#works digital song sales

[jungkookiexxx]

[doyoulikethissong-poll]

Mark Ronson featuring Bruno Mars - Uptown Funk 2014

"Uptown Funk" is a song by British record producer Mark Ronson featuring American singer Bruno Mars. It was released on 10 November 2014, as the lead single from Ronson's fourth studio album, Uptown Special (2015). "Uptown Funk" was written by Ronson, Mars, Jeff Bhasker, and Philip Lawrence; it was produced by the aforementioned first three. The song began during a freestyle studio session while they worked on a jam Mars and his band had been playing on tour. Copyright controversies arose after the song's release resulting in multiple lawsuits and amendments to its songwriting credits. The song is a funk-pop, soul, boogie, disco-pop, and Minneapolis sound track. It has a spirit akin to the 1980s-era funk music. Its lyrics address fashion, self-love and "traditional masculine bravado", performed in a sing-rapping style filled with metaphors, arrogance, charisma, and fun. Upon its release, the single received generally positive reviews from critics, who praised the instrumental, style and influences of the track. Others criticized it for not being innovative as it tried to emulate 1980s funk music.

"Uptown Funk" topped the charts of 19 countries and reached the top 10 of 15 others, making it the most successful single of Ronson and Mars to date. In the US, "Uptown Funk" topped the Billboard Hot 100 for 14 consecutive weeks and spent seven weeks on the top of the UK Singles Chart. It was certified 11 times platinum by the Recording Industry Association of America (RIAA) and six times platinum by the British Phonographic Industry (BPI). The song spent 11 weeks in the number one position in France, 6 weeks as number one in Australia, and 9 consecutive weeks as number one in New Zealand. It also broke its own streaming record three times in the UK, while breaking the streaming record in the US and Worldwide at that time. As of January 2023, the official music video for "Uptown Funk" was the ninth most viewed Youtube video of all-time, having received over 5.2 billion views.

In 2015, the song won British Single of the Year at the Brit Awards, Best Pop at MelOn Music Awards and was one of the Top 10 Gold International Gold Songs at RTHK International Pop Poll Awards. The track also won BMI Pop Song of the Year at the BMI Awards, Song of the Year at Telehit Awards and Song of the Year at Soul Train Music Awards. In 2016, "Uptown Funk" received Grammy awards for Record of the Year and Best Pop Duo/Group Performance at the 58th Grammy Awards. It also won International Work of the Year at the APRA Music Awards, Best Collaboration at the iHeartRadio Music Awards, while it was nominated for Song of the Year. "Uptown Funk " was inducted to the 2017 edition of the Guinness World Records for achieving the most weeks at number one on Billboard's Digital Song Sales chart. In 2017, the track was one of the winners of Most Performed Songs at the ASCAP Pop Music Awards. "Uptown Funk" is the fifth biggest song of all-time to have charted on the Billboard Hot 100.

"Uptown Funk" received a total of 84,5% yes votes!

[fanaticsnail]

I like your kissing booths idea! 😁 Can I request Heat? I have such a soft spot for him. 🥹

The Kissing Booth: Heat for Nocturnalrorobin

Word Count: 1,090+ (I have a problem, it got out of control)

Notes: I adore Heat. He is spectacular. He is so pouty, and he deserves all of the sweet kisses in the whole world. He is also really flirty here, because I say so. Now come get rizzed up by the firebreather, Nocturnalrorobin.

Drums began to beat within the air at a faster and more deliberate tempo than the musicians were playing prior. The song was vibrant enough to have you sway a little in your seat as you focussed on the tastes and smells in the air, the colorful sounds painted in your ears, and the gentle breeze floating over and kissing your skin from the ocean shore. 

Soft bells jingled and clicks of wooden sticks clacking indicated the vendors were readying themselves for a new round of sales, the blindfold prohibiting you from truly understanding what wares they were producing to the amassment of festivity enjoyers.

You had been sitting at your booth for a little while now, the line of immediate kisses finally dying down and giving you a soft break you yearned for since starting. A large variety of lips of all textures, teeth and jaws had pressed themselves against your lips, and you were genuinely surprised by how much you were enjoying the experience. 

A soft cough broke you away from your thoughts, alongside the rustle of paper placed within your glass jar with a few coins to follow. You drew your chin over to where you assumed your guest was sitting, a small smile on your face as you welcomed them in. 

“I-... uh-...” the smooth baritone sheepishly began, the weight of his body sitting down atop the stool causing the wooden frame to creak and shuffle, “...How does this work, exactly? I was watching earlier, don’t get me wrong, I get what happens. I’m just wondering if we talk a little first, or I just go straight for it?” 

You immediately hum a soft giggle at him, your smile only growing at his bashfulness. 

“Is there anyone waiting after you?” you ask him curiously, prompting him to take a moments’ pause. A soft grumble unintentionally left his throat as he mumbled his answer.

“Sorry to disappoint you,” his tone was soft and almost disheartened, “It’s just me and you here.” You could feel the pout in his tone, prompting you to reach forward and attempt to locate his hands with your own. 

“No, sweetheart. Not what I meant,” you reassure him with a soft look, “When you suggested talking, I just thought-...” you trailed off, sheepishly biting your bottom lip and stifling a rising flush to heat your cheeks, “I mean, if there’s nobody waiting, I wouldn’t mind the conversation. That is, if you want to talk.” 

A warm chuckle spread from his chest, prompting you to join your own laugh with his. 

“You a little lonely, that it?” he gently turned his hand, presenting his palm up to you and caressing your fingertips with his thumb. 

“You have no idea,” you admit to him with your smile growing more vibrant. His hands felt warm within your own, his skin having soft divots and feeling coarser than others you’d held in the past. He gently coaxed your hand up, gently pressing palms together in front of you both. 

His whole hand felt so much larger than your own, the heat from his hands feeling all the more foreign to you. 

“What made you sign up for somethin’ like this?” he asked suddenly, gently interlacing his fingers within yours and soothing over your index finger with his thumb. You hummed at the soft gesture, returning the soft touch by thumbing over the knuckle on his own thumb. 

“Not sure,” you admitted with a subtle shrug, “I had a free night, it’s for charity, and I’ve been told I’m a good kisser?” He chuckled at your candor, inching slowly towards you. His hand gently reached up and cupped your cheek, his fingers gently caressing the silken blindfold as he carded his digits through your hand. 

“You have to wear this thing?” he tapped your blindfold twice with the pad of his thumb, prompting you to nod in response. “A shame. I would’ve liked to see your eyes,” he gave it another gentle tap before you felt his lips hover over yours, “I bet they’re as beautiful as the rest of you.” 

“You flirt with all the booths?” you giggle at him, leaning your head into his hand, “Or am I just special?” He again joined his laugh with yours, the soft rumble bringing you great comfort with every soft moment together. 

“Just you,” he admitted, leaning all the closer towards you. “You mind if I just-...” You felt the heat from his lips hovering over yours, your lips immediately parting as you whispered the word ‘yes,’ in a voice just below a whisper. 

At that, his lips gently and tentatively joined with yours. Cradling your head all the closer, he gently parted his lips and kissed with a softness you had yet experienced in all your time at the booth. 

There was a soft texture and groove on his lips, several divots that felt almost like the silvery scarring of healed flesh. You gently squeezed his hand holding yours, leaning forward and placing your hand on his thigh as he deepened the kiss. 

His lips began to become more passionate and heated, his kisses becoming ignited like licks of flames over your sensitive flesh. Your brows knit beneath the blindfold, the temperature change not harmful but shocking with each passing moment. His hands carded through your hair as he angled his chin, slowly mouthing at your lips in a slow and sensual dance of passion. 

As he pulled away, you almost felt the need to chase him, his kiss leaving a lingering tingle of warmth over your skin. He chuckled, gently bringing his lips down once more on yours in a soft and chaste kiss. 

“You sure you gotta keep the blindfold on?” he gently teased you with his soft hum. You confirm with a disgruntled hum, which he mirrors back at you. 

“For the next hour, yes,” you confess as his hand returns to your cheek and caresses your face. The drums begin to calm their beat, an uproarious applause echoing throughout the festival space and urging him to release your cheek immediately. 

The sparks from your hands joining lingered where your digits remained intertwined. 

“I’m gonna come back,” he whispered, gently leaning down and pressing his lips against your cheek. “I don’t want you to die of boredom, afterall,” he uttered while gently releasing your hands, he chuckled and flicked his thumb over your bottom lip, “Or hunger. I’ll bring you a snack, I’m sure my crew’s already found the best vendor.” 

“I’ll see you in an hour.”

[venusvity]

˚˖𓍢ִ໋🍒✧˚.⋆ UR MY BABY! HELLO, I'M BAEBI!

cw: sexualization + controlling company

  JUNG YOONAH took on the stage name BAEBI in 2018 upon her debut with VENUS and the world was never the same.

Baebi would take the world by storm with her solo debut the same year Venus would debut, sparking much discussion among fans over favoritism, a debate that still rages today. But who cares about favoritism when the music is good? Bubble Pop! Would take the Kpop world by storm, becoming the song of the summer.

It peaked at number two on South Korea's Gaon Album Chart and charted atop the US Billboard World Albums. As of 2023, it has sold 560,000 copies in South Korea. 

Bubble Pop! 's commercial success was the main contributor to Angelico Entertainment's leading music sales. The song peaked at number one in South Korea, where it has sold over 2.5 million digital units. To accompany her solo release, Baebi held a series of small concerts called Baebi's Summer Splash. She was awarded Best Female Artist at the 2018 Mnet Asian Music Awards and at the 2019 Golden Disk Awards.

Chart data is boring. Let's talk about something else.

Returning just a few months later with the mini album "Tell Me More" and a title track of the same name, fans grew slightly more concerned over Yoonah's concept as a soloist. According to her most dedicated fans, her sound and look were very mature, very sensual, and bordering on sexual, which didn't really match Yoonah's character.

No one would be shocked at the music and content Baebi would be releasing when looking at her creative team:

The Son Brothers, Jinhwa and Roan, would be the proud creative directors behind all of Baebi's solo work. Bubble Pop! would be Son Roan's, later turned CEO of Angelico after his brother departed from the label to become CEO of Mydol, Angelico's now parent company, first project in the Kpop realm.

"I like working with Baebi because she's something different than what you're used to seeing from the other idols out there. You can do things with Baebi you can't normally do with other idols and I find that very exciting." – Son Roan when asked about the Baebi brand in 2020.

2020 Baebi hit a career-high with her mini album "Glassdoor" and the lead single, Gashina. This song was everywhere, but even more to an extent, no Angelico artist had ever seen. Baebi was an international sensation. She'd go on a mini world tour as a soloist, the first and only Venus member to do so, promoting internationally, being the first soloist under Angelico to do so internationally.

A point of contention in Baebi's career is the botched release of her first full album, "Hello Baebi!" with the poorly promoted single, Hello. When Baebi was coming back, you knew about it, your friends knew about it, your mama knew about it, hell, even your grandma knew about it. For Hello Baebi? Not a peep. Even Baebi fans were confused when Ktown4u posted a pre-order poster for the album before Angelico even posted teasers. Which, mind you, she only got four photo teasers and a single video trailer for a full album.

When the comeback happened, promotions only lasted for two weeks, something unheard of for Baebi and the outfits? Fresh off the Forever21 rack. The stages? Bare. Nothing. The MV? Budget cut in half. Something wasn't right...Then when you looked at the album credits, neither of the Son brothers were anywhere to be seen. The entire album was made by Baebi herself, something she shared often on her Instagram or during the few interviews she did during this era.

Either way, Hello Baebi, her one cute era completely controlled by her, was deemed a flop and the Son brothers used that to their advantage, taking full creative control over Baebi's image again.

Which is where Touch came in.

Touch was noted for its overtly sexual music video, on-the-nose sexual lyrics, and latex outfits Baebi would promote in. The single, which was, of course, promoted ions better than Hello Baebi!, was phenomenally on the charts and in sales, "proving" that the mature concept is what people wanted from Baebi. At least, that's Jinhwa's belief.

Baebi's release after Touch would be a mini album titled "Stupid B—" with the promoted track TWIT. Fans that worried for Baebi would be soothed by this less sexual yet mature concept and the actual look of enjoyment on Yoonah's face when performing the song, something that seemed to be lacking when she was performing Touch.

After a year break from solo activities, Baebi would come back swinging in 2024 with her second full album, "Choke On It," and the title track LIPLOCKER, which was a hit, of course. Though the concept was leaning more toward sexual than mature, Baebi seemed more comfortable performing and actually had fun during this promotional period. She'd go on to say that LIPLOCKER was her favorite comeback since Hello Baebi!, which fans are hesitant to believe, but whatever makes her happy!

[roo-bastmoon]

Fanservice Couple Sucks at Fanservicing

Hmmm.

Jimin's Album: Here's a super secret hidden song "for the fans" with lyrics that mimic things Jimin said before specifically about Jungkook, with Jungkook providing background vocals that were never discussed when marketing the album, and listeners have to wait through dead air to get to hear the song and shine a light on the invisible lyrics engraved in the album and it's not uploaded onto Spotify or for digital sale because.... fanservice.

Jimin's Documentary: Here's less than two minutes of footage of Jungkook singing Letter; the film cuts away from Jikook's hug and doesn't interview Jungkook about it at all, and practically his entire face is covered when he's singing it; also, the paper he's holding is shaking like a leaf, unlike earlier in the day when he was recording for the World Cup, which was the biggest solo performance of his career at that time, because.... fanservice.

Jimin's Live Reaction: Here's Jimin lighting up like a Christmas tree when Jungkook quietly sneaks in the room to watch his live recording before going home; now watch as they awkwardly interact for two minutes--including a tiddy grab and butt smacking, on top of "I love you" and "have fun with ARMY!" but notice Jimin sends Jungkook away, instead of letting him mic up and sit on the chair and react with him, because... fanservice.

Jimin's Commentary: Here's Team Jimin reacting to every remote detail of the making of the documentary, except when it comes to Letter, in which case no one breathes the name Jungkook and he is never heard nor appears on screen, because... fanservice. gosh that sure is odd.

The fanservice isn't fanservicing.

It's almost how like, in their real lives when they aren't working, Jungkook watched all of Jimin's content, or Jungkook mumbled about how Jimin moved his lamp or mentioned Jimin kept coming up to him to say "periri," or how Jimin traveled to NYC and CT for Jungkook's debut and they filmed something but all Jungkook would say about it is "Yeah, he's in.... New York," and then Jimin posted a shirtless picture on Jungkook's birthday but never spoke on it, or how both Jimin and Jungkook just happened to find time to watch the same random anime, or how they went to Jeju together but we wouldn't have known if Tae hadn't posted photos, or how it is heavily implied that they spent Chuseok together based on the whale drawing that Jimin posted and the way Jungkook was quick to tell us that Jimin drew half of it.

Golly gosh, for a Fanservice Couple, it's almost like a bunch of stuff isn't being shared with us on purpose. But why?

Doxxed info? Tampered mail? Death threats? Press scandals? Global debut? Conservative homophobia? Military service?

Who knows, but "lack of genuine closeness" doesn't seem to be the driving reason.

I'm not gonna sit here and scream conspiracy theories about a "private couple." Jimin lives like a hermit much of the time and Jungkook is running around with his same-age friends quite a bit these days.

So as I always say--I cannot tell you that Jikook are dating. I can only tell you we have solid evidence of unique, charged chemistry between them--and tons of hints that they spend more time together than they let us in on. That's it. If there's more, we aren't getting to see it.

And I don't blame anyone who takes the stance "I'll believe it when I see it." I think a fair amount of skepticism and a dedication to the just the facts is a healthy mindset.

But it really makes my teeth itch when Jikook are accused of doing fanservice for the cameras, cause...

Where the hell is all my fanservice?? *grabby hands* WHERE?

Why is it that even TWO SECONDS of them interacting is so charged and fraught that it gets the entire fandom frothing at the mouth?

Jikook DO spend time together but they aren't running onto WeVerse to share it with us all the time, ya know? It leeks out little by little. And that makes it even MORE suspicious than just two bros hanging out in broville doing bro things.

In summary: This Fanservice Couple *sucks* at fanservice in solo era for sure.

[louisupdates]

Louis Tomlinson to Livestream FOR EVERY QUESTION WHY Mexico City Concert

Louis will be the first male solo artist to headline the Autódromo Hermanos Rodríguez venue, which is the home of the Mexican F1 Grand Prix.

By: Josh Sharpe | May. 20, 2024

In a landmark event for fans around the world, British singer/songwriter Louis Tomlinson is set to perform one night only at the Autódromo Hermanos Rodríguez - Curva 4 in Mexico City on Saturday, June 1, 2024. Louis will be the first male solo artist to headline the venue, which is the home of the Mexican F1 Grand Prix.

As part of his 'Faith In The Future World Tour’, the show is the culmination and the final stadium show of two back-to-back world tours that have sold over 1.5M tickets and taken Louis to 47 countries across 5 continents. Louis Tomlinson - For Every Question Why: Live and Direct from Mexico City will air LIVE on Veeps, offering fans around the world exclusive access to the first concert Louis has ever streamed in front of an in-person crowd.

The livestream will be directed by Grammy-nominated and Emmy award-winning director Sam Wrench, who has earned wide acclaim for his work on Taylor Swift’s The Eras Tour film as well as Billie Eilish: Live at the O2. Individual tickets are on sale for $16.99 HERE. To cater to the timezones of a truly global fanbase, there will be two opportunities for fans to gather on the streams — a livestream direct from the show at approximately 8pm PDT / 9pm CST (Mexico)* on Saturday, June 1 and an encore broadcast on Sunday, June 2 at 6pm BST / 7pm CET.* The encore broadcast will include exclusive backstage and bonus footage not included in the first livestream.

Louis will be partnering with War Child UK for the livestream and donating a portion of the proceeds from every ticket sold. War Child UK is committed to ensuring a safe future for every child affected by war. With 30 years of experience, they work with local communities and governments to protect, educate, and support children in war zones, aiming to reach them quickly and stay long after the crisis has passed. War Child creates safe spaces for children to play, learn, and heal, advocating for their rights and amplifying their voices.

Veeps and Louis have partnered a number of times since Veeps’ inception, each time crafting unique and heartfelt experiences for fans tuning in — from his 2020 Live From London lockdown performance that brought together 160,000 fans for the biggest livestream concert ever held by a solo male artist, to an airing of his feature-length documentary All of Those Voices coupled with a live red carpet cross and intimate Q&A. (In a show of the closeness of Louis’s fans, the stream generated an enormous 30,000 chat messages amongst those that tuned in.)

Louis’s journey from global superstardom with One Direction to solo success has been marked by a series of bold, creative choices, kicking off with his debut album, Walls, which has sold over 1.5 million copies. Its 2022 follow up, Faith in the Future, went to No.1 in the UK, Spain and Belgium, and Top 5 in the USA, Australia, New Zealand and across Europe. In 2021, Louis was listed in the Guinness Book Of World Records for breaking the record for the most live streamed concert by a solo male artist, hosting one of the biggest live stream concert events ever held, selling over 160,000 tickets to fans in over 110 countries and raising funds for several important charities.

This month, Louis unveiled a surprise live album, LIVE, with the digital version comprising a collection of 15 songs, all released live for the very first time. Each song was recorded in a different city, at a different show, spanning the past 3 years across Louis's two global world tours which have seen him perform over 170 shows to date. LIVE will also be released on CD and LP on August 23 with 3 additional tracks exclusive to the physical formats only. Both are available now to pre-order. The CD includes exclusive live versions of “High In California” and “Where Do Broken Hearts Go,” while the LP includes exclusive live versions of “High In California,” “Only The Brave” and “Kill My Mind.”

As Louis wraps up his tour, Autódromo Hermanos Rodríguez - Curva 4 will provide a dynamic backdrop for a livestream performance. As one of the biggest artists for new fans on Veeps, this concert is not just a show; it's a global event, bringing together fans from all corners of the world to celebrate the music of one of the most influential artists of our time.

Tickets to Louis Tomlinson - For Every Question Why: Live and Direct from Mexico City will be available for $16.99 at https://veeps.events/louis-tomlinson-live-from-mexico. The show will air live on June 1, 2024 at 8pm PDT / 9pm CST (Mexico), with the special encore broadcast airing at 6pm BST / 7pm CET on June 2.* The stream will be available exclusively on Veeps for 12 months after the original airdate, with a 7-day rewatch window for individual ticket purchasers.

[pancakesnake-exe]

224 FACTS ABOUT

The Stig

It is The Stig

It was originally going to be called “The Gimp”, but was renamed The Stig, which means having a bad fashion sense while being born poor

“We don't know its name, we really don't know its name, nobody knows its name, and we don't want to know, because it's a racing driver.”

The Stig wears its helmet on set and most cast members don’t know who it is.

The Stig does not know who it is because they wiped its memory when it got the job.

It is the Pope.

There is only one The Stig.

The Stig used to work in Rome[as the pope], but gave up its job to be able to keep up with its work here

It has no face

It is terrified of scouts

The drinks cabinet in its car contains 14 different types of custard

Its favourite T-shirt has a picture of a T-shirt

It is afraid of bells

It is confused by stairs

It never blinks

The Stig is kept in the cupboard when not in use

It naturally faces magnetic north

It has a digital face

The Stig has an evil twin named Black Stig who died after driving off an aircraft carrier but came back to life https://www.youtube.com/watch?v=8Lkh0uWFg9c

It will charge you if you attempt to remove its helmet

Its nipples are explosive

It paid a $25,000 expenses claim for some gravel for his moat

The Stig has three legs

The Stig once dreamt for a whole week straight about what Rubens Barrichello would look like in a ham slicer

The Stig is banned from the town of Chichester

The Stig is the reincarnation of Jesus Christ

The Stig bought a slightly dented white Fiat Uno from the Duke of Edinburgh

If you hold it in the wrong way, it doesn't work properly

It is 47% horse

It has 17 children due to faulty condoms

The Stig has a special pissing technique that causes floods

It once punched a horse to the ground

It has Mansell Syndrome

The Stig runs on diesel

It has a very small brain

It “has no understanding of the concept of money”

The Stig’s credit card says “The Stig” and is issued by The Bank of Money

The Stig’s favorite genres of music are: Morse code, whale songs, baroque music, advertising jingles, country & western music, sales techniques, foreign language learning tapes, ABBA but French, speeches of Margaret Thatcher, Elton John, pipe bands, vuvuzelas, national anthems, Tuvan throat singing, self help audiotapes, and “an annoying ringing sound”

The Stig has to receive awards in its left hand, as its right one is magnetic

The Stig has decided all northerners are edible

It’s mission statement is to "just go out there and drive fast"

The Stig’s opinion is worthless

The Stig has died multiple times, but the Grim Reaper is too afraid to tell it.

The extent of The Stig’s knowledge outside racing is two facts about ducks

Both facts are wrong

The three others once reenacted the journey of the three wise men, and at the end, the manger held a baby The Stig.

The next episode a month later, it was fully grown. Due to “Stigs grow very quickly, and the new The Stig was thus already fully grown.”

Stigs must be transported in delivery crates

The Stig has a fatter American cousin called Big Stig, who is a more relaxed driver

The Stig has an African cousin who only wears boots, a loincloth, racing gloves, and a helmet, has watched “The Lion King” 1780 times, ands second-best friend is a Cape buffalo

The Stig has a cousin who works as a truck driver named Rig Stig who can power slide and drift in trucks, has only one sleeve and wears special gloves, favorite song is “Forever Autumn" by Justin Hayward, and owns the world’s largest porn collection

The Stig has a red-suited Vietnamese cousin who is a communist and rides a motorcycle.

The Stig has a vegetarian cousin named Janet Stig Porter whose helmet is solar powered and wears overalls and socks with sandals

The Stig has a German cousin named Herr Stig who is identical to The Stig in every way besides having a mullet

The Stig has an Italian cousin named Bunga-Bunga Stig who wears a suit, is followed everywhere by three women, and only drives Italian sports cars

The Stig has a Chinese cousin named Attack Stig who is a kung-fu master, attacks anyone on sight indiscriminately, kicked James Lemay in the balls, beat up a large amount of the crew(even stopping in the middle of his timed lap to attack a track Marshall who accidentally entered its line of sight), and looks almost the same as The Stig

The Stig has a teenage cousin who wears headphones, wears low waist line pants showing its underwear, always looks at its phone, and made a mobile game titled “Top Gear: Race The Stig”

The Stig has an Australian cousin who lives in an open cut iron ore mine, wears dusty overalls and flip-flops, is very muscular, and has a very “large gentlemanly sausage”

The Stig has three other teenage cousins who are triplets, wear three different colored headphones and smartphones, and all have low waist line pants showing their underwear

The Stig has a Emirati cousin who looks similar to the normal Stig but wears a ghutrah on top its helmet and a huge diamond watch

The Stig has a relative of unknown association called “StigFoot” who lives in the woods

The Stig has a Japanese cousin named Ninja Stig who is a ninja, and wears a black helmet, a black ninja outfit, and has a katana on its back

The Stig has a business cousin named Business Stig who wears a red tie and a set of braces

The Stig’s father is named StigDad and wears a tank top and flare trousers

The Stig has another Australian cousin who lives upside down

The Stig has a New Zealander cousin named The Stug

The Stig has a Colorodonian cousin named Backwoods Stig who wears white racing overalls with torn off sleeves.

The Stig has a Yorkshire cousin named T’Stig with a flat cap on its helmet and 2 dogs by his feet at all times

The Stig has its own children’s book trilogy

The Stig has a chiseled jawline

The Stig has no friends

The Stig never blinks

The Stig roams the woods at night, foraging for wolves

The Stig is wanted by the CIA

The Stig sleeps upside down like a bat

The Stig can catch fish with its tounge

The Stig appears on high value stamps in Sweden

The Stig is illegal in 17 states

The Stig blinks sideways

The Stig’s breath smells like magnesium

Two of The Stig’s legs are hydraulic

The Stig lives in a tree

It’s sweat can be used to clean precious metals

It’s heart ticks like a watch

It’s voice can only be heard by cats

The Stig has two sets of knees

There is an airport in Russia named after it

Its skin has the texture of a dolphin

No matter where you are in the world, if you tune a radio to 88.4, you can hear its thoughts

The Stig has no understanding of clouds

Its earwax tastes like Turkish delight

The Stig is a master of politics

It’s tears are adhesive

If you set The Stig on fire, it would burn for a thousand days

The Stig can swim seven lengths under the water

The Stig has webbed buttchecks

Its heart is upside down

Its teeth glow in the dark

Its ears “aren’t where you would expect them to be”

The Stig once had an affair with John Prescott

If it felt like it, it could fire Alan Sugar

The Stig has upside down genitals

If it wanted to, it could crack the DaVinci Code in 43 seconds

Its ears have a paisley lining

The Stig is banned from the Chelsea Flower Show

The outline of The Stig’s left nipple is the exact same shape as the Nürburgring

If given a truly important job, The Stig will slack off and play croquet instead

The Stig invented Branston Pickle

On exceptionally warm days, it will shed its skin like a snake

The Stig is allergic to the Dutch

It’s first name is The

If it went in Celebrity Love Island, every one would be pregnant, including the cameramen

The Stig once threw a microwave at someone

The Stig once had a vicious knife fight with Anthea Turner

The Stig has nothing to do with the cash-for-honors scandal

The Stig is a CIA experiment that went wrong

The Stig only eats cheese

If you lick its chest, it will taste exactly like piccalilli

The Stig sucks moisture from ducks

Its crash helmet is modeled after Brittany Spears’ head

The Stig isn’t machine washable

All its potted plants are named Steve

The Stig’s scrotum has its own gravity field

To unlock The Stig, you must run your finger down its face

The Stig thought Star Wars was a documentary

The Stig is afraid of Australian trees

61 years ago, The Stig accidentally introduced the Queen of England to a Greek racialist

The Stig was beheaded, but grew it back

When it slows down, break lights turn on in his butt

The Stig is bad at soccer

The Stig once lost a canoe on a beach in the Northeast

The Stig once had to do time in a prison in Canterbury, because its teddy bear was named Baby Jesus

The Stig has never sat on Santa’s knee

The Stig has never watched Moonraker on Boxing Day

After having sex, The Stig bites the head off its partner

The Stig had to give up binge drinking when prices reached $1.50 a litre

Each of its toenails are exactly the same length as a woman’s nipples

It thinks Credit Crunch is a type of cereal

Its droppings have been found as far as New York

The Stig has a full-size tattoo of The Stig’s face on its face

It is impossible for The Stig to wear socks

The Stig can open a beer bottle with its testes

The Stig sleeps inside out

The Stig once had sex with an answering machine

The Stig invented November

One of its eyes is a testicle

Its left leg gets longer when it sees someone it finds attractive

The Stig doesn’t like getting its helmet wet

The Stig invented the curtain

The Stig thinks potato chips are a type of animal

The Stig is baffled by urinals

The Stig has twelve GCSEs, all in domestic science

The Stig has been producing artificial sperm for years, even though the team has repeatedly asked it not to

On Thursdays, The Stig becomes extremely bulbous

The Stig is highly contagious of the “The Stig Flu”, which killed countless pigs in Mexico

If The Stig compensated a soldier for getting wounded, it wouldn't try to take it all back again

The Stig made someone bald once

In the Autumn, all its arms turn brown and fall off

if it wrote you a letter of condolence, The Stog would get your name right

The Stig has terrible plans involving the Moon

The Stig‘s new Christmas range of fragrances includes the great smell of Wednesday

The Stig was turned down for the job of EU President because its face was just too recognizable

The Stig has never once hit a fire hydrant.

You shouldn't go around to its house for your Christmas lunch unless you enjoy the taste of seagull

The Stig has to take his shoes off with an alum key

The Stig’s New Year's Resolution is to eat fewer mice

Its discharge is luminous

There are 17 different reasons why The Stig is banned from the North Hampton branch of Little Chef

Its favourite airline pilot is Mark Webber, or two, actually

The Stig has an irrational hatred of Rubens Barricello

The Stig is terrified the BBC will reveal its salary because its paid in hardcore porn

Some people think the Scottish released it a little bit too soon

The Stig once spent all week slowly pushing an effigy of Rubens Barricello through his desk fan

The Stig has recently been releasing pop records under the pseudonym of "Lady Gaga"

Under its race suit, The Stig also wears a red G-string and suspenders

The Stig doesn't understand the word "envelope"

The Stig is the only person in Britain not to have slept with Alan Johnson's policeman

The Stig once tore a goat in half

Its nipples are explosive

In its wallet, it keeps a photograph of its wallet

Its favourite disease it had as a child was gout

The Stig doesn’t know what dogs are for

The Stig can't eat mashed potato for religious reasons

The Stig once received 47,000 Olympic tickets, all of them for the final of women's wrestling

The Stig refuses to acknowledge the existence of Nottinghamshire

The Stig once hacked into its own helmet

The Stig is the only person in Britain who knows what B&Q stands for

The Stig once spent its $1.5 million dollar bonus on French breast implants

The Stig has 50,000 photographs of its own camera

The Stig has high horsepower

The Stig is skilled in cocktail-making

The Stig is the only person in history to buy a DFS sofa when it wasn’t on sale

Its favourite boxing venue is Munich Airport

The Stig stores all of its shoes and cassette tapes on the motorway central reservation

Following the vote on gay marriage in Britain, The Stig got engaged to James May’s lawnmower

Its convinced that Henry IV is buried under the Follow-Through

The Stig used to be a stormtrooper, but it was kicked out when it tried to eat Darth Vader

The Stig is made of rubber porcelain

The Stig’s shadow is that of a beluga whale

The Stig can play guitar with the clutch

Its carbon fibre beard is chiselled in the most streamlined way

The Stig knighted the former Queen of England

The Stig once saved the former Queen from God

The Stig can hypnotize sheep

If bothered, The Stig could swim the entire Atlantic Ocean-underwater

The Stig once co-presented a Brazilian show about blimp disasters

The Stig once actually punched God

The Stig once killed a giraffe with just its feet

The Stig has a black belt in paper maché

Some say it is five foot tall with lead in its feet

Others say six feet with tall with air in its head

....but it doesn't care what you say

The Stig has contracted every STD known to man

The Stig has large inflatable breasts to get them out of speeding tickets

The Stig is one of the protons in the Large Hadron Collider

The Stig creates miniature black holes every time he sneezes

The Stig was the one who actually pulled Excalibur from the stone and is the rightful King of England

The Stig gave birth to Chuck Norris and the mother was Superman

The Stig has no understanding of queuing

The Stig once modelled for Page 3

Its feet are made from dog leather

The Stig invented the mankini because it was frustrated with how its speedos looked on it

The Stig is the reason why The Beatles split up

And finally: The Stig has never watched an episode of Top Gear because it prefers a different show that airs at the same time

“Right, that's the track, now we needed someone who could tame it. So we got ourselves a professional racing driver who could post consistently fast lap times. We um, we couldn't do that. Now we call this thing The Stig, okay, we don't know its name, we really don't know its name, no-one knows its name and we don't want to know because it's a racing driver and racing drivers have tiny little brains and therefore worthless opinions and they're very dull; doctors actually call it Mansell Syndrome. Um, its job is simply to go out there and drive fast.”

-God probably

[informalmajesty]

Jimin is not being sabotaged by his own label

This tag used to be (mostly) fun and now all I see are large text posts pitting Jimin and JK against each other and, look, it’s not as complicated as many of you are making it out to be, nor is there some grand conspiracy to *checks notes* pit JK and Jimin against each other or *keeps checking notes* a SPECIFIC vendetta against ONLY Jimin, their artist who *scrolls scrolls scrolls through notes* went number 1 on Billboard.

So here is a large text post on the woes of American capitalism (yes. Really).

Here’s the reality

Billboard DID Sabotage Jimin

Let’s get the big sabotage that did happen out of the way — BILLBOARD (and friends. Will circle back to this) ARE RACIST SNAKES AND ALWAYS HAVE BEEN.

Billboard has a history of keeping Black artists off of the pop charts. One example, R&B was largely created as a separate chart to move a category of Black artists from the Hot 100 pop charts. It was a big deal—as (1) example—when Boyz II Men crossed over to the pop charts multiple times.

And then what happened? The American music industry caught up and started cranking out white boy bands that wrote and performed R&B but. Funny. Somehow it was now considered JUST pop on the H100 POP charts. They weren’t pushed immediately to R&B and had to work their way over.

This was considered R&B for the R&B charts that was a “crossover”

And this was considered mainstream pop that needed no crossover.

Yeah, Billboard have always been racist snakes.

So flash forward to 2023. We know they tried HARD to keep BTS from the H100. Going into Proof, BB limited digitals, reduced the weight on sales and upped weight on radio. Why? American music labels can control radio. They cannot control sales and it’s legally far more messy for them to do so.

But then. JIMIN happened.

ARMY got Jimin to H100 #1 with the rule change and the American music industry lost their collective shit.

Why do I say COLLECTIVE and not just Billboard? Well.

This is so essential to the punch line of this rant.

American capitalism only cares about its friends.

What does that mean?

I work in Silicon Valley. You want to know why there is a major diversity problem in Silicon Valley? Yes. There is explicit and obscene misogyny and racism, but the biggest problem is less explicit albeit just as systemic.

White men tend to hang out and befriend other white men already in their “circle.” When some rich person or VC firm’s buddy is like “hey I need money for this thing” they are like “yes, of course, buddy, here you go!!” And they get tons of cash without having to prove anything.

I will not say the startup I worked at but it’s valuation was in the billions and their funding was in the billions with NO product built yet. How they got those billions? A well known stunt performer was besties with the then CEO of a major major tech company and he said “hey bestie give my friend over here hundreds of millions of dollars.” And then this startup got hundreds of millions of dollars. Was there due diligence done? Absolutely. But would the CEO of a major tech company give a crap if his best dude didn’t vouch for the startup? No.

Humans are extremely relationally driven. Merit is basically bullshit. Merit is so so rarely considered in anything. Who are you friends with? That’s how most things are done.

So, Billboard has a lot of friends. Those friends are in major record labels. And those friends only care about making as much money as possible while retaining the status quo.

What goes against all of that? A group of non-white, non-American men that they make very little money from because their label is completely seated in a different country.

So when Like Crazy—a solo record by a Korean artist under a Korean label with a Korean songwriting team—comes in and dethrones FLOWERS, Columbia Records’ darling for the year (no hate to Miley or the song, it’s solid, love Miley), oh my god were they SEEING SOME RED.

The MONEY they PAID to see Flowers on top of radio, of playlisting, of cultural consciousness and a NON AMERICAN NON WHITE MAN just dethroned that.

My GUESS (I don’t know, also keep in mind BTS didn’t seem to have the friendliest exit from the Columbia distribution deal) is that Billboard’s BFFs at Columbia threw a fit. And Billboard responded by saying “of course, bestie, we’ll remove the problem.”

And there goes 100k sales in the next week. Deleted. Gone.

Who is going to call them on that? Hybe could propose an investigation, sure, but here’s the thing — it’s not illegal. Billboard didn’t break any law. It’s THEIR completely made up chart that they can change at any time depending on what labels want (this is how Wall Street works too, btw). Everything is made up to appease the same 50 white men. Bleak but true. Music industry is far from the exception.

Okay so moving forward — now we have Jungkook’s Seven coming out. And Billboard a week before release finally decides to tell us the rule they CREATED BECAUSE OF JIMIN (it’s a shitty rule of course but damn Jimin’s power)—D2C sales no longer count.

Jungkoook makes it to #1 anyway because ARMY is freaking amazing AND yes. Yes, Jungkook got more US promotion, help on Spotify, general promo, radio etc than Jimin.

BUT THIS DID NOT HAPPEN BECAUSE BIG HIT FAVORS JUNGKOOK AND SABOTAGED JIMIN

Remember — everything is determined by rich men in power and who they are friends with.

What did Jungkook do? He went to an American producer who is besties with Scooter Braun (Andrew Watt has worked with several of Scooter’s artists including Justin Bieber, namely on Peaches) who has power to contact his besties at Spotify and wherever else.

And what does going to an American producer unlock for Jungkook? A pop track highly likely to do well in America. So then what does Bang PD do? Recognize that because the dude is a billionaire and he likes money and he says (and we know he said this) “this is going to be a hit.” And there you go, you have the Seven marketing campaign that Like Crazy didn’t quite get.

This isn’t “oh my god BigHit / Hybe hates Jimin.” This is “Jungkoook took an easier, more commercial route.”

If Jimin wants to go get a song like Seven….he can go get a song from an American producer who is friends with the right people.

Instead he wanted to work on a personal project with Korean producers and it’s amazing and beautiful and also went number one and was also a huge success.

And Jungkook wanted this really great and incredibly commercial pop song.

Both are valid. Both are going to unlock different resources for the artist. And both Jimin and JK know this. They chose what they chose. That’s it. End of story.

As for Seven v LC album stock— stock is highly likely determined by basic predictive analytics models (exponential smoothing, maaybe a regression, maybe even something as simple as moving avg idk). LC was a sizable increase from Astronaut and other BTS singles. So then Seven likely adjusted to that increase. Again. That’s it guys. That’s literally it.

So can we please have the tag back and stop pitting JK and Jimin against each other and respect that Jimin chose to do a more artistic, personal project while JK (at least for now) did not?

If you want to be mad at something, be mad at American wealthy white men and their friends.

[jimin-updates]

SGMB Billboard Debuts

SGMB debuted at the top of the Digital Song Sales chart and on all three billboard song charts this week. Thank you to everyone who worked so hard for Jimin!

Billboard Hot 100

Jimin made history with this debut!

World Digital Sales

Billboard Digital Song Sales

Billboard 200 Excl US

We did this with one version, with no physical support, with minimal promotion and two days of pre-orders. Everyone should be incredibly proud!

[lola-babylon]

Running the numbers on Brendon, Ryan, and owning the Panic! at the Disco legacy

Some people are a bit upset that Brendon Urie continued performing as PATD after Jon & Ryan left, or after Spencer & Dallon left. One of the primary criticisms you see floating around is that, by using the Panic name for his solo career from 2015-2023. Brendon was profiting off of Ryan's legacy as the main songwriter on the early albums.

Let's dig into that, especially the "profit" bit.

I've seen jokes about Ryan Ross working retail now cause he's broke. We don't know what Ryan does with his days and it's none of our business unless he chooses to share that information publicly, but AFYCSO alone has been certified 4x Platinum in the US, having sold 4 million copies. Ryan, being the main songwriter on the album, would one hopes receive a decent income stream for the royalties and has no need to work a job he doesn't want to pay the bills (recording contracts are usually a Kafkaesque nightmare, but hopefully they had a decent contract where the artists get a fair share of royalties, that it isn't all chewed up by record companies).

But if you look at the album sales over time, this is where it gets interesting.

(well, interesting to a stats and facts wonk)

Here's the Recording Industry of America's certification record for AFYCSO - you can check for yourself here

The album went platinum, meaning sales of a million copies, in 2006, a year after it was released. It took another 9 years for the album to double that figure, selling 2 million copies by 2015 and achieving 2x platinum. But then things took off, with AFYCSO reaching 4 million sales by June 2023 and the resulting 4x platinum certification.

But what stands out here is this - AFYCSO was released in 2005. And fully half of all sales of AFYCSO took place after 2015.

2015 was the year that Panic became a solo project of Brendon Urie's. It also marked the start of the period of some of the band's highest sales since the early days, including their first number one charting album, a second number one album, and (Jebus, please save us from) the single "High Hopes". And Brendon toured extensively - musicians used to tour to encourage people to buy their albums; now that most music is digital musicians rely touring as their largest source of income, which is one of the reasons why a ticket to see Led Zeppelin on their 1975 U.S. tour cost $31 adjusted for inflation to 2023 dollars, but seeing any decently sized musical act in concert these days will set you back well over $100 and that's just for starters.

(I told you I was a stats wonk).

Anyway, through all that work, Brendon was using the Panic name, sure. Was he entitled to? That's not my point here. What he was doing was keeping the Panic name in the public mind, entertaining old fans and winning new ones (not my thing, but again that's not my point) and in those years, those fans purchased 2 million copies of AFYCSO, and as the main songwriter on the album Ryan has received the largest share of the royalties from those sales. Ryan earned and was entitled to that money, of course, but would AFYCSO have sold two million copies between 2015 and 2023 if Brendon had retired the Panic name and continued as a solo artist?

Let's be realistic. No.

When people heard High Hopes or any of the other post split music, they were hearing a Panic at the Disco song. If they liked it, they'd look up the artist Panic at the Disco, find the band's earlier work, and buy/stream it. If they'd heard High Hopes as a Brendon Urie song, and looked up the artist Brendon Urie, is it likely they'd have followed the bread crumb trail, learned about this now defunct band called Panic at the Disco Brendon used to be in, and bought that band's stuff too?

We could go back to 2004/2005 and debate whether Panic would have made it as big as they did back then without Ryan's songwriting skills and determined online hustling of the band. Or without Brendon's vocals and stage presence, or Spencer's creative vision for their image and live performances. Or without that they were all so young, they were just crazy brave enough to put their all into the band when if they'd been only a few years older, they might have been worried about the future enough to stay in or go to college, or train as a hairdresser or whatever. Or for that matter whether they had all that, and the right sound at the right time, and made the right connections, oh and they weren't exactly bad looking. There's so many reasons bands do or don't make it. Just talent is never enough. Trying to work out which parts of Panic's early success were due to the respective talents of Ryan, Spencer, and/or Brendon nearly 20 years on is like trying to unscramble an egg (even Brent paid a role, through the loans his parents provided to help pay for the band's practice space and van for the early tours). But it's unrealistic to say Panic was a success solely because of Ryan or that Brendon trampled all over that to get to the top solo. Either way....

Brendon Urie continuing as Panic has been, financially, very benefical for Ryan. Brendon continuing with the Panic name has meant AFYCSO was from 2015-2023 the first album of a very successful currently touring act, and not a footnote to Brendon Urie's career from his now defunct first band (I don't see it that way at all - this post is about album sales and money, not artistic integrity). And Ryan has received the royalties from albums that would never have been sold if PATD officially disbanded in 2009 or 2013 or whatever.

And whilst Ryan has been at home restoring antique cuckoo clocks or whatever he chooses to do, Brendon's been missing his family, home, and dogs, getting up at 4am to catch flights, living out of suitacses, answering inane interview questions, sleeping on tour buses and wondering what country he's in today - and, indirectly, making Ryan money. If Ryan only cared about money he probably would have continued on with Panic past 2009, but I'm sure the royalties he's received since 2015 haven't been a burden either. I'm not saying Ryan owes Brendon anything, he doesn't, and Brendon only lived that life because he loved it, or thought the performing bit made it all worth it (along with making a bunch of money for himself).

This post has focused on AFYCSO, though of course Ryan also gets royalties from Pretty. Odd, which has had a long overdue reappraisal from audiences who realise it's really fucking good. (I'll use the correct punctuation this once, but there was no way I was going to add an exclamation point every time I typed the word panic). Anyway, crunching the numbers on one album was enough. But Brendon didn't profit off of Ryan's legacy by continuing as Panic. It's been very profitable for them both.

[dailyniallnews]

Interview with Niall Horan, ex frontman of One Direction

If the global success with One Direction is now far behind, the fortune that Niall Horan is enjoying as a solo artists is very current. His third album was just released. Emblematic title: The Show, and the show could not get better than this. Article by Leonardo Clausi

Precisely because this is the new age of anxiety (from the title of the poem by W. H. Auden The Age of Anxiety, 1947, and from Symphony n. 2 by Leonard Bernstein inspired by it, 1949), Public Health around the world should prescribe listening to Niall Horan. As anti-anxiety medicine, tonic for the psyche, emotionally restorative medicine. Really, who else in the modern soft rock world is as capable of tuning in for ten tracks on an equally balmy wavelength, without ever straying into drama or comedy, as Horan does on The Show, third album since he went solo after the dissolution of One Direction, the (boy)band who competed with the Beatles in music sales? Not even the much more wanted colleague Harry Styles, with his unapologetic Bowie-ism that annoyed Tony Visconti so much.

30-year-old Horan doesn't have the same ambitions. We could easily ask him to go and pick out our daughter from school because he is so.. fragrant? Since 2016 - without stopping except from when forced by the pandemic - he's been writing music and bringing it on tour. A constant motion of three albums, the feverish craftsmanship of a diligent entertainer devoted to the career that he was raised in thanks to the shortcut, sometimes a brutal one, with which talent shows have short-circuited the discography and industry of A&R (Artists and Repertoire). We intercept him as he drives, always busy as a bee. "I just came back from America yesterday. Today I am in Liverpool. It's constant travelling, I spend most of my time jetlagged". He is understandably satisfied with his latest discographic effort, which will become the center of the homonymous The Show Live on Tour, with the Italian stop on 21st March 2024 at the Mediolanum Forum in Milan: "I spent a lot of time writing and producing it during the pandemic and the year after. I’m happy, the response has been very, very interesting around the world". Not surprising, considering the melodic quality of the tracks, touched by the Californian light of the Laurel Canyon, with vocal harmonies reminiscent of the Beach Boys, and references to the Eagles and Fleetwood Mac. "I trusted that I could write a song. I knew I had the ability to do it. I just needed to trust that I could get a guitar, or sit at a piano, and something good would come out of it. It's out, but you never know. I need to keep my head down, work hard and see".

The 70s were his first introduction to music through records (or vinyls, as hipsters say), which were floating around the house; the real love however started "when I realised how lucky I was to have grown up with music that stayed with me to this day. My parents had a large album collection. I still listen to a lot of them now. When I’m in the studio I often use analogue mixing desks, it’s an important part of the sound I’m looking for". Speaking of the search for the 'organic' sound that digital audio is not able to embody all the way, what does he think of artificial intelligence, now that creators in the entertainment industry are taking the streets as well to protest against forcibly becoming obsolete? "Artificial intelligence can really do a lot, but it can’t give you that feeling that I call the human touch. It couldn’t write 'Hey Jude' or any other masterpiece. Humans will always have the upper hand".

Horan's Irishness is a prominent element of his personality, that proud affability that made his country a cultural superpower despite its size. And that was worth the warm reception of none other than the POTUS, who is also a descendent of the Celtic diaspora. "For how small the nation is, the relevance we have worldwide is amazing. Only five million inhabitants, and yet our culture of drinking, night life, musical or literary traditions are known everywhere. It's something I always keep in mind and want to show off as much as possible. And yes, I was invited at Washington to meet Joe Biden". Understandably, the fact excites him: "It was crazy that someone from a small town like mine (Mullingar, northwest of Ireland, ed.) ended up playing for the President of the United States at the White House. I still can't believe it". Not to mention the fact that, from a particularly bigot and conservative society that it once was, Ireland is now one of the most advanced and liberal ones of the West. "I'm not sure how it happened, but I am very proud of it. It was great to see it become one of the first countries to have gay marriage, for example. And I’m proud that it’s acting as a catalyst for change in other countries".

And does he know U2, this compatriot up and coming group? Would he collaborate with them? "Some of my all time favourite songs are by U2, their shows are some of the best I’ve ever been to. It would be great to do something with them if they ever ask". Coming from one of the best selling bands meant that there was a challenging precedent to compete with. But Niall Horan is doing great. It's impossible to refrain from asking about a 1D reunion. "It’s a busy time for everyone, so no, not that I know of. We keep in touch but everyone’s doing their own thing. Louis is touring in America, Liam is working on his music, Harry’s busy on the biggest world tour... In fact, if you hear about a reunion, please let me know".

[vengefulvermin]

Can i get more passage of time/music development yapping ☹️☹️☹️??? I give you official permission to yap the most you can im so interested

YES YES YES YES YES I LOVE THIS ASK

warning beneath the cut SCARY WALL OF TEXT WARNING 😱

decided to divide it into colored parts if you dont gaf about certain elements 😭

second warning all of this is unedited rambling so some points might contradict each other or just plain not make sense.

okay so for CONTEXTTTTT

i have diagnosed OCD, and like, roughly since the end of last year and the beginning of this one, the 'obsession' part of OCD that was negatively affecting me, was the concept of time. how fleeting it was. how it's basically unescapable ALL THINGS MUST PASS (get out of my head george harrison) that shit proper cold dead SCARED ME MAN. sleepless & haunting me in my dreams type shi. sometimes it still does. i try not to think about it too much

to cope, i found great comfort in the 70s-80s since at the time i was and still am hyperfixated on david bowie and that was sort of his prime (love his 90s-00s work tho.) i was also starting to think of how much parallels and similar experiences i have to previous generations and how it's not ALL that bad after all so far. i can still walk to a record store and roller skate if i really wanted to, or go to a diner.

okey here's where the life changing stuff happens. i decided i'd listen to pink floyd's the dark side of the moon. then TIME CAME ON. ohhhh god oh gosh golly god i was bawling and everything the whole song spoke to me on a molecular level. then i found out about DB's song also called time, and i ALSO crode to that. i was like. wow. i'm not alone on this feeling of utter desperation and helplessness as eventually all things Must Pass. (GEORGE HARRSION GTFO)

i used to be bitchy on how i whined i was part of the 'wrong generation.' i thought i was alone, but virtually everyone of almost every era has thought this. somebody who lived my dream life wished they had what i have now.

that's when i started to lowkey realize the parallels and oneness of human experience. i could go to a club in the 70s, and (granted the infrastructure and music remains similar) i could today. nothing would change on how i perceive events. there is no color filter on the past. unless you got huge TVs and stuff all over your house, you could walk around, and think it's the 80s. AND IT'S BASICALLY THE 80s. the way your parents or any other gen Xer saw the world with their *eyes* (not counting the changes in buildings and stuff) is the same as you today pretty much.

i already really enjoy subcultures, and particularly how they evolve and adapt. the indomitable human spirit prevails no matter how gentrified or 'banned' things become. nowadays i feel like there is No Youth Subcultures. at least, none that will pass the test of time and be memorable enough to be remembered in the books. nobody's gonna go to their child and proudly say: "when i was your age, i was a chav" or something. and i credit this to the lack of creativity allowed in the wider music industry.

HEAR ME OUT this is because 90% of youth subcultures had everything to do with music. and now, everything must be palatable. to be clear there's nothing inherently wrong with that type of music, but to me it speaks no soul. it has no risks. contemporary pop music is very much formulaic and this is because now more than ever entertainment (this also applies to movies btw) is more of an investment than passion. I WILL SPECIFY.

music production is so vastly different genre to genre, and we're not letting it flourish because of how much short form content is valued nowadays. LET ME COOK.

tiktoks are formulaic. algorithms are formulaic. WE'RE GETTING SOMEWHERE. there must be an instant hook or rift in music if you want to 'go viral' as a musician. digitized fame doesn't mean SHIT (to me), since clearly monthly listeners don't equate real world fans. album sales are being replaced with streams, and because of how ASS spotify treats its artists, newer, less established acts need to GET ON THE GRIND INSTANTLY to earn Coin. that means that to be smart and work with the exploitative system they're given, they have to make albums filled with 1 minute 30 second songs. so you can technically give them the most amount of streams possible. i feel with this formulaic approach, you can't get 6 minute long gutwrenching guitar pieces. no more 4 minute drum solos, hell avant garde experimental works were 2 people shout their names out at each other for 20 minutes. THERE ARE NO MORE FRANK ZAPPAS.

i'm not going to be one of those sad assholes who claim there's 'no more good rock music' and how it'll never be the same. as corny as this is, the next beatles or nirvana could be right under our noses and we'll NEVER know because of how fame is distributed. it sucks to see a small band beg on tiktok for streams to kickstart their career. but this is what we gotta work with. if we want subcultures to be created and thrive, we gotta go looking underground again, except unlike in the past it's a kajillion times easier now AND everything gets gentrified in 2 tiktok weeks. but this is evolution. MUSIC EVOLUTION

the end honk shoo honk shoo (it's midnight)

[black-arcana]

Watch: A Bat Lands On THE PRETTY RECKLESS Singer TAYLOR MOMSEN's Leg During Concert In Spain

According to Metal Journal, a bat landed on the left leg of THE PRETTY RECKLESS singer Taylor Momsen during her band's May 29 performance at Estadio La Cartuja in Seville, Spain as the support act for AC/DC.

After playing the fifth song of THE PRETTY RECKLESS's set, "Witches Burn", Taylor addressed the crowd, saying: "You guys are pointing at something, and I wanna know what you're saying." She then looked down at her leg and noticed the bat, after which she return to the microphone and exclaimed: "There's a fucking flying bat on my leg right now. Can someone help me, please? I must really be a witch."

A stage quickly hang came over a removed the bat, prompting Taylor to say: "Gracias. It's all right. And the bat's fine. He's gonna be my new friend," before adding, "Holy fuck."

Guitarist Ben Phillips then told the crowd: "Well, that hasn't happened before." Momsen went on to say: "I'm telling you. I'm a fucking witch. I attract the bats. Someone, bring out a black cat. It's gonna be great."

Phillips said to the audience, "Gracias for pointing it out," before Momsen added: "I thought you were pointing at my SOUNDGARDEN bracelet. And I was, like, 'Oh. Fucking they like SOUNDGARDEN. Awesome."

During an appearance on the May 6 episode of SiriusXM's "Trunk Nation With Eddie Trunk", Taylor was asked about the progress of the songwriting and recording sessions for THE PRETTY RECKLESS's fifth album. She said: "I don't have [release] dates for you, but we booked — we've locked up the studio for eight months. It takes us a while to make a record. But it was going amazingly [before we paused the sessions in order to hit the road]. Hopefully when we pick back up in September, it'll be the same kind of flow and everything will just jell. But a lot of it's written. I'm sure that more will be written when these experiences happen and then new songs [arise] out of them. So I'm sure that there'll be some more songs coming. But I don't have dates. But it was going great, and we had just started; we really haven't started at all, but there's written stuff. So that's a start, I guess. But as far as recording, we hadn't really gotten into it yet."

This past January, THE PRETTY RECKLESS shared a photo of Taylor in the studio with Jonathan Wyman, who co-produced THE PRETTY RECKLESS's latest album, 2021's "Death By Rock And Roll", apparently confirming that Wyman has re-teamed with the group for the upcoming LP.

In a May 2023 interview with Ronni Hunter of the 99.7 The Blitz radio station, Momsen revealed that she and her THE PRETTY RECKLESS bandmates had commenced work on the follow-up to "Death By Rock And Roll".

"We're in a great headspace," she said. "We're just having fun with it, and wrapping up the tour cycle of 'Death By Rock And Roll'. And then new record — and it's next chapter. We've already kind of started it… We've gotten into a studio; we've stepped foot into a studio. So that's saying something for us."

THE PRETTY RECKLESS is supporting AC/DC on the legendary hard rock band's spring/summer 2024 European tour. Momsen and her bandmates also opened for THE ROLLING STONES on May 11 at the Allegiant Stadium in Las Vegas, Nevada.

In November 2022, THE PRETTY RECKLESS released a new collection of music, "Other Worlds", via Fearless Records. The effort saw the group delivering its first proper acoustic recordings, unexpected covers and other reimaginings.

"Death By Rock And Roll" was made available in February 2021 via Fearless Records in the U.S. and Century Media Records in the rest of the world.

Upon release, "Death By Rock And Roll" topped multiple sales charts — including Billboard's Top Albums, Rock, Hard Music, and Digital charts. The record also yielded three back-to-back No. 1 singles — "Death By Rock And Roll", "And So It Went" (featuring Tom Morello of RAGE AGAINST THE MACHINE) and "Only Love Can Save Me Now" (featuring Kim Thayil and Matt Cameron of SOUNDGARDEN). The band has tallied seven No. 1 singles at the rock format throughout its career.

"Death By Rock And Roll" was THE PRETTY RECKLESS's first album to be made without longtime producer Kato Khandwala, who died in April 2018 from injuries sustained in a motorcycle accident.

THE PRETTY RECKLESS formed in 2009 and consists of Momsen, Phillips, bassist Mark Damon and drummer Jamie Perkins.

In 2021, Momsen — who rose to fame portraying the character of edgy little sister Jenny Humphrey on The CW's "Gossip Girl" — described "Death By Rock And Roll" in an interview with ABC Audio as a "battle cry for life and for hope."

"I think that that's something that we can all use a little bit more of, especially right now," she said. "We could always use a little more hope, and we could always use a little more rock and roll."

[atlantis-area]

"Move" debuted on October 16, 2017 and peaked at number 12 on Gaon Digital Chart. It stayed on the chart for a further four weeks. It also reached peaks of number four and number 26 on Billboard World Digital Song Sales and the K-pop Hot 100, respectively. It has drawn comparisons to the work of Michael Jackson and George Michael, as well as Depeche Mode and The Weeknd. (Wikipedia)

[venusvity]

Jung Yoonah (Korean: 정윤아, born November 16, 1998), known professionally as Baebi (Korean: 배바이; Japanese: ベビ), is a Korean singer, dancer, and actress based in South Korea. She is a member of the South Korean girl group Venus, formed by Angelico Entertainment in 2018. She is portrayed by Jennie Kim, Im Youha, & Go Minsi.

Yoonah was born on November 16, 1998, in Guri, Gyeonggi Province, South Korea as an only child. Her mother taught art at a university while her father worked in sales. Yoonah began dancing at the age of three, being put in ballet by her mother.

Yoonah trained in ballet from a young age, having practiced it for eleven years before debuting with Venus.

Yoonah would attend the School of Performing Arts Seoul (SOPA; Korean: 서울공연예술고등학교 / 서공예), where she would be scouted by Angelico Entertainment.

𝟐𝟎𝟏𝟐 - 𝟐𝟎𝟏𝟑 : 𝐀𝐧𝐠𝐞𝐥𝐢𝐜𝐨 𝐒𝐜𝐨𝐮𝐭𝐢𝐧𝐠 & 𝐏𝐫𝐞𝐝𝐞𝐛𝐮𝐭 𝐚𝐜𝐭𝐢𝐯𝐢𝐭𝐢𝐞𝐬.

While attending SOPA, Yoonah would be scouted by Angelico's CEO, Son Jinhwa, and COO, Jeon Jihan, through an open audition the pair hosted at the school. She was scouted for her visual and dancing skills.

Yoonah would become a frequent feature in Priority music videos, acting as a love interest to the boys or as a backup dancer. She would also model for various CF brands and commercials.

In Januaray 2014, it was announced that Yoonah would debut in Angelico's first-ever girl group, Emphasis.

𝟐𝟎𝟏𝟒 - 𝟐𝟎𝟏𝟕: 𝐃𝐞𝐛𝐮𝐭 𝐰𝐢𝐭𝐡 𝐄𝐦𝐩𝐡𝐚𝐬𝐢𝐬, 𝐃𝐢𝐬𝐛𝐚𝐧𝐝𝐦𝐞𝐧𝐭, 𝐚𝐧𝐝 𝐀𝐧𝐠𝐞𝐥𝐥𝐢𝐞𝐬.

Yoonah debuted with Angelico Entertainment's Emphasis on May 21, 2014. Emphasis officially debuted and released their first mini album, EMPRINTSIS, accompanied by the title tracks "Symphony" and "Road Trip."

Emphasis would have their first and final comeback with their second mini album, EMPATHSIS, promoting the title tracks"Love Bomb" and "Wee Woo!" before falling into a year of inactivity.

On May 24, 2016, Emphasis was officially disbanded. Angelico Entertainment announced that Yoonah would be staying with the label.

Following Emphasis's disbandment, Yoonah would return to training and join Angelico's pre-debut team, "Angellies." The group would rotate trainees and perform around South Korea. The team would operate on a ranking system voted on by the fans they would garner from their performances and live streams.

Yoonah was a prominent member of the Angellies, often being voted as the fan favorite in their monthly rankings. By the end of the group's run, Yoonah was the second-most-voted fan favorite.

In 2016, Yuuna would officially take on the stage name Baebi.

In 2017, Angellies would be discontinued to prepare for Angelico's new girl group debut.

𝟐𝟎𝟏𝟖: 𝐃𝐞𝐛𝐮𝐭 𝐢𝐧 𝐕𝐄𝐍𝐔𝐒

On March 17, 2018, Baebi would officially debut in VENUS with the release of their first extended play (EP), SHE DEVIL, and its lead single, "SHE DEVIL."

She is the group's leader, main dancer, main vocalist, and lead rapper.

𝟐𝟎𝟏𝟗: 𝐒𝐨𝐥𝐨 𝐝𝐞𝐛𝐮𝐭

In late 2019, Baebi made her debut as a solo artist with the EP Bubble Pop!.  She released her debut extended play (EP), Bubble Pop!, in June 2019. It peaked at number two on South Korea's Gaon Album Chart, and charted atop the US Billboard World Albums. As of 2023, it has sold 360,000 copies in South Korea. 

Bubble Pop! 's commercial success was the main contributor to Angelico Entertainment's leading music sales. The song peaked at number one in South Korea, where it has sold over 2.5 million digital units. To accompany her solo release, Baebi held a series of small concerts called Baebi's Summer Splash. She was awarded Best Female Artist at the 2019 Mnet Asian Music Awards and at the 2020 Golden Disk Awards.

𝟐𝟎𝟐𝟏 - 𝐏𝐫𝐞𝐬𝐞𝐧𝐭: 𝐀𝐜𝐭𝐢𝐧𝐠 𝐃𝐞𝐛𝐮𝐭 𝐚𝐧𝐝 𝐜𝐨𝐦𝐦𝐞𝐫𝐜𝐢𝐚𝐥 𝐬𝐮𝐜𝐜𝐞𝐬𝐬

She made her acting debut in the 2021 Netflix K-drama Squid Game, in which she played Han Doyun, an unpaid intern at an unnamed company, alongside her husband, Han Wonil, played by Jang Kiha of Priority,  who need money to pay off their ever-mounting debt.

Doyun became a fan favorite, and Jung was called Squid Game's breakout star by critics. For her performance on the show, Jung won the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Drama Series at the 28th Screen Actors Guild Awards.

Baebi has had a controversial relationship with Mydol CEO Son Jinhwa. An anonymous source revealed the pair's relationship to the public in 2022, resulting in a wave of backlash that led to Jinhwa stepping down from his position as CEO of Angelico Entertainment and Baebi going on a brief hiatus. The pair never confirmed their relationship.

In 2023, Baebi would confirm her relationship with Kim Juwon, the lead vocalist of the boy group Priority. The pair had been dating for three years before the announcement, silently putting the rumors of her and Son Jinhwa's relationship to rest. Baebi and Juwon would break up in 2024 after spending five years together.

Baebi has been a vocal mental health advocate, being very open about her struggles with depression and anxiety. She often donates to mental health charities and volunteers at children's hospitals in her spare time.

𝐄𝐧𝐝𝐨𝐫𝐬𝐞𝐦𝐞𝐧𝐭𝐬

In 2019, Baebi became the face of Gentle Monster, a sunglasses and optical glasses brand founded by Hankook Kim, choosing Baebi to represent their brand due to her "hot and cool" image. 

On February 2, 2021, Baebi was announced as the face of Chum Churum, a soju brand under Lotte Corporation.

On March 8, Baebi became the advertisement model of HOT6ix, an energy drink brand under Lotte Corporation.

On April 8, Etude House introduced Baebi as their new brand model.

In September 2022, Baebi became a model for the Japanese bathing suit brand KŌRARU.

Baebi has walked in runways for Burberry, Miu Miu, Jason Wu, Chanel, Schiaparelli, Giambattista Valli, Bottega Veneta, Emilio Pucci, Prabal Gurung, Jacquemus, and Tory Burch. She has also appeared in advertisements for Louis Vuitton, Chanel, Hermès, and Bottega Veneta and on the covers of Vogue Korea, Vogue Japan, CR Fashion Book, and Harper's Bazaar Korea.

[roo-bastmoon]

Battle Plans for the next 4 days...

Guys, we're doing really, really well with only one version. But now is the time when lots of folks get back into work routines, or get complacent with their playlists due to fatigue.

We have GOT to buy from all stores, in addition to iTunes. And we need to BUY THE TRACKS SEPARATELY for BB200. If you need help with purchasing, JiminFunds is open. If you don't need help, please donate to JiminFunds.

If you order physicals online now, they will only ship in time for Week 2. So for now, you need to concentrate on either buying in person or digital sales. Don't neglect these stores, and remember that the BTS store has THREE DIGITAL ALBUM VERSIONS!

We have also GOT to diversify streaming platforms in addition to Spotify. I get it's a tough economy, but free trial premium streams count and you can go make a free account right now on Apple Music, Amazon Music, Deezer, Qobuz, Tidal and Pandora. We HAVE to use YouTube and YouTube Music. There's no way around it; it's necessary for charting. There's no reason not to take advantage of a free trial-- they remind you to cancel before you get charged!

Later on today we are going to get remixes and we MUST use them correctly. Stream the album top to bottom. Then the remixes. Use Face and other songs as filler. Switch accounts and keep going.

We also need to vote. This is the last chance for Jimin to get a Countdown trophy before they close up shop for the Olympics and, surprisingly, the competition is super high (because we don't have tons of versions). So every single vote matters now. Download the Mnet app and just take 1 minute out of your day to vote, please:

My friends, we've done so, so well with our enthusiasm and hard work. So much better than we thought possible. The general public has embraced Who on social media; top playlists are ranking it high in public lists; and even some radio stations are picking it up. Muse is doing so well that the company is actually gonna give us remixes and put in the effort.

Now is time to be focused and precise. No distractions. No bullshit. Stay sharp, puppykitties.

Discourse can come later. Right now, we have a real chance to make history for our boy.

Do it for Jimin.

Love, Roo