#writers markets

[coffeenonsense]

I rarely post personal stuff on here but irl I'm a writer whose work covers tech and AI quite a bit and with the WGA strike ongoing, I really want to stress that the reason Hollywood execs and higher-ups think they can just replace writers with chatgpt or have someone come and edit AI generated text is because they already think writing is that easy.

these people look at their shows, movies, etc as marketable (re, profitable) content so all they are watching for is "okay this show performed badly" and "this movie performed well" and I can promise you in a boardroom the quality, the time and effort that went into the actual writing is NEVER discussed as a contributing factor when it comes to the difference between those two things.

That's also the reason tools like chatgpt seem like magic to these people, because they've devalued the act of creation and everything that goes into making something that resonates with its audience, so naturally something that can scrape the entire digital world and spit something out that falls in line with what you asked seems like a wizard's spell, because they ALREADY think of writing as an afterthought, something where they just go "I need a show that appeals to the 16-24 age range" and writers can just fill in the blanks and they won't have to PAY PEOPLE for that.

There's a vast difference between art and content, and if you want to see more of the former, you should be furious they're trying to replace writers with what is essentially a programmable template generator. Pay your writers.

[hopethisdoesntawakenanythingnme]

but how are the redditors doing having experienced their first November 5th-like week on the hellsite?

like are y'all still alive?

[heywriters]

The Fine Line Between Fan Art, Fan Fiction, and Finding Yourself Sued

This whole article is worth a read for fan creators, especially those of you trying to make an honest buck off your work.

(excerpt below)

How Do You Avoid a Lawsuit? Due to the popularity of fan fiction and fan art, many content owners have begun proactively providing guidelines to their fanbase. Wizards of the Coast (Dungeons & Dragons),[6] CBS and Paramount Pictures (Star Trek),[7] and EPIC Games[8] have all developed policies to inform fans of what they can and cannot do legally. Additionally, usually as long as the fan content is non-commercial, it is not a problem with copyright holders. Regardless, unless the work is completely original, fans should be careful about their creations.

Additionally, try to be smarter than this guy who attempted to sue Amazon for the rights to Lord of the Rings.

[the-crooked-library]

the vampire lestat dropped his single a DAY ago and his stans are already having beef with swifties… 🖐️💀 guys chill you’re both having mental breakdowns to shitty lyrics, literally nobody else gives a fuck

[thewriteblrlibrary]

A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

----------

The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

[star-reyes]

Queer baiting in comics is BACK, BABY

[night-market-if]

Support Small Authors

I got hit with a pretty big E.R bill for my daughter (thanks healthcare) and my computer after only a year, is already on the fritz. All of this before the holidays and, surprise surprise, my husband is going to be laid off for a bit right after Christmas. Most of you have already bought my game and stories but reblogs would be wonderful.

Welcome to the Night Market. Book 1 in a series. The Night Market is an interactive fiction novel in which you awaken to a lantern filled world with no memory of how you got there. Desperate to get home, you must find the gate that leads back to your world, while navigating a foreign land, rife with political intrigue, arbitrary rules and secrets designed to keep you distracted. Nine barons rule the market , a place so vast that not even they can truly know its scope. But, one baron holds the key to your safe return home. Yet, no one has seen or heard from them in over a decade.

Book 1 Steam

Book 1 Itch.io

The companion piece to the Night Market with dozens of stories and works of art, all relating to book 1. Find out what each of the RO's was thinking and doing when MC was not around and dive further into the world of the Night Market itself.

Buy on itch.io

Welcome to a Night Market Kristus story. My holiday story for this year. A fully interactive story featuring MC, the RO's, and some new characters that have been introduced in the WIP of book 2. Enjoy this fun romp through a holiday horror show and have a few soft moments with your chosen romance.

Buy on itch.io

Join my Patreon. Here you will receive monthly lore posts. Short stories each month. Decision making on polls. The occasional development blog. And early access to any of the chapters that are coming out for book 2. Join a high enough tier and I will even write a short story or a lore post for you.

Join here

[dreadfuldevotee]

The thing that drives me consistently crazy is that they fucking love to put Armand/Assad in the promotionals. The loumand fight(s) are Iconic. One of the first scenes previewed for s2 is the murder mansion flirtation, even when articles wouldn't print his name- Assad's face would still be on the banner. They can send him to fucking *checks notes* Fox News 7 in Austin, Texas, But not acknowledge his work. Why do people act like we're insane for saying this is fucked up!?!??!

[royalarchivist]

I say this in the kindest way possible, but I think this style of prose is more appropriate for a personal account rather than an update account. I have no idea who's being talked about half the time. 🥲

[ Tumblr meme via @mikaikaika ]

[marsadler]

Hello! I wrote a book and I think y'all will like it. It's for fans of Good Omens, Hannibal, Angels Before Man, and all the queer people who deserve financial compensation from the catholic church.

I present to you:

FIRST CREATION, a high heat queer horror novella with a trans angel MC and a queer demon LI!

FIRST CREATION is a love letter to fallen angels, to finding your place in the world, to connecting to religion in a way that works for you. To touch and peaches, and surviving horrible things, to finding a place to be holy if God won't give it to you. (it's also nasty, and about cannibalism and shame and guilt, too)

It's a 22k word (98 page) novella that you can read in one (or two, or three) sittings.

You can find it on Amazon and itch.io here to read an actual synopsis and look at reviews. You can also find content warnings at the bottom of my website: (I definitely encourage you to read them before you buy!)

Here's also some unhinged ao3 tags for fun

[deoidesign]

I've been told my comic feels like it was written by AI.

I suppose I'm not trying to be groundbreaking. I'm not interested in pioneering genres. I'm not writing for the purpose of literary analysis.

But written by AI...?

I'm already someone who has my humanity questioned. My identity erased. My existence disrespected. It could be worse. Anything could be worse.

But AI?

I spend weeks writing single scenes, toiling over the implications of single lines. I have goals. My writing has intent.

If you cared to read deeper, perhaps you'd see the themes. Maybe then you'd see the value. If you tried to analyze it maybe you'd see something there.

Maybe you'd see me.

Someone told me my comic seemed like it was written by AI.

And my humanity was denied one step further in that my voice was not seen in the work I've poured years of my life into.

[em-dashes]

✨AND here is the plot synopsis:✨

Eleven-year-old Dany has been on the run with their caretaker Marisa for two years--on the run from people who want to cut Dany apart and take their superpower.

But now Marisa is dead, and consumed by grief, Dany only has one goal: to reach the small town of Suddence, a place holding secrets, answers, and most importantly, closure. With the help of recent college dropout Zahira, the duo embark on their strange little road trip.

But there's something Dany isn't telling Zahira, and it's a secret that will change everything.

Major updates on this (such as the cover reveal and online release) will be posted on @suddence ! Please turn on notifications for that blog to ensure you get all that spicy info!!

[night-market-if]

Chapter Five Public Release

Book 2, Chapter 5, is now up for the public release!!!! There were a few coding changes within this chapter so I would advise going back to the end of chapter four and replaying the choice of where you are going to send Belladonna to (Reese, Elias, or send her) before going in to play chapter five.

It also came to my attention that some of my Patreon members may have had a code break at the end of Milo/Mal's route. It should not be there anymore. You should have an end scene with them in Malcolm's apartment.

Thank you all for the support you have shown me! It has been a crazy month and is bound to be a crazy July as well. Thank you for your patience!

Read book 2 here

[tsscat]

On a higher level I agree with this but I fundamentally disagree with this being applied to Arcane (what this post was inspired by) because the animation of Arcane is so handmade and detail heavy that you fundamentally cannot have 15-20 episodes. Like it cannot happen because it takes a long time and a lot of skilled people to make animation like that and it’s near impossible to get the time or money to do that length.

A lot have people talked about how the finale was cut down from its original hour and a half long script but less have talked about why — its because (from what I remember) it was too long to animate. The budget for arcane was 250 million dollars. That’s actually pretty efficient for big budget animation when you look at cost per minute, as some people have pointed out. But that’s still overall larger than most big budget animated films (both spiderverses were 100 million, largest Pixar films are around 200 million). 15-20 episodes per season for Arcane would have likely been something like 400-500 million dollars. That’s obscene amounts of money for any project. The highest budget film ever made from what I can tell (Star Wars The Force Awakens) was 447 million. 20 episodes would be like 555 million!

There’s some oversimplification here that I’m doing because obviously 18 episodes is still a lot more than one movie and it’s actually really impressive what they’ve been able to accomplish with the money they have. BUT this still doesn’t even factor in the time and labor took to make this, and the even more time and labor it would take to make a 15-20 ep arcane.

From what I can tell, writers knew how many episodes there were per season going in (though there’s maybe a rumor that they thought for a second that there were 5 seasons? Idk). I think it is more productive to critique writers on what they chose to write for and how they wrote season 2 given this 9 ep limit. You need to scope properly for any project, and I think fundamentally writers either did not scope properly or did not write for the scope they set.

[guzhufuren]

> be me

> watch The Untamed in 2020 and hyperfixate

> spend years dreaming day and night about getting uncensored beautiful queer wuxia where men in wigs and hanfus get to kiss and proclaim their love openly

> China toughens censure laws. no bls at all now

> it's 2024 and Thailand got my back with multiple wuxia couples where they even get sex scenes while wearing hanfus 👍

[stealingpotatoes]

just watched mando s3 it’s great that we TOTALLY had a whole season about din coming to grips with being mand’alor & life without grogu and about dueteragonist bo-katan coming to realise she was only trying to lead mand’alor bc of her sister not bc she thought she was the best leader. and the whole season centred around the theme of accepting who you really are even if you’re certain you’re something else and was about how heroes and leaders can come from anywhere, they don’t have to come from a special bloodline (a sorta thesis against the skywalker saga) and about the uniting power of grief and oppression. isn’t it great we had that instead of a season with no plot 

isn’t it great that there were no mando cameos in tbobf and mando season 3 started with him on a bounty, cringefailing at using the darksaber and stabbing himself but he did the job and got paid in a nubian starfighter (he wanted a razor crest but he’s injured so he doesnt argue much) which he then used to find his covert on the canyon planet. then he revealed to the armorer and paz that he had the darksaber which after some time leads to paz duelling din for the saber (without telling the others bc they dont know din has it) and din wins but its revealed he took his helmet off. he’s made apostate IN FRONT OF EVERYONE (EVERYONE!!) with only one IMPOSSIBLE chance of redemption (nobody can go to mandalore anymore!!) and has to leave and now has nothing — no child, no clan. so he does the only thing he can think to and goes to a green planet we’ve never seen before. he lands safely but still injured from his fight with Paz and not fully healed from the original injury he passes out. and the episode ends with a kid running over and telling another kid to call master skywalker

and sure episode 2 was the fanservice episode but its disney! we have to expect a marketable plushie cameo episode — except of course that didn’t mean it wasn’t plot relevant! din wakes up and we realise he’s at luke’s jedi academy and this is great n stuff we finally get to see luke in his prime teaching a whole bunch of students! and we get to see grogu happy and having fun with his kind (which makes din happy but miss his own covert). luke notices din has a saber himself (despite it being well-hidden — luke can sense it) and din admits he can’t use it and that he doesnt think it even belongs to him while luke shows him saber forms (but pretends its for his own training and not din’s bc din refuses to learn). they have a discussion and din reveals he came here bc he got kicked out and has no way to redeem himself bc there are no mines left and even then the planet’s poisonous. luke spouts some jedi stuff asking din if he’s certain and says blind certainty is the enemies of hope and progress or whatever (setting up the larger theme of identity certainty in the season). luke also points out that if they imps r there then they have to have some way of getting around the environment they caused. inspired and knowing grogu is safe here, din is ready to go redeem himself on mandalore. he says he’ll come to see grogu again and luke makes it clear that while attachments can’t get in front of duty, din is always welcome here <3 

episode 3 of course had din go to the ruins of mandalore to redeem himself, inspired by luke’s words about certainty he goes to the ruins of sundari, where he knows there was once living waters (the other option is the one surviving and imperial-controlled city, but he’s not that dumb). also bc the imps only hang around the cities so that must be where it's survivable. there’s some imperials about the edge of the city (not many) and he does have to subtly fight them but he gets spotted. he wins but he’s panicking bc during the fight his breathing system got hit but then he notices a plant growing. and he realises he’s not dying — the air isn’t poisonous anymore or whatever! so he turns off his failing life support and goes to the city. he explores the city and finds many remnants of mandalorian culture there in the small parts that survived. ash-covered murals, mostly-burnt toys, something that could have once been a palace. he finds a memorial to a duchess satine kryze and thinks huh like bo katan? (because of course the show wouldn’t ignore bo’s motivations) anyway after some slow but meaningful exploring (its quietness eerie, unlike the quietness of the previous stealth section) he manages to make his way below the city. he finds the mines, reads the inscription and then goes in. except of course its no longer shallow and he falls and he falls and he realises well fuck he’s gonna die. his life support got hit earlier and he doesnt have his jetpack he’s going to sink. but then in the darkness, a great looming eye opens and before din knows it, SOMETHING is throwing him out that sinking water. it had to have been a freak current right? he was hallucinating. surely a MYTHOSAUR didn’t just save him… those are all dead, only to return with a new age of mandalore! he shakes his head, ignores it, and collects the water with something new to bring to his people

episode 4 reintroduced us to old fan favourite bo katan in her depression girl era bc din shows up to her empty palace ready to help her take back mandalore… only to find her in a depression pit and— oh my god is she drunk??! she drops that her ppl left her bc she didn’t have the darksaber and din’s looking at the depression pit like. right. bc of the darksaber. he briefly tries to convince her to fight him for it but she’s like no you’ll throw the fight it won’t be true comba— oh no! explosion nearby bc looks like din wasn’t as careful as he thought and the imperials followed him to bo’s place so both of them have to fucking skeet outta there and bo’s home’s destroyed so din’s like hey come on let’s go to my people we can take back mandalore with them or smthn. so they head back to the covert, din reveals he’s no longer apostate and that mandalore isnt cursed it’s breathable + you can successfully walk on the surface now. this is however interrupted by a beast showing up and trying to kill some ppl. it almost kills paz’s son but din kills the beast first in his starfighter. anyway back to the conversation (now within the cave) and din’s trying to convince his clan that they can take back mandalore (with bo as leader) but none of them want to follow her or risk what few numbers they have left. dejected, din and bo make to leave again, but paz follows them out and is like ?? din you literally have the darksaber why didn’t you use it to get at least SOME of them to follow you and din’s like i don’t want people to follow me bc of a legend, if they follow me it has to be bc they want to and paz and bo r internally like wow damn. anyway paz then says he’ll always fight w din if needed bc he saved his son but if he wants the people to follow him they should try get some of the other clans to help so it looks less dangerous. so bo and din leave on their quest. also throughout this episode, we’re introduced to some random civilian in the reintegration program. its implied they worked with gideon and that they’re preparing for something, but we don’t get much more than that. 

episode 5 is the bo episode, this is where we explore her character, have her arc, and ya know really cover her motivations (bc disney would NEVER make it so her motivation is invisible unless you’d seen two other tv shows). din and bo head to where her clan is. they just want to see the clan but they end up being dragged into a b-plot about helping the local pacifist duchess (& duke). din tries to say no but bo-katan says smthn abt diplomacy. this quest initially doesn’t seem plot relevant but throughout bo opens up about her own pacifist duchess sister and she comes to realise how much of this quest has been about trying to live up to satine and not bc she thinks herself the best mand’alor. the thing she said abt diplomacy earlier, she reveals, is just a quote from her sister. anyway they’re finally able to go to bo’s old clan and she, now reinvigorated in accepting and knowing who she is and what she wants (no longer depression girl) challenges axe for leadership of the clan. she wins and in a speech is like we’re gonna retake unpoisonous mandalore by uniting the clans!! most agree but theyre like HOW are we supposed to convince the other clans? and it descends into insane yelling UNTIL a low hum and a black-white light falls over the group. silence falls. everyone looks on. high above his head, din is holding the darksaber (proudly!!) and he’s like we’ll unite them with this. but axe has to constantly be chatting shit and getting up from the floor where he got his ass whipped he’s like really???? you wanna follow him???? he doesn’t even have any mandalorian blood in him!!! and bo makes a great speech about blood doesn’t make a good leader what makes a good leader is knowing when to use your power. and then she’s like he is my mand’alor amen and kneels before him. everyone else follows and din awkwardly stands there still not fully accepting his role 

episode 6 was the great prep episode. we start with din and bo helping and getting a new tribe on their side and heading back to Concordia we realise they’ve got this HUGEEEE war camp of mandalorians!! there are so many clans with them now (except one, which din is really missing)!!!!! this episode mostly focuses on mandalorian culture and them training/ planning and din and bo trying to keep the clans from biting each other’s heads off. but this is interrupted when a small group of imperials try to pre-attack them (like they did w bo’s palace) but the mandos all manage to fight back and take them down, which then leads to a whole speech from din and bo about how mandalorians are all fighting but theyre united now in their grief and with this they can fight the empire. the b-plot of the episode comes back to that random civilian from episode 4 and whoomp turns out their plan was to BREAK MOFF GIDEON OUT OF JAIL!! shitttt!!!! oh no!! he’s back now, that’s gonna make their very decent plan to take back mandalore harder but they dont knowww (irony!)

episodes 7 and 8 were the battle of mandalore, woo! it had to be two episodes because it’s a taking whole occupied planet and not a single base, a pretty damn difficult task that definitely can’t be done by two single clans in like 40 minutes! there’s all those mini tiny bases scattered throughout the planet on the ruins (like din encountered in episode 3) AND more importantly there’s the one domed city that the imperials kept alive as their main base — which means they have to be careful, bc they can’t do any sort of aerial assault or great deal of damage to the imperials without also destroying the one surviving place for them to live. so the plan is smaller strike teams to go the bases plopped around the planet as a distraction and to stop reinforcements to the city while the main force surround the city and take it. the first city team (with din and bo) has to open up all the ports and stuff to allow the HUGE armies to get in. unfortunately this is in the main imp base in the centre of the city so they have to get there. (they’d prefer 2 strike teams but they can only spare 1) MOST of the mini-bases r meanwhile being successfully captured. the strike team gets to the centre to de-activate the port shielding n stuff and GASP! IT’S GIDEON!! FROM JAIL!! and he’s surrounded by fucking MANDO STORMTROOPERS and IN BESKAR ARMOUR oh no!! ambush!! he knew they’d have to go here to allow a full-scale assault! the small strike team at sundari also gets captured bc there were some mandotroopers there (they increased security post episode 3). episode 7 ends on a cliffhanger bc all seems lost and the strike team’s surrounded 

episode 8 starts straight off the cliffhanger and oh no they’re all gonna die gasp WHEN BAM fighting noises elsewhere, everyone’s confused, when paz’s voice crackles over din’s comm like hey bro! BC DIN’S CLAN FINALLY SHOWED UP TO HELP AND THEY WERE ABLE TO MAKE THAT SECOND STRIKE TEAM and in the confusion din & bo’s team take out the mandotroopers, gideon gets away. din and paz and the armorer come face to face and paz calls him mand’alor or smthn bc he’s also accepted it and they’re like woo let’s go now we can fight fr!! din heads to help lead the battle ig but bo’s like nah i have to end gideon for what he did to our planet. and din’s like well he’s wearing beskar armour so you’ll need this and gives her his beskar spear WHICH IS SYMBOLIC BC he’s finally giving up his other weapon and is going to solely use the darksaber!! he’s accepted who he is and is going to lead their ppl!! so yeah instead of having din fight gideon, who he already beat once, bo fights him and its incredibly cathartic. at sundari that strike team who got captured is also not looking great but MYTHOSAUR EX MACHINA COMES AND FUCKS UP THE IMPERIALS THERE (its returned!!). so big battle and gideon’s down and the darksaber DOESN’T get destroyed yay! afterwards they all vibe and they go to the forge and the armorer relights it and they proclaim din mand’alor fr and he accepts it and throne. sure he's still a BIT uneasy (mand'alor the reluctant anyone?) but he's not saying NOO now loll. yayyy!! AND THEN final scene is din returns to the jedi academy like hii thanks for ur advice u were right being blindly certain abt stuff is meh and leaves no room for hope. uh could i show grogu mandalore i promise i’ll bring him right back and it ends on din showing grogu the planet finally bc thats cute and fanservice

anyway isn’t it great this is exactly what happened, it’s all canon and definitely not the stealingpotatoes sequels canon continuity rewrite!