i'm ngl depicting thunder's prosthetic as a burden is pretty uncomfortable even if it is something some amputees experience because like. there's a huge stigma around prosthetics already you know? it's like having a parent forcibly strap a child into a wheelchair when they don't need it and having a horrible experience with it and that being your only character in a wheelchair. some full-time wheelchair users do resent their wheelchairs but when that's the only time you're bringing it up at all it feels like you're playing into our society's perception of wheelchairs and mobility aids in general as useless and best and divine punishment at worst. idk do let me know if i'm wording this wrong because i really do love better bones! it's just that this detail is... strange.
I mean, I'm open to feedback if that's not something I should do-- but I do actually have other characters in prosthetics and mobility aids! A lot of them! Thunderstar's actually the only one who ends up rejecting his own, because I also wanted to depict that it's bad to force a device onto someone who does not want one.
Especially in circumstances like Thunder Storm's, where that sort of device would be actively unhelpful for his lifestyle. It might help in open field environments like moorland, but then I got more feedback and realized that it would just make a lot of unwanted noise in a forest (since cats have carpal whiskers to help them figure out where to place their paws). Then I figured it was a good way to show how BB!Clear Sky doesn't actually listen to his son's needs and acts differently when he's not "grateful" enough for his gift.
But he's far and away from the only one with a mobility aid or prosthetic!
I haven't figured out Frog entirely yet, but he's going to be the first cat with a "wheelchair" type device, to set up a long line of cats through the generations improving on it
(Probably not much more than a reinforced canvas or durable leather, as this was the age of very early flax processing)
Wildfur's the next in the big advancements, even making the Great Journey in his own and getting a side story based around Littlecloud and Cinderpelt collaborating over this
The device is then improved upon by Jessy for Briarlight, giving her a level of independence and confidence that she needs to finally cut her mom out until she learns how to behave
Deadfoot has a brace for his front paw because the joint is loose (it was based on a friend's carpel tunnel bracelet) which is affectionately referred to as The Bonker; his name is also now an Honor Title (Old name: Hoprunner) for inventing a battle move by distracting with his good paw, and then SLAMMING his other limb down hard on his opponent. It's called "deadfooting."
I think mobility devices are super important, usually massively improve quality of life, and I just enjoy designing them, so the choice to portray Thunder Storm's as negative was a very deliberate one that I did in response to what I thought was a desire in representation. Even the fact it's a hind-leg prosthetic was thought out, since those have a much higher satisfaction rate in humans than hand prosthetics, but in a cat would probably be the opposite.
Still, I'm not missing a limb, so now with all of that context presented, do you still think the same thing? Should I just add even more limb prosthetics to make the ratio of satisfied prosthetic users vs Thunder Storm even steeper?
Sunlit Frost is actually going to have a bite on his good paw go septic (the other side has permanent damage from the fire). I could have that paw get amputated and have Thunderstar "return the favor" for how Sunlit Frost created the prosthetic he rejected by helping him build his own. A pawsthetic, if you will
OR would it be better to just remove the subplot of Thunder Storm grappling with/rejecting a prosthetic that is unfitting for him entirely, and have all prosthetics be 100% treated as positive in the narrative?
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Divorce Saga Domon - A Haunted Honk Prequel
Hello Internet Stranger looking up G Gundam on Tumblr dot com!
This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.
If you are not looking for this content please scroll on.
If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -
Then go ahead and feel free to:
Check The Tags Of This Post For The Pairings
and click the Read More below!
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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....
For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon
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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.
The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like
Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.
He has Argo smuggle him out to avoid detection.
Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.
He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable.
He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.
Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.
Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.
Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.
Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.
So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.
There's a bit of a twinge in Domon's heart as he leaves that he can't really place.
After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.
They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.
He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.
I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.
But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.
The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.
@thedragonchilde @amplexadversary @youreaclownnow
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Goran Višnjić as Nikola Tesla in Doctor Who 12.4, Nikola Tesla's Night of Terror.
image descriptions below the cut
—
[1] A still from an episode of Doctor Who, showing Goran as Nikola Tesla in front of Niagara Falls with an audience of men in suits and top hats, only their backs shown to us. Nikola is gesturing towards the waterfall as he speaks. He's a tall, slim man of about fifty in an old-fashioned suit with a tailcoat, pinstriped trousers, a waistcoat and watch-chain. He has a moustache, and brown hair parted in the middle, a few inches long and styled neatly with a bit of a wave.
[2] Goran as Nikola Tesla gesturing towards a device I don't understand well enough to even describe except that it's two corrugated metal cylinders and electricity is arcing between them, blue and dramatic, while he gestures like a magician. His other hand is on a lever, his face obscured by a starburst of blue light.
[3] A close-up of Goran as Nikola Tesla with a lightbulb in the foreground gleaming with warm light. He's looking off-screen and smiling slightly, eyes large and grey-blue, eyebrows raised, creases in his forehead and around his mouth. He's wearing a butterscotch-yellow tie with a wing or tuxedo shirt collar.
[4] A side-on view of Goran as Nikola Tesla bent over a workbench doing something with a tool we only see as a faint gleam of metal. He's bent almost double, intent on his work, a curl of hair falling down above his forehead, his coat gone and his shirt sleeves rucked up to the elbow so that his arms are bare and evidently hairy. The scene's dark, lit only by a candle lamp.
[5] A view of Goran as Nikola Tesla looking at a figure mostly out of view, visible to us only as blonde hair at the side of the screen. Nikola's eyes are a little wide, his mouth slightly open, making him look bewildered, and perhaps wary - I thought of it as his "okay, either you or this situation is bonkers" face. His thumb is just visible at the bottom of the screen, suggesting he's gesturing or fidgeting with his hands.
[6] A view of Goran in a crowded street, no coat, standing almost a head taller than everyone else and gesturing with one hand in a way that signals frustration or defensiveness, his eyes closed, mouth open as he speaks. A few bowler hats are visible around him, and a few of Nikola's companions - Dorothy, a serious-faced woman of thirty or so with tightly curly hair and smart clothing; the Doctor, currently a woman with straight blonde hair looking curiously past Dorothy; and just a glimpse of Yasmin in the background in a flat blue hat.
[7] A side-on view of Jodie Whittaker as the Doctor and Goran as Nikola both paying rapt attention to a glowing green mechanical-looking ball in a dish, with the Doctor pointing her sonic screwdriver at it and Nikola bending down to watch at the opposite side of the desk, hands folded together as if he's fidgeting, intent on her work. The Doctor's in a long light grey coat with a hood, incongruous for the era, and it's clear she'd be a lot shorter than him if he weren't currently courting back pain.
[8] The same scene as before, minutes later - the Doctor only visible as blonde hair in the foreground, Nikola's face transformed like he's realised something wonderful, eyes on the Doctor and leaning forward slightly, or still leaning on the desk. His mouth is open as he talks, his eyes bright, skin creasing faintly at the corners with a real smile.
[9] The same scene as before, seconds later. Goran as Nikola is looking to the side, no longer smiling but serious and thoughtful.
[10] The same scene as before, seconds later. Nikola is looking back at the Doctor and raising his eyebrows in a question at something she said, his forehead creasing, his expression perhaps a little doubtful.
[11] A close-up of Goran as Nikola in a room with warmer and dimmer lighting, his hair coming loose a bit as short curls on his forehead, frowning as he talks to someone off-screen. The angle exaggerates his nose, emphasises the lines around his mouth.
[12] A different view of the scene, zoomed out. Nikola is bent over a worktable beside Yasmin, a young woman with curled hair and a smart navy-blue jacket, and they're looking at each other as though discussing a problem, Nikola folding or rubbing his hands together. The desk of a mess of wires and oddments, lit bulbs in metal cages and what might be the odd green ball from earlier.
[13] Nikola and Yasmin in a very different location, dimly lit, with strange red lights in the background and a green light over their faces. (They're on an alien spaceship.) Yasmin is looking down at the floor like she's stunned, mouth open, and Nikola is holding her arm like he's just pulled her back, but his eyes are on something or someone else we can't see. His eyes are wide, his expression startled and openly afraid.
[14] Nikola and Yasmin still on the spaceship, blurry machinery behind them, but Nikola is almost level with Yasmin now and they're standing close, both looking at a third party off-screen. Yasmin's expression is one of distaste and a little anger, and Nikola's eyebrows are drawn down, expression somewhere between bewildered and worried.
[15] A different scene, different lighting - deep blue in the background, warm light on Nikola's face. It's an odd angle, his head ducked as though looking at something, his expression serious.
[16] A different scene, perhaps daytime with electric lighting, Nikola in conversation with someone off-screen who's clearly shorter than him. His hair's a little disarrayed, eyebrows raised and forehead creased, but there's something of a smile to his eyes and his mouth that gentles it.
[17] The same scene, seconds later, slightly zoomed in. Nikola's eyebrows are lower, forehead still creased and eyes a little scrunched, like he doesn't understand yet what the other person means. There's something tender about it still.
[18] A different room, darker, Nikola grinning while the Doctor is mostly off-screen, just a little of her hair visible, except she's raising a hand for a high-five that he isn't reciprocating. Creases are splayed out from his eyes, deep ones around his mouth, his nose sharp from this angle.
[19] A different view of the high-five moment, focusing on the Doctor as she realises he doesn't know to reciprocate - the high-five wasn't invented yet - and starts to lower her hand. Her mouth is wide open, teeth showing, somewhere between a grin and talking, and her body language is open exuberance. The creases around Nikola's eyes are still very visible from this angle, though most of his face isn't.
[20] A view of Goran as Nikola with his eyes closed as if he's blocking something out, and a look of forbearance and faint frustration on his face.
[21] A side-on view of Goran as Nikola, a shorter man in the background and the TARDIS behind them both, its windows glowing white. Nikola's expression is determined and a little grim, more hair curling messily against his forehead.
[22] A view of Goran as Nikola outside, trees in the background, a blurry blue-white sky and what might be yellowish grass. He's wearing old-fashioned aviator goggles on his forehead, where they're pushing his hair up so it's even messier, and he's looking down at something with a troubled expression.
[23] A view of the Doctor and Goran as Nikola in the TARDIS, the scene awash in electric blue and peach-pink, and no other lighting. The Doctor's leant over the TARDIS controls doing something there and looking back at Nikola, who has picked up some sort of contraption and is looking down at it, expression either troubled or focused. The light on his face is blue, throwing his features into sharp and unflattering relief.
[24] A view of Goran as Nikola in the TARDIS still, the lighting blue, the angle of his shoulders suggesting his hands are on his hips, and his expression now one of open joy. His eyes are large, his mouth open and smiling slightly, soft creases on either side.
[25] A view of Goran as Nikola on the street, looking with his head tilted at someone in the foreground - barely visible, except for the bowler hat. Nikola's expression is tolerant, a restrained smile with narrow eyes, and his hands are probably clasped behind his back.
[26] A view of Goran as Nikola on the street, now talking to the Doctor, only the back of her head visible. Nikola's in the same pose as before, hands behind his back, only leaning slightly towards her now, his expression warm as he talks to her. The creases around his eyes are back, and it's another angle that emphasises his nose.
[27] The same view as before, only now Nikola's ducked his head, almost like he's shy, or needs a moment to collect himself. The creases have gone from his eyes, but the smile's still there at his mouth.
—
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