#writing fat characters

[bacchicly]

A few imperfect thoughts about writing fat characters respectfully

By me :

A short (5'2"), fat (approx 300 pounds), middle aged (turning 42 thank god), married to not a fat man, mother of a pre-teen, white, CIS, Anglo, Canadian, upper-middle class woman who writes fic (including smut) about a character who is fat by TV and Hollywood standards (Penelope Garcia)

Note: fat hate or debates about whether being fat is healthy or not will not be tolerated on this post. That is not what this post is about. This is about giving some insight into what writers may want to consider when trying to respectfully include more fat characters in their work and generally moving towards writing doing less harm to fat people.

This post started with me wanting to respond to someone honnestly asking "how do I write good descriptions of fat people" because they wanted to write more fat characters and write them authentically (and I assume in a way that would be respectful to fat people) which is an awesome! ...Or maybe it started a few months ago when a writer friend asked about whether a fat character in a fic borrowing a shirt or hoody from her fit boyfriend made sense. ...Or maybe it started way back when I started writing my first fan fic featuring Penelope Garcia partly in response to being irritated about how so many writers wrote her as a young woman and were often silent on her size or spent a lot of time on her insecurities about her body... anyhoo that's where I come from... doesn't make me an expert except maybe on my own unique experience with a fat body...rather more a fellow muddler / fat character writer enthusiast.

THE BASICS

This first part is a quick list of basics you'll read in other posts about writing characters in general - but we'd better get them out of the way because they apply:

Every character is unique and they way they act and think and feel tends to be a product of some mix of what they look like, how their body works or doesn't, how their brain works and doesn't, their "personality", what they were taught, their unique experiences, and the situation/society they are currently in. There are patterns (which is why we get tropes) but the fun thing is that small things can make big differences. So to write an authentic character, it helps to have a fairly clear sense of at least some of those elements and do some imagining about how all of that would funnel into the moment your writing.

The amount to which you describe character bodies and the style which you use to describe them tends to depend on genre, what the heck is going on in your story, the pov you're writing from, the reason you're writing etc. So their are no hard or fast rules. There may be norms for certain styles of fiction, but then it's up to you to decide if it's stronger for you to lean into those norms or to write "against" them at a particular moment.

In order to be more respectful and less harmful to fat people (especially if you see value in actively challenging the anti-fat status quo), you may have to change how you describe all bodies in your work, as well the attitudes both fat people and non fat people have about bodies in general.

Now that that's out of the way... let's get specifically to my thoughts on writing fat characters. I'm going to divide this part into tips for DESCRIBING FAT BODIES, FAT BODIES IN SPACE, and THINKING AND FEELING IN A FAT BODY.

TIPS FOR DESCRIBING FAT (OR OTHER) BODIES

I would say that both consistency and diversity across the work is important, by this I mean :

Consistently describe bodies in about the same amount of detail across your work for the same type of character regardless of body type. So protagonists should get about the same depth and breath of body descriptions as each other regardless of body type. Same goes for vilalns, supporting characters etc. Sometimes people are mute about the look and shape of "strait sized" character bodies (because what's to describe - they are just "normal") but then spend a bunch of time on "other sized" bodies or vice versa (in this case, the fat body is erased usually because of some form of internalised fat hate or phobia paired with "if you can't say anything nice" don't say anything at all.) If you're doing either of these things, I'm not saying it's wrong and has to be fixed- I'm just saying it's a flag that you may want to think about why you are writing differently about different body types and what your work is saying about what bodies have value and which don't.

Diversity Bodies in the real world come in a lot of different shapes and sizes (I know I know obvious woman strikes again) but if you are writing stories with fairly large casts and everyone has the same body type - there better be a good reason for it within the narrative. Truthfully there are cases where this does make sense to some degree... if you're writing about a group where there are physical requirements and standards for the folks in that world (ballet dancers, fire fighters, cops, soldiers, fbi agents) there may or may not be less diversity in body type and more homogeneous attitudes to body norms within the group - and certainly those who are outside of the norm may be commented on or feel like they are "other". But if you are in a more free setting - if you write without a diversity of body types - especially in settings where there is diversity - that is probably a clue that you're not thinking enough about what your various characters look like and may be "normalizing" one type of body over others. Similarly, if you are writing about a real time and place where there is evidence that there were fat bodies and you have none...that's another flag to ask yourself why.

The magical tools in your toolkit for describing fat and other bodies: Body neutrality and POV

Body neutrality is about not loving bodies and not hating bodies just accepting bodies as they are....or in this case describing them as they are. No poetic language. No judgement. Just this is what this character looks like. If you're struggling to do this, I suggest doing a body map for at least two characters with different body types - possibly one that you find easy to think of positively (in this case likely someone thin or at least fit) and one that you find more difficult to describe positively (in this case someone fat).

Describe them head to toe, naked and then clothed, in detail - acurately but not poetically. Start with their feet and then work up bit by bit. Pay attention to things like hair, scars, shape of joints, acne, tightness or looseness of skin, colour of skin, nails, fat, lack of fat, muscle tone, where do they hold their stress, what's in the bowels, how well they do or don't work, do they have their appendix, what they ate last, proportions (is their torso long or short compared to their legs), lungs - how much do they hold, are they healthy? - now describe their throat, shoulders, hands, hair, then end with face.

The only rule is no positive or negative connotations to anything. it's neither good nor bad that they have stretch marks - they just do and they have faded to silver. Now that you "see them' clearly - now look at them through the eyes of someone who loves them in a familial way...what do they see most? what words do they use? now through someone who is attracted to them sexually and love them and aren't ashamed...what do they see most? what words do they use? Now through the eyes of someone who hates them or wants to change them? or a child? or a dog? Now... how does your character feel about these descriptions? Now you have a variety of words you can draw on to describe the body and you also should have a fairly good idea of what is a more skewed view of the body and a more realistic view.

Also...it can be helpful to remember there are no consistently good or bad words to describe bodies - it depends on context and who is using the words. It's a lot like how sick can be used to describe something negatively or positively depending on the agreed upon meaning of the word by a group.

DESCRIBING BODIES IN SPACE/MOTION

Ok here's the thing - for every activity you can think of - there is a fat body that does it well and a fat body that can't do it easily or at all and there are a lot of reasons for both. Often it has to do with the fact that a lot of equipment is built for people who are 250lbs or less; and anything for bigger people tends to cost a premium. Also, if it's not an easy new skill to acquire with the body you've got...it may take longer and more bravery to keep pushing through to achieve mastery. People may try to discourage you from pursuing things. Sometimes out of prejudice, sometimes out of impatience, sometimes out of caring.

So deciding what your character's body can do easily and what it can't and why is more important than me giving you a list of words for how to describe fat movements.

My suggestion is: do your research. What sorts of body types have done the activity in the real world? What are the exceptions? What changes? So for example if a fat person is climbing a mountain - do they need more help? Different equipment? A different route?

Things to consider:

- equipment / things that can have weight limits: bunk beds, roller coasters, scooters, waterslides, camping chairs, elevators, trampolines, some bikes, life jackets (finding one that fit was a nightmare), exercise balls, airline seats (learning to ask for the seatbelt extender without second thought or shame was a lifesaver)

- not all fat people have pain, those who do will move taking into account the specifics of the pain - same as a lean person

- when I was pregnant I just got more cylindrical and did not get a classic belly. I moved well and easily all the way through my pregnancy, I had none of the back pain or ankle pain some people get. I stood for a lot of my labour. I gave birth on my hands and knees. Other fat people will have had different experiences of pregnancy...but that was mine.

- clothing can have a huge impact on what bounces or jiggles and what doesn't

- most (but not all) fat people I know are particularly sensitive to appearing sweaty or smelling bad

- how winded someone gets is not directly correlated to body size, neither is heart rate or breathing style; I have theatre training and grew up swimming - I breath very slowly and very deeply normally - so when I talk a slow deep breath...it is very slow and deep indeed. I have always been fat but can swim forever - I have always gotten winded and kind of dizzy running... Other fat people may be opposite.

- people do not "see fat" consistently. People regularly underestimate how fat I am (by 100+ pounds or many clothing sizes) because I am short, well spoken, proportioned in a way that is seen as fairly typical, and very mobile and very light on my feet. Someone who weighs less than me but is slower moving, dull witted, in a sour mood, is illl, or poorly dressed may be perceived as much heavier than than someone the same weight or heavier who is behaving/clothed differently (which can change how much fat hate someone experiences) and definately heavier than they are. Height also changes how people perceive weight.

- many stores still don't carry plus sized clothing, but eventually i sort of got used to it - although some days it makes me angry and other days sad

- chairs with arms or the occasional booth can be uncomfortable or just plain impossible to sit in, it's probably partly my ADHD but I often forget this until it happens; for taller and fatter people than me this can be a much more regular occurrence.

- once (if) a character figures out how to dress/move their body in a way that feels comfortable and meets general standards (or at least theirs) of respectability - they may not think that much about their body...or at least until something external draws attention to it

- I don't like feeling like I'm squishing people, so I will make myself small and still on buses or at the theatre, I also don't like sitting on laps or being lifted or carried.

- I often feel much taller than I actually am - except when I am standing right beside someone taller or am trying to reach something on a high shelf. The same principle applies - I feel larger next to smaller people and smaller next to larger ones.

- clothing and what I'm carrying also changes how I move (just like my lean counterparts)

- I don't lounge, my car seat is set almost straight but I sit further back than my brother in law who has a similar height and weight - he leans the seat back but pulls closer. I don't nap. My leaner husband both lounges and naps.

- some fat folks eat, walk, and move quickly - some slowly; figuring out which your character does, when they behave "out of character", and why these are their preferences will go a long way to creating an authentic feeling fat character

- acne is a thing and learning to accept ones rolls and tummy aprons (and thus take care of them properly) is a common challenge; although many do it naturally without thinking much of it. You lift your breasts and wash underneath - you lift you belly and wash underneath.

- fat bodies have the same reactions as everyone else: they tingle, burn, get numb, get goose bumps, like to be touched in certain places and in certain ways, feel the breeze, get hot, get cold, shiver, stretch, relax, get aroused, feel release, hold tension, feel capable and strong, feel weak...no matter who you are sitting in a chair that's too small for you will put pressure on your body and feel uncomfortable or safe ..you can explore what that is like. Sometimes it is a reassuring sensation. Sometimes it is uncomfortable. This is the same for fat bodies. It just may happen more frequently and depending on your character's context and experience the emotional reaction / thoughts that are generated may be a bit different.

THINKING AND FEELING IN A FAT BODY.

I think I touched on some of this in some of the earlier sections...but here I want to talk a bit about my experience of being fat and my thoughts about it - your fat characters may or may not feel similarly...but my hope is that you at least think about options as opposed to only writing one or two types of fat character.

I mainly "feel" fat in moments when it is pointed out to me or I am limited in what I can do because of it

I quite like my body, it is my home and I feel very connected to it's features. In my experience this is unusual for many people in North American society regardless of actual body shape or weight. Sometimes I feel guilty for not hating my body the way "I am supposed to" and wonder vaguely if my body would be different if I could hate it more (although as I get older I doubt it).

I do feel some pressure to be a cheerful "good" fat person as a way to stay safe and survive.

Nothing makes people more uncomfortable than me calling myself fat without judgement or asking for accomodation matter of factly. It took me a long time to feel comfortable doing so, but I do it now all the time and it makes my life better.

I felt some pressure to be the fun friend who people feel comfortable eating whatever they wanted with and I often felt like I was depended on to order dessert so they could too. This may have been all in my mind though.

Fat bellies can be very intimate places.

Not all fat people have dieted, but many have. I was lucky enough to never be forced into a diet. I did try keto once but it was a bit intense and nuts so I stopped. I learned a bunch doing it though.

Medical people not treating you appropriately when your fat is 100% a thing.

Internalised fat hate and fat phobia is a thing for many fat people and it pops up at weird moments.

I don 't.give a damn about being in a bathing suit. As long as it fits and my boobs and butt.aren't.falling out - I am happy and feel very attractive. In fact I am probably at my most comfortable in a bathing suit or naked. My body is mine in both those instances.

To reach the "healthy weight" for my height - I would have to lose half of my body mass. That is a lot of me to loose. Embarking on something like that would be totally different than loosing 5 or 10 pounds. Trying to navigate the various medical opinions about whether being fat is bad or not is exhausting.

For me, being fat and older is easier than being fat and younger. This could easily be the opposite for someone else.

Some fat people are into sex, some are not . Some folks are into sex with fat people and some are not. Some are nice about it. Some are not. Some want nice. Some do not.

Fat people are all around you living their best life or their worst life or somewhere in between. We know we are fat. We sometimes care and sometimes don't.

Ok that's it. I don't know if it will help anyone or if it's just a collection of rambles - but at the end of the day...fat people are just people. We are not going to go away. We are all sorts. We are the heroes of our own stories. We are people who are loved, depended on, hated, ignored, and/or spotlighted.

Some fat people think about being fat all the time. Some rarely. Just please don't erase us or other us.

Just by taking the step to interrogate your own biases and any feelings / assumptions you have about fatness/thinness is a huge step and will help limit the harm you could unintentionally do to fat people...actually to all people. Like all forms of hate and intelorance - Fat hate hurts EVERYONE. I would argue it privileges a few...but even that can be excruciating for the individuals who strive to retain that priviledge. We need to dismantle it.

[fandomshatefatpeople]

I have found a lot of healing through writing a fanfic where a character I imagine as fat heals from his own internalized fatphobia.

The character in question is an author who ends up in the world of the story he wrote (if you know the character from this description, ily). He has a lot of self hatred in canon, so I have him writing the character he later lives as as being fat, reflecting his (and our society's) views of fat people as pathetic losers since that character is exactly that. (Note: this is him projecting his own issues onto that character since I see him as also being fat 'in real life')

So after he ends up in this character's body he can't change the way the character was described. Nothing he does can change it (even all the diet and exercise in the world).

Then he realizes something... Interesting. He's the only fat character in the story (there are random fat people around but no one who impacts the story) and... He's never picked on for it. He's bullied quite a bit (a canon thing for the character) but never for his weight. The closest he gets is a "fatty" nickname and even then it's used as just a description same as if they called him "short" or "brunet". And even then, he occasionally hears people boasting about it (he's in charge of management of finances and stuff so it's a boast about the wealth of their facility that he is able to put on weight, a very rare thing in that setting, since it's quasi historical and poverty and starvation were extremely common)

He even discovers his LI (canon love interest btw who he explicitly created to be his "Perfect Man") finds his body very attractive explicitly BECAUSE of his body type, not in spite of it. (Partially because it's kinda rare in that world because if the majority are thin and/or muscular then fat would be more appealing because it's different)

My biggest issue is writing the sex scene I vowed to myself I would write because GDI I think I've only seen maybe a couple other fics with this character as fat and I want fat characters to get railed too!!! I think I need to commit to having his LI be attracted to his body and SHOW him appreciating it without caring if it comes across as fat fetish

So I didn't answer it when we first got it. But like I'm really invested in your story!!! I'd love to read it! If you want to come off anon and message me on my personal @malainastarling I'd love to cheer you on!!!

mod laina

[dino-doodles]

Hi. Um I picked your url randomly from a tag, please forgive me for knowing absolutely nothing about you. I am looking to write a fat character, and it's from the POV of a thin person watching their fat friend do normal stuff. How do I describe how a fat person moves around, positively? Like, what if they need to squeeze somewhere or don't fit somewhere at a party, but everyone is having a good time and the mood is just supposed to be wholesome? The fatness is not meant to be comedy at all, but it will get in the way and everyone, including the fat person, is supposed to have a laugh out of it and move on. The fatness is not the point of the scene, but like I said, it WILL get in the way, it just does. How do I, a thin person, describe that with grace and without accidentally insulting the fat character? E.g. when they try to walk down a tiny and crowded flight of stairs? I'd so appreciate your help in this! Thank you in advance for your response.

Ouu this is a fun one. I've never been asked writing advice before. My main advice would be to take a critical eye to your scenes. Why must the fat characters' size get in the way? Is it necessary to describe it, or would it feel tangential in the scene and only single out the fat character in a way that's stigmatizing? Does everyone actually need to "have a laugh about it" in the first place? Fat people do exist in public spaces, and while things can be cramped sometimes, fat people understand the obstacles their bodies face and know how to maneuver. Unless the character is super clutzy, avoid making them unnecessarily bump into people or knock things over. If it is necessary a fat character should be put in a situation where their body is an obstacle as such, use description as an opportunity to further characterization the way you should with your thin characters. Maybe the character is confident and knows they take up space but is striding regardless and people make room. Maybe they are bubbly and outgoing, and they move with a bounce to their step. Maybe the character is very sensual, and you can describe the way their wide hips sway as they walk. Maybe they are calm and patient, and they wait for a clear space to open to move or maybe they are just too shy to ask for it.

If you or anyone else who see's this wants tips on how to write fat characters in your media I have all kinds of opinions and am a major chatterbox so ask away lol

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[miguel-owhora]

Simon Pearson, the man that you are. After cooking for the gang for so long, for so many years, going unappreciated, imagine pulling him away and offering to eat him out as a token of appreciation. He'd be quick to refuse but takes back his offer when you pull his pants down, pussy revealing itself.

He's a big, pot bellied man. There's no doubt in my mind that Simon has a big fat pussy. You'll have to use your fingers and spread them to get to the fat cock hiding under his mound, maybe even lift his belly up a bit to be able to properly slip his cock into your mouth.

[beefrobeefcal]

Beefro proudly presents:

a Joel Miller & his Darlin' drabble: Just Wanted To Hear Your Voice Summary: You go for a night out and your minds wanders back to the man you share a home with. (Post Outbreak)

Pairing: Joel Miller x F!Reader | Rating: 18+ (MDNI) | Word Count: 1,245

Content Warning: allusions to smut, swearing, Joel & Darlin' being cuddle bugs

Author's Notes: this whole thing is courtesy of @iamasaddie & their prompt challenge. Thank you to @noxturnalpascal for being so sensible in their support and betaing this for me.

The need to socialize was something you’d not anticipated to ever feel again. After everything ended, normalcy became fight or flight and socializing for fun was a thing of the past. That is, until you and Joel had settled in Jackson. Being that you now no longer had to wonder where your next meal was coming from or had to keep looking over your shoulder for another threat, things that hadn’t held weight in years were starting to make their way back into your life.

“I’m goin’ out tonight.”, you said nonchalantly as you buttoned up your flannel shirt.

Looking up at your reflection, you caught Joel giving you a small smirk as he hoisted himself up from the bed.

He came up behind you, wrapping his arms around your waist, pulling you flush with his big middle.

“Goin’ out? With who?”, he said in a hushed tone, pressing kisses to your neck.

“Maria, Dajana, Lisbeth… the usual suspects.”

 “Ah, ‘s a girls night out.”

“Yeah. ‘S why you’re not invited.”

Joel chuckled and playfully gave your ass a spank.

*****

When you’d gotten home from working in the kitchen, you’d quickly cleaned up and changed, nervously anticipating something that you’d long since given up on ever doing again. You ran down the stairs just as Joel walked in the door and saw you in a dress.

He let out a long, low whistle. “You sure you’re goin’ out, Darlin’?”

You smiled at him, did a spin to show off your outfit, and Joel licked his lips. He nodded his head at you, and crooned, “Get over here. Need a closer look.”

The clock on the wall read that you were already in danger of being late, so you shook your finger at him with a smile as you tried to pass him to get to the door. Despite his added weight, he was still quick enough to catch you.

“You behave tonight. And have fun.”, he said against your mouth between kisses.

“Can’t do both at the same time, Joel.”, you teased. Giving him one last kiss, you squirmed out of his grip and scampered out the door.

*****

You’d lost count of how many rounds your table had ordered at the Tipsy Bison, and you were thoroughly enjoying yourself. Feeling the alcohol dampen your senses in a euphoric way, you found yourself lost in thought over how the luxury of letting loose was now something you had.

The conversation at the table moved easily through different topics, starting tame with things like the weather and town events and then slipped into gossip, giggled between sips of beer and bouts of laughter. The subject of sex came up and you sat back with a wide grin as the women went back and forth over just about anything and everything that could potentially fall under the umbrella of sex. One had a complaint about their partner that they expressed in a hilarious anecdote, another regaled the table with a story about almost getting caught by her in-laws giving a blow job. Tears were in your eyes from laugher, and when it was your turn to speak, you paused, keenly aware that Joel’s sister-in-law was sitting at the table. Instead of sharing how Joel pulled you apart with almost surgical precision before he fucked you into oblivion, you settled for one of your favourite things about him.

“I love his voice. The way he talks.”, you smile, looking at your half full glass of beer with a small smile.

“Joel is not what I would a talkative man. You sure we’re talking about the same guy?”, Lisbeth teased.

“The man knows exactly what to say.”, you chuckled, feeling your cheeks heat up. Realizing that everyone at the table assumed you were referring exclusively to Joel’s dirty talk, you saved yourself the embarrassment of getting sentimental and stated, “He saves his daily word count for nocturnal activities.”

The knowing looks and nods around the table followed by agreement and similar sentiments allowed your mind to wander to Joel. Sure, his bedroom talk was just something else, but his voice -  now that was what you loved. The non-verbal sounds he made: the grunts, the huffs, the chuckles, the sighs, the moans, the breaths, the whines, the whimpers, the growls, the hums…

You’d learned that Joel was more than the words he said long before you realized you loved him. Just the slight pitch change in a groan was enough to tell you it was safe to push or to retreat. Being allowed to get close enough to learn this about him was not just a point of pride, it was something you cherished.  In turn, Joel could read you well enough to know if he could move forward or let you take the lead.

You were shaken from your thoughts by Dajana nudging you with a laugh.

“Daydreaming about that dick, huh?”

You laughed and agreed, not yet ready to delve into the depths of how bad you had it for Joel. “Speakin’ of – I’m gonna head out.”

The women all half-heartedly tried to get you to stay as they one by one all decided to head home. You bid them good night and paid your tab on the way out the door.

*****

“You’re home early, baby. Everything okay?”, Joel asked softly with brows furrowed as you walked in. He was sitting in the armchair in front of fire with a small knife and a little wooden giraffe he was carving in his hands.

You said nothing, keeping eye contact as you took off your jacket and walked towards him. He watched you, seeing the telltale haze of beer in your eyes and held his hand out for you. You took it and crawled onto his lap, wrapping your arms around his neck and pulling his head against your chest. He wrapped his arms around your middle and held you close, letting out a content hum and your heart swelled. The rhythm of his breaths was even and soothing.

You held each other for an indeterminate period of time, each relishing in the other’s comfort and yet existing as one. The pleasant cocoon was paused as Joel moved his head and nudged his nose against your chin, silently asking for you to look at him.

When you did, he gave a soft smile that traveled to his eyes and his brought his hand to your cheek. “You okay?”

“Keep talking…”, you hummed in response.

Joel huffed a laugh and eyed you, “Darlin’… you’re home early an’awfully cuddly.”

You smiled and a soft giggle hovered in your throat as you closed your eyes.

“Come on, baby. Talk to me. Somethin’ happen or one of th – “

“I just wanted to hear your voice.”

Joel pulled back and looked up at you, confusion written on his face. His brows raised and the confusion melted into amusement.

“Darlin’, you’re drunk.”

You let a laugh out, echoing through the house like chimes. “Maybe, but I know I love you.”

As soon as the words left your mouth, you froze. You and Joel had never said it to one another. You felt Joel pull you into him again, coaxing your tense body to relax. The small sound he made in response, the pitch and tone and the timber, the way you felt the sound vibrate from him through to you more than you heard it… it was all you needed to know he loved you, too.

[bigolbadblog]

i know that mafia romance is cringe or whatever but like. the feedism possibilities...

it's about the unrepentant enjoyment of the good life. and also. fat crime bosses who carry their size as a symbol of power. who are constantly inviting their inner circle to big, lavish family style dinners. and, of course, no one dares refuse the boss's generosity, so everyone's cleaning their plate... and then their next plate too

[nwarrior777]

okay internet, i know that you not ready for this but

it's strange being all omgyes #slay yay totaly okay for like, all kinks, but going #omg wtf cringe scull emoji about fat kink

like we as society know how kinks works (importance of consents, special rules for practices like using special candles for wax play, etc), we know how really infinite can human fantasy go and so on and so on but why is it still taboo to be openly horny about things like big tasty meal with your lover

can we be finally chill about it

p.s. i have post which gives good arguments on this topic but i couldn't find it by search, only in my blog archive, so here is the link.

The problem with fat kink is not in it existing, but in not-exsisting of range of image of fatness in media

[enixamyram]

So, we all know the first season was a little rushed since they only had 8 episodes to work with. It is my (desperate) hope that since the show is doing so well, they'll be given more episodes for season 2. Now let's pretend they'll be given enough for filler episodes as well as the main story. Here are some of my dream filler episodes I would love to see happen!

A Chaggie date (Vaggie sees Charlie is getting stressed and worries about her so she insists on taking her out for a night off.)

A Keekee and Fat Nugets episode (something happens and the two end up away from the hotel and work together to find their way back home.)

An Earth Visit (not sure why, but somehow for some reason, Charlie and co visit earth for a day and chaos ensures because how could it not.)

Emily Visits Hell (maybe brings Molly with? It would be kind of hilarious for people from Heaven to see how it really is like in Hell. Maybe this is Charlie trying to get them to be more part of the hotel transition.)

A Blackout Episodes (One of those, how various people deal with something -Vox- causing a blackout throughout the city. Maybe even one of those Charlie or Vaggie gets stuck in a lift with Velvette or someone to have some fun interactions between different characters.)

A Gambling Episode (No idea the story but at some point it involves Husk making some bets to let off steam and Angel ends up tagging along as arm candy and I read somewhere that Husk cheats so maybe Angel helps him!)

Lucifer rejoins society (he attempts to pick up his role as King of Hell but finding it increasingly hard since his long absence and preppy attitude means not many people take him seriously.)

Nifty chaos (maybe she somehow wanders from the hotel while Alastor is away so Chalie and the others try to find her, worried she'll get hurt, meanwhile she's terrorizing the rest of hell and just having a blast before they eventually find her safe and sound if not covered in a lot of someone else's blood.)

Overlords episode (Maybe Charlie or Lucifer want to try and get on the good side of the overlords so try and spend some time with each of them to get to know them better.)

The Vees meets Hangover (this one is really silly and in general I just want a Vee filler but it'd also be hilarious if there was a Hangover style one where one of them - take your pick, it'd be hilarious either way - goes missing after a bender and the other two struggle to put together what happened to find them.)

[3xplosivelem0n]

Hi may I request Redwall oc Hareberry interacting with Maushold (Pokemon)?

Of course!! Here you go :3 I love them, so cute

Did experiment with posing for this one.

[fandomshatefatpeople]

I know this isn't a writing help blog, but I want to make it clear from my writing that fat is normal and healthy and doesn't indicate any moral failure or whatever. It's just hard because I'm still unlearning fatphobia. So I don't have many characters that I see as fat so far (one I'm kinda using to unlearn through lol. He's insecure about his weight even though he's active and eats healthy. He isn't bullied for it, and he has a husband who loves him FOR being fat, among many other reasons. He thinks his fat husband is sexy!)

And I have another one who starts out underweight and is happy to put on some weight, even if it brings him "above average".

What words should I use to make it clear that fat is good?

Thanks in advance for helping my unlearning journey!

Honestly, the best word you can use is fat. If you use it in your writing in a non-judgmental way, it will do the most good.

Fat is a neutral descriptor like brunette. If you want to distinguish in your descriptions between the different body sizes of your two mentioned characters you might use context clues to do so. For instance, the larger of the two characters might avoid chairs with armrests because they are too tight. This can be pointed out in your writing, perhaps the character feels bad about refusing a table because of the chairs, but his husband points out that the problem is with the restaurant for not providing seating for all its guests and not with the character.

A lot of fat people prefer the term "fat" over other descriptors that are supposed to be "nicer" like, plump, big-boned, etc. That's not to say these can't be used, but PLEASE don't use overweight or obese. Both of these terms are problematic as they pathologize body size and suggest there's one "right" weight for everyone.

I hope this answers your question! and happy writing!

[squidsmeister]

important question to ask yourself when consuming media where a character says something bigoted or morally questionable is ‘am I meant to interpret the character as a bad person within this story or is the work just permeated by the influence of what the creators think’

[mycological-mariner]

*slamming my fist onto the table*

MORE ROLES FOR OLD WOMEN.

MORE OLD WOMEN WHO ARENT JUST THE CARETAKER

MORE OLD WOMEN WITH AN ACTIVE PRESENCE

MORE OLD WOMEN WHO ARE MINORITIES

MORE OLD WOMEN WITH IMPORTANT ARCS AND WHO ARE MULTI-FACETED.

MORE. OLD. WOMEN.

[a-crumb-of-whump]

You know what I love? Characters with an inhuman amount of strength holding fat characters in their arms. The way that character becomes their main source of physical comfort very quickly, being the only one who doesn’t make sly remarks about how heavy they are and visibly struggle to hold them 💕 Bonus points if the character with inhuman strength picks them up whenever they start to criticise themself.

[bitchfitch]

I've started playing Potion Permit, and so far it's one of my favorite games I've messed around with, but the most big brained move the devs made was giving you a dog on day 1, and then making that dog able to track NPCs and lead you directly to them no matter where they are in the town.