!Angel!Reader

Contains: vaginal sex, vaginal fingering, elements of coercion, implied loss of virginity, blasphemy, hierophilia

“Good, you’re awake.”

A chill ran down your spine. You had awakened in an unfamiliar room. Your head ached, your wings hung limp, and your limbs were heavy. The air was soaked to the last thread in malice. It made you nauseous. Gritting your teeth, you dragged yourself up, your mind aflame with a single thought – you had to get out. You looked around, but before you could spot a way of escape, you felt a presence. Dark... Darker than the blackest night. Your heart froze in your chest, a taste of iron suddenly coating your tongue. Though you had not seen his face, you could recognize him anywhere. Seven heads. Ten horns. His honeyed voice left a cold, oily trace on your very soul as he spoke. You drew a deep breath, and spun around, to meet a pair of piercing blue eyes.

His lips crooked into a smirk. Holding your gaze, he moved towards you. You drew back.   

“Get away from me, filthy Beast...” you snarled.

Deep down, you loathed yourself for the instinctive reaction. You were a soldier. You had a duty to stand your ground, and instead, you cowered. He promptly crossed the gap between you two.

“Ah-ah!” he scolded, clasping your chin “That’s not very nice, now, is it?..”

You grimaced. Michael Langdon. How ironic, for Satan’s son to bear your General’s name. The one who cast him out... You hoped it hurt the Evil One greatly. Michael caressed your cheek. You winced, and pushed his hand away. Sneering, he grabbed you by the throat.  

“Why am I here?” you hissed through gritted teeth.

He glanced down at your heaving chest.

“You’re my captive” he purred “Isn’t it obvious?”

You swallowed. Struggling would only worsen your chances, you knew as much. His gaze darkened with hunger as he watched you – like a wolf, salivating at a wounded deer. Your guts had coiled into a tight knot, a sickly sweet taste coating your mouth.

“Why didn’t your bootlickers kill me?” you asked, not quite certain if you wished to know the answer.

A chuckle escaped his lips. The Antichrist’s lecherous expression made your blood boil. How dare the abomination touch an angel of the Lord, you thought. A strange sensation was budding between your legs, but you pointedly ignored it, just as you ignored the feeling of unease clawing at the back of your skull.   

“That would’ve been a waste...” Michael tilted his head “They thought a gift would please me. They weren’t wrong...”

You snarled, attempting to pull away.

“Get your putrid hands off me!”

He tightened his grip on your neck.

“Hush” he coaxed in a mockingly gentle voice “I’m not going to hurt you, angel.”

“Vile creature...” you spat.

He pulled you closer. You bared your teeth, as your face almost crashed into his. Though you did not need air, the pressure on your throat was beginning to make you dizzy. Every nerve in your body screamed to fight - your muscles   had tensed, prepared for combat. You might have broken away. Escaped this unholy place. You should have at least tried... But, perhaps because of the mist gathering over your mind, your legs trembled underneath you. You found yourself staring at his mouth. His breath brushed against your skin, warm and silken. Your pulse leapt into a frenzy.

Michael snuck his other hand under your clothes. The captors had stripped you of your armour, and taken away your sword, leaving only your linen tunic to cover you. His fingertips caressed your thigh, slowly creeping upwards. You held your breath as you felt him part the soft folds of your skin.

You had never been fondled like this before. Carnal pleasure was forbidden for your kind. You should be disgusted, you understood as much. Still, the electric-like impulse roused by his touch paralyzed you, preventing you from breaking his arm.

He stroked your entrance. You stifled a gasp, your intimate muscles tightened in anticipation. Your hole was beginning to well with slick. Taking your lack of resistance for a welcome, he slipped two fingers inside you. The feeling of his skin against your sensitive membrane made your head spin, and you barely held back from bucking your hips into his hand.

He let go of your neck, only to wrap his arm around your waist. Keeping you steady, he spread his fingers wider, straining you until it hurt. You shuddered. He massaged the velvety walls of your flesh, driving you to the edge of madness. Aware of how much satisfaction hearing your cries would give him, you clenched your jaw. His skin grazed against a certain knot of nerves, and you nearly sunk to the ground as your legs buckled from the bolt of stimulation. Still, somehow, you did not make a sound.

It only made Michael more determined. He fixated on your sweet spot, leaving you to desperately clutch the lapels of his jacket. His mouth lingered but a thread away from yours - you felt his heartbeat echo against your rib cage. He narrowed his eyes, and pressed his thumb to your clit. Overwhelmed, you drew a sharp breath.

“Enjoying yourself, aren’t you?..” he teased “What is it, my dear? What do you want, hm?”

He pushed a third finger into your dripping slit. You whined in pleasure muddled with despair.

“Speak up, angel” he demanded.

Virtue be damned. Something tameless had infected you. Caught in the furor of sin, you eagerly cast your innocence aflame.

“I...” you stammered “I want... I need you to ravish me...”

Michael threw you onto the bed, and climbed on top of you. Laying flat on your back, your wings sprawled open, you looked up at him, your eyes sweetly half-lidded. His knee shoved between your thighs, he ripped the front of your tunic open. You sighed as cold air brushed against your nipples. He placed his hands on your breasts, savouring the softness of your bare skin. His eyes aflame with lust, he took a moment to admire your flushed, helpless body. Biting your bottom lip, you pushed your chest into his touch. He grabbed you by the throat again.

“You’re mine” he snarled “Mine alone...”

Against your better judgement, you nodded. Your gaze wandered down to his crotch, causing your mouth to immediately water. Michael’s lips crooked into a sleazy smirk. He unbuckled his pants, and slipped his underwear down. Your eyes widened as his hard cock sprung free. Large, but not obscenely so. You pulled the skirt of your tunic up, leaving your aching cunt at his mercy.

He pinned you down under his full weight. You wrapped your arms around him, savouring the feel of luxurious fabric under your fingers. Like an animal in heat, you craved to feel him inside. His eyes locked with yours, Michael clasped your leg, and positioned himself more comfortably. You blindly caught hold of his member, helping guide it into your hole.

Your heart skipped a beat – you let out a moan as your membranes clamped around him. Hardly giving you a moment to adjust, he began to move. The sudden strain roused a twinge, but it soon was obscured by shattering pleasure. No longer holding back your mewls and whimpers, you sank your nails into his back. Should the expensive suit get ruined, it will be his fault.

Michael groaned, his teeth bared in primal satisfaction. Your response only encouraged him, and he quickly picked up the pace. Each thrust sent a shattering wave of pleasure through your fevered nerves. You wrapped your legs around his waist, welcoming them. He traced the tip of his tongue over your neck. You hissed as his long hair tickled you, overwhelming your senses even more. He purred, and nipped at your jaw.

“Kiss me” you demanded.

He obeyed, leaning down to press his mouth against yours. You parted your lips for him, and allowed your tongues to battle for dominance.

“Say my name” he ordered, upon pulling away.

“I can’t...” you gasped in horror.

“Your general isn’t here...” he growled “It’s just you and me...” he pressed his face to your temple “Say my name, sweetheart. Show the Beast how much you’re enjoying your downfall.”

He pulled his cock almost all the was out, then slammed it back in, roughly grazing your sweet spot. Your cried out, and sank your fingers into his hair. You didn’t want to think about her. You loathed to imagine her disappointment in you. But his presence eclipsed her face. Drowned it in the storm of ecstasy ravaging you.

“Michael!”

“Good girl” he praised with a grin.

Shock after shock of ecstasy tore through your body, setting every cell of it aflame. Your forehead was laced in sweat. Your muscles quivered from the tension. You were close. Very close. Turned feral by the pleasure, he grabbed you by the wrists, thrusting into you with merciless force.

“Michael...” you moaned.

You couldn’t stand it anymore. You arched your back, trembling and convulsing as a scream escaped your throat. Michael threw his head back with a snarl. You had grown painfully tight around him, prompting him to reach his own release. You felt him spill inside you – it was the strangest, most pleasant sensation  you had ever experienced.

You collapsed into the pillows, limp and gasping for breath. He slumped down on top of you. For a moment, you allowed yourself to soak in the glowing haze of bliss. But, just when he had crept off of you, and was about to pull you into his arms, you leapt up. Using his surprise for your advantage, you climbed onto him – this time, you were the one to pin him down. You caught his gaze, and drew a dagger from underneath your ruined tunic. Afraid to molest their master’s gift, the devil worshippers had missed it.

“You will find the men who captured me, crucify them, and bleed them like pigs” you growled, pressing the blade against his throat “Do you understand me, Antichrist?”

A drop of blood sept from under the metal, glowing against his milky skin in a warning.

“Yes” he murmured, as his eyes blazed with adoration.

[stardustdiiving]

I get to stressed out when ppl complain the gods in genshin dont “act/feel like gods” or feel “too human” like that’s the point…! That is the point of every single one of their characters and one of the themes of Genshin impact the video game !!!!!!!

[liriostigre]

The Tunnel posting ✌🏼 (chapter 35 in the original and 36 in some editions in english. anyway, if you read it and find it boring please DON'T let me know lol)

[echoes-of-courage]

Question: what’s with the chains in Forge’s panel in the magic sensitivity comic?

That’s…. not too helpful. Someone else with sensitivity toward light magic might have something to say, though.

Hm. Thanks for the insight, Collector. It’s too bad that it usually takes closer observation to sense magic like that.

Original comments:

Archive

[rice-n-honey]

Hey hi I wrote more Jarthur Poetry in honor of part 52 because it was hurting my soul

The first/left is a poem I already wrote, but the second/right (new) requires it as it's essentially a sequel.

Poetry meta and text versions below the cut

[below is the first poem, which was inspired by malevolent part 28. I write and posted it a while back.]

Soul-bound

He loves me,

not like a gentle lover,

petal-soft and just as sweet.

He loves me,

like a hurricane of glass and grit,

tears into me,

makes a home in my jagged wounds.

My scars seal him in,

a blanket tucking him in.

I trap him in my soul,

that we should be together forever.

He hates me for it,

clawing at my tight embrace,

yet returning it all the same.

He holds my gaze.

He alone leads me,

whether he is a caring shepherd or salivating wolf.

I am his keeper and he is mine.

I love him,

like a man in the desert loves his poisoned chalice

I love him,

like I could never stop.

[the second poem, which I wrote about five minutes ago with no proofreading. It was inspired by malevolent part 52.]

Heart-broken

I love you,

like a fire in my veins,

a fever burning out my rotten spots.

I love you,

welded like steel to your heart,

the part to your whole,

something that could never be ripped apart.

I take your hand,

not with love, but force.

Your eyes, your legs, your heart,

I bind you with chains, not rings.

You cursed at me,

screamed for my downfall,

but cried for my voice all the same.

I love you,

hot and heady poison, coursing through your veins

And you loved me,

far too much.

The (incomplete) meta:

While soul-bound is written from Arthur's perspective, heart-broken is written from John's. Specifically, John as he comprehends Arthur's death.

I mimicked the structure, pattern, and rhythm of the soul-bound in heart-broken. But, where the third verse is supposed to describe what the other does for the speaker, I left a gap. Because Arthur is dead, and he can't do anything anymore. Now John is left with an Arthur shaped hole in his heart.

In the final verse, I draw from the same 'poisoned chalice' metaphor I used in soul-bound, in which John is a poison that Arthur desperately drinks knowing he will die. Now, the poison (John) has killed him, bringing the metaphor to completion.

[crypt1dcorv1dae]

I really like kafhoshi ... it good.... Ther s so much potential and so much material to work with AND YET THERES LIKE NOTHING!!!!! *Rolls up my sleeves* gotta do everything myself in this damn house...

[foyle-writes-things]

I know longer books aren't for everybody. Tangled Wires is over 500 pages, and i get it, more pages = more time. Time is something that we never have enough of.

But as a child who grew up reading voraciously, I always wanted books that took me longer to finish, ones I couldn't consume in an afternoon, and books that gave me just a little more - and postponed the grief of finishing that last page.

So yeah, I know longer books aren't for everyone, but I write for that kid.

What about you?

[chicago-geniza]

the problem is that in a climate of "rampant misinformation" (the term 'misinformation' carries with it a host of implications, political and otherwise, that are baked into its intellectual history and as is often the case, relate to the cold war, so i don't generally like it). BUT. in such a climate you need to be able to independently evaluate information and "truth-claims" for veracity (not the same as legitimacy, which in my understanding is a function of source evaluation, not content evaluation--and as institutions become less reliable, the authority conferred on individuals by institutional credentials/credential-conferring systems in and of themselves come into doubt, as merritt noted MDs post junk science under their professional accounts etc., as others have said papers of record deny genocide or "just ask questions" in plainly spurious ways that undermine their journalistic integrity, etc.)--BUT. you need to be able to independently evaluate information and i CAN'T because i am STUPID in certain, specific ways. i need some types of information to be interpreted for me--e.g., statistics!--or i will come to incorrect conclusions, because i lack both the knowledge and the cognitive capacity (i have particular developmental + learning disabilities re: math and abstract reasoning that impair me here, more than the average non-specialist). this is the gap into which a lot of people who "do their own research" fall, and i am sympathetic, because like--if you can't trust the papal authorities, so to speak, to interpret the texts for you, then surely one's own take on the scriptures must be sufficient for daily life. but it isn't a lot of the time. because you can't be Protestant about public health data, or about the nuts and bolts of the global economy, or the law, or a bunch of other things. idk where i am going with this, briar was thinking along similar lines with genAI the other day too, i am just rambling. OGRE CANNOT EVALUATE INFORMATION. OGRE ONLY PICK UP SURFACE-LEVEL THEMES

[literallyjonathandavis]

RAAAAAAAAAAHHHHHH I JUST SAW BYLER ON MY FYP MY-MY-MY FUCKING HYPERFIXATIONSFEJINGRHOWIUCLENIOOASK AAAAAHHHHHHHHHHHHHHHHHHCBWIUKYHJGR*F&EOIDUWSNHADKBRCGEDUSABJJJJJ

BYLER CANON

NOW

[follow-your-heartstone]

Evil CEO: I want a horny progressively leaning fantasy show and I want everyone cast in it to be hot

Assistant: everyone? Even the villains?

Evil CEO: especially the villains

Assistant: b-but the bisexuals.. they won't survive this

Evil CEO: then consider this a hatecrime *dabs ominously*

[hussyknee]

From the blog of K. J. Charles dated 19th April 2024, copy-pasted for Tumblr history nerds and historical fiction writers.

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Eponymosity!

A quickie blog post today, inspired by Benjamin Dreyer’s entertaining rant on the distinction between eponymous and titular (it’s in footnote 1 for a clearer explanation than I am inclined/able to provide), and also by the fact that one of these sneaky little bastards nearly got me in a recent book.

So. An eponym is simply a word taken from a person’s name. Obamacare is an eponym, so is Reaganomics. If you hoover your carpets, the verb comes from the eponymous brand of vacuum cleaner. (We do not use the capital letter, no matter what the Hoover corporation may think: that ship has sailed, as demonstrated by the fact that I hoover with a Dyson.)

If you write historical novels, eponyms are one of those damn things. They tend to be extremely and usefully specific in meaning, but they are also extremely specific in dates, meaning you can’t rely on the old “well it was probably around for decades before it made it into the dictionary” line.

Here for your advisory is an incomplete list of eponyms that may trip you up, depending on period.

Boycott: The name comes from 1880 (Ireland, Charles Boycott, a shitty land agent who was socially and economically ostracised). The practice is older: there was a widespread boycott in the UK of slavery-produced sugar starting in 1791, during which sales plummeted by something like 40%. It is totally historically plausible to have a consumer or personal boycott in your Georgian or Regency novel, but you can’t call it a boycott for several decades more.

Chauvinist: Named for a French vaudeville character. Meaning ‘blinkered nationalist’ it dates from 1840; you can’t use it for a male pig until 1960.

Fedora: The hat beloved of men who spend too long on the internet getting angry about Star Wars sequels actually used to be a symbol of female liberation and cross dressing. Comes from the 1887 play Fédora starring Sarah Bernhardt.

Fuchsia: You will be able to spell this if you remember it’s an eponym for Mr Fuchs. The flowers are so named in the UK in the 1750s, the colour not till the 1920s. Do not put your Regency heroine in fuchsia, is what I mean.

Maverick: Supposedly from a US cattle owner, Samuel Maverick, who let his calves run wild. 1880s US at the very earliest, more probably 1930s. Yes, that is irritating.

Mesmeric: He may have compelling eyes but they ain’t mesmeric before the 1860s. The hypnotist Mesmer flourished in the late 1700s, giving us mesmerism (hypnosis); mesmerise wasn’t a verb till the end of the Regency, and even then it still meant ‘to put into a hypnotic trance’.

Sadistic: Marquis de Sade, as you already know, but NB that sadist/sadistic aren’t in general use till the 1890s or so when sexology got going, along with masochism (also an eponym).

Sandwich: 1762 since you ask.

Silhouette: The outline picture is named for French finance minister Etienne de Silhouette. Used in France from 1760. However, despite there being a craze for silhouettes in England, the actual word didn’t come here till the mid 1820s, which is sodding annoying if your novel about a silhouette cutter happens to be set in 1819 I’M JUST SAYING.

Sweet Fanny Adams: This UK usage originally referring to something no good, now often used as an alternative to ‘sweet FA/fuck all’, came in from 1869 and cannot be used before 1867. You really don’t want to know where it comes from but here if you must (be warned, it’s genuinely grim). (My note: tw for CSA and child murder.)

Thug: Originally from India. Used to describe the Thuggee (as Brits then called it) sect from 1810. Didn’t become generalised to all violent lowlifes till 1839. You can’t be assaulted by thugs in a Regency unless they are actually Thugs.

Trilby: Another hat your Regency gentleman can’t wear. Comes from George du Maurier’s mega hit Trilby published 1894, which also gave us svengali (the name of the baddie in the book).

Feel free to add to this in the comments, there’s always something!

Death in the Spires, my Oxford-set historical murder mystery, is out now. The silhouette book, The Duke at Hazard, publishes in July.

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End c+p.

KJ Charles is one of my absolute favourite writers in the world and the contemporary star in the crown of the MM historical romance genre. Her blog is also worthy of following because she reads incredibly widely and diversely and posts book recommendations as well as good advice about writing.

Re: Dreyer's rant, I am absolutely a prescriptivist, and if you use the word "nonplussed" in that unholy way I'm blocking you. We colonized folk of the former Raj didn't learn the intricacies of this cussed language for you to change meanings on a dime because you couldn't be bothered to crack open a dictionary.

[prettypinkdork]

I’d do a poll about who the best chief engineer is but I fear many people would incorrectly vote Geordi or Scotty because they like them (good characters admittedly especially Geordi) while ignoring B’Elanna Torres’ unparalleled ability to merge alien and Borg technology with Starfleet’s while also optimizing Voyager’s existing technologies with little tweaks that really added up. Did she void Voyager’s warranty ensuring that no sane person in the Alpha Quadrant would ever want to travel on her post-series? Almost certainly (The micro-hull fractures make engineers across Starfleet shudder just thinking about it) but she got that structurally unsound ship home and I’m sorry Geordi you were my first special little guy but you could have never.